Search "record store day" 9921 Items

Blue Note Re:Imagined Volume 1 Record Store Day 2024 Splatter Vinyl Edition

2LP | 2020 | Original (Decca)

38,99 €*

Release: 2020 / Original

Genre: Organic Grooves

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Blue Note Re:imagined was first released in 2020 featuring fresh takes on music from the illustrious Blue Note Records vaults recorded by a heavyweight line-up of the UK jazz, soul, and R&B scene’s most hotly-tipped rising stars. This incredible compilation includes artists such as Jorja Smith, Jordan Rakai, Ezra Collective, Poppy Ajudha and more. This new version of Blue Note Re:imagined, pressed exclusively for Record Store Day on Smokey Clear & Blue vinyl with new blue cover, includes an exclusive bonus track - Jorja Smith – Rose Rouge (Joy Orbison Remix)

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Mr Bongo Record Club Volume 7 Black Vinyl Edition

2LP | 2024 | UK | Original (Mr Bongo)

25,99 €*

Jingo / Thousand Finger Man Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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It's a pleasure, a labour of love and a yearly highlight to present a new volume of the Mr Bongo Record Club series. In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.

Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band Soyuz and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.

Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.

We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share.

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Candido

12" | 1979 | EU | Reissue (Salsoul)

13,99 €*

Sandra De Sa / Equipe Radio Cidade

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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2021 repress. Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco's straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP's and a handful of 12" singles that changed the face of underground Disco."Jingo" is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! It's a killer funky Disco version of master Nigerian drummer Olatunji's 1969 percussion suite of the same name, Salsoul style, while over on the flip we have one of the deepest Disco records of all time; "Thousand Finger Man" a testament to Candido's percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more. Essential stuff basically, every collection should have a copy!

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Olhos Coloridos / Bons Tempos: São Paulo (Good Times)

7" | 2016 | UK | Reissue (Mr Bongo)

Wilson Simonal / Trio Mocoto

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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Two 1980s Brazilian boogie bombs from Sandra de Sá and Equipe Rádio Cidade get a remastered reissue as part of Mr Bongo Brazil 45’s series.

Sandra de Sá’s ‘Olhos Coloridos’ is an ‘80s MPB/boogie jam, taken from her self-titled 1982 LP on RGE Brazil, that sits perfectly alongside the likes of Tim Maia, Marcos Valle, Robson Jorge and Lincoln Olivetti. No surprise then that Lincoln Olivetti and Robson Jorge feature on the track, backed by some of the members from Banda Black Rio. A joyous combination of funk basslines and dreamy Rhodes that marry with jubilant horns and Sá’s incredible vocal tones.

On the B side, Equipe Rádio Cidade ‘Bons Tempo Sao Paulo (Good Times)’ was originally released on a rare promo only 7 inch from 1980. Giving a Brazilian boogie makeover to Good Times by Chic / Rapper’s Delight by Sugarhill Gang, the track is voiced by radio DJs from Sao Paulo wishing their listeners a Merry Christmas and Happy New Year.

This replayed version, heavy on the clavinet with a samba-infused, cuica-laced percussion breakdown, gives a true Brazilian spin on one of the most distinctive melodies out there.

Remastered with refreshed artwork.

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Nem Vem Que Não Tem / Não Adianta

7" | 2015 | UK | Reissue (Mr Bongo)

Les Cigales / En Clair-Obscur Black Vinyl Edition

Release: 2015 / UK – Reissue

Genre: Organic Grooves

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Wilson Simonal and Trio Mocotó provide a double dose of Brazilian classics for this Brazil 45’s 7 inch.

First up, an infectious, samba-MPB hit from one of Brazil’s most popular artists of the ‘60s and early ’70s, Wilson Simonal. Originally released on 7 inch by Odeon in 1967 and landing on Simonal’s Alegria, Alegria !!! album in the same year, ‘Nem Vem Que Nao Tem’s fame had a new lease of life in 2002 when it was used as part of the soundtrack to the critically acclaimed film, ‘City Of God’.

On the B side, one of Jorge Ben’s main backing bands and a group that was highly influential to his sound, Trio Mocotó. Alongside recording with Ben on the seminal Força Bruta, Negro É Lindo and Tábua de Esmeralda LPs, they were also key figures in the development of the samba rock sound – a fusion of samba, soul and rock influenced by music from the USA.

First appearing on Trio Mocotó’s self-titled 1977 Arlequim LP, ‘Nao Adianta’ is a dynamic orchestral-infused gem, laced with that sun-kissed, samba flavour.

Remastered with refreshed artwork.

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The Offline

LP | 2024 | UK | Original (Deepmatter / Root)

Xango / Lambada Pauleira 2024 Repress

Release: 2024 / UK – Original

Genre: Organic Grooves

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‘Les Cigales’ takes its’ sonic cues from the structure of film and TV music from the 1960s and 70s, channelling the influence of film composers such as Francois de Roubaix and David Axelrod, whilst also sitting somewhere between the washed out, sun-soaked sonics of Surprise Chef and Robohands. As the EP unwinds, its narrative reflects a love story, full of longing, melancholy and drama, connecting with the story of Gyptis and Protis – the founding myth of Marseilles – whose love broke convention and welcomed the arrival of foreign people on French soil.

The project follows The Offline’s debut album ‘La couleur de la mer’, released in November 2023, which saw him create his own soundtrack to a film yet to be made. Inducing images of manorial, fog- swept villas at the seas edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. ‘Les Cigales’ sees him continue to build upon a distinctive sound that moves from dramatic cues to fragile romanticism, incorporating psychedelic spaciness, retro soul and hip-hop sensibilities informed by his extensive record collection.

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Magalhaes / Os Panteras

LP | 2017 | US | Reissue (Lewis)

Release: 2024 / UK – Original

Genre: Organic Grooves

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For number 84 in the Brazil 45 Series, we headed to the North of Brazil with these dancefloor monsters by Magalhães and Os Panteras. 'Xangô' by Magalhães is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire, get-out-of-jail dancefloor saver. On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira’. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form and with all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs’ sets, such as Augusto Olivani (aka Trepanado). We are super happy to once again present these two red-hot tracks back-to-back.

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Skinshape

Life & Love

Joe Brown & The Soul Eldorados

Release: 2017 / US – Reissue

Genre: Organic Grooves

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Re-issued and remastered. Genre - Funk/Jazz/Soul/Psyche. 'Life & Love' is the third album from Skinshape (with 'Filoxiny' being his fourth). Written, Recorded and Produced by Will Dorey at the Arch Studio, London, and in his bedroom. Great melting pot of styles and tunes, D.I.Y. Funk Soul Jazz. Recommended if you're into Khruangbin. Skinshape is the project of British musician William Dorey. The sound has roots in many genres but in particular 1960s-0s Funk, Soul, Reggae, Psychedelic Rock, Afrobeat and Folk. Skinshape grew out of a love for old music and the way it sounded. Initially Dorey experimented with samples (especially drum breaks) to create instrumental Hip-Hop/Trip-Hop tracks but then later started to play around with tape machines as a means to create his own 'samples'. This process gave birth to Skinshape with all elements being recorded by Dorey since the first self-titled album released in 2014. Aside from the Skinshape project Dorey was bassist for the band Palace from 2014-2017 and runs a reggae label called Horus Records based in North London.

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Vibration Part One & Two

7" | 2024 | UK | Original (Backatcha)

13,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (Backatcha)

U-Bert

Got To Make Sure

16,99 €*

Quit Jive' In / Jungle Walk

Release: 2024 / UK – Original

Genre: Organic Grooves

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“In my opinion, the greatest UK street soul tune ever made! It’s all about the message of unity” - Delasy StudioEight. Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond.

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Pearly Queen

7" | 1974 | UK | Reissue (Mr Bongo)

17,99 €*

Seja Como Nos / Harmony Cats' Theme 2024 Repress

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Proudly presenting a 7-inch reissue of this mythical, raw funk rarity by the Miami-based, Cuban rock band, Pearly Queen. Featuring the hugely sought after, infectious cut ‘Quit Jive’ In’ and a fantastic cover of The Rascals ‘Jungle Walk’, this is a double header of mid ‘70s funk fire. Originally released on Cuban record producer Manuel J. Mato’s Sound Triangle Records in 1974, who had emigrated to the US in 1960, this scarce funk gem has long been a prized funk 45 find. DJs and collectors such as Keb Darge and Jazzman Gerald brought this to our attention in the 1990s, with the status of the track amplified by its inclusion on DJ Shadow & Cut Chemist's landmark 7" DJ mix ‘Brainfreeze’. DJ Shadow, also used the drums and horns break to masterful effect on his track 'The Number Song' (1996) taken from his infamous 'Endtroducing.....' album on Mo Wax. Written by Ray Fernandez of Ray & His Court fame, 'Quit Jive' In' is a swaggering funk throwdown, dripping in groove and underpinned by heavy breaks and punchy horns. Whilst on the B side, the rock-funk 'Jungle Walk', is a cover version of The Rascals 1972 original. Penned by the singer, songwriter and guitarist Buzzy Feiten, it wouldn’t be out of place as part of the soundtrack to a Tarantino movie. We can't think of many deep funk tracks we love as much as this beauty. Sadly, for collectors, this original 7" has remained elusive to even some of the most hardened and dedicated diggers, so it feels a fitting release to re-issue for all to savour.

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Harmony Cats

Ella Fitzgerald & Louis Armstrong

Release: 2024 / UK – Original

Genre: Organic Grooves

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For number 93 in the Brazil45 series, we presented two favourites from the Harmony Cats. A female vocal quintet (who later became a trio) from São Paulo. They formed in 1976 and were most prolific in the disco period.

'Harmony Cats' Theme' from 1976 is probably the group’s best-known track outside of Brazil. Owing a lot to Rhythm Heritage's version of 'Barretta's Theme (Keep Your Eye On The Sparrow)’ its wonderfully spacey breakbeat and percussive production with lush, floaty vocals makes it a real crossover classic record.

