Search "record store day" 47244 Items

12" | 1995 | US | Original (Delicious Vinyl)

Release: 2018 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is super close to NM. CD is not included.

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The Pharcyde

Soul Flower Remix EP

The International Men Of Leisure

Release: 1995 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Generic

Close to VG+

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Hot Shower Breaks

LP | 2004 | US | Original (Yellow Lab)

LP | 2017 | DE | Original (Fick Die Biaaatch Rekordz)

Release: 2004 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened

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Frauenarzt & Taktloss

GOTT

17,99 €*

Experimental I / Mechanical I

Release: 2017 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy, but original plastic outer sleeve has a tear in bottom edge.

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Harry Bertoia

LP | 2019 | EU | Original (Sonambient)

27,99 €*

Welcome Back To The Underground

Release: 2019 / EU – Original

Genre: Electronic & Dance

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"When Harry Bertoia's Sonambient label was resurrected, our intention was to tell the story of Bertoia's groundbreaking Sonambient work as revealed through his extensive collection of notes and recordings. When the first new LP was released in 2016 we were only in possession of 1/20th of the archive. Now, in 2019, we're excited to release the first LP of new material from the full archive and we present it to increase understanding of what Bertoia was doing in his sound-barn deep in the Pennsylvania woods." read on / listen

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Professor Inc.

12" | 2011 | FR (Welcome Back To The Underground)

Release: 2011 / FR

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2011 | US | Reissue (Content (L)abel)

Dday One

Loop Extensions | Deluxe

24,99 €*

Goodbye Record Store Day 2019 Edition

Release: 2011 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM.

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Koudlam

2LP | 2019 | EU | Original (Pan European)

30,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP+7" | 2019 | EU | Original (Wah Wah)

Bernard Xolotl

Music By Xolotl

21,99 €*

Al Hudson And The Soul Partners

Release: 2019 / EU – Original

Genre: Electronic & Dance

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First ever vinyl edition of the amazing Music By Xolotl, originally issued only on cassette by Unity Records in 1978. Painter and musician Bernard Xolotl was born in France in 1951. As a teen, he was introduced to electronic music through the works of musique concrete composers like Pierre Henry and Pierre Schaeffer, although he found the early recordings of Pink Floyd to be more inspirational.

During the summer of 1970 while stopping in Belgium, he found a vast Library with rare books on pre-Colombian history, mythology, and Art, and after deep insights into this cosmogony, he took the name "Xolotl" by which he has been known ever since.

After moving to California, he was introduced to the Serge Modular Synthesizer through Eliane Radigue and registered for classes in all the colleges of the Bay where there was an Electronic Music Department so that he could use their various electronic instruments. At first, he often plugged in his electric guitar into these monsters rather than use the rather rigid sequencers, but through tape recorders and the delay techniques used by Terry Riley, he was able to quickly combine these “sound producing devices” to create his own music.

He eventually released his first “official” album named simply Music by Xolotl in 1977. Originally issued only in cassette, Wah Wah offers the chance of listening to these works on vinyl format for the first time ever on an LP + bonus 7" edition to fit all the sounds from the cassette.

A strictly limited edition of only 500 and with new artwork featuring one of Xolotl's cosmic paintings and an insert with photos and liner notes.

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Spread Love

12" | 2018 | US | Original (ABC)

Release: 2018 / US – Original

Genre: Organic Grooves

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A Turn Of Breath Extended Version

Ian William Craig

2LP | 2018 | EU | Original (Recital Program)

31,99 €*

2LP | 2006 | EU | Original (Twentyfour:Seven)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Extended edition of Ian William Craig's landmark debut album A Turn of Breath. Here it is in it's final form, with an additional LP of unpublished material: Short of Breath EP (originally a CDr included with the first 125 orders from Recital in 2014), and all unreleased material to fill the final Fresh Breath side of the collection - culled from the same recording period as A Turn of Breath.

