Search "record store day" 1504 Items

Release: 2023 / EU – Original

Genre: Rock & Indie

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Que Pasa / Georgia On My Mind Red Vinyl Edition

John 5 & The Creatures

7" | 2022 | US | Original (Big Machine)

10,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Rubinho E Mauro Assumpcao

Perfeitamente, Justamente Quando Cheguei

LP | 1972 | UK | Reissue (Mr Bongo)

Yakusoku Wa Dekinai (I Can't Promise)

Release: 1972 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando Cheguei' has to be up there as one of the finest Brazilian-psych-folk-MPB records we know. Unfortunately, it's very hard to find in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag.

This highly sought-after rarity was released on the Brazilian label Tapecar Records in 1972 and is the one and only album by the sensational pairing of Rubinho and Mauro Assumpção. Effortlessly blending folk, MPB, funky-psych, rock, and relaxed, swaggering samba, this record ought to be heralded as a true Brazilian classic. However, maybe due to its scarcity and the previous reissue predominantly being only available to the Brazilian market, it has not had a chance to fully shine and find the wider audience it deserves. Through our reissue we hope to put things right. Fans of records by Milton Nascimento and Lô Borges are sure to enjoy the same magic and allure in 'Perfeitamente, Justamente Quando Cheguei'.

In addition to being the album’s songwriters, Mauro Assumpção took on the role of producer and Rubinho was co-producer as well as playing piano, organ, acoustic guitar and performing vocals. The record features the drummer Gegê who worked with Milton Nascimento, Edu Lobo, Nana Caymmi, Dom Um Romão and more. It also features guitarist Rick Ferreira, who played with Erasmo Carlos, Gal Costa and other greats. Rounding off the players on the album are Darcy Da Cruz and Formiga who have graced many a fine recording on horns.

'Perfeitamente, Justamente Quando Cheguei' is a truly stunning work that washes over you with beauty. Delve in and savour.

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Che-Shizu

LP | 1984 | JP | Reissue (Alchemy)

36,99 €*

LP | 2024 | US | Original (Thin Wrist)

Release: 1984 / JP – Reissue

Genre: Rock & Indie

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Formed in 1984 by bassist Takuya Nishimura and erhu player and singer Chie Mukai is Che-SHIZU. Their debut on the indie record label Zero records (also known for producing acts such as Shonen Knife, and Luna Park Ensemble) “Yakusoku wa Dekinai” (I Can’t Promise) drew attention for its uncompromising approach to simply making ‘songs’. With Tori Kudo (who’s recent analog release, Tangerine with Reiko Kudo, is making waves across the world) on guitar, ‘Yakusoku wa Dekinai’ is filled with songs that are simultaneously experimental and catchy. P-vine is proud to be reissuing this historic album for the first time ever on vinyl.

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Michael Morley

Pushed Streets

39,99 €*

Emahoy Tsegue Maryam Guebrou

Release: 2024 / US – Original

Genre: Rock & Indie

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Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley's love of song form has never been far from the surface. In recent years, chance discoveries of Spanish and classical guitar records languishing in the discount and free bins at junk shops in South Dunedin proved to be a revelation. These records, largely recorded in the 1950s and 60s, began to shift Morley's work and lead him to piece together a new musical language from elements completely removed from the rock and avant-garde underground from which he first emerged. Spanish, Mexican and South American composers such as De Fossa, Ponce, Lauro, Barrios, Pujol, Albéniz, Falla, and Villa-Lobos as well as more traditional classical guitar composers like Schubert, Haydn, and Scarlatti all began to etch themselves into his consciousness. Rather than emulate them, Morley "channeled the experience of listening to these strange guitar sounds" as he began to play the acoustic guitar for hours at a time every day as an almost meditative exercise and a way of discovering a new way to play. This new musical language is realized on Pushed Streets, a suite of 12 songs Morley recorded at home in Kōpūtai/Port Chalmers, New Zealand. The music is quiet, almost ephemeral. Chords and melodies are traced in a dark atmosphere with Morley's unmistakable voice almost imperceptibly double tracked, words softly sung and stretched, sometimes at a near whisper. There are no amplifiers, no effects, nothing to distract from Morley's words and the tone of his guitar. Recorded with two 1970s guild guitars, an orchestral six string and dreadnaught twelve string, the guitar sound is rich and dynamic, chords and melodic figures are struck with what sometimes seems the gentlest possible gesture, resonating and floating away into the night. The music and voice, the lyrics are all of that dark thread, distilled with frightening clarity. The music is intimate and fragile, unadorned and heartbreaking in a way that recalls the spirit of lonely and world-weary albums by Skip Spence, Bill Fay, and Loren Connors; yet against the backdrop of the absolute finality of today's culture, the album's alchemy of Spanish and classical influences with Morley's formative work avant garde work, Pushed Streets exists in its own hauntingly desolate realm.

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Jerusalem

LP | 2023 | US | Original (Mississippi)

7" | 2024 | JP | Original (P-Vine)

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

160 gram vinyl.

Small light scuff on side A.
Record is close to VG+.
Cover as new with a slightly dented corner.

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Arisa Nakano

Aoi Sakana (Blue Fish)

20,89 €* 21,99 € -5%

LP | 2024 | EU | Original (Black Truffle)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Arisa Nakano is a talented young Japanese actress who recently appeared in Wim Wenders' latest film Perfect Days, which was nominated for Best International Feature Film at the 96th Academy Awards. She sings Sachiko Kanenobu's song 'Blue Fish' which is also played in the film, and P-vine have the honour of releasing the cover as a 7" single. Produced by Seiichi Yamamoto, also known as a former member of the Boredoms, her dignified singing voice combined with Yamamoto's sound arrangement creates a musical chemical reaction.

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Dagar Brothers

Berlin 1964 - Live

12,99 €*

Femmes De Paris White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day. Famed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside Bt114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964. Accompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.

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The French Mademoiselles

LP | 2022 | EU | Original (Diggers Factory / Fgl Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2020 | EU | Original (Uzelli)

V.A.

