Rock & Indie 54666 Items

A Million Things That Never Happened Blue Vinyl Edition

Release: 2017 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Molly Burch Was Exposed To The Arts At An Early Age. Growing Up In La With A Writer/Producer Father And A Casting Director Mother, Burch's Childhood Was Filled With Old Hollywood Musicals And The Sounds Of Patsy Cline, Billie Holiday And Nina Simone. After Finding Her Voice In Adolescence, Burch Packed Up For The Unc In Asheville To Study Jazz Vocal Performance. "I Was Always Really Interested In Singing Before Songwriting. I Didn't Always Have The Confidence To Write," Molly Says, "Initially It Was More About Finding The Right Songs To Complement My Voice." And That Voice Is The First Thing You'll Notice On Burch's Debut Album. It's Smoky, With An Incredible Range, Evocative Of Her Influences. Searching For A Bigger Pond, Burch Moved To Austin, Texas. There, She Began To Write Her Own Music In Earnest, With The Lovelorn Everly Brothers And Sam Cooke As Her Guides. Motivated By An Hourly Studio Rate, Burch Recorded All Basic Tracks And Vocals Live In One Ro Om And In One Day, With Minimal Overdubs Happening Later. A Difficult Task For Any Talented Musician, It Becomes More Mind-Blowing When You Hear Her Belt It On Tracks Like "Downhearted" And "I Love You Still."

Go to Item

Billy Bragg

LP | 2021 | UK | Original (Cooking Vinyl)

LP | 2021 | EU | Original (Spinning Top)

Release: 2021 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.

Go to Item

Pond

Anne Imhof, Eliza Douglas, Billy Bultheel

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

About The Album In Pond's Universe Nothing Stays Still For Long. Although No One Who Heard 2019's "Tasmania" Could Possibly Describe Its Pulsating Psych-Pop As Straight, Pond Wanted To Try A More Spontaneous Way Of Working For Their Next Record. Taking A Leaf Out Of Krautrock Outliers Can's Book, At The Start Of 2020, Pond Embarked On A Series Of Totally Off-The-Cuff Jam Sessions From Which Songs And Ideas Could Be Pulled Out. Given The Pace At Which Ideas Whizz Past Your Head, It Makes For A Dizzying Listen. Opener Song For Agnes Explodes Out The Speakers Like An Intergalactic Rock Opera, Running A Synapse-Tingling Gauntlet Through Bubbling Synth Pop, 80s Hair Metal And Blissed Out Saxophone Before You Know What's Hit You.It's An Apposite Curtain-Raiser For An Album That Canencompass Pounding Techno (Human Touch), Elastic Hipped Robofunk (Americ...

Go to Item

Sex

LP | 2021 | UK | Original (Pan)

LP | 2008 | US | Reissue (Merge)

Release: 2021 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sex Was Composed During The Formation Of Imhof's Art Show Of The Same Name, Previously Exhibited At Tate Modern, London, The Art Institute Of Chicago And Forthcoming At Castello Di Rivoli, Italy, This September. Imhof, Douglas And Bultheel, Reworked The Songs From How They Appeared In The Exhibition `Sex'. The Result Is A Compelling Record That Acts As An Imaginative Accompaniment To The `Sex' Performances, As Well As Standing Alone As A Progressive Collection Of Contemporary Compositions.Sex References Punk, Industrial And Grunge, And Boldly Juxtaposes These Forms With Music Of The Classical And Baroque Period. The Album Combines Classical Formals And Orchestration With Vocals That Are Rooted In Subcultural Traditions, Thus Beautifully Overdrawing And Overwriting These Forms With The Composer's Own. Harpsichord And Oboe Are Combined With Distorted Electric Guitar, Or Exuberant String Ensembles With Heavy Industrial Drums.The Amalgamation Of Genres Contained In The Album Was Also Integral To The Choreography Of Sex, Where Walzes And Tangos Were Contrasted With Stage Diving, Slam Dancing And Moshpits. What Resulted Was A Surreal Ballroom, Loaded With Desire And Aggression. In The Same Vein, The Record Fearlessly Shapeshifts, Blends Genres And Styles Evoking An Impressive Array Of Moods. Oscillating Between Fragility And Flamboyance, Imhof And Douglas' Versatile Voices Reinvent Themselves From One Song To The Next, While Singing Songs Of Love And Hate.The Last Song On Sex Is Ended By A Quote Of The Band Low, `All You Pretty People, You`Re All Gonna Die`. This Ambiguous Moment, A Prophecy Sung In Douglas' Vibrating Baritone Voice, Rattles The Listener Despite The Mundane Truth Of The Statement. This Complexity Is Reflected In The Album Itself, Allowing For An Unusual Multiplicity Of Emotions And Interpretations With Impressive Depth And Dynamism.The Album Is Mixed & Engineered By Ville Haimala And Mastered By Rashad Becker, Featuring Design By Zak Group And Photography By Nadine Fraczcowski. All Tr...

Go to Item

She & Him

Volume One

LP | 2021 | US | Original (K)

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Zooey Deschanel And Matt Ward, Aka She & Him, Are As Comfortable And Complementary A Musical Pair As Les Paul And Mary Ford. Matt And Zooey Make Music For An Eternal Springtime, When The Temperature Is Warm Enough To Go Riding With The Top (Or At Least The Windows) Rolled Down And The Radio Turned Up.They Were Paired Together By Director Martin Hynes To Perform The Richard And Linda Thompson Tune "When I Get To The Border" For His Film The Go-Getter Which Sparked The Idea For "Volume One".

Go to Item

The Halo Benders

Don't Tell Me Now

LP | 2021 | EU | Original (Hillside Global)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heaven Sent With A Halo Bent. This Is The Second Of Three Albums By The Halo Benders (Don't Tell Me Now Was Originally Released In 1996).Doug Martsch (Built To Spill, Treepeople) Joins Forces With Other Underground Folks From His Past And Future: Steve Fisk (Pell Mell, Pigeonhed, Duck Hunt), Calvin Johnson (Beat Happening, Selector Dub Narcotic), Wayne Flower (Treepeople, Violent Green) And Ralf Youtz (Feelings, Built To Spill). The Dub Narcotic Studio (Olympia, Washington) Is The Meeting Place For This Feast Of Empty Headed Loudmouth Doorbell Rock Done Backwards, From Basement To Bombshelter.

Go to Item

Mike Zito

Resurrection

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1965 | US | Reissue (Culture Factory)

Donovan

Fairytale

Release: 1965 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Oliveme)

Marie Osmond

Unexpected

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Spinefarm)

Wage War

Manic

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Il Ballo Della Vita Blue Vinyl Edition

Maneskin

LP | 2018 | EU | Reissue (RCA)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Twin Temple (Bring You Their Signature Sound.... Satanic Doo-Wop)

Twin Temple

LP | 2019 | UK | Reissue (Rise Above)

LP | 1989 | US | Reissue (Chunklet)

Release: 2019 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2022 Coloured Vinyl repress.

Everybody knows that the Devil has all the best tunes. From Robert Johnson selling his soul at the crossroads to the blood-soaked black metal of Norway, Satan has long loomed large over the music world, striking fear into the hearts of the sanctimonious. But nothing that has gone before will prepare you for the arrival of Twin Temple: Los Angeles’ one and only purveyors of Satanic Doo-Wop. Devout Satanists and meticulous preservers of rock’n’roll’s ancient, timeless spirit, this black-clad and effortlessly stylish duo have created a sound that blends their Satanic ideology with the irresistible sass and melody of classic ‘50s and ‘60s rock ‘n’roll. The result is Twin Temple (Bring You Their Signature Sound...Satanic Doo-Wop), a debut album that not only serves to salute the Dark One, but also delivers some of the catchiest and coolest music to emerge from any genre in years.

