Rock & Indie 706 Items

LP | 1968 | EU | Reissue (Rhino)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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MC5

Kick Out The Jams

41,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | US | Reissue (Culture Factory)

Donovan

Fairytale

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Four Sail Expanded Edition

Love

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 1969 | EU | Reissue (Atlantic)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Four Sail is the fourth album by the American Rock band Love, released in 1969. By mid-1968, Arthur Lee was the only remaining member of the Forever Changes line-up of Love. Three LPs worth of material were recorded in a makeshift studio in a Los Angeles warehouse, released as Four Sail and the Blue Thumb LP Out Here. This expanded edition of Four Sail includes three bonus tracks.

180g vinyl.

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Yes

Yes Cobalt Vinyl Edition

36,99 €*

Dragonfly Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Yes - Yes is the band's acclaimed 1969 debut. Includes "Sweetness" and a cover of The Beatles' song "Every Little Thing"

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Dragonfly

LP | 1968 | EU | Reissue (Guerssen)

26,99 €*

John Mayall And The Bluesbreakers

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski

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A Hard Road

LP | 1967 | EU (Decca)

Release: 1967 / EU

Genre: Organic Grooves, Rock & Indie

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El Juego De Desaparecer / Chica Tiéntame

Los Syn

7" | 1966 | EU | Reissue (Madmua)

19,79 €* 21,99 € -10%

LP | 1967 | JP | Original (Liberty)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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The Ventures

On Stage, Encore!

LP | 1969 | JP | Original (RCA)

Release: 1967 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

No Obi, with insert.

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Norma Jean

The Best Of Norma Jean

9,99 €*

'Mid The Green Fields Of Virginia

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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The Carter Family

LP | 1964 | JP | Original (Victor)

Release: 1964 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1965 | EU | Reissue (Polydor)

The Allman Brothers Band

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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The Piper At The Gates Of Dawn Mono Mix Edition

Pink Floyd

LP | 1967 | EU | Reissue (Parlophone Label Group)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | JP | Original (CBS/Sony)

Bob Dylan

Nashville Skyline

59,99 €*

LP | 1963 | JP | Original (Vanguard)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

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Odetta

The Art Of Odetta

Release: 1963 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

If You Can Believe Your Eyes And Ears

The Mamas & The Papas

LP | 1966 | JP | Reissue (MCA)

40,99 €*

LP | 1969 | JP | Reissue (RCA)

Release: 1966 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

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Charley Pride

In Person

LP | 1967 | JP | Original (Liberty)

Release: 1969 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. vinyl is Close to VG+. 1973 reissue.

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The Ventures

On Stage, Encore!

LP | 1968 | JP | Reissue (London)

Release: 1967 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red vinyl. Japanese pressing.

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The Rolling Stones

Beggars Banquet

60,99 €*

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1978 reissue.

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Orphan Egg

LP | 1967 | EU | Reissue (Vinyl Lovers)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.

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Velvet Underground

White light / white heat

20,99 €*

Gira Gira / Parabéns Meu Bem Black Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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reissue on 180g vinyl with three bonus tracks

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

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Procol Harum

Shine On Brightly

Encore! Leon Bibb In Concert

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Shine On Brightly is the second studio album by English rock band Procol Harum. The title of the epic "In Held 'Twas in I" is an acrostic, taking the first word from the first movement as well as the first word from a verse later in the movement as well as the first word from each of the three successive movements as shown in the track listing.

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Leon Bibb

LP | 1963 | JP | Original (Liberty)

21,99 €*

LP | 1966 | DE | Original (Star-Club)

Release: 1963 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Red Vinyl with a couple of light scuffs. Cover with sticker

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V.A.

Sweet Beat

57,99 €*

LP | 1964 | NL | Original (Funckler)

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

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Chuck Berry

Chuck Berry On Stage

LP | 1969 | DE | Original (RCA Victor)

Release: 1964 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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José Feliciano

Light My Fire

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Zambetas And His Bouzoukia

Νύχτωσε Χωρίς Φεγγάρι (It´s Getting Dark Without the Moon)

LP | 1965 | GR | Original (Lyra)

Release: 1965 / GR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Gira Gira / Parabéns Meu Bem Red Vinyl Edition

Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

Matthew, Mark, Luke And John

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Methuselah

LP | 1969 | EU (Trading Places)

23,74 €* 24,99 € -5%

U.F.O. Blue Splatter Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has a unique flavour, and our edition includes two rare bonus tracks. This slice of obscure psyche must be heard to be believed!

