Search "record store day" 8951 Items

Exister Crystal Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of three Monster New Orleans Funk 45s released by Soul Jazz Records only ever exclusively available on their site and Long out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag! A stone-cold Classic tune! Simply one of the most soulful New Orleans tunes Ever to come out on record from Eddie Bo vocalist Inell Young.

Go to Item

The Soft Moon

LP | 2022 | US | Original (Sacred Bones)

Guilt Show Clear With Grey Splatter Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The whole point of this record was to share every emotion that I feel," says The Soft Moon's Luis Vasquez. "No two songs are the same. It's about existing in the world as a human being and experiencing many emotions and experiences throughout life." And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. "Exister is my way of saying `I'm here, deal with it.'" Vasquez says. Sonically, this expression is a vast, expansive and potent one. The opening `Sad Song', which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as `The Pit' capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. `Monster' - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. `Become the Lies' explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narc and Special Interest's Alli Logot on `Him' and `Unforgiven' - all while retaining that distinct tone that unmistakably The Soft Moon.

Go to Item

The Get Up Kids

LP | 2004 | EU | Reissue (Vagrant)

LP | 2022 | EU | Original (Revolver)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Guilt Show' was The Get Up Kids fourth studio album, originally released in 2004. This is the first new pressing since 2016, this time on a clear vinyl with grey splatter detail. Comes with a lyric insert and housed in a hand-numbered sleeve; limited to 500 copies for Uk/eu.

Go to Item

Baby Of The Bunch

Pretty But It Has No Use

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Posse EP Volume 1 Record Store Day 2022 Purple Vinyl Edition

Metronomy

12" | 2022 | Original (Because Music)

17,99 €*

2LP | 2021 | US | Original (No Quarter)

Release: 2022 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Prior to their new album "Small World" (february 18th, 2022) ,Metronomy just released digitally only as surprise a 5 original track collaborative EP .Each song featuring a rising artist of the next generation . This very first physical Edition done exclusively for the RSD , as Purple Vinyl, also includes as bonus instrumental version of all songs.

Go to Item

Endless Boogie

Admontitions

Benjamin Lew / Steven Brown

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Endless Boogie rejoins with its fifth proper studio album. It contains and is called Admonitions. Seven tracks of unrefined wisdom, mostly put to tape in improvised fashion with little to no warning. Recorded over two years and two sessions - at the pastoral tranquility of the Stockholm inland archipelago in 2018, and in the dank, cramped basement of a Fort Greene, Brooklyn studio in February 2020. Eklow on crude direction, Sweeney on stealth glamour, the obscurantist clarity of Paul Major is, as always, as ever, on full display, the fierce reality of Mike Bones is crucial, and the stoic solidity of The Harry Druzd lays beneath it all. Old pal Kurt Vile hovers over Counterfeiter. Full grease, delivered with ease. It is the band's humble wish that you immerse yourself and this offering.

Go to Item

Douzième Journée: Le Verbe, La Parure, L'amour Remastered Edition

LP | 2021 | EU | Original (Crammed)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1990 | US | Reissue (Chunklet)

Tar

Roundhouse

LP | 1989 | US | Reissue (Chunklet)

Release: 1990 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tar were an uncompromising prolific Chicago four piece band from 1988 to 1995 who put out many records and toured the US and Europe frequently with the likes of The Jesus Lizard, Arcwelder, Unsane, Surgery, and Jawbox. Over thirty years since the original releases, Tar’s first three 12" records are being reissued. Co-released by the band’s No Blow Records and Chunklet Industries, the Handsome EP and full length LPs Roundhouse and Jackson are being rediscovered. All three records were remastered and cut to lacquer by Bob Weston at Chicago Mastering Service. The artwork was painstakingly reimagined and recreated by the band’s drummer, Mike Greenlees. This music has withstood the test of time. With the stunning remastering and 180gm pressing at Chicago's Smashed Plastic pressing plant, this is no regular reissue. With exacting detail, the highest quality and attention to detail, the listener and fans are invited to truly reexperience these releases anew. It’s time to celebrate Tar. Again.

Go to Item

Tar

Handsome

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

LP | 2021 | EU | Original (Tiny Global Productions)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

Go to Item

Band Of Holy Joy

Dreams Take Flight

The Brian Jonestown Massacre

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Apotheosis Of Band Of Holy Joy's Bile Toward Today's Pathetic State Of Affairs Will Be Released Shortly - A Blistering Remix Of "The Devil Has A Hold On The Land" From Their Last Album, Neon Primitives. Remixed By Youth (Killing Joke Bassist, Paul Mccartney Collaborator, Producer Of Melanie C And U2!), Who Was So Taken By The Song As To Remix It Gratis, The Remix Will Be Part Of A Series Of 23 Discrete 7" 45s By Jon Langford Of The Mekons And An Assortment Fellow Travellers From Around The Globe. Dreams Take Flight Transitions From Political Discourse Into A Post-Virus Rebirth Of Human Relationship And The Inevitable Fumblings Of The Society's Psychological Reconstruction Over The Forthcoming Year. Have You Ever Wondered What Purpose Your Joy Or My Pain? All Those Moments Shared Together To Be Washed Away By The Rain . . . Have You Ever Doubted Our Super Hipster Being Love-In At All? Just A Pair Of Urbane Fools Passing Through Waiting For Our Call . . . Take A Leap Into The Great Unknown. Almost Perversely Heart-On-Sleeve, Johny Brown And Compatriots Have Never Fitted Well Within A Particular Scene - Nor Have They Ever Seem To Try. Although Recorded Under The Existence Of Quarantine And A Healthy Amount Of Paranoia, In Search Of The Joy Of Greatly Hindered Collaboration, The Band Has Opted To Turn Over Each Song To A Different Visionary Video Artist For An Exhibition Which Will Take Place For A Week At London's Gallery 46 Beginning At The End Of February And Open To The Public. The Video Exhibition Will Subsequently Be Available Online, Before The Album's Release.While Still Featuring Some Of The Band's Strongest Songs, Dreams Take Flight Has A Strange Film-Like Ambience In Parts, Almost As If Planned As A Soundtrack, A Thought Mirrored In Inga Tillere's Sublime, Dream-Like Sleeve, Best Seen In Real Life. "A Leap Into The Great Unknown" And "Notes From A Gallery" Will Likely Be Heard As Too Disarmingly Direct For Radio, And The Videos Will Likely Never See The Entry Door To Mtv, But Dreams Tak...

Go to Item

LP | 2019 | EU | Reissue (A)

Panther Rotate Black Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Superb Deluxe Packaging Heavy Board 180g Clear Vinyl And Printed Plastic Sleeve. Brian Jonestown Massacre Burst Into 2019 With The Release Of Their 18th Full-Length Album, Just 7 Months After Their Last One. It Was Recorded And Produced At Anton's Cobra Studio In Berlin.The Album Was Originally Going To Be Released In September, But Due To A Hugely Successful Global Tour - Taking In Usa, Canada, Australia,...