'Seja Como Nos (De Pe No Chao)' is instantly recognisable. Tucked away on the B-side of their 1979 single 'Tem Dinheiro Nisso' on Young Records, it is a beast of a cover version of The Jacksons' classic ' Shake Your Body (Down To The Ground)'. Nothing subtle or sophisticated here. Just a song of pure disco joy, enhanced with awesome Brazilian production and the Cats' trademark vocal arrangements. A get-of-jail-free card for any DJ that finds themselves stuck with an empty dancefloor, but also one that will put smiles on the faces of the more discerning leftfield club crowds.

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Ella And Louis

LP | 1956 | EU | Reissue (Verve)

20,99 €*

LP | 2003 | EU | Reissue (Schema)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Vinyl LP repressing of this collaborative album between to of Jazz's greatest starts. The evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album entitled Live at the Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album. With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.

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The Dining Rooms

Tre 2024 Repress

Don't Forget To Have Fun Smoked Blue Vinyl Edition

Release: 2003 / EU – Reissue

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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“Tre” is cinematic/trip hop duo The Dining Rooms’ third re¬cord, and their first on Schema Records. Originally released in 2003, it contains songs that have been synchronized in popular TV series (C.S.I. Miami, Six Feet Under, Sex and the City) and it’s finally available again on vinyl!

For long time out of stock - finally a new reissue to give light to one of the most important albums by the Milanese duo Cesare Malfatti and Stefano Ghittoni aka The Dining Rooms “Tre” (3) was also released in America by Chicago's Guidance Records. One of the most represented albums of the trip hop scene again available in a double LP format

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Don Glori

LP | 2024 | UK | Original (DeepMatter)

Kilario / Pernalongo 2024 Repress

Release: 2024 / UK – Original

Genre: Organic Grooves

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A product of the not-so-underground, genre-bending melting pot that is Naarm (Melbourne, Australia). producer, composer and multi-instrumentalist Don Glori (aka Gordon Li) prepares to unleash his forthcoming album ‘Don’t Forget To Have Fun’ via DeepMatter Records.

Following the release of his much-heralded 2022 LP ‘Welcome’, and a relocation to London, Don managed to tap into a potent creative current, by taking himself to a place of discomfort, and taking his creative back to basics for ‘Don’t Forget To Have Fun’. This invigorating approach helped distill the initial album sketches into a compelling and intoxicating listening experience across the record, creating a true work of art, traversing jazz, funk, soul, RnB, samba and beyond. Whilst the record itself is hard to describe, but even harder to forget.

Album opener ‘Pause’ pairs psychedelic inﬂuences with a cyclic loping groove and focuses on recognising a safe space that can act as a refuge. Taking inspiration from Steely Dan, Brian Bennett & Azymuth, ‘Emerald’ channels Jazz rock, 70's LA studio energy, with the faster funk sections featuring an unruly amount of mouth percussion, synth lead lines, and vocal melodies that weave in and around the tight horn arrangements. ‘All Seeds’ is a heady blend of samba and Brazilian street soul, with ﬁeld recordings of Don’s old house in Melbourne providing additional seasoning. ‘First Touch’ is a downtempo 80’s boogie-infused gem, keeping proceedings nice and sleazy. The ﬁnal three movements move through one ﬂuid composition, charting the disorientating course of a fever dream, through beguiling astral travels, unexplainable occurrences, and transcendent moments.

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Di Melo

Diane Ward & The Kevin Fingier Collective

Release: 2024 / UK – Original

Genre: Organic Grooves

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For number 83 in the Brazil 45 series, we pulled out a real treat. It features two tracks from Roberto De Melo Santos. Born in 1949 in Recife (Brazil), and despite a small discography, he is considered among the true icons of Brazilian soul music under his artist alias, Di Melo.

His self-titled debut album from 1975 has long been collectible for its irresistible Brazilian-funk sound, pleasing the Brazilian, B-Boy breaks, funk collectors, and sample hunters alike. With original copies for the album now fetching crazy sums, we felt these tracks needed another moment in the sun for all to enjoy.

For this release we selected two of our favourite cuts from this cult album, ‘Kilariô' and ‘Pernalonga'. Coincidentally these two gems were released on Odeon Records in 1975 as a rare promo campacto (a Brazilian 7", which plays at 33rpm). 'Kilariô' is a pure Brazilian-soul classic. All the right elements gel together, whilst Di Melo works his relaxed vocal magic over the top. ‘Pernalonga', with its catchy guitar and horns intro, loose break-beat drum, has the feel-good factor which some may recognize as one of the samples behind N.A.S.A featuring David Byrne, & Chali 2na's 'The People Tree' from 2009.

Di Melo is still recording to this day, releasing an album with Cotonete on Favorite Recordings in 2019 - a true don.

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Why Don't You Go Home / Cocktail De Medianoche

7" | 2022 | EU | Original (Acid Jazz)

2LP | 2020 | EU | Reissue (Music On Vinyl)

Release: 2022 / EU – Original

Genre: Organic Grooves

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With 'Why Don't You Go Home' Fingier produces a monster Rhythm & Blues tune that will take you straight to the King and Federal R&B sound, and for the B side, 'Cocktail De Medianoche' is the perfect mix of Boogaloo and Northern Soul. Percussion, flute and horns will make this a Fingier favourite for lovers of Latin grooves and Uptempo Soul.

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James Brown

Collected

35,99 €*

Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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In a career spanning over 50 years James Brown became known as a progenitor of funk music and influencing the development of many other genres. All his hit songs, hidden gems and collaborations are now bundled on 'Collected'. It contains 29 songs, including music from his early days with the Famous Flames, the J.B.'s and a wide collection of tracks from his solo career. Brown began his career as a gospel singer and joined a rhythm and blues vocal group, the Famous Flames, as the lead singer in the 1950s. Later on he formed his own band and released successful singles as 'Papa's Got a Brand New Bag', 'I Got You (I Feel Good)' and 'It's a Man's Man's Man's World'. While developing the funk to a new level he created the J.B.'s, with which he scored hits like 'Get Up (I Feel Like Being a) Sex Machine' and 'The Payback'. Brown was inducted into 1st class of the Rhythm & Blues Music Hall of Fame, the Rock and Roll Hall of Fame and Songwriters Hall of Fame. During the years he gained different honorific nicknames including 'Godfather of Soul', 'Mr. Dynamite', and 'Soul Brother No.1'. James Brown Collected includes an insert with liner notes, photo's and credits. The release is available as a pressing on 'Stone Cold' black vinyl.

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Jazz Rock

LP | 1973 | EU | Reissue (Mr Bongo)

Airport Love Theme / Afro Som 2024 Repress

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.

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Waldir Calmon

LP | 1980 | US | Reissue (We Are Busy Bodies)

Release: 2024 / UK – Original

Genre: Organic Grooves

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You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album!

Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It is feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard.

'Afro Som' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism.

Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro.

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Lionel Pillay

Deeper In Black

33,99 €*

D'Angelo And The Vanguard

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Lionel Pillay’s broad list of associations is a testament to how widely respected he was in South Africa’s diverse jazz scene. In addition to his work with Mankunku, he played with Hugh Masekela in the early 1960s, produced the exquisite long-form recordings “Shrimp Boats” and “Cherry” with Basil Coetzee in the 1970s and collaborated with trumpeter Murray Campbell and saxophonist Bez Martin in the 1980s. However, is it with his 1980 album Deeper in Black, backed by core members of the jazz-fusion supergroup Spirits Rejoice, that his legacy was cemented.Deeper in Black was inspired by the 1969 Blue Note recording of American trumpeter Blue Mitchell entitled Collision in Black and took its name from Pillay’s cover of the album’s Peggy Grayson composition. Pillay’s album featured another two compositions from Collision in Black by way of the Monk Higgins track “Keep Your Soul,” with distinct arrangements straddling Side A and Side B, and Vee Pea’s “Jo Ju Ja” closing out the set. Although the source material was over a decade old when Pillay recorded his album, Collision in Black had struck a chord in South Africa with its first pressing in 1969 and even seen a local repressing in 1978. Blue Mitchell owed much of his popularity in South Africa to a six-week tour with saxophonist Harold Land in 1976. It was during this time that As-Shams/The Sun producer Rashid Vally seized the opportunity to record the Dollar Brand album Blues for a Hip King with Mitchell and Land backing Abdullah Ibrahim. Although the recording and release of Pillay’s Deeper in Black coincides with Blue Mitchell’s death in May 1979, the album was not explicitly promoted as a tribute but did certainly offer a respectful nod to the esteemed trumpeter who was among the few American jazz heavyweights who managed to connect with the South African scene during the Apartheid era.

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Black Messiah

2LP | 2015 | US | Original (RCA)

LP | 1966 | EU | Reissue (Mr Bongo)

Release: 2015 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Includes booklet.

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Marcos Valle

Braziliance!

LP | 2020 | EU | Original (Schema)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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To call Marcos Valle 'a legend' of Brazilian music is much more than just easy press-release hype. As singer, writer, musician and record producer, Marcos has played an integral role shaping the sound of the country’s music from the 'golden era' of the 60s and 70s, through to the modern day. Alongside his brother, Paulo Sergio Valle, they have penned a huge catalogue of classic songs, not just for themselves but for other greats such as Elza Soares, Astrud Gilberto, Claudia to name a few.
‘Braziliance!’ takes things back to the early heady days of Marcos’ career with the bright and optimistic sound of Rio's Bossa Nova scene. It includes an instrumental version of ’Crickets Sing For Anamaria’ or 'Os Grilos’ in Portuguese, which would also be re-recorded with
vocals. Though only in his early twenties at the time, ‘Braziliance!’ depicts very sophisticated production for a musician so young. Recorded in 1966, produced by Louis Oliveira and Ray Gilberts with arrangements by the very talented Emir Deodato, the album was released on Warner Bros. Records. The artwork presents a very clean-cut, wholesome looking Marcos but darker things were around the corner for Brazil. The ‘Tropicalica’ movement was on its way and about to shake thighs up both musically and politically. Unlike some of his Bossa Nova contemporaries, Marcos continued to stay relevant, surfing the changes and adapting to the musical developments that culture and society projected and needed, without comprising his art.
Under exclusive license to Light In The Attic Records & Distribution, LLC | Mr Bongo Records.