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The Shape Shifters

Adopted By Aliens

39,99 €*

Release: 2006 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

20 Year Anniversary Serato Control Vinyl Pressing

Beat Junkies

12" | 2013 | US | Original (Serato Pressings)

65,99 €*

LP | 2016 | EU | Original (Sony)

Release: 2013 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Glow in the dark vinyl. Plastic sleve. With OBI. Vinyl has a few paper scuffs. Only 1 record!!

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Jimi Hendrix

Smash Hits

LP | 2016 | EU | Original (Caroline)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2016!

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Matthew & The Atlas

Temple

20,99 €*

12" | 1987 | EU | Reissue (DJ International)

Release: 2016 / EU – Original

Genre: Rock & Indie

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This cathartic second album mesmerises.

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Frankie Knuckles

Only The Strong Survive

12" | 2012 | US | Reissue (Jack Trax)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Seminal Frankie Knuckles masterpiece gets an official re issue on DJ International Records. Fully remastered for 2014.

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The Nightwriters

Let The Music Use You

From The Ground Up / Ubiquity

Release: 2012 / US – Reissue

Genre: Electronic & Dance

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A mega-classic from the godfather of House, Frankie Knuckles!

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The Associates

12" | 1998 | US | Original (Blackberry)

2LP | 1979 | IT | Original (Harvest)

Release: 1998 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG

Picture Disc. Stickered PVC sleeve has seam splits. Limited edition.

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Pink Floyd

The Wall

49,99 €*

2LP | DE | Reissue (Track)

Release: 1979 / IT – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Records is close to NM. Cover has ringwear and slight discoloration.

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The Who

Quadrophenia

24,99 €*

LP | 1976 | UK | Original (United Artists)

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+. Cover has shelf and ring wear, no seam splits.

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Hawkwind

Roadhawks

LP | 2017 | DE | Reissue (Groove Attack Record Store)

Release: 1976 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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4Trackboy & Echomann

Timing & Effekte

34,99 €*

Release: 2017 / DE – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Up All Night (Won't Make The Gym)

Superstars Of Rock

12" | 1996 | US | Original (5XO-294)

LP | 2007 | DE | Original (Staubgold)

Release: 1996 / US – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Record has many hairlines and surface marks, plays with light background noises, does not skip.

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Alejandro Franov

Khali

Chewing On Glass & Other Miracle Cures

Release: 2007 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Light corner damage, otherwise NM cover. Record looks barely ever played.

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Sixtoo

2LP | 2004 | UK | Original (Ninja Tune)

34,99 €*

LP | 2009 | DE | Original (Contra)

Release: 2004 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Both cover and records are really close to NM.

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Arthur And The Spooners

All Spooned Up

22,99 €*

Release: 2009 / DE – Original

Genre: Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: VG+

Slightly bumped bottom left corner, otherwise NM. Comes with bonus CD.

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Welcome To The Neo Golden Age - A Sound Exposure Vol. 1

2LP | 2005 | DE | Original (Equinox)

19,99 €*

12" | 2023 | UK | Original (Rescan)

Release: 2005 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is really close to NM.

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Viewfinder

The Second Phase

12" | 1998 | UK | Original (Wrong)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Two Right Wrongans

I Feel Like A Cabbage

49,99 €*

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Ron Gelfer Feat. Adam Angelheart

Don't Mention Love

12" | 2001 | DK | Original (Hypnotic)

2LP | 2013 | US | Reissue (Content (L)abel)

Release: 2001 / DK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+. Cover has slight ring wear.

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Dday One

Heavy Migration

59,99 €*

Release: 2013 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited Edition, Features cover artwork done by Dday One visually remixing his original photography using "Image Transfer" technique. Each record is hand number out of 115 worldwide

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12" | 2019 | DE | Original (Enchanted Rhythms)

Enchanted Rhythms 001

12" | 2020 | DE | Original (Ext)

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

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L .T .

