Search "record store day" 49954 Items

LP | 1989 | UK | Reissue (Earache)

Release: 2019 / US – Original

Genre: Hip Hop

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* Two records for the price of one: The solo debut from THEESatisfaction’s Stas Thee Boss backed with EDM star Chong The Nomad’s first EP
* Pressed on 140g spattered vinyl in multiple colors, limited to 750 individually numbered copies
* Reversible cover design by Seattle artist Jennifer Campbell
* Specially mastered for vinyl by Adam Straney / This split LP from Seattle hip-hop label Crane City Music provides two entry points into that city’s flourishing underground hip-hop scene. It’s two records for the price of one! “S’WOMEN” is the highly-anticipated solo debut from THEESatisfaction’s Stas THEE Boss, while “Love Memo” is a runaway EP success from EDM wunderkind Chong The Nomad. Both artists are producers, singers, beatmakers and queer women of color creating distinctive music that expands our very definitions of genre.

Each project has amassed a wealth of accolades and album-of-the-year nods from national and local publications such as Pitchfork, Tom Tom Magazine, Earmilk, The Seattle Times, KEXP radio, and The Stranger. Chicago’s Dusty Groove Records praises the split vinyl, citing “hypnotic, abstract hip-hop vibe, moody beatcraft, insistent beats, and vocal samples... It's solid all the way.” Seattle Weekly calls this release “a perfect pairing.”

Chong The Nomad’s “Love Memo” landed “2018 Record of The Year” acclaim from The Seattle Times, Seattle Weekly, The Stranger and radio stations KEXP and 107.7 The End. In their review, The Stranger praised Chong The Nomad’s techniques of live-sampling ukulele and beat-box harmonica, alongside “heavy funk beats, marbles-scrambling bass frequencies, and torqued distortion… Holy shit.” NYC’s Tom Tom Magazine says that “multi-instrumentalist and producer Chong the Nomad is shaping the future of dance music.”

Pitchfork called Stas Thee Boss’s “S’WOMEN” a “sharp solo debut doused in heartbreak and identity.” She subtitles the record, “an aquatic explanation of failed female companionships.” Most songs are dense 120-second pops. French chefs have a name for their tiny, tasty morsels: “amuse-bouche” or “entertaining to the mouth.” Let’s call these songs “amuse-oreille” because they greatly entertain the ears… They’re little explosions of audio delight.

The first pressing of “Love Memo & S’WOMEN” is limited to 750 individually numbered copies. Every record is a different color with spatter accents.

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Godflesh

Streetcleaner

Jake Najor And The Moment Of Truth

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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2019 will be the 30th anniversary of this seminal record from the hugely influential GODFLESH. 10 tracks of atmospheric and minimalistic industrial metal from one of the genre’s founding fathers. Godflesh was the brainchild of Justin Broadrick, a founding member of Napalm Death who played on the A side of the legendary ‘Scum’ album. Over the band’s career, Godflesh became one of the most influential industrial bands ever, touring the globe with the likes of Ministry, Fear Factory, Danzig and Type O Negative, and gaining influential fans including the likes of Metallica’s Kirk Hammett.

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In The Cut

LP | 2019 | US | Original (The Redwoods Music)

LP | 1964 | EU | Reissue (Sundazed)

Release: 2019 / US – Original

Genre: Organic Grooves

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Over the past twenty years, when musicians and producers in Southern California have needed fresh R&B, funk, or hip hop beats, they’ve called on drummer Jake Najor. A former bandmember of Breakestra, Incredible Moses Leroy, and The Styletones, Najor has performed or recorded with scores of noteworthy artists, including TV on the Radio, Raphael Saadiq, Kelis, Joss Stone, Big Daddy Kane, De La Soul, Karl Denson, Rodriguez, and Empire of the Sun.

When not on tour, the San Diego native performs with a wide network of local musicians, including as a member of the house band for The Redwoods record label. It’s with the Redwoods that the veteran drummer has taken the lead on a new project, Jake Najor and the Moment of Truth. While most of Najor’s career has been spent contributing percussion in service to the visions of his collaborators, with his debut record, In the Cut, Najor has been the one enlisting players from his musical cohort as well as some cherry-picked, heavy hitters on the LA funk/soul scene to flesh out ten tracks of original grooves, ranging from soulful cinematic instrumentals to hard hitting funk jams.

The album’s lead single, High Costa Living, lands in the latter camp. It features an accomplished roster of west coast funk players, including a potent brass section led by trumpeter/arranger Todd Simon (Antibalas, Ziggy Marley, Quantic), and including James King (Fitz and Tantrums), Elizabeth Lea (Tedeschi Trucks Band), and Sam Robles (Jungle Fire), behind the gritty vocals of MixMaster Wolf (Breakestra). High Costa Living sets the tone for a record loaded with dynamic performances to match the syncopated rhythms laid down by So Cal’s go-to beatmaker. Jake Najor and the Moment of Truth “In The Cut” brought to you by The Redwoods record label, drops March 29, 2019.

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The Debutantes

Release: 1964 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 2018 | Original (Epitaph Europe)

Pianos Become The Teeth

Wait For Love

Rehab Doll Deluxe Edition

Release: 2018 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Clear w/ Black & Gold Splatter vinyl!

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Green River

2LP | 1988 | EU | Reissue (Sub Pop)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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12" | 2018 | US | Original (Dope Folks)

Makeba & Skratch

Ain't It Funky EP

LP | 2018 | EU | Original (Analog Africa)

Release: 2018 / US – Original

Genre: Hip Hop

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Limited edition of 250 copies on traditional black vinyl.
Recorded between 1989 - 1991.

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Orchestre Abass

Got Berries Revisited Black Vinyl Version

Release: 2018 / EU – Original

Genre: Organic Grooves

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In 1972, Orchestre Abass released two incredible singles on Polydor. These records - featuring Samarin Banza, Haka Dunia and other afrofunk masterpieces - were powerful enough to knock any music head out, but it wasn’t until the discovery of some unreleased material by the band that the seeds for this project were planted.

All the music was licensed directly from the various composers of these songs. The vinyl is pressed on 180 High Quality Virgin Vinyl and the gatefold contains previously unseen pictures and a detailed biography of the might band.

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AG & Ray West

2LP+7" | 2018 | EU | Original (Tuff Kong)

LP | 2018 | US | Original (Daydream Library Series)

Release: 2018 / EU – Original

Genre: Hip Hop

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Throughout several years of collaborations and projects together, DITC immortal AG and Red Apples 45 producer and main man Ray West have a developed a chemistry that has no equals. Back in 2011 they dropped a collection of songs online entitled "Got Berries" which, to this day, has been unreleased in the physical form. The two always bring their top game when working together and the result is this collection of songs featuring guest appearances by the late Party Arty, Roc Marciano and Priest Da Beast. Tuff Kong teamed up with the two and Red Apples 45 to bring you this hidden gem on vinyl as a limited edition of 500 handnumbered copies on LP including a bonus 7", with the first 200 pressed on electric/ blue + transparent green vinyl, and the remaining 300 on black vinyl.

