Search "record store day" 49977 Items

LP | 2023 | EU | Reissue (Rude)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Telescopes are an all embracing concern that began in 1987, the only constant being sole composer/instigator, Northumbrian born Stephen Lawrie. The band"s line-up is in constant flux, there can be anywhere between 1 and 20 members on a recording.The Telescopes were initially signed to Cheree Records then moved on to What Goes On Records where they became regulars at the top of the indie charts before gaining more mainstream success on signing to Creation Records. The Telescopes music has constantly pushed at it"s own boundaries, it overlaps many genres following its own course, inspiration led. Time has shown The Telescopes music not only withstands repeated listening but also reveals something new with each listen, a thread consistent throughout a highly influential body of work spanning over 30 years. The Telescopes have been cited as an influence on many artists across genres, around the world.

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Hail The Sun

Divine Inner Tension

Release: 2023 / EU – Reissue

Genre: Pop

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D.I.Y White Vinyl Edition

The Southern River Band

LP | 2024 | Original (Cooking Vinyl Australia)

Release: 2024 / Original

Genre: Pop

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LP | 2024 | EU | Original (Staubgold)

V.A.

Perpignan Burning

Renewed By Death Neon Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Perpignan Burning: the Southern French capital of garage rock in search of the riff. Or as Lou Reed would put it: "You can"t beat two guitars, bass, and drums." Content: 27 previously unreleased tracks on the double LP and six digital-only bonus tracks.All tracks on this compilation were recorded in or around Perpignan, France, and go to the musical extremes of an extreme city. Whether garage punks or freakbeat mods, country punks or city rockers, whether pioneers or new to the scene: the only thing that counts is the riff.Pascal Comelade, infamous riff explorer since the 1970s, is the unlikely godfather of this bunch of punks and rockers. He opens the trip with his emblematic cover design and closes it with his own Riffifi orchestra to the ultimate riff of The Stooges" "I Wanna Be Your Dog".

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High Reeper

LP | 2024 | EU | Original (Heavy Psych Sounds)

Why Robocop Kraus Became The Love Of My Life

Release: 2024 / EU – Original

Genre: Rock & Indie

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‘Three years after appearing on Doom Sessions Vol 5 split, High Reeper are back with their most ambitious album yet, “Renewed By Death”. A true heavy metal assault of eight tracks that take you on a journey to the darkest depths and leave you there to rot. Featuring monolithic riffs that pummel you from the opening of the album to the close, guitar solos reminiscent of George Lynch and Dave Navarro, and powerful vocals that deliver a knockout blow. This album showcases the band’s desire to keep evolving and exploring new sounds and ideas. “Renewed By Death” was produced, recorded, mixed and mastered by Shane Trimble at the band’s brand new studio Sletner Sound, in Wilmington Delaware with Justin Di Pinto also engineering. The cover was done by Solomacello and photos of the band were done by Drew Wiedemann.’

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The Robocop Kraus

2LP | 2022 | DE | Original (Tapete)

Release: 2022 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2017 | ES | Reissue (La Castanya)

The Van Pelt

Sultans Of Sentiment

Southside Johnny & The Asbury Jukes

Release: 2017 / ES – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink, but opened, with hype sticker. Vinyl with a couple of light scuffs

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Live At The Bottom Line 1977 Clear Red Vinyl Edition

LP | 2024 | EU | Original (Floating World)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Dallas)

300,000 V.K.

Der Sturm

OST Dreamscaper Orange Clear Splatter Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Finally, the 300.000 V.K. project's album, DER Sturm, has seen the light of day. The material for it was initially compiled around 2010, but the recordings were lost and then sporadically leaked out in various forms over the next ten years, until two years ago when a full album was assembled from the fragments. The release was then further delayed by the Covid epidemic and, additionally, for a further year by vinyl pressing delays. The album is now here at last, more or less in its original form, also with the design, conceived over a decade ago.

DER Sturm is a metaphysical album of techno-electronic provenance, with themes that draw on planetary, atmospheric, cosmic, interstellar communication and the journey of radio waves, yet it also features tracks such as Grozny and Exodus, which directly touch on more Earthly themes (war and refugees).

300,000 V.K. or Dreihunderttausend verschiedene Krawalle (Three Hundred Thousand Various Uproars) is a project originally established in 1982 as a more experimental offshoot of the Laibach Kunst music section, defined in Laibach's founding manifesto (10 Items of the Covenant) as a 'retrospective futuristic negative utopia'. The original members and founders of the project were Dejan Knez and Tomaž Hostnik. Later this Laibach 'sub-group' was joined by Iztok Turk and Peter Mlakar, and the first album - 'Peter Paracelsus' - was only released on Nika + Ropot Records in 1994.

In terms of authorship, DER Sturm is a solo project, formally signed by Baron Reichenbach, A. D. Knez and Elk Eber. It is one and the same person, but mentally split and multiplied. Dejan Knez, who is also a co-founder of Laibach, experienced a lightning strike in 1987 and with it a kind of cosmic enlightenment, which unfortunately also resulted in a deepening bipolar disorder, which led to personality stratification and occasional episodes of manic depression. His cooperation with the parent group Laibach therefore became rather disturbed and limited after 1987, and since 2006 it was almost completely interrupted, however he remained a respected member of the group on the symbolic level. In the meantime, he devoted himself more to work on the 300,000 V.K. missiles.

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Dale North

2LP | WW | Original (Ship To Shore)

Release: WW – Original

Genre: Soundtracks

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The Boom, The Motion And The Music

The Jazz June

LP | 1998 | CA | Original (Workshop)

12" | 2012 | US | Original (Count Your Lucky Stars)

Release: 1998 / CA – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

White vinyl. Cover with shelf wear and creasing.

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Joie De Vivre

Summer Months

Uncollected Noise New York '88-'90

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

White vinyl. Cover with light creasing. Cover closer to NM

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Galaxie 500

2Tape | 2024 | US | Original (Silver Current)

7" | 2024 | AT | Original (Record Shack)

Release: 2024 / US – Original

Genre: Rock & Indie

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The complete uncollected Noise New York studio recordings of Galaxie 500. A twenty-four track chronological journey through rarities and outtakes including never-before-heard songs, from the start of their incendiary career to their final studio session. Uncollected Noise New York ’88-’90 marks Galaxie 500’s first release of new archival material in nearly thirty years and their most comprehensive collection of unreleased and rare material ever. Produced and engineered by Kramer at Noise New York 1988-1990.

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Stefanie & Orf Big Band

Feelin' It

Release: 2024 / AT – Original

Genre: Organic Grooves

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Miles In Tokyo Black Vinyl Edition

Miles Davis

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 2024 | EU | Original (Hublotone)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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'Miles in Tokyo' is a live album recorded on July 14, 1964, by the Miles Davis Quintet (featuring Sam Rivers, Ron Carter, Herbie Hancock and Tony Williams) at the Tokyo Kosei Nenkin Kaikan, Shinjuku, Tokyo, Japan. It is the first recording of Davis in Japan and the only album to showcase an early incarnation of his Second Great Quintet featuring Sam Rivers on tenor saxophone, following George Coleman's departure. After this, Wayne Shorter's appointment completed the classic line-up which recorded such albums as 'ESP' and 'Miles Smiles', through to 'Miles in the Sky'. The legendary 'Miles in Tokyo' album is now available on vinyl in Europe for the first time. The heavyweight gatefold contains a 4 page-booklet glued inside, like the original 1969 Japanese LP version.