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The Dining Rooms

Art Is A Cat

Release: 2020 / EU – Original

Genre: Organic Grooves

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After a 5-year long hiatus, cinematic music heroes The Dining Rooms are back with one of their most complete and innovative release ever, the 8th one made in collaboration with Schema Records.

This is probably one of the most interesting albums from the Milanese duo, that still carries the classic Dining Rooms trademark, but also sounds very contemporary and fresh.

Includes collaborations with Sean Martin, Georgeanne Kalweit, Lola Kola, Beatrice Velasco Moreno and Rahma Hafsi on vocals.

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Jambú - E Os Míticos Sons Da Amazônia

2LP | 2019 | EU | Original (Analog Africa)

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 2019 / EU – Original

Genre: Organic Grooves

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The city of Belém, in the Northern state of Pará in Brazil, has long been a hotbed of culture and musical innovation. Enveloped by the mystical wonder of the Amazonian forest and overlooking the vastness of the Atlantic Ocean, Belém consists of a diverse culture as vibrant and broad as the Amazon itself. Amerindians, Europeans, Africans - and the myriad combinations between these people - would mingle, and ingeniously pioneer musical genres such as Carimbó, Samba-De-Cacete, Siriá, Bois-Bumbás and bambiá. Although left in the margins of history, these exotic and mysteriously different sounds would thrive in a parallel universe of their own.

I didn’t even know of the existence of that universe until an Australian DJ and producer by the name of Carlo Xavier dragged me deep into this whole new musical world. Ant it all began in Belém do Pará. Perched on a peninsula between the Bay of Guajará and the Guamá river, sculpted by water into ports, small deltas and peripheral areas, Belém had connected city dwellers with those deeper within the forest providing fertile ground for the development of a popular culture mirroring the mighty waters surrounding it. Through the continuous flow of culture, language and tradition, various rhythms were gathered here and transformed into new musical forms that were simultaneously traditional and modern.

Historically marginalized African religions like Umbanda, Candomblé and the Tambor de Mina, which had reached this side of the Atlantic through slaves from West Africa – especially from the Kingdom of Dahomey, currently the Republic of Benin – left an indelible stamp on the identity of Pará´s music. They would give birth to Lundun, Banguê and Carimbó, styles later modernised by Verequete, Orlando Pereira, Mestre Cupijó and Pinduca to great effect. The success of these pioneers would create a solid foundation for a myriad of modern bands in urban areas.

Known as the “Caribbean Port,” Belem had been receiving signal from radio stations from Colombia, Surinam, Guyana and the Caribbean islands - notably Cuba and the Dominican republic - since the 1940s. By the early 1960s, Disc jockeys breathlessly exchanged Caribbean records to add these frenetic, island sounds to liven up revelers. The competition was fierce as to who would be the first to bring unheard hits from these countries. The craze eventually reached local bands’ repertoires, and Belém’s suburbs got overtaken by merengue, leading to the creation of modern sounds such as Lambada and Guitarrada.

To reach a larger audience, the music needed to be broadcast. Radios began targeting the taste of mainstream audiences and played music known as “music for masses.” As the demand for this music grew, it led to the establishment of recording companies. Belém’s infant recording industry began when Rauland Belém Som Ltd was founded in the 1970s. It boosted a radio station, a recording studio, a music label and had a deep roster of popular artists across the carimbó, siriá, bolero and Brega genres.

Another important aspect in understanding how the musical tradition spread in Belém, are the aparelhagem sonora: the sound system culture of Pará. Beginning as simple gramophones connected to loudspeakers tied to light posts or trees, these sound systems livened up neighbourhood parties and family gatherings. The equipment evolved from amateur models into sophisticated versions, perfected over time through the wisdom of handymen. Today’s aparelhagens draw immense crowds, packing clubs with thousands of revelers in Belém’s peripheral neighbourhoods or inland towns in Pará.

The history of "Jambú e Os Míticos Sons Da Amazônia" is the history of an entire city in its full glory. With bustling night clubs providing the best sound systems and erotic live shows, gossip about the whereabouts of legendary bands, singers turned into movie stars, supreme craftiness, and the creativity of a class of musicians that didn’t hesitate to take a gamble, Jambú is an exhilarating, cinematic ride into the beauty and heart of what makes Pará’s little corner of the Amazon tick. The hip swaying, frantic percussion and big band brass of the mixture of carimbó with siriá, the mystical melodies of Amazonian drums, the hypnotizing cadence of the choirs, and the deep, musical reverence to Afro-Brazilian religions, provided the soundtrack for sweltering nights in the city’s club district.

The music and tales found in Jambú are stories of resilience, triumph against all odds, and, most importantly, of a city in the borders of the Amazon who has always known how to throw a damn good party.

“Jambú is a plant widely used in Amazonian and Paraense cuisine. Known for having an appetitestimulating effect, it is added to various dishes and salads but is most famously one of the main ingredients in Tucupi and Tacacá, two delicacies that have been immortalized in countless Carimbó songs. Chewing the leaves of the Jambú plant will leave a strong sensation of tingling on the tongue and lips. Indigenous communities have relied upon its anaesthetic qualities for centuries as an effective remedy against toothaches and as a cure for mouth and throat infections. A decade ago, a distillery from Belém discovered the euphoric effects of the Jambú plant when combined with distilled sugarcane based spirit - known as cachaça - and created the now legendary “Cachaça de Jambú“.

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The Sylvers

When The Sun Dips 90 Degrees

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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* Record Store Day Europe / UK 2019 Exclusive Release
* Beautiful funk-soul album produced by Jerry Butler, Keg Johnson and Michael Viner, written by Leon Sylvers III.
* The Sylvers were a family group from Los Angeles with chart hits including ‘Fools Paradise’, ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’
* Sampled by J Dilla, Jazzanova, Ghostface Killah, Snoop Dog and many more.

Beautiful funk-soul album produced by Jerry Butler, Keg Johnson and Michael Viner, written by Leon Sylvers III. The Sylvers were a family group from Los Angeles who were very successful during the 70s and into the early 80s, with chart hits – deep into pop-disco territory by then! – including ‘Fools Paradise’, ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. No less than 9 of the 10 brothers and sisters of the family made up the group, often referred to as a Southern version of the Jackson 5. Sampled by J Dilla, Jazzanova, Ghostface Killah, Snoop Dogg and many more.

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Yazmin Lacey

12" | 2018 | EU | Original (First Word)

LP | 2018 | EU | Original (Musik Produktion Schwarzwald)

Release: 2018 / EU – Original

Genre: Organic Grooves

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First Word Records is very proud to present a brand new EP from Yazmin Lacey - 'When The Sun Dips 90 Degrees'.
This EP follows on from her two recent singles, '90 Degrees' and 'Something My Heart Trusts', both of which are included here, along with three previously unreleased tracks, 'Heaven', 'Body Needs Healing' and 'Burn & Rise'. This set illustrates again Yazmin's candid songwriting delivered in her uniquely laidback soulful style, whilst a glorious fusion of neo-soul and jazz performed by Pete Beardsworth and her trusty band rides throughout.
In recent times, Yazmin has made live appearances on Jazz FM, BBC Radio 4, 1Xtra and NTS, & received widespread acclaim across the airwaves, including BBC Radio 2, BBC 6 Music, Worldwide FM and Mi-Soul, plus Spotify love from the likes of The Independent and heavy support from DJs such as Gilles Peterson, Jamz Supernova, Tom Ravenscroft, Huey Morgan and Jamie Cullum. Yazmin appeared heavily in The Guardian / The Observer's recent extensive feature on the UK's new Jazz movement too.
Initially a Brownswood 'Future Bubbler' graduate, Yazmin self-released her debut EP, 'Black Moon', last year. This lead to a Maida Vale session late 2017 with Jordan Rakei, Moses Boyd, Oscar Jerome and now label-mates, Children of Zeus. She kicked off the year with a performance at the Worldwide Awards with Skinny Pelembe, and has recently done shows with artists such as Ezra Collective, Tall Black Guy and Fatima. Yazmin has a UK tour scheduled for later in the year, as well as several festival appearances across Europe locked in. There's a lot more to come from this Notts-based Londoner yet.
In Yazmin's words: "'90 Degrees' is about that time of the day / night when there's a shift in pace and energy. When you decide to lock off from the 'outside' world and create your own atmosphere, take some time to give thanks for what's breathing love into your life and smoke off the fuckeries. Everyone needs a little routine for self preservation."
The 5-track vinyl & digital EP is released worldwide on June 15th.

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George Duke

Faces In Reflection

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2018!

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Idris Muhammad

Power Of Soul

Michael Garrick Sextett / Don Rendell / Ian Carr

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Idris Muhammad was an American jazz drummer who recorded extensively with many musicians, including Bob James, Ahmad Jamal, Lou Donaldson, Pharoah Sanders, John Scofield, George Benson, Lonnie Smith and Tete Montoliu.

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Prelude To Heart Is A Lotus

LP | 2013 | UK | Original (Gearbox)

Nico Gomez And His Afro Percussion Inc

Release: 2013 / UK – Original

Genre: Organic Grooves

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Prelude to Heart is a Lotus is a 1968 BBC Jazz in Britain recording now released for the first time. Pianist and composer Michael Garrick was 35 years old and together with close associates - saxophonist Don Rendell and trumpeter Ian Carr - was defining innovative new directions in British jazz. Prelude to Heart is a Lotus is the precursor to the Argo Records Heart is a Lotus studio album which was released two years later, and this remarkable music shines a new light on an extraordinary period of creativity in Garrick’s long career.

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Ritual Black Vinyl Edition

LP | UK | Reissue (Mr Bongo)

2LP | 2007 | EU | Original (Schema)

Release: UK – Reissue

Genre: Organic Grooves

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Belgium, not the first place you'd think of when it comes to Latin or Afro funk. Yet one of the greatest records to blend both styles came from the small northern European country, masterminded by Nico Gomez and his Afro Percussion Inc.