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Big Joanie

Sistahs

196 / Geheimnis Des Bauchredners

Release: 2018 / US – Original

Genre: Rock & Indie

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BIG JOANIE are Stephanie Phillips (singer/guitarist), Estella Adeyeri (bass) and Chardine Taylor-Stone (drums). The band formed in 2013 and released their first EP
'Sistah Punk' in 2014 and the single 'Crooked Room' in 2016. As part of London's thriving DIY punk scene they have played with locals Shopping; toured with US
punks Downtown Boys; and Dutch band The Ex; and performed at the first UK Afropunk festival. Inspired by The Ronettes, Nirvana, Breeders and Jesus and Mary
Chain, Big Joanie have described themselves as being "similar to The Ronettes filtered through '80s DIY and Riot Grrrl with a sprinkling of dashikis." Big Joanie recorded 'SISTAHS' over several sessions from November 2017 to January 2018 at Hermitage Works Studio with producer Margo Broom. One of the main reasons for coming together was to create an atmosphere to be "completely ourselves as black women and discover what was possible to realise in those spaces." The album cover features Steph's mum Joan, whom the band is named after, and her aunt on holiday in Wales.

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Die Drei ???

2LP | 2018 | EU | Original (Europa)

Release: 2018 / EU – Original

Genre: Soundtracks

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RAST & 7L (The Czar Keys)

I Know Why The Caged Bird Sings

LP | 2018 | US | Original (Dope Folks)

LP | 2018 | US | Original

Release: 2018 / US – Original

Genre: Hip Hop

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Over the last decade RAST has made a name for himself as one of the undergrounds most original voices. RAST has released a handful of albums, freestyles and a slew of online singles (including collaborations with Czarface, Hus Kingpin and Your Old Droog). But before all this, RAST held down the 90’s as part of the New York Graffiti crew RFC. It was
during this time that many of the tracks on “I Know Why the Caged Bird Sings” draw from. The album has no features and was produced entirely by The Czar-Keys (7L & Jeremy Page) - and this was done by design. 7L and RAST worked together on the vision and the direction they wanted to go with for the
album. As 7L points out “I wanted to really take it back to a time when the rapper was the main focus. This is also why we didn’t go with a group name or a RAST & 7L title. For me it was really all about RAST, and his
story is so personal that it just made sense for him to be the only voice you hear”. From the albums start, “Base” sets things off with organs that sound
straight off old Surf footage accompanied by a pounding break beat. RAST’s signature gruff voice goes from rugged raps to melodic singing and back. On “The Devils Playground” RAST delivers some of his most honest lines recalling his youth and battles with depression. On “I Lost My Mind and Found God” RAST states plainly in the hook “I ain’t gonna see no doctor unless I die". RAST delivers these lines with the maturity of a seasoned blues man. "Runaway Slave" is another great example of this, as the track roars with a powerful hook as if he were exorcising his demons over what sounds like a dusted church organ.
Other stand out gems like "Children of Attica", “The Little Boy Who Lived in a Tree” and “The Remarkable Story of the Silent Machine Gun” show that RAST is cut from a different cloth. “I Know Why the Caged Bird
Sings” is an album where, as pointed out in the albums intro "Caged", is RAST at his most honest and vulnerable.

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Monta At Odds

Argentum Dreams

Uncle Acid & The Deadbeats

Release: 2018 / US – Original

Genre: Electronic & Dance

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The debut vinyl release from 8D INDUSTRIES. A Kansas City combo led by bros DEDRIC & DELANEY MOORE. DOMINO RECORDS' YOUR FRIEND (AKA TARYN BLAKE MILLER) joins the duo on this album singing lead and playing guitar on much of the record. The result is "UMMAGUMMA meets ARTHUR RUSSELL's mutant disco at KLAUS SCHULZE's house.

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Wasteland Black Vinyl Edition

LP | 2018 | UK | Original (Rise Above)

Elder Jeffrey Roberson & The New Life Singers

Release: 2018 / UK – Original

Genre: Rock & Indie

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You can probably feel it already. Amid the shimmering haze of dusk. In the marrow of your bones. The darkness is getting darker. Malevolent forces are on the prowl. The wasteland is beckoning. Uncle Acid is on his way home. A disorientating journey through Kevin Starrs (AKA Uncle Acid)’ wonkiest dreams, Wasteland glides majestically from punchy and direct psych-rock anthems like "I See Through You" and "Shockwave City" to the viscous, somnambulant ooze of the eight-minute "No Return" and the twinkly-eyed bad trip of the album’s mesmerising title track. Recorded at the legendary Sunset Sound studio in Los Angeles, Wasteland boasts the kind on irresistibly raw and exuberant sound that only the greatest bands can generate. Yet more confirmation that Uncle Acid exist in their own musical universe, Wasteland is also a powerful cautionary tale: one rooted in the alien landscapes of Starrs’ imagination, but with a very clear connection to the deranged chaos of today’s political world. As humanity cheerfully circles the plughole, Dystopian visions and present-day horrors have become more-or-less interchangeable, making Wasteland’s ghoulish surrealism a lot more pertinent and disturbing in the process. While most musicians seem content to chase their own (or other people’s tails), Uncle Acid & The Deadbeats remain proud and resolute individualists and Wasteland is simply their most powerful and memorable spurge of creativity to date. Masterfully echoing the magical atmospheres of heavy music’s turbulent past while sounding entirely unlike anything else available to human ears, this is what happens when the shadows come to life and suffocating darkness, Uncle Acid & The Deadbeats style, is the only show in town.

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Old Time Way

LP | 2018 | EU | Original (High Jazz)

195 / Im Reich der Ungeheuer

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Gospel you want to be digging...just made it's way to the surface!

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Die Drei ???

LP | 2018 | DE | Original (Europa)

Release: 2018 / DE – Original

Genre: Pop

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2LP | 2018 | UK | Original (The Trilogy Tapes)

Metasplice

Mirvariates

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Metasplice return an absorbingly elusive, minimalist shadow of their former, noisy selves with ‘Mirvariates’ for Will Bankhead’s The Trilogy Tapes

Following a slight hiatus and a canny rethink of their sound, Metasplice’s first new studio album in five years, Mirivates defines the Philadelphian duo’s acute inversion from noisy roil to shimmering lower case sounds across seven tracks embracing negative space as a vital new part of their music.

Gauging by the skinny, barely-there aesthetics of Marinates, one would be forgiven for thinking that Metasplice only submitted the scrubbed stems of the album to TTT. However, closer listening reveals a series of oblique, abstract electro-acoustic ecosystems that bristle with virulent energy, perhaps emulating the varied ambiences of a space station (“Mir”?), the coded inner dialogues of stressed out machinery, or the sound of the Internet of Things plotting their take-over of humanity in encrypted electro-magnetic chatter.

Over the course of seven tracks they pay special attention to volume dynamics and texture, with fathomless abstract shapes looming from the darkness in persistently reorienting and amorphous style, as the imagined “walls” of each piece seem to dissolve and establish new dimensions within each cut, from the tentatively perilous explorations of ‘Cirrension’, to the free jazz-like squabble of ‘Teleric’, thru the clipped gamelan resonances of ‘Vase Weight Re-Route’, and the Xth Reeflexion-liek fuss of ‘Aridtaq’, and up to the parting, side-long denouement of ‘Speculen’, where a melodic spirit seems to be seductively struggling thru their finely graded textures and airborne sediments.

It’s all effectively and undoubtedly a radical break with past Metasplice releases, reeling away from the ‘floor to somewhere much more abstract and difficult to properly fathom with words. It’s best to just treat these recordings like seashells scavenged from the liminal shores of perception, awaiting your close ear inspection and interpretation.