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Winter Family

On Beautiful Days

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Golden Band Weather Report Yellow Color Vinyl Edition

The American Analog Set

LP | 1999 | US | Reissue (Numero Group)

LP | 2024 | Original (ATO)

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Weather Report Yellow Color Vinyl.The ethereal third album from Texas'sslowcore first wavers. A lethargic,sparse, and autumnal album, TheGolden Band is where The AmericanAnalog Set developed the courage todrive 40 KPH on the autobahn. Issuedon Emperor Jones in 1999, this 25thanniversary Numero edition has beenremastered from the original tapes andflawlessly reproduced in a gorgeous tipon sleeve. When are you quitting thescene?

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Deer Tick

Contractual Obligations

Standing In The Spotlight

Release: 2024 / Original

Genre: Rock & Indie

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Limited light blue colored vinyl LP pressing. Deer Tick's "Contractual Obligations," contains 8 songs recorded with producer Dave Fridmann (The Flaming Lips, Spoon, Sleater-Kinney) during the sessions for their latest album 'Emotional Contracts'. The EP arrives as the band celebrates it's 20th anniversary, and it is a heavy-hearted yet wildly life-affirming portrait of growing older without losing heart.

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Dee Dee King

LP | 2024 | Original (Survival)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Shrimper / Grapefruit)

Refrigerator

Get Lost

LP | 2024 | US | Original (Dot Dash Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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The fifteenth record by Refrigerator marries the two worlds that the band has come to be known for: the wild improvisational strings caught by drums on a vocal harmony and that of their minimal torch song balladering. The core line up for over thirty years of Chris Jones on drums and the Callaci brothers remains intact, as does bass player Daniel Brodo’s bass playing which has been a part of the Refrigerator sound for over twenty-five years. Joined on the previous record, 2021’s So Long To Farewell by Wckr Spgt guitarist Mark Givens, the five piece’s dual guitar attack is on full display on side one of the new record Get Lost, the sky clearing for a more studied, quieter side two that features saxophone and trombone, a live-to-one track recording and Mott The Hoople heartache.

Recorded once again by Steve Folta, the new record book ends the band’s previous effort both audibly and visually as Jean Smith’s previous cover art gives way to Jad Fair’s work for the sleeve of the new record. This is a limited edition vinyl pressing to be followed by a CD and some sort of wind up nickel-and-dime, tin-can-string version in the years to come.

Members of Refrigerator will be doing pop-up surprise dates in Japan, Norway, Scotland, Canada and Mexico as well as dates scattered throughout the US as a five piece in support of the new record.

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The Sheaves

A Slave For Institution

Crime In Australia Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The second LP from this inspired Phoenix DIY punk outfit. "Upstart New York label Dot Dash Sounds have teamed up with Paris' estimable SDZ to bang out this sophomore effort by The Sheaves, an outfit of desert peccaries whose swinley snouts have expertly strung together another string of stinging pearls for thine earholes. If the Placebo Records track team had a miler as lopey as this bunch, those trophy cups would have been perpetually brimming with Champagne's finest export."—Tom Lax, Siltbreeze Records

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Party Dozen

LP | 2024 | US | Original (Temporary Residence)

Below A Massive Dark Land Yellow Bio Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Crime In Australia follows 2022's The Real Work, the firstParty Dozen record that (some) people were actuallywaiting for; the one that Nick Cave sang on; the one thathad a track that billy woods jumped on for a rework; theone that took them to the USA, Europe (twice), Japan,China and New Zealand; the one that saw Party Dozenhook up with a cool US label (Temporary Residence Ltd.);the one that made Bandcamp, Stereogum, BrooklynVegan and a whole swathe of Australian radio stationsdeclare it their Album of the Day/Week/Epoch; and theone that made KEXP invite the band in for a live session,and made Sub Pop add to their hallowed Singles Club.The Real Work was not the first Party Dozen record, butit was in many ways where Party Dozen really started toput it all together. Crime In Australia continues to build ontheir arc, and elevates their ascent with a slew of newsongs that are simultaneously more focused and moreferal than anything they've ever done. And there are noguests on this one.

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Naima Bock

LP | 2024 | EU | Original (Sub Pop)

Fever Dream Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Most of the writing of Naima Bock's second album, Below A Massive Dark Land, was a solitary affair. It may not sound like it - it's made up of strong, purposeful arrangements with a huge host of musicians, filled with cradling space and warm light. This will also come as a surprise to anyone who has seen Naima perform in the time since the release of her 2022 debut Giant Palm, which was undoubtedly a communal experience. But there's power in the solitary, too. Giant Palm was arranged with collaborator Joel Burton, but going this one alone in search of something that was truly hers, Naima found she was capable of more. "After me and Joel stopped working together", she remembers, "it was an impossibility to even fathom doing arrangements myself but then I started learning violin and it was possible". Finding that she could go it alone was incredibly powerful for Naima: "I think I needed it, to be able to feel proud of something". Beyond the writing process, however, the record is not a stark, stripped back affair. Below_ still has the majesty that made Giant Palm so remarkable. Having tugged the first record down from the skies and spreading it across the earth, Naima finds a newfound vocal power and confidence born from hundreds of hours on stage, and the music sounds fuller, more tangible, and no less enveloping. This can be heard on the album's lead singles: "Kaley" feels fresh and surprising in its rug-pull choppiness but is distinctly Naima in its swinging, jubilant choruses. The accompanying "Further Away" takes a different tack, drawing you in with its simplicity. Finally, the hazy, luxurious beauty of "Feed My Release" draws on the sepia-toned traditions of The Roches, John Prine and Loudon Wainwright III and imbues them with the kind of stark confessional songwriting of Mount Eerie. These are ambitious, rich arrangements that reach deeper and darker lyrically than Giant Palm. Below a Massive Dark Land was predominantly produced by Jack Osborne (Bingo Fury) and Joe Jones, and recorded at The Crypt in north London, with additional production and arrangement by Oliver Hamilton (caroline, Shovel Dance Collective) and Naima herself. Six of the tracks on Below_ were mixed by Jason Agel, with the remainder done by Osborne and Jones. The album was mastered by Kevin Tuffy.

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Alunah

LP | 2024 | EU | Original (Heavy Psych Sounds)

Lost Demo Swirl Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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With their third album on Heavy Psych Sounds Records, Alunah have wasted no time in a post-pandemic haze since their last release, balancing being on the European festival circuit alongside touring the UK. However, in a Birmingham rehearsal room away from the outside world, everyday life and online noise, their latest full length "Fever Dream" has been quietly brewing waiting to see the light of day. Forged from a period of extensive jamming and soul searching "Fever Dream" digs into the core of what makes Alunah tick, being in a room together making the music they want to hear.Recorded during the winter of 2024, the atmosphere of the historic Foel Studio allows groove to flow alongside riff, heft and melody in equal measure. The brooding progressive majesty of the title track, the eastern soundscape of "Sacred Grooves" and the doom and roll of "Far From Reality" each highlight the album's ability to surprise and deliver in equal measure throughout the emotive journey of its nine tracks. Let yourself fall deep into the "Fever Dream". Produced by Chris Fielding (Electric Wizard, Conan)

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LP | 2024 | EU | Original (Subsound)

