Rock & Indie 726 Items

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | US | Reissue (Culture Factory)

Donovan

Fairytale

27,99 €*

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Four Sail Expanded Edition

Love

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 1969 | EU | Reissue (Atlantic)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Four Sail is the fourth album by the American Rock band Love, released in 1969. By mid-1968, Arthur Lee was the only remaining member of the Forever Changes line-up of Love. Three LPs worth of material were recorded in a makeshift studio in a Los Angeles warehouse, released as Four Sail and the Blue Thumb LP Out Here. This expanded edition of Four Sail includes three bonus tracks.

180g vinyl.

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Yes

Yes Cobalt Vinyl Edition

36,99 €*

Pentangle White Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Yes - Yes is the band's acclaimed 1969 debut. Includes "Sweetness" and a cover of The Beatles' song "Every Little Thing"

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The Pentangle

LP | 1968 | UK | Reissue (Renaissance)

22,99 €*

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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Creedence Clearwater Revival

LP | 1968 | EU | Reissue (Fantasy)

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Psychedelic Sounds Of The 13th Floor Elevators Facsimile Mono Edition

The 13th Floor Elevators

LP | 1966 | UK | Reissue (International Artists)

44,99 €*

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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2LP | 1966 | EU | Reissue (Sony)

Bob Dylan

Blonde On Blonde

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (RCA)

Jefferson Airplane

Surrealistic Pillow

LP | 1969 | EU | Reissue (Legacy)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g Vinyl.

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Santana

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Jimi Hendrix Experience

Are You Experienced EU Stereo Version

2LP | 1967 | EU | Reissue (Sony)

They Call Me Contry Blue Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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All time classic album, including 'Hey Joe' & 'Purple Haze'!

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Sanford Clark

LP | 1968 | US | Reissue (Numero Group)

29,99 €*

LP | 1969 | EU | Reissue (Rhino)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.

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Crosby, Stills & Nash

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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El Juego De Desaparecer / Chica Tiéntame

Los Syn

7" | 1966 | EU | Reissue (Madmua)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Los Syn were born in 1966 in Chile, formed by four young lads from the US whose parents were working in Santiago at the time, and they released this sole 45 before all going back to the US next year. The record is practically nowhere to be found, and such an amazing example of teen garage folk-punk the way we all lose our head for.

Limited reissue of 500 copies, with an insert with liners by Gary Pilgram (bass player), and two postcards with unseen photos!

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LP | 1967 | JP | Original (Liberty)

On Stage, Encore!

Release: 1967 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

No Obi, with insert.

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Wednesday Morning, 3 A. M.

LP | 1969 | JP | Reissue (CBS/Sony)

Release: 1969 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, no insert.

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2LP | 1969 | JP | Original (Liberty)

The Ventures Vol. 2

6,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | JP | Original (RCA)

Norma Jean

The Best Of Norma Jean

9,99 €*

'Mid The Green Fields Of Virginia

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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The Carter Family

LP | 1964 | JP | Original (Victor)

5,99 €*

Release: 1964 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Dragonfly Black Vinyl Edition

Dragonfly

LP | 1968 | EU | Reissue (Guerssen)

John Mayall And The Bluesbreakers

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski

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A Hard Road

LP | 1967 | EU (Decca)

16,99 €*

Release: 1967 / EU

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | EU | Reissue (Elektra)

The Doors

The Soft Parade

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | EU | Reissue (Polydor)

The Allman Brothers Band

30,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Creedence Clearwater Revival

Willy And The Poor Boys

LP | 1969 | EU | Reissue (Fantasy)

22,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP repressing of this 1969 album. WILLY & THE POOR BOYS, the fourth album by one of the world's all-time greatest rock bands, Creedence Clearwater Revival, remains a top-selling album in the CCR catalog with over 2 million copies sold to date. Reaching the top 50 in six countries upon it's release, the album stands as a landmark international success and one that cemented the band's legacy as a vanguard of American rock 'n' roll. Contains the ubiquitous chart-topping hit, 'Down On The Corner,' which rocketed into the top 10 in the Billboard Hot 100 in the U.S. and continues to be a mainstay on classic rock radio today. Additionally, the visceral 'Fortunate Son' is included here - an incendiary protest song that became inextricably linked to the Vietnam war, resulting in it's addition to the National Recording Registry by the Library of Congress in 2014 for being 'culturally, historically, or aesthetically significant'.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

9,99 €*

The Soft Parade 50th Anniversary Remaster Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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The Doors

LP | 1969 | EU | Reissue (Rhino)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Legacy)

Bob Dylan

Nashville Skyline

Time Out! Time In For Them

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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180 gram pressing!