Teleshop EP

11,99 €*

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2012 | DE | Original (Cabinet)

Cab Drivers

U R Here / Five

12" | 2001 | DE | Original (Kosmo)

Release: 2012 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Real-T

Just The Real Thing

12" | 2000 | US | Original (Subtitled Records)

Release: 2001 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Ring wear. Small sticker on front cover.

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The Stic

Ph Balanced EP

Release: 2000 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2011 | DE | Original (Hartchef Discos)

Audio Werner & Maruki

Can You Scratch

12" | 1995 | IT | Original (Out)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Last Rhythm

Last Rhythm EP

The KM20 Tapes (1992 -1996)

Release: 1995 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record has light scuffs and surface marks, close to VG+. Small writing on labels.

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Move D

12" | 2013 | NL | Original (Off Minor)

Release: 2013 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Kiss, Cuddle & Torture Volume 2 Yellow Vinyl Edition

The Hempolics

2LP | 2020 | EU | Original (Zee Zee)

20,99 €*

12" | 1992 | US | Original (Rawhaus Records)

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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The Hempolics return with ‘Kiss, Cuddle & Torture: Volume 2’, the follow-up to their triumphant 2017 album which won them accolades including a BBC 6 Music ‘Album Of The Year’ selection. The new release builds on their trademark mash-up sound of reggae, dub, soul and pop but explores new territories with elements of hip-hop, shoegaze and trip-hop welcome additions to the mix.
As with Volume 1, the release is underpinned by the masterful production of main man Grippa – an engineer who cut his teeth working with Faithless – and he’s once again joined by unmistakable Hempolics vocalists Dandelion and Nubiya, who continues to turn heads with her Amy Winehouse meets Hollie Cook timbre.
Highlights of the album include the upbeat soul and reggae hit ‘Play On’, the trip-hop meets dub-influenced single, ‘Full of Surprises’, and the British reggae-funk stomper ‘Bongadashi’. ‘Gotta Thing’ sees the band deliver a fast hip-hop house track laced with classic Hempolics’ reggae flavours, vocals courtesy of Miami rapper Cojack, whilst ‘Place Is Here’, written by Grippa alongside Faithless vocalist Pauline Taylor, is a 90’s shoegaze influenced cut with a languid psych groove.
These releases are to be collected, and hopefully Volume 3 isn’t too far away.

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Nappy Head

Underground Vibes

11,99 €*

12" | 1996 | DE | Original (X-IT Records)

Release: 1992 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record shows sign of use but only slight superficial damage.

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Two Phunky People

Two Phunky Trax

12" | 1995 | UK | Original (Limbo)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

White Transparent vinyl

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Ritmo De Vida

Havara

5,99 €*

DJ Balli Is The Wrong Nigga To Fuk Wiz !

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split

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Otoscratch The Ultimate Wax To Remove The Wax!

12" | 2006 | IT | Original (- Belligeranza)

12" | 2006 | US | Original (The Inside)

Release: 2006 / IT – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

seam split

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DJ Tigerstyle

Zero

21,99 €*

12" | 2018 | IT | Reissue (La Bella Di Notte)

Release: 2006 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker.

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Model Citizen

Young & Intelligent

Release: 2018 / IT – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

12" | 2022 | DE | Original (Off The Grid)

OTG001

Release: 2022 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1992 | UK | Original (Vinyl Addiction)

The Stretch Boys

If You Believe It

17,99 €*

12" | 2002 | US | Original (Guidance)

Release: 1992 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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The Dolphins

House Panic

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2005 | FR | Original (Missive)

Thomas Di Matteo

Electricity

4,99 €*

Disco Nihilist & Daetron Vargas

Release: 2005 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Untitled EP

12" | 2009 | US | Original (Construction Paper)

12" | 2015 | FR | Original (RA+RE Records)

Release: 2009 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Hellen Mills

Stereomoon EP

4,99 €*

12" | 2003 | UK | Original (Second To None)

Release: 2015 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.