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The Dining Rooms

Ink

Release: 2007 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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7" | 2024 | UK | Original (Backatcha)

Robert Chandler

Experience My Love

Release: 2024 / UK – Original

Genre: Organic Grooves

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Originally released on an elusive white label by DJ Smokey Joe, only a boxful of copies ever changed hands across the counter of his East London Record shop back in 1986 - 'Experience My Love' was hard to find on release let alone decades later. Produced by musician and song-writer Steve Slavin, the single was bound for a Hot Vinyl release the same year but it never materialised. Available now on limited 7".

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Mr Bongo Record Club Volume 7

CD | 2024 | UK | Original (Mr Bongo)

Cookin' Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Miles Davis

LP | 1957 | EU | Reissue (SAAR)

25,99 €*

John Mayall & The Bluesbreakers

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Cookin’ is the first of four albums derived from the Miles Davis Quintet’s fabled extended recording session on Octobre 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player. The bounty of material in the band’s live sets– as well as the overwhelming conviction in the quintet’s studio sides– would produce the lion’s share of the Cookin’, Relaxin’, Workin’ and Steamin’ albums. As these recordings demonstrate, there is an undeniable telepathic cohesion that allows this band– consisting of Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums)– to work so efficiently both on the stage and the studio. This same unifying force is also undoubtedly responsible for the extrasensory dimensions scattered throughout these recordings. The immediate yet somewhat understated ability of each musician to react with ingenuity and precision is expressed in the consistency and singularity of each solo as it is maintained from one musician to the next without the slightest deviation. « Blues by Five » reveals the exceptional symmetry between Davis and Coltrane that allows them to complete each others’ thoughts musically. Cookin’ features the pairing of « Tune Up / When the Lights Are Low » which is, without a doubt, a highlight no only of this mammoth session, but also the entire tenure of Miles Davis mid-‘50’s quintet. All the éléments converge upon this fundamentally swinging medley. Davis’s pure-toned soloes and the conversational banter that occurs with Coltrane, and later Garland during « When the Lights Are Low », resound as some of these musicians’ finest moments.

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Crusade

LP | 2023 | EU | Original (Proper)

Release: 2023 / EU – Original

Genre: Organic Grooves

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No Food Without Taste If By Hunger Colored

The Good Samaritans

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

LP | 1981 | US | Original (De-Lite)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Put your dancing shoes and be ready to kill the dancefloor, the intoxicating highlife music known as Edo Funk from Benin City, Nigeria is back. Following the planetary success of our „Edo Funk Explosion Vol.1“ project we have now unearthed „No Food Without Taste If By Hunger“ by „The Good Samaritans“, one of the most obscure Nigerian album ever recorded. Originally released in 1982, the bands first album is full of bouncy basslines, raw trance-like grooves and tripped-out psychedelic guitars, a funk experience unlike any other.

„The Good Samaritans“ is Philosopher Okundaye’s own Edo-Funk project, under which name he produced four albums, all recorded at Phonodisk Studio in Ijebu-Igbo east of Lagos with a 24 track. Okundaye who played many instruments, engaged the right musicians for each project and mixed the whole thing himself, is known as the composer of a large part of Benin City’s celebrated hits in the 80s. His name keeps popping up but somehow his role in the scene remains a bit hazy, giving the character an image of something like the gray eminence of Edo funk.

Due to its private pressing in a probably very small edition, „No Food Without Taste If By Hunger“ is very difficult to find. With this reissue limited to 2000 copies - newly mastered by Nick Robbins and approved by Philosopher Okundaye himself - „The Good Samaritans“ make a welcome and long-overdue return to turntables around the world in a beautiful Silk-Screen printed cover and an orange colored vinyl pressed on 180g high quality vinyl. This is funk stripped down to its primal essence, driving rhythms mixed with highlife horns, sweet keyboards and psychedelic guitar riffs, pushing the limits of dance moves towards cosmic dancefloors.

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Kool & The Gang

Something Special

2LP | 2008 | UK | Reissue (KingUnderground)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original, PRC-Compton pressing.

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The New Mastersounds

Plug & Play

29,99 €*

7" | 1983 | UK | Reissue (Mr Bongo)

Release: 2008 / UK – Reissue

Genre: Organic Grooves

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UK funk maestros The New Mastersounds return from a year of intensive touring in the USA to deliver their sixth album, Plug & Play, featuring vocalist Dionne Charles. What you get: their trademark infectious energetic grooves, warm vintage production by guitarist Eddie Roberts, and successful forays into sub-genres like psychedelic afro-funk, CTI-era jazz-funk, souljazz and classic soul. Though the NMS wear their musical roots on their sleeve, this ain't no retro copycat band: each track sounds unmistakably like The New Mastersounds. And in Dionne Charles they have found a vocalist who can do justice to the phenomenal soulfulness of the music.

"Their best set yet" Pete Isaac (Jelly Jazz) "In one word: CLASS!" Niccolo Pozzoli (Record Kicks, Milan) "Love it!" Jeff Krasno (Velour Records Usa) "This (King Comforter) drips with soul, down-home style. The NMS have lost none of their knack for hitting you where is hurts:- in a good way! Superb!" (The Craig Charles Funk And Soul Show, BBC 6Music)

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Marcos Valle

Girassol

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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It comes as no surprise to discover we are massive fans of Marcos Valle here at Mr Bongo, but this forgotten and obscure gem from the Brazilian maestro has proven to remain elusive to us until very recently.

'Girassol' is a lost Brazilian-boogie stunner from 1983. It was originally released as an ultra-rare promo only 7”. Composed by Marcos Valle, Paulo Sérgio Valle and Ribeiro José Francisco, this all-too-short nugget (under 2 minutes) was recorded and pressed on the Valle, Ribeiro & Associados Ltda. imprint for Rede CB De Supermercados. It was a promotional item to be distributed to customers of a supermarket chain as a gift. Due to not having any conventional distribution channels this resulted in the 7" becoming a slippery customer to find.

It’s a smooth AOR / Brazilian boogie joint with an uplifting chorus. The vibe is reminiscent of the much loved ‘Estrelar' era of Marcos Valle’s glorious recording career, and certainly one for fans of the Lincoln Olivetti, Robson Jorge production sound.

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Luke Una Presents E-Soul Cultura

CD | 2022 | EU | Original (Mr Bongo)

CD | 2021 | EU | Original (Whirlwind)

Release: 2022 / EU – Original

Genre: Organic Grooves

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With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of “E-Soul Cultura”.

It’s best described by Luke himself, who writes: “As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33bpm pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again.”

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s Lgbtq cultural landscape.

Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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Arthur Hnatek Trio

Static

LP | UK | Original (Matsuli)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Zurich based drummer Arthur Hnatek presents his first trio record, 'Static'. Joined by his equally fearless bandmates Fabien Iannone on bass and Francesco Geminiani on tenor sax, this is music created by a classic jazz line-up and steeped in improvisational facility, yet simultaneously utterly unlike anything in the standard jazz tradition.

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The Beaters

Harari

Release: UK – Original

Genre: Organic Grooves

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The Paths Of Pain The Caife Label Quito 1960-68

2LP | 2021 | UK | Original (Honest Jon's)

27,99 €*

Teaspoon And The Waves Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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A dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.

Forms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.

Exhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.
Utterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.

Sumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas.

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Teaspoon And The Waves

LP | 1977 | UK | Reissue (Mr Bongo)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Official replica re-issue of a South African jazz-funk rarity from Teaspoon & The Waves. Released in 1977 on Soul Jazz Pop, a subsidiary label of Mavuthela Music Company / Gallo, Teaspoon & The Waves’ self-titled album is an absolute masterpiece. Best known for the song 'Oh Yeh Soweto’, which is an astonishing adaptation of Lamont Dozier's anthem 'Going Back to My Roots', this track has become a contemporary underground club classic in recent times and has been featured in sets from a cross-section of DJs. With such a massive calling card song, it could be easy to write off the album as a typical one-tracker (like so many records often are), but that is a long way from the truth. Each of the remaining four tracks are super strong and, for us here at Mr Bongo, this has to be our favourite South African record of this era. 'Saturday Express' is a jazz-funk/disco stomper which will soon be lighting up dancefloors again. 'Wind and Fire' is true afro-jazz-funk excellence, with great spacey synths and reggae-inspired guitar grooves riding throughout. The opener, 'Friday Night’, also has a slightly reggae-tinged tropical groove, whilst 'Got Me Tight' finishes off the session with a feel-good jazz-funk workout that features cool, quirky, Patrick Adams-esque synths. Saxophonist Teaspoon Ndlela has had an amazing and rich musical career. Releasing albums on records labels Soul Jazz Pop, Hit Special, Gallo GRC, alongside working with and writing for South African artists such as Mpharanyana, Stimela, Sipho Gumede and Sgu. He also features on the Paul Simon track 'Gumboots' taken from the iconic 'Graceland' project. Though best known for 'Oh Yeh Soweto' we hope this re-issue helps demonstrate that there is much more magic in this wonderful musician's repertoire to discover.

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Edo Funk Explosion Volume 1

2LP+Book | 2021 | EU | Original (Analog Africa)

Yeti Season Clear Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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It was in Benin City, in the heart of Nigeria, that a new hybrid of
intoxicating highlife music known as Edo Funk was born.
It first emerged in the late 1970s when a group of musicians began
to experiment with different ways of integrating elements from their
native Edo culture and fusing them with new sound effects coming
from West Africa ́s night-clubs. Unlike the rather polished 1980 ́s
Nigerian disco productions coming out of the international
metropolis of Lagos Edo Funk was raw and reduced to its bare
minimum.

Someone was needed to channel this energy into a distinctive sound
and Sir Victor Uwaifo appeared like a mad professor with his Joromi
studio. Uwaifo took the skeletal structure of Edo music and
relentless began fusing them with synthesizers, electric guitars and
80 ́s effect racks which resulted in some of the most outstanding Edo
recordings ever made. An explosive spiced up brew with an odd
psychedelic note dubbed "Edo Funk".

