Rock & Indie 52959 Items

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Warner)

The Staves

Good Woman

Release: 2021 / EU – Original

Genre: Rock & Indie

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Machine Gun Etiquette Live Set

The Damned

2DVD+CD | 2009 | EU | Reissue (Audio Visual)

The Molly Burch Christmas Album Limited Candy Colored Vinyl Edition

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Machine Gun Etiquette Was The Album That Brought The Damned Into The Charts And Opened Up Their Music To Millions More Than Hard Corp Punk Fans. Ironically The Massive Hit From The Album Was Smash It Up As Punk As You Could Possibly Get! But The Album Was Also Home To Another Two Hit Singles Love Song & I Just Can't Be Happy Today. After 25 Years The Damned (With Its New Line Up But Including Songwriter Captain Sensible And Front Man Dave Vanian ) Decided To Do A One Off Tour To Commemorate This Seminal Album . The Manchester Show Was Captured On Film With A Five Camera Crew And A Set That Also Drew In Other Damned Hit Singles Such As New Rose , Neat Neat Neat , Eloise, And The Epic Fan Favourite Curtain Cal...

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Molly Burch

LP | 2019 | EU | Reissue (Captured Tracks)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Sony)

The Chicks

The Essential The Chicks

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1992 | EU | Reissue (Hammerheart)

Trouble

Manic Frustration

LP+CD | 2020 | EU | Original (Vietnam / Because Music)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Manic Frustration immediately pulls you into a time warp of 70’s metal bliss, with its razor-sharp guitar tones and Rick Rubin's muscular, crisp production! Finally re-issued!

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J.E. Sunde

9 Songs About Love

Release: 2020 / EU – Original

Genre: Rock & Indie, Pop

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Speed Sound Lonely KV Black Vinyl Edition

Kurt Vile

LP | 2020 | US | Original (Matador)

Release: 2020 / US – Original

Genre: Rock & Indie

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Kurt Vile’s Speed, Sound, Lonely KV (ep) was recorded and mixed in sporadic sessions that spanned four years at The Butcher Shoppe studio in Nashville, TN. It includes five songs — covers of John Prine and “Cowboy” Jack Clement as well as two originals — and was recorded alongside a cast of local heavies like Bobby Wood, Dave Roe, Kenny Malone and Matt Sweeney (Chavez, Superwolf).

Most importantly, it features what KV has called “Probably the single most special musical moment in my life” – a duet with the late John Prine on the songwriter’s well-loved tune, “How Lucky.”

“A master of dreamy, off-kilter rock.” - NYTimes

“One of indie rock’s most affable champions, an honest-to-god guitar hero and a disarmingly funny lyricist.” -Rolling Stone

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LP | 2020 | EU | Original (Columbia)

Power Up

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1993 | EU | Reissue (Jolly Roger)

Depressive Age

Lying In Wait

26,99 €* 29,99 € -10%

LP | 2020 | US | Original (Striped)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Depressive Age's early years in the late '80s (known as Blackout) were quite hard, even for rock & roll's toughest standards. The East German group made a daring escape across the border in 1987, but lead singer Jan Lubitzki was caught and went in jail for a year, before joining his bandmates, guitarists Jochen Klemp and Jingo Grigoleit, bassist Tim Schallenberg, and drummer Norbert Drescher, in the West. In 1992, the progressive metal ensemble released their debut, amazing album, "First Depression", followed in 1993 by "Lying in Wait" and in 1994 by "Symbols for the Blue Times", all on G.U.N. label. Especially last album moved more into original and audacious sound. Before their last recording "Electric Scum" (1996 – G.U.N.) guitarist Grigoleit left the band. Then, sadly, they shortenend their name to D-Age and slowly disappeared.