Uzelli Elektro Saz

17,99 €*

LP | 1977 | US | Reissue (Pharaway Sounds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home. Not counting the handful of 8-track tapes and 14 LPs released in the early days, the catalog consisted entirely of cassettes.
When they opened their Istanbul office in 1977, Uzelli moved beyond production and became successful in the areas of reproduction, distribution and marketing. Taking the catalogs of other production companies under its umbrella, it continued its rapid growth.
The 90s became the CD decade, and because Uzelli Kaset had not released its catalog in CD format, hundreds of albums remained unavailable to an entire new generation. Because the albums had not been released in LP form either, musical explorers ran into the same problem. Remaining active and serving in various areas of the music industry, Uzelli carefully preserved its visual, audio and document archives, ensuring their survival to the present day.
After an immense amount of work, this catalog, which had long awaited discovery by new generations, was finally released in digital format. For record collectors seeking the spirit of those times, we also began offering this special selection of compilation albums in vinyl format. As we created this series, our goal was to guide listeners toward new discoveries, and open new pages for music lovers to explore. Leaving our rich, multifaceted catalog to genuine musicians, curators and artists, our desire became to approach the recordings of that period from a different perspective.
We are overjoyed to know that our continuing meticulous work will bear fruits whose taste and aroma have been long forgotten.
Uzelli

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Edip Akbayram & Costlar

Nedir Ne Degildir

2LP | 2004 | US | Reissue (Drag City)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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As Turkey's political factions turned more and more violent in the late 1970s, Buscemi- eyed Edip Akbayram was nearly beaten up by rioting audiences for daring to sing about rural points of view that were naturally critical of Istanbul's political leaders. This second album of Anatolian psychedelia, originally released in 1977, showed defiance even in its gatefold art, with a drawing of the band members seeming to grow straight out the ground, covered in plant tendrils. Akbayram poached members of Mo?ollar and Bari? Manço's Kurtalan Ekspres to get the best fuzz breaks and hammond slams & put 'em straight in your ears. The band also tried out some mixes that pushed the vocals or a particular instrument way up front, and of course long, low, reverberant welcomes from Edip's echo- covered voice. Remastered sound, insert / booklet with photos and liner notes by Angela Sawyer (Weirdo Records). Vinyl comes with exact reproduction of the original gatefold pop- up sleeve.

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Faun Fables

Family Album

42,99 €*

LP | 2011 | US | Reissue (Dead Oceans)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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Happy 20th birthday to Family Album, the third recording of Faun Fables and the first one released on Drag City. These songs belong to sons and daughters, entwined and orphaned, domesticated and feral; to all the family vines unraveling from a ball of yarn. In this family album, runaways graze the wild together, a mother finds her courage playing the piano, dogs become thieves and wolves, and a son is taken too soon. Fourteen-year-old nymphs sit dangerously at the crossroads, a younger brother tries to find his place, packs of girls defeat fear with a march, and the nightly adventures of the household mouse are spied upon.Dawn McCarthy"s creative background was forged in oral tradition amidst a large musical family in Spokane, Washington; studying piano, music theater, rock bands, guitar, folklore and ethnomusicology. Dawn cut her teeth as a singer and performer with various bands and cabarets in Madison, Wisconsin and New York City, most notably as yodeler with the Bindlestiff Family Cirkus, whom inspired her to want a gypsy life with a kindred spirit someday. Her focus took a pivotal turn in that direction in 1997 with a solo quest through the UK and Ireland and their bardic traditions; singing songs in clubs and homes, all the while undergoing a pastoral, psychological experience with the land. Upon her return to the States, a fateful meeting with Oakland, CA born-and-raised Nils Frykdahl (Sleepytime Gorilla Museum) moved McCarthy back to the West to begin a new creative collaboration in the thriving hills and art community of the San Francisco Bay Area. Since 1999, Faun Fables have released six albums and performed their animist, otherworldly folk music across North America and Europe, with shows in Australia, New Zealand and Israel, as well. Dawn"s writing and voice (described by The New Yorker as "one of the more compelling instruments in contemporary music") opens hearts and minds with a whisper to a rallying battle cry, further animated by Frykdahl"s adventurous musicality and vocals. Da...

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The Tallest Man On Earth

Shallow Grave

LP | 1971 | EU | Reissue (A&M)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The Tallest Man on Earth released one of 2008's most powerful records, one that Pitchfork praised, calling Kristian Matsson "a natural-born folksinger, earnest, clever, and comforting." Shallow Grave could not have been more simple, just Matsson's commanding vocals with an acoustic guitar or banjo, recorded at his home in Dalarna, Sweden. Although the album was released on the Swedish label Gravitation without the help of widespread distribution, the story of The Tallest Man on Earth spread far and wide through word of mouth. In April 2010 The Tallest Man on Earth released the critically acclaimed album The Wild Hunt and has played dozens of sold-out shows on both sides of the Atlantic. Now, Gravitation is pleased to make Shallow Grave widely available on vinyl for the first time.

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T. Rex

Electric Warrior

38,99 €*

LP | 2013 | US | Reissue (Now-Again)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with OBI. tiny wear. 2022 reissue.

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Witch

Lukombo Vibes

Nancy Sinatra & Lee Hazlewood

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Archival reissue of the Afro-prog-psych Zamrock masterpiece Presented For The First Time Ever In An Aged Copper Green Pressing The entirety of WITCH’s fourth album, restored and remastered from master tapes, and presented as an archival reissue in an aged copper green vinyl pressing. WITCH’s musical arc is contained to a five year span and, in retrospect, it is a logical one. The band’s fourth album - recorded after the band toured with Osibisa - makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. It is the most "afro-rock" of WITCH’s oeuvre.

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

LP | 2022 | EU | Original (No Format)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Kouyaté-Neerman

Skyscrapers & Deities

2LP | 2000 | UK | Reissue (Two Piers)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Kouyaté without Neerman is Lansiné Kouyaté. A Parisian griot, a balafon virtuoso from the region of Kangaba in Mali, a child born among musicians, an early musical prodigy who learned the ropes with the National Orchestra of Mali before playing with the stars of world music (Salif Keita, Mory Kanté, Omar Sosa, Cheick Tidiane Seck.). Neerman without Kouyaté is David Neerman. A French musician who expanded on his training (classical percussion and the piano) by choosing an instrument that is both keyboard and percussion, the vibraphone, who meandered through various eclectic projects (jazz, world, electro, noise, with Youn Sun Nah, Anthony Joseph, Alice Lewis, Krystle Warren.), as long as they smelled of adventure. With Kangaba, their first album (recorded with a rythm section), released in the summer of 2008 they created a glorious future for themselves. Well received by critics, the record gave the opportunity to the duet to tour alot and as such, to strengthen their performance, provide more substance to their music and discover new energies. Skyscrapers & Deities, their second album recorded last fall in an analog studio in the Parisian suburbs, is the result of this evolution. Lansiné still plays like he's stirring up tropical rains on water lilies and David has still plugged (or even more) his vibraphone on bizarre pedal effects (distortions, wah-wah). The duo is backed up by a new rhythm section, that accompanied them on tour : Antoine Simoni on the double bass and David Aknin on the drums, two musicians open to the rythms of rock and hip-hop. The name of the album, Skyscrapers and Deities comes from the spoken-word lyrics of special guest and only voice on the album Anthony Joseph on the track 'Haiti'. The other guest on the album is the legendary kora player Ballaké Sissoko, long time friend of Lansiné, since the days of the National Orchestra of Mali. Skyscapers inspire modernity, altitude and a panoramic point of view. Deities inspire ancestral magic, spirits, be they from the forest or the clouds. The album floats in between all these things, between the horizon and vertigo, technology and spiritualism.