LP | 2021 | UK | Reissue (Fire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Since 1995, orphaned by their previous project, the three founding members of Zu (Jacopo Battaglia, Luca Mai and Massimo Pupillo) had been hanging out in the historic small room in Piazza Degli Zingari in Rome, every day, all day long, working nights and sometimes sleeping directly in the basement so as not to waste time. Looking for their own voice, without excluding any direction: electronics, tapes, sequencer (Film Nero) cello (played by their friend Francesco Chiari), and of course their first iconoclastic outbursts on bass sax and drums. One can obviously hear the shared love for NoMeansNo and Ruins, but much more was already part of Zu's DNA, including an instinctive ability to digest the myriad listens and influences that permeated them, without ever copying anything but transforming everything into their own personal voice. After about two years of intense and continuous rehearsals, this tape was the first demo they sent out, recorded in that room by their friend Giampaolo Felici, with whom they shared that space and with whom years later they would also found Ardecore. The cassette went around so much that the Zu themselves could not find a single copy of it, until one mysteriously reappeared, intact and still perfectly listenable, which transferred and mastered became, more than 25 years later, THE Lost Demo

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The Dream Syndicate

Out Of The Grey

Fela Kuti & The Africa 70

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Record Store Day 2021 Release. Still in shrink, but opened, with hype sticker

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Shakara

LP+7" | 2023 | UK | Reissue (Knitting Factory)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2018 | EU | Original (Capitol)

The Band

Music From Big Pink

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | US | Original (Ba Da Bing!)

Asher White

Home Constellation Study

Dying Light 2 Stay Human (Original Game Soundtrack)

Release: 2024 / US – Original

Genre: Rock & Indie

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Asher White’s third album in two years (and fifteenth overall), Home Constellation Study is less a refinement of last year’s sly, quaint New Excellent Woman, and more an explosion of it. Her meticulous chamber pop has given way to resplendent swells of horns and squeals of noise, throbbing bass and queasy orchestral loops. The cover, painted by White, frames a burst of flowers against a dark blue abyss, mimicking the music: over-frenzied sambas, bleary slacker rock, hushed ambient meditations, and surprisingly slick disco, White mines her personal minutiae for tokens of political decay, alienation, and religious rapture.

The past year has found the prolific Providence-based singer-songwriter ascending through her city’s fertile experimental rock scene alongside the breakout synth-punk act babybaby_explores and her labelmates Or Best Offer. Live, White’s band plays riotous, unpredictable noise rock that nods to their city’s storied DIY scene; on Home Constellation Study, mid-album highlights like “Downstate Prairie” and “Hymn” nod to Providence’s bands of yore with their blistering sheets of feedback and pummeling drums, placing White, improbably, within the lineage of local heroes Les Savy Fav or the broken pop dispatches of Black Pus.

At its core, however, Home Constellation Study is the product of studied, monastic auteurism. Like New Excellent Woman, it was arranged, performed, recorded and mixed by White alone in her basement studio in Providence. “Happy Birthday” is an earnest psalm, a paean of devotion and remorse to God a la Beverly Glenn-Copeland that drifts along with Panda Bear haziness. White’s concept of “toxic femininity” undergoes further investigation on “Good Luck!” and “Runes,” both with Elliott Smith-like chord changes and the barbs of cynical romantics like Aimee Mann. Asher White’s vision has never been so expansive and unpredictable.

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Olivier Deriviere

LP+LP+All Media | 2022 | EU | Original (Black Screen)

2LP | 1989 | US | Reissue (Beggars Banquet)

Release: 2022 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Record seems unplayed | Red & black vinyl |

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The Cult

Sonic Temple

2LP | 2022 | DE | Original (Universal Music Group)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

2019 reissue. Still sealed with hype sticker.

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The Kelly Family

Christmas Party

Release: 2022 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2023 | US | Original (4AD)

U.S. Girls

Bless This Mess

Alone In A Dome Limited Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Red vinyl Limited edition. Still sealed with hype sticker.

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The Copyrights

LP | 2021 | EU | Reissue (Fat Wreck)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Through Holes Shine The Stars Transparent Violet Vinyl Edition

Demon Head

LP | 2024 | EU | Original (Svart)

Dead End Violet Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Demon Head releases the new album ‘Through Holes Shine the Stars’ in September 2024 via Svart Records

Demon Head is proud to announce the release of Through Holes Shine the Stars on Svart Records. The album is the fifth full-length from the band that celebrated their first 10 years of existence last year, and it is undoubtedly another milestone on their tireless – and very own – path through the wilderness. It is a deeper, darker well of tones and melodies than before, while being significantly more extroverted than their last releases. All in the seemingly effortless, strangely catchy, and unique manner that Demon Head have become known for.

The eight songs were written collectively during several concentrated sessions from 2019–2022 and recorded entirely by the band themselves from October 2022 to March 2023 in their own studios in Copenhagen and the west coast of Ireland. Guitarist, vocalist and multi-instrumentalist producer, Birk Gjerlufsen Nielsen expands on the process: “This long and careful process has allowed us to reach a balance between structural precision and artistic expansion, melodic simplicity, and compositional depth. It feels like we’ve uncovered every possibility within each of these songs without losing track of the original nerve.”

In continuation of previous collaborations, Demon Head have mixed the album with the legendary engineer and producer Flemming Rasmussen (Metallica, Morbid Angel, Ensiferum, etc.) in Sweet Silence Studios. Vocalist and recording engineer Marcus Ferreira Larsen remarks: “Like any true master Flemming has created a direct and hard-hitting, transparent mix that does nothing but enhance what is already communicated in the compositions and the performance. He helped us place everything in the landscape that we've carved through recording everything ourselves once again.”

With a running time of 47 minutes, this is Demon Heads most extensive work to date. Birk Gjerlufsen Nielsen comments on one of the songs: “The Chalice opens with a discordant anthem that unbelievably enough combines the qualities of late Scott Walker with Europe’s The Final Countdown. It’s a good introduction to how Marcus and I have worked closely together on complimenting each other’s voices. It’s consistent that we sing together throughout the whole record. Between the two of us there’s a balance of equal parts raw charm and melodic desperation”.

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Night Fever

LP | 2024 | EU | Original (Svart)

First Two Pages Of Frankenstein

Release: 2024 / EU – Original

Genre: Rock & Indie

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Night Fever is back stronger than ever with a new album, Dead End out in February 2024!

Night Fever has been delivering their Danish brand of K-Town hardcore since 2007, and after a ten-year hiatus Svart Records are proud to release their third full length album, Dead End on vinyl, CD and digital formats in February 2024.

Numerous tours and gigs around the globe have honed Night Fever’s mix of old school hardcore and heavy metal into a razor-sharp unit which will make your speakers bleed sweat! Dead End is undeniably the tightest and most furious Night Fever album yet.

The band’s vast knowledge of the history of hardcore and metal are evident in all 12 tracks on this album. You can hear influences ranging from Poison Idea and Death Side to Slapshot, and even youth crew bands like Side By Side and Youth Of Today. Throw in a heavy dose of Motörheadish rock’n’roll and lead guitar work that could easily be from one your favorite New Wave Of British Heavy Metal albums – and you have Night Fever. Vocalist Salomon’s raging vocals are like a mix of Glen Danzig, Ray Cappo and Jack “Choke” Kelly. His lyrics deliver his personal frustration with the state of the world and life in general. “Welcome to the real world: Life is hell.”

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The National

LP | 2023 | EU | Original (4AD)

LP | 2022 | US | Original (Polyvinyl Record Company)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Red vinyl Limited edition.