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

32,99 €*

LP | 1969 | EU | Reissue (Capitol)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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The Band

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Best Of Peter, Paul And Mary

Peter, Paul & Mary

LP | 1966 | JP | Original (Warner)

The Best Of The Country Gentlemen

Release: 1966 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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The Country Gentlemen

LP | 1969 | JP | Original (London)

Release: 1969 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Very Best Of Hank Williams Vol. 1

Hank Williams

LP | 1963 | JP | Original (MGM)

The Brothers Four In Tokyo

Release: 1963 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With insert.

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The Brothers Four

LP | 1965 | JP | Original (CBS)

Release: 1965 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | JP | Original (CBS/Sony)

Simon & Garfunkel

Sounds Of Silence

19,99 €*

LP | 1966 | UK | Reissue (Big Beat)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. Vinyl is Close to VG+.

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The Sonics

Boom

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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LP | 1969 | ES | Original (Atlantic)

Iron Butterfly

In-A-Gadda-Da-Vida

10,99 €*

Deserti Blue Vinyl Edtion

Release: 1969 / ES – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Cover has creased corners and the lamination ist starting to peel off. Vinyl with many scuffs and hairlines. Copy close to VG

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Piero Pelu

LP | 1960 | EU | Reissue (Epic)

34,99 €*

Release: 1960 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1968 | JP | Original (Liberty)

The Ventures

Live Again!

23,99 €*

LP | 1968 | EU | Reissue (Discos Monterey)

Release: 1968 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with minimal wear

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Los Shain's

Docena 3

Quicksilver Messenger Service

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The following year, 1968, "Docena 3" would see the light of day, highlighting the LSD world on the cover, in which they added more accentuated lysergic moments, the use of the Indian zither, plus Jorge Pomar on rhythm, and other technical novelties such as reverse tape effects, including anti-war and love messages. The album brings together some captivating songs of their own, plus surprising covers with surrounding sound arrangements.

Shortly thereafter, the band would break up, but not before leaving us with another album to fulfill their contract, entitled "Instrumental's" (1968). The members would go on to separate careers with Pico's Los Nuevos Shain's, and Gerardo Manuel's The (St. Thomas) Pepper Smelter. They would reunite again in 2007, but it was not until this year 2021 that, thanks to Discos Monterey, these two late sixties Peruvian rock summits are once again available with excellent sound and respecting the original artwork.

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Shady Grove

LP | 1969 | EU | Reissue (Endless Happiness)

23,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (qms) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album. Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. (all music)

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LP | 1969 | EU | Reissue (Apple)

Yellow Submarine

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop, Classical Music, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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LP | 1965 | EU | Reissue (Apple)

Help!

Release: 1965 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

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LP | 1963 | EU | Reissue (Apple)

With The Beatles

LP | 1966 | US | Reissue (Colgems)

Release: 1963 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2012 reissue.

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The Monkees

14,99 €*

Release: 1966 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Record has some hairlines and a few superficial scratches.

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LP | 1964 | EU | Reissue (Apple)

A Hard Day's Night

22,99 €*

LP | 1968 | EU | Reissue (Life Goes On)

Release: 1964 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

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Far Cry

Is Back! Blue Vinyledition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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"Their music reaches from blues to jazz into space", proclaimed the original liner notes to this highly collectible record, just released in 1968. Hailing from Boston, the Far Cry were a talented seven-piece blending psych rock and r&b, in the vein of Blood, Sweat & Tears and Rare Earth, with a further look into the realms of Beefheart Magic Band and John Cipollina Quicksilver Messenger Service. Their sole album still maintain a distinctive sound, melting acid guitar, sax and even vibraphone, organ and conga.

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Elvis Presley

LP | 1960 | EU | Reissue (Dol)

15,99 €*

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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Bull Of The Woods Half Speed Master

The 13th Floor Elevators

LP | 1969 | UK | Reissue (International Artists)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Dream Catcher)

Jaklin

22,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Genesis HHV Exclusive Green Vinyl Edition

Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

26,99 €*

Genesis Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

25,99 €*

Rationals Record Store Day 2022 Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Rationals

LP | 1969 | US | Reissue (Rouge)

27,99 €*

Ars Nova Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 1000 copies.

