Punk | Hardcore 131 Items

BACK IN PRINT! Originally issued in 2011, this was the second single taken off the NYC-based punk rock band's 'Kill Everyone' album, backed with the exclusive flipside track 'The Story'.

"Re-release of this classic album. 1-sided vinyl with an etching on the b-side featuring artwork by Kyle Pellet (the etching is of the drawing pictured). 1000 copies pressed on black vinyl." - Asian Man

A special release signifying PPM50 and Post Present Medium as a label for ten years. Wives were a punk band formed in Los Angeles in 2001, they recorded, performed and toured until 2005 when they disbanded. After their last US tour and and before their (_rst and last) UK /Europe tour in 2005 Dean Spunt (bass and vocals) and Randy Randall (guitar) recorded these 7 songs with new drummer Roy Tatum. These were the songs, if you saw them live, Wives were playing, working on and perfecting at the time on the final tour.Recorded By Bobb Bruno in their practice space in 2005 the "Roy Tapes" were shelved and have not been listened to by anyone until they were decided to be released, nearly seven years later. It holds the fury and confusion of the live sets...

Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

LONG KNIFE's sophomore release Meditations on Self Destruction LP from 2015 back in print. Crazed hardcore. Feral punk hardwired with brutality seemingly on the edge of collapse. Long Knife continue their path of destruction while refining the Portland hardcore sound.

25 years in the making the Dwarves Are Born Again features heroes from throughout the Dwarves saga. Blag the Ripper, HeWhoCanNotBeNamed, Rex Everything, the Fresh Prince of Darkness and a cast of thousands including Vadge Moore and Sgt. Saltpeter from the notorious Blood, Guts and Pussy record return to crush the ears of a desperate public. You get hardcore punk, ear banging pop and everything in between from the long standing masters of all styles. Damaged rock celebrity cameos mix with twisted phone messages and ear splitting noise all delivered with the pomp and circumstance that only the mighty Dwarves can deliver.

"On their debut EP, Seahaven explores a very transparent back-and-forth between their dark and light sounds, a lot like what we saw Brand New do on Deja Entendu and The Devil and God Are Raging Inside Me. Vocalist/guitarist Kyle Soto has that voice that exudes an audible pain sometimes, while at other times sounding so damn hopeful that it might break your heart even more. When Seahaven is playing sadder and darker music, it tends to be more in the vein of perhaps Crime In Stereo, or to compare the band to a more contemporary peer, Balance & Composure. Not many bands are playing this type of music, and a large percentage of the groups that are trying aren't doing it very well. Seahaven isn't just doing it well - they border along fantastic." - Absolutepunk.net

Having formed only about two years ago, Lion's Law has quickly
established themselves as one of the elite, modern, skinhead streetpunk
bands alongside Booze & Glory, Evil Conduct, Bishops Green and The
Templars. Formed by members of the popular French band Maraboots, Lion's
Law took a direction equally as influenced by classic UK oi bands like
Last Resort as much as classic French bands like Warrior Kids and Camera
Silens. This fusion creates a unique sound that has met with success not
only across Europe but also in the U.S. and elsewhere.

The best ever french 77 punk band with Metal Urbain. Killer and cult..... best lyrics/bests songs A must have for any KBD-PUNK77 lover.

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

Special edition for Record Store Day 2011

De Brassers were one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions.

The doomed sound they produced channels the dark atmosphere of the late seventies and early eighties: the fear of atomic bombs, cold war pessimism, police violence against squatters, the first cases of Aids, and the grim years of Reagan & Thatcher.

Nofx returns with The Longest EP, a collection of thirty songs taken from the band’s numerous EP releases. The Longest EP spans Nofx’s first Fat Wreck Chords release The Pmrc Can Suck On This to Cokie the Clown. It includes eight tracks that have never been available on CD or digitally, and two songs previously unreleased in any format. The album’s title continues the band’s trademark witticisms with a play on the title of Nofx’s most popular EP, The Longest Line, which itself is included amongst the impressive track listing. In addition, Nofx commissioned the original artist that illustrated the now famous cover for The Longest Line to create the artwork for The Longest EP. With an ardent and extensive fan base, Nofx’s releases are always met with great anticipation and The Longest EP will be no different.