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Yumi Zouma

Present Tense

The Harlem Gospel Travelers

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Early Bird Ivory Rose Swirl Vinyl. Record is in excellent condition, close to NM !

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Rhapsody Midnight Blue Vinyl Edition

LP | 2024 | US | Original (Colemine)

The Harlem Gospel Travelers

Release: 2024 / US – Original

Genre: Organic Grooves

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Midnight Blue Vinyl.With their new album 'Rhapsody,' the extraordinary vocalists Ifedayo Gatling, DennisBailey, and George Marage are able to fully explore the entire range of music thatinfluenced them. The follow-up to their acclaimed 2021 release 'Look Up!', the record is adive into a lesser-known but hugelyimportant era in the evolution of gospel music.Starting in the mid-1960s, local gospel groups and singers began incorporating elementsof popular soul and funk styles and in 2006, Chicago-based reissue label Numero Groupreleased Good God! A Gospel Funk Hymnal. HGT's longtime friend and mentor Eli"Paperboy Reed" approached the group with the idea of digging through the Numerocatalog and recording some of the gospel funk material, reinterpreted in their own way_from the high-energy, old-school soul of "God's Been Good to Me" to the hip-hopinflected "Get Involved."The Harlem Gospel Travelers story began when Gatling and Marage met while studyingunder Reed's tutelage. The group put out their debut LP, 'He's On Time', to rave reviewsin 2019, earning them high profile fans like Elton John and landing them festival slotseverywhere from Pilgrimage to Telluride Jazz. Originally a quartet, they brought in Baileyand reconfigured as a trio prior to recording Look Up!, their first album of all originalmaterial.At a moment when the world is reconsidering the concepts of genre and category andwho's allowed to participate in which traditions, HGT are squarely on the cultural pulse."We always found it difficult to stay in this one lane of what people think gospel issupposed to be," says Gatling. "This record allowed us to hear people that wereinnovators in their own time, pushing how gospel music sounded, and now we've createdthis project that is message-wise gospel, but the feeling and the sound can be whateveryou want it to be."

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Rhapsody Black Vinyl Edition

LP | 2024 | US | Original (Colemine)

SORCS 80 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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With their new album 'Rhapsody,' the extraordinary vocalists Ifedayo Gatling, DennisBailey, and George Marage are able to fully explore the entire range of music thatinfluenced them. The follow-up to their acclaimed 2021 release 'Look Up!', the record is adive into a lesser-known but hugelyimportant era in the evolution of gospel music.Starting in the mid-1960s, local gospel groups and singers began incorporating elementsof popular soul and funk styles and in 2006, Chicago-based reissue label Numero Groupreleased Good God! A Gospel Funk Hymnal. HGT's longtime friend and mentor Eli"Paperboy Reed" approached the group with the idea of digging through the Numerocatalog and recording some of the gospel funk material, reinterpreted in their own way_from the high-energy, old-school soul of "God's Been Good to Me" to the hip-hopinflected "Get Involved."The Harlem Gospel Travelers story began when Gatling and Marage met while studyingunder Reed's tutelage. The group put out their debut LP, 'He's On Time', to rave reviewsin 2019, earning them high profile fans like Elton John and landing them festival slotseverywhere from Pilgrimage to Telluride Jazz. Originally a quartet, they brought in Baileyand reconfigured as a trio prior to recording Look Up!, their first album of all originalmaterial.At a moment when the world is reconsidering the concepts of genre and category andwho's allowed to participate in which traditions, HGT are squarely on the cultural pulse."We always found it difficult to stay in this one lane of what people think gospel issupposed to be," says Gatling. "This record allowed us to hear people that wereinnovators in their own time, pushing how gospel music sounded, and now we've createdthis project that is message-wise gospel, but the feeling and the sound can be whateveryou want it to be."

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Osees (Thee Oh Sees)

LP | 2024 | US | Original (Castle Face)

7" | 2010 | UK | Original (Kitsuné Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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“This album [sorcs 80] was a self imposed ambitious project for us [osees]. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo’d everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it ’til I had a pile of ‘songs.’

“Tom [Dolas] and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland Spd-sx samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys.

“As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones.

“Sort of a Dexy’s Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It’s not all bad news and there’s always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there.” —John Dwyer

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Two Door Cinema Club

Undercover Martyn

LP | 2024 | EU | Original (Nanga Boko)

Release: 2010 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Cover with slightly bumped corners. Copy close to VG+

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Ometh

Njitna!

Som, Sangue e Raca Blue Vinyl Edtion

Release: 2024 / EU – Original

Genre: Organic Grooves

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Nanga Boko Records is very proud to present you "Njitna !" ("I'm Coming" in Bamoun
vernacular langage of Cameroun), the official compilation of the finest early recordings (1979/1980) of the Cameroonian composer & musician Théodore Mounta, known on scene as "Ometh".
Deluxe hand-numbered edition, limited to 500, includes a bonus track never released on vinyl before!
Each record comes with an insert that includes exclusive pictures and very detailed biographies in both English and French languages and an HQ Digital Download Card.
Approved by the artist himself, 100 % legit, all 8 tracks are under exclusive license of Nanga Boko Records.

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Dom Salvador e Abolicao

LP | 1971 | EU | Reissue (Mad About)

LP | 1970 | US | Original (Apple)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown.

Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

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Ringo Starr

Sentimental Journey

Release: 1970 / US – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1966 | US | Original (Sunset)

The Standells

"Live" And Out Of Sight

LP | 2024 | EU | Original (Fun In The Church)

Release: 1966 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side
Cover with seam split and faint ring wear.

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Tau

Chants

Release: 2024 / EU – Original

Genre: Organic Grooves

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John Surman / Alan Skidmore / Tony Oxley

Jazz In Britain 68-69

LP | 1972 | EU | Reissue (Endless Happiness)

The Girl And The Chameleon

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm section, in the configuration that would emerge in the mid-'70s as S.O.S. For most of the other tracks, Oxley is the drummer, Kenny Wheeler plays flugelhorn, and John Taylor plays piano (acoustic and electric). The music here is all over the place stylistically, but it hardly matters because all the players are fully engaged, and as an ensemble, they all shine and were seemingly looking forward to the impact the new jazz would have.

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The Exaltics

2LP | 2016 | NL | Original (Shipwrec)

Keith Jarrett = Keith Jarrett

Release: 2016 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. Few paper scuffs.

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The Köln Concert = ケルン・コンサート

2LP | 1975 | JP | Original (ECM)

LP | 1980 | JP | Original (CBS/Sony)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Comes with OBI and insert. Cover is solid but has some age discoloration. Records look unplayed.

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Ray Gomez

Volume

The Greatest Hits Collection Pink Vinyl Edition

Release: 1980 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

OBI not included.
Includes original insert.
Record is close to VG+.