The Rationals are one of the cornerstone bands of Detroit’s ever-storied rock history. Artists such as Bob Seger, Ted Nugent and Brownsville Station were influenced by The Rationals. Coming out of Ann Arbor in 1964, The Rationals gave an authentic R&B twist to the new rock ‘n roll styles of the British Invasion. They broke through on Jeep Holland’s A2 label in 1965 and found a hit with a cover of Otis Redding’s “Respect” on the Cameo Parkway label in 1966—reaching a spot on the Billboard Hot 100. By 1967 The Rationals were firmly embedded in the Detroit music scene alongside such contemporaries as MC5, The Stooges, Bob Seger System and the Amboy Dukes. They were frequently featured on bills at the legendary Grande Ballroom, and acted as supporting act for Cream, Jimi He ndrix, and Pi nk Floyd around the Detroit area. Their sole studio LP was self-titled and released by Crewe Records in 1970. Their matured sound included touches of soul, hard rock, psychedelia, and the blues which spawned originals like “Guitar Army,” and showcased their soulful talents on covers such as “Temptation ‘Bout To Get Me”.

This Record Store Day 2022 reissue of the 1970 LP has been newly remastered and pressed on orange and yellow splatter vinyl at Third Man Pressing in Detroit.

Barefootin' Temptation 'Bout To Get Me Guitar Army Something's Gotta Hold On Me Deep Red Sunset Glowin' Handbags and Gladrags Ha Ha Zip-A-Dee Doo-Dah (Bonus Track)

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Duane Eddy

LP | 1966 | US | Reissue (Sundazed)

Duane Eddy Does Bob Dylan Red Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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Duane Eddy

LP | 1965 | US | Reissue (Sundazed)

Nucleus White Vinyl Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Nucleus

LP | 1969 | US | Reissue (Sundazed)

31,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie, Pop

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LP | 1964 | EU (Trading Places)

Little Richard

Little Richard Is Back

21,99 €*

2LP | 1967 | US | Reissue (Polydor)

Release: 1964 / EU

Genre: Rock & Indie

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Known as ‘the Architect of Rock ‘n’ Roll,’ the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original ‘Groovy Little Suzy’ was co-written by Harry Nillson. All hail the King!

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Velvet Underground

White Light / White Heat

48,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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On The Threshold Of A Dream

The Moody Blues

LP | 1969 | US | Original (Deram)

6,99 €*

LP | 1969 | GDR | Original (AMIGA)

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has ring-wear.

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Theo Schumann Combo

Release: 1969 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1967 | US | Original (Reprise)

Arlo Guthrie

Alice's Restaurant

12,99 €*

Release: 1967 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Im Banne Einer Blassen Stunde

Renate Thormelen

LP | 1968 | GDR | Original (LITERA)

3,99 €*

Release: 1968 / GDR – Original

Genre: Rock & Indie, Pop, Comics, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Josef Laufer's Many Faces

Josef Laufer

LP | 1968 | CS | Original (Panton)

3,99 €*

Die Frechsten Geschichten Aus Hamburg

Release: 1968 / CS – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is missing.

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Klein Erna

LP | 1967 | DE | Original (Europa)

3,99 €*

Release: 1967 / DE – Original

Genre: Rock & Indie, Comics

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Used Vinyl

Medium: VG, Cover: VG+

Beliebte Russische Lieder

Karl-Heinz Hocke

LP | 1968 | DE | Original (Metronome)

Bertolt Brecht, Hanns Eisler, Lutz Görner – Ulrich Türk, Sigurd Rozbroy

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Texte – Zur Lage Der Nation

LP | 1960 | DE | Reissue (Esel)

7" | 1968 | US | Original (Velvet Tone Record Corp.)

Release: 1960 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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The Jimmy Velvet Five

Good, Good Lovin'

9,99 €*

7" | 1964 | DE | Original (CBS)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Johnny Cash

Ring Of Western Songs II

Aubrey Pankey, Siegfried Stöckigt

Release: 1964 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with a couple of scratches, closer to VG

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Negro Spirituals

LP | 1965 | GDR | Original (ETERNA)

Release: 1965 / GDR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Tutti Morimmo A Stento Black Vinyl Edition

Fabrizio De Andre'

LP | 1968 | EU | Reissue (RCA)

37,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | DE | Original (Constanze)

V.A.

Music For Wild Angels

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | EU | Reissue (Akarma)

The Serpent Power

25,99 €*

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.