Go to Item

Osees (Thee Oh Sees)

LP | 2020 | US | Original (Castle Face)

LP | 2004 | UK | Reissue (4AD)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“In the swirling and undulant warm mud of jettisoned reels of magnetic tape, blurps up the fog of reinvention. Every night I would parley with my pilots and run and rerun the recordings. Right up until the moment sleep slips its veil over eyes and ears and you drift back without a sound. Protean Threat dream haze becomes Panther Rotate in the other dimension. A companion LP of remixes, field recordings, and sonic experiments using all sounds generated by the him and crackle of the desert farm. “A second version of our Protean Threat if you will, but barely conspicuous in its relation. Forward, never straight! Sunrise, sunset. Two lives connected by a cosmic thread, One for your feet and one for your head. For fans of Thee Oh Sees, Oh Sees, OCS, The Oh Sees, Osees...etc etc etcetcetc…be well.” —John Dwyer

Go to Item

The National

Cherry Tree EP

LP | 2020 | US | Original (Goner)

Release: 2004 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Released a year before The National broke through with their third album Alligator, 2004’s Cherry Tree EP is a thrilling record which - thanks to ist collection of delicate ballads and anthemic crowd-pleasers - sums up what they do best in under 30 minutes. Now a fi rm fan-favourite, among Cherry Tree’s seven tracks are now National classics ‘About Today’ and ‘All The Wine’, plus a thrilling live version of ‘Murder Me Rachael’ that reminds of the band’s fearsome early live performances. Cherry Tree can be seen as the record that marks the moment when The National had truly found themselves, a bridge from what went before to a band ready to conquer the World. And with this new master, it’s never sounded better too.

Go to Item

The Archaeas

LP | 2020 | UK | Original (4AD)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Tension, anxiety, ominous energy, and the release that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.” That’s how Violet Archaea, guitarist, singer, and leader of Louisville’s THE ArchaeaS describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock ’n’ roll from the last fifty years—AC/DC, Johnny Thunders’ Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall—but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a release, with all the parts racing until the song is over… quickly. Violet can really play some guitar, but don’t look for solos long enough to get the lighter out for. Some razor cuts and she’s done with it. The Archaeas are the real deal. LP version to follow.

Go to Item

Purity Ring

Womb Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Aloha Black Vinyl Edition

Son Little

LP | 2020 | EU | Original (Anti)

Half Smiles Of The Decomposed-Colored Vinyl

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

That was certainly the case with his new album, aloha, his third studio album. Recorded at Paris's iconic Studio Ferber, the entire project was an exercise in letting go, in ceding control, in surrendering to fate. While SON LITTLE (the stage name of songwriter, producer, and multi-instrumentalist Aaron Livingston) still plays nearly every instrument on the album himself, he put his songs in the hands of an outside producer for the first time here, collaborating with French studio wizard Renaud Letang (Feist, Manu Chao) to create his boldest, most self-assured statement yet.Equal parts vintage and modern, the collection blends classic soul, old-school R&B, and adventurous indie sensibilities into a timeless swirl fueled by gritty instrumental virtuosity and raw, raspy vocals. It's an ambitious work of vision and reflection, to be sure, but more than that, it's an ecstatic testament to the freedom that comes from torching the map and trusting the currents of life to carry you where you belong.

Go to Item

Guided By Voices

LP | 2004 | EU | Reissue (Matador)

Designer Black Vinyl Edition

Release: 2004 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blue Colored Vinyl - Indie Store Edition.The final Matador album from Dayton, Ohio's legendary geniuses Guided By Voices, which at the time was set to be their last ever. After twenty-odd years, twenty-odd line- ups, and twenty-odd albums, EPs, singles, triples, stolen bases, misdemeanor convictions, and broken hearts, Dayton, OH's fortunate sons took a leave of absence only to reemerge in 2010 at a certain label's 21st birthday celebrations in Las Vegas. Back in print for the first time since 2008, this translucent edition limited to 1,700 marks the first time Half Smiles has been pressed onto Colored Vinyl.

Go to Item

Aldous Harding

LP | 2019 | UK | Original (4AD)

Release: 2019 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Am Easy To Find Clear Vinyl Edition

The National

2LP | 2019 | UK | Original (4AD)

36,99 €*

LP | 2018 | US | Original (In The Red)

Release: 2019 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On 3rd September 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on... something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process.

The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other” -- they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically sidestaged in favour of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.

Go to Item

Ty Segall

Fudge Sandwich

18,99 €*

2LP | 2018 | UK | Original (Invada)

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Take a tour through Ty Segall’s musical psyche with his new solo album, Fudge Sandwich, a collection of Segall’s take on eleven songs that were originally done by other people. These aren’t just cover versions. Cover versions happen at weddings and high school band battles. The songs here are what happens when someone loves a song so much, they need to get inside it and let it propagate and transform into what it would have been if they had actually written it.

Equal parts reverence and reimagination, this album shows Segall inhabiting the world of a song’s intent, filtering it through the muse that drove this year’s exceptional Freedom’s Goblin. Cluttered, passionate and inspired, the songs are barely recognizable, irresistible and by album’s end, present a cohesive collection that stands proudly alongside the best of Segall’s considerable output.

Go to Item

The KVB

Only Now Forever

Release: 2018 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2017 | UK | Original (Domino)

Sandy Alex G

Rocket

LP | 2015 | UK | Original (4AD)

Release: 2017 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rocket is Philadelphia-based artist Alex G’s eighth full-length release—an assured statement that follows a slate of humble masterpieces, many of them self-recorded and self-released, stretching from 2010’s RACE to his 2015 Domino debut, Beach Music.

Amid the Rocket recording process, Alex made headlines for catching the attention of Frank Ocean, who asked him to play guitar on his two 2016 albums, Endless and Blonde. More than any stylistic cues, what Alex took from the experience was a newfound confidence in collaboration. Rocket wears this collaborative spirit proudly, and in its numerous contributors presents a restless sense of musical experimentation - effortlessly jumping from distorted sound collage to dreamy folk music to bouncing Americana.

Rocket illustrates a cohesive vision of contemporary American experience; the cast of characters that Alex G inhabits have fun, fall in love, develop obsessions, get in trouble, and—much like rockets themselves—ultimately they burn out. Alex, though, in a collection of songs that’s both his tightest and most adventurous, is poised only for the ascent.

Go to Item

Beirut

No No No

Release: 2015 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Animal Piss It's Everywhere

Grace

LP | 2024 | US | Original (Sophomore Lounge)

34,99 €*

The Kentucky Derby Is Decadent And Depraved

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It's Cocktail Time, America! That’s right—Grace, the sophomore effort from Planet Earth's favorite Western Mass bar band Animal Piss, It's Everywhere, is officially upon us. And indeed, there is a certain grace present amidst the rambles and ambles of this particular trip around the gramophone. Picking up where 2022’s self-titled LP left off (deemed an "all-star romp through early West Coast country rock a la Moby Grape, Sons of Champlin, & Byrds" by Byron Coley), this latest full-length further explores such collectively road-tested themes as mortality, partying, doomed celebrity, and wasted-days-turned-regrettable-nights with equal parts stardusted mania and genuine pathos. Sorta like if an early Jimmy Buffett LP took a wrong turn down a dark alley somewhere between the poolside cabana and neighborhood crab shack, or if Brewer & Shipley tripped with the Meat Puppets in a tour van together. Sophomore Lounge and Half A Million Records are happy to co-present this aural truckstop feast from the experimental northeast, and it arrives just in time to squeeze in a few more shoreline drives with what's left of these hazy summer daze. Jump in!