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Manges

Punk Rock Addio

LP | 2018 | EU | Original (Napalm)

Release: 2020 / US – Original

Genre: Rock & Indie

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Punk Rock Addio is “punk rock veterans” The Manges from Italy’s 5th studio album. Recorded in Rome in 2020, with the minds behind the success of Italian glam rock band Guida, producers Lorenzo Moretti (guitarist and songwriter for Guida) and Danilo Silverstri. 12 Songs for 24 minutes; catchy and fast punk rock. Including the new on written by CJ Ramone, a long time friend of the band, and “Take It On The Chin” a cover of alt-country-folk artist William Elliott Whitmore. The Songs on Punk Rock Addio are melody-driven but dark, catchy and fast, in pure Ramones tradition.

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Powerwolf

The Sacrament Of Sin

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2020 | Original (Sub Pop)

Loma

Don't Shy Away

Release: 2020 / Original

Genre: Rock & Indie

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Lift It Down Purple Vinyl Edition

Jeremiah Sand

LP | 2020 | EU | Original (Sacred Bones)

LP | 2020 | US | Original (Riding Easy)

Release: 2020 / EU – Original

Genre: Rock & Indie

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- Purple Vinyl Limited To 1500- Lost Record Created In 1974, Stored In A Lockbox For Almost 50 Years And Uncovered With Original Art In 2018- Created By Notorious Cult Leader Jeremiah Sand And His Followers Before A Series Of Mysterious Events And Dissapearances Occured- Liner Notes By The Late Genesis Breyer P-Orridge//In 1974, Jeremiah Sand And His Nascent Cult The Children Of The New Dawn Decamp La For The Shasta Mountain Region And Redding, Ca. They Set Up Shop, Begin Printing Leaflets, Hold Gatherings And Start Growing Their Ranks Through Recruitment. By Mid 1974, Jeremiah Becomes Obsessed With Recording "His Masterpiece"...A Musical Message To The World, Communicating A "Truth" That Only He Has Been Given Spiritual Access To. His Lieutenant Brother Swann Overhears That There Is A Small Recording Studio Just North Of The City. He Arrives One Day At The Reception With A Large Gym Bag Full Of Cash And Instructs The Owner To Cancel All Sessions On The Books. Tents And Rough Structures Appear On The Surrounding Property As The Children Make The Studio And Its Grounds Their New Home. A Disgraced Professor From The Electro Acoustic Music Program At Evergreen State Arrives With A Full Buchla System He's "Liberated" From The University, Jeremiah Is Entranced By It And For A Few Weeks The Only Sounds Coming From The Studio Are Blasts Of Atonal, Corroded Noise Underpinned By Ominous Chanting. The Mood Changes. The Town Begins To Turn Against The Children. A Few People Have Gone Missing. Some Teenagers. A Studio Engineer. By The Spring Of 1977, The Entire Session Has Broken Down Into Hallucinogen And Cocaine Fueled Chaos. Bad Vibrations. One Night In Early March, After A Particularly Grueling Mixing Session, The Producer And Owner Of The Studio Is Startled Awake By An Extremely Agitated Looking Brother Swann. Swann Is Sweating And Wild Eyed, Casually Holding A Gun, Explaining To The Producer That "Plans Have Changed" And That Jeremiah Has "Heard A Calling And A Great Summons". They Are Leaving. All Of Them...

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R.I.P.