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Summerhill

Rare Bird Orange Vinyl Edtion

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Produced by David Briggs (Neil Young, Alice Cooper) and recoreded at famous Wally Heider Studio 3 in Hollywood, CA during 1969, their self-titled album features ten original compositions, with essential contributions from the four members of the band. Summerhill certainly spotted a late-1960s West Coast vibe, including Hendrix-Rock style ("Bring Me Around"), sunshine pop ("Soft Voice") and even a touch of ‘flower-jazz’ ("What Can I Say").

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Rare Bird

LP | 1969 | EU | Reissue (Klimt)

Nancy Sinatra & Lee Hazlewood

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Rare Bird are perhaps best remembered for having the distinction of being the first act to be released on Tony Stratton Smith’s gloriously eclectic label Charisma records (also the home of Genesis, THE Nice and VAN DER Graaf Generator to name but a few) and for their excellent 1970 hit single ‘Sympathy’. Like fellow future Charisma stable mates Van Der Graaf Generator, Rare Bird was formed around the principle of keyboard dominated progressive rock which eschewed the use of guitars. In December 1969 their eponymous debut album was released to great critical acclaim.

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Mike Bloomfield And Al Kooper

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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The Live Adventures Of Mike Bloomfield And Al Kooper

2LP | 1969 | US | Original (Columbia)

14,99 €*

LP | 1965 | US | Reissue (4 Men With Beards)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Santa Maria Pressing.
Ships in a brand new plain sleeve.

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Holy Modal Rounders

20,99 €*

LP | 1966 | US | Original (Sunset)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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The Standells

"Live" And Out Of Sight

In Search Of The Lost Chord

Release: 1966 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side
Cover with seam split and faint ring wear.

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The Moody Blues

LP | 1968 | US | Original (Deram)

7,99 €*

Roy Orbison's Greatest Hits

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Pitman Pressing.
Record has some hairlines and a few superficial scratches.

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Roy Orbison

LP | 1967 | US | Original (Monument)

LP | 1961 | JP | Original (Reprise)

Release: 1967 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG+

Still shrink wrapped but opened.
Record has some hairlines and a few superficial scratches.

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Tony Williams

Sings His Greatest Hits

7,99 €*

LP | 1961 | JP | Original (Reprise)

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with OBI!

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Tony Williams

Sings His Greatest Hits

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Digno Garcia Y Sus Carios = Digno Garcia Y Sus Carios

Digno Garcia En Japon = 日本のディグノ・ガルシア

LP | 1967 | JP | Original (Columbia)

Release: 1967 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

West Coast Pop Art Experimental Band

Volume 2 Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

32,99 €*

Corridor Of Faces Black Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Released in 1967 on Reprise Records as a follow-up to 'Part One', 'Vol. 2' (the band's third LP!) takes the band into more ambitious and psychedelic territory than the '66 debut on Fifo Records and the first Reprise full-length, 'Vol. 2' maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freakouts, to multilayered avant-garde compositions at a moment's notice. This legendary LP sees its first ever reissue in mono, with sound taken from the original master tapes.

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Lazy Smoke

LP | 1969 | US | Reissue (Jackpot)

27,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Rhino)

Fleetwood Mac

Then Play On

38,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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I Got Dem Ol' Kozmic Blues Again Mama!

Janis Joplin

LP | 1969 | EU | Reissue (Music On Vinyl)

2LP | 1966 | EU | Reissue (Legacy)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.

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Bob Dylan

Blonde On Blonde

27,99 €*

LP | 1967 | EU | Reissue (Vinyl Lovers)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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180 gram pressing!

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Traffic

Mr.Fantasy

LP | 1969 | JP | Original (CBS/Sony)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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180 gram gatefold cover vinyl reissue incl. various bonus tracks!

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Donovan

Donovan's Greatest Hits

9,99 €*

Ars Nova Green Vinyl Edition

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has ring-wear.
Japanese pressing with obi.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

The Biggest Twang Of Them All

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Duane Eddy

LP | 1966 | EU | Reissue (Sundazed Music Inc.)

31,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | DE | Reissue (Sunset)

Sandy Nelson

Drums, Drums, Drums!

LP | 1969 | CS | Original (Supraphon)

Release: 1967 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

1972 reissue.

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V.A.

Night Club 68

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Idiosyncratics And Swallows Wings Orange Vinyl Edtion

Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

21,69 €* 30,99 € -30%

I Quelli Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…

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Quelli

LP | 1969 | EU | Reissue (RCA)

23,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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2LP | 1968 | US | Original (Apple)