Go to Item

Tar

Handsome

V: Live At The Gas Station Fighting The Devil

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tar were an uncompromising prolific Chicago four piece band from 1988 to 1995 who put out many records and toured the US and Europe frequently with the likes of The Jesus Lizard, Arcwelder, Unsane, Surgery, and Jawbox. Over thirty years since the original releases, Tar’s first three 12" records are being reissued. Co-released by the band’s No Blow Records and Chunklet Industries, the Handsome EP and full length LPs Roundhouse and Jackson are being rediscovered. All three records were remastered and cut to lacquer by Bob Weston at Chicago Mastering Service. The artwork was painstakingly reimagined and recreated by the band’s drummer, Mike Greenlees. This music has withstood the test of time. With the stunning remastering and 180gm pressing at Chicago's Smashed Plastic pressing plant, this is no regular reissue. With exacting detail, the highest quality and attention to detail, the listener and fans are invited to truly reexperience these releases anew. It’s time to celebrate Tar. Again.

Go to Item

Heavy Metal

LP | 2021 | US | Original (Total Punk)

Lu's Jukebox Volume 4: Funny How Time Slips Away

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

German punk provocateurs Heavy Metal are back with a brand new LP and first for Total Punk. Over the last four years Heavy Metal has put out four absolutely essential albums and we are proud as pudding to have them back on the Total Punk train. Heavy Metal isn't a heavy metal band, Live at the Gas Station isn't a live album (they refuse to even play live), and opener “Motorhead” has nothing to do with Lemmy or his mole. Such is the audacious and absurd world of Heavy Metal. Leading off with the reverb blanketed Jamc vibing “Motorhead.” For a band that embraces putting their filthy lint covered stamp on any and all musical genres the soft dreamy touches of the album opener leaves us asking "Has Heavy Metal cut it's hair?" Before you have time to answer, the boys fill the tank, drop the clutch, and kick into the Hubblin Bubblin “Motorbike” and rarely let up for the remainder of the LP. Occasionally wandering into the weird and warbled on tracks like “No Air,” “I Am Something,” and the hypnotic lurch of “Centipede Venom.” However V:Live at the Gas Station Fighting the Devil spends most of its time daring us to herk, jerk, spazz out, and let loose. Party music for party mutants.

Go to Item

Lucinda Williams

LP | 2021 | EU | Original (Highway 20)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Rca Local)

Granada

Unter Umständen

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hexentanzplatz Green Vinyl Edition

Alice Hubble

LP | 2021 | EU | Original (Happy Robots)

Actually, You Can Olive Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Described As The Work Of 'One Lady At Home With Her Enormous Collection Of Synthesisers', Alice Hubble Mixes Melancholic Pop, Layered Vintage Synths And Elegant Vocals, Reminiscent Of Ladytron, Jane Weaver And Goldfrapp. Her Debut Album Polarlichter Was Released In September 2019 To Much Critical Acclaim. Her New Album Hexentanzplatz, Named After The German Mountain Steeped In Magic And Legend, Translates Literally To Mean Witches' Dance Floor In English. An Apt Title For An Album That Dances It's Way Through Themes Of Illusion, Love, Feminism And Protest Whilst Maintaining Glistening, 80's Synth-Pop Sensibilities.

Go to Item

Deerhoof

LP | 2021 | US | Original (Joyful Noise)

Where I'm At Now Opaque Custard Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Over eighteen boundless albums as experimental as they are pop, Deerhoof has continuously quested for radical sounds and daring storytelling. 2020's Future Teenage Cave Artists explored fairytale visions of post-apocalypse, welding intrinsic melodies with absurdist digital recording methods. Its sequel Love-Lore, a live covers medley, channeled futurist mid-century artists_Parliament, Sun Ra and Stockhausen, to name a handful_ into a patchwork love letter to the anti-authoritarian expressions that inspire the band. Galvanized by the challenge of unifying many styles of music, Deerhoof landed on their next record's concept: baroque gone DIY. Actually, You Can is a genre-abundant record that uses technicolor vibrancy and arpeggiated muscularity to offer a vital shock from capitalism's purgatorial hold. Deerhoof authors a musical alphabet that continues to astound and inspire, a unique lexicon expanding limitlessly with each album. For new listeners and decades-long devotees, Deerhoof's electrifying, generous approach to collaborative worldbuilding on Actually, You Can is an emboldening call to support our communities with renewed strength, infinite love, and the resilience to keep exploring.

Go to Item

S. Raekwon

LP | 2021 | US | Original (Father / Daughter)

It's Not Them. It Couldn't Be Them. It Is Them!

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

S. Raekwon, born Steven Raekwon Reynolds on July 10, 1995, is a singer/songwriter and producer from New York City by way of Buffalo, NY. The S. Raekwon project finds Reynolds documenting traces of a life both affected and infatuated by the power of difference. Reynolds' journey began as a biracial Black boy in working-class Buffalo. He never met his father and grew up with a white mother who loved musical theatre and playing piano. He didn't cut his teeth via a DIY scene, or in bands with neighbors and classmates; the isolation gave him space to channel his guarded nature into a freedom forged by the noises in his head. After graduating from Case Western Reserve University in Cleveland, Reynolds moved to the East Village in NYC, an area he's been fascinated by since family trips as a teenager. In Spring 2018, as he worked a day job and sought connections with others, Reynolds wrote and tracked the first S. Raekwon demos in his dingy studio apartment. Rather than self-releasing, Reynolds shopped the demos around, leading to the release of his 2020 debut single Parts Towards Whote b/w A Crow's Smite via Saddle Creek's Document Series. Recorded between New York City and a six-month stint at his girlfriend's parents' home in Edwardsville, IL during the pandemic, Where I'm at Now is the album S. Raekwon made for himself with a clarity that arrived as he located his missing pieces in the world. Delicate as his approach may be, chaos truly underscored the two working years as Reynolds not only moved to lift the weight of the world off his spirit but connected with his roots. In a serendipitous turn of fate, Edwardsville was not only the same town Reynolds' father once went to college but is also in close proximity to St. Louis where most of Reynolds' Black family members are located. When he didn't work on music, he protested against police violence in Missouri, and eventually reconnected with this family for the first time since his childhood. Upon leaving Edwardsville in September 2020, Reynolds quickly finished the rest of the album, charged by a new fire in his spirit and the light of his blood driving him towards a new beginning. Where I'm at Now embodies several palpable shifts in the S. Raekwon project, and Reynolds as a man. Completely self-produced and self-recorded (save for drums on two songs,) the music's driven by the relentlessness of the East Village and the quiet serenity of Edwardsville. The abstractions of his earlier musings transform into a warm wave of genreless coherence, drawing influences from across R&B, rock, folk, and pop to build a record that shines in its quiet spaces as much as its sweeping movements.

Go to Item

Guided By Voices

LP | 2021 | US | Original (GBV Inc.)

LP | 2021 | US | Original (Sentient Ruin Laboratories)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It’s been just a few months since Guided By Voice’s faux rock opera Earth Man Blues garnered four-star and five-star reviews, with Rolling Stone proclaiming that it “squarely hits all the marks that make Guided By Voices great—again and again and again.” “Again and again and again”, is perhaps GBV’s credo, with Robert Pollard’s never-ending supply of fascinating and supremely catchy rock. Just when one thinks one’s got them pinned down, album number thirty-four opens with bizarre percussion, mariachi trumpets, strings and acoustic guitar. The adventurous spirit pervades yet another killer album from the greatest and most versatile GBV line-up. The golden boys (Doug Gillard, Bobby Bare Jr, Mark Shue, Kevin March) can do no wrong. Hooky singles “My (Limited) Engagement”, “High In The Rain” and “Dance of Gurus” intermingle with occasionally dark lyrics and the oddest of GBV oddballs, the ridiculous “Razor Bug”, “Psycho House”, and the “Maintenance Man Of The Haunted House”. The horns and strings return intermittently, with “The Bells Get Out Of The Way” going full Burt Bacharach. It’s Not Them. It Couldn’t Be Them. It Is Them! is a creative tour-de-force full of surprises from the most prolific and captivating band on the planet.