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Them

LP | 1968 | US | Reissue (Tower)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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My Generation Half-Speed Remastered 2021 Vinyl Edition

The Who

LP | 1965 | EU | Reissue (Polydor)

33,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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The Piper At The Gates Of Dawn Mono Mix Edition

Pink Floyd

LP | 1967 | EU | Reissue (Parlophone Label Group)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Big Brother & The Holding Company

Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

LP | 1969 | JP | Original (CBS/Sony)

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Bob Dylan

Nashville Skyline

59,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

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LP | 1968 | JP | Reissue (CBS/Sony)

Bookends

20,99 €*

LP | 1963 | JP | Original (Vanguard)

Release: 1968 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. 1969 reissue.

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Odetta

The Art Of Odetta

Release: 1963 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

If You Can Believe Your Eyes And Ears

The Mamas & The Papas

LP | 1966 | JP | Reissue (MCA)

40,99 €*

LP | 1969 | JP | Reissue (RCA)

Release: 1966 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

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Charley Pride

In Person

5,99 €*

Release: 1969 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. vinyl is Close to VG+. 1973 reissue.

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LP | 1967 | JP | Original (Liberty)

On Stage, Encore!

16,99 €*

LP | 1968 | JP | Reissue (London)

Release: 1967 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Red vinyl. Japanese pressing.

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The Rolling Stones

Beggars Banquet

60,99 €*

Release: 1968 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1978 reissue.

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A Collection Of Beatles Oldies

LP | 1966 | JP | Reissue (Apple)

17,99 €*

Release: 1966 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing. OBI is missing. 1972 reissue. Vinyl is close to NM. Torn spine.

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Sgt. Pepper's Lonely Hearts Club Band

LP | 1967 | JP | Reissue (Apple)

30,99 €*

LP | 1966 | JP | Reissue (Arista)

Release: 1967 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. 1969 reissue. OBI is missing.

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The Monkees

13,99 €*

Golden Joan Baez Double Deluxe

Release: 1966 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. 1980 reissue. Few paper scuffs. OBI is missing. Sticker on front cover.

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Joan Baez

2LP | 1969 | JP | Original (Vanguard)

Pisces, Aquarius, Capricorn & Jones Ltd.

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Tiny corner wear and a few paper scuffs.

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The Monkees

LP | 1968 | JP | Original (Victor)

16,99 €*

Gira Gira / Parabéns Meu Bem Black Vinyl Edition

Release: 1968 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. Cracked corner.

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

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Orphan Egg

It Serve You Right To Suffer

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.

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John Lee Hooker

2LP | 1965 | US | Reissue (Analogue Productions)

75,99 €*

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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180g 45rpm pressing. Newly repressed at 45 RPM by Quality Record Pressings. This recording was originally mastered at the former AcousTech Mastering facility and the sound is fantastic.

John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.

And another surprise is in store for those who compare Hooker's late recordings with those made in the Sixties. His unmistakable, raw voice has fully matured, but his incantory style of singing appears markedly finer and more flexible. And then there is the perfect gem of a rhythm group whose sinewy sounds fill the grooves with merciless gravitational force. It's enough to make your spine tingle!

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Procol Harum

Shine On Brightly

LP | 1967 | EU | Reissue (Vinyl Lovers)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Shine On Brightly is the second studio album by English rock band Procol Harum. The title of the epic "In Held 'Twas in I" is an acrostic, taking the first word from the first movement as well as the first word from a verse later in the movement as well as the first word from each of the three successive movements as shown in the track listing.

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Velvet Underground

White light / white heat

20,99 €*

Encore! Leon Bibb In Concert

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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reissue on 180g vinyl with three bonus tracks

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Leon Bibb

LP | 1963 | JP | Original (Liberty)

LP | 1968 | DE | Original (Reprise)

Release: 1963 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Red Vinyl with a couple of light scuffs. Cover with sticker

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Miriam Makeba

Makeba!