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Billy Cobham

Spectrum

LP | EU | Reissue (Digger's Digest)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Billy Cobham is one of the greatest jazz-fusion drummers from
the last decades. Shortly after he left the band Mahavishnu
Orchestra he released his debut solo album Spectrum. Influenced
by the music of Miles Davis he combines elements from the jazz
with rock and psychedelia. From the subtle parts to the more
aggressive moments, it’s an album in which Cobham shows his
identity to the public. The music quartet recorded some lengthy
pieces, out of which “Stratus” is the absolute masterpiece. The
funky grooves and effective guitar melodies blend together very
well and the jazz comes alive in the outstanding drum play by
Cobham. “Quadrant 4” is another great track in which the music
erupts and the synergy between the musicians can be felt.
As a member of the Mahavishnu Orchestra and in his
collaboration with Miles Davis, Billy Cobham earned recognition
for his impressive playstyle and live performance.

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Jose Mancliere

Doubout Pou Gade

2LP | 2012 | EU | Reissue (Full Contact)

Release: EU – Reissue

Genre: Organic Grooves

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Caribbean Jazz Fusion masterpiece Doubout Pou Gadé by Guadeloupean musician José Manclière. Co-produced by Pierre-Edouard Decimus, José has cooked a really personal & singular record with amazing experimental composition merging Gwo Ka, Jazz-Funk, Biguine with an early electronic synthetic production. This ultra rare LP originally privately distributed in the West Indies has now reached the Holy Grail status amongst collectors.

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Erkki Kurenniemi

Rules

LP | 2018 | EU | Original (Roundtable)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Long-awaited second pressing of Erkki Kurenniemi's key recordings and sonic experiments made between 1963-1975. One of the great unsung pioneers of the electronic age, Erkki Kurenniemi (1941-2017) played a central role in the development of electronic music in Finland. In the early 1960s he founded The University of Helsinki Electronic Music Studio, where the most well known of his electroacoustic recordings were realized. "Erkki Kurenniemi, a brilliant, eccentric figure - imagine a Finnish hybrid of Stockhausen, Buckminster Fuller and Steve Jobs." ~Simon Reynolds: 'Retromania - Pop Culture's Addiction To Its Own Past' (2011).

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Ian MacFarlane

Planetarium

194 / Und Die Zeitreisende

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Post-Nuclear Mind Music? Lizard Strategies? Void Spirit...? These bizarre titles are just a few of the self-coined terms that Australian electronic musician Ian MacFarlane has conjured to represent his eccentric sonic world. An artist whose unique style of electronic experimentalism has balanced dangerously close to the edge of popular convention, existing outside the mainstream and extending well beyond the fringe of any sanctioned independent scene. A futurist outsider whose extraordinary musical vision has explored the uncharted realms of consciousness and fantasy. Following a brief stint with the legendary Australian Krautrockers Cybotron, MacFarlane produced three independent solo albums throughout the late 1970s and early 1980s. His debut LP Void Spirit, an experimental album issued under the pen name ‘Violet Lightning’, was followed by a further two albums published under his own name, the cosmic influenced Back From Beyond and finally the privately issued electro-ambient suite Planetarium. Presented with hours of unreleased home recordings, The Roundtable has begun a dedicated search through the fascinating archives of this under exposed artist. Beginning with a vinyl release of the rare cassette-only album Planetarium; this private press sees MacFarlane armed with a bank of Roland synthesizers, drum machines and field recordings, spawning a mutant amalgam of German Kosmische Musik, French Library Electro and Private Issue New Age. Surrender to the stars and welcome to the first instalment of “Muzak To Moralize By”.

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Die Drei ???

2LP | 2018 | EU | Original (Europa)

Release: 2018 / EU – Original

Genre: Soundtracks

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OST Ho Incontrato Un’Ombra

Romolo Grano

LP | 1974 | EU | Reissue (Digitmovies)

LP | 2018 | EU | Original (Denovali)

Release: 1974 / EU – Reissue

Genre: Soundtracks

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Digitmovies is pleased to release the rare LP from the world of 1970s Italian cult TV. “I Have Met a Shadow” (original title: “Ho incontrato un’ombra”) was broadcast by RAI Television in Italy in 1974. The success of this screenplay was also due to the OST written by Romolo Grano. The main theme "A Blue Shadow" became a record and radio hit thanks to composer Berto Pisano’s evocative orchestral arrangement which was released on the EP single (along with "Tema di Silvia") (Ricordi SRL 10707). The leitmotif was also included on an LP under the same label (also containing other songs not related to the background music of this TV series). The true OST of “I have met a shadow" ("Ho Incontrato un’ombra”) only came out on a promotional album under RCA’s label Pegaso, with Grano’s music beautifully arranged and conducted by Berto Pisano. Fortunately we managed to recover the stereo master in excellent condition which had been assembled in the 70s for the limited edition audio vinyl. It’s one of the rarest recordings on the collector’s market. The master tape includes virtually everything that had been recorded for the TV series and which was re-edited in different scenes.

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Nanook Of The North

DJ Spooky Presents Phantom Dancehall

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Following a stunning recent Boiler Room performance, Nanook of the North take a deep sonic and conceptual trip northbound on their enchanting, eponymous debut album. Recording sessions broadly found Stefan playing violin and piano parts with additional synth touches and Piotr taking care of electronics, more synths and the final mix.

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Phantom Dancehall

LP | 2018 | US | Original (VP)

2LP | 2018 | EU | Original (Silva Screen)

Release: 2018 / US – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Limited edition for Record Store Day 2018!

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Paddy Kingsland

OST The Changes

Taking Drugs To Make Music To Take Drugs To

Release: 2018 / EU – Original

Genre: Soundtracks

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Limited Edition for Record Store Day 2018

500 x Limited Numbered Edition Double LP on
White Vinyl - 1970's Cult BBC TV Original Soundtrack - First Ever Release -
Written by Paddy Kingsland and the BBC Radiophonic Workshop The
critically acclaimed BBC TV series, The Changes, was first broadcast by the
BBC in in 1975, accompanied by music from electronic pioneer Paddy
Kingsland, who wrote and recorded the score while working at the BBC
Radiophonic Workshop. The 10 part series, adapted from Peter Dickinson's
book trilogy, was perfectly suited to Kingsland's seminal electronic style,
following a teenager living in a Britain where machinery and technology emit
a terrible, all-enveloping noise, causing the population to destroy them.
Kingsland used an early synthesiser, the EMS Synthi 100 (which was
apparently so large, they had to remove the doors of the studio to get it
through), overlaid with live instruments including sitar, percussion, tabla, flute
and horns to create a soundtrack which is indicative of exactly how the BBC
Radiophonic Workshop's early output influenced and informed the popular
electronic music of the Eighties and beyond. Kingsland went on to write the
music for (amongst others) The Hitchhiker's Guide to the Galaxy (Radio and
TV series), Doctor Who and Around the World in 80 Days, as well as
composing for the KPM music library, who issued eight albums of his work.
An LP of his Radiophonic Workshop output, "The Fourth Dimension" , was
released by BBC Records in 1973.

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Spacemen 3

2LP | 2018 | US | Original (Superior Viaduct)

I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It

Release: 2018 / US – Original

Genre: Rock & Indie

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In the swirl of kaleidoscopic recordings that is Spacemen 3's discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position – one at the nexus between their garage beginnings and expansionist future. Spacemen 3 capture the inspired spark of mid-'80s psychedelia, offering a distinct variation on high pop through layered feedback, a formidable rhythm section and shining vocals.

