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Copy without OBI! Original Japanese pressing.

Sages comme des sauvages are not who you think they are. You thought they were naive and nice, but they're anarchistic and angry. Plugged into the periphery, they force their way between the popular and the cool. Their songs are an antidote to the bad news, an attempt to reenchant the hollow space.Ismaël Colombani started playing the violin at the age of 6 and has played in a number of avant-garde music groups. He also composes music for the stage,...

Coming-of-age heartbreak madness in 90s indie rock style from the Ruhr area! Here come EAT THEM, ladies and gentlemen. Behind it is the musician Johannes Hofmann, who has recorded more than 20 albums single-handedly to date. And don't worry, Johannes is only in his mid-20s, he just started recording music at the age of 14, which he then burned onto CDs for his grandma to play. A little later: The own Bandcamp account.
Now a kind of best-of collection from the first 10 years of his creative work will be released at the end of June: EAT THEM ALL!

12 tracks on vinyl with a small art zine included. Everything designed by Johannes Hofmann himself.

All songs remastered by Norman Nietzsche. Lo-Fi becomes Hi-Fi Lo-Fi in no time!

The LP is intended as an introduction to the inexhaustible EAT THEM multiverse. Because there is about as much to discover here as on the legendary Shimmy Disc label or the Guided By Voices: indie rock, lo-fi pop, shoegaze, krautrock, math rock, punk rock or heartbreaking power ballads! In the meantime, Johannes has found two colleagues to bring EAT THEM live on stage. Please don't miss this!

As (Tocotronic discoverer) Myriam Brüger recently said so beautifully after the first EAT THEM show in Berlin: “Finally a really uncool band again!” That was actually meant as a big compliment!

In keeping with the holistic aspect of the project - and complementing the band name - titled "ALL", the album covers the full spectrum: from drum machine and sonic youth guitar melange, nervous post-funk to anthemic lo-fi indie -Rock, everything an indie heart desires can be found here.

The first single released today is “Do You Love Me When I’m Dead?”, a catchy song that takes place sonically where it is most beautiful in the rich history of suburban pop: in the garage. The piece reflected the live line-up, which was expanded to include bass and drums. The beat clatters happily and the open guitar chords flow! However, Hofmann transcends the suburbs with reverberated singing about an emotional urge to move and flies into the city, the disco or even through clouds and the landscape.

Limited to 100 copies.

Coming-of-age heartbreak madness in 90s indie rock style from the Ruhr area! Here come EAT THEM, ladies and gentlemen. Behind it is the musician Johannes Hofmann, who has recorded more than 20 albums single-handedly to date. And don't worry, Johannes is only in his mid-20s, he just started recording music at the age of 14, which he then burned onto CDs for his grandma to play. A little later: The own Bandcamp account.
Now a kind of best-of collection from the first 10 years of his creative work will be released at the end of June: EAT THEM ALL!

12 tracks on vinyl with a small art zine included. Everything designed by Johannes Hofmann himself.

All songs remastered by Norman Nietzsche. Lo-Fi becomes Hi-Fi Lo-Fi in no time!

The LP is intended as an introduction to the inexhaustible EAT THEM multiverse. Because there is about as much to discover here as on the legendary Shimmy Disc label or the Guided By Voices: indie rock, lo-fi pop, shoegaze, krautrock, math rock, punk rock or heartbreaking power ballads! In the meantime, Johannes has found two colleagues to bring EAT THEM live on stage. Please don't miss this!

As (Tocotronic discoverer) Myriam Brüger recently said so beautifully after the first EAT THEM show in Berlin: “Finally a really uncool band again!” That was actually meant as a big compliment!

In keeping with the holistic aspect of the project - and complementing the band name - titled "ALL", the album covers the full spectrum: from drum machine and sonic youth guitar melange, nervous post-funk to anthemic lo-fi indie -Rock, everything an indie heart desires can be found here.

The first single released today is “Do You Love Me When I’m Dead?”, a catchy song that takes place sonically where it is most beautiful in the rich history of suburban pop: in the garage. The piece reflected the live line-up, which was expanded to include bass and drums. The beat clatters happily and the open guitar chords flow! However, Hofmann transcends the suburbs with reverberated singing about an emotional urge to move and flies into the city, the disco or even through clouds and the landscape.