Dead End

Stone Roses Clear Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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When R.I.P. came crawling out of the sewers of Portland, OR four years ago, their grimy, sleazy street doom was already a fully formed monstrosity that quickly infected the minds of everyone it encountered. At the time, no one expected its depravity to take such fierce hold, and yet, here it is, sheltering in place and / or stealthily creeping through a nightmare dystopia that the ’80s sci-fi / horror movies foretold. Dead End is, ironically, a recharge of the band’s sound, bearing influences ranging from John Carpenter films, post-apocalyptic grunge, pro-wrestling attitude and salty lo-fi hip-hop aesthetics, to the band’s ferocious heavy metal. During the three years since the 2017 release of their sophomore album Street Reaper, R.I.P. has been busy tightening their sound and their line up while loosening their grip on sanity—touring the west coast with bands like Electric Wizard and Red Fang, and taking street doom overseas for the first time for a month-long headlining tour of Europe. These years on the road and the addition of a more aggressive rhythm section have allowed the band to fully break free from their influences and deliver on the promise hinted at on their first two releases. For Dead End, R.I.P. worked with legendary producer Billy Anderson, interring onto wax their heaviest and most ambitious album yet. Continuing to move further away from their classic doom influences like Pentagram and Saint Vitus, the band offers a rare blast of originality in a scene rife with formulaic bands. Dead End is a fast and anxious ride where the very idea of doom is put to the test under duress of manic lyrics about death, insanity, and leather, and hook-laden guitar tracks that draw as equally from Nirvana as Black Sabbath.

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The Stone Roses

LP | 1988 | EU | Reissue (Sony)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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The Perfect Element, Pt.I (Anniversary Mix 2020)

Pain Of Salvation

3LP | 2020 | EU | Original (Inside Outmusic)

Release: 2020 / EU – Original

Genre: Rock & Indie

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More Love - Songs From Little Voice Season One

Sara Bareilles

LP | 2020 | EU | Original (Epic)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Johnny Cash And The Royal Philharmonic Orchestra

LP | 2020 | EU | Original (Sony)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Century Media)

Dark Tranquillity

Moment

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Rhino)

Joni Mitchell

Early Joni-1963

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | Original (Zel Zele)

Cafe Turk

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Captured Tracks)

Mourn

Self Worth

Brace Yourself Mustard / Clear Splatter Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Mourn knows quite a bit about setbacks, but a latent belief persists within: the negative will eventually become positive. It's the belief in the wonder of resilience. It's the name they chose for their new album: Self Worth. The band isn't the same as when they formed. The world isn't either. Mourn grew up, and that's evident in the songs that make up Self Worth. Their melodies - energetic and captivating - venture into less level grounds, and their lyrics show a newfound readiness to tackle issues of a different weight and size. "Men" is lyrically patent proof of this growth, and their heightened consciousness as women. A revealing song, necessary and deliberately uncomfortable. A beautiful melody of war against patriarchy; the impulsive rescue of the riot grrrl. Certain needs stand out through the album: leaving behind abusive ties, externalizing the interior noise. "We talked a lot about getting out of toxic situations - not resigning ourselves to that, not enduring that anymore. The songs are like flags to stand up and say: `we are done.'" Just as "Stay There" draws a limit and "Apathy" spits truth in your face, "Call You Back" seems to paint that instance in which love paralyzes, and "I'm In Trouble" turns exasperated voices into machine guns. Punk assault with a clear message: the body speaks when the mind is not well. Mourn is an enclave of post-teens dealing with the dilemmas of adult life. "This album gave us what we needed: self-worth, the desire to go forward, to love ourselves, with everything, with the good and bad. This album empowers us."

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Seized Up

LP | 2020 | EU | Original (Pirates Press)

LP | 2018 | EU | Original (Earache)

Release: 2020 / EU – Original

Genre: Rock & Indie

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In a dismal time period characterized by increasing lawlessness amongst corrupt politicians and an out of control power elite, more Americans' rights seem to be ripped from our Constitution with every coming day. As if the tense political climate wasn’t enough, we deal with gentrification transforming local culture into one giant strip mall, a skyrocketing number of people thrown out on the streets, the current global pandemic, and impending martial law sending racial tensions flaring as civil unrest implodes on a global scale.