Go to Item

Hunter S. Thompson

LP | 2024 | EU | Original (Shimmy Disc)

LP | 2024 | US | Original (Sophomore Lounge)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Clear Vinyl.For the first time ever released on vinyl, this brilliant2012 LP features an all-star cast of musicians andactors lead by Tim Robbins, Dr. John, Bill Frisell,Ralph Steadman, Annie Ross, John Joyce III and WillForte. Hunter S. Thompson's classic Gonzo reportageon the 1970 Kentucky Derby is summoned brilliantlyto life through spoken word and musicalcomposition. Conceived by executive producerMichael Minzer for his Paris Records label, the projectwas produced by Hal Willner, who brought BillFrisell in as composer/arranger/conductor. Bill thenasesmbled a stellar group of musicians includingCurtis Fowlkes (trombone), Ron Miles (trumpet),Eyvind Kang (viola), Doug Weiselman (woodwinds),Jenny Scheinman (violin), Hank Roberts (cello) andKenny Wolleson (drums, percussion). Ralph Steadmandoes double duty portraying himself in the narrationand contributing original artwork for the project.In 2021, Kramer re-Mastered the original audiofor this historic re-release on limited-edition'Horse-Shit Brown' vinyl for his Shimmy-Disc label.

Go to Item

Styrofoam Winos

Real Time

33,99 €*

LP | 2024 | Original (Dear Life)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

Go to Item

Nina Ryser

Water Giants

East My Love Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nina Ryser's music has always inhabited its own world; a singular and cohesive collection of Keyboard-centric home recordings that marry her undeniable pop sensibilities with a truly bizarre dreamlike aesthetic. With a solo career spanning 7 releases as well as her work in the highly influential art-punk trio Palberta, Nina's artistic voice has been a staple in the American underground for over a decade, her distinctive and consistent sound earning a cult following. Her latest effort Water Giants signifies a departure in both sound and artistic practice - her first solo release recorded outside of her home studio, with a myriad of first time collaborators, it's Nina's most lavish and expansive offering to date, honing in on the heartfelt songwriting at the core of her work.After completing her usual process of demoing the songs for Water Giants, Nina felt that she wanted to try something new, escaping the confines of her minimal studio setup and the limitations of working alone. At the recommendation of several friends, she began working with Lucas Knapp, a Philly based producer who has contributed work to many Dear Life releases (including Florry's The Holey Bible, Hour's Ease the Work, and Joey Nebulous's Joey Spumoni Creamy Dreamy Party All the Time ). Lucas and Nina's recording sensibilities aligned quite seamlessly, breathing new energy into the songs in what she describes as an "effortless collaboration". The result is some of her most pristine experimental pop offerings to date, centering Nina as a dynamic performer and lyricist without foregoing the surreal qualities of her previous work. The album features contributions from many of her peers in the Philly music community, including Jill Ryan (Great Time), Victoria Rose and Nino Soberon (@, Brittle Brian), Eli Kleinsmith (The Knee Jerk Reaction), and her husband Gabe Adels, whom she frequently collaborates with in the synth-pop duo Data. Even the cover art is a departure for Nina, who has previously crafted it herself or with longtime friend/visua...

Go to Item

Current Joys

LP | 2024 | US | Original (Secretly Canadian)

Deathconsciousness Mint Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

East My Love, the resplendent, country-tinged 12th album byCurrent Joys, feels familiar. It's meant to: the 12 songs contained...

Go to Item

Have A Nice Life

2LP+Book | 2008 | US | Reissue (The Flenser)

47,99 €*

Tape | 2024 | US | Original (Drag City)

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Have a Nice Life released their debut double-album Deathconsciousness in 2008 to a whimper and critical non-interest; six years later, the band followed it up with 2014’s stunner The Unnatural World. In the meantime, Deathconsciousness has become a cult classic whose seamless blend of shoegaze, post-punk, new wave, industrial and noise influences inspires fanatic obsession. Now, longtime Have a Nice Life collaborator The Flenser reissues Deathconsciousness on colored vinyl with deluxe packaging. The band commented, “Working with Flenser lets us keep things comfortable on our end, while also pressing enough copies to actually meet the need and not creating an artificially inflated collector’s market, as happened with some of our past releases.”

Rhythmic, primal and expansive, Deathconsciousness offers a meditation on death, loss and unrequited love, with repeated listens revealing new layers of depth and meaning. The Flenser’s reissue is accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult—an engrossing narrative that blurs the lines between liner notes, novella and academic text.

Go to Item

Bill MacKay

Locust Land

Magnolia Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bill MacKay and Drag City are delirious with pride to announce the discovery of a new territory: Locust Land, a record which seeks to reflect the nerve-shredding consciousness run amok in our world today - and somehow allay it with sound. Bill"s music is a visceral crackling where it meets the air, and Locust Land can"t help but reflect its era more than any other in his discography.It"s been five years since the release of Fountain Fire - but in the interim, Bill has barely stopped moving, collaborating with artists across the spectrum, including cellist Katinka Kleijn, banjo player Nathan Bowles and keyboardist Cooper Crain. He"s also contributed to recordings by Steve Gunn, Ryley Walker, Bill Callahan & Bonnie Prince Billy (Blind Date Party), and Black Duck (on their self-titled record featuring Douglas McCombs and Charles Rumback). Forget five years - how"d he even get Locust Land squeezed out of his temporal lobes?Bill"s sense of music as art is constantly modulating - lifting off from where it is found and naturally migrating to some other place. Sometimes, that"s elsewhere - others, it"s simply to be found deeper inside the starting point. And so, the action of moving on informs the landscape of Locust Land. This manifests in several different ways.A restless energy and urgency is repeatedly felt - in the driving momentum of "Keeping in Time," "Glow Drift," and "When I Was Here" - while a dogged persistence radiates from the tone colors and percussion of "Oh, Pearl." Mating a dirge-like desolation with sparkling guitars, "Radiator" adds darkness and depth. The sense of searching, displacement and longing in vocal tracks "Keeping in Time," "Half of You," and "When I Was Here" speak literally to the tumult of current vibrations. Within the arrangements, there"s also departure from previous norms - in addition to the brilliant guitar work for which he is known, Bill plays a variety of keyboards, from piano to organ to synth, extending his music with the available voicings, while enri...

Go to Item

The Pineapple Thief

LP | 2014 | Reissue (Kscope)

Release: 2014 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Frustration Black Vinyl Edition

Mystic Tide, The

LP | 2024 | US | Original (Numero Group)

LP | 2024 | EU | Original (Wicked Cool)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A raw-nerved hybrid of elementalMerseybeat, lugubrious surf-noir andsheer sonic assault, the remarkablelegacy of Long Island's Mystic Tide haslong been venerated within the '60sgarage rock pantheon, even if theirexistential racket only slipped out ona series of painfully rare 45s. Now,the fruit of Joe Docko Jr and friends'cottage industry has been refurbishedin best-ever sound, along with freshinsights as to how this singular brandof noise came to be.