Go to Item

Edenic Past

Red Amacord

LP | 2021 | US | Original (Flatspot)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

American technical brutal death metal absurdity Edenic Past join Sentient Ruin for a vinyl release of their synapse-twisting first ever LP Red Amarcord. Formed by Colin Marston and Nicholas Mcmaster of Krallice fame along with vocalist Paulo Paguntalan of Encenathrakh, on the surreal debut offering Edenic Past unfold an absurd and ultra-brutal hallucination of futuristic aural atavism that touches lows of knuckle-dragging sonic primitivism and brutality and peaks of masterful ambient avant-garde deconstructionism that will be both too much to handle or understand for the average “slam” knuckle brains, and too fucking brutal and ignorant for the average elitist prog nerd. Perhaps standing as the most imaginative and visionary “slamming” technical brutal death metal releases ever conceived, with Red Amarcord Edenic Past redefine the outer limits of brutal death metal and set an unprecedented foot in the future for the genre.

Go to Item

Section H8

Welcome To The Nightmare

In The Flesh Clear Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in 2018, in Los Angeles, California, Section H8 creates gritty and callously honest hardcore punk. Now Section H8 comes with their most definitive statement yet in the form of their debut fulllength, Welcome To The Nightmare. Welcome To The Nightmare is pure hardcore punk at it’s finest, with fast as hell instrumentals that quickly become formidable and pummeling on the turn of a dime. Section H8 have mastered their blend of blistering punk mixed with heavy grooves as found on album opener “Nightmare” or “Mist-Head.” Lyrically, the ten tracks each tell their own story, ranging from personal experiences living in Los Angeles, crime, and death, to the current political divide in America, the legal system and the corruption within it. On Welcome To The Nightmare, Section H8 give an honest and unfiltered look at life through their own eyes, or as vocalist Mexi says, “The goal isn’t to change the world, but to give you a glimpse into our world.” Recorded and mixed by Taylor Young at The Pit Studios in Southern California and mastered by Nick Townsend, Section H8’s debut comes with plenty of surprises among the ten pummeling tracks, such as a standout feature from Tim Armstrong of Rancid on “Street Sweeper” which calls to mind the fast aggression of Rancid (2000). Another curveball found on the full-length is the following track, “Behind The 8 Ball,” which acts as a thank-you list from the band over a grooving riff and gang vocals. Made up of Aldo (guitar), Chris (drums), Dan (bass, vocals), Mexi (vocals), and Ryan (guitar, vocals), Section H8’s members aren’t new to this world by any means—playing in acts such as Product OF Waste, Downpresser, Minus, Human Garbage, and Nomads to name a few—but their

Go to Item

Nader Sadek

LP | 2011 | EU | Reissue (Svart)

Storyteller Black Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gatefold sleeve, Limited clear vinyl

“In the Flesh” is the brainchild of Egyptian-born, New York-based conceptual artist Nader Sadek. Known for his impressively twisted sculptures, masks, and installations used for example by bands such as Mayhem and Sunn O))), Sadek is now venturing into the realm of recorded music- including songwriting credits on this album!

The band Nader Sadek emerges out of a collaboration between Sadek and some of extreme music’s most talented artists with its core made up out of songwriter/vocalist Steve Tucker (ex-MORBID Angel), Cryptopsy drummer Flo Mounier and Norwegian composer/guitarist Rune Eriksen (ava Inferi, ex-Mayhem). A host of guest-appearances lends additional weight to the musical impact of “In the Flesh” by leading artists such as Attila Csihar (Mayhem), Travis Ryan (cattle Decapitation), Tony Norman (monstrosity), Descructhor (morbid Angel), and Nick McMaster (krallice). “In the Flesh” is firmly based on a technically masterfully executed unique style of Death Metal with a pitch black twist that creates a multi-cultural symphonic abyss where melody and corrosion meet.

As a work conceptual art “In the Flesh” is best explained like this:

Nader Sadek invite you on a journey to the depths of the earth, where substances of a repulsive nature dwell. Beneath the earth’s crust, over millions of years creatures have disintegrated and decayed until taking on ghastly new life as petroleum. Like a return of the undead, petroleum and its derivates have wrought cross-cultural conflict, environmental pollution, and economic distress. With a visual and aural assault, Sadek’s new work “In The Flesh” re-interprets petroleum’s sinister insinuation into our everyday lives. Nine songs and a series of original drawings video works explore several aspects of the commodified resource we find ourselves fatally dependent on.

“In the Flesh” exploits the sonic links between death metal and gasoline-dependent heavy machinery such as automobile and airplane engines. These links shaped the process of musical composition itself: The album opener, “Petrophilia”, kicks in with a sound evoking an engine starting up. Another song, “Of This Flesh (novus deus)”, follows the sonic structure of a car shifting gears. While continuing to link musical composition to mechanical transformations, other songs depart from engine-based references. The outro to the album, “Nigredo in Necromance” which is already accompanied by a video, dwells on an individual’s recognition that he must die in order to reunite with his deceased lover. The song riffs on the life-in-death of an oil-drenched society, as the lovers’ reunite in their decomposition and rebirth as petroleum. This theme also drives the track “Mechanic Idolatry”, which channels the uncanny thrust of Sadek’s recent artistic output, as live human beings provide the fuel for machines transforming themselves into flesh.

Go to Item

Storyteller

LP | 1970 | EU | Reissue (Svart)

Time In The Sun Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

Go to Item

Susto

LP | 2021 | US | Original (New West)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | US | Original (Unrock)

Shalabi Effect

Freinds Of The Prophet 6

LP | 2021 | US | Original (Riding Easy)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Follow up to their 2012 "Feign To Delight, Gaiety Of Gods" on Beirut's Annihaya Records, the long history of the band continues. An eclectic multi-instrumentalists delight from Will Eizlini, Anthony von Seck, Alexandre St-Onge and Sam Shalabi. Features the centerpiece "Det. Nussbaum's Worst Case" with the formidable Manuela Giron's vocal-performance, telling a wonderful weird story of true life. . El burro sabe mas que tu...Nadietequiere.. A grown band on the peak of their power on a roundtrip through their extensive musical world, adding analog electronica, echoing guitars, notes from oriental landscapes, Mariachi adaptions and grand piano. Robotic player piano homunculus of Bach - If he was build by Bedouins in Upper Egypt ..and ketamine, cannabis and mushrooms. A Middle-Eastern Frankenstein. Limited edition one time pressing of 300 copies" (label info)

Go to Item

Alastor

Onwards And Downwards

LP | 2012 | UK | Reissue (Fire)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Excelsior! It’s the hail of yore that one should go ever onward and upward. And so, fittingly Onwards And Downwards is the occultist Swedish band ALASTOR’s clever call to arms... and also a reflection of the collective dark state of mind these days. “If our last album Slave To The Grave were about death, this record is more about madness,” says guitarist Hampus Sandell. “You can look at the whole record as one person’s gradual slip into insanity. An ongoing nightmare without end. It also sums up the state of the world around us as this year has clearly shown.” Alastor is heavy doom rock for the wicked and depraved. Drenched in heavy, distorted darkness and steeped in occult horror that will make one’s skin crawl and ears cry sweet tears of blood, the band is revitalized in 2021 with meticulously crafted songs and new drummer JIM Nordström bringing a hard-hitting and precise energy. “It’s a more focused record but at the same time it’s more personal and naked. More raw emotion and pain,” Hampus says. The band recorded the album with the help of Joona Hassinen of Studio Underjord, who has helped with mixing since their Blood On Satan’s Claw EP in 2017. Christoffer Karlsson of THE Dahmers also assisted with overdubs and encouraged the band to demo the material early on, aiding in the album’s more deliberate and tighter feel.

Go to Item

Josephine Foster

Blood Rushing

November Birthday Green Vinyl Edition

Release: 2012 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Back Again On Black Vinyl!Tenth Anniversary Reissue Of Josephine Foster's Lauded Ninth Album 'Blood Rushing'. The North American Colorado Based Singer-Songwriter Has Lent Her Warbling Mezzo-Soprano And Interpretive Wit To Nearly Two Decades Of Self-Produced Recordings. Foster's Songs Are Rooted In Early American Folk-Blues As Well As Classical Art Song And Tin Pan Alley. A Rock-Ballet...

Go to Item

Lightning Love

LP | 2008 | US | Reissue (Lost In Ohio)

Draw Down The Moon Pink Vinyl Edition

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lightning Love, a band consisting of siblings Leah and Aaron Diehl and friend Ben Collins, delivers a cheery indie-pop sound flavored with sugary sweet keyboard-driven arrangements and underscored by heart-on-sleeve honesty. Their self-released debut album, November Birthday (2009), leveraged Leah’s compelling vocals and themes of tackling the challenges of newfound adulthood and is sure to appeal to fans of Mates of State, Alvvays, Spoon, and Belle and Sebastian.