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Turin Brakes

The Optimist LP

30,99 €*

2LP | 2000 | UK | Reissue (Two Piers)

Release: 2000 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition. 2021 reissue. Original inner sleeves. close to NM

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Turin Brakes

The Optimist LP

40,99 €*

Wilderness America, A Celebration Of The Land

Release: 2000 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Limited edition. 2021 reissue. Shrink wrap is partially opened but vinyl is still sealed. tiny wear.

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LP | 1975 | EU | Reissue (Ebalunga!)

LP | Original (Jagjaguwar)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Record with just a few paper scuffs.
Includes original inner sleeve.

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Richard Youngs

The Naive Shaman

20,99 €*

Release: Original

Genre: Rock & Indie

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Tell Me Not Here Clear Vinyl Edition

Vanishing Twin

12" | 2024 | UK | Original (The state51 Conspiracy)

LP | 1979 | EU | Reissue (Bonfire)

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Vanishing Twin’s expansive and magical psychedelic epic with lyrics adapted from A.E. Housman’s 1922 poem, ‘Tell Me Not Here, It Needs Not Saying’ was initially commissioned by The Quietus for Sound + Vision subscribers before being released as part of state51's ongoing Singularity series. Here it's presented in transparent vinyl, over two sides.

Vanishing Twin fly deeper into their sonic universe, blending elements from an improvisational session, raw recordings of the natural world, and early 20th century poetry to create sublime, cosmic pop.

This twenty-minute piece has embellishments of sparkling synth and lyrical vignettes that are reminiscent of English folk melodies.

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Veronique Chalot

J'ai Vu Le Loup

Roberto Musci / Giovanni Venosta

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

21,99 €*

Dreamin' Black Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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Chuck Senrick

LP | 1977 | US | Reissue (Numero Group)

Lady Aicha & Pisko Cran's Original Fulu Miziki

Release: 1977 / US – Reissue

Genre: Rock & Indie

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The only album to soundtrack both late-'70s Minneapolis lounges and a Travis Scott x Dior fashion show. Recorded in a host of living rooms with only a Fender Rhodes piano, a Donca Matic Mini Pops drum machine, and Senrick's wide-eyed, 20-year-old voice, the 1977 LP disappeared into the wild and joined the Wendigo in Minnesota lore. A provocative mix of marina soul, easy listening, and loner folk, Dreamin' is a sanguine sliver of the American private mind garden. Harsh winters coupled with a relative lack of interest amongst siblings allowed Chuck Senrick years of unfettered access to the family piano in their Farmington, Minnesota, home. Learning both by ear and by instruction, Senrick began gigging professionally at age 15, joining John Zimmer and the CR4 for a weekly rundown of Allman Brothers, Blind Faith, and Cream covers at the Sea Girt Inn in Lake Orchard. Tapping into James Taylor's pop-chart achievements in songwriting and enunciation, Senrick composed the bulk of the songs featured on Dreamin' before graduating from Farmington High School. At 20, Senrick migrated 30 miles north to the Twin Cities to pursue music full-time. Using borrowed equipment and borrowed living rooms, a string of informal recording sessions generated the quarter-inch tape for Dreamin'. "I didn't know how to do it," Senrick says about producing an album. "I just knew it could be done." Constructed with vocals, Fender Rhodes, and an assortment of rhythm presets on his Donca Matic Mini Pops drum machine, a mere 200 copies of the private-press masterpiece were stamped and sleeved and sold hand-to-hand at performances. Chuck's wife Lesli illustrated the album cover_a pen-to-paper portrait of her husband against the backdrop of the Minneapolis Skyline, she and their newborn son situated on a nearby knoll. Any plans for a re-press were quashed when producer Bruce W. Hansen lost the reels during a messy divorce. "I was a kid with big ideas and not much hope to do anything but play," Senrick said of the Dreamin' era. "It still amazes me that people are interested in it."

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N'djila Wa Mudjimu

LP | 2022 | UG | Original (Nyege Nyege Tapes)

2LP | 2013 | UK | Reissue (Domino)

Release: 2022 / UG – Original

Genre: Rock & Indie

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In 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing. If there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono N§1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground - their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful central focus. Influenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Mziki went viral and their star began to grow exponentially, with a video of the band preforming the track 'Tikanga' racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY & The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure. At their best, Fulu Mziki sound almost completely out of time, curving pounding rhythms around microtonal clanks, rousing chants and spiky sonics. On 'Mutangila', there's a hint of disco in the 4/4 stomp, but it's been shifted into a post-punk ritual, adorned with complex bell percussion and overlapping vocals. 'Congo' is even harder to define; electrified buzzes form a bassline, but it's the mindboggling rhythms that shuttle the track into psychedelic realms, led confidently by Lady Aisha's limber rhymes. Fulu positively slither on the sultry, industrial-influenced 'Sebe', while 'Tikanga' reminds of Congo's rumba-derived soukous traditions, materializing the sounds into the future with tight, pounding percussion and head-melting fx. The story of Fulu Miziki is sprawling and complex and constantly evolving, with various offshoots and band iterations. Two members left the band in 2016 to form Kokoko! with French producer Débruit. Not long after they recorded this magnum opus album, several other original members left to form a similarly named outfit currently based in Europe. This other incarnation recently released an EP of electronic productions without the band founder Pisko Crane and lead vocalist Lady Aicha, on the UK based Moshi Moshi records. Pisco and Lady Aicha currently lead a different outfit in Kinshasa made up of completely new musicians. This full-length is the remaining proof of Fulu Miziki at their most vital and most complete - it won't be repeated - and can never be recreated. It's an essential portrait of one of the Democratic Republic of Congo's most innovative contemporary outfits, and some of the most surprising hybrid music you're likely to hear.

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Richard Dawson

The Glass Trunk

LP | 2024 | US | Original (Grapefruit)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Original inner sleeves. Tiny wear. 2015 reissue.

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Stenhjärta

Gryning Kommer Röd

25,64 €* 26,99 € -5%

Me, Without You The Spring, Without You

Release: 2024 / US – Original

Genre: Rock & Indie

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Grapefruit Records is proud to introduce Stenhjärta (translates to Stoneheart), a new duo consisting of Gustaf Dicksson & Magnus Jäverling. Both are active in the Swedish Underground music scene centered in Gothenburg. Gustaf is known for his shape-shifting prolific solo project, Blod, as well as his participation in the legendary music collective, Enhet FÖR FRI Musik. Magnus is somewhat newer to the scene, appearing on some Blod recordings as well as releasing a fascinating concept album called Bowdark on the Discreet Music label in 2022. As a duo here they are exploring classic prog-folk motifs with very Swedish influences. Gryning Kommer Röd (which loosely translated means Dawn Will Be Red) is yet another gorgeous album delivered to us from the heads and hearts of two mercurial musicians of the outstanding Swedish Underground.