Go to Item

The Woggles

Time Has Come

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Under The Midnight Sun And New Death Cult

The Cult

LP+7" | 2024 | EU | Original (Black Hill)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

High Risk Behaviour Transparent Vinyl Edition

The Chats

LP | 2024 | EU | Original (Bargain Bin)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

New Drifters Gone To Earth Split Color Vinyl Edition

The American Analog Set

5LP | 2024 | US | Original (Numero Group)

88,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2023 | US | Original (Chunklet)

Limbo District

Rhythm Forward + 2

11,99 €*

Melvin Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The B-52s, R.E.M., Pylon, Love Tractor... The roster of early Athens legends is quite distinguished, but one of their closest peers never so much as put a record out. That band is Limbo District. Active from April 1981 until their unceremonious disbanding in May 1983, there was a grand total of one movie made of them by Jim Herbert entitled Carnival while they existed. "They were the band's band," as Mark Cline from Love Tractor so eloquently put it on NPR. While the "Encased" track is on this, the band's first session in the summer/fall of 1981, two other tracks ("Knock Knock Lobo" and "Rhythm Forward") are included. The lyrics were written by vocalst Craig Woodall and songs were arranged and written by the band that included former Factory star Jerry Ayers (neé Jeremy Ayers, Silva Thin) on percussion, from northern France, Dominique Amet on Farfisa organ, Spaniard Margarita Bilbao on guitar and from Dublin, Georgia, Davey Stevenson on bass. This line up of the band existed no more than a few seasons and then went away to be reborn with TIM Lacy (later of ART IN THE Dark) and Kelly Crow both replacing Margarita on guitar in their own time. Behold the greatest ghost to ever haunt Athens, GA: Limbo District. Expect more. Much more.

Go to Item

The Belles

7" | 1966 | US | Reissue (Numero Group)

11,99 €*

Release: 1966 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2024 | US | Original (Sub Pop)

Slift

Ilion

Eivät Enkelitkään Ilman Siipiä Lennä 180g Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Slift's Ilion is a towering work of rock music, a steamrolling record that starts at the highest peak and never lets up. If that sounds overwhelming, trust that this Toulouse trio have you in good hands. Their third full-length feels massive and oceanic, merging the furious intensity of metal and the wigged-out guitar heroics of psych rock with post-rock's epic sense of scale. Ilion is the kind of music where you listen to it and think to yourself, "This came from only three people?" It sure did, and Slift's utter ferocity is way more than a tempest in a teacup. It reaches outwards for miles and creates new zeniths within unforeseen horizons of rock. Slift is made up of brothers Jean and Remí Fossat, and Canek Flores, who first met the brothers Fossat at school. After the band formed in 2016, they quickly made their 2017 debut EP, Space Is the Key, which merged stoner rock's heaviness with the sugar-rush qualities of garage rock. From there, things only got weirder: The trio experimented with faster tempos and bongos(!) on the following year's full-length La Planeté Inexploreé, and in 2019, their Kexp session recorded at the Trans Musicales festival in Rennes became a viral sensation, racking up more than 1.4 million YouTube views. Ummon from 2020 represented Slift's pivot towards the celestially crushing confines of psych-metal, marked by Remí's rolling basslines and Flores's relentless skin-pounding. But nothing in their catalog could prepare you for Ilion, a huge and melodically dense record that at once recalls Godspeed! You Black Emperor's perpetually uplifting surge, the passionate burn of post-hardcore legends _And You Will Know Us By the Trail of Dead, Led Zep's psychotic blues-rock mysticism, and the psychedelic swirl of Swedish greats Goat.

Go to Item

Maustetytöt

LP | 2020 | EU | Original (Is This Art!)

Half Eaten By Dogs Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Eivät enkelitkään ilman siipiä lennä" is the second studio album by the Finnish band Maustetytöt. It was released on November 13, 2020. The album achieved gold certification in the spring of 2021 and was the best-selling vinyl record in Finland in 2020.

Go to Item

The Serfs

LP | 2023 | EU | Original (Trouble In Mind)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lyburnum Wits End Liberation Fky White Vinyl Edition

Moss Icon

LP | 1993 | US | Reissue (Temporary Residence)

12" | 2023 | EU | Original (Play It Again Sam)

Release: 1993 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Translucent White Vinyl.Lyburnum Wits End Liberation Fly was the one and only full-length album by experimental post-punk innovators, Moss Icon. Recorded in 1988, Lyburnum would not be released until 1993 - several years after Moss Icon's demise. Originally released on Vermiforn - the esoteric noise label founded by Sam McPheeters of Born Against - the vision that Moss Icon's Tonie Joy had for Lyburnum failed to manifest in its finished product. An uphill battle that involved misplaced photos, misunderstood instructions and increasing apathy, Lyburnum ended up being an it-is-what-it-is situation. Despite these challenges and shortcomings, Lyburnum Wits End Liberation Fly was instantly cherished as a feral masterpiece - a singular entity that would become a defining influence on post-hardcore and emo in the 1990s and beyond. Nothing before sounded like this, and nothing since has quite captured the same mysterious fury. Now, finally, Moss Icon's seminal Lyburnum Wits End Liberation Fly LP will be released exactly as it was always intended to look, sound, and feel. The artwork has been fully restored, and includes previously unpublished photos that were inadvertently missing from the original release. Brilliantly remastered by Alan Douches at West West Side Music, the vinyl has been newly cut by Bob Weston at Chicago Mastering Service, and pressed onto audiophile-grade vinyl at RTI.

Go to Item

The Young Gods

[Pias] 40 12''

20,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2023 | EU | Original (Staatsakt)

Die Türen

Kapitalismus Blues Band

17,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Everything Will Change Colored Vinyl Edition

The Postal Service

2LP | 2023 | US | Original (Sub Pop)

34,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | US | Original (Secretly Canadian)

Current Joys

Love + Pop

12,99 €*

LP | 2023 | EU | Original (Soul Jazz)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Love + POP is a snapshot of a moment in not-so-far-away time; something fast, loud, moody and a little dangerous. It is, in some ways, classic Current Joys: full of wild ambition, sneaky hooks, and songs that move from concept to completion with prolific speed. But Love + POP also explodes myriad expectations with aggressive, deconstructed production, house music influence, and a guest appearance from Lil Yachty. It is not so much a twist as it is a unique multiverse identity for Current Joys, as Nick Rattigan's set out to "capture this sonic moment and harken back to the way I first released music." The story of Love + POP begins with one of those house parties: the kind that bulldozes your home and, in its aftermath, leaves a wreckage that finds you flattened but also ready to be new. In that mess and mayhem, Rattigan watched Everybody's Everything, the documentary of Lil Peep, and recorded a cover of "walk away as the door slams". But the itch wasn't scratched, and what began as a moment of homage morphed into something bigger, deeper and more fundamental, a point where the seemingly haphazard - in his home, in Peep's process - opened Rattigan up to an entire creative space and a new approach to bending or even detonating genre. Crucially, all of this was recorded at home, in what Rattigan calls a "tribute to the process of creating" in a DIY space. And what began as a singular passion project unexpectedly grew into a uniquely collaborative record for Current Joys. "I've set out to make collaborative records before," Rattigan explains, "but they often end up totally me, with just a couple exceptions. But then this record gave me the opportunity to be extremely collaborative, to let other people write instrumental tracks, sending links around for people to mess with and weigh in on. I sat down to do credits and realized here were all these people and styles and they all came together and worked." Love + POP's cover art is an airbrush/spraypaint rendition of the Wild Heart album cover, which is itself a photo of Rattigan's grandparents kissing. It is sacred in some ways and shredded in others. This idea - the aggressive reimagining of something timeless into a present, finite style - is Love + POP.