LP | 1966 | DE | Original (Star-Club)

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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V.A.

Sweet Beat

57,99 €*

LP | 1964 | NL | Original (Funckler)

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

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Chuck Berry

Chuck Berry On Stage

LP | 1969 | DE | Original (RCA Victor)

Release: 1964 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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José Feliciano

Light My Fire

4,99 €*

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Zambetas And His Bouzoukia

Νύχτωσε Χωρίς Φεγγάρι (It´s Getting Dark Without the Moon)

LP | 1965 | GR | Original (Lyra)

Release: 1965 / GR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

The Brothers Four Greatest Hits

The Brothers Four

LP | 1969 | JP | Original (CBS/Sony)

3,99 €*

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI, with insert.

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Jameson

Color Him In

LP | 1969 | EU | Reissue (Rotorelief)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Another lost gem from the non-jazz Verve catalogue, Color Him In is a daydream experience from loner singer/songwriter Bobby Jameson. Released in 1967 the album is an orchestrated psychedelic trip, no surprise then Jameson had a part in the cult film Mondo Hollywood. Produced by Curt Boettcher the album had several psych-pop numbers with rare female vocals harmonization.

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Silver Apples

Contact

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Gira Gira / Parabéns Meu Bem Red Vinyl Edition

Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

LP | 1969 | EU | Reissue (Wiseraven)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pesky Gee!

Exclamation Mark

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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This Is Peter, Paul & Mary

Peter, Paul & Mary

2LP | 1969 | JP | Original (Warner Bros. - Seven Arts)

4,99 €*

LP | 1969 | EU | Reissue (Elektra)

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI. Vinyl 1 has many scuffs, hairlines and sticky spots.

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The Doors

The Soft Parade

14,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | EU | Reissue (Parlophone)

Deep Purple

34,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Bonfire)

Siren

Another Day, Another Lifetime

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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The David

LP | 1967 | US | Reissue (Vance)

25,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (International Artists)

13th Floor Elevators

Easter Everywhere

23,99 €*

LP | 1969 | US | Reissue (Mainstream)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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Lacewing

LP | 1969 | US | Reissue (Mainstream)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Colored Vinyl

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Stone Circus

The Stone Circus

LP | 1969 | DE | Reissue (ATCO)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Iron Butterfly

In-A-Gadda-Da-Vida

6,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Matthew, Mark, Luke And John

Methuselah

LP | 1969 | EU (Trading Places)

LP | 1969 | US | Reissue (International Artists)

Release: 1969 / EU

Genre: Rock & Indie

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Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has a unique flavour, and our edition includes two rare bonus tracks. This slice of obscure psyche must be heard to be believed!

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Bubble Puppy

A Gathering Of Promises

38,99 €*

LP | 1969 | EU | Reissue (Capitol)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2011 reissue. close to NM

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The Band

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Music From Big Pink 50th Anniversary Deluxe Edition

The Band

2LP | 1968 | EU | Reissue (Capitol)

29,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Best Of Peter, Paul And Mary

Peter, Paul & Mary

LP | 1966 | JP | Original (Warner Bros.)

The Best Of The Country Gentlemen

Release: 1966 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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The Country Gentlemen

LP | 1969 | JP | Original (London)

5,99 €*

Release: 1969 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Very Best Of Hank Williams Vol. 1

Hank Williams

LP | 1963 | JP | Original (MGM)

The Brothers Four In Tokyo

Release: 1963 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With insert.

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The Brothers Four

LP | 1965 | JP | Original (CBS)

Release: 1965 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | JP | Original (CBS/Sony)

Sounds Of Silence

The Birds, The Bees & The Monkees

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. Vinyl is Close to VG+.

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The Monkees

LP | 1968 | JP | Original (Victor)

9,99 €*

U.F.O. Blue Splatter Vinyl Edition

Release: 1968 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI! taped spine

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

Klaus Kinski Spricht François Villon Und Arthur Rimbaud

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Kinski Spricht Villon Und Rimbaud 1

LP | 1969 | DE | Reissue (Amadeo)

7,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1966 | UK | Reissue (Big Beat)

The Sonics

Boom

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Wednesday Morning, 3 A. M.