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تورج شعبان‌خانی

2LP | 2022 | DE | Original (Fun In The Church)

20,99 €*

False Lankum Black Vinyl Edition

Release: 2022 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG

Cover with beginning of seam split on top spine and stuffed corner.

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Lankum

2LP | 2023 | UK | Original (Rough Trade)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Tompkins Square)

Bobby Lee

Origin Myths

Nighthawks At The Diner Remastered Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Bobby Lee Trades In A Wide Screen Brand Of Cosmic Country-Folk, Full Of Space And Pawn Shop Guitars. There Are Touches Of Jj Cale's Analogue Americana, The Swampy Groove Of Tony Joe White And Richard Thompson's Sinewy, Modal Guitar Work. Amps Hum In The Warm Afternoon Sun, Kids And Dogs Snooze On The Grass And Broken Drum Machines Keep Time With The Universe_open Sky/Scorched Earth Improvisations Recorded To Four Track Tape During The Rare Moments Of Solitude Afforded By Lockdown And Early Fatherhood. Bobby Lee's "Worn-Denim Psych-Country" Remains, But The Ancestral Spirits Of Ashra, Popol Vuh And Terry Riley Are Present Here Too. Time And Technological Limitations Have Been Embraced. A Song Dreamt Up, Tracked And Mixed In An Afternoon, Never To Be Tampered With Again. Imperfections Allowed To Stand; Knowing That Nothing Is Ever Truly Finished. The Bob Ross School Of Philosophy. "Overdriven Drum-Machine Low Slung Choogle" - Mojo "The Further Bobby Unmoors Himself From Songs And Heads Towards Long-Form Abstraction, The More Engrossing It Becomes" - Uncut

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Tom Waits

2LP | 1975 | EU | Reissue (Anti)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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James Yorkston And The Second Hand Orchestra

The Wide, Wide River

LP | 2021 | EU | Original (Domino)

40,99 €*

LP | 2014 | US | Original (Awesome Tapes From Africa)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Green vinyl seems unplayed. cover is close to NM. Original inner sleeve. deluxe edition

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Aby Ngana Diop

Liital

2LP | 2016 | IC | Original (Record)

Release: 2014 / US – Original

Genre: Rock & Indie

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Aby Ngana Diop was the most famous taasukat in Dakar, Senegal in the 1980s and 1990s. Taasu is a Wolof-language poetic style, usually performed by women griots over frenetic drum patterns, with an aggressive verbal flow thought to presage rap. Her only album Liital was groundbreaking in the history of Senegalese music because it was the first commercial recording to feature a traditional female taasukat performing to the modern accompaniment of mbalax, Senegal’s quintessential pop genre.

After a few years of searching for Ms. Diop’s family members—she passed away from a heartattack in 1997—it took another year to get the release sorted it out but I’m happy to report this is all square with her family in Dakar (thanks to the help of a friendly professor from Boston who also contributed excellent liner notes).

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Junius Meyvant

Floating Harmonies

99,99 €*

Gerald Toto, Richard Bona, Lokua Kanza

Release: 2016 / IC – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beautiful copy!

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Toto Bona Lokua

LP | 2017 | FR | Reissue (No Format)

Release: 2017 / FR – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

7" | 2020 | US | Original (Lewis)

The Still Brothers

Wake Up b/w The Deep

7,99 €*

LP | 2024 | EU | Original (BMG)

Release: 2020 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Davide Van De Sfroos

Manoglia

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Akuphone)

Badiaa Bouhriz

Kahrumusiqa

LP | 2022 | US | Original (Dead Oceans)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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KahruMusiqa is a musical retrospective by Tunisian singer and composer Badiâa Bouhrizi AKA Neysatu. She is known as the author behind the protest songs that became the anthems of the Tunisian revolution.

KahruMusiqa means electronic music, but is never used as such in Arabic to name the genre. The record is a collection of sonic experimentations that started when she first got her hands on music production softwares in the 2000s. The tracks are based around poems in classical Arabic language or Tunisian dialect written by Badiâa herself or female poets she admires, such as Palestinian authors Fadwa Tuqan or Salma Al Jayusi, or the Tunisian poet Noureddine Werghi. Most of the vocal work are improvisations recorded with a computer microphone. A take on the classic Turkish folk song Muhabbat is almost a modern harmonic rewriting, using only classical guitar, vocals and delays.

KahruMusiqa’s themes are in line with Badiâa Bouhrizi ideological trajectory. She is a queer woman in the moving sands of Tunesia in the song Transrimel. She also questions the political contract that led to Balfour and the displacement of millions of Palestinians in 1948, describing a journey between London and Nablus, in Fil Madinatil harima (“In The Old City").

This lo-fi bedroom album also displays several songs that have become classics of the Arab underground milieu like Ila Selma, and is the first ever record Badiâa Bouhrizi was willing to release.

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Bill Fay

Still Some Light: Part 2

32,99 €*

G. Rag & Die Landlergeschwister

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay has always sung about attempting to understand themost universal questions: those of nature, spirituality, humanity. His songs are "calming hymns for another chaotic time", he says. His influence can be traced through many artist's work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93), Still Some Light was released as a double CD, made up of 70's album demos (Disc One) and 2009 home recordings (Disc Two). This year, for the first time, this collection of recordings will be pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and...

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Der Räuber Und Der Prinz

7" | 2015 | EU | Original (Gutfeeling)

10,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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12" | 1982 | PT | Original (Valentim De Carvalho)

Dany Silva & Bandássanhá

Crioula De S. Bento

5,99 €*

Release: 1982 / PT – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 2012 | US | Reissue (Light In The Attic)

Sixto Rodriguez

Coming From Reality

44,99 €*

Le Super Borgou De Parakou

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM.

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The Bariba Sound 1970-1976

2LP | 2012 | DE | Original (Analog Africa)

Release: 2012 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Zango Colored Vinyl Edition

Witch

LP | 2023 | UK | Original (Partisan)

They Call Me Contry Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Witch was the first band in Zambia to release a commercial album — 1973’s Introduction. Blending the rock and roll sounds of The Rolling Stones together with more traditional, African rhythms, Witch pioneered a new genre dubbed Zamrock, and during their brief, yet prolific existence, Witch (an acronym for We Intend To Cause Havoc) released 7 albums and were the most revered band in the country.

In 2023, Witch will release their 8th studio album, Zango, via Desert Daze Sound — a new Partisan imprint A&Red by the founder of the Desert Daze festival, Phil Pirrone. On Zango, bandleader Emmanuel “Jagari” Chanda is joined by Patrick Mwondela on keys, Nico Mauskoviç on drums and percussion, Stefan Lilov and JJ Whitefield on guitars, and Jacco Gardner on bass, who is also credited with producing the album alongside Witch. The album features collaborations with Keith Kabwe (Amanaz), Theresa Ng’ambi, Hanna Tembo, and Sampa The Great.