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The Metric Brothers

Skratch Mathematics EP

WaxBuzzard & Jabba Tha Kut

Release: 2003 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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The WaxBuzzard Meets Jabba Tha Kut!

LP | 2005 | UK | Original (Second To None)

7,99 €*

12" | 1989 | US | Original (UNI)

Release: 2005 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag. Vinyl is Close to VG+.

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Ice Cream Tee

Let's Work

Release: 1989 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2019 | IT | Original (Jooice)

Deyayu

Jooice 002

Release: 2019 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2019 | DK | Original (Nes)

DJ Popup

Heather

Release: 2019 / DK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record has light hairlines and surface marks

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12" | 2020 | UA | Original (Criminal Practice)

Crime002

12" | 2000 | UK | Original (20:20 Vision)

Release: 2020 / UA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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The Huggy Factor

Ass Jam

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2020 | FR | Original (Chat Noir Tools)

Occibel

Generation EP

29,99 €*

12" | 2024 | EU | Original (Sub Series)

Release: 2020 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

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Subb-an

Amnesia EP

There's A Rhinoceros In The Mega Church

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music

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Unicorn Ship Explosion

LP | 2024 | UK | Original (Sound)

25,99 €*

LP | 2024 | UK | Original (The New Originals)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“There’s A Rhinoceros In The Mega Church” is their debut LP released on Sound Records. U.S.E. (also often expressed as Unicorn Ship Explosion, but feel free to interpret this yourself), are unfortunately two boys known to their mums as Rob & Sash. Since we last saw Rob he has been working really hard as a multi-instrumentalist. He’s almost mastered the drums (he’s even been to jazz school), and he’s near to the final chapter of piano lessons. He’s really talented. He has his own music studio where he produces & writes music for the likes of, The Staves, Holysseus Fly & other fantastic acts that are well worth a listen if you have the time. Sash (or Sasha) is a great guy. Everyone loves working with him. He’s an average musician with big ideas, which is why he uses modular synths. He has written much music for many artists you’ve probably not heard of and has collaborated with some musicians you’ve definitely heard of. He sometimes works as a sound designer for some fashion brands you can’t afford, but you wouldn’t want to wear them anyway (so don’t feel bad for not being successful enough to spend £400 on a t-shirt). Sometimes a really cool woman called, Agnieszka Szczotka, collaborates with these two loveable boys. She is a performance artist of great skill. She studied art at the Royal Academy and chose to abandon her supreme painting and sculpture skills to dedicate her life to confrontational live performance art. Big respect. Together they are Unicorn Ship Explosion (not yet known as U.S.E. as it hasn’t caught on yet). It’s a creative attempt to be in the present and not overwork music as is often the norm these days.As a result an exciting new genre is emerging from this album. The genre hasn’t a name yet, but what is certain is that A.I. can’t recreate it, and wouldn’t want to either. Let’s be human together and accept and appreciate we can’t always be great. Enjoy the good moments with the bad. And together, yes together, you the reader and us(e) your new best friends, shall show A.I. that humanity is beautiful.

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The New Originals

Love Themes Part 2

39,99 €*

Tape | 2024 | UK | Original (Doyenne Books)

Release: 2024 / UK – Original

Genre: Organic Grooves

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TNO Love Themes PT. 2, the second LP by Amsterdam-based clothing brand THE NEW Originals.

Following a sold out release of 2022, we present another 12” compilation LP of carefully curated gems—ranging from soul, R&B and a dash of experimental funk from the 70s-80s: musical meditations on love whether that be love of self, love of each other or a bittersweet heartbreak.

Athens OF THE North

This time picking from the catalog of outstanding Edinburgh-based label Athens OF THE North: one of the best reissue labels around—resurfacing ridiculously rare, painfully funky soul, disco and incredible jams since it’s establisment in 2014 by label boss Euan Fryer.

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Bios Contrast

Red River

LP | 1961 | US | Original (Blue Note)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.

Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.

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The Three Sounds

Here We Come

66,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split

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LP | 2024 | US | Original (Hyperspace Communications)

Metro Subterranean

27,99 €*

LP | 2024 | UK | Original (Nine X Nine)

Release: 2024 / US – Original

Genre: Pop

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Four electrifying bands from different periods of the west coast urban underground together for the first time on Yellow vinyl! Including: Bastidas!, Ultraviolet Catastrophe, Pink Stiletto, and Nervous Gender Reloaded. Representing the Neo New Wave of Seattle, San Francisco, Hollywood, and East LA. Pressed on yellow vinyl. Bastidas! has flourished among L.A.'s underground scene since 2007, creating a new threshold for post-punk, chunked up bass lines, and sonic synthesis. Melding genres of Latin, Post Punk, Punk, Jazz, Latin Jazz, they represent what could be East L.A.'s answer to Sonic Youth. The UltraViolet Catastrophe (aka Uvc) was a mostly synthesizer pop band in Seattle from 1982 to 1984. With the sound of multiple keyboards and female lead singer, their first live gig was at the opening of The Metropolis in Seattle in 1983. Produced by members Einar Ask and Steve Turnidge, industry specialist and author of Digital Mastering. Pink Stiletto is set to reinvigorate New Wave and post-punk. Echoing the eclectic, avant-garde essence of ZE Records, Pink Stiletto merges disco’s allure with punk’s rawness, funk’s rhythm, and new wave’s idiosyncrasy. Their songs stand out with unconventional sound, capturing the vibrant, artistic spirit of downtown New York. It draws inspiration from the likes of Gina X, Tubeway Army, and Cristina. Nervous Gender formed in Los Angeles, California, in 1978 by Gerardo Velazquez, Edward Stapleton, Phranc and Michael Ochoa. In 1979, Don Bolles of the Germs joined as drummer. The following year, Phranc left the band and Paul Roessler of the Screamers joined. Nervous Gender played with bands such as SPK, Factrix, NON, Einstürzende Neubauten, and Psychic TV during the early 1980s. The original LP has been re-released by Dark Entries Records. As of 2017, Edward Stapleton, and Matt Comeione, San Diego mod and Cal Arts trained composer, started Nervous Gender Reloaded.

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The Room

The Telling

27,99 €*

12" | 2024 | EU | Original (Cultivated Electronics)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.

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Ben Pest / Maelstrom

For The Floor Volume 4

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Cultivated Electronics Ltd's "For The Floor" series features split EPs available on vinyl (only) with Electro tracks aimed strictly at the dance floor, bringing together CE regulars alongside new artists. Previous instalments have presented tracks by DeFeKT, Rico Casazza, Tripeo, Cycloplex, Steve Allman and Alex Jann. Volume 4 now delivers 2 new tracks apiece by Ben Pest and Maelstrom. Bristol's Ben Pest has established notoriety as an exponent of jacking live hardware-based techno and electro with numerous releases on labels including Asking For Trouble, I Love Acid, No Static / Automatic, Orson Records, Don't and more. Here he delivers heavy bass, vocal distortions and tough beats on "Who Would Have Thought I'd Be" and the accompanying "26 Hybrid". Maelstrom has a history of aliases and side projects, illegal raves thrown in warehouses, fields and basements, but he came into his own under his Maelstrom moniker, releasing music on the likes of Raar (the label he co- founded with Louisahhh), Cultivated Electronics, Central Processing Unit, Mechatronica, Private Persons and Discos Atonicos.

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12" | 2024 | EU | Original (Black Quasar)

Conexiones Electrónicas

LP | 1957 | US | Original (Andex)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Six meticulously selected tracks by Black Quasar Records once again reflect the synergy of sounds between the pulsating rhythms of electro and the textures of IDM in this fourth release.

Despite the differences in the personalities and styles of the six artists featured in this V.A., there is an undeniable harmony that connects them into a single creative system.