Go to Item

Hawksmoor

Telepathic Heights

Electric Visions Strictly Limited 20th Anniversary

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This incredible new release follows a path along the electronic skyways first created by the German/Krautrock electronic pioneers of the 1970s such as Cluster, Ash Ra Tempel, Roedelius and Michael Rother.Hawksmoor is James McKeown. He first created "Hawksmoor" five years ago as an imaginary hauntological soundtrack, inspired by the six Hawksmoor churches in London. Further releases have followed on Environmental Studies, the cassette-only label "Spun Out of Control", Castles in Space and The Library of The Occult.For his debut on Soul Jazz Records, Hawksmoor has created a fascinating blend of these two sensibilities - a love of German electronic music of the 1970s alongside the British retrofuturism and cultural memory bank aesthetic of hauntology - Ghost Box, Mount Vernon Arts Lab, Advisory Circle, Focus Group etc. Using strictly modular synths (Moog Sub37), electronic drum rhythms, and guitars, Hawksmoor creates an electronic landscaped music world that is both new and old, immediately identifiable and yet utterly unique.

Go to Item

The New Pornographers

LP | 2023 | EU | Original (Matador)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Yep Roc)

Daddy Long Legs

Street Sermons

Our House On The Hill Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The alternative, punk blues-bashers Daddy Long Legs return with their fourth studio album: STREET SERMONS. The expansive, new territory that the New York City-based trio cover on Street Sermons is thanks to producer Oakley Munson (The Black Lips). Featuring contributions from legends like John Sebastian of the Lovin' Spoonful and Stiff Records veteran Wreckless Eric, Daddy Long Legs punch a necessary hole in the 21st Century landscape, both sonically and spiritually.

Go to Item

The Babies

LP | 2012 | US | Reissue (Woodsist)

Release: 2012 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Peace, Love & Murder Black Vinyl Edition

My Dad Is Dead

LP | 1987 | US | Reissue (Scat)

Tape | 2022 | EU | Original (Current Joys)

Release: 1987 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Peace, Love & Murder was the second album by Cleveland’s My Dad Is Dead, originally released in 1987 by Boston’s Birth Records. Like the debut, ...And He’s Not Gonna Take It Anymore, Mark Edwards wrote and performed all the music on his own. While not a significant departure from that album, Peace, Love & Murder does differ from its predecessor and has some qualities that make it unique in the voluminous Mdid discography. While combining live drums with drum machine is a hallmark of the Mdid style, on this album Edwards introduced the Roland Tr-505 into the mix, and in a bold move recorded the live drums first, which had the effect of making the rhythm tracks feel a bit more organic despite the presence, and occasionally the prominence, of the Tr-505. Modal guitar tunings remain de rigeur here, but Edwards’ abilities as a guitarist display a marked increase in proficiency and imagination. While the debut album sprawls a bit, PLM is a tight and focused ten song set, buoyed by a more impactful production job by Chris Burgess. Just as the debut album had a few lighter (or at least slightly less grim) songs, so does this album, but here they shine with a bit more pop sparkle. “Babe In The Woods” and “Hill O’ Beans” would go on to be fan favorites for many years, as would the utterly harrowing unstoppable bulldozer that is “Like A Vise.” All these years on, the album’s closer “Fireball” has become oddly relevant and chilling. Sung from the POV of a mass shooter to a droning riff that evokes Middle Eastern modes, the narrator intones, “I’m gonna go out in a blaze of glory / today’s the day I’m gonna make it to the headlines.” The whole album has remarkable cohesion and pacing, as well as variety, and, not to mention ,what a god-tier track “Breakdown” is. So grab a black overcoat and “Open Wide.”

Go to Item

Current Joys

Live At Kilby Court

2LP | 2023 | EU | Original (Nettwerk)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hear Current Joys tear through a live set of fan favorites recorded last winter at Kilby Court in Salt Lake City, Utah. This 14 track set is the first time one of Current Joys' visceral live performances has been captured for vinyl and released digitally online. The four-piece plays full-band arrangements of Current Joys classics like "Blondie" "Kids" and "My Motorcycle" as well as a new unreleased track "Altered States."Recorded February 22, 2019, at Kilby Court in Salt Lake City, UtahGuitar & Vocals: Nick RattiganKeys & Vocals: Maddy BoydBass: Aaron JassenoffDrums: Jackson Katz"Current Joys (and its former incarnation TELE/VISIONS) is the quiet and affecting solo project of Nick Rattigan (...) You can affix it with any number of labels - minimalist bedroom pop, spare indie balladry - but whatever the assignation, the music is devastatingly pure. (...) Current Joys is the rare project that manages to transcend its simplistic trappings and achieve something like musical grace. " [Alex McLevy] - AV Club "Nick Rattigan sings and plays drums in the surf-rock band Surf Curse, but he's been doing more and more with the solo bedroom pop songs he writes under the name Current Joys. Propelled by sinewy guitar lines and sweeping synths, songs like "Fear" reflect on the underbelly of modern life without resorting to self-pity. " [Stephen Thomson] - NPR Music

Go to Item

SYML

The Day My Father Died

25,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lifted Or The Story Is The Soil, Keep Your Ear To The Ground

2LP | 2002 | EU | Reissue (Dead Oceans)

32,99 €*

Release: 2002 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Originally released 2002. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this

Go to Item

Digital Ash In A Digital Urn

LP | 2005 | EU | Reissue (Dead Oceans)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

Go to Item

Fevers And Mirrors Black Vinyl Edition

2LP | 2000 | US | Reissue (Dead Oceans)

Public Storage Clear & White Marble Vinyl Edition

Release: 2000 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2022 Dead Oceans' reissue of the third album by the Nebraska indie band Bright Eyes. Fevers and Mirrors was recorded in 1999 and released on May 29, 2000. The album begins with a recording of a little boy reading Mitchell Is Moving, a book by Marjorie Weinman Sharmat. On this album the band used new instruments such as the flute, piano, and accordion introduced into the song arrangements. After "An Attempt to Tip the Scales", there is a mock radio interview that features Todd Fink of The Faint doing an impression of Oberst while reading a script that Oberst wrote. In this interview, the fake Oberst presents a strange, contradictory explanation of his attitude towards his music.

Go to Item

Hana Vu

LP | 2021 | US | Original (Ghostly International)

Tape | 2021 | US | Original (Sacred Bones)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Storage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. Public Storage builds on the sound of Vu's early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it "very invasive and intense sounding music," refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. Co-producer Jackson Phillips (Day Wave) helped Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts. Vu opens the album fixed on a force that recurs throughout. The first sounds we hear are charming: isolated piano keys cycle into warm strums and self-harmonies on "April Fool," as Vu's protagonist dismisses her surroundings and ability to communicate. The soft amber glow diffuses into the album's title track, a darker, murkier, louder place. Vu rips through "Public Storage'' with a series of defiant rejections (failure, family, magic) and cathartic demands. It's a rare and powerful display of vulnerability from a lyricist who favors the abstract over autobiographical. Built on a disco synth pattern and grooving bass stabs, "Aubade" has the bright bounce of its morning namesake, cleverly at odds with its downbeat subject. The contrast continues on "Keeper," a pulsating new wave cut, replete with soaring dreamy synths and a cooly snarling narrator, again challenging that force. "Gutter" returns to the grungy lowlight, with muscular guitar riffs striating above a bed of feedback, swelling alongside orchestral strings to a roaring finish. The back half of Public Storage features some of its most striking moments: the rhythmic, hook-heavy "Everybody's Birthday" speaks to the evil absurdity of the present, the end of times. The night is red, the mood is blue, and her character's shame is painted gold. Vu saves "Maker" for last, a final go at the existential.