Recorded in the same studio in Zambia where the band’s sensational 1975 album Lazy Bones had been made some 46 years prior – DB Studios – Zango tells the story of the band’s phoenix-like rebirth into its current supergroup-like state. The album is full of international and inter-generational collaborations that chart musical histories from Zambia and beyond.

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Sanford Clark

LP | 1968 | US | Reissue (Numero Group)

29,99 €*

LP | 2022 | US | Original (Mississippi)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.

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S.E. Rogie

The Further Sounds Of...

23,99 €*

LP | 1982 | FR | Original (Eva)

Release: 2022 / US – Original

Genre: Rock & Indie

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"10 brilliant tracks from 1960's Sierra Leone by the wildly popular S.E. Rogie!S.E. Rogie went from running a tailor shop in Sierra Leone to being one of West Africa's most popular artists. He toured around the country, singing his palm wine music in multiple local languages, created his own record label, and was known as the most handsome man in Sierra Leone. He formed the highlife band The Morningstars in 1965. In 1973, he came to the Bay Area to live and expand his base, performing everywhere from local high schools and convalescent homes to festivals and large stages. In his later life he hit the road again and toured the world, eventually passing away while on stage in Russia in 1994.He shared the following songwriting wisdom with his son, Rogee Rogers: "When you write a song, you can be complicated if you want, but your chorus should be that anybody can sing it."These tracks were originally released on his own Rogie label in the 1960s and include solo, ensemble, and Morningstars songs, most of which have never been reissued until now."

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Mouse & The Traps

Public Execution

Schnuckenack Reinhardt Quintett

Release: 1982 / FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM

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Musik Deutscher Zigeuner

LP | 1969 | DE | Original (Da Camera Song)

8,99 €*

LP | 1986 | EU | Reissue (Türküola)

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Writing on cover.

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Baris Manco

Sari Cizmeli Mehmet Aga

LP | 2024 | US | Original (Grapefruit)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still shrink wrapped but opened.
Record is close to NM.

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Bingo Trappers

Karaoke Parkman Blues

33,24 €* 34,99 € -5%

Dylan Golden Aycock & Joshua Massad

Release: 2024 / US – Original

Genre: Rock & Indie

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The Amsterdam based Bingo Trappers are the moniker of songwriter and singer Waldemar NOË and multi-instrumentalist WIM Elzinga, who also creates the arrangements and recordings of their prolific oeuvre, which began in 1995 with the cassette More/Soul on the legendary Shrimper label. They’ve been active ever since, Rolling Stone mentions them as a special pick with their CD-only release Juanita Ave. in 2001, and in the last decade they’re on a steady vinyl-streak with the albums Sister Planet (’13), Elizabethan (‘18) and ‘Giddy Wishes (’20) (for the complete discography, see their Bandcamp-page). Their music is tasty enough to dub it a delicious stew of sixties-twangs, bluesy strums, luring slide-guitars or pedal-steels, warm vocals and tickling choirs. Please enjoy.

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Two Improvisations

LP | 2024 | US | Original (Scissor Tail Editions)

Angel Olsen / Karen Dalton

Release: 2024 / US – Original

Genre: Rock & Indie

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“The first full length LP by Joshua Massad and Dylan Aycock. Massad is a tabla player living in India and studying under Zakir Hussain. Massad and Aycock came together in Tulsa to record live at the legendary Church Studio which was founded by Leon Russell in the ’70s. Over a few nights they captured some moments in the studio before it came under new ownership and just before Joshua moved to India.

“Aycock improvising on 12-string with Massad accompanying tabla and sitar. A flowing river of sound, a meeting of the minds. The little touches that Dylan’s brother Jesse Aycock adds (bits of synth) really sweeten the deal as well. Track two recorded in Leon Russell’s legendary Church Studio.” —Aquarium Drunkyard

“Track one is an improvisation recorded at the home of Joshua Massad’s friend who he was house sitting for and invited me to come play. When I showed up the door was open and he was deep in practice so no words were spoken. I set up a mic and just started playing. We played for forty-five minutes straight and the twenty mins of the first track was culled from that moment. We clicked immediately and that was the first time we ever played together. Joshua is studying and teaching in India now where he’s been since 2019.”

—Dylan Golden Aycock

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Something In Your Mind

7" | 2022 | US | Original (Light In The Attic)

10,99 €*

Island Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

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Corrina Repp

LP | 2021 | US | Original (Jealous Butcher)

23,99 €*

2LP | 2018 | EU | Original (Proper)

Release: 2021 / US – Original

Genre: Rock & Indie

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From the earliest, unknowing days of the pandemic sprang Corrina Repp's seventh solo album Island. Resonant and resolute, the album is suffused with peaceful energy, touching on universal themes while existing as a document of Corrina's inner life during that time. Contemplating solitude amidst isolation with openness and radiant assurance, Island seems to make the claim that to be alone is not always to be lonely. In fact, it can be empowering. For as much as these songs are marked with a melancholic touch, they are also infused with the patient optimism that can only come from years spent pursuing one's artistic passions, devoted to a life lived on one's own terms. Island marks Corrina's first time writing and recording an entire album by herself, in her own home, without an engineer or the spoils of a studio at hand. Hyper-focused due to these limits, she drew on her natural strengths of voice and guitar, resulting in songs even more markedly intimate than her previous work. The music of Island spans everything from haunting folk to exploratory guitar to cinematic pop, with Corrina's voice and instrument taking turns sharing center stage. In Corrina's sparse yet emotive way, Island calmly presents a score for our everyday lives that is as elegant as it is frank in both form and substance. Critically acclaimed guitarist and singer/songwriter Corrina Repp is now based in LA, but she came up in Portland, Oregon in the late '90s, carving out a space as she developed her sound. (A sometime actress too, she's also known for a recurring role on Portlandia.) She has previously released records on Hush Records and Caldo Verde Records. She was also a member of the experimental indie rock band Tu Fawning. In 2018 she released How A Fantasy Will Kill Us All.

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Richard Thompson

13 Rivers

18,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | Reissue (Capitol)

The Band

Stage Fright

2LP | 2018 | EU | Original (Capitol)

Release: 2021 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Near Mint

Only opened to verify colour, black vinyl!

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The Band

Music From Big Pink

29,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1977 | JP | Reissue (CBS/Sony)

Loggins And Messina

Sittin' In

8,99 €*

Shotgun Willie 50th Anniversary Deluxe Black Friday Record Store Day 2023 Vinyl Edition

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Record and cove very close to NM. With OBI!