All Music Guide wrote at the time, “[November Birthday] was a collection of bright, enthusiastic and minimally arranged indie-pop coupled with dour, neurotic lyrics that swung from ironically witty to the borderline cry-for-help territory. The underlying despair of the album was easily outshined by the band’s gift for hooks and straightforward melodies proud to be uncluttered and classically streamlined, even if they were supporting lyrics about falling-down drunkenness or not wanting to leave the house.”

Lightning Love signed to Quite Scientific in 2011 and released a sophomore album Blonde Album to wider critical acclaim including glowing reviews in Paste, Vice, Under the Radar and My Old Kentucky Blog, and was featured on NPR’s World Cafe. Guitarist Collins went on to lead the Detroit group Minihorse (Park the Van Records) and has recorded with and produced for many bands, including Anna Burch (Polyvinyl). Lightning Love was a finalist in Billboard magazine’s 2011 Battle of the Bands and has been featured on Cartoon Network’s “Adult Swim” and in a number of movies.

The band has toured with The Von Bondies, Jamaican Queens, and Tally Hall. They have also shared the stage with such notable acts as The High Strung, Walk the Moon, Mayer Hawthorne, and Someone Still Loves You Boris Yeltsin. Lightning Love has performed at SXSW, Midpoint Music Fest, Mitten Fest, CMJ, and Daytrotter Session.

November Birthday is a cherished release to the band and their biggest fans and Lost in Ohio is pleased to be re-releasing the album for the first time ever on vinyl. The reissue features stunning new artwork from Nathan Price (BRONCHO), fresh remasters from Adam Boose (Cauliflower Audio), liner notes from Gregory Dean McIntosh (Great Lakes Myth Society) and two bonus tracks!

Go to Item

Foxing

LP | 2021 | EU | Original (Hopeless)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Poems, Prayers & Promises

John Denver

LP | 2021 | EU | Original (Sony)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

White Blood Cells 20th Anniversary Black Vinyl Edition

The White Stripes

LP | 2001 | EU | Reissue (Sony)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Beat Generation)

Mercenarias

Cade As Armas?

LP | 2019 | EU | Reissue (Bang!)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Descriptionfinally, And After A Lot Of Hard Work Beat Generation Fulfills The Long-Lasting Dream Of Re-Releasing This Gem, The Legendary Debut Album By All Girl Brazilian Punk / Post Punk Band Os Mercenárias. Originally Released In 1986 And Long Out Of Print, "Cadê As Armas?" Is A Mind-Blowing Gem Waiting To Be Rediscovered, The Amazing Debut By A Band In A State Of Absolute Grace, With A Very Personal Style And Sound, Great Performances And So Many Amazing Songs You'll Have A Really Hard Time Picking A Favorite. Includes Fold Out Insert With Notes And Rare Photos, Pressed In 180 Gr. Vinyl. A Must!

Go to Item

Asteroid B612

LP | 2021 | EU | Original (Sunstone)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At Last! Asteroid B-612 Self-Titled First Album Is Released For Its Very First Time On Vinyl!Limited Edition Of 500 Copies.This Is The Very First Album Of Legendary Australian Band Asteroid B-612. Originally Recorded And Released In Melbourne, Australia In 1993, This Album Was Produced By Dave Thomas From Bored!... All In One Take!!! So, You Can Assume It Is A Monster Piece Of Sonic Hazard And Guitar Army Sound Mixing Detroit's Wildest With Australian Classics. This Album Was Their Rawest And Most Extreme Violent Sound, And It Was Released Only On Cd And Only In Australia, And It's Been Remastered In Order To Deliver The Most Brutal Sound Of This Band, As It Was. A Total Must For All Fans Worldwide Of Mc5, Stooges, Dark Carnival, Sonic's Rendezvous Band, Radio Birdman, The New Christs, Bored!, Hellacopters, Etc.

Go to Item

Adam Geoffrey Cole

Fallowing

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Solanaceae Red Vinyl Edition

Solanaceae

LP | 2021 | EU | Original (Heidrunar Myrkrunar)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | AU | Original (Anti Fade)

Spiritual Mafia

Alfresco

Release: 2021 / AU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (New Friends Music)

Orla Gartland

Woman On The Internet

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hollywood Hollywood Record Store Day 2021 Edition

Roberto Vecchioni

LP | 1982 | EU | Reissue (East West)

26,99 €* 29,99 € -10%

Release: 1982 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Konkord)

Juleah

Stoked On Planet Summer

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sufjan Stevens & Angelo De Augustine

A Beginner's Mind Black Vinyl Edition

LP | 2021 | EU | Original (Asthmatic Kitty)

LP | 2021 | US | Original (Vhf)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It’s been said that writing about music is like dancing about architecture (impossible and absurd). But what about singing about movies?

Sufjan Stevens and Angelo De Augustine have paired up for a collaborative project that does just that. A Beginner’s Mind is their debut album that contains 14 songs (loosely) based on (mostly) popular films. The source material is highbrow, lowbrow, and everything in between. The music is folksy, sweet, sincere and harmonically effervescent—Simon & Garfunkel with New Age flourishes. This album runs the gamut and has fun with it, even while its songwriters remain fully rooted in the melancholy folk idioms they are known for.

Daniel Anum Jasper, a pioneer of Ghanian movie poster painting, was commissioned to paint a series of new works for A Beginner’s Mind. His paintings are a graphic simulacrum for the same sense of wonder, wordplay, and intrigue that shape A Beginner’s Mind. By transforming old films into vital new songs, Stevens and De Augustine ask us to consider ourselves from a previously unconsidered vantage point — a new way of seeing and hearing — an exercise that’s as necessary and relevant now as it’s ever been.

Go to Item

Eight Point Star

LP | 2021 | US | Original (Sudden Death)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Remarkable debut album by new Cosmic-Appalachian string band, birthed from the same Virginia firmament that has brought forth Pelt, Jack Rose, Black Twig Pickers, and Spiral Joy Band. Led by Mike Gangloff’s droning fiddle and Matt Peyton’s fingerpicked guitar, Eight Point Star mines the modal traditions of both old-time Appalachia and far-out drone music to produce beautiful tunes that are equal parts memorable and psychedelic. Side A starts with the gentle guitar and fiddle duet of “Winchester’s Dream” before segueing into the loping “Waiting on the Band,” where the subliminal pulse of Tim Thornton’s upright bass animates the music until the lengthy lock-groove repetition of “The Interloper.” Closing the side, “Flowerthrower” and “Mount-Calvary Peacock” have a vibe reminiscent of Popol Vuh’s mid-’70s masterpieces, combining sawing fiddle and melodic guitar with simple and haunting chord structures. Side B is bookended by two country-blues influenced numbers, with Peyton’s boisterous vocal and guitar and Isak Howell’s harp leading the upbeat “Brand New Shirt” and the elegiac “Weeping Cherry Cry.” In between the two vocal features are a segued mini-epic of moods, including an expanded group lineup collapsing midway through “A Water Panther Speaks” into an eerie soundscape of singing bowls and distant gong sounds as dark as the night in remotest Virginia.

Go to Item

Round Eye

Culture Shock Treatment

LP | 2021 | US | Original (Gbv Inc)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With their new album Culture Shock Treatment, Round Eye, the Shanghai-based band of ex-patriots, turn their demented focus on their own place of residence, The People’s Republic of China, and fire on all cylinders. Physically released by Joey Shithead’s (D.O.A.) Sudden Death Records, Culture Shock Treatment acts as a lysergic, nightmare-drenched punk rock protest record and direct criticism of the Chinese Communist Party, shining a light on the oppression of Hong Kong and the Uygher people, Xi Jin Ping’s growing influence and power on a global scale, the Ministry of Culture and its methods of propaganda and surveillance—not seen since the cult of personality surrounding Mao Zedong during the Culture Revolution, and some comical cultural pitfalls one can experience while living in the “Pearl of the Orient.” The experimental, sax-wielding, freak punk outfit continue to accrue a loud and controversial name for themselves since forming in 2012, and has as of late been a crucial force in bridging a wide gap between the eastern and western hemispheres of DIY punk rock. Along with blazing a trail all over the globe, they’ve played host to visiting western punks and some legends as well. Culture Shock Treatment, the band’s third album and fourth release overall, continues the band’s genre bending acumen through cultural satire with great success, along with some pretty harsh levity, and, being that this release was produced by none other than Mike Watt (Minutemen) and Bill Stevenson (Descendents, Black Flag) to boot, it sounds pretty incredible as well. Captain Beefheart, Dion, Black Flag and The Dickies have got fingerprints all over this thing. Let one hundred punk flowers bloom in the wake of this album.