That's the sound you'll be discovering in the first volume of the
Edo Funk Explosion series which focusses on the genre’s greatest
originators; Osayomore Joseph, Akaba Man, and Sir Victor Uwaifo:

Osayomore Joseph was one of the first musicians to bring the sound
of the flute into the horn-dominated world of highlife, and his
skills as a performer made him a fixture on the Lagos scene. When he
returned to settle in Benin City in the mid 1970s – at the
invitation of the royal family – he devoted himself to the
modernisation and electrification of Edo music, using funk and Afro-
beat as the building blocks for songs that weren’t afraid to call
out government corruption or confront the dark legacy of Nigeria’s
colonial past.

Akaba Man was the philosopher king of Edo funk. Less overtly
political than Osayomore Joseph and less psychedelic than Victor
Uwaifo, he found the perfect medium for his message in the trance-
like grooves of Edo funk. With pulsating rhythms awash in cosmic
synth-fields and lyrics that express a deep personal vision, he
found great success at the dawn of the 1980s as one of Benin City’s
most persuasive ambassadors of funky highlife.

Victor Uwaifo was already a star in Nigeria when he built the
legendary Joromi studios in his hometown of Benin City in 1978.
Using his unique guitar style as the mediating force between West-
African highlife and the traditional rhythms and melodies of Edo
music, he had scored several hits in the early seventies, but once
he had his own sixteen-track facility he was able to pursue his
obsession with the synesthetic possibilities of pure sound, adding
squelchy synths, swirling organs and studio effects to hypnotic
basslines and raw grooves. Between his own records and his
production for other musicians, he quickly established himself as
the godfather of Edo funk.

What unites these diverse musicians is their ability to strip funk
down to its primal essence and use it as the foundation for their
own excursions inward to the heart of Edo culture and outward to the
furthest limits of sonic alchemy. The twelve tracks on Edo Funk
Explosion Volume 1 pulse with raw inspiration, mixing highlife
horns, driving rhythms, day-glo keyboards and tripped-out guitars
into a funk experience unlike any other.
Double LP pressed on 140g virgin vinyl comes with a full color 20-pages booklet

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El Michels Affair

LP | 2021 | US | Original (Big Crown)

Gerardo Frisina Meets Toco

Release: 2021 / US – Original

Genre: Organic Grooves

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Fresh off of their 2020 offering Adult Themes, El Michels Affair is back with a new full-length release. Titled Yeti Season, this newest album has everything we've come to expect from EMA's patented cinematic style of instrumental soul music. Where Adult Themes inspired a soundtrack to an imaginary film, Yeti Season brings us to a different place in time_with new inspirations. Taken with Turkish-styled funk and an almost Mumbai-esque take on soul, El Michels Affair offers us a different kind of drama and imagination with Yeti Season. If you've been following along, this shouldn't be viewed as too far a departure for El Michels Affair. The first single off of Yeti Season showed their hand back in 2018. A double-sided banger, that release brought the musical textures to the fore that dominate this record. The first song, titled "Unathi," is fully realized with the beautifully haunting-yet-hopeful vocals of Piya Malik, formally of 79.5_another Big Crown artist. Singing in Hindi, Piya's ethereal voice is telling us to work and strive together toward progress. Even if you don't understand her language, you can still hear the urgency of purpose, creating a lasting vibe that sits on top of it all. Leon Michels explains that Piya had a vital influence on this record: "When Piya started singing in Hindi, she had a different voice, a different tone. I knew we had to do something together." And so Piya appears on three other songs on Yeti Season: "Zaharila," "Murkit Gem," and "Dhuaan." Each providing particular signatures to the album. "Zaharila" is a building and changing love song punctuated by blaring trumpets, driving drums, and Piya's pleading lyrics. While the more upbeat "Murkit Gem" opens with a fuzzed out, Wu-Tang-esque baseline that buoys Piya's stylings. The psychedelic guitar and Piya's changing tones and textures singing about an all-consuming love are what pushed "Dhuaan" on to the second single from Yeti Season. There is also a vocal appearance from Shannon Wise of The Shacks, yet another Big Crown artist. Her song called "Sha Na Na," lies more in the familiar EMA vein: melodic, hypnotic, soulfully visual. But between Shannon's airy singing, the jumpy baseline, moody vibes, the active drum lines, it sounds like a pensive walk home after a strangely dramatic night. So what is Yeti Season? It could be more of a feeling than an actual place or time of year. It's a heavy album_as evidenced by the signature musicianship and dramatic vocal expressions. But it's also a hopeful record, with phrasings, textures, and chord changes that hint at something better_or fuller_coming our way. You hear it in songs like "Ala Vida," with its stabby, pulsing chords laying a bedrock for EMA's bright, atmospheric horn lines. Or even in "Fazed Out," which leaves you with a feeling of determination, a striving for resolution even though the driving, march-like song structure should accompany some conquering army. This persistence has to come from the fact that Leon Michels and company finished this record during the lockdown. It was a tough and troublesome time. But look at what has come of it: Yeti Season_a record of high and heavy drama, but also one of hope and promise. It may take a year like 2020 behind us to find hope in a winter big footed creature like a Yeti, but that's where we are.

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Gerardo Frisina

12" | 2019 | EU | Original (Schema)

13,99 €*

Joe Mcphee And Paal Nilssen-Love

Release: 2019 / EU – Original

Genre: Organic Grooves

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“Frisina meets Toco” is the result of the artistic union of two main Schema Records’ characters, Gerardo Frisina and Toco, spontaneously born from many listening sessions of Brazilian music LP’s. The music contained in this 12” record stands in the middle between Rio and Bahia, merging together the Brazilian rhythmic culture and groove (Toco) with the modern sound of clubbing latin jazz (Frisina), and it’s also enriched by the presence of the young pianist and composer Vitor Araújo and his peculiar signature style, particularly apparent in the instrumental version of the song “Craque”.

Schema Records’ musician and producer Gerardo Frisina has certainly got the ability to play his own distinctive style without being repetitive, and this record is no exception. His skills in working with strong percussive and tribal elements have now delivered us this brand new collaboration with Schema songwriter Toco, the result of various artistic meetings in our offices, spontaneously born from many listening sessions of Brazilian music LP’s. The music contained in this 12” record stands in the middle between Rio and Bahia, merging together the Brazilian rhythmic culture and groove (Toco) with the modern sound of clubbing latin jazz (Frisina); the most observant will surely recognize a strong link in its cover artwork with the legendary 1965 LP “Em Forma!” by Bossa Três. “Frisina meets Toco” is also enriched by the presence of the young pianist and composer Vitor Araújo, whose signature style is especially noticeable in the instrumental version of the song “Craque”, which suddenly breaks in the middle and showcases a piano solo section that will leave you breathless! Another impressive effort from two of the most creative and revered Schema Records artists! - - - Gerardo Frisina, musicista e produttore di punta della Schema Records, ha senza dubbio la capacità di infondere il proprio personalissimo stile nelle sue opere, senza per questo risultare ripetitivo o ridondante, e questa release non fa eccezione. Le sue capacità nel manipolare elementi fortemente percussivi e tribali hanno dato vita a questa nuova collaborazione con il cantautore Toco, anch’egli di casa presso Schema Records: un lavoro nato spontaneamente da diversi incontri tra i due, e da svariati ascolti di LP di musica brasiliana. La musica contenuta in questo 12” è geograficamente a cavallo tra Rio e Bahia, e miscela la cultura del ritmo e del groove brasiliano (Toco) con il sound moderno del latin jazz da club (Frisina); l’interlocutore più attento saprà inoltre riconoscere un forte legame visuale con il leggendario LP “Em Forma!” dei Bossa Três. “Frisina meets Toco” è inoltre impreziosito dalla presenza del giovane pianista e compositore Vitor Araújo, il cui inconfondibile stile è particolarmente in evidenza nella versione strumentale del brano “Craque”, che si interrompe improvvisamente a metà per lasciare spazio a un assolo di piano che vi lascerà senza fiato! Un altro eccellente lavoro firmato da due tra i più creativi e significativi artisti Schema Records!

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Lift Every Voice And Sing

LP | 2019 | UK | Original (Smalltwon Supersound)

19,99 €*

Julie Is Her Name 200g, 45 Rmp Vinyl Edition

Release: 2019 / UK – Original

Genre: Organic Grooves

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Recorded in Oslo’s small and intimate St. Edmund’s Church the 13th of December 2017, this LP features compositions by James Weldon Johnson, Thelonious Monk and Joe McPhee plus two by McPhee and Nilssen-Love.

The album was mixed, edited and mastered by Lasse Marhaug and is vinyl only, no digital. 500 copies made and no re-press. Artwork by Kim Hiorthøy.

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Julie London

2LP | 2019 | US | Original (Analogue Productions)

69,99 €*

LP | 1970 | Reissue (Music On Vinyl)

Release: 2019 / US – Original

Genre: Organic Grooves

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It's back. Our 45rpm, 2LP version of the great Julie London debut on Liberty Records. Mastered by Bernie Grundman on his all-tube cutting system and now plated and pressed at Quality Record Pressings. This 45rpm spreads the 12 tracks over two LPs for even better cartridge tracking and superior sound quality!
Much like Dean Martin's 1954 debut LP ("Dean Martin Sings"), Julie London's recording career started on the silver screen in the 1940s. In 1955 she made her debut LP on the newly formed Liberty Records. Recorded in August of that same year, in state-of-the-art mono sound, "Julie Is Her Name" is regarded by jazz buffs and '50s pop enthusiasts as a genuine classic! This LP features the hit single "Cry Me A River" and her stellar performances of "I Should Care" and "No Moon At All".
Supported by the legendary Barney Kessel on guitar and Ray Leatherwood on bass, this LP release brings back memories of the cool '50s. Whether you were a cool swinger in the '50s or you're a cool hi-fi lovin' swinger today, you will be transported to a time when a 15" coaxial speaker, a 20 watt amplifier and a girl who looks like Julie were all that mattered.