Go to Item

Molchat Doma

S Krysh Nashikh Domov

11,99 €*

LP+CD | 2019 | EU | Original (Subway to Sally)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

When S Krysh Nashikh Domov The Debut Album By Molchat Doma, Was Released In 2017, It Announced A Bold New Voice In Underground Music. The Album Found A Passionate Audience On Bandcamp And Other Streaming Services And Was Released On Cd And Cassette. Sacred Bones Records Is Proud To Present The Album On Vinyl For The First Time. Molchat Doma (Translated As "Houses Are Silent"), Founded In 2017 In Minsk, Belarus, Stands At The Intersection Of Post-Punk, New-Wave And Synth-Pop. Dark Yet Danceable, And With A Heavy Dose Of Goth Ethos, Their Music Is Reminiscent Of The Masters That Predate Them, But Make No Mistake: Molchat Doma Creates A Sound And Meaning That Is Immediately Recognizable As All Their Own. The Band Is Comprised Of Egor Shkutko, Who Sings The Russian Lyrics In His Deep Monotone, Roman Komogortsev On Guitar, Synths, And Drum Machine, And Pavel Kozlov On Bass And Synths.Riyl: Depeche Mode, New Order, Drab Majesty, Black Marble

Go to Item

Subway To Sally

Hey!

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Playground Music)

Steve 'N' Seagulls

Another Miracle

22,99 €*

As Lost Through Collision

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

-Our Fourth Album Another Miracle Began To Find It's Form After Our Line-Up Renewed In 2019. We Felt That We Were On The Verge Of Something New And Exciting. We Knew Our Roots And Wanted To Hold On To Them, But At The Same Time We Wanted To Explore And Find New Colors And Shapes To Our Music. We Felt Energized And Fresh. Those Elements Can Be Found On The Album Also. One Can Find The Straight Forward Hammering Common To Our Band And Also New Tones And Beauty.-Pre-Production Period Was A Bit Longer Than On The Previous Albums And The Producer Timo Kämäräinen Was A Vital Part Of That Process. We Had Plenty Of Material. Some Re-Arranged Classics And Also More Original Music. In The End We Had A Whole And Complete Album On Our Hands. Band Sounds Stronger And More Colorful Than Ever. Producer Kämäräinen And Recording Engineer Abdissa "Mamba" Assefa Pushed Us With A Gentle Touch Towards New Adventures. Another Miracle Is An Album That Honours Musical Traditions And At The Same Time Comes Out Fresh And Modern.

Go to Item

Sprain

LP | 2020 | US | Original (The Flenser)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Written at home and refined on the road, the 5 new tracks that comprise As Lost Through Collision are parts monolithic and minimalist, manic and mellow. Engineered by Josiah Mazzaschi at The Cave (Built to Spill, The Jesus and Mary Chain) and mixed by Tim Green at Louder Studios (The Melvins, Lungfish, Jawbreaker), the music here retains its organic purity and captures Sprain in its truest state. The listener can hear every instrument and every tonal deviation while the band members embrace musical and philosophical abstraction in their art practice; they emphasize sound as force, differentiating the concept of pure sound from music. And although As Lost Through Collision is a departure from their previous EP, it still retains Sprain’s former slowcore aesthetic. “This record was a conscious effort to move beyond the initial style we experimented with on our last EP into something more unique — something more ‘us,’” they comment.

Go to Item

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Silver Tongue Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

Go to Item

Torres

LP | 2020 | US | Original (Merge)

21,99 €*

Emperor Tomato Ketchup Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A person whose words are so potent that they cause the people and beings around them to vibrate is said to have a "silver tongue." It's apt, then, that Mackenzie Scott_who has spent the 2010s making boundarypushing pop music under her TORRES moniker_has chosen to call her fourth album, and first release on Merge, just that. Recorded at O'Deer in Brooklyn, New York, Silver Tongue is a full-scale realization of the world Scott has created over TORRES' last few albums. Even when singing in more subdued tones, Scott's voice is fervent, her lyrics stirring and unyielding as she draws from both the divine and the everyday. It's also the first TORRES record produced solely by Scott. After having shared production duties on her first three albums, the latter two alongside PJ Harvey collaborator Rob Ellis, she found the process liberating: "I made exactly the record I want, and it feels very `me.'" Silver Tongue fastidiously chronicles the impulses that make up desire_ from the dreamy first blushes of infatuation through the slightly terrifying wonder that accompanies connection with another. In between, Scott wrestles with the highs and lows of what "being in love" might mean over heady guitars and swirling synths. While potent vocal hooks punctuate songs like the sparkling "Dressing America," which combines New Wave glitter with hovering frustration, and the brooding "Good Grief," which gently pokes at the idea of fetishized sadness, the knottiness lurking underneath reflects Scott's realtime processing of her emotions while making the record. Silver Tongue's musical world is vast and at times seemingly infinite. Edge-of-the-world synths add gravity to the vulnerability of "Two of Everything," and refracted guitars offer a gnarled counterpoint to Scott's increased determination at the end of "Last Forest." On "Gracious Day," one of TORRES' most forthright love songs, Scott's voice hovers over a starlit landscape in a way that transcends the mundane and enters the otherworldly as she sings. TORRES' music has long navigated the space between the physical and the metaphysical, and Silver Tongue faces that conflict head-on, examining the ways in which the actions of others can stir up deep-seated feelings and seemingly alter the space in which one exists.

Go to Item

Stereolab

3LP | 1996 | UK | Reissue (Duophonic UHF Disks)

51,99 €*

Release: 1996 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | EU | Original (BMG)

The Sherlocks

Under Your Sky

20,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

10" | 2015 | US | Original (At The Dojo)

Fu Manchu

Kept Between Trees

15,99 €*

LP | 1992 | US | Reissue (Dischord)

Release: 2015 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of Fu Manchu's first 3-song 7-inch with one additional cut, an unreleased 1990 recording. Also included is a donwload card for another previously unissued track, 'Flashin', which dates from 1990.

Go to Item

Jawbox

Novelty

17,99 €*

The Brian Jonestown Massacre

Release: 1992 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After more than a decade out of print, Jawbox's second full-length album, Novelty, is finally back on vinyl. Novelty was recorded at Arlington, Virginia's Inner Ear Studios in January of 1992 with producer Iain Burgess. J. Robbins, Kim Coletta and Adam Wade formed Jawbox in July of 1989. Not long after, the band began to tour and record, releasing its first EP, Tools & Chrome, in 1990 as a split between Desoto and Dischord Records. Following the release of the Jawbox's debut LP, Grippe, on Dischord in 1991, the band recruited a second guitarist, Bill Barbot. In 1993, Jawbox left Dischord to sign with Atlantic Records, where it would release two more albums--For Your Own Special Sweetheart and Jawbox--before disbanding in 1997. The record has been remastered and recut by Bob Weston at Chicago Mastering Studios and will be pressed onto clear-colored vinyl with revised artwork. The LP also includes a digital download coupon featuring the original album tracks plus the 2-song Tongues single.