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The Vengaboys

LP | 2024 | PL | Original (Universal)

Release: 2024 / PL – Original

Genre: Pop

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LP | 1985 | JP | Original (Verve)

Anita O'Day

Anita

We Sang, Therefore We Were

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Greg Saunier

LP | 2024 | US | Original (Joyful Noise)

LP | 2024 | US | Original (F-Spot)

Release: 2024 / US – Original

Genre: Rock & Indie

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It's already hard to describe what Deerhoof sounds like. So we'll skip that part and say this sounds a lot like Deerhoof with a different singer. And in keeping with 30-year Hoofian tradition, melodies soar, big hit earwigs abound, harmonies are complex, and keys change frequently and unexpectedly. Arrangements are in a constant state of impatient agitation. Emotions run high but delivery is usually a falsetto deadpan. We Sang, Therefore We Were is grief delivered in code.Greg plays everything save for a few birds who join in singing now and again. He keeps the instrumentarium severely limited, the sound shambling and anti-slick. It turns out Greg is a really good bass player and guitar player, if a bit more rudimentary and slicing compared to his Deerhoof bandmates. He does play more angry guitar solos.But don't expect another Chippendale/Saunier speed-drum freakout; the songwriting is gorgeous and sophisticated, and drums are almost an afterthought. Here, song is Queen. The singing is high and whispery, tending towards the three-part harmony. What we're saying is: We Sang, Therefore We Were sounds a bit like Deerhoof fronted by The Andrews Sisters.This is a peek inside the mind of one of indie rock's most celebrated drummers, many of whose fans may not even realize the relentlessness of his musicianship and compositional prolificacy. Mozartian chords and sounds insinuate themselves here and there on this record, finally taking over in a big climax at the end, when the drums break off unexpectedly into a laugh-or-cry orchestral outpouring that ironically may be the rawest part of a very raw album."Satomi, Ed, John and I were chatting between shows in Austin in early December. They encouraged me to make a record on my own. With no one to please but myself, it came together way faster than usual. It was basically done by the holidays. I had been excited by the announcement that the new Rolling Stones record was going to sound 'angry.' I thought, 'Yes, I'm angry too.' But Hackney Diamonds turned...

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Mestizo Beat

Jaragua

Unbound Black Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Jaraguá (haa-raa-WAH) noun - a tall forage grass known for its resistance to adverse environments.

From a melting pot of influences and cultures, Mestizo Beat takes the lead, offering the next wave of instrumental West Coast Latin Funk to come out of Southern California. Their sophomore LP, "Jaraguá," highlights the group's dedication and resistance to keep pushing many boundaries while paying respect to the generation that came before them. Blending the sounds of early 70s Funk & Soul, Latin-Jazz, and Afrobeat, Mestizo Beat takes musicianship and production to their highest level, offering a complete package of masterfully crafted recordings and original compositions into a brand new, hot off the press, 12" LP.

Entirely self-produced and written by Aquiles 'Lito' Magaña and Agustin 'Gus' Magaña (The Magaña Brothers) along with core group members Jose Castro, Pedro Flores & chief horn arranger Jesse Audelo. The band has also enlisted a diverse array of additional skilled players to enhance the sonic elements required of each track. Contributions from other band members Doug Organ, Fabio De Souza and Max O'Leary as well as collaborations with horn player Jason Cressey and featured vocalist Jamie Allensworth, have transformed this LP into the embodiment of Mestizo Beat's vision. A true collective of musicians, all united by the common goal of delivering high-quality funk music.

From the cinematic opening of the title track 'Jaraguá' and the Blaxploitation-inspired single 'She's A Rose' to the groove-centric cuts like 'The Jaguar' and 'Black Bag,' Mestizo Beat's musical exploration knows no bounds. Venturing further with soulful burners like 'The Jaguar' and 'Two Eleven,' the group unleashes their full potential on 'II The Deepcyde,' featuring the renowned guest vocalist Jamie Allensworth. The album is rounded off with the Nigerian disco-funk inspired 'Lotsapoppa' and a foray into the Cumbia genre with 'Cumbia de Jaraguá,' all offering a diverse and exhilarating musical journey. Recorded and produced at the band's hillside Topanga, CA studio, SPC 166, each song showcases the unique talents of the ensemble. Remaining true to their sound and recording techniques, 'Jaraguá' was tracked to 1/4" tape and mixed by Sergio Rios at Killion Sound.

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Bizhiki

LP | 2024 | US | Original (Jagjaguwar)

Live At Duna Jam Purple Transparent Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Unbound opens with a single, trembling chord that rises anddescends before meeting a warm, beguiling voice, a voicesinging in a tradition that's been heard in this northern rivercountry for millennia. The music that follows is a soulfuldialogue between the ancient tradition of powwow singing anda contemporary musical palette. On Unbound, the powwowstyle of singing is entwined with synthesized voice modulation,and hand drumming is accented with electronic samples andbeats _ the harmonies and resonances are equal parts culturaland musical.Geographically, Bizhiki is almost wholly a made-in-Wisconsinproject, a collaboration between Dylan Bizhikiins Jennings, JoeRainey and the multi-instrumentalist Sean Carey (S. Carey), whofor years has been a secret weapon within the Bon Iver family.Bezhikiins Jennings grew up singing within the powwowtradition, around the Lac Du Flambeau and Lac Courte Oreillesreservations in Central Wisconsin. He now makes his home inNorthern Wisconsin, on the Bad River reservation on the shoresof Lake Superior. He's joined on the album by his adoptedbrother, Rainey, a Red Lake Ojibwe powwow singer fromMinneapolis who now makes his home within his wife's OneidaNation on the shores of Lake Michigan.The collaboration between these three musicians first began atthe Eaux Claires festival in 2015. The festival was being organizedon Ojibwe's ancestral homelands, and the organizers didn't feelright without the inclusion of the native communities who livednearby. Bizhikiins Jennings remembers getting an invitation toplay the festival and thinking "I wish more people would say this_ that instead of reading from some land acknowledgement,that they would say `we're gonna give your people space andjust invite you to do what you wanna do.'" The open-endednessof the initial invitation and the "let's just do something together"spirit continues to inform Bizhiki's process.Recording steadily over the course of years _ and betweenseveral project...

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Ananda Mida

LP | 2024 | EU | Original (Heavy Psych Sounds)

Time Is A Grave Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ananda Mida is a Stoner and Psychedelic Rock music collective led by Max Ear (OJM’s drummer and Go Down Records’ Art Director) and Matteo Pablo Scolaro. From the very beginning of the project, graphic imagery has been given a crucial role thanks to the precious collaboration with the visual artist Eeviac. Since 2015, they have been performing with different lineups, from three to six members, either instrumental or featuring singers. Their sound is inspired by 70s Rock, mixed with desert and psychedelic grooves. In 2015, they debuted with the double A-sided 7-inch Aktavas/Passavas, which gave rise to the band’s mythology, elaborated from some fragments of enigmatic teachings. In Fall 2016 they released their first full-length Anodnatius, co-produced by Go Down Records and Vincebus Eruptum Recordings. It reminds us of all the positive forces and slight vibrations settled inside and outside everything and everyone. In January 2019, the second chapter Cathodnatius was published, depicting all the opposing forces and obscure vibes we live in today. This record featured Conny Ochs on vocals and dropped via Go Down and Vincebus Eruptum on vinyl, CD, and digital. In June 2021, the band put out the live EP Karnak on a deluxe picture-back disc, featuring a special appearance by Desert Rock icon Mario Lalli on guitar. November 2023 will see the release of their third work, which will “mythologically” complete the trilogy.

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Ivan The Tolerable

LP | 2024 | UK | Original (Library Of The Occult)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | FR | Original (L'ADS Records Syndicate)

Deviine Ki...

LS9 005

Bromio Colored Vinyl Edition

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.
Ships in a brand new plain sleeve.