Red w/ Bone & Purple Splatter Vinyl.I Wish I Could Stay Here is the debut studio album by English rock band Basement. After forming in 2010, the band released a demo and signed to Run for Cover. Following this, the band toured across the UK and Europe in late 2010 and early 2011. They recorded their debut album I Wish I Could Stay Here in May 2011 at Stuck on a Name Studios in Nottingham and released two months later. Following this, the group embarked on tours of the UK, the US and Australia. The album received favourable reviews from critics, and featured on Thrash Hits' top 20 albums of 2011 list."more soul, more emotion, and just more great songs" - Thrash Hits

Thee Spivs are back with their second album 'Black And White Memories' in November, following their critically acclaimed debut 'Taped Up' from 2010. This is the lead single from the album called 'T.V. Screen', it's a limited edition 7" with anexclusive b-side, a cover of the Billy Childish classic "Don't Like The Man That I Am" which weirdly enough has also been covered by Pete Molinari and the Singing Loins, both on Damaged Goods! Thee Spivs are Ben Edge (Guit/Vox) Dan May(bass) and Steve Coley (drums). Rock'n'Roll hasn't been this much fun for years, give it a try, you might like it!

[DEU]Limitiert auf 500 7"s auf grünem Vinyl nur für die Europa Tour 2011! "Wir wollten für diese Tour etwas ganz Besonders machen. Das neue Album erscheint erst in ein paar Monaten, so dass uns bei ein paar Bier und guter Pizza in einem Pub in Hackney die Idee kam, den ersten Track auf dem THEE SPIVS Debütalbum mit deutschem Gesang aufzunehmen, so wie das Bands in den Sixties ständig gemacht haben. Also nahm Ben mit der Hilfe von unseren Freunden von Cargo Records Germany deutschen Gesang für diese Doppel-A-Seite auf. Außerdem haben THEE SPIVS soeben die erste Hälfte ihres Album fertig aufgenommen, das später 2011 erscheinen wird." - Ian Ballard, DAMAGED GOODS.www.myspace.com/theespivs[ENG]LIMITED EDITION OF 500 GREEN COLORED 7" SINGLES FOR EUROPEAN TOUR 2011. "We wanted something special to release for the tour and the new album is still months away, so over a few beers and some very nice pizzas in a Hackney pub we came up with the idea of a German vocal on the first track on their debut album as a nod to the great bands of the sixties who did this on a regular basis. So, with a little help from our friends at Cargo Germany Ben re-recorded the vocals in German for this double 'A' side 7"! They have also just finished recording the first half of their second album which will be out later in 2011. " - Ian Ballard, DAMAGED GOODS.

Bringing together all of the recordings from seminal anarcho puck outfit Stone The Crowz - on stunning White Vinyl! Formed in East London / Essex, a mutual love of Crass and all things anarcho first brought Trevor Speed and Trevor Delasalle together and the band was formed. After several false starts with different musicians they finally found what they were looking for in Steve Beatty drums) and Matthew Sheath bass) and very quickly they had a set and made their live debut supporting The Subhumans. In just under a year the band were in the studio and recorded their first six track demo in 1985, a second demo with a much angrier feel soon followed and racks from both demos ended up on vinyl: Mortarhates We Won't Be Your Fucking Poor, Endangered Musics Relying On Us EP and Punk Lives, Lets Slam released by Slam Records.

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Recorded over 6 months by Jon Drew at Giant Studios in Toronto, Year of the Ox is the band's fourth record in the continuing 12-year cycle and adds to its evolving retinue of guest musicians. The patient and building Year of the Ox features Nika Rosa Danilova of Zola Jesus for a guest vocal passage and Toronto's string quartet, New Strings Old Puppets. B-side "Solomon's Song," a gothic vampire love tribute to Twilight, features a 5-minute saxophone solo from Aerin Fogel of the Bitters and heavy synthing from Trust.

Limitiert auf 500 Stück! Über die neue Heimatglück Platte kann man sich gleich dreifach freuen. Endlich eine neue Veröffentlichung und zwar mal wieder ein Longplayer und das auch noch auf Vinyl und auch nur auf Vinyl. Das wird den Heimatglück-Freund besonders freuen. Zusätzlich liegt noch ein Kupon zum kostenlosen Download bei. Musikalisch wieder mal unverkennbar Heimatglück dürfte das Album nicht enttäuschen. Letztes Jahr gab es schon einen kleinen Vorgeschmack auf diese LP in Form einer super-limitierten Split-7" mit der Hamburger Band Herrenmagazin. Mit dem dort vorab zu hörenden Stück ,Leben deklinieren" sind auf der neuen LP zwölf neue Stücke enthalten, die in den letzten drei Jahren entstanden sind. Weiter angereichert wird ,Spass allein genügt nicht mehr" mit zwei neu eingespielten Versionen von zwei Stücken (,Eventuell Morgen" und ,Sahnemund"), die schon von Compilations bekannt sein dürften und zuletzt gibt es anlässlich des 15-jährigen Bestehens mit ,Carlo" noch eine Neuaufnahme von der ersten Split-7" mit Pankzerkroiza Polpotkin. Aufgenommen und produziert in Zusammenarbeit mit Ronnie Henseler/Alien Network (Kommando Sonne-Nmilch