Go to Item

Braveryrepetitionandnoise

LP | 2008 | EU | Original (A)

Release: 2008 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Reissue (Gusstaff)

Hugo & True Spirit Race

Starbirth

LP | 2019 | EU | Reissue (Gusstaff)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hugo"s True Spirit deliver a lush, sonic love letter of rock, electronica and dramatic orchestration, based in blues, hypnotic repetition and sonic exhilaration. Michelangelo Russo is a huge part of this atmosphere; his approach to music is that of an artist with a palette of mysterious implements and machinery, but the entire band and production is incredible from start to finish. Starbirth is 48 minutes of mind expanding, mind blowing, heel tapping tunes, with its sister album "Stardeath", a dub version of remixes that will send you searching for your own exploding star somewhere in the sky."Starbirth" is international maverick and music icon Hugo Race"s 15th album with his band of True Spirits. The Vinyl includes a download code of both albums Starbirth and Stardeath. Starbirth was recorded during Australia"s bushfire summer apocalypse of 2019 and mixed as the 2020 covid-19 pandemic hit.

Go to Item

Hugo & True Spirit Race

The Goldstreet Sessions

The Hillbilly Moon Explosion

Release: 2019 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After 16 years this album was released the first time on vinyl at Gusstaff Records in limited edition of 500 copies in 2019. It was the 9th album of Hugo Race & The True Spirit, one of the most important in his very long history of solo activity.Hugo Race, formerly of The Wreckery and Nick Cave and the Bad Seeds and now an internationally based producer, composer, performer and author, delivers intense sonic soundscapes that merge folk, experimentalism, electronica and rock. Originally from the 1980"s Melbourne post-punk music scene, Hugo"s ever-expanding network of collaborations, bands and multimedia projects are spread over several continents.

Go to Item

The Sparky Sessions Transparent Red Vinyl Edition

LP | 2019 | Reissue (Jungle)

21,99 €*

Is My Head Still On? Yellow Yolk On Xhrystal Clear Vinyl Edition

Release: 2019 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Hillbilly Moon Explosion are a modern rock"n"roll band. Much in demand, they"ve performed their exhilarating music encompassing all the roots of rock, live across twenty-seven countries. They comprise of two Englishmen abroad - Oliver Baroni, double bass & vocals, and Duncan James, guitar; a French drummer Sylvain Pettitte, and their captivating Italian/Swiss chanteuse, Emanuela Hutter. Building on their live gigs, they"ve also become an online and vinyl phenomenon, with tens of millions of YouTube viewers - in particular on distinctive duets with Sparky Phillips of psychobilly band Demented Are Go. This entire album of duets with the "Welsh Tom Waits" includes "Jackson", "Queen of Hearts" and the "My Love for Evermore" vinyl and video hit. Seven new tracks are added to previous Sparky collaborations.

Go to Item

Tiger Lou

LP | 2024 | EU | Original (Startracks)

Interloper Eco Laguna Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If you can"t make an omelette without breaking some eggs, then you can"t make a debut album without making some mistakes. 20 years on, those mistakes play an integral part of what makes Is My Head Still On? a beautiful record. Loose, explorative, personal, embarrassing, true and all over the fucking place. I wouldn"t want to change a thing.

Go to Item

Holy Wave

LP | 2024 | US | Original (Suicide Squeeze)

Hugo Race & Michelangelo Russo

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Suicide Squeeze is thrilled to deliver a reissue of Interloper, the 2020 albumfrom Holy Wave. Interloper sees Holy Wave adding new layers to their lush andmesmerizing songwriting style. Written about the duality between life at homeand life on the road, it sees the band expanding on its most esoteric andthought-provoking themes. "I'm Not Living in the Past Anymore" is a mantraabout breaking the cycle of the mundane, and "Escapism" is a dream-likemeditation. "Interloper" serves as the centerpiece for this self-expanding record,asking, what happens when the world beneath your feet changes so much thatyou feel like a stranger in your own shoes? The band turns inward to blissed-outmoments on album opener "Schmetterling," the saccharine haze of "R&B," andthe freak-out catharsis of live favorite "Buddhist Pete." With Interloper HolyWave weaves together a contemplative tapestry that can serve as a road mapfor the diffident, a soundtrack to self-realization, or simply an invitation toescape.

Go to Item

100 Years Limited Violet Transparent Vinyl Edition w/ 7"

LP+7" | 2024 | Original (Gusstaff)

32,99 €*

LP | 2024 | EU | Original (Jayfish)

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hugo Race (Dirtmusic, Fatalists, ex-Bad Seeds) and Michelangelo Russo (True Spirit), fuse rock, blues, ambient and electronic sounds on their raw, compelling new album "100 Years".In 2017, the duo released John Lee Hooker"s World Today (Glitterhouse/Gusstaff Records), a tribute to the blues legend"s delta blues legacy reinvented in a swirling mix of analog grit and deep trance pulses.100 Years showcases the duo"s sonic chemistry against Race"s stark songwriting. Inspired by the raw majesty of early blues recordings, the album was recorded in two days in a non-stop live Hugo Race & Michelangelo Russo - 100 Years session. Amplified harmonica, open-tuned guitars, smoky vocals and primal foot beat walk us through a landscape of dreamlike devastation, a hypnotic wall of sound suspended in time and space celebrating endurance and redemption, hand-made from ancient roots. "Tradition does not mean passing the ashes, but the fire."

Go to Item

The Wake Woods

Berlin Bang

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | US | Original (Feel It)

Louse

Passions Like Tar

Soul Of Fire / Rip Van Winkle

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Like some mutated phantom lurking in the shadows, Cincinnati based new-wave punks Louse emerge into light with their debut LP Passions Like Tar- a heady and sullen collection of post-punk hits. Louse have been crafting hypnotic, dense gothy anthems since forming in 2021, and continue to do so with Passions like Tar. Since their conception, the group consistently deliver 80’s era-correct, modulated, guitar-driven punk that is informed by bands like Killing Joke, Bauhaus, and Christian Death, but delivered with their uniquely coloured angular riffs and fevered, anguished vocals. Fret not, because you can expect more of their beautifully warped vision executed on Passions Like Tar… out on Feel It Records in 2024.

Passions Like Tar is a collection of intense, evocative songs that traverse a sunless landscape roving between dancy hits like “Thieves” to more spatial, gloomy tracks like “A Potter’s Field”. The songs are stylistically linked by the band's lush guitar and synth arrangements, epically crooned dismal lyrics, and tightly wound primitive drum parts that pulse and prod like amphetamine fueled detonations . The song-structures skew from linear and driving to thoughtfully plotted ballads with an intentionally executed scope. Despite the record's diverse palate, these songs collectively create a cohesive, original, and warped vision of a cryptic yet accessible post-punk dystopia. The band has clearly rallied to create a visceral yet thoughtful record that will gel with seasoned goths and new punks in exploration alike. Louse's Passions like Tar is another glorious reason to shuffle this wild and beautiful mortal coil, dancing into oblivion."—Sims Hardin / u2isagovernmentdrone

Go to Item

Witch

7" | 2006 | Reissue (Damaged Goods)

9,99 €*

Tape | 2024 | US | Original (Trouble In Mind)

Release: 2006 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A limited edition 7" single featuring "Soul Of Fire" (taken from their debut album) and an exclusive b-side "Rip Van Winkle" (early version). The group WITCH was born from a marriage of apparently contradictory influences. J Mascis of DINOSAUR JR. renown and his long time friend Dave Sweetapple were interested in forming a hard rock band. They found willingand able conspirators in Kyle Thomas and Asa Irons, members New England avant-folk outfit FEATHERS. On their eponymous debut album, this line-up mounts a mighty sonic tumult that harkens back to classic heavy metal sound of early 70_s outfits while still sounding modern in it's assault. The eponymous debut album from WITCH is scheduled for release on TeePee Records March 7th, 2006. WITCH recorded their debut album for Tee PeeRecords with engineer John Agnello, who had already recordedDINOSAUR JR., J MASCIS + THE FOG, EARLY MAN, SON VOLT and SCREAMING TREES to name a few.