LP | 1969 | JP | Reissue (CBS/Sony)

Cruising With Ruben & The Jets

Release: 1969 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No Obi, with insert.

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The Mothers

LP | 1968 | DE | Original (Verve)

37,99 €*

LP | 1969 | ES | Original (Atlantic)

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover has edge and storage wear. Vinyl with light scuffs and hairlines.

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Iron Butterfly

In-A-Gadda-Da-Vida

10,99 €*

Deserti Blue Vinyl Edtion

Release: 1969 / ES – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Cover has creased corners and the lamination ist starting to peel off. Vinyl with many scuffs and hairlines. Copy close to VG

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Piero Pelu

LP | 1960 | EU | Reissue (Epic)

34,99 €*

Release: 1960 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 1968 | JP | Original (Liberty)

Live Again!

23,99 €*

LP | 1968 | EU | Reissue (Discos Monterey)

Release: 1968 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with minimal wear

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Los Shain's

Docena 3

LP | 1969 | US | Reissue (Island)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The following year, 1968, "Docena 3" would see the light of day, highlighting the LSD world on the cover, in which they added more accentuated lysergic moments, the use of the Indian zither, plus Jorge Pomar on rhythm, and other technical novelties such as reverse tape effects, including anti-war and love messages. The album brings together some captivating songs of their own, plus surprising covers with surrounding sound arrangements.

Shortly thereafter, the band would break up, but not before leaving us with another album to fulfill their contract, entitled "Instrumental's" (1968). The members would go on to separate careers with Pico's Los Nuevos Shain's, and Gerardo Manuel's The (St. Thomas) Pepper Smelter. They would reunite again in 2007, but it was not until this year 2021 that, thanks to Discos Monterey, these two late sixties Peruvian rock summits are once again available with excellent sound and respecting the original artwork.

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Nick Drake

Five Leaves Left

38,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Discos Quilombo)

Grupo 606

Quicksilver Messenger Service

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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New Discos Quilombo release, now time for Grupo 606 out of Cochabamba, Bolivia!!! Formed in 1967, in 1969 they released a great EP and we've now pressed this 7" with the best two songs out of that record. A true fine example of the "Nueva Onda Boliviana" sound, with a killer cover of the Blues Magoos' "Gotta Get Away" and the self-penned "No, no puede ser", kind of beat number with taquirari influence.

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Shady Grove

LP | 1969 | EU | Reissue (Endless Happiness)

23,99 €*

Synanthesia Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (qms) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album. Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. (all music)

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Synanthesia

LP | 1969 | EU | Reissue (Guerssen)

Monster Movie Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Prog-psych / acid-folk lost classic from 1969 by this short lived London trio. Now lovingly reissued on vinyl with fantastic remastered sound and including insert with rare photos / memorabilia and detailed liner notes by Steve Krakow aka Plastic Crimewave. Named after a Cannonball Adderley track, Synanthesia formed thanks to a Melody Maker ad placed in 1968 by guitarist/vibes/vocalist Dennis Homes, answered by Jim Fraser (who played sax, oboe and flute) and Leslie Cook (an Incredible String Band fan on bongos, violin and mandolin). With their particular blend of folk, jazz and psychedelia, the trio played all the key underground venues and clubs, sometimes alongside top acts like Floyd, King Crimson or Fairport Convention. Their sole album was recorded at Sounds Technique studio in Chelsea (which was where Pink Floyd were recording their albums at the time) and subsequently released by RCA. The cover featured the trio climbed onto a tree at the same park where the Beatles filmed their “Strawberry Field” promo film. Despite the good reviews and the support of DJs like John Peel, the album was considered too far out and psychedelic and eventually flopped, only to be re-discovered several decades later by acid-folk fans and collectors.

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Can

LP | 1969 | Reissue (Mute)

Release: 1969 / Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Apple)

Yellow Submarine

29,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop, Classical Music, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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LP | 1965 | EU | Reissue (Apple)

Help!

30,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

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LP | 1967 | EU | Reissue (Apple)

Magical Mystery Tour

38,99 €*

A Saucerful Of Secrets Record Store Day 2019 Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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Pink Floyd

LP | 1968 | EU | Reissue (Parlophone)