Taking Drugs features the legendary Northampton demos, which secured the band's first record deal with Glass. While much of this material would be expanded upon on their first two albums, Sound Of Confusion and The Perfect Prescription, many devotees consider these early 1986 demos to be the vital document of Spacemen 3 at this primal stage.

With urgent, minimally treated versions of "Sound Of Confusion" (aka "Walkin' With Jesus"), "Losing Touch With My Mind" and "Come Down Easy," this double LP collection serves to exalt the strength of Spacemen 3's songwriting over the deep-dive, sonic ruminations that would permeate their later studio efforts.

Includes download card and new insert with liner notes by Byron Coley.

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The 1975

2LP | 2016 | EU | Original (Dirty Hit)

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 2016 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Clear vinyl. Still sealed.

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Sly & The Family Stone

Fresh

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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2LP | 1995 | US | Reissue (Superior Viaduct)

Spacemen 3

Dreamweapon

JDDSSB - Digital Start Stop Button Kit

Release: 1995 / US – Reissue

Genre: Rock & Indie

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August 1988, Spacemen 3 embark on one of the strangest events in the band’s already strange history. Billed as “An Evening Of Contemporary Sitar Music” (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders’ film Wings Of Desire. Spacemen 3’s proceeding set, forty-five minutes of repetitive drone-like guitar riffs, could be seen as the “Sweet Sister Ray” of ‘80s Britain. Their signature sound is at once recognizable and disorienting —pointing as much to the hypnotic minimalism of La Monte Young as to a future shoegaze constituency.

On this double LP reissue, Dreamweapon is augmented by studio sessions and rehearsal tapes from 1987 that would lead up to the recording of Spacemen 3’s classic Playing With Fire album. “Spacemen Jam,” featuring Sonic Boom and Jason Pierce on dual guitar, is a side-long mediation on delicate textures and psychedelic effects.

Includes download card and new insert with liner notes by Will Carruthers.

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Jesse Dean Designs

JDDSSB - Digital Start Stop Button Kit

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Digital start stop button for your portable turntable!

A highly efficient start stop button kit by Jesse Dean, that only draws less than 1mA...

• No need for latching relays
• No soldering
• No noise
• Powered from the turntable motor
• PT01 series and Handytrax ready

The kit includes:

• Digital JDD start/stop controller board
• 16mm aluminum momentary button
• 400mm button wire
• x2 wire crimps

Installation video:
https://youtu.be/wIAFvCDCh-o

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Jesse Dean Designs

Chris Robinson Brotherhood

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Barefoot In The Head

2LP | 2017 | CZ | Original (Silver Arrow)

Mario Diaz De Leon with TAK Ensemble

Release: 2017 / CZ – Original

Genre: Rock & Indie

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If their stellar new album, 'Barefoot In The Head,' is any indication, freedom suits the Chris Robinson Brotherhood well. The band is in the midst of one of their most prolific periods to date, with a slew of studio and live records coming out amidst a rigorous tour schedule that only seems to fuel their fire even further. 'Barefoot In The Head' finds the band pushing boundaries and breaking new ground with more joy and wonder than ever before. The album showcases the continued growth of Robinson's songwriting partnership with his bandmates (guitarist Neal Casal, drummer Tony Leone, keyboardist Adam MacDougall, and bassist Jeff Hill), while reveling in the kind of playful adventurousness that can only come from five artists tuned in to the same sonic wavelength. "After six years of solid touring with this band, we can still roll into Fayetteville, AR on a Tuesday night and have the most fun of any musical thing I've ever been a part of," says Robinson. "We don't have the weight of responsibility or nostalgia, which means we're in the very psychedelic situation of getting to be totally honest and create everything in the moment. That's free

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Sanctuary

LP | 2017 | EU | Original (Denovali)

LP | 2017 | EU | Original (Caroline)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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For the third full length document of his classical works, Mario Diaz de Leon presents his most unified offering to date, distilling the modernistic hellfire of his previous releases to a crystalline essence. “Sanctuary” is an album length piece created in collaboration with TAK Ensemble, a brilliant NYC based quintet devoted to energetic and virtuosic performances of contemporary music. Featuring soprano voice, flute, violin, bass clarinet, marimba, and the composer’s own synthesizer work, the album is a hypnotic and ritualistic journey through realms of angelic and demonic experience, combining acoustic and electronic elements with visionary intensity.

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The Belle Game

Fear / Nothing

Release: 2017 / EU – Original

Genre: Pop

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2LP | 2017 | US | Original (Dark Entries)

Hypnobeat

Prototech

LP | 2017 | US | Original (Destroy All Concepts)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Dark Entries and Serendip Lab have teamed up to release ‘Prototech’, the first vinyl retrospective by German electronic trio Hypnobeat, recorded 1984-86. James Dean Brown and Pietro Insipido formed Hypnobeat in 1983, but it was the addition of Victor Sol only a few months later that found the project reaching, as Brown puts it, "the desired level of technical sophistication." In time, Tobias Freund also lent his talents (and equipment) to this loose-fit sonic scheme, where the protagonists sought a new, electronic manifestation of mankind’s tribal music roots. Two cassette releases surfaced – 1985’s "Huggables", and "Specials/Spatials" the following year. By this point the Frankfurt-based group had already explored fiercely mechanical creative expression through various configurations of hardware and personnel, revolving around core ingredients such as the TR-808, TB-303 and MC-202. The project lived on in spirit as Brown activated Narcotic Syntax in the 90s. While a more modern, digital concern, rooted in the Perlon label family, NS still channeled the Hypnobeat concept of a "new tribalism", not least on their "Provocative Percussion" double 12" released in 2006. For all the punky veneer, there are instances where these tracks reach staggering levels of sophistication, not least on "Slash! Buffalo Eats Brass" with its intricately programmed 303 lines and nimble beats that sound a far cry from most machine music made in 1986. Prescient "Can God Rewind?" is also dazzling in the complexity of its percussion and the richness of its synth lines in C as they throb out a bastardised version of acidic Disco straight out of the rhythm collider. Elsewhere, some tracks are more primal in their execution. Visceral opening track "The Arumbaya Fetish" was a cathartic venting of Brown’s least favourite sound on the 808, the iconic cowbell, while the astounding proto-Acid miniature "Moon Jump" places limber 303 lead lines in a hail of thunderstruck patterns. "Kilian" has a stripped down quality that speaks more to the industrial era that Hypnobeat was conceived in, and "Mission In Congo" is a raw, reverb-soaked drum workout that captures the percussive-obsessive nature of Hypnobeat perfectly. Six of the seven tracks selected on this collection were primarily powered by two 808s. "I am amazed that the release sounds like we really had a plan back then…" states Brown, but this accidental magic is in fact the raison d’etre of Hypnobeat. They weren’t the only ones prefiguring the next big revolutions in electronic music in the mid 80s, but there certainly weren’t many artists stumbling across modes of expression that sound so relevant today.

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring cave engravings by Pietro Insipido of an archer and animal printed in a wallpaper pattern style designed by Eloise Leigh. Each copy includes an transparent insert of an x-ray photograph from 1984 of Romulus Cœurque holding the circuit board of a BOSS DR-55 rhythm machine.