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LP | 2024 | EU | Original (Subsound)

Lost Demo Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In January 1999, after years of continuous daily rehearsals, Zu entered the studio to record Bromio. The album was released in October of the same year to immediate and enthusiastic feedback from the press and the public, and a few months later Zu began to play on stages all over Europe. But the band's inexperience in recording work weighed on them, because the impact they had live was not present in the sound of the CD at all. So it was that during the slightly forced hiatus from 2020 onwards, they finally found the time to reopen those recordings, rework them in various ways, resonate some parts and release Bromio 25 years later in a sound that was much closer to the impact and sound system of their live performances. Listening to it again 25 years later, it still sounds fresh and vibrant, not tied to any predetermined genre or fashion of the moment (it is curious and almost comical that they were called 'jazzcore' when in fact the basis of their sound drew much more from prog and metal). Enjoy !

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LP | 2024 | EU | Original (Subsound)

LP | 2024 | EU | Original (Karaoke Kalk)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Yelka

For

All 'N All Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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Ten albums in three years. That's still the cosmic mission of the Berlin post-kraut trio Yelka with Daniel Meteo, Christian Obermaier, and the namesake Yelka Wehmeier. The team is definitely well-rehearsed. Instead of recording the planned tracks, the band decided to improvise the session, and all tracks, except for the krauty Doors cover »The Crystal Ship,« were created in 5 days in the studio, mostly on the first or second take, but with significantly more overdubs - keyboards, backing vocals, second and third guitars, percussion, and piano. The sound of has become warmer and much more exuberant.

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Earth, Wind & Fire

LP | 1977 | EU | Reissue (Music On Vinyl)

Avanti Black Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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All ‘N All is the eighth and most well-known studio album by the
American band Earth, Wind & Fire. The album features hit singles
such as “Fantasy” and “Serpentine Fire”. It’s an great addition
to the disco and soul classics Maurice White and his band of
talented musicians recorded during the years. Everything comes
together in this excellent mix of different music styles and also
shows their variety in pop music. Their funk is so full of sounds in
classics like “Jupiter” and “Serpentine Fire”.
Earth, Wind & Fire is an American band which became famous
during the 1970s with their contagious mix of soul, funk, disco,
pop, rock and Latin. They have won tens of awards and been
inducted into both the Rock and Roll Hall of Fame as the Vocal
Group Hall of Fame

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Malice K

LP | 2024 | US | Original (Jagjaguwar)

Fela Kuti & The Africa 70

Release: 2024 / US – Original

Genre: Rock & Indie

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There are ghosts all across AVANTI, the debut album fromMalice K. At points it's howling and unhinged, a grungy layeratop a lush foundation of melodic capital-s Songwriting, but inother moments it dissolves into a gentle, wistful haunting.Malice K's songs are blunt, uncomplicated and unflinching as heprobes the interiority of memories, of mistakes - saturated withan innate intensity that sucks you into his gnarled and visceralworld, so barbed it could draw blood.Malice K is helmed by visual artist and songwriter AlexKonschuh, New York-based but born and raised in Olympia,Washington. Following a stint living in Los Angeles, where hebecame a member of the artist collective Death Proof Inc., a tripto New York resulted in him simply never leaving the city. Aperiod of chaos ensued, Malice K exhausted and unmoored andultimately, unwell.The record is unpredictable across its 11 songs. The album openswith a jarring scream on "Halloween," Malice K's breathlessvocals buried beneath a grungy, roving Nineties riff. The trackemanates a manic energy, enveloping. It's a fitting entrypointfor the record, and for the vividness of Malice K. The snarling andobsessive "You're My Girl" has a swaggering paranoia: "I got sohigh I thought my hand touching my hand was your hand." ButAVANTI exists in quieter moments too; "Radio," with itsfluttering morose cello, moves at an almost glacial pacecomparatively. The aching wistfulness of "The Old House" is analbum stand-out, anchored in an acoustic guitar, an uneasylullaby that never quite settles into itself: "I think to myself I gotthe things that I wanted, but I can't help think there'ssomething else that I forgot to do."A recent press interview called Malice K a shapeshifter, but he'snot amorphous in that way. He's decisive and intense, moreconcerned with carving his own path, and building his ownworld. Every part of Malice K is distinctly himself: from hissweaty high-octane shows to the high-flash high-contrastphotos;...

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Na Poi

LP | 1971 | UK | Reissue (Knitting Factory)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Julie Driscoll, Brian Auger & The Trinity

Open

LP | 1967 | DE | Original (Polydor)

Release: 1967 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2019 | SE | Original (Razzia)

Joel Alme

Bort Bort Bort

Fantasy World Black Vinyl Ediiton

Release: 2019 / SE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with small seam split! Record shows a few scuffs and hairlines!

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Lilacs & Champagne

LP | 2024 | US | Original (Temporary Residence)

Spin-O-Rama 10th Anniversary Reissue Clear Red Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Nearly a decade after their last album, Lilacs and Champagne picks up right where that record, Midnight Features Vol. 2: Made Flesh, left off. With bizarre excursions into pillowy, sentimental made-for-TV music - and children's choirs incanting the blackest dread-filled music the band has conjured to date - Fantasy World is both transcendent and traumatic. Despite sharing two founding members of Grails (multi-instrumentalists Emil Amos and Alex Hall) Fantasy World only peripherally resembles their core group. Lilacs & Champagne have exaggerated their early record's implications and accelerated their mercurial rearranging of music history by deftly incorporating live instrumentation and samples with equal amounts of deference and disregard. Previously existing primarily in a realm adjacent to instrumental hip-hop (J Dilla, Clams Casino, Madlib), Fantasy World exposes Lilacs & Champagne's deeper lineage as playful tape-collage culture jammers in the vein of legendary sound satirists, Negativland and Severed Heads. It embraces the effect of a child entering a dollar store: the immediate euphoria felt upon discovering the seemingly endless aisles piled impossibly high with novelty toys, utensils, party decorations, and toiletries eventually gives way to the overwhelming realization that they're actually just a tourist in a perilous mountain of colorful garbage. From those mountains, Lilacs & Champagne mold monuments to curiosity and confusion.

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The Primitives

LP | 2014 | EU | Reissue (Elefant)

Release: 2014 / EU – Reissue

Genre: Pop

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Warsaw Conjunction Clear Vinyl Edition

Tryp Tych Tryo

LP | 2024 | EU | Original (On The Corner)

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 2024 | Original (Obscura Music)

Fedele

Depth Of Being

Al Di Meola, John McLaughlin & Paco De Lucia

Release: 2024 / Original

Genre: Electronic & Dance

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Italian artist Fedele unveils exciting upcoming album ‘Depth Of Being’ which again finds him exploring all new electronic music realms. The 11 track album arrives on his own label Obscura and is his first since going solo. Fedele is a key part of the underground scene and has been working alone for the last three years since his departure from Agents of Time. He has truly made his mark in that time with music on the likes of Ellum Audio, Tiga’s Turbo Recordings and his own Obscura. This superb new album is a mix of stylish progression from the signature sound Fedele is known for while the other side of the album dives more into the experimental world, using more vocals than before.

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Saturday Night In San Francisco Black Vinyl Edition

LP | 2022 | EU | Original (Earmusic)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Bull Of The Woods Half Speed Master

The 13th Floor Elevators

LP | 1969 | UK | Reissue (International Artists)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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This World Fucking Sucks Indie Exclusive Colored Vinyl Edition

Cassyette

LP | 2024 | EU | Original (ADA)

2LP | 2020 | EU | Original (Cooking Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Cassyette is the future face of alternative” – Kerrang!