The Tortured Poets Department Vinyl + Bonus Track “The Manuscript”

16 Tracks + Bonus Track “The Manuscript”

Collectible 24-page book-bound jacket with three handwritten lyrics unique to this vinyl and never-before-seen photos

2 Ghosted White vinyl discs

Collectible album sleeves including never-before-seen photos

16 Tracks + Bonus Track “The Manuscript” Collectible 24-page book-bound jacket with three handwritten lyrics unique to this vinyl and never-before-seen photos 2 Ghosted White vinyl discs Includes never-before-seen photos

16 Tracks + Bonus Track “The Manuscript” Collectible CD album in single jewel case with unique front and back cover art 1 Disc album with collectible disc artwork A collectible 20-page booklet that includes all song lyrics and never-before-seen photos 10”x10” Double-Sided Poster. Side One: a photograph of Taylor Swift, Side 2: one handwritten lyric, unique to this CD

Cover with ring wear.

Limited edition, 100 pieces, exclusively at HHV

Comes with songbook, chronicles, photo, all hand-packed. Comes with songbook, chronicles, photo, all hand-packed.

At the end of 2008, the Cologne band Locas In Love released their third album "Winter" as a follow-up to the surprise success "Saurus" (2007). Written and recorded within two months in the summer of 2008, it was meant to be uncomplicated, fast and immediate and consequently "Winter" was the band's first completely self-produced album, produced in living rooms between Cologne's Gereonsviertel and Brooklyn, NY. The title theme still makes it the most cohesive of their albums, and it is the document of a friendship. The reason for the vinyl reissue is only secondarily the 15th anniversary of the release or the fact that the album was long out of print, but primarily the unexpected death of LD Beghtol in 2020. Locas In Love got to know the exceptional New York artist as a fan of his music (among other things as a contributor and singer of the Magnetic Fields on "69 Love Songs"). On "Winter" he appeared as a quasi-member and co-producer and can now be discovered by new music fans with his masterful song miniature "Packice", this heartbreaking mixture of winter blues and cryogenic science fiction. And so the Berlin label Staatsakt (which has just celebrated its own 20th anniversary) is now releasing the luxuriously equipped reissue. The hand-numbered limited edition with new artwork by Stefanie Schrank contains the scrapbook designed by LD Beghtol, which was also included with the first pressing, an 8-page songbook with lyrics and chords, as well as the 68-page Locas In Love Winter Chronicles, in which tour diaries and other texts from the time are summarised with a current self-interview of the band. The extensive bonus material is less about myths or detailed writing and recording processes and more about what it means to be a band, to live with each other and your own music - and to grow old.

Musically, "Winter" is the Locas In Love album that can least be attributed to a specific time or genre - it could be a forgotten private press release from the 1970s or a neo-lo-fi work from the TikTok era. If it can be located in a time at all, then it's the eponymous season. Or, as Stefanie Schrank describes it in her self-interview: "Winter the album is like winter the season, belongs to it and always comes back."

Introduced to the world ten years ago, Emeli Sandé MBE has become an icon of British singer-songwriting; emotional, honest, and prolific in the kind of manner that cements you as a go-to artist for heartfelt pop sensibility. This latest pop record is reminiscent of 2012, when Emeli had her first breakout hit. "How Were We To Know" is Emeli's second independent album release through Chrysalis Records. "There was a lot I wanted to say about myself, and I hope that through the lyrics people will get to understand me on a deeper level." The 11 tracks on "How Were We To Know" explore intimate encounters with love in all its forms, along with the risk required to pursue it. "Once you've been hurt, it's very hard to pick up the pieces again and allow yourself to be vulnerable," Sandé says. "So I think these songs explore the bravery of love, and loving others but also yourself. These songs were pieces of a puzzle I had to put together, and now feels like the right time to share them." The album features production from Jonny Coffer (Beyoncé, Miley Cyrus), Jim Jonsin (asap Rocky, Usher, Eminem), DI Genius (Drake, Raye, Sean Paul), Rxwntree, Chris Loco and Mac & Phil.

Pascal Obispo's 14th album of previously unreleased songs. Recorded in his studios in Paris, France.Produced by two new wave jazz men, Fred Nardin and Max Pinto.,17 tracks on double vinyl and 14 on CD. The album features two artists: Giordana Angi, a Franco-Italian star, and Alexia Gredy, a young French singer-songwriter, in a duet with Pascal. The album was co-written for the first time with Pierre-Dominique Burgaud, who now works with Alain Chamfort but he is also known for his work on Le Soldat rose and Gaëtan Roussel, among others. Accompanied by illustrious musicians such as Manu Katché and Laurent Vernerey, among others, and a guest appearance by Gautier Capuçon.This is an album of songs conceived around the theme of beauty, sublimated or dismantled. Recorded and mixed by his partner Youri Benaïs and mastered by Miles Showell at Abbey Road, "Le beau qui pleut" is one of Pascal Obispo's...