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Dub Gabriel ADSR Dub

ADSR Dub

2LP | 2017 | EU | Original (Columbia)

Release: 2017 / US – Original

Genre: Reggae & Dancehall

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2017 marks the return of Dub Gabriel with his fifth full-length solo album entitled ADSR Dub. After his critically acclaimed 2013 album, Raggabass Resistance, Gabriel locked himself away in the studio and went into complete isolation in what Gabriel refers to as “one of the most prolific times of his 20 year career”. Mixing his love for classic dub productions with vintage analog tape echoes, spring reverbs and tubes, with his love of krautrock and his collection of Moog, Arp and Korg analog synthesizers, to give us one of the most original albums to come out in recent time. Featuring guest performances by Addis Pablo, son of the legendary Augustus Pablo. Ranking Joe, who rose to prominence in the 1970s on such legendary labels as Studio 1, as well as his collaborations with King Tubby, and The Spaceape, (R.I.P.), who became the voice of UK Dubstep through his groundbreaking work with BURAL, KODE 9 and THE BUG. Recorded in San Francisco at d/a/c laboratory for research & development, mastered by the legendary Kevin Metcalfe, at Sound Masters in the UK and cover art by acclaimed French illustrator, Olivier Bonhomme.

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LCD Soundsystem

American Dream

Little Bob And The Lollipops

Release: 2017 / EU – Original

Genre: Pop

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LCD Soundsystem's first album in seven years recorded as last album ever at the original DFA studios.

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Nobody But You

LP | 2017 | US | Original (Mississippi)

LP | 2017 | US | Original (Shula)

Release: 2017 / US – Original

Genre: Organic Grooves

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Great retrospective of Lil Bob And The Lollipops' discography. Classic Louisiana swamp soul / R& B, recorded in the early to mid 1960s. Includes the popular dance floor fillers "I Got Loaded" and "Stop," as well as some real beautiful obscurities. Ballads and stompers to make life better. Old school "tip on" cover.

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Hood Reishi

Guido & Maurizio De Angelis

Release: 2017 / US – Original

Genre: Hip Hop

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Hood Reishi is a genre defining album produced entirely by Ruckazoid. He's released music on Kanye West's G.O.O.D music label with Hudson Mohawke, and albums with J-Dilla, Dj Shadow, a #1 iTunes single with Breakbot, and most recently featured on Machinedrum's Human Energy as a vocalist.

Ruckazoid is known to raise the bar and his new Hood Reishi moniker is no different. The concept of this album was to use analog equipment from the past to create a new sound for today. Electricity runs through each beastly machine to produce each sound, with drums from a real TR-808 and other various analog drum devices connected to create the ultimate boombox. Since the recordings are analog, the album is able to push the sonic limits, making you feel like your system is about to explode, without destroying your ears.

It's a sound that must be experienced, and a sound that cannot be produced with software. The process is similar to shooting on film, with each track composed from captured performance. Using analog gear to create this sound is no easy task, but when achieved, nothing sounds comparable.

The album starts off with arabic sounding bells from the vintage Roland Super JX, then the chorus drops the mission statement:

"Soundboy run better put on ya sneakers, when you play this sound it fi blow out ya speakers, kill all dem woofers, kill all dem tweeters, me no stress me just smoke on da reefer yeah, pushing that dope like a dealer, I got the sound that fi wake up the sleeper"

The voice then changes when the verse comes in, and the listener's face is usually 100% mashed at this point. From there it's non-stop bass designed to keep you engaged like a dog hearing a new sound for the first time, head tilted and all. It's THE NEW SOUND, with just enough vocals to keep you locked in, but not too many vocals, as this album is really all about the sounds. If you're looking to hear the next level in bass music, this is for you.

If you're a DJ ready to soundclash, this record will shut the whole thing down.

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OST Il Grande Racket (The Big Racket)

LP | 2017 | EU | Original (Four Flies)

2LP | 2007 | US | Reissue (Easy Star)

Release: 2017 / EU – Original

Genre: Soundtracks

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Now for the first time on vinyl, Four Flies Records is proud to present an unmissable Eurocrime soundtrack by Guido & Maurizio De Angelis, composed in 1976 and considered to be one of the genre’s finest offerings directed by Enzo G. Castellari. Perhaps the most forceful OST from the Italian duo, Il Grande Racket consists of fuzz distortion and electronic effects from the beginning to the end. This sonic gem is also enriched with psychedelic flutes, obsessive rhythms, and percussion which results with a totally prog-rock and psych-funk score that perfectly describes the main elements of the film: action, tension and violence. Remastered from the original master tapes preserved for decades in the C.A.M. archives, and augmented with exclusive liner notes by Davide Pulici (Nocturno Cinema) and stunning original artwork created by Luke Insect, this edition will be a true pleasure of the senses for any and all soundtrack lovers.

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Easy Star All-Stars

Radiodread

Release: 2007 / US – Reissue

Genre: Reggae & Dancehall

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OST L'Occhio Nel Labirinto (Eye Of The Labyrinth)

Roberto Nicolosi

LP | 2017 | EU | Original (Four Flies)

2LP | 2017 | EU | Original (!K7)

Release: 2017 / EU – Original

Genre: Soundtracks

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First official release ever for this unbelievable
giallo score by Roberto Nicolosi, composed for
the experimental thriller by Mario Caiano in
1972. Previously issued on Fontana in 1973 with
the title "Atmosfera", this is certainly one of the
top wanted Italian jazz LP for any serious
collector, featuring a five-star collective of marvelous musicians such as Giovanni
Tommaso (bass), Franco Tonani (drums), Angelo Baroncini (guitar), Antonello Vannucchi
(organ), Franco D'Andrea (piano), Gianni Basso (Tenor Saxophone), Dino Piana
(trombone), Cicci Santucci (trumpet). The result is a pysch and dark jazz- funk sound that
perfectly fits the anxious descent looking human psyche's labyrinth.
One of the best, still underrated, Italian soundtracks ever and one of the most
unforgettable Italian jazz sessions of the 70s. Another lost Italian score retrieved by Four
Flies Records.

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Michael Mayer

DJ-Kicks

2LP | 2017 | US | Original (Deathwish)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Credited by many as one of the leading tastemakers in dance music, his DJ sets have influenced a generation (or two) of musicians and fans out there today. An artist that has never allowed time or age to slow him down – Michael Mayer remains tirelessly motivated behind the DJ decks, in the studio or behind his desk at Kompakt, the company he co-owns. Last year’s full-length LP, ‘&’, was Michael’s fourth, a departure that saw him extensively collaborate with an impressive host of contemporaries and friends, including Joe Goddard, Prins Thomas and Agoria. Complimenting these excursions perfectly, Michael’s long overdue contribution to the legendary DJ Kicks series finds the Cologne artist in just as generous of a mood, only rooted in his ever-expanding record collection, and above all, his defining instinct to share the beauty of music with others. “On an abstract level, the approach was basically the same for both projects”, observes Mayer. “For & I put together a group of people that are close to my heart. For Kicks it was a group of records that are like friends to me. All of the tracks I used went through heaven and hell with me. They've become true companions. Circling in on and bringing together these friends was the only criterion for the making of this mix. I wanted it
to be as personal as possible.”
Perhaps unnervingly to some, fifteen years have passed since the debut edition to Mayer’s breathtaking, scene defining mix trilogy, Immer. Not that it’s legacy - Resident Advisor’s #1 Mix of the 00s, one of Rolling Stone’s 30 Greatest EDM Albums Of All Time - has disturbed Mayer’s formidable workload. A catalogue of no less than 23 EPs, 4 albums and 170 remixes informs a near constant level of international touring. Exhausting as this can be, even after all these years, it’s a ritual that informs the delicate
construction of Mayer’s contribution to the DJ Kicks series.