“Cassyette is not an artist anyone can hope to pin down and box up: she’s shown she can do it all” – NME

“A modern rock staple in the making” – GAY TIMES

“Unashamedly illicit and unapologetically raw, Cassyette is here to relight rock” – TMRW

Cassyette has had an incredible start to 2024 with the release of lead singles ‘Why Am I Like this?’ and ‘Ipecac’, and a huge support slot on Bring Me The Horizon’s UK arena tour. Ahead of her own UK and European headline tour, Cassyette has shared the raw and powerful new single ‘When She Told Me’. Pairing painfully beautiful lyrics with her signature screams and a heavy instrumental, the haunting track recalls the heartbreaking moment Cassyette learnt of her father’s passing and the grief that consumed her afterwards.

Cassyette has amassed a cult social following with over 134k Instagram followers, 550k monthly Spotify listeners, and over 1.2million followers on TikTok. Having achieved over 38 million streams on Spotify alone and ongoing editorial support from Spotify and Apple, Cassyette has received praise from the likes of Radio 1’s Jack Saunders and Clara Amfo (Hottest Record In The World), Kerrang!, NME, GAY TIMES, MTV and Amazon Music UK. Cassyette was also awarded ‘Best British Breakthrough’ artist at the 2022 Heavy Music Awards. 2023 highlights include gracing the cover of Kerrang!, becoming the first featured artist for TikTok’s Rock Hub and performing at Glastonbury

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The Psychedelic Furs

Made Of Rain

Release: 2020 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Voyage To Innerspace Black Vinyl Edition

Deep Space Destructors

LP | 2024 | EU | Original (Space Rock Productions)

LP | 2024 | US | Original (Inscrutable)

Release: 2024 / EU – Original

Genre: Rock & Indie

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DSD was founded in the beginning of the Earth year 2011 in Oulu, Finland, on band members’ mutual love for 60’s and 70’s kraut, prog and psychedelic rock. This is the 6th full length album (4th on Space Rock Productions) by the Finnish Space Rock masters from the north! It features 6 high energy space rockers, originally released digitally in April 2023 but now it appears on Vinyl. It features several special guests including Dr Space from Øresund Space Collective. The album opens with the high energy track ‘Spaced and Confused’, with the classic DSD sound and vibe. ‘Beyond the Cosmic Wall’ has a bit of a Kingston Wall vibe and quite a psychedelic mix. ‘Void Oscillations’ is a very spacey and floating number. ‘Indigo Blue’ starts side B with a more mellow vibe for the first 3 mins and then rocks into a cool spaced out jam. ‘Matkalainen’ is sung in Finnish and features some nice flute playing on this great track. The album ends with ‘Nymphaea Tetragona (Forever Floating)’ a more relaxed track, but the end has this sort of heavy bluesy stoner vibe. Cool way to end the album. Another classic space rock record.

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Tia Rosa

Misterio Lounge 3000

LP | 2024 | US | Original (Inscrutable)

Release: 2024 / US – Original

Genre: Rock & Indie

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There’s no stopping the froggies from hopping”. Tia Rosa’s psychic elevator goes up to Misterio Lounge 3000, the palace of their self described Electronic Frog Pop. In late 2021, Sam Ortiz (Cáustica Espástica), JJ (Vats) and Gabriel Guiterrez (Lysol, American Nudism, Vats) got together, adopting the popular brand of pre-packaged pan dulce Tia Rosa as their band name. Following a string of self released cassettes and domestic tours in 2022 they spent most of last year recording these eight tracks between their homes in colonia Asturias and colonia Navarte, Mexico City.

Misterio Lounge 3000 reaches behind the mirror, charming the sinister 80’s minimal electronic/post punk of Algebra Suicide onto programmed latin rhythms and experimental/new age soundscapes common in 70’s cosmic music. There’s lots of room to groove here and each track feels like a new stop down an expansive astral hallway. 'Kelly' drives close with its crunchy guitar and radio interference, “Elevador Síquico” captures the sway of joyous pixelated flowers. 'Glass Frog' begins with sampled frogs and ends in a delightful psychedelic freakout. 'La Oscuridad' and 'Floating Hour' build on the mysterious lounge feel with their respective smooth flute and sax solos.

From start to finish Misterio bounces softly like a Miró painting come to life. Mutant elevator music for obscure prophets, flute lovers and froggy dancers alike. A freakadelic electro oddity for the ages. It’s the new strange sensation and it’s happening now. Frog pop is here. Tia Rosa has delivered."

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Pleasant Mob

LP | 2024 | US | Original (In The Red)

Release: 2024 / US – Original

Genre: Rock & Indie

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"What a genuine relief it is to know that for every monstrous blow the world delivers, musicians are able to create things of beauty in stark contrast to an oversaturation of ugliness. To be sensitive and soft during undeniably hard times is a brave act, and the music of Pleasant Mob is as defiant as it is endearing.

At a glance Pleasant Mob evokes a carefree spirit, but below the surface, their uncluttered compositions are a comforting utopia. Their judicious use of tone, color, and melody strike the perfect balance between masculine and feminine energy—take that Piet Mondrian. Their clarity and resolved tension has smoothed down the sharp edges of rock and roll into a joyous flower powered jangle.

In 2022, Chicago’s Raidy Hodges of Spread Joy adopted a new neo-psychedelic musical identity and released a two song cassingle via Feel It Records. Resetting once again, Hodges has a whole new supporting ensemble: Tessa Sebastian - Bass, Timothy Makowski - Guitar, Daniel Lynch - Keyboards, Hana Chew - Drums and all sharing vocal duties. Hodges and Chew’s vocal chemistry is undeniable, adopting indie pop art school charm and adding in ‘60s lite-psych romance.

'Are you scared to be happy?' was a mantra of sorts to the 1980s C86 scene. I honestly have no idea if anyone is truly happy in 2024, but I welcome Pleasant Mob’s ability to make me believe the answer could be yes.

Riyl: postcard-length vignettes, breezy tempos and pillow-soft harmonies flanked by 24 karat golden hooks."—Tracy Wilson (Courtesy Desk)

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Memo PST

Memo Pst

Julie Driscoll, Brian Auger & The Trinity

Release: 2024 / US – Original

Genre: Rock & Indie

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“Memo PST was formed in 2022 by longtime associates Orville Neeley and Chris Shaw.

“The band released a self recorded cassette demo and played a handful of shows in California before setting up shop at Discount Mirrors (the neighborhood studio owned by John Dwyer and Eric Bauer) to lay down an LP.

“Recorded the first five days in May of 2023, the debut album from Memo PST features twelve blasts of raw and primitive Los Angeles punk rock, with Orville Neeley (Bad Sports, OBN IIIs) handling songwriting duties and Chris Shaw (Ex-Cult, Vile Nation) handling vocals and lyrics.

“The debut long player from Memo PST is everything fans have come to expect from the two longtime fixtures in underground rock, but also features some of their most memorable songs yet, including ‘I Used To Be A Pretty Boy’ the debut single from the band that sold out in hours via record label In The Red.

“The black and white album cover photo (taken behind the iconic rocker shop Worship) and the stark presentation that Memo PST has thus far deployed is a clear statement that this is punk made for punks, and the band has little to no regard for current trends created and championed by those less informed.

“Written, recorded, and released in Los Angeles, this is the latest chapter in the LA transplants discography, and only the beginning of what we can expect to hear from the songwriting duo.