Go to Item

Dummy

Free Energy

LP | 2012 | US | Reissue (Mississippi)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dummy ist eine Rockband aus Los Angeles, bestehend aus Alex Ewell, Emma Maatman, Nathan O'Dell und Joe Trainor. Ihr Debütalbum "Mandatory Enjoyment" (Trouble in Mind) erschien Ende 2021 und erntete Lob von Pitchfork, Stereogum und vielen anderen. Die Band tourte zwei Jahre lang, um das Album zu unterstützen, und es ist diese transformative Erfahrung, die durch "Free Energy", den berauschenden Nachfolger von "Mandatory Enjoyment", pulsiert. Die kreativ rastlose Band Dummy (Ewell: Schlagzeug, Synthesizer, Bass; Maatman: Gesang, Synthesizer, Orgel; O'Dell: Gesang, Gitarre, Orgel; Trainor: Gitarre, Bass, Synthesizer) wollte für ihr nächstes Album härter, tanzbarer und psychedelischer werden. Das bedeutete, dass sie die experimentellen Möglichkeiten elektronischer Texturen auf die elementaren Qualitäten des Rocks anwenden wollten, d.h. mehr Gesangsschleifen, Sampling, verrücktere Rhythmen und verspielte Synthesizer - aber sie wollten die Samples von Trainors Gitarre einsetzen, Maatman mutiger singen lassen, mit kalten mechanischen Elementen auf warme und funkelnde Weise experimentieren und sich stärker an traditionelle, aber immer noch großartige Formen von Rockgitarrenexperimenten wie Feedback anlehnen. Das Ergebnis ist ein Album, das die Fähigkeit der Musik feiert, den Körper zu bewegen, sei es durch eine zähneknirschende Wand aus MBV-eskem Lärm, einen klebrigen Pop-Refrain oder eine fröhliche Drum-Machine - oder, wenn man Dummy ist, vielleicht alles im selben Song. Popmusik war schon immer ein wichtiger Bestandteil von Dummys Sound und manifestiert sich auf unterschiedliche Weise in "Free Energy“: Die sprudelnde Synthesizer-Sequenz, die mit einem Korg EM1 gemacht wurde und in "Nullspace" auftaucht, der aufgedrehte Drone-Pop, der von Dunedin Sound Bands der zweiten und dritten Welle wie Look Blue Go Purple und Dadamah inspiriert ist, und der motorische Beat, der "Nine Clean Nails" antreibt. „Nine Clean Nails" ist vielleicht der selbstbewussteste Popsong, den Dummy je aufgenommen hat, und ein Beispiel für das Gleichgewicht zwischen der Intensität der Live-Performance und den elektronischen Ergänzungen auf "Free Energy". Die tänzerischen rhythmischen Elemente wurden aus einem von Ewell aufgenommenen Drumloop erzeugt, während die Bridge mit den Call-and-Response-Gitarren von O'Dell und dem ausdrucksstarken Gesang von Maatman an die Feelies erinnert. "Free Energy" enthält außerdem Gastauftritte des Saxophonisten und elektroakustischen Künstlers Cole Pulice (Moon Glyph) aus Oakland, der Saxophon und Bläsersynthesizer beisteuert, sowie Jen Powers vom Powers / Rolin Duo (Astral Editions, Feeding Tube Records)

Go to Item

Pierced Arrows

Straight To The Heart

The Avett Brothers Black Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pierced Arrow's first record! Fred And Toody Cole's post Dead Moon band with Legendary rocker Kelly Haliburton on drums. Most musicians get softer with age, but Fred and Toody brought a harder edge to Pierced Arrow's than their earlier bands. A legendary record back in print for the first time since it initially came out in 2008. A killer!

Go to Item

The Avett Brothers

LP | 2024 | US | Original (Ramseur)

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Tony Slug Experience Chilli Vinyl Edition

The Tony Slug Experience

LP | 2024 | EU | Original (Suburban)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Dead Eye Picture Disc Edition

The Haunted

LP | 2006 | Reissue

Release: 2006 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blending Transparent Cloudy Clear Vinyl Edition

High Vis

LP | 2022 | US | Reissue (Dais)

LP | 2023 | EU | Original (Cornelius Chapel)

Release: 2022 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

Go to Item

The Blips

Again

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Some Kinda Love: The Music Of The Velvet Underground

The Feelies

LP | 2023 | US | Original (Bar / None)

33,99 €*

Talking Songs For Walking Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

18 classic songs from the Velvet Underground catalog performed by The Feelies at White Eagle Hall/ Jersey City, NJ - October 13, 2018. Includes VU standards "Sweet Jane," "Rock & Roll" and "I'm Waiting for the Man" as well as rarely covered material like "I Heard Her Call My Name" and "That's the Story of My Life."

Go to Item

Lungfish

LP | 1992 | US | Reissue (Dischord)

Nick Cave & The Bad Seeds

Release: 1992 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From their inception in 1988 until their hiatus in 2006, the Lungfish music band released 11 full-length albums and played concerts across the United States and in Europe. The band is renowned for intense creative productivity, releasing albums annually from the years 1992-2000. Originally released in 1992, Talking Songs for Walking was the group's debut full length album. After more than a decade out of print, it has been remastered and recut from the original tapes at Chicago Mastering Service. 1997's Indivisble was the band's fifth album. Lungfish is now, as it often has been, quasi if not entirely defunct. However, since the release of the band's last album in 2005, Feral Hymns, singer Daniel Higgs has embarked on a solo career, releasing albums on Northern Liberties, Thrill Jockey and Holy Mountain. In November, he will tour supporting Drag City artists, Om. ASA Osborne is currently recording and performing solo material under the name, Zomes. Both LP include a download.

Go to Item

The Boatman's Call

LP | 1997 | UK | Reissue (Mute)

LP | 2023 | EU | Original (Universal)

Release: 1997 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mick Harvey, Blixa Bargeld, Thomas Wydler, Conway Savage, Martyn P. Casey, Jim Sclavunos and Warren Ellis are the Bad Seeds on this one! Download code is included!

Go to Item

The Rolling Stones

Aftermath US Version 1

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Don't Know Colored Vinyl Edition

bdrmm

LP | 2023 | EU | Original (Rock Action)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2013 | EU | Reissue (Interscope)

The 1975

33,99 €*

LP | 2009 | EU | Reissue (Pias)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2023 pressing.

Go to Item

Soap&Skin

Lovetune For Vacuum

Release: 2009 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Repertoire)

Stone The Crows

Teenage Licks

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2003 | EU | Reissue (Sony)

The White Stripes

Elephant

Release: 2003 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2021 | EU | Original (La Vida Es Un Mus)

Dorothy

I Confess / Softness

14,99 €*