Punk | Hardcore 365 Items

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “From Under The Cork Tree” is finally back in print on limited vinyl.

Drawn up by some of the most unsavory souls in the Boston, MA underground hardcore scene and reinforced by members who have done time in infamous area bands like Mind Eraser, Righteous Jams, Mental, Xfilesx and many others, THE Rival MOB have become the darlings of the current hardcore scene, inspiring shameless violence and playing high on the bill at the most important hardcore festivals in America; This Is Hardcore in Philadelphia, Sound And Fury in California, and Chaos in Tejas in Austin, TX. In between serving time with their current other projects World WAR 4, Give, NO Tolerance, and Boston Strangler, the band will be playing on both coasts highlighted once again by the big summer festivals as well as their first-ever trip across the Atlantic to Europe. The band’s Revelation Records debut picks up right where their previous EP, Hardcore For Hardcore, left off, with vocalist Brendan Radigan spewing venom at the ills that plague both the outside world and the scene itself, all delivered over fast, stage dive-inspiring hardcore that brings to mind the best of mid-to-late ’80s New York hardcore bands like Youth OF Today, Warzone, and Breakdown.

Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear color in color vinyl with die-cut album packaging. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including “Right Back At it Again” and “Sometimes You’re the Hammer, Sometimes You’re the Nail”. Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions.

2. Auflage mit neuem Cover., aber gleicher Musik.

Strike Anywhere blend the sounds of fast melodic punk rock with a taste of that classic hardcore edge. The band musicianship is outstanding and has catchy and thought-provoking lyrics. The band emerged in 1999 from Richmond, VA. Vocalist Thomas Barnett (ex-Inquisition), guitarists Matt Smith and Matt Sherwood, bassist Garth Petrie (ex-Count Me Out), and drummer Eric Kane took a staunchly political and activism-minded approach to hardcore and punk traditionalism, drawing comparisons in both sound and vision to such stalwart acts as Avail and 7 Seconds. Artist

Record Store Day 2020 Release.
Limitation: 1000 copies.

Pre-GWAR mayhem. This is the band that started it all. Before Oderus Urungus, Dave Brockie fronted Richmond VA art-punk weirdos, Death Piggy. All 3 of their EPs are combined with unreleased and compilation tracks on 180 gram vinyl with experimental etchings, remastered from the original tapes and with liner notes written by the band's guitarist Russ Bahorsky. Bonus: 20 minute never before heard live improv acoustic set from 1984, recorded as the band surprised business owners and pedestrians on the street with an impromptu performance. First American vinyl pressing in over 30 years.

Side A 1 G-o-d Spells God 2 Splatter Flick 3 Eat The People 4 Fat Man 5 Nympho 6 Bathtub In Space 7 No Prob, Dude 8 Mangoes & Goats 9 Welcome To The Record 10 Boner 11 Showbiz 12 Dinner In The Morning

Side B 1 Whippin' Around The Bay 2 Ceramic Butt 3 Poet 4 Ground ''b'' Sound 5 Joey Died Today 6 Minute 2 Live 7 Scabs (unreleased) 8 Ewoks (unreleased) 9 Fear Of Murder (rare)

-Bonus- 20 minute live improv acoustic set from 1984, captured as the band surprised business owners and passerby on the street by showing up unannounced with their instruments. (only Available With THE Download OF THE Album, Included With THE Purchase OF THE LP) 1. Hey, It's Okay 2. Jeff Slater 3. You Can Eat Dinner If You Want To 4. Something In A / The Day After The Music Died 5. Jingle Bells / Leprosy 6. Purple Haze