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Willie Nelson

2LP | 1973 | Reissue (Rhino)

44,99 €*

LP | 1970 | EU | Reissue (Dialogo)

Release: 1973 / Reissue

Genre: Rock & Indie

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Quantity: 5500
Release type: RSD Exclusive Release

2nd LP contains all of the session outtakes, included in the 2006 4CD box set The Complete Atlantic Sessions.

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Piero Umiliani

Africa

LP | 2023 | UK | Original (Fire)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Piero Umiliani’s Africa was released in January 1972, a years-ahead record that includes the prog-tingedblack rhythm of “Africa To-Day”, the ‘fourth world’ inspiration coming from Jon Hassell’s “Green Dawn”, the‘exotic’ references in Martin Denny’s style (“Lonely Village”, “Echos”), the electronic new wave (hearing is believing!) of “Sortilège”, the folk music (“Rite”, “Folk-Tune”). An incredible album summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

Africa (1972) In 1972 Piero Umiliani was above all the man of a thousand soundtracks and the first Italian jazz experiments; from his later career we’ll soon learn that wasn’t enough for him, showing just a tiny part of a more complex picture. Closed within the walls of his Sound Work Shop Studio, the Maestro was weaving much more complicated and satisfying plots, incorporating dozens of influences from a life spent experimenting and discovering new sounds. Among the most fascinating ones, those who came from a continent like Africa, as much fabled as actually little known, but enchanting to the point that Umiliani dedicated to it the entire Africa - which is paired with its twin-record Continente Nero - and released it as M. Zalla, pseudonym used when it came to tidying up uncompromising and avant-garde music textures, as will later happen with masterpieces such as Suspense, Problemi D’Oggi or Mondo Inquieto. Always keep in mind when this album had been released, in January 1972, before approaching its content: here the prog-tinged black rhythm of Africa To-Day, the ‘fourth world’ inspiration coming from Jon Hassell’s Green Dawn, the ‘exotic’ references in Martin Denny’s style (Lonely Village, Echos), the electronic new wave (hearing is believing!) of Sortilège, the folk music (Rite, Folk-Tune). Many years in advance, in Africa Piero Umiliani summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

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Josephine Foster

Domestic Sphere

Tales Of America B Sides Black Friday Record Store Day 2019 Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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For her austere new solo album, Domestic Sphere, Josephine Foster performs solely with her electric guitar and then subverts the usual range of her voice to embody other frequencies and sounds beyond the surface layer of the songs. She communes so completely with every sound on the record, with the past and the future, animals and insects and birds, those so tenderly dead, and those of us who are alive. Listening to the record is a transcendent experience. It's an exorcism, one that exorcises you.

Domestic Sphere, produced by Foster and collaborator Daniel Blumberg, is an altar cloth of songs stitched together as liturgical music for a restless homestead, whose values insist simply that everything is music and that our daily life is a sacred, innately creative practice. In such a world creaking door reveal natural orchestras with wailing cats in service of melodic collaborations with Tennessee songbirds, Foster's world is an extra-sensory radio play in two acts, where songs overlay structures like creeping vines.

A seance by song, Josephine channels sounds from her interior and exterior landscapes, whether integrating field recordings reflecting daily life in a Spanish village and other moments in her life as a nomadic musician, or, as in one tender cameo, the voice of her great-grandmother comes from the other side. These songs are vigils, melodies sung intently, to be set aflame and sung off with the wind.

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J.S. Ondara

LP | 2019 | EU | Original (Verve)

9,99 €*

Nyati Mayi & The Astral Synth Transmitters

Release: 2019 / EU – Original

Genre: Rock & Indie

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RSD Exclusive. Limitation: 2300. Born and raised in Nairobi, Kenya, J.S. Ondara fell in love with Bob Dylan and moved to Minneapolis when he was 20 to pursue a career as a singer-songwriter. His debut album, Tales of America, is an examination of the American Dream, but from the perspective of the outsider, the immigrant, the social commentator. This album made J.S. an NPR Slingshot Artist, a Rolling Stone Artist You Need To Know, and earned him a Best Emerging Act nomination from the Americana Music Association in 2019.

Tales of America: B Sides is a five track LP packaged exclusively for Record Store Day, and features a previously unreleased track, a demo, a remix, and two cover songs.

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Lulanga Tales

LP | 2022 | EU | Original (Les Disques Du Crepuscule)

21,99 €*

It's Just Wind Record Store Day 2022 Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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After a recent 7" single release, Bongo Joe Records follow the debut album from Nyati Mayi & The Astral Synth Transmitters. Nyati Mayi, a Belgo-Congolese multi-instrumentalist, singer and improv dancer has joined up with DJ & producer Sofa Elsewhere. After a performance at this year"s BBC Radio 3 After Dark Festival the duo have a busy live summer in Europe including a show a the Best Kept Secret Festival. Early support from Worldwide FM, Late Junction and AfroBase.

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Ade & Connan Mockasin

LP | 2022 | US | Original (Mexican Summer)

31,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Local Valley Black Vinyl Edition

Jose Gonzalez

LP | 2021 | EU | Original (City Slang)

Idiosyncratics And Swallows Wings

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Recorded at Studio Koltrast Hakefjorden, which González set up in his family’s summer house north of Gothenburg, Local Valley “is similar to my other solo albums in sound and spirit,” he says, “a natural continuation of the styles I’ve been adding through the years both solo and with Junip. I set out to write songs in the same vein as my old ones: short, melodic and rhythmical, a mixture of classic folk singer songwriting and songs with influences from Latin America and Africa. It’s more outward looking than my earlier works, but no less personal. On the contrary, I feel more comfortable than ever saying that this album reflects me and my thoughts right now.”

On Local Valley – which follows the 2015 release of González’s acclaimed Vestiges & Claws – he sings in three languages (English, Spanish and Swedish) and it provides a welcome reminder of the Gothenburg, Sweden-based artist’s understated appeal and singular ability to communicate discreetly.

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Jeremy Harmer

CD | 2024 | EU | Original (Sommor)

15,99 €*

LP+LP+All Media | 2021 | US | Reissue (Ba Da Bing!)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar. Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums… Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching. “Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.” Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

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Sharon Van Etten

Epic Ten

LP | 2022 | EU | Original (Batov)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Satellites

Brennen Leigh Featuring Asleep At The Wheel

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lost somewhere between the mysterious alleys of 70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, Satellites self-titled debut album is set to be released on Batov Records.

The Şatellites’ sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dance-floor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honouring the Anatolian folk and psych artists from this golden era of music.

From the funky disco beat of Disko Arabesque to the celestial lead guitar in Yağmur Yağar Taş Üstüne, the band add fire and flair to time-honoured pieces of Turkish music, giving them new meanings. Covering important tracks such as female singer Kamuran Akkor’s track Olurmu Dersin, and musician and guitarist Zafer Dilek’s Yekte, the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey.