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Wear Your Wounds

WYW

Navigator Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Wear Your Wounds is the product of years of Lo-fi solo recordings by Converge founder Jacob Bannon. On this release he is joined by guest musicians Kurt Ballou (Converge), Mike McKenzie (The Red Chord, Stomach Earth, Unraveller), Chris Maggio (Sleigh Bells, Trap Them, Coliseum), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues). Together they have created a powerful album that is unlike anything they have ever individually worked on. The album is contains ten emotional songs that call to the slower, more epic leanings of Converge, as well as his previous work in Supermachiner. Bringing to mind the multi-layered approach of Swans and early Pink Floyd, while being as vulnerable as influences Sparklehorse, Songs: Ohia, other like minded artists. Wear Your Wounds live will feature Bannon joined on stage by musicians Mike McKenzie (The Red Chord, Stomach Earth, Unraveller, Chris Maggio (Trap Them, Coliseum, Sleigh Bells), Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Cage, Kid Cudi, Twitching Tongues).

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Hurray For The Riff Raff

LP | 2017 | US | Original (ATO)

Release: 2017 / US – Original

Genre: Rock & Indie

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Promised Land Clear Vinyl Edition

Queensrÿche

LP | 1994 | UK | Reissue (Back On Black)

Deathcrush Picture Disc Edition

Release: 1994 / UK – Reissue

Genre: Rock & Indie

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"Promised Land" is the fifth studio album by the American heavy metal band Queensrÿche and their highest charting record to date. It was released by EMI on 18 October 1994, four years after their successful "Empire" album. The songs on this album are tied together firmly by the theme of success and how to deal with it, and reflections on American society and how that shapes our goals in life. In July 2014, Guitar World ranked Promised Land at number 23 in their "Superunknown: 50 Iconic Albums That Defined 1994" list.

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Mayhem

LP | 1987 | UK | Reissue (Back On Black)

De Mysteriis Dom Sathanas Picture Disc Edition

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Mayhem

LP | 1994 | UK | Reissue (Back On Black)

LP | 2017 | UK | Original (Soul Jazz)

Release: 1994 / UK – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Laraaji

Celestial Vibrations

LP | 2016 | AU | Original (Roundtable)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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This is the stunning debut album from Laraaji. ‘Celestial Vibration’ was originally released in 1978 under the name Edward Larry Gordon, and then first issued by Soul Jazz Records/Universal Sound in 2010.
Soul Jazz Records are now issuing this hypnotic piece newly re-mastered album once again in a very limited vinyl edition of 1000 and new CD as a full Laraaji release.
‘Celestial Vibration’ is a cosmic journey sounding unlike anything else when it was first released in 1978.
Laraaji’s album was first issued in New York as a private-pressing record with only very minimal distribution. His distinctive use of the harp-like open-stringed zither and kalimba creates a hypnotic trance like musical landscape.
Laraaji first came to fame in the 1980s as a worldwide ambient artist working with Brian Eno on EG Records. At this time Laraaji worked with a wide range of experimental musicians - Jon Hassell, Harold Budd, Michael Brook, Bill Nelson, Roger Eno, Nana Vasconcelos and Bill Laswell.
Since Soul Jazz Records/Universal Sound first released ‘Celestial Vibration’ seven years ago (now long deleted), Laraaji’s career has had a renaissance, releasing a string of new albums including a fascinating collaboration with Blues Control for the FRKYWS label, as well as reissues of earlier albums including a three-album cassette only release last year.
Today Gordon continues his unique musical and spiritual path - performing his music mainly for meditation at yoga global retreats. He runs his own ‘Therapeutic Laughter Workshop’ where he coaches people in the mindful use of laughing for its health benefits.

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Charles Wain

OST The Last Wave

LP | 2016 | US | Original (Royal Alchemist)

Release: 2016 / AU – Original

Genre: Soundtracks

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“The Last Wave” (also known as “Black Rain” in the US) was the final chapter in a trilogy of films scripted and directed by the leading auteur of the Australian New Wave, Peter Weir. “The Last Wave” was a landmark in existential horror. Sitting alongside other Australian eco-terror films (e.g. “Long Weekend”) the film featured a haunting electronic soundtrack that is as mysterious and beguiling as the spiritual themes of the film itself. With no LP issued after the films premiere in 1977, and together with the mystery surrounding the true identity of its enigmatic composer ‘Charles Wain’, the score is a largely unheard recording of pioneering experimental film electronics, easily compared to the music that contemporaries Klaus Schulze and Tangerine Dream were composing for Australian films during the same period or the electronic soundtracks of John Carpenter. Tense atonal electronics, synthesizer drones and manipulated Didgeridoo all perfectly capture the film’s ominous atmosphere, punctuating the slow hypnotic pace of this brooding supernatural thriller. All original 12 tracks have been sourced from the original stereo master tapes and pressed on 180g vinyl. The deluxe packaging includes archival film stills and original press material.

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Da Great Deity Dah

Dr Of Rapmatics

LP | 1983 | US | Reissue (Original Jazz Classics)

Release: 2016 / US – Original

Genre: Hip Hop

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Another stunner from Da Great Deity Dah with features by Matthew Paine, Ibn Nur Quiet Storm 720 and The 5Bro MCs. Tip!

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The Red Garland Trio

Groovy

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Howlin' Wolf, Muddy Waters & Bo Diddley

Super Super Blues Band Colored Vinyl Edition

LP | 2016 | US | Original (Jackpot)

2LP | 2016 | US | Original (Meds)

Release: 2016 / US – Original

Genre: Organic Grooves

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“Super Super Blues Band” started out merely as “Super Blues”, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin’ Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing- talking of early hip hop, laced with random screams in the background that teeter between celebration and danger. That these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann and freaking Buddy Guy. Lordy. Might have needed one more “super” in there. The record is pressed on limited colored vinyl.

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The Lavender Flu

Heavy Air

Release: 2016 / US – Original

Genre: Rock & Indie

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2LP | 2005 | UK | Reissue (Warp)

Bibio

29,99 €* 39,99 € -25%

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

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LP | 2010 | CZ | Reissue (Italians Do It Better)

Glass Candy

Feeling Without Touching

Release: 2010 / CZ – Reissue

Genre: Pop

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LP | 1971 | US | Reissue (Lion)

Wilson McKinley

Spirit Of Elijah

Heaven's Gonna Be A Blast!

Release: 1971 / US – Reissue

Genre: Rock & Indie

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With beginnings firmly in the secular realm and a strong following in the Northwest, Wilson McKinley signed to Alshire Records (home of 101 Strings) and recorded one album under the label's 'acid-rock' moniker, The California Poppy Pickers. With the proceeds from those sessions, they self-released a 7" EP in 1970. But then they met street minister Carl Parks, gave up the rock 'n' roll lifestyle and effectively ended the first incarnation of the group. Parks encouraged the remaining band members to pick up their instruments again to create music for a street meeting, and thus the first 'Jesus Rock' group was born. The first Wilson McKinley LP, 1970's "Live On Stage," was a slapdash effort on all fronts and is generally dismissed by everyone involved (maybe why nobody seems to know the whereabouts of the masters for that one). Chastened by their debut, Wilson McKinley took a more focused approach to "Spirit Of Elijah": the result was a major leap forward, and a faithful representation of their massive talent; the power of the message and the playing shine through! However, what Wilson McKinley recorded onto the master tape and what made it to a buyer's phonograph in 1971 were vastly different things, with inconsistent patches of reverb in the final mix plus other anomalies that a minimally-financed, privately-pressed LP might have.