Go to Item

Cub Scout Bowling Pins

Clang Clang Ho

2LP | 2021 | EU | Original (Contraszt!)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cub Scout Bowling Pins hop in the “Magic Taxi”, turn on the AM radio and time travel forty to forty-five years back in time. The project is mysteriously presented, but it’s a thinly-veiled alias of the ridiculously prolific and talented Guided By Voices. Minus the usual punk and prog influences, there are strong whiffs of bubble gum, psych and soft rock with sugary doses of ornate baroque pop. Long renowned scholars of rock, the Ohio players have occasionally worn their influences on their sleeves, but this time they seemingly have their jackets on inside out. Perhaps conceptually similar to how GBV went tongue-in-cheek “country” backing Cash Rivers & The Sinners in 2018, but Cub Scout Bowling Pins is a thousand times subtler, like an eccentric cousin of GBV with the craziness knob turned up by 10%. And while Cash Rivers discs trade hands among collectors on Discogs for hundreds of dollars, Cub Scout Bowling Pins’ debut 7-inch Heaven Beats Iowa was recently spotted for sale for no less than $10,000. On their debut long player, America’s newest hit-makers dip into retro-futuristic weirdness, side-by-side with whimsical sophistication and candy-coated technicolor complexity. In the flip-flop world of Summer 2021, transistor radios will vibrate with the sweet and hooky “We” and “Nova Mona” while “© 1-2-3” will “climb” the “charts”. “Ride My Earthmobile” spins like an even-more demented 13th Floor Elevators. Is that Jimmy Webb or Lee Hazlewood hidden behind the latest issue of “The Telegraph Hill Gazette”? “Schoolmaster Bones” chortles with a groovy pretzel logic, while “Space Invader” and “Magic Taxi” beckon with jangling guitars, shimmering strings, mellotrons and vintage synths. Following three critically-lauded GBV albums recorded in quarantine in 2020, is this a light-hearted detour, a midlife crisis or just good clean Pandemic fun? Cub Scout Bowling Pins beg the questions: exactly what drugs are they taking? And where can we get some? Clang Clang Ho!

Go to Item

Glasses

Compendium

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black Harvest Black Vinyl Edition

Green Lung

LP | 2022 | EU | Original (Svart)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Sinderlyn)

Homeshake

Under The Weather

How Long Do You Think It´S Gonna Last? Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Peter Sagar - also known as Homeshake wrote the majority of his fifth studio album, Under the Weather, in 2019, when he was going through a long, unrelenting period of sadness. "I was in a deep, deep depression," he recalls of that time period now. Sagar and his partner were living in Montreal, and while everyone was out being social, he was inside listening to ambient music, binging Star Trek, and writing songs. (Sound familiar?) "It was a bit of a dark pit," he says. "That's kind of what the whole album is about." Under the Weather is hazy and moody, the pace slow as syrup, and from beginning to end, a fog falls over every synth and guitar line. "Oftentimes when you're in a dark place, you're supposed to journal and that helps release the pressure," Sagar says. "For me, it always found its way into the music." Capturing the cloudy sound of a depressive funk was no simple feat, especially in the headspace Sagar was in for over a year. For that reason, he decided to enlist his friend, Jerry Paper's Lucas Nathan, to help with production on the record. Having Nathan contribute helped Sagar dial back some of the "dry, pristine digital sound" that defined his fourth studio album, Helium, and add back personal analog touches that drew people to the Homeshake project in the first place. As Sagar readies for the album's release this September, the record he wrote about feeling isolated, alone, and despondent has begun to seem eerily prescient. "I've been writing about feeling isolated my whole life," he says - but with age, he has come to understand them better. "I had a fairly clear idea what the album was going to be like based on where I was emotionally at the time," he says about Under the Weather. "I just try to make music that is honest about how I'm feeling."

Go to Item

Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

With Confidence Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

Go to Item

With Confidence

LP | 2021 | Original (Hopeless)

Release: 2021 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Don't You Feel Amazing Colored Vinyl Edition

Trash Boat

LP | 2021 | Original (Hopeless)

Release: 2021 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (State Fair)

Jackson Scribner

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (State Fair)

Ottoman Turks

Ottoman Turks II

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2021 | EU | Original (Repertoire Entertainment Gmbh)

Robin Trower

That Playful Heart

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2016 | EU | Reissue (Unique Leader)

Fallujah

Harvest Wombs

Release: 2016 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Broken Hearts & Dirty Windows: Songs Of John Prine

V.A.

LP | 2021 | EU | Original (Oh Boy)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3LP | 2021 | EU | Original (Century Media)

Oceans of Slumber

Oceans Of Slumber

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Reissue (Sony Music Catalog)

Midnight Oil

The Makarrata Project

Release: 2020 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (RCA International)

Tom Grennan

Evering Road

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Saturday Night, Sunday Morning

Jake Bugg

LP | 2021 | EU | Original (RCA International)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Devolution Series #2-Galactic Quarantine

Devin Townsend

2LP | EU | Reissue (Century Media)

Release: EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Experiments In Mass Appeal

Frost

3LP | EU | Reissue (Century Media)

Release: EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | US | Original (Sub Pop)

Low

Hey What

Deep States Transculent Orange Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Focusing on their craft, staying out of the fray, and holding fast their faith to find new ways to express the discord and delight of being alive, to turn the duality of existence into hymns we can share, Low present HEY What. These ten pieces-each built around their own instantaneous, undeniable hook-are turbocharged by the vivid textures that surround them. The ineffable, familiar harmonies of Alan Sparhawk and Mimi Parker break through the chaos like a life raft. Layers of distorted sound accrete with each new verse - building, breaking, colossal then restrained, a solemn vow only whispered. There will be time to unravel and attribute meaning to the music and art of these times, but the creative moment looks Forward, with teeth. HEY What is Low's thirteenth full-length release in twenty-seven years, and their third with producer BJ Burton.

Go to Item

Tropical Fuck Storm

LP | 2021 | US | Original (Joyful Noise)

2LP | 2021 | EU | Original (Sweet Unknown Records)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Most of us have lived some inner Tropical Fuck Storm over this past year and a half. ¬Even for a band that's made a career out of crafting songs attuned to political and social crisis, there was a new bleak in the air for Tropical Fuck Storm, what the band calls "give-a-fuck fatigue." The third album from the avant-punk quad_aptly titled Deep States _ mines familiar ground as well as new cultural terrains, while digging deeper into the subjective state of contemporary panic. ¬While not quite a protest album, Deep States comes complete with Q drops, nods to the January 6th Capitol Riot, a riff on pizzagate, MAGAs squaring off with Antifas, waterboarded Martians, dangerous cults from Heaven's Gate to The Shining Path and, not to be outdone, Romeo agents who bed us at night only to betray us by morning. We live in a world in which the bizarre has become the normative, and Tropical Fuck Storm plumbs that paradox. That said, the band is far too wary of the self-importance attached to songs in the didactic mode. "We make pop records," frontman Gareth Liddiard says, "that don't deny we're all in a bit of trouble here."¬ What makes Tropical Fuck Storm so great is the intersection between their dark but satiric storytelling and musical arrangements intent on perverting received canons and wisdoms. These are songs as experiment, advancing and retreating at their own idiosyncratic, deeply unsettling pace. They hang on the slant beat and slide into jazzy, distortion-packed jams so tumultuous they'd make Charlie Mingus proud. Musically, Deep States goes wherever it wants, riffing on pop, R&B, Talking Heads-style new wave, Delta blues, Tom Waits, and some of the band's hip-hop favorites such as Wu-Tang Clan and Missy Elliot. Barriers aren't just broken, they seem to have completely fallen away. In this present moment, parts of the world are opening up, or trying to. But Tropical Fuck Storm is here to remind us that many of our most urgent political and social problems have been around a long time now. Same as it ever was, as another genre bending band once sang. As the signs of the latest crisis subside, and the dull ache of awareness with it, Deep States is here to remind us that there is no foreseeable end to human folly, nor, fortunately, to the creativity that resists it. Over the past few years we've all heard the noise in our own heads -- Tropical Fuck Storm has made music of it.