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Bolt Thrower

Spearhead / Cenotaph

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP+7" | 2000 | EU | Reissue (Major Label)

Boxhamsters

Prinz Albert

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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The Dark Third 2020 Reissue Edition

Pure Reason Revolution

2LP+2CD | 2020 | EU | Original (Inside Outmusic)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (MaRaCash)

Daal

Daecade

Release: 2020 / EU – Original

Genre: Rock & Indie

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Rarities Crystal Clear Vinyl Edition

Martin Barre

LP | 2020 | US | Original (Purple Pyramid)

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (RCA)

Elvis Presley

From Elvis In Nashville

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (No Format)

Oumou Sangare

Acoustic

LP | 2020 | EU | Original (Napalm)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Oumou Sangaré releases acoustic album, 'Acoustic', on No Format. Re-imagining her much-praised 2017 release 'Mogoya' totally unplugged, in live sessions recorded over just two days, 'Acoustic' is the final chapter in a trio of related projects, following 2018's 'Mogoya Re-mixed' edition, which saw Sangaré's compositions retooled by high-profile fans including Sampha, Spoek Mathambo and St Germain.'Acoustic' consolidates Sangaré's position as Mali's leading opinion-maker, established with her 250,000-selling 1989 debut Moussolou, which did much for the feminist cause in West Africa. Oumou's capacity to confront suffering whilst preserving her connection to Malian values is reflected in two additional tracks added to 'Acoustic'. 'Saa Magni', which laments the passing of Amadou Ba Guindo (member of the Orchestre National Badema), and 'Diaraby Nene' (lifted from Mous-solou) in which Sangaré's lyrics dared to detail her first physical encounters.The release of 'Mogoya' in 2017 signalled the return of Oumou Sangaré after 8 years, during which she had been managing her numerous businesses (including agriculture & pisciculture). With that album, the woman who'd swapped selling water on the streets of Bamako for global stardom reconnected with her audience. Balancing the traditional music of Wassoulou and a forwards-facing curiosity, Malian instruments were augmented by electric guitar, bass and synths, with Tony Allen on drums. Oumou was painted by Congolese artist JP Mika for the front cover, and more recently sampled by Beyoncé (who used 'Diaraby Nene' without permission on 'mood 4 Eva'). Never before had Sangaré appeared so far removed from her home country - it's a dynamic that 'Acoustic' redresses, with Oumou embodying the same freedom & audacity of her debut, 30 years ago. It's the fighter, the undefeated rebel that you find here on this snapshot of an album.

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Varg

Zeichen

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Profound Lore)

Expander

Neuropunk Boostergang

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bremenmarsch (Live At Schlachthof 12.10.197)

Laibach

LP+CD | 2020 | EU | Original (MIG)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Stampede Night With Buffalo

Buffalo

LP | 2020 | EU | Original (Ghost Highway)

For The Light In Your Eyes

Release: 2020 / EU – Original

Genre: Rock & Indie

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The second LP of this band from León (Spain), “Stampede night with Buffalo”, hits your head with rock played with purity and essence, and with a sound that leaves you thunderstruck. Produced by Martín Cápsula, his influences are hard rock, the Nwobhm that followed, and the Australian saga of bands with a Detroit sound. But this attempt at labeling comes up short when you listen to it and appreciate the personality of the band and how they build new concepts. An edition made with love and care, with a terrific pic by Juxe on the front cover and a fabulous design by Mik Baro which includes splendid and hilarious caricatures of the members of the band on the back. All as analogic as the tape used to record it.

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Danny Vera

LP | 2003 | EU | Reissue (Music On Vinyl)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | EU | Reissue (Music On Vinyl)

Dream Theater

When Dream And Day Unite

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Capture Tracks)

Wax Chattels

Clot White Vinyl Edition

Moveys Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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It is universally agreed that New Zealand's Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand Album Charts, and release week saw the title feature as #1 in Rough Trade's Top 20 New Releases. Tastemakers like NPR and A.V. Club came on as early champions. The album's success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band's inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award. After a knock-out entrée, the anticipation that surrounds their sophomore album, "Clot", is immense. Much like their debut, the writing process for "Clot" took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Demos were fine-tuned before recording engineer James Goldsmith (Aldous Harding, Mermaidens) stepped in. The band maintained the use of only the barest of ingredients - bass guitar, keyboard, and a two-piece drum kit - but spent more time experimenting with and finding new sounds. They wanted to maintain the same live element, but, this time, heavier - for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). The keyboards are thicker, the bass more intense. A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.