Weaving new networks between the passion for music and respect for the essence of the Underground is the main goal of “Conexiones Electrónicas”.

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The Pilgrim Travelers

Look Up!

48,99 €*

Release: 1957 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2CD | 2022 | EU | Original (Rekord Music And Distribution)

Die Fantastischen Vier

Für Immer 30 Jahre Live

21,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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12" | 1985 | UK | Original (4th & Broadway)

Trouble Funk

Still Smokin'

CD | 2024 | EU | Original (Astigmatic)

Release: 1985 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

seam split, Close to VG+

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Uniri

Infinite Reflections

12" | 2000 | US | Original (Hiero Imperium)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Every 20 years or so, certain musical movements come full circle. Young musicians are inspired by genres dating back two decades, channelling them through their modern sensibility. The legendary J Dilla’s Donuts album was released in 2006 and instantly marked a starting point for the work of musicians worldwide, laying the foundations especially for the beat scene in Los Angeles. A whole young generation of musicians brought up on the new, instrumental and abstract hip-hop has carried jazz into a new era. The four London-based musicians who make up Uniri have gone one step further by abandoning the idea of a jazz band and "bedroom production" in favour of collective composing, creating a new look at the new-beat aesthetics, framing it as a road novel set in an unspecified time and space.

Uniri translates as ‘one unified dream’ and is the key driving motto of the project conceived by Chiminyo (Cykada, Maisha), the band's founder and head honcho. The project materialised in his private studio, where he invited fellow jazz musicians Amane Tsuganami (Jorja Smith, Maisha), Al Macsween (Nubya Garcia, Gary Bartz, Kefaya) and Luke Wynter (Nubyan Twist, Golden Mean) to spontaneously compose together. Hence, despite this being the band's first album, it wouldn't be right to call them rookies. The result of Uniri's collaborative work is the psychedelic, rhythmic album Infinite Reflections, packed with cosmic and warm synths, which neatly balances hip-hop beat and jazz composition. It's safe to say this music is even more appealing when played live, although it's equally suited to the club dancefloor.

UK Jazz has become a permanent fixture in the London landscape, but also across Europe and the US. Today, the musicians who shape the new wave of jazz are drawing on more and more genres, reducing solo improvisation for the benefit of composition and increasingly drawing on influences from the beat scene. Among such formations are the British NOK Cultural Ensemble, the Polish Błoto, the Belgian Echt!, and the Dutch Comité Hypnotisé. Uniri is part of this emerging yet already international trend, creating an entirely fresh aesthetic that echoes artists such as Flying Lotus, Samiyam, Dorian Concept, Ras G and Nosaj Things oriented around the Californian 'new beats generation' scene.

The title Infinite Reflections alludes to a phenomenon observable on the open sea or during intercontinental flights. Gazing at the horizon blurs the boundary between the ocean and the sky, forming an infinite palette of blue shades. This inspiration sparked an elusive musical narrative, navigating between a sea voyage and an astral journey, destination unknown.

The album will be released by Astigmatic Records in digital, CD, and LP formats in both standard and limited editions. The pre-sale begins on March 1st on the Bandcamp platform, with the album scheduled for release on March 29, 2024.

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Del The Funky Homosapien

If You Must

12,99 €*

Release: 2000 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Mousse T. Feat. Emma Lanford

Is It 'cos I'm Cool?

12" | 2003 | DE | Original (Peppermint Jam)

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Dance To The Drummer's Beat Record Store Day 2024 Blue Vinyl Edition

Herman Kelly & Life

12" | 1992 | EU | Reissue (Music On Vinyl)

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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Lex Hives And A Midsum Record Store Day 2024 Vinyl Edition

Hives

2LP | 2012 | US | Reissue (Disques Hives)

37,99 €*

Desert Storm / Scoraig 93

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Undisputed icons of rock and roll The Hives serve up a garage-rock masterpiece for this year’s Record Store Day, reissuing the undeniable Lex Hives. Originally released in 2012, this new and remastered version boasts previously unreleased bonus tracks “High School Shuffle” and “Insane”, alongside all-time classics such as “Come On!”. In addition, this incredibly special package comes with the live album A Midsummer Hives Dream, capturing the band in red-hot form as they tear through an iconic performance at New York’s Terminal 5. For the first-time ever, this essential piece of Hives history is available to own on 12-inch.