The band boasts six members; Ariel Harrosh (Bass) Lotan Yaish (Drums), Yuli Shafriri (Vocals), Tsuf Mishali (Keys and Synths), Tal Eyal (Percussion) and Itamar Kluger (Diwan saz, both electric and acoustic, electric baglama, Greek 4 double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst travelling the Kaçkar mountains in Turkey’s eastern region. The saz being a long-necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites’ union, and plays predominance throughout the bands’ album and music.

In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called “Anatolian Rock” and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music.

As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and the reverb of psychedelic, with traditional middle-eastern rhythm and structure, opening up the wealth of Turkish music to the western world, so that anyone and everyone can relate to something from the album.

With that said, Şatellites emphasise that their music is not fundamentally Turkish music, on the contrary, they merely try to sound as close to the genre as possible. Their sole aim is to honour this amazing culture and to present it to the world in a more accessible and attainable form.

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Obsessed With The West

LP | 2022 | US | Original (Signature Sound)

The Best Of The Modern Folk Quartet

Release: 2022 / US – Original

Genre: Rock & Indie

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I've been obsessed with western swing since I was a kid, and it's always been an influence, but my records in the past have ranged from bluegrass to hard country to folk, So I've never fully explored it.' So says genre-busting Fargo-born, Austin- incubated, Nashville resident Brennen Leigh, whose new collaboration with the kings of modern-day western swing, Asleep at the Wheel, Obsessed With The West (out on May 6, 2022), is a showcase not just for the Bob Wills fans, but for anyone who's ever curled up with Loretta Lynn, Hank Sr., Cindy Walker, Billie Holiday, or Willie Nelson. On twelve all original songs, Leigh's supple winking voice and multi-instrument fluency, her interplay with Ray Benson, and the undeniable chops of the Wheel serve up a treat on Leigh's seventh album. With cameos from Emily Gimble and Katie Shore, and all the players getting their moments in the sun, Leigh - a two-time winner of the Texas Music Awards Best Female Vocalist award - demonstrates on the terrific jump 40's rhythm and blues, 'Comin' in Hot' and the lonesome cowboy musing of 'Riding Off Onto Sunset Boulevard' why Rodney Crowell and Lee Ann Womack have recorded her songs. Obsessed With The West is a celebration of music for music's sake in 2022, not just an exercise in looking back on times gone by.

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The Modern Folk Quartet

LP | 1966 | JP | Original (Warner)

5,99 €*

LP | 2024 | Original (Mesquite St.)

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Red vinyl.

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The Vintage Yell

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2023 | EU | Reissue (Rabble Rouser)

The Unthanks

Last

30,99 €*

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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LP | 2012 | US | Reissue (Dead Oceans)

The Tallest Man On Earth

There's No Leaving Now

23,99 €*

2LP | 2018 | US | Original (In The Red)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP version comes with download of the album."There's No Leaving Now", the newest record from Kristian Matsson's aptly titled moniker, The Tallest Man On Earth, finds the Swedish troubadour trading in the sense of urgency that fueled his first two records for a confidently relaxed approach. The results are paralyzing. Drums, piano, baritone guitar, woodwinds and pedal steel layer this collection of songs that never compromise virtuosity for immediacy. The songwriting is every bit as detailed and captivating as his previous work, but this time around, Matsson is showing a few more cards. The music of the Tallest Man on Earth has traditionally centered around the power of performance and has served as a reminder that directness is the best course of action. However,...

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Earth Girl Helen Brown

Four Satellites Volume 1

The Brothers Four Greatest Hits

Release: 2018 / US – Original

Genre: Organic Grooves, Rock & Indie

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The Earth Girl Helen Brown Center For Planetary Intelligence Band (E.G.H.B.C.F.P.I.B.) is pleased to join forces with In the Red Records and Empty Cellar Records, presenting the first vinyl release of their proto-lanetary series Four Satelittes Vol. 1. Double gate-folded LP (three sides + etching), the release is a collection of songs and information from the band’s 2017 consumer recycled cassette series: Spring: Mercury: Fire, Summer: Mars: War, Fall: Saturn: Communication, and Winter: Venus: Love.

The band, related media artists and technicians includes: Heidi Alexander, Jamie Barron, Jamin Barton, Eric Bauer, Aylin Beyce, Emilee Booher, Ryan Browne, Tim Cohen, Grace Cooper, Dave Cousin, Brad Caulkins, Mikal Cronin, Bart Davenport, Brigid Dawson, John Dwyer, Chris Fallon, Lars Finberg, James Finch Jr., Davin Givhan, Dylan Hadley, Dustin Hamman, Kiran Harlow, Wilder Harlow, Graeme Gibson, Tahlia Harbour, Anna Hillburg, Douglas Hilsinger, Warren Huegel, Emmett Kelly, Nora Keys, Shannon Lay, Raven Mahon, Rusty Miller, Charlie Moonheart, Jack Name, Ethan Novikoff, Tim Presley, Ty Segall, Dave Sitek, Sean Smith, Sonny Smith, Kelley Stoltz, Enrique Tena, Alica Vanden Heuvel, Lida Vanden Heuvel and Mikey Young.

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The Brothers Four

2LP | 1982 | JP | Original (CBS/Sony)

9,99 €*

Release: 1982 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Greenwich Folk Messengers

Golden Folk Guitars

LP | JP | Original (20th Century Fox)

6,99 €*

Release: JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Brothers Four = The Brothers Four

Ever Green = エバーグリーン

LP | 1969 | JP | Original (CBS/Sony)

4,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | JP | Original (CBS/Sony)

Simon & Garfunkel

12,99 €*

Neil Young & The Crazy Horse

Release: 1978 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi (creased), includes insert (foxing) | Record is close to NM

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Live In Nagoya Japan 1976

LP | 2021 | EU | Original (DBQP)

LP | 1976 | JP | Original (CBS/Sony)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Neil Young’s extensive tour with Crazy Horse in 1976 comes after the release of On The Beach in 1974 and two albums, Tonight’s The Night and Zuma, the following year. The first live appearances with the new Crazy Horse with Frank (Poncho) Sampedro replacing the deceased Dan Whitten consist of four shows in ten days in little clubs and bars in northern California, dubbed the “Rolling Zuma Revue.” An extensive world tour was booked, called “The Year Of The Horse,” beginning on March 3rd, 1976 in Nagoya. This was Young’s first visit to Japan and he played seven shows in Nagoya, Osaka, Fukuoka, and Tokyo.

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The Brothers Four

Grand Prix 20

4,99 €*

LP | 1980 | JP | Original (United Artists)

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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The Dirt Band

Make A Little Magic

11,99 €*

LP | 1990 | DE (The Swingin' Pig)

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Faintest foxing on obi and back cover. Record is close to NM.

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Bob Dylan

Manchester Prayer

LP | 2021 | EU | Original (Die True)

Release: 1990 / DE

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

blue vinyl.