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The Delfonics

Release: 1970 / Reissue

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Enter The Jungle)

Ezra Collective

You Can't Steal My Joy

29,99 €*

2LP | 1980 | UK | Reissue (BBE Music)

Release: 2019 / EU – Original

Genre: Organic Grooves

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London five-piece Ezra Collective are announcing their debut album. Can't Steal My Joy is
due April 26th, and marks the ensemble's return following the success of their genrebending
2017 EP Juan Pablo: The Philosopher.
Ezra Collective’s incredible musicianship and spirited, inclusive approach to music - which
draws on afrobeat, hip-hop, grime and more - has seen them break out beyond the
burgeoning UK jazz scene. Their 2017 EP, Juan Pablo: The Philosopher, won ‘Best Jazz
Album’ at Gilles Peterson’s Worldwide Awards and the band picked up ‘Best UK Jazz Act’
and ‘Live Experience Of The Year’ at the 2018 Jazz FM Awards. The five young Londoners
played Quincey Jones’ birthday party and recently completed a mosh-pit-filled, sold out UK
tour (culminating in a packed out 2,400 capacity hometown show), before headlining Winter
JazzFest in New York. Ezra Collective’s forthcoming gigs include more US dates, SXSW,
plus All Point East festival.

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Ralph Thomas

Eastern Standard Time

Togetherness Is Always A Good Venture - Tambourine Party Volume 2

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Following hard on the heels of BBE delving into the archives of
Detroit’s Strata Records and delivering their widely acclaimed
and hugely in-demand exploration of J-Jazz, comes another
crate digger’s delight- Ralph Thomas’ ‘Eastern Standard Time’,
which dropped the USA back in in 1980, on the obscure Zebra
Jazz imprint.
This is the is the kind of “spiritual’ jazz gem that appears on You
Tube and upon checking it out on Discogs reveals a price well in
excess of £150.00. To have it widely available in its original
vinyl format, as well as digitally and on CD, is a real treat. So,
who is Ralph Thomas?
The self-produced ‘Eastern Standard Time’ features Thomas on
baritone, alto and tenor saxophones as well as flute and
percussion. He describes himself as a practicing ethnomusicologist
who’s musical vision evolved during the Sixties and
it’s Thomas’ multifaceted, global approach that gives the music
on Eastern Standard Time’ an engaging and distinct flavour.
"My music has always been open to different cultures and
sounds Afro-Cuban, Brazilian, Mexican, Peruvian, American,
Hebrew, Turkish, African, Indian and Japanese,” declares the
Chicago born musician. While attending the Chicago
conservatory of music in 1969 he became a member of the
Chicago A.A.C.M, studying with master musicians Phil Cohran
and Richard Muhal Abrams. He also recorded with well-known
blues legends, Howlin' Wolf and Mighty Joe Young for the Cadet
imprint of Chess records.
In 1974, he moved to Los Angeles and was employed as a
session player with both 20th Century Fox and Motown – where
he recorded with Marvin Gaye, Jermaine Jackson, Smokey
Robinson and Rick James. In the early Eighties he was working
for Quincy Jones Productions appearing on the soundtrack of
Roots and The Color Purple but a passion for reggae music led
him to Jamaica where he recorded with producer Jack Ruby and
artists like Augustus Pablo and Gregory Isaacs.
In ’86 he moved to NYC where he collaborated with Boogaloo
legend Johnny Colon and played with like-minded musical
explorers Sun Ra, Don Cherry and Olatunji. However, by 1993
his restless spirit carried him to Paris where studied
Ethnomusicology and performed with trumpeter Mra Oma and
film-maker Ranaivo-Rajaona Hery. There were also gigs with
percussionist Trilok Gurtu as well as drummer Sunny Murray
and saxophone legend Archie Shepp. Upon moving to the
South of France Thomas ran an art gallery and initiated his
MusArt project – which has since toured in the US, Canada and
Japan
After a productive stint in Chiang Mai, Thailand – where he
immersed himself in Issan culture – Ralph Thomas recently relocated
back to the US to live and work.

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Super Elcados

LP | 1976 | EU | Reissue (Mr Bongo)

Shina Williams & His African Percussionists

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976.
The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first. It was followed by ‘This World Is Full Of Injustice’ and ‘What Ever You Need’.
Licensed from Geoffrey Johnson (Elcados), courtesy of PMG, with special thanks to Dave Hill for his help!

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African Dances

LP | 1979 | EU | Reissue (Mr Bongo)

3LP | 2017 | UK | Original (Westbound)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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First official reissue of the extremely rare full-length album by Lagos-based bandleader Shina Williams. Clean copies of the original currently sell for up to £500.
The record was born in 1979 when Shina put Biddy Wright, Fred Fisher, Saliu Alabi, Prince Bola, Tutu Shoronmu, Tunde willimas and several other decorated Nigerian musicians – who played with the likes of Fela Kuti, SJOB Movement, Sonny Okoson, King Bucknor amongst others – together to record. The result is ‘African Dances’, a timeless fusion of afrobeat, electronics, boogie and disco. Includes his most well-known song, ‘Agboju Logun’ that Williams knew was ground breaking – “I want to show the whole wide world that Africa is alive with modern musicians to reckon with anywhere,”. This album version is a different mix to the two-track 12” that came out under on Earthworks, Rough Trade in 1984.
Official Mr Bongo reissue. Replica original artwork. Licensed direct from Shina Williams.

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Funkadelic

Reworked By Detroiters

32,99 €*

Release: 2017 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Funkadelic were the most influential group to emerge from Detroit in the 1970s. Their early albums have cast a long shadow over everything that came afterwards in the city. It was music that understood the past but was firmly aiming towards the future and mixed soul, funk and rock into an almost unimaginable stew. Albums such as “Maggot Brain”, “Free Your Mind And Your Ass Will Follow” and “Cosmic Slop” are regularly featured in all-time greatest lists.

From the techno pioneered by the likes of Carl Craig and Underground Resistance, to the garage rock revival spearheaded by the White Stripes and the Dirtbombs, all have paid homage to the Parliafunkadelicment Thang. This album is a tribute from some of the most important recording artists currently working in the city to these most influential of forefathers. The very finest talent now active in Detroit appear on the record, being given free rein to work on the multi-track tapes, to rework in any way they see fit. We have full-on remixes, futuristic creations using the original track as an inspiration, disco-fied re-edits and skeletal dubs.

Spearheaded by Brendan Gillen of Interdimensional Transmissions, the set features names working across the musical spectrum. There is an appearance by those most mysterious of techno pioneers Underground Resistance, and by Kenny Dixon Jr and his alter-ego Moodymann. The Dirtbombs throw down a frenetic take on ‘Super Stupid’, whilst disco re-edit expert Gaye Marvine adds his magic to ‘Undisco Kidd’. Other contributors include Funkadelic alumni Amp Fiddler, Marcellus Pittman and Anthony Shake Shakir.

This is a worthy celebration by New Detroit of its most twisted and illustrious forebears.

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Mr Bongo Record Club Volume 2

2LP | 2017 | EU | Original (Mr Bongo)

12" | 2017 | EU | Original (BBE Music)

Release: 2017 / EU – Original

Genre: Organic Grooves

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This instalment follows on from our acclaimed ‘Volume One’ – Lauren Laverne’s ‘Compilation Of The Week’, supported by the likes of Disclosure, Jeremy Underground, Horsemeat Disco, Hunee and Laurent Garnier. ‘Volume Two’ picks up where the last one left off — with a touch more soul and disco — records we’ve been spinning in our DJ sets and on the radio show of the same name, that inspired this series.

Compiled by David ‘Mr Bongo’ Buttle and Gareth Stephens, plus a few personal favourites from Gary Johnson, Ville Marttila and Graham Luckhurst.

TRACKLIST, VINYL 2-LP: A1. Elbernita ‘twinkie’ Clark – Awake O Zion (full length, original version) / A2. Dee Edwards – Put Your Love On The Line / A3. Anubis – Ecology / B1. Guy Cuevas – Ebony Game / B2. Kiru Stars (Julius Kang’ethe) – Family Planning / B3. Teaspoon & The Waves – Oh Yeh Soweto / C1. Leny Andrade – Não Adianta / C2. Rosa Maria – Samba Maneiro / C3. Tom & Dito – Obrigado Corcovado / C4. Inezita Barroso – Maracatu Elegante / C5. Joao Diaz – Capoeira / C6. The Equatics – Merry Go Round / D1. Elias Rahbani And His Orchestra – Liza… Liza / D2. The Beaters – Harari

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Ben & Sadar

The Red,White & Blue's

Release: 2017 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2017 | EU | Original (ECM)

Chris Potter

The Dreamer Is The Dream

25,99 €*

LP | 2017 | EU | Original (Habibi Funk)

Release: 2017 / EU – Original

Genre: Organic Grooves

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For his third ECM release as a leader, Chris Potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle.

The group includes superlative musicians well known to followers of ECM s many recordings from New York over the past decade: keyboardist David Virelles, bassist Joe Martin and drummer Marcus Gilmore, who each shine in addition to the leader on multiple horns. “The Dreamer Is the Dream” features Potter on tenor saxophone the instrument that has made him one of the most admired players of his generation in the striking opener Heart in Hand and such album highlights as Yasodhara, as well as on soprano sax (“Memory and Desire”) and bass clarinet (the title track).

Potter is an artist who employs his considerable technique in service of music rather than spectacle, says The New Yorker, and his composing develops in texture and atmosphere with every album. Along with his previous ECM releases, “Imaginary Cities” and “The Sirens”, he has appeared on some of the label's most acclaimed discs, including Paul Motian's classic “Lost in a Dream” and Dave Holland's Grammy Award-winning “What Goes Around”.

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Al Massrieen

Modern Music

Release: 2017 / EU – Original

Genre: Organic Grooves

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Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt

In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn’t heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s. In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s.

Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him.
Al Massrieen's sound goes from lush disco like “Sah” to psych rock like “Horreya” or incredible jazz fused pop on songs such as “Edba Mn Gded”. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn’t a strong compilation of the group’s songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

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2LP | 2016 | UK | Original (Mr Bongo)

Original Sound Of Mali

CD | 2016 | UK | Original (Mr Bongo)

Release: 2016 / UK – Original

Genre: Organic Grooves

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The Original Sound of Mali’ compiled by David ‘Mr Bongo’ Buttle, Vik Sohonie (Ostinato Records) and  Florent Mazzoleni.