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Desert Storm

12" | 1994 | EU | Reissue (Desert Storm)

Eraldo Bernocchi And Hoshiko Yamane

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Official reissue of this techno classic by Desert Storm, one of the most important records from the early Soma catalogue, now repressed 30 years after the original release. Also including Psycho Drums remix.

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Sabi Transparent Orange Cloudy Vinyl Editoin

LP | 2024 | EU | Original (Denovali)

31,99 €*

12" | 2023 | EU | Original (Influencia)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Denovali is pleased to present the second cooperation album of the Italian composer, arranger, producer and guitarist Eraldo Bernocchi with the Berlin-based Japanese violinist, composer, electronic producer and Tangerine Dream member Hoshiko Yamane. Eraldo Bernocchi and Hoshiko Yamane have come together again to create their second album - inspired by the Japanese concept of "Sabi". The record is a unique blend of electronic and acoustic music - with Bernocchi’s pulsating textures and Yamane's haunting treated violin melodies weaving together to create a captivating and emotional sonic landscape. "Sabi" is a Japanese aesthetic that celebrates the beauty of impermanence and decay. It is often associated with the simplicity, austerity, and solitude found in nature, and is said to evoke a sense of melancholy, nostalgia, and reverence for the passage of time. Bernocchi and Yamane's "Sabi" explores these themes through a collection of minimalist compositions that combine electronic and acoustic instruments immersing the listener in a deeply cinematic experience. The album takes the listener on a journey through a series of atmospheric tracks, sometimes melancholic pieces that evokes the sense of solitude and simplicity often associated with the concept, other times more energetic and uplifting, optimistic ones that celebrates the beauty of transience. The artwork again was created by the renowned designer Petulia Mattioli.

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Desirée Falessi

Obscuro Femenino

12" | 2004 | DE | Original (Peppermint Jam)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Let's welcome the first release of Influencia Records, a label focused on highlighting the strong personal identity of each artist transmitted though music : here is Obscuro Femenino !

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Mousse T.

Is It 'Cos' I'm Cool?

Release: 2004 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2023 | UK | Original (Butter Sessions)

Polito

Collapse Phase

17,99 €*

12" | 2016 | FR | Original (Djebali)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Proper full-length outing from Naarm quartet and venerable live show Polito! Though prior associations with Butter Sessions have birthed EP's and compilation appearances, Collapse Phase gathers the most cohesive body of work from the group to date. Self-described as "a meeting of improvised contemporary dance and live improvised techno music, working together to create entrancing performance experiences", the project translates impressively to the long-player format. Holding no pretence with its title, opening cut 'Chuggalug' swirls around the stereo field building upon sustained synth warbles with low-key basslines and breaks propelling the track. As the album progresses from the chug into gridlocked, Mills-ian loops and fast, extra-terrestrial sound design (all swinging 909s + decay), we're also treated to contrasting downtempo acid cuts and dubwise, day-time festival vibes ('Fortune Teller'). 'Nine Lines' layers various patterns in a classy exercise of dancefloor tension building, with an undoubtedly in-the-moment feeling evidencing Polito's live show foundations. Across the board the group showcase their mastering of a kind of addition/subtraction push and pull, but the varying influences in sound design provide an extra layer of depth to the whole thing and cement the Polito brand. On both 'Inside The Sphere' and 'The Sphere Is Collapsing', the dreamier, more reflective edges of 90s IDM are given a nod and these two strike as up there with the best on the album. Head for 'Mercado Waltz' for a super interesting fusion of loopy techno and modular dubstep.
Polito is a collaboration between musicians Robert Downie and Finnian Langham, and dancers Arabella Frahn-Starkie and Hillary Goldsmith.