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Jesse Daniel

Beyond These Walls

29,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (BBE Music)

Lumingu Puati (Zorro)

Mosese

LP | 2012 | US | Original (Dead Oceans)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In the late Congolese musician Lumingu Zorro, protégé of Kinshasa’s legendary 60s band leader Dr Nico, recorded Mosese, his only pre-2000 solo album, for the Tabansi label- and this is it.CHAMPETA STORM WARNING! The first-ever reissue of one of West Africa’s best-kept rumba-soukous secrets- as well as being one of the most in-demand titles on Colombia’s booming Champeta sound system scene, where a rare record is protected as fiercely as on the Northern Soul or Jamaican sound system scenes, the label scratched off, the record hidden from view when not on the turntable.Possibly one of the strongest and most consistent Congo dancefloor albums ever recorded perfectly balanced between voices, horns, guitars and percussion.Which is why original copies of this all-time rumba rarity almost never reach the open market, being traded between Colombia’s champeta picoteros (sound system selectors) instead.In Kinshasa they say ‘Miziki ezelaki eleng ndeko’- ‘Sweet music, brother!’. Roger that

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The Tallest Man On Earth

There's No Leaving Now

18,99 €*

Alexander ''Skip'' Spence

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened, with hype sticker. Cover has tiny corner wear. Vinyl is close to NM.

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Andoaragain Record Store Day 2019 Edition

3LP | 2019 | US | Original (Modern Harmonic)

64,99 €*

LP | 1969 | US | Reissue (Intervention)

Release: 2019 / US – Original

Genre: Rock & Indie

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AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.

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The Flying Burrito Bros

The Gilded Palace Of Sin

49,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The Mugwumps Orange Vinyl Edition

The Mugwumps

LP | 1967 | US | Reissue (Sundazed)

30,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (McCoury Music)

The Del Mccoury Band

Songs Of Love And Life

20,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Outside Music)

Abigail Lapell

Anniversary

2LP | 2020 | EU | Original (Gated)

Release: 2024 / US – Original

Genre: Rock & Indie

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Award-winning Toronto songwriter and multi-instrumentalist Abigail Lapell returns with "Anniversary", an evocative collection of original love songs. Produced with Great Lake Swimmers’ Tony Dekker, the album was recorded at 200-year-old St Mark’s Church in Niagara-on-the-Lake, Ontario. Dekker helped shape the sessions’ spooky, resonant sound and also lent his voice to a couple of spellbinding duets.

Lapell’s deft lyrics jostle with love song tropes, grappling with love’s finitude and the irony of how codependency and longing are revered in popular music. A ghost story is woven through the album: waltzing in the dusty barroom country of “Blue Blaze,” buried in the superstitious lyrical streak of “Rattlesnake” and audible in a wheezing organ as it shuts down at the end of “Footsteps.” Still, "Anniversary" emerges as an earnest celebration of commitment. Earworms like “Anniversary Song” and “Someone Like You” showcase intricately layered harmonies, while closer “Stars” affirms that there’s no place the speaker would rather be than with the one she loves.

Dekker and Lapell assembled a stellar cast of musicians to support Lapell’s powerhouse vocals, piano, harmonica and signature fingerstyle guitar. The core band includes Dan Fortin on bass, Jake Oelrichs on drums, and Tania Gill on the church’s piano, harpsichord and organ. Rounding out the ensemble’s sensitive orchestral arrangements are Rebecca Hennessy (trumpet), Rachael Cardiello (viola), Michael Davidson (marimba and vibraphone) and Joe Lapinsky (pedal steel), who also engineered and mixed the record.

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Sol Seppy

I.A.A.Y.A Part One

19,94 €* 20,99 € -5%

In My Own Time 8-Track Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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What Sophie Michalitsianos has created, using barely more than her voice, piano, and cello, is magical, defying labels. Originally released as a private-press CD for her fans, I.A.A.Y.A, or I Am As You Are, is sublime, intimate, weightless, and comforting. The album takes its time yet feels urgent, like you need this music, this moment. This is the first time it's been available on vinyl. If the name Sol Seppy sounds familiar, it's because Michalitsianos had one groundbreaking album in 2006, The Bells of 1 2, which for those that heard it became one of the most important albums of the 00s. From it came the track Enter One, which has been used on numerous high-profile TV shows and has a silly number of views on YouTube. Most of I.A.A.Y.A was recorded and mixed in Knoxville, United States. Now, though, Michalitsianos lives in a small Greek village, hoping to make it her home while she works on the next two records. Yes, this is just the first part of a trilogy. In Sophie's own words: "Deep within these songs is a meeting place. It's an old home of everyone's and I hope for it to be an anchor whilst we bob up and down in chop." This is rare, this is real, this is true.

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Karen Dalton

8Track | 1971 | US | Reissue (Light In The Attic)

17,99 €* 19,99 € -10%

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | US | Reissue (Light In The Attic)

Nancy Sinatra

Boots Red Vinyl Edition

25,19 €* 27,99 € -10%

Release: US – Reissue

Genre: Rock & Indie

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Leslie Winer & Maxwell Sterling / Tim Buckley

Once I Was

7" | US | Reissue (Light In The Attic)

12,99 €*

Release: US – Reissue

Genre: Rock & Indie

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Sings Greatest Palace Music

Bonnie Prince Billy

2LP | 2004 | UK | Reissue (Domino)

31,99 €*

2LP | 2023 | UK | Original (Beatservice)

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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Will Oldham returns, and yes he's still Bonnie 'Prince' Billy. But this time he's singing from the greatest songbook of 'em all: the Palace songbook. Which he wrote.

Confused? You should and shouldn't be.

This is Bonnie 'Prince' Billy!

Will Oldham has made some of the world's greatest, most compelling, beautiful, rugged, raw, soulful, witty, and sorrowful records of all time, and, like R. Kelly, he just keeps 'em coming. If Ease Down The Road was Will's 'Chocolate Factory' (or was it the other way round?), then 'Greatest Palace Music' is his 'The R in R n B': an unstoppable hits package, full to the brim with lush luxuries for your aural pleasure. Recorded with a healthy mixture of old friends and new partners - Nashville session players, and familiar (and familial) faces Ned and Paul Oldham, amongst others.

Bonnie 'Prince' Billy re-recording his fans favourite Palace Songs is a natural extension of the smoother goings on of "After I Made Love To You" (Ease Down the Road), and the countrified duets of last year's dark masterpiece, 'Master and Everyone'. Fans may be aghast when they first hear these re-renderings, but give this record room to breathe, and you'll discover the sheer majesty of Will Oldham in glorious Technicolor. This is not Will Oldham improved; this is Will Oldham anew. We expect our expectations to be confounded when we're in the presence of the greats, and so here we are not disappointed by the Prince, even if we are somewhat thrown.

LP version features lovely etching on Side 4.

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Flunk

Cover Ups, Volume 1 & 2