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Wilson McKinley

LP | 1973 | US | Reissue (Lion Productions)

Vinyl Nassreinigungsarm-Set

Release: 1973 / US – Reissue

Genre: Rock & Indie

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With beginnings firmly in the secular realm and a strong following in the Northwest, Wilson McKinley signed to Alshire Records (home of 101 Strings) and recorded one album under the label's 'acid-rock' moniker, The California Poppy Pickers. With the proceeds from those sessions, they self-released a 7" EP in 1970. But then they met street minister Carl Parks, gave up the rock 'n' roll lifestyle and effectively ended the first incarnation of the group. Parks encouraged the remaining band members to pick up their instruments again to create music for a street meeting, and thus the first 'Jesus Rock' group was born. Buoyed by the confidence developed during the "Spirit Of Elijah" sessions, Wilson McKinley's third LP from 1971 maintains the quality songwriting but adds even better production values. It was housed in a suitable-for-black-light jacket printed with neon inks. Sadly, after this there would be no more Wilson McKinley LPs, with their next release being the cassette-only "Country In The Sky." Good news is that they made this dayglo-adorned proof of their rapidly-developing skills and musical interests before abandoning wax—Wilson McKinley's most adventurous effort, boasting entirely original tunes and complex, heavy arrangements at times reminiscent of the Allman Brothers.

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analogis

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DeDuster Vinyl Silikon Roller

analogis

LP | 1969 | EU | Reissue (Music On Vinyl)

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The analogis DeDuster Vinyl Silikon Roller was made to clean vinyl records. It's washable and durable, it'll clean your records for ages.

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Kevin Ayers

Joy Of A Toy

LP | 2015 | US | Original (The Flenser)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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As the Soft Machine's first bassist and original principal songwriter, Kevin Ayers was an overlooked force behind the group's groundbreaking recordings in 1967 and 1968. Joy Of A Toy is his debut solo album, its whimsical and unique vision is a clear indication of how Soft Machine might have progressed under Ayers' tenure. On the LP he is accompanied by his Soft Machine colleagues Robert Wyatt, Mike Ratledge and Hugh Hopper.

180g vinyl.

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Father Murphy

Croce

LP | 2015 | US | Original (The Flenser)

Release: 2015 / US – Original

Genre: Rock & Indie

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Father Murphy, one of the most mysterious and enigmatic musical entities to emerge from Italy in recent years, presents their fifth full-length via The Flenser. This dark psychedelic / industrial cabaret is a religion-themed concept album titled Croce (“Cross” in Italian), one side representing suffering and sacrifice and the flip reflecting what comes after—the end of suffering, resurrection, or perhaps oblivion. The work was recorded by John Dieterich in Albuquerque, NM, and mixed by Greg Saunier. From the shadowy atmospheres of Croce spring forth unexpected blurts of impossibly catchy noise pop, at times operatic like some twisted musical detailing the trials and tribulation of the crucifixion. Male and female vocals by Freddie Murphy and Chiara Lee intertwine over distorted blasts of guitar crunch, anchored by stuttering, homebuilt percussion. This sound is textural and nuanced yet noisy and chaotic, carefully sculpted into jagged shards of fragmented pop. A-side closer “In Solitude” is an appropriately dour slab of murky miserablism that sounds like a slow sonic death, a haunting dirge that dissolves into that ineffable space between the record’s two sides; the netherworld, the afterlife, Purgatory. But Father Murphy erupts from this stygian blackness with the second half of Croce—the light to the A-side’s dark.

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Boduf Songs

Stench Of Exist

LP | 2014 | US | Original (Temporary Residence)

Release: 2015 / US – Original

Genre: Rock & Indie

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England / Ohio’s Mat Sweet presents his latest album under the Boduf Songs moniker via The Flenser! Stench of Exist is at once his most accessible and most esoteric work to date; from the opium flow of the tracks, running headily into one another like tributaries to river, to the muted-industrial-electronic-effected drums underscoring the spiraling melodies and fluttering drones, to the clean and rich guitar, abstracted cycles and feedback walls, its whispered doom metal masquerades as a lullaby. Stench of Exist unfolds languorously, laced with mysterious electronic filigree. Gorgeously intimate, it transforms the minimal into maximal with layers of electro-detritus wreathed in lush guitar strums, street-side field recordings, reverberating pianos and softly crooned vocals. It is a record of rain and cities and nighttime. The collision of arabesque tonalities with electronic sound and ambience brings to mind the promise of Blade Runner—half-asleep at 4:00 A.M. and slightly medicated, with pyramids and flame-spewing cityscapes in downpour glowing against the fluttering eyelids in the almost-dreaming consciousness. A record for saturnine commuters, on headphones, after sunset.

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Mono

Last Dawn

LP | 2014 | US | Original (Fat Wreck Chords)

Release: 2014 / US – Original

Genre: Rock & Indie

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The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the twin albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO's music than they are here. The Last Dawn is the first of these two companion albums, and is the "lighter" of the two, thematically and melodically. It contains undoubtedly some of MONO's strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog in recent years. The songs are also noticeably more efficient – there hasn't been a MONO full-length record that fit on a single slab of vinyl since 2003's One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they've proven they can do it without frills, too.

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Chris Cresswell

One Week Record

2LP | 2005 | US | Reissue (Sub Pop)

Release: 2014 / US – Original

Genre: Rock & Indie

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The Flatliners' Chris Cresswell dials down his trademark screams to a simmering, melodic growl, and hands in his wailing electric guitar for a more soulful acoustic on the latest One Week Records release. Originally conceived by Lagwagon frontman, and now highly evolved solo-artist, Joey Cape, the idea behind One Week Records was to enlist his favorite musicians to come to his professional live-in studio where they'd collaborate to produce and record an entire album in, you guessed it, one week. The process begot some of Cresswell's most intimate and honest music to date. All 10 tracks encapsulate warm yet stirring melodies that create a feeling of proximity rarely displayed on a recorded album. Flatliners fans will be immediately charmed by this new incarnation of Chris' unique and gripping songwriting.

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Sleater-Kinney

The Woods

A Winged Victory For The Sullen

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

The Woods is the seventh and final studio album from Sleater-Kinney, released on May 24, 2005 by Sub Pop. It was produced by Dave Fridmann and recorded from November 2004 to December 2004 at Tarbox Road Studios in Cassadaga, New York. The Woods reached #80 on the US Billboard Top 200 chart and #2 on the Independent Albums chart. The album appeared at #4 in The Village Voice’s “Pazz & Jop” critics’ poll for 2005.

“They bash Eighties nostalgia, tell a feminist fairy tale and even quiet down for a couple sensitive love songs – needed breaks from music so intense you wonder how they can contain its explosiveness.” [100 Best Albums of the 2000’s] - Rolling Stone

“To survive these days, you have to be either suicidal or superficial. Sleater-Kinney, meanwhile, get by simply sounding fucking supersonic.” [9.0/10] - Stephen Deusner, Pitchfork

The album has been freshly remastered by Greg Calbi for this release.