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Djebali

Reworks 05

4,99 €*

12" | 2023 | EU | Original (High Fashion Music)

Release: 2016 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record has a couple superficial marks.

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Dance Reaction

Disco Train (Remixes)

Babylon By Bus Original Jamaican Version, Limited Numbered Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Undoubtedly one of the finest disco songs ever created, “Dance Reaction” emerged as a sensation from Holland, representing a true ‘one-hit wonder.’ The distinguished ‘Siamese’ label in the US and Carrere in Europe both recognized its potential and took it under their wings. This track, clearly inspired by dan Hartman’s “Vertigo”, swiftly climbed the charts across the continent in the spring of 1982.

On the A-Side, listeners are treated to the captivating and sensuous sounds of the Martin Boer version. This interpretation unequivocally showcases Martin’s innate connection with disco, evident in his captivating electro-disco masterpiece. Notably, Martin Boer holds the distinction of being a founding member of “2 Brothers on the 4th Floor,” a Eurodance phenomenon that dominated the 90s, amassing millions of record sales globally. Intriguingly, this release marks his return to remixing records, after a 15-year hiatus; incidentally, Martin embarked on his journey with High Fashion Music in 1990.

Flipping over to the AA-side, Croatian legendary DJ Pucko presents a remix that encapsulates the unique essence of the former Eastern bloc sound. This rendition exudes a raw and forceful energy, characteristic of that regional style. At the behest of High Fashion, the components of his mix were extracted and meticulously reworked and refined through the mastering process. The objective was to preserve the core while polishing the rough edges, culminating in an essential vinyl record that retro and disco DJs alike must acquire to elevate their dance floors.

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Bob Marley & The Wailers

2LP | US (Tuff Gong)

76,99 €*

Release: US

Genre: Organic Grooves

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LP | 2021 | EU | Reissue (Astigmatic)

Jaubi

Nafs At Peace 6th Press

23,99 €*

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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LP | 2023 | JP | Original (Time Capsule)

Tokyo Riddim 1976-1985

29,99 €*

Start Today Translucent Green Vinyl Edition

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society. But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and Ub40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long. Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound. Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenkini Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious. Released on 1st September, Tokyo Riddim 1976-1985 is part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Gorilla Biscuits

LP | 1989 | US | Reissue (Revelation)

25,99 €*

LP | 2023 | EU | Original (Century Media)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them.

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Signs Of The Swarm

Amongst The Low & Empty

23,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 2023 | EU | Original (Rrc Music)

Ransom & V Don

Chaos Is My Ladder

19,99 €*

Release: 2023 / EU – Original

Genre: Hip Hop

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Ransom and V Don connect on their highly anticipated collaborative album, "Chaos Is My Ladder", and just as expected, Jersey City's emcee technical bars perfectly fit V Don's cinematic soundscape. Alongside guest appearances by Lloyd Banks, 38 Spesh, Eto, J. Arrr, Mad Squablz and Crystal Caines, the two have crafted a perfect record for their already incredible catalogues, with Ransom coming on the heels of "This Life Made Me" and his "No Rest For The Wicked", and V Don’s most recent collaboration "Deutsche Marks 3" with Willie The Kid.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Beautiful Soul HHV Exclusive Violet Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Spectac & Amiri

LP | 2024 | US | Original (Ill Adrenaline)

Movement 60th Anniversary

Release: 2024 / US – Original

Genre: Hip Hop

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Limited to 100 copies. Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.

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The Joe Harriott Quintet

LP | 2024 | Original (Decca)

28,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Blue Note)

Art Blakey

Moanin'

23,99 €*

Byrne & Barnes / Robert Byrne

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Love You Out Of My Mind / Do You Wanna Make Some Love

7" | 2024 | EU | Original (Favorite)