Punk | Hardcore 365 Items

Who better to help you celebrate that most wonderful time of the year than holiday favorites Bad Religion? Tackling eight chestnuts in their classic punk rock style. From "White Christmas" with its nod to pioneersThe Ramones, to the glorious choirboy intro to "Hark! The Herald Angels Sing," Christmas Songs is the record you need to get your holiday household"s toes tapping.

Like new, record looks unplayed. Comes with insert.

Insert and original inner sleeve included. Record looks unplayed.

Comes with original inner sleeve. Record looks unplayed.

When it came to the follow-up of their 1990 magnum opus Feel The Darkness, failure was not an option for Poison Idea. Seeking a way to expand their musical horizons while still retaining their cranked-up style, UK-cum-Chicagoian producer Iain Burgess (Big Black, The Effigies, Naked Raygun) was brought in to assist in this audacious feat. The results—1992’s Blank Blackout Vacant—successfully showcased a meshing of Poison Idea's classically surging sound and a new found refinement: demonstrated by the brass section on tracks like the driving opener “Say Goodbye” or the chugging, Motörhead-esque “Forever and Always”. Rolling on with their relentless reissue schedule for Portland’s Kings of Punk, TKO replenishes the double-disc edition of Blank Blackout Vacant first introduced back in the maddening year of 2020. Along with the album’s original batch of thirteen tracks capped off by a thundering version of New York Dolls'’ “Vietnamese Baby”, you get a bonus LP containing a bevy of B-Sides, covers by acts as disparate as Lords Of The New Church, The Who, and Booker T. & The MGs., as well as a live on-air performance on Portland’s long-running community radio station Kboo from the Fall of 1991. Originally released at a pivotal point in the band's career, Blank Blackout Vacant remains an essential component in the understanding of the band's epic trajectory.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

Cover with seam splits.
Includes original inserts.
Small light scuff on side B.
Record is slightly warped but still enjoyable.

Clear Vinyl With Red Swirl.

Cover with beginning seam splits but close to VG+.

Still in shrink but opened. Original inner sleeve.

Special Edition, Black/Red Starburst vinyl in box set. Game included.

First time release with all the songs recorded from this seminal Spanish band. Replica for cover and inside art work. 180 gram vinyl. Espasmódicos were formed in the Malasaña council, Madrid in the first days of 1981. J. Siemens (guitar), Kike (voice) and CSG71 (bass) were the first line-up, completed when Carlos Torero joined them as a drummer. Influenced by the first punk-hc bands coming out but also for some hard-rock elements, soon the first tracks were composed and then, in 1982, the mighty DRO label released their first 7" called "Recomendado para molestar a su vecino", featuring 3 songs that are one of the seminals steps into punk in this country. They had a guest on the person of Karlox from Polansky y El Ardor at the saxophone, something very weird in the bands of that first punk wave. Since the 7" was released the band started to be well known and they went to some Spanish TV shows to promote their work. Carlos Torero decided to leave the band and a studio-session drummer joined in the person of Carlos de Yebra. In 1983 the band recorded their last songs: first they registered the mighty tracks that went on to the great compilation "Punk, qué punk?" released by DRO. This songs were "Tía, vete a cagar" and a free cover-version from Sex Pistols called "Belsen was a gas", something that pointed the band to a weird status as the lyric was something into Nazism or fascism, something that the band never were. The second studio session for that year (and the last ever for the band) was to register their maxi-single "Espasmódicos", five songs together with the great art-work done by J. Siemens and Kike Kruel, very similar to the Crass's stuff and so. Beat Generation, absolutely fan of the band, is more than proud to release this LP with all their discography, together with a replica of the art-work.

Dead Ending is back with their second release and it's simply brutal. The first laid the foundation, but this EP better reflects the band firing on all cylinders, with all members now contributing songs. DE II sports screaming guitars, thumping bass, pounding drums and a vocalist who makes you crap in your pants as you run for protection.By now, punks should already be familiar with Dead Ending, the fierce hardcore outlet for Joe Principe (Rise Against), Derek Grant (Alkaline Trio), Jeff Dean (The Bomb, Noise by Numbers) and the legendary vocalist Vic Bondi (Articles of Faith). The band has only played one show to date-at the Punk Rock Bowling Festival in Las Vegas-and will be hitting the road in 2013. "Vic's still schooling us." -Vice "Move over, OFF! there's a new generation-spanning, '80s hardcore-influenced band in town." -Exclaim "This is exactly what pissed off, political hardcore should sound like in 2012." -Punks in Vegas