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Atomos

2LP | 2014 | US | Original (Kranky)

LP | 2014 | US | Original (Bicycle Music Com.)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

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Seether

Isolate & Medicate

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2014 | EU | Original (Opal Tapes)

Kaumwald

Hantasive

2LP | 2013 | US | Original (Awesome Tapes From Africa)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Electric charges on Hantasive. Kaumwald lights up his dials and twists out five rolling generations to terrify and animate. Plying a line between glitch-like manifestation and cruder analogue sewage, these tracks are forged from degrees of digital and analogue that give a contemporary edge to the grotty greyscale industrial & proto-rhythm you might find whilst digging through the Vanity Records catalogue. Warm kicks and clipping digital synthesis is interlaced with acoustic sourcing and a curious, magnetic primacy - developing vital colour and tactility to these here wares. Think to those contemporary and necessary combinations of computer and combustion engine, but repurposed to a more Jean Tinguely-esque display of machinery for machineries-sake; built to chatter and clunk, to error, and essentially deteriorate. That quest for the perfect minimal weirdo beat re-cut for now.

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Penny Penny

Shaka Bundu

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 2013 / US – Original

Genre: Pop

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The next Awesome Tapes Africa release is by Penny Penny, a legendary pop singer and current politician from South Africa. Shaka Bundu is his 1994 debut LP, a genre-defining Shangaan disco record of Xitsonga language anthems that launched the impoverished record label janitor into national renown.

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Miles Davis

On The Corner

LP | 2012 | US | Original (Drag City)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Scorned by critics at the time of its release, Miles Davis' 1972 album 'On The Corner' is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques. Miles wanted to reconnect with a younger audience, who had forsaken him for Rock and funk, and the experimental On The Corner was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. On The Corner' isn't one of Miles easiest records to listen to, but it can yield the most fruits. Now released with completely re-mastered audio.

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Ty Segall & White Fence

Hair

Release: 2012 / US – Original

Genre: Rock & Indie

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Butch Walker & The Black Widows

Spade

LP | 2011 | US | Original (Dangerbird)

Release: 2011 / US – Original

Genre: Rock & Indie

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LP | 2011 | EU | Original (Music On Vinyl)

The Alan Parsons Project

Pyramid

Release: 2011 / EU – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Sudden Death)

D.O.A.

Something Better Change

Release: 2011 / US – Original

Genre: Rock & Indie

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LP | 1962 | UK | Reissue (Not Now)

The Dave Brubeck Quartet

Time Out

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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2LP | 2003 | US | Original (Jive)

A Tribe Called Quest

Hits, Rarities & Remixes

The great crossover potential

Release: 2003 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Records with just a few paper scuffs.

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The Sugarcubes

2LP | 1998 | EU | Reissue (One Little Indian)

Me First And The Gimme Gimmes

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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numbered limited edition Direct Metal Mastering 200 gram vinyl reissue!

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Have another ball - the unearthed a-sides album

LP+CD | 2008 | US | Original (Fat Wreck Chords)

LP | 2024 | Original (Cd-R)

Release: 2008 / US – Original

Genre: Rock & Indie

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incl. bonus CD of full album

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Cassie Ramone

Sweetheart

CD | 2024 | JP | Original (AWDR/LR2)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Sweetheart is the first Cassie Ramone album in ten years, a crowning glory for a singular artist who has forged a unique path through the underground. Breaking out in the late 00s with the revered Vivian Girls, to her current status as a traveler on the
heartworn highway, Cassie Ramone has survived and thrived. Sweetheart is Ramone's greatest recorded statement to date:
focused songwriting shot through with American tragedies, distorted guitars and tear-stained fretboards. Recorded with
collaborator Dylan White in Richmond, VA in the latter's Valley Structures barn studio between December 2023 and March
2024, Sweetheart is Ramone's songwriting rendered direct but with a sweeping cinematic quality. Smeared with reverb and
scintillating like stars in the pitch black night, these songs fulfill the promise of Ramone's songwriting prowess.
Ranging from heart-stealers like I'm Going Home or Joy to the World to the riotous guitar scree of the titular Sweetheart,
Ramone's songwriting here is raw and direct, bolstered by White's perfectly balanced instrumentation. White's work on
Sweetheart blows up Ramone's songs to epic proportions, with waves of shoegazed guitars crashing and cresting with
emotion. As a result, Sweetheart fits effortlessly in with the best of Ramone's work with Vivian Girls and The Babies. With the
emotional vulnerability at its core, Sweetheart is Cassie Ramone emerging as one of the most honest and vital songwriters of
the underground.
Sweetheart, released on White and Ramone's new CD-R Records, builds on Cassie Ramone's legacy as a DIY pioneer. With Vivian Girls, Ramone and her bandmates forged a distinctive sound from 80s Punk, Shoegaze and 60s Girl Groups, delivering it with a dedication to world-building and Do It Yourself pragmatism. CD-Records and this first release are a continuation of Ramone's mission to maintain creative and aesthetic control over her art, communicating directly and honestly. Sweetheart may
also be the best record of her career.
Released on Cassie Ramone and Dylan White's label CD-R Records

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Picture
Coming Soon

Satoko Shibata

My Favorite Things

12" | 2020 | FR | Original (Chat Noir Tools)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

The acoustic version of "Your Favorite Things," titled "My Favorite Things," has been announced by solo artist Satoko Shibata. This release features ten tracks in acoustic versions, co-produced by Takuro Okada, and recorded at Ideal Music Fabrik studio.

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Occibel

Generation EP

Meaty, Beaty, Big & Bouncy

Release: 2020 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

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The Who

LP | 1971 | EU | Reissue (Polydor)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

More Specials 40th Anniversary Half-Speed Master Edition

The Specials

3LP | 1980 | EU | Reissue (Chrysalis)

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: VG+

Like Clockwork Opaque Red Vinyl Edition

Queens Of The Stone Age

2LP | 2013 | EU | Reissue (Matador)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

The Golden Age Of Rock 'N' Roll

Mott The Hoople

2LP | 2019 | UK | Reissue (Madfish)

2LP | 2018 | US | Original (Hub)

Release: 2019 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Orange vinyl vesion! Cover is close to NM!

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Dawes

Passwords

Stage Fright 50th Anniversary Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl. Tiny top left corner bump. Records look like new.

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The Band

LP | 1970 | EU | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Kanneh-Masons / Michael Morpurgo / Olivia Colman

Carnival

2LP | 2020 | EU | Original (Decca)

Release: 2020 / EU – Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Eyes Of Oblivion Sky Blue Marbled Vinyl Edition

The Hellacopters

LP | 2022 | EU | Original (Nuclear Blast)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2022 | EU | Original (Nuclear Blast)

The Hellacopters

Eyes Of Oblivion

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

OSt Star Trek V: The Final Frontier

Jerry Goldsmith

LP | 1989 | US | Original (Epic)

Babylon (DJ Trace & Ray Keith Remixes)

Release: 1989 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Minor damage near opening. Record in fantastic condition.

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Splash

12" | 1995 | UK | Original (Dee Jay)

Essential Singles 1980-1987 Single

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Sheena Easton

2LP+7" | 2023 | UK | Original (Cherry Red)