Malian music is a deep, lyrical form of African music. Those of us deeply entranced by Malian culture, and, in particular, the immense hypnotic beauty of Malian music, have put together a selection of songs from across the country.

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Arthur Verocai

LP | 1963 | EU | Reissue (Music On Vinyl)

Release: 2016 / UK – Original

Genre: Organic Grooves

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For a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form. The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly. The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others. The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

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Chet Baker

Chet Is back!

LP | 1963 | EU | Reissue (Music On Vinyl)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded in Rome, Italy at RCA's studios, Chet Is back! is the 1962 studio album by the undisputed master of the trumpet, Chet Baker. Backed by a group of up-and-coming European jazz musicians, which included Belgian saxophonist Bobby Jaspar, Belgian guitarist Rene Thomas, Italian pianist Amedeo Tommasi, French bassist Benoit Quersin, and Swiss drummer Daniel Humair, according to critics Chet Baker may have never sounded better.

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Thelonious Monk

Monk's Dream

LP | 2013 | UK | Reissue (Voodoo Funk)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Monk's Dream is the first album jazz musician Thelonious Monk released on Columbia Records. Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years.

180g audiophile vinyl.

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Nath & Martin Brothers

Money

London Is The Place For Me

Release: 2013 / UK – Reissue

Genre: Organic Grooves

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The Martin Brothers are pioneers of the Nigerian Funk and Afrobeat scene. Besides many releases under their own name, as the Tabansi Studio Band they lit up innumerable recoding sessions — it's them on Pax Nicholas' Na Teef album, for example; and the same team is behind the legendary Saxon Lee & The Shadows International LP.

Money is the Martins at their deepest and heaviest — tearing, wailing, mid-seventies funk, heady with spirituality. Superbad from start to finish with no let-up.

Original copies are amongst the most sought-after of all African and funk records on the international collectors' scene. It seems there is just a tiny handful of copies at large.

The tracks were originally laid down at Ginger Baker's ARC recording studio in Lagos and later mixed down at London's Tin Pan Alley Studios. The audio restoration and remastering for this re-issue was done at Abbey Road.

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Volume 5: Latin, Jazz, Calypso & Highlife From Young Black London

2LP | 2013 | UK | Original (Honest Jon's)

27,99 €*

Cuban Jam Session Volume 1

Release: 2013 / UK – Original

Genre: Organic Grooves

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As then, calypso carries the swing. There are four more Lord Kitchener songs — in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry — besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers.
Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. The Mighty Terror contributes the woe-begotten, cautionary tale of his beloved Patricia's change of heart: 'I cannot believe, not for one moment / She gone with Millicent... / You may think I am jocular / But this really happened in Manchester / I felt so ashamed, my friends laughed at me / I had to take a train for London city.'
Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica.
Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott.
Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent.

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Zanja All Stars

LP | 2024 | WW | Original (Zanja)

52,99 €*

LP | 1960 | EU | Reissue (20th Century Masterworks)

Release: 2024 / WW – Original

Genre: Organic Grooves

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Joyous, superb music; the real deal. Hotly recommended. Scintillating, masterful, roaring, classic Cubanismo, beautifully recorded in 2017 at the storied Areito Studio in Havana.

Descargas, jazz, boogaloo, son… and some ritual music to bring the curtain down. You’ll find yourself hungry for more.

The musicianship is dazzling in every corner of the orchestra; set on fire by the timbales of Changuito (from Los Van Van), and booted along by a hard-swinging, full brass section led by trumpeter Julito Padron, graduate of the legendary septet Nacional de Igacio Pinero, and later Irakere. The sound is steeped in tradition but by no means stuck in the past.

The vinyl is beautifully presented in a heavyweight, high-gloss gatefold.

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Wes Montgomery

Incredible Jazz Guitar

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 2023 | EU | Original (Rey Record)

Olaya Sound System

Suenan Los Olaya

29,99 €*

Lucy Kruger & The Lost Boys

Release: 2023 / EU – Original

Genre: Organic Grooves

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OLAYA SOUND SYSTEM, Peruvian band founded 15 years ago and with a discography of 6 CDs, present their first vinyl release, comprising some of their most outstanding productions recorded between 2015 and 2022. Their songs explore the sounds of Andean cumbia and chicha, with elements of psychedelia, reggae and Afro-Latin rhythms of global relevance, projecting with its music an innovative new chapter in the development of Peruvian tropical music of the 21st century. Just like Chico Trujillo, Frente Cumbiero or Son Rompe Pera are also doing, OLAYA SOUND SYSTEM are reaching a global impact modernizing tropical music. Olaya Sound System was founded in Chorrillos, Lima (Peru), in 2009 and since then they have developed a very particular exploration of the sounds of Andean cumbia and chicha, with elements of psychedelia, reggae and Afro-Latin rhythms of global relevance, projecting with its music an innovative new chapter in the development of Peruvian tropical music of the 21st century. Both on the dance floor and in meditative listening, Olaya Sound System take us with this LP on a journey through bucolic landscapes of the Andes, the Amazon and the infinite Pacific Ocean, essential locations that constitute their native Peru and that have inspired very perceptibly their sound. Cultivators of a very particular tropical musical style, they collect and adapt the Peruvian traditions of the cumbia, chicha and huayno genres, and then blend them with a melting pot of contemporary Latin and global influences such as reggae, salsa, rock, among others. This album is released on the recently revamped Peruvian label Rey Record, one of the essential and most iconic record labels during the golden days of cumbia and chicha, decades ago.

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Transit Tapes

LP | 2021 | EU | Original

17,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | UK | Original (Output / Input)

Output / Input

Forward Motion

38,99 €*

LP | 2023 | UK | Original (Deepmatter / Root)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Output/Input release their debut album 'Forward Motion' on double vinyl LP, December 1st. The album is an eclectic mix of 70's-inspired soul and funk delivered in a truly 2023-style of recording, with all tracks being recorded remotely across multiple continents. The band is a truly diverse and international group featuring members from countries including the USA, UK, Germany, Hungary and South Korea. Their previous releases have been praised by DJ's and tastemakers, regularly featuring on Jazz FM, BBC Radio 2, BBC Radio 6 and a host of specialist Soul radio stations across the globe. The CD and digital album have been No.1 on multiple UK Soul Charts.
Lead vocalist Antonio McLendon (pictured) has worked and performed with James Ingram, Tata Vega, Gladys Knight and Donna Summer, and features as vocalist on seven of the ten tracks on the album. He has definitely made an impact as a world-class singer this year, with the singles 'Smilin' Faces' and 'Someone I Used To Love'. both being radio hits. Co-incidentally, Antonio's daughter, Samara Joy won two Grammy awards this year for her album 'Linger Awhile'. Here We Go Again' features the vocals of Audrey Wheeler-Downing, who worked with Unlimited Touch and Chaka Khan, and Brent Carter, the current lead singer of AWB and previous to that, Tower Of Power. 'Doin' Alright' features vocals from O'Bryan, who Davis worked with extensively on his albums for Capitol. This re-recorded version, co-written by Melvin, originally appeared on the album of the same name in 1982, and is widely tipped as a stand-out rare groove revival cut on the album and is already hotly anticipated. 'Really No Chance' features the lead vocals of Katie Holmes-Smith, a globally sought-after singer, who backed Adele on her world tour as well as currently performing with her for the duration of Adele's residency at Caesar's Palace in Las Vegas. The CD release featured a bonus track, 'Every Time You Touch Me', recorded very recently, written by Noval Smith and Mark Love and sung by Antonio McLendon, while the 2LP features another bonus cut, a fantastic cover of the Earth, Wind & Fire classic 'Can't Hide Love', penned by Skip Scarborough, with vocals by Brent Carter

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The Offline

La Couleur De La Mer

2LP | 1970 | UK | Reissue (BBE Music)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Following his debut EP ‘En clair-obscur’ and a series of singles earlier this year cementing his place as a rising name in the world of cinematic soul & funk, Hamburg’s finest cinematic soul artist ‘The Offline’ announces his debut album 'La couleur de la mer'.

Reminiscent of film scores from the 60s and 70s, The Offline worked with co-producer Tim Liztenberger to channel the influence of film composers such as Francois de Roubaix and Brian Bennet, creating his own soundtrack on ‘La couleur de la mer’. Inducing images of manorial, fog-swept villas at the sea's edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. Experimenting with themes and atypical song structures, the music moves from dramatic cues to fragile romanticism. It incorporates psychedelic spaciness, retro soul and hip-hop sensibilities informed by The Offline’s extensive record collection and crate-digger status.

“Ever since I was a child, I was fascinated by the soundtracks from the 60s and 70s, and I always wanted to make an album in the film score direction. I wrote about 30 demos, kicked half of it and stuck to the ones that felt right in the dramaturgical structure of the ‘movie'. Interestingly the main theme was set early on while writing the album, which made the writing process much easier.”

Aptly named, ‘Thème de la couleur de la mer’ opens proceedings, establishing the core motifs of the record. Haunting flutes and xylophones lead the way into Khruangbin-esque guitar lines, which sit against a hip-hop canvas that returns on boom-bap head boppers like ‘Quelque chose reste’. Retro soul revival takes precedence on deep cuts like ‘Un bout de chemin’, with wah-gated guitars interacting with emotive cello lines and symphonic string & horn sections.

The Offline came to life when composer and photographer Felix Müller travelled the Atlantic coastline in the south of France with his analogue camera, capturing beach life on film. After coming back to Hamburg, he started writing songs as the sonic counterpart to the analogue visuals. His Debut EP ‘En Clair-Obscur’ includes five tracks that capture the essence of his journey and the feeling of a cool summer soundtrack.

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Sphere

Inside Ourselves

44,99 €*

Waitin' For Love / It's The Same Old Song

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself.

Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, ‘What’s Going On’, the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings.

Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military.

A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster.

While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.

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Smoke Inc.