Go to Item

Heartless Bastards

A Beautiful Life

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heaven / Earth HHV Exclusive Green Vinyl Edition

The Free Design

LP | 1969 | EU | Reissue (Bonfire)

2LP | 2021 | EU | Original (Omn Label Services)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

Go to Item

Moon Shot

Confession

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | US | Original (Tompkins Square)

Elsa Hewitt

Lupa

LP | 2021 | US | Original (Shrimper / Grapefruit)

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Elsa Hewitt is a London-based music producer and writer hailing from Sussex, via Yorkshire. Beginning as a young singer-songwriter producing demos on a four-track, she progressed through fronting post-punk bands and solo electronic songwriting, all the while developing a passion for album-making which would ultimately lead her to electronic production, establishing her name producing avant-garde, experimental & ambient, leftfield dance, and lo-fi, psychedelia. Since her 2017 official debut ‘Cameras From Mars’, stepping onto the scene as a Future Bubbler and Lynsey de Paul Prize winner, Hewitt has amassed a series of distinct yet interlinked philosophical worlds; each one holding its own tones of joyful beauty and abstract darkness. With a boundless approach to merging elements of dance & ambient, Hewitt’s adventurous approach remains pinned by her earthy voice, idiosyncratic songwriting style and sharply poetic lyricism.

Go to Item

Megan Siebe

Swaying Steady

LP | 2021 | US | Original (Shrimper)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Megan Siebe is a multi-instrumentalist, songwriter and arranger from Omaha, Nebraska. She’s cut her teeth as a member of bands such as Simon Joyner & the Ghosts, The David Nance Group, Cursive, Sean Pratt & the Sweats, The Jim Schroeder Sextet, and many others, touring nearly non-stop for the last decade. She’s also written string arrangements for albums by Refrigerator, John Davis, the Renderers, Dennis Callaci, L. Eugene Methe, Justin Townes Earle, and Anna McClellan. But all the while she was writing her own intimate, finely-crafted songs in secret, only breaking them out around the occasional Nebraska campfire amongst friends. A break from touring in other bands these last fifteen months has allowed Siebe more time to focus on a powerful cycle of songs she’s had brewing for some time. Grapefruit and Shrimper are proud to join forces to release Megan’s humble yet astonishing debut. Swaying Steady is a gorgeous collection of literate and evocative singer-songwriter, country-tinged, melancholy pop songs about relationships in crisis, bad seeds, family, and emotional endurance. For fans of Lucinda Williams, Harry Nilsson, Elyse Weinberg, Nick Drake, and Sibylle Baier.

Go to Item

Refrigerator

So Long To Farewell

LP | 1970 | DE | Reissue (Vertigo)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The twelfth studio record by Refrigerator expands the line-up to five with the addition of Mark Givens from Wckr Spgt on second guitar. Along for the ride are guest appearances by legendary singer Claudia Lennear (vocals on the first single “Broken Glass Shore”), Shrimper Records stalwart Franklin Bruno, and the additional hand of Scott Solter, who mixed the record, which rests in a gorgeous sleeve with artwork by Jean Smith. The lovely live bleed of a band playing together in one room—guitars spilling onto the drum tracks, cymbals biting into the feedback from the amps—captures the live sound of Refrigerator as never before on record as caught by engineer Steve Folta. There are two physical versions of the record, one on black 160 gram vinyl, as well as a deluxe edition, available on green and white swirled vinyl that couples a bonus CD with six tracks to a fifty page Bamboo Dart Press chapbook that features drawings, short stories, photographs, lyrics and essays by the band, in an edition of 150 copies.

Go to Item

Colosseum

Daughter Of Time

Helloween Gold Vinyl Edition

Release: 1970 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl has a few paper scuffs.

Go to Item

Helloween

2LP | 2021 | EU | Original (Nuclear Blast)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition golden double vinyl in a lush gatefold incl. two bonus tracks. This was the ardent wish of thousands of fans calling out to Andi Deris, Michael Kiske, Michael Weikath, Kai Hansen, Markus Grosskopf, Sascha Gerstner and Dani Löble during the Pumpkins United World Tour - and their dream has come true! With the upcoming album, simply titled Helloween, the band opens a new chapter after 35 years of a glorious career. The future of one of the most influential German metal bands from now on will feature three singers. Originally planned for the live performances only, it was the birth of a unique seven piece metal alliance. Skyfall begins with a bang. The epic track describes an alien landing on earth and a dramatic chase while Kiske, Deris and Hansen duel with each other in a breathtaking manner and create a vocal broadband adventure. Produced by Martin Häusler, it is the most elaborate video clip in the history of the band; shown with 3-D animation and having a cinematic look, this video is a real high end experience. ”fear OF THE Fallen” – the second single is a fast paced, melodic track done the way only Deris can do it. ”I had so much fun not only writing a song for my voice but also for one of the greatest singers out there. I always have an extremely broad smile on my face when I hear Michi singing my melodies“, says Deris and Kiske adds: ”The whole process, including the spirit, was just ideal. If I had the feeling that one of the parts would not be really fitting, I asked Andi if he would sing it and vice versa. There was no competition whatsoever – what counted was what is best for the respective song. I am thankful to be (again) a part of this crazy family. I love them all”.

Go to Item

Passive With Desire Opaque Banana Vinyl Edition

LP | 2016 | US | Reissue (Dais)

Release: 2016 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Passive With Desire Cloudy Orange Vinyl Edition

LP | 2016 | US | Reissue (Dais)

Release: 2016 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gathering Swans Clear Red Vinyl Edition

LP | 2019 | US | Reissue (Dais)

Release: 2019 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gathering Swans Black Orange Red Splatter Vinyl Edition

LP | 2019 | US | Reissue (Dais)

Release: 2019 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hell Train Rollin' Orange Vinyl Edition

The Meteors

LP | 2009 | EU | Reissue (Svart)

Doing The Lord's Work Black Vinyl Edition

Release: 2009 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Deluxe vinyl reissue of The Meteors' 2009 album!

Go to Item

The Meteors

2LP | 2012 | EU | Reissue (Svart)

Companion Blue Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Deluxe vinyl reissue of The Meteors' 2012album!

Go to Item

Skepticism

LP | 2021 | EU | Original (Svart)

LP | 2021 | EU | Original (Grand Jury)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A brand new album from Finnish funeral doom pioneers!

Go to Item

Samia

Scout

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | US | Original (Western Vinyl)

Chorusing

Half Mirror

Holograph Dark Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On his debut album Half Mirror, Matthew O'Connell superimposes warm analog synths onto self-described "confessional folk" with a simultaneously cosmic and earthly outcome. Tracked at home in the mountains of North Carolina using a vintage tape delay, electric guitar, and a self-designed synthesizer named `Balsam,' Half Mirror is at once a lonesome push-pull of electronics humanized by folk elements, and folk music made alien by electronic adornments. O'Connell's own story is just as captivatingly segmented. While growing up on a farm in Palmyra, Indiana, he became obsessed with metal drumming and spent most of his free time practicing in the garage, occasionally recording on four-track tape machines with his brother Joe (Elephant Micah). Reflecting on those formative years, O'Connell says, "I think that period instilled two things in me: a long attention span, and the ability to work obsessively on something in solitude." It's these monastic inclinations that helped form the spirit of Half Mirror. While in college, his interest in math led him to participate in a six-month intensive study program in Budapest, Hungary. There, he continued writing song fragments on a borrowed guitar and fiddling with musical electronics at the Kitchen Budapest_a collective of artists, theorists, and coders. In 2011, his interest in electronics and engineering led him to Asheville, North Carolina, where he worked for Moog Music calibrating and building synthesizers, and testing vintage analog delay chips by day. At night he would spend his time building homemade synths and writing songs. It was here in Asheville that he began the bulk of the work on Half Mirror, imbuing his music with the qualities of his environment almost by necessity. O'Connell made a deliberate effort to keep the album's production sparse. His interest in restraint stems in part from his love of albums like Nearly God by Tricky and Ghost Tropic by Songs: Ohia, both of which feature uncomfortably bare vocals and uncanny production that commands the listener's attention. Additional inspiration came from Mark Hollis' striking minimalism, and the freeform songwriting of Arthur Russell and John Martyn. Filtering the poetry of fractured, imperfect memories through a lush, yet sparse palette of sounds, Half Mirror evokes a profoundly moody sense of place: the fog heavy in the mountain peaks, the dew present on early morning walks, and the musky smell of rhododendrons in the air.