“Rounding out the live lineup is life long Los Angeles punk Danny Clodfelter on bass and San Clemente surf punk Jackson Todd on drums. Crumple up your scribblings, this is Memo PST.” —Johnny Dog Face

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Open

LP | UK | Reissue (Soul Bank)

Release: UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP | 2021 | EU | Original (Weird World)

Richard Dawson & Circle

Henki

Proper Dose Lavender Eco-Mix Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Light green vinyl, Copy close to NM

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The Story So Far

LP | 2018 | EU | Reissue (Pure Noise)

Release: 2018 / EU – Reissue

Genre: Pop

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A Swing To Folk Splatter Record Store Day 2021 Edition

The Coterie

LP | 2021 | Original (Munster)

Steve Reid Featuring The Legendary Master Brotherhood

Release: 2021 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Splattered vinyl.

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Nova

LP | 2019 | UK | Reissue (Soul Jazz)

Noted From A Quiet Life Yellowy Green Vinyl Edition

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Orange vinyl is close to NM.

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Washed Out

LP | 2024 | US | Original (Sub Pop)

James Yorkston & The Second Hand Orchestra

Release: 2024 / US – Original

Genre: Electronic & Dance

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Initial LP pressing on Yellowy Green Vinyl. The music of Washed Out has always levitated over a timeless frontier. You can sense it in his immersive, amorphous vocals, the expansive soundscapes, the wistful storytelling. It's a sweet spot where, says its creative force, Ernest Greene, "any sort of association or memory from the past can transport you instantly. I love that." Greene's transcendent output has earned him the moniker of "Godfather of Chillwave" by Pitchfork and a co-sign from Portlandia, which borrowed his track, "Feel It All Around," for its utopian theme song. His latest, Notes From a Quiet Life arrives after delivering more than a decade of distinct and disparate creative re-imaginations at a remarkably high level (five albums, two EPs). Notes is bold in its intuitiveness: Greene has left the treadmill of music-as-a-business, instead letting his artistic interests lead the way. "Each album," says Green, who also paints and sculpts, "is a world-building exercise." The Georgia native left Atlanta in 2021 to move back to the countryside he knew growing up. Where escapism once flooded his thoughts, today he is preoccupied with the universe of wonder in the reality around him. He named the former horse farm he moved to "Endymion" (after the pastoral John Keats poem about a lovesick shepherd - its opening line: "A thing of beauty is a joy for ever"), and it has shaped all that he's created there, from his music to his albums' creative direction to his planned large scale visual-art experiments. "I've read that every five, maybe 10, years, you're practically a different person - like literally, on a cellular level," Greene explains. "The things that you're going through will end up changing you, and you're kind of a different person. This album is a reflection of that. Experimenting with painting and sculpture helps my music. They influence each other. That was a kind of realization for me. I don't want to look back on my life one day, and be like, 'Oh, it was all about maximizing productivity,'" he says. "I want to enjoy this." That purity of vision is what makes Notes From a Quiet Life so potent. It's the first album Greene wholly self-produced, with some mixing assistance from Nathan Boddy (James Blake, Mura Masa) and David Wrench (Caribou, Florence + the Machine). "Early in my career, I had a lack of technical skill, and there were some things I wasn't 100% enthusiastic about," he says, noting Jean-Michel Basquiat's distinct, self-driven method as an inspiration. "Something that I was looking for was...I didn't want any illusion of anyone else's influences. I wanted to see this through to the end. And honestly, that was a big challenge. Illustrating that, Greene's list of influences for Notes From a Quiet Life are mostly sculpture icons: minimalist legend Donald Judd, abstract expressionist Cy Twombly, and modernists Barbara Hepworth and Henry Moore. Of the latter, he observes, "The majority of his working life was spent on his country estate, and he wasn't living a cosmopolitan lifestyle. He was focused on just making good work, you know?" Notes from a Quiet Life is Washed Out's fifth album.

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The Wide, Wide River Green Vinyl Edition

LP | 2021 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Stella Sommer (Die Heiterkeit)

Northern Dancer

LP | 2020 | EU | Original (Northern Dancer)

Release: 2020 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Lorenzo Dada / Luciano Michelini

Lucifer

LP | 2024 | EU | Original (Kompakt)

Shanghai'd Soul: Episode 12 Yellow & Black Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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With Lucifer, Kompakt presents an album of rare beauty from two masters of modern music. A family affair, it’s a collaboration between the Italian father-and-son duo of Luciano Michelini and Lorenzo Dada, whose combined histories bring to Lucifer a depth of experience alongside clarity of vision and a finely tuned, neatly developed combined compositional voice. A lovely, beguiling suite of music that combines the electronic and the acoustic, the urban and the pastoral, its gorgeous night-eye vision and tender melancholy sits neatly within the Kompakt universe, while offering the curious listener some rich new perspectives.

There is already plenty to know both artists by. Lorenzo Dada creates across multiple fields – a techno producer and DJ who has already worked with the likes of Jay Haze, Fete, Leo Benassi, and Der, he’s released a small clutch of stylish, smartly designed EPs, and a solo album, Second Life (2018). His complementary background in classical music and composition informs his ensemble project, Tears Of Blue (who appear on Lucifer), where Dada paints with neo-classical tones for a quartet of violin, viola, cello and grand piano, supplemented by electronics for live performance.

Luciano Michelini’s history is yet richer. He may be best known, to many, for his piece “Frolic”, the theme to Larry David’s Curb Your Enthusiasm series; it was also sampled by Snoop Dogg for 2022’s “Crip Ya Enthusiasm”. But there’s much more to Michelini’s story. A successful soundtrack composer, Michelini both studied and taught at the Conservatoro di Santa Cecilia, and worked for RCA from the sixties to the eighties; his soundtracks from this period are gorgeous examples of the form, particularly his work for Il Decamerone Nero (1972), L’Isola Degli Uomini Pesce (1979), and the devastatingly gorgeous Dimensione Donna (1977).

In the eighties, Michelini and his wife Anna Gutling founded the Electronic Music Division studio and academy in Rome, which is where the majority of Lucifer was recorded. Dada reflects on the experience: “We never worked together before, so it was all new for both of us,” with Michelini adding, “I truly love this experience with my son. He’s a talented pianist and composer. I am not very familiar with electronic music nowadays, but we did it fluently.” There’s certainly a familial energy at play through Lucifer, and you can hear how Dada and Michelini, through exploration and experiment, find a shared language, balancing Dada’s tendency toward minimalism, and Michelini’s composerly voice.

Lucifer flows as a suite that interweaves electronic music with acoustic instruments: the lonely sigh of saxophone; Michelini’s lush, verdant piano; the weeping strings of Tears Of Blue (recorded at the studio of Michelini’s friend, the late Maestro, Ennio Morricone). These multiple voices are located within the electronic sighs and swarms from Dada’s kit; there are moments of propulsion, and passages of lambent drift, where the album revels in its tonal sweetness. If it flows so effortlessly, that’s because Lucifer was designed that way, as a suite or a sonata of sorts.

And the title? Dada reflects, “Lucifer was an angel who decided not to be one anymore. The miracle of life is that we can decide what we want to be, even if we are born as angels or vice versa.” This feels somehow apposite: there’s certainly something of the transformative, and the transportive, in Lucifer, a unique family collaboration of rare poetry and sensitivity, where two generations meet in the modern crucible that is the electronic music studio.

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V.A.

LP | 2024 | US | Original (Numero Group)