7" | 1977 | UK | Reissue (Mr Bongo)

12" | 1981 | EU | Reissue (Kalita)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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This release heralds the launch of a new 7” series from Mr Bongo. In partnership with London-based DJ and digger, Miche, the series will feature his latest discoveries, as well as choice cuts, taken from his 'With Love' compilations. For the inaugural offering, we take a trip to hazy San Francisco, California, in 1977. Smoke, Inc. were an emerging band in the Greater San Francisco Bay area and a regular fixture in the buzzing live music scene. They had a strong following and were in rotation in most of the Bay area clubs, as well as opening for numerous prestigious acts such as Sly & The Family Stone, Taj Mahal, The Pointer Sisters and Toots and The Maytals. Members of the group worked with Jimi Hendrix, Stevie Wonder, Frank Zappa, Martha Reeves & The Vandellas, and many others considered the cream of the crop of the music world.

Smoke, Inc. featured Roy Schmall on keyboards and vocals, Stan Terry on lead vocals and harmonica, Michael 'Ollie' Schotka, on bass and vocals, Keith Stafford on drums and vocals, and Archie Williams Jr on guitar. They went on to release one 12" EP and two 7" singles. One of those 7’s included 'Waitin' For Love’. It was first released in 1977 and came out on the band's own self-titled imprint. It has gone on to become their rarest and most sought-after recording, now fetching up to an astonishing £2,500 on Discogs. It is a breezy, feel-good, modern/crossover soul beauty, with an infectious sing-along chorus, floaty flute solo, and packed with pure, uplifting dancefloor energy. The B-side features a cover version of the Holland Dozier & Holland-penned classic 'It's the Same Old Song’, made famous by the Four Tops.

Miche enthuses, “I included this gem on my first ‘With Love’ compilation and knew that it deserved its own dedicated reissue complete with original artwork. I’m delighted to get the chance to make that happen for this incredible, soulful AOR glide from a band that is well due another round of appreciation. It’s very rare, and consequently very expensive, so here it is for you all to spin and add to your record collections.”

46 years since its original release, it is our privilege to help Roy and the gang’s light shine once again and let a whole new audience relish the beautiful sounds of 'Waitin' For Love'.

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Kofi Ayivor

Adzagli: Jungle Funk

16,99 €*

Colour Yes Dark Green Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Kalita are excited to announce the first ever re-release of "Adzagli (Jungle Funk)" and "A Song For You (Ayawa)", two phenomenal pieces of West African disco from Amsterdam"s Kofi Ayivor. Selected from his sought-after Nigerian 1981 self-titled debut album "Kofi", at last these two recordings see the light of day once more via a loud-cut remastered 12" single. In addition, Kalita enlists fellow Amsterdam resident, DJ and producer Mendel to create his own remix of each recording, using the original multitrack session tapes to rework both for the modern-day dancefloor.

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Matthew Halsall

2LP | 2019 | UK | Reissue (Gondwana)

33,99 €*

Brian Blade & The Fellowship Band

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Limited edition, celebrating 15 years of Gondwanan records!

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Kings Highway

2LP | 2023 | DE | Original (Stoner Hill)

39,99 €*

Release: 2023 / DE – Original

Genre: Organic Grooves

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CD | 2023 | UK | Original (Mr Bongo)

Bala Desejo

Sim Sim Sim

Release: 2023 / UK – Original

Genre: Organic Grooves

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Sim Sim Sim' is the Latin Grammy award-winning debut album from Bala Desejo. A band who are at the forefront of Rio de Janeiro’s artistic renaissance, they channel influences of Brazilian 60s Tropicália, 70s psychedelia and MPB to create a nostalgic, yet joyfully, avant-garde sound.

The band is comprised of four distinct characters, each one an incredible talent in their own right and each with impressive credentials in the Brazilian Independent music scene. Central to the resurgent Rio de Janeiro musical community, the quartet of Dora Morelenbaum, Julia Mestre, Lucas Nunes and Zé Ibarra thrive in a group dynamic. They formed Bala Desejo to play collaboratively for a festival date in 2021, but when that show became a victim of pandemic shutdowns the idea for an album project materialised.

'Sim Sim Sim’, which translates into English as ‘Yes Yes Yes’, weaves through a fusion of genres, taking twists and turns as it progresses. There is Tropicália, MPB, rock, samba-canção soul-funk and reggae in the mix. It possesses many of the qualities of a classic album from Brazilian music’s golden era of the 60s and 70s, but also manages to sound very now, which is not an easy task to pull off. As solo musicians, they have worked and collaborated with Brazilian icons Gal Costa, Caetano Veloso and Milton Nascimento to name but a few. Bala Desejo feels like a natural extension of what came before, taking the baton from these luminaries, adding their unique spin and moving the sound forward.

When we first heard Bala Desejo, we were blown away. Their epic theatrical live shows leave audiences stunned and they are the band we had always been hoping to find. A modern-day Novos Baianos or Mutantes, but definitely not an imitation. They celebrate their influences, but are an innovative group, and consequently, they have created one of the finest records to come out of Brazil in recent years. A truly sensational debut!

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Mr Bongo Record Club Volume 5

2LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2018 | AT | Original (Traumton)

Shake Stew

Rise And Rise Again

19,99 €*

Albert Mangelsdorff, Arild Andersen, Pierre Favre

Release: 2018 / AT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Tiny tear in opening, otherwise NM. Original inner sleeve included. Record looks unplayed.

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Triplicity

2LP | 2017 | DE | Original (Skip)

36,99 €*

The Heart And Soul Orchestra

Release: 2017 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new condition, records seem unplayed.

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Love In 'C' Minor

12" | 1977 | US | Original (Casablanca)

4,99 €*

LP | 1985 | EU | Original (Manhattan)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Minor writing on label.

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Al Di Meola

Cielo E Terra

6,99 €*

Release: 1985 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2023 | UK | Original (20th Century Masterworks)

The Alarm

Equals

Release: 2023 / UK – Original

Genre: Organic Grooves

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Prince And The Revolution

Purple Rain

LP | 1984 | EU | Original (Warner)

Antibalas Black Vinyl Edition

Release: 1984 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines, close to VG. Cover with edge wear

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Antibalas

LP | 2012 | US | Reissue (Daptone)

New Soul Greatest Hits 14 Vol. 1

Release: 2012 / US – Reissue

Genre: Organic Grooves

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The unstoppable, irresistible rhythms and melodies of Antibalas have influenced scores of artists across rock, hip hop, afrobeat and beyond. Born in a Brooklyn warehouse in 1997, 12 piece ensemble Antibalas is credited with introducing Afrobeat to a wider global audience, influencing countless musicians and developing a live show that is the stuff of legend. Members of Antibalas served as musical directors and the house band in the Broadway hit Fela! and penned original music for the show. Members have also recently collaborated/performed with Iron and Wine, Sharon Jones & The Dap-Kings, Mark Ronson, TV on the Radio and The Roots. On the heels of the hit musical Fela!, Antibalas ended up reuniting with former member and producer Gabriel Roth, who was at the helm for their first three albums. This self-titled album was their first on Daptone Records.

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The Stylistics

LP | 1976 | JP | Original (Avco)

9,99 €*

2LP | 2019 | DE | Original (Traumton)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Shake Stew

Gris Gris

27,99 €*

Ndikho Xaba And The Natives

Release: 2019 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has minimal wear. Records seem unplayed.

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50th Anniversary Remaster 2022

LP | 1971 | UK | Reissue (Matsuli)

LP | 1984 | US | Original (Epic)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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• 1971 revolutionary spiritual afro jazz from exile • Fully licensed from Nomusa Xaba, and re-issued in association with Mississippi Records for the North American market • Presented with a four page insert containing unseen photographs and concert bills from Ndikho Xaba’s personal archive, together with a personal recollection from Plunky Branch and extensive sleeve notes by Francis Gooding • Audio mastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in Germany

"Matsuli Music presents soul, spirituality and avant-garde jazz from South African political exile Ndikho Xaba. Its rarity has until now served to obscure both its beauty and its historical significance. Making profound links between the struggle against apartheid and the Black Power movement in the USA, Ndikho Xaba and the Natives is arguably the most complete and complex South African jazz LP recorded in the USA. It stands out as a critical document in the history of transatlantic black solidarity and in the jazz culture of South African exiles.

Ndikho Xaba and the Natives opens a fluid channel of sonic energy that courses between two liberation struggles and two jazz traditions, making them one. It is a critical statement in the history of transatlantic black solidarity, unifying voices stretching from San Francisco to Johannesburg. There is no other recording or group in which the new jazz spirituality of the late 1960s is so fully blended with an African jazz tradition."

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The Jacksons

Victory

7,99 €*

John McLaughlin, Al Di Meola, Paco De Lucía

Release: 1984 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Ripoff on front and back cover.

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Passion, Grace & Fire

LP | 1983 | US | Original (Columbia)

10,99 €*

The L.A. Session Record Store Day 2021 Edition

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Minor writing on back cover.

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Paul Kuhn

LP | 2021 (In+Out)

46,99 €*

Sly & Robbie Meet Nils Petter Molvær Feat Eivind Aarset And Vladislav Delay

Release: 2021

Genre: Organic Grooves

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Record Store Day 2021 Release.

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Nordub

2LP | 2018 | EU | Original (Okeh)

59,99 €*

The Trio : Live From Chicago

Release: 2018 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, records look unplayed.

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The Oscar Peterson Trio

LP | 1961 | US | Original (Verve)

9,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Edith Moreno 7 The Helen Hollins Singers

Get Ready For Judgement Day / Jesus Will Give You Love

7" | 2019 | UK | Original (Honest Jon's)

The Famous Ward Singers / Jessy Dixon

Release: 2019 / UK – Original

Genre: Organic Grooves

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Red hot gospel soul from 1983. Only ever issued as a test white-label; never before released commercially. That test pressings sells online for 1000+ dollars.

Plus some classic early-eighties soul vibes on the flip, as Helen Hollins — from James Cleveland’s Southern California Community Choir— magnificently busts loose Burt Bacharach, strutting resplendently onto the dancefloor with her dad, husband and two daughters Alicia and Francheasca in glorious cahoots.

Lovely spot-glossed sleeve.

Devilishly limited, all three of our Savoy singles.

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I'm Getting Richer / Wade In The Water

7" | 1960 | UK | Reissue (Honest Jon's)