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Slow Pulp

LP | 2020 | EU | Original (Winspear)

LP | 2001 | EU | Reissue (Sony Music)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Slow Pulp's remarkable full-length debut Moveys is a testament to hard-fought personal growth. In the process of making their new record, the Chicago-based indie rock band powered through health challenges, personal upheaval, and a pandemic, all while learning how to be better songwriters and friends. Full of blistering energy and emotional catharsis, this compelling 10-track collection highlights the band's resourcefulness and resilience to come together even when they were states away. As the band was in the midst of finishing the album, Massey's parents got in a severe car accident forcing her to pause recording and return home to Madison and take care of them. A week later, the Covid-19 pandemic hit. "I wasn't able to come back to Chicago for a while. How were we going to finish this apart from each other?" thought Massey. With Stoehr leading engineering, mixing, and production duties, the band managed to continue recording in an isolated, post-COVID world. "Thankfully most instrumentals were already written. Alex and Henry and I were all able to do that separately from a studio space that we rent in Chicago," says Mathews. As Massey's father Michael recovered from his injuries, the two worked on completing her vocal takes from his home studio, sending them to Stoehr for mixing. "Finishing this record was such a cool thing to know that we were able to do it," says Stoehr. Their made-up word "moveys" is multi-faceted for Slow Pulp. It is an invitation to dance. It is a wink at the cross-country nature of the album's songwriting process, while the bandmates were literally on the move touring, sheltering in place, and going through major life changes. But, mostly, it's an inside joke. Listening to these warm, dynamic and welcoming songs, it's easy to feel like you're a part of it too.

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The Strokes

Is This It

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (MIG)

Wishbone Ash

Live At Rockpalast 1976

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Ascention Clear Vinyl Edition

Sufjan Stevens

2LP | 2020 | US | Original (Asthmatic Kitty)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 1968 | US | Original (Blue Rock)

Junior Wells

You're Tuff Enough

LP | 2020 | US | Original (Drag City)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Sleeve is taped on top seam, bottom seam and at opening. Sleeve also has writing and punch hole. Record has some scuffs and hairlines, but is close to vg+.

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No Age

Goons Be Gone

2LP | 2020 | EU | Original (BlankoMusik)

Release: 2020 / US – Original

Genre: Rock & Indie

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Summer 2020, and No Age are back out on the street! Effortlessly raw and extravagant in one practiced swoop, they set their live/bedroom internal clock and get out early into a glorious windtunnel of naked beats and sunbaked guitars, forming a wave from which they hang eleven tunes. A perfectly balanced set, ranging from their classic punk and indie to ever-evolving soundscapes, in maybe their most direct statement yet.A guitar/drums duo (Randall and drummer/vocalist Dean Spunt) with a penchant for self-recorded samples, No Age are mostly unconcerned with things like space or pause, and Goons Be Gone is gorgeously thick-- a hazy, delirious expanse that's both comforting and disorienting.Listening to Goons Be Gone, it's hard to comprehend how just two people can manage to make so much noise while still sounding so subdued and mysterious-- it's easier to imagine Randall and Spunt spewing these songs underwater, bursting forth from some colossal California quarry rather than a tiny, stuffy art space a few blocks from L.A.'s skid row. Ultimately, it's part of No Age's allure that Goons Be Gone is so difficult to figure out, that it manages to be so big while coming from a place so small: All you'll know for sure is that you want to listen longer. Maybe forever.