If "Joy As An Act Of Resistance" was meant to detail the band's manifesto, the band's highly anticipated third album, "Ultra Mono," is the sound of IDLES heading to the front for these principles, ram in hand. Musically constructed to capture the feel of a hip-hop album (Kenny Beats has also participated in programming on several tracks) the songs have a double language, mixing vitriolic sneers with a direct social comment on the band's past work. Not far below the surface of the slogan they gave themselves, is a deeply complex and brutally relevant album that chews clichés and spits them out in the form of great art for the masses. Active presence and self-acceptance are also at the heart of "Ultra Mono" whose most songs were written in the recording studio, and the phrase "I am I" serves as a lyrical and spiritual mantra. Ultimately "Ultra Mono" is a celebration of the community, the one on which IDLES has been striving to build itself since its beginnings, to form something bigger than itself. As their audience grows, initially attracted by a sense of non-belonging, they create together a diverse congregation of people that offers each of them their place.

Now grown out of the bedroom and operating as a fully functional band, London via Ukraine's POWERPLANT follow up last year's 'People Of The Sun' LP with this new 5 track banger. The Devo / Tubeway Army / Screamers / Lost Sounds comparisons are still there but also the weirder tracks are weirder, the faster tracks are faster and is Theo fucking crooning on the opener? One way to find out. To better days! Limited to 500 copies pressed on clear vinyl. Shoved inside a reverse board sleeve complete with lyric sheet.

The French hardcore group STINKY –- who have played more than 350 concerts across 15 different countries in support of their first two albums, including a standout performance at last year's Hellfest – will release their third full-length album “Of Lost Things,” on M-Theory.

It was in 2006 that Detroit punks THE SUICIDE MACHINES called it a day after 15 years and six full-throttle, super-charged and confrontational albums. The break didn’t last too long—in 2009, the four-piece reconvened to play the occasional local shows and embarked on a handful of tours. Finally, the band is back with a brand-new album—the first since War Profiteering Is Killing Us 15 years ago! Revolution Spring, the band’s seventh album and Fat Wreck debut, picks up right where they left off—full of blistering, rousing songs finding the band in truly explosive and energetic form. Over the course of a couple of years, the band wrote a total of 30 songs. With the help of both LESS THAN JAKE's bassist ROGER LIMA, who produced Revolution Spring, and THE CODE's frontman MARC CODE, The Suicide Machines whittled those down to the 16 that make up this record. While on the one hand, these songs serve as an overview of the band’s career and the different permutations of punk they’ve dabbled in over the years, it also possess the energy, spontaneity and enthusiasm of a band many years their junior—albeit with the wisdom that comes from being alive for a few decades. Recorded in “about 12 days” at Rancho Recordo, Revolution Spring is a powerful and cohesive combination of hardcore, ska and anthemic punk rock.

The World/Inferno Friendship Society’s long awaited new album dares one to try and decipher its multi-layered, encrypted message, while being dragged kicking and screaming through a succession of flashbacks, alternate realities and drug and alcohol induced delusions. While this ensemble is known for its utter disregard for boundaries of genre, All Borders Are Porous To Cats deliberately pushes the limits of what could possibly be perceived as punk rock. It scores tales of fugitives, arson, larceny, perjury, drug addiction and freedom with elements of soul, funk, latin, polka, and classical music, as well as the band’s signature punk cabaret sound. Three years in the making, five missed release dates, five lost band members, many a bridge burned, and a defamation lawsuit waiting to happen, The World /Inferno Friendship Society invites the listener to enjoy the fruits of their perpetual torment.

This seventh full-length album finds the collective reset and reinvigorated, behind the lyrics of Jack Terricloth, apparent possessor of the punk rock fountain of everlasting style and rage. The album follows Cat In The Hat (no relation), an undocumented refugee who is framed for a crime and requires the assistance of a ragtag gang of miscreants, academics, orchestra-caliber musicians, and radical insurgents—sometimes art does in fact imitate life!

The album’s release comes in tandem with the release of accompanying book One Smashed Window For Every Divided Soul, an illustrated combination tour journal and narrative exploration of Cat and his travails. The book acts as a companion piece to the album’s story, sifting through archival documents and fabulist accounts of the band’s East Coast tour of 2017.