Go to Item

Richard Youngs

LP | 2021 | EU | Original (Glass Modern)

LP | 2021 | US | Original (Paradise Of Bachelors)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Richard Youngs Is Not Shy Of Broaching New Genres Or Approaches. Within Each Album He's Remarkably Conceptually Consistent. On Holograph, His First New Songs Lp For Glass In 2 Years, He's Working With Temporal Constraints, Composing To Commission Across A Long Weekend. The Sleeve Itself Tells The Story. It's Pop-Not-Pop With Youngs' Clarion Call Folksy Voice Soaring Over The Top On Dark Red Vinyl.

Go to Item

Mega Bog

Life, And Another

LP | 1993 | EU | Reissue (Touch & Go)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The magical Mega Bog returns with another fantastical off-world transmission, the most sophisticated, exploratory, and accessible statement yet from surrealist songwriter and avant-pop prospector Erin Birgy. Featuring James Krivchenia (Big Thief), who co-produced, and Zach Burba (iji) among its cast of vibrant players, Life, and Another bristles with painterly technicolor surface textures while plumbing fathomless depths of feeling. Life, and Another stages a semi-fictionalized drama in the community theater of the interior self, with scenes of collective longing at the bowling alley, disputes over a distended memory outside the bar, and the solitary circling on the patio, looking out over the yard in stubborn awe. These memories, from both past and future, bubble up throughout the album and present their characters as new entries into the Mega Bog Book of Symbols. In "Station to Station," an artichoke, the decadent indulgence young Erin learned to steam for herself, is gutted around the spine. In "Weight of the Earth, on Paper," named after the collection of memoir tapes by the artist-warrior David Wojnarowicz, poppies sprout in Birgy's shadow and scare her companion, while harpies circle above Loch Ness. Fantastical visions beget inherited family traumas that taunt withering romantic relationships. A deep faultline connects the record with the work of Wojnarowicz, who, in the years before his death in 1992 (twenty-nine years and one day before the release of Life, and Another), recorded in his tape journals a series of moments of rapturous solitude in the deserts of the American Southwest, carried from dream to dream by real and imagined friendships with human lovers, horses, scorpions, clouds, and the occasion cruiser. Listeners know by now they can trust Mega Bog to continuously lead them into deeper and wilder, spiritual pop territories. Skittering piano glissandos, haunting psychic background voices, and tequila-inspired improvisations creep and crawl over the dark-night-of-the-soul rock and roll dreamscape, before vanishing to make way for invocations of quiet clarity and living-breathing instrumental passages.

Go to Item

Don Caballero

For Respect

Release: 1993 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Tiny Global Productions)

Band Of Holy Joy

Dreams Take Flight

LP | 1995 | EU | Original (Quarterstick)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Apotheosis Of Band Of Holy Joy's Bile Toward Today's Pathetic State Of Affairs Will Be Released Shortly - A Blistering Remix Of "The Devil Has A Hold On The Land" From Their Last Album, Neon Primitives. Remixed By Youth (Killing Joke Bassist, Paul Mccartney Collaborator, Producer Of Melanie C And U2!), Who Was So Taken By The Song As To Remix It Gratis, The Remix Will Be Part Of A Series Of 23 Discrete 7" 45s By Jon Langford Of The Mekons And An Assortment Fellow Travellers From Around The Globe. Dreams Take Flight Transitions From Political Discourse Into A Post-Virus Rebirth Of Human Relationship And The Inevitable Fumblings Of The Society's Psychological Reconstruction Over The Forthcoming Year. Have You Ever Wondered What Purpose Your Joy Or My Pain? All Those Moments Shared Together To Be Washed Away By The Rain . . . Have You Ever Doubted Our Super Hipster Being Love-In At All? Just A Pair Of Urbane Fools Passing Through Waiting For Our Call . . . Take A Leap Into The Great Unknown. Almost Perversely Heart-On-Sleeve, Johny Brown And Compatriots Have Never Fitted Well Within A Particular Scene - Nor Have They Ever Seem To Try. Although Recorded Under The Existence Of Quarantine And A Healthy Amount Of Paranoia, In Search Of The Joy Of Greatly Hindered Collaboration, The Band Has Opted To Turn Over Each Song To A Different Visionary Video Artist For An Exhibition Which Will Take Place For A Week At London's Gallery 46 Beginning At The End Of February And Open To The Public. The Video Exhibition Will Subsequently Be Available Online, Before The Album's Release.While Still Featuring Some Of The Band's Strongest Songs, Dreams Take Flight Has A Strange Film-Like Ambience In Parts, Almost As If Planned As A Soundtrack, A Thought Mirrored In Inga Tillere's Sublime, Dream-Like Sleeve, Best Seen In Real Life. "A Leap Into The Great Unknown" And "Notes From A Gallery" Will Likely Be Heard As Too Disarmingly Direct For Radio, And The Videos Will Likely Never See The Entry Door To Mtv, But Dreams Tak...

Go to Item

Rachel's

Handwriting

Release: 1995 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1990 | US | Reissue (Bar None)

Yo La Tengo

Fakebook

LP | 2021 | US | Original (Western Vinyl)

Release: 1990 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Yo La Tengo Is The Musical Love-Child Of Two Folks Who Live In Hoboken, Dig The Mets, Eat Red Meat, Sleep Late, And Whose Lives Were Saved By Rock And Roll. Ira Kaplan Used To Write About The Latter Topic For Various Renowned New York Publications Before He Met Drummer Georgia Hubley Who Used Her Rhythmic Charms To Lure His Guitar Out Of The Closet. The Band Has Been A Quartet, A Trio, Or Just The Two Of 'Em. Fakebook, Yo La Tengo's Fourth Album, Was Made In Hoboken And Released On Bar/None Records In 1990. Using Their Occasional Acoustic Concerts As A Jumping-Off Point, Fakebook Is Made Up Mostly Of Cover Songs, Built On Ira's Acoustic Strumming, Georgia's Brushwork, And The Pair's Harmonizing.

Go to Item

Hollie Kenniff

The Quiet Drift

Another Day Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Director David Lynch once said "I long for a kind of quiet where I can just drift and dream. I always say getting inspiration is like fishing. If you're quiet and sitting there and you have the right bait, you're going to catch a fish eventually. Ideas are sort of like that. You never know when they're going to hit you." Inspired by this quote in both name and spirit, Hollie Kenniff's The Quiet Drift is an ambient gallery of cloudlike synths, seraphic strings, echoing guitars, and other celestial textures guided to cohesion by Hollie's own wordless singing. Though the album certainly creates (and originates from) the kind of space where Lynch's proverbial "fish" can be caught, The Quiet Drift is a fitting title for Hollie's own history, both recent and distant. During the course of the album's creation, Hollie and her family moved cross-country from an island in Washington state, to an island in Maine before ultimately relocating to Canada. "As a child I visited Ontario year-round," she explains in her own words. She continues "More than any other landscape, I think the lake, rivers, and woods there left the most enduring impression on me. The landscape and pace of life of these places will always stay with me." But the reverberant spaces Hollie crafts need no physical headquarters. Instead of conjuring views of nature at the ground level, her sound more readily evokes a top-down perspective, with the distinct features of the land shrinking underfoot as the listener becomes untethered from geography altogether. The Quiet Drift belongs more to the liminal spaces between life and afterlife, memory and fantasy, landscape and dreamscape, than any mappable locale. Describing her formative years, Hollie says "As a dual US/Canadian citizen who spent my childhood in a rural town-- one that I haven't returned to in many years - I have a sense of not entirely belonging anywhere. When I was a teenager my close friends were male musicians, so I was also an outsider to the degree that they were wild and anarchic in a way that I wasn't. I was a quiet book reader and avid music listener who enjoyed being around a creative group. I was also a radio DJ for alternative and punk music throughout high school." In this light, The Quiet Drift attests that creativity is placeless, and calls into question the stereotype of artists as scene-centric city dwellers. Having come of age in the absence of metropolitan sensory overload, Hollie learned to spot the muse in nature, and within herself, instead of the echo chamber of a frenzied peer group. On The Quiet Drift Hollie Kenniff wholly escapes from such pop-culture feedback loops into transcendent, shimmering realms, and she brings the listener along with her. In this age in which we have all been called to reevaluate our relationship to indoor spaces, and seek refuge in the great outdoors, The Quiet Drift provides an apt soundtrack for such rebalancing.

Go to Item

Chris Liebing

2LP | 2021 | UK | Original (Mute)

Release: 2021 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Maserati VII Black Vinyl Edition

Maserati

2LP | 2012 | US | Reissue (Temporary Residence)

LP | 2021 | EU | Original (Hassle)

Release: 2012 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

When Jerry Fuchs Joined Maserati In 2004, He Initiated A Complete Overhaul Of The Group: Old Songs Were Dropped, Tempos Were Drastically Sped Up, And The Budding Psych-Rock Impulses Of Guitarists Coley Dennis And Matt Cherry Were Given Room To Grow. Beginning With The Electrifying "Inventions For The New Season", Maserati Were A Better, Faster, Stronger Beast. That Spirit Shines Bright On ,Maserati Vii", Their First Album Conceived Since Fuchs' Passing. Maserati Has An Uncanny Ability To Toggle Time Back And Forth Between The Past, Present, And Future - Often In The Span Of One Song. On ,Maserati Vii", They're Grounded And Driven By New Drummer Mike Albanese (Cinemechanica), Whose Dexterity And Stamina Prove A Perfect Fit For Maserati's Trademark Relentless, Driving Rhythms And Epic Song Lengths, Anchored By Bass Badass, Chris "Coach" Mcneal. "Maserati Vii" Perfectly Captures The Essence And Evoluti...

Go to Item

Ithaca

Language Of Injury

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (GroundUP Music)

Michael League

So Many Me

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Passages Red Withpurple Vinyl Edition

Maserati

LP | 2021 | US | Original (Temporary Residence)

LP | 2021 | US | Original (Riding Easy)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In anticipation of their back then long-awaited new album coming in 2010, Athens, GA's premier (or maybe only) psych-dance-rock-etc stalwarts collect their rare and out-of-print vinyl tracks from the previous couple years onto CD for the first time. Featuring all four tracks from their blink-and-it's-gone limited-edition split LP with Zombi, as well as their remix LP (featuring The DFA's Tim Goldsworthy and !!!'s Justin Van Der Volgen), Passages was augmented with two previously unreleased tracks - the Moog-fueled meditative trance of Steve Moore's "Monoliths" remix, and the positively sublime emotional heft of "Do You Hear The Nightbirds Calling You?", all remastered from the original master tapes and packaged with eye-popping artwork.

Go to Item

Deathchant

Waste

LP | 2021 | US | Original (Mississippi)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heavy music’s evolution has always been a murky swamp of sub-genres. So, combining Thin Lizzy’s glistening twin guitar harmonies with Melvins-grade sludge and a hearty dose of proto-metal psych probably shouldn’t sound so revolutionary as it does in the hands of L.A. quartet Deathchant. But theirs is a special, transcendent sound. Waste, the band’s sophomore album and first for Riding Easy Records, is anything but. The thirty three-minute, seven-song blast flows seamlessly from song to song, aided by droning segues, while simultaneously slithering between genres and moods. Rumbling noise, chiming guitar melodies, bluesy boogie, Nwobhm thrash, COC grunge and punk fury all rear their head at times, sometimes all at once. Though one wouldn’t be able to tell by the concise structures and well-crafted songs, a lot of Deathchant’s music is improvised, both in the studio and live. That’s not to suggest their songs are jammy— they’re very tightly organized compositions. But the four musicians have that special musical telepathy that allows them to keep the song structures open-ended. “Improv is a huge things for us and always has been,” singer / guitarist T.J. Lemieux says. “The musical freedom to look at the other dudes in the band and be able to take things wherever we want to go is magical. I like the feel of flying off the hinges.” Likewise, the band itself is similarly amorphous in its membership. “We run the band with an open door. No lineup is definitive,” Lemieux explains. On Waste, the lineup is: Lemieux, George Camacho on bass, Colin Fahrner on drums, and John Belino on second guitar. Waste was recorded live in a rented cabin in the mountains of Big Bear, CA. “We packed a big-ass van and set up in the living room and kitchen,” Lemieux says. “Tracked it live, with overdubs after.” The whole album was recorded over two separate weekends, engineered by Steve Schroeder, who also recorded the band’s 2019 self-titled debut album. “I’d say it has sort of a DIY LA punk aesthetic,” he adds. “Very ironically going hand in hand with a classic metal vibe: Thin Lizzy, Judas Priest, classic Deep Purple, Uriah Heep and other melodic heavy rock bands.”

Go to Item

Sávila

Mayahuel

LP | 2021 | US | Original (Sentient Ruin Laboratories)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sávila is a medicinal plant that grows wild in tropical climates all over the world as well as the name of cumbia/latin/world/r&b project by guitarist Fabiola Reyna, vocalist Brisa Gonzalez and percussionist extraordinaire Papi Fimbres. Mayahuel is the follow up to their stunning self-titled debut, and further explores their singular melding of cumbia, dream-pop, spirited vocals, hallucinatory riffing and driving percussion. "Mayahuel is based on time spent before the pandemic immersed in the music, traditions, people and environment of Oaxaca. Lots of these songs are integrated with field recordings from musicians we met along the way, incorporating pre-hispanic percussion elements and field recordings taken from the streets during our time there. Meant more as a reflection on what we encountered though some songs evolved into something more elaborate as we explore the genre of ancestral club. Music for our ancestors made for the club.”—Sávila. Mastered loud at 45 RPM, and packaged in special soft-touch matte finish tip-on jackets printed by Stoughton with one page color insert.

Go to Item

Decoherence

System I

LP | 2021 | EU | Original (Kosmische Kuriere)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Multinational industrial black metal rising force Decoherence join Sentient Ruin again to bring you "System I", a 12" vinyl, digital and cassette tape full-length album/compilation of all the band's recent digital only singles and EPs, remastered to their final and ultimate form along with a glorious and previously unreleased cover rendition of Killing Joke's classic cut "The Wait". While these tracks were previously already digitally (self)released, don't be fooled or misled to think you're hearing any "b-sides" or otherwise "left over" material, rather, consider "System I" not only the righteous third official full-length album from the band, but also by far Decoherence's most visionary, cohesive, and imposing songs to date. Awe-inducing and ghastly in its enveloping immensity, the tracks on "System I" see the enigmatic multinational black metal band morph into their most defiant and commanding form yet, as they construct an impenetrable mechanized swarm of liquefying industrial hallucinations and swirling dissonance that eradicates the listener from their corporeal and terrestrial self to cast them at the edge of a light-devouring void. Stylistically "System I" sees Decoherence's sound still thrive and evolve within the familiar synthetic black metal deconstructionist framework of progenitors like Blut Aus Nord and Darkspace, but as the Killing Joke cover included unmistakably hints at, these tracks also reveal a marked shift for the band toward a more unintelligible, unpredictable, and ominous immateriality, as elements incorporated from post-punk and experimental industrial assume stronger delineations adding ulterior dimensions and identities to the band's already alien and otherworldly sound.

Go to Item

Cosmic Jokers

Galactic Supermarket