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Hubert von Goisern

Zeiten & Zeichen

Release: 2020 / EU – Original

Genre: Rock & Indie

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Blue Hearts Black Vinyl Edition

Fenne Lily

LP | 2020 | US | Original (Dead Oceans)

Live In Tokyo 1980 Red Record Store Day 2020 Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Isolation is nothing new for Fenne Lily - in fact, she's Written an album of songs all about it. "It's kind of like writing a letter, and leaving it in a book that you know you'll get out when you're sad - like a message to yourself in the future," she says, referring to Breach, her Dead Oceans debut she wrote during a period of self-enforced isolation pre-COVID. It's an expansive, diaristic, frequently sardonic record that deals with the mess and the catharsis of entering your 20s and finding peace while being alone. "I think this record is proof that I can be emotionally stable, even if right now I feel a little bit up and down," says Fenne. "There's the ability to find clarity in that. It's sobering, weirdly." Fenne was born in London and moved to Dorset as a toddler, where she grew up in the picturesque English countryside. She was a "free range kid," as she calls it, after her parents took her out of school for a period at the age of seven. Over the following year, they taught her while the family travelled Europe in a live-in bus. Even after she returned to traditional school at 9, her home education never ended, extending to music. Her mother gifted Fenne with her old record collection, through which she discovered her love for T-Rex and the Velvet Underground and Nico. Soon after she fell for the strange Genius of PJ Harvey and came to worship Nick Drake, Joni Mitchell, and the richly crafted worlds of Feist, which inspired Fenne to pick up a guitar. It's that journey to find peace inside herself that underpins the whole of Fenne's second album. Its title, Breach, occurred to Fenne after deep conversations with her mum about her birth, during which she was breech, or upside down in the womb. The slippery double-sidedness of the word - which, spelled with an "A", means to "break through" - drew her in. "That feels like what I was doing in this record; I was breaking through a wall that I built for myself, keeping myself safe, and dealing with the downside of feeling lonely and alone. I realized that I am comfortable in myself, and I don't need to fixate on relationships to make myself feel like I have something to talk about. I felt like I broke through a mental barrier in that respect." Even though it also carries implications of awkwardness, rebellion, and breakage, it's a widereaching word, representing new beginnings and birth.

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Toto

LP | 2020 | US | Original (Columbia)

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

Toto’s well-honed musical craftsmanship helped sell more than 40 million albums in their four decades together. In 1980, the band embarked on their first tour of Japan, forming a lifelong bond with fans in that country who adored their polished West Coast rock style. For the first time as a standalone release, the Live In Tokyo 1980 EP captures the original line-up of the band – vocalist Bobby Kimball, guitarist Steve Lukather, keyboardists David Paich and Steve Porcaro, bassist David Hungate and drummer Jeff Porcaro – performing four tracks from their then-new sophomore album Hydra (plus the unreleased track “Runaway”) during that historic trek. On red vinyl for Record Store Day 2020.

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Down In The Weeds, Where The World Once Was Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

LP | 2020 | EU | Original (Come Play With Me)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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V.A.

Come Stay With Me

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Gereg New Red Vinyl Edition W/ Bonus Tracks

The Hu

2LP | 2019 | EU | Reissue (Membran)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Long Lost Solace Find Black Vinyl Edition

Mike Polizze

LP | 2020 | EU | Original (Paradise Of Bachelors)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Tribute To Lemmy Red & Pink Vinyl Edition

Sonic Shamen

2LP | 2017 | EU | Original (Space Rock Productions)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tribute To Lemmy Black Vinyl Edition

Sonic Shamen

2LP | 2017 | EU | Original (Space Rock Productions)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Pleasure Line Purple Vinyl Edition

Video Age

LP | 2020 | US | Original (Winspear)

Release: 2020 / US – Original

Genre: Rock & Indie

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Video Age's third album pairs neon-bright 80s pop melodies with a vast range of influences (including Janet Jackson, David Bowie, and Paul McCartney) to create an optimistic sound all their own. The influences vary song to song, but they're all tinted with the same rosy hue, and Singer and multi-instrumentalist Ross Farbe says, "I'm often trying to create a more idealized version of the world I'm in." Video Age's first two albums were about loneliness and discovering oneself, but Pleasure Line takes on a whole new attitude, considering both Ross and songwriting partner Ray Micarelli are getting married this year. "We're feeling the love," Ray says, laughing. But these aren't expressions of one-dimensional puppy love-this is euphoria with depth, ecstasy with complications. Darkness is always lurking somewhere beneath happiness, but in the Video Age, even melancholy sounds like something you can dance to. Ray and Ross share a love for dancefloor hits. Experimentation and play is crucial to their approach, as is collaboration. Joined by band members and multi-instrumentalists Nick Corson and Duncan Troast, Video Age recorded the album together in Ross' New Orleans home studio. Pleasure Line is a salve that protects against cynicism-listening to this album, you can't help but feel the world around you is full of romantic potential.

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Cure

Pillbox Tales 1977-79

LP | EU (Arkain Filloux)

Release: EU

Genre: Rock & Indie

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LP | 2016 | EU | Original (Columbia)

Prefab Sprout

Steve McQueen

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Columbia)

Paul Simon

Graceland

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Arista UK)

Patti Smith Group

Wave

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (RCA)

Nothing But Thieves

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP+CD | 2019 | EU | Original (Inside Outmusic)

The Mute Gods

Atheists And Believers

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Epic)

Meat Loaf

Hits Out Of Hell

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (RCA)

Transformer

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Legendary second solo studio album by American recording artist Lou Reed. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Pressed on standard black vinyl.

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LP | 1982 | EU | Reissue (RCA)

The Blue Mask

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (RCA)

Coney Island Baby

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (RCA)

Berlin

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | US | Reissue (Arista)

Street Hassle

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Ashes Of The Wake 15th Anniversary Edition

Lamb Of God

2LP | 2004 | EU | Reissue (Sony)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Columbia)

Killswitch Engage

Atonement

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Epic)

Killing Machine

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Unleashed In The East: Live In Japan

LP | 1979 | EU | Reissue (Epic)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Epic)

Stained Class

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Epic)

Sin After Sin

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Epic)

Point Of Entry

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Epic)

British Steel

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Janis Joplin's Greatest Hits

Janis Joplin

LP | 1973 | EU | Reissue (Columbia)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP+CD | 2002 | EU | Reissue (Sony)

Evanescence

Synthesis

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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John Denver's Greatest Hits

John Denver

LP | 2019 | EU | Original (RCA)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Touched By The Crimson King Remasters

Demons & Wizards

2LP | 2005 | EU | Reissue (Century Media)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Demons & Wizards Remasters

Demons & Wizards

2LP | 1999 | EU | Reissue (Century Media)

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Spectres From The Old World

Dark Fortress

2LP | 2020 | EU | Original (Century Media)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (RCA)

Bring Me The Horizon

Sempiternal

Release: 2013 / EU – Original

Genre: Rock & Indie

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2LP | 2001 | EU | Reissue (Columbia)

Bob Dylan

Love And Theft

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Big Brother & The Holding Company

Cheap Thrills

LP | 2018 | EU | Original (Columbia)

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Columbia)

Amon Amarth

Berserker

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Sis)

High Voltage

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1976 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.

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LP | 1986 | EU | Reissue (Epic)

Who Made Who

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1986 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks

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LP | 1990 | EU | Reissue (Epic)

The Razors Edge

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Epic)

Let There Be Rock

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1977 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Eight tracks.

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For Those About To Rock We Salute You

LP | 1981 | EU | Reissue (Epic)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Dirty Deeds Done Dirt Cheap

LP | 1976 | EU | Reissue (Epic)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Digitally remastered European vinyl LP pressing of this 1976 release from the Australian Hard Rockers, reissued to coincide with their 2008 studio release and world tour. Nine tracks.

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LP | 1983 | EU | Reissue (Epic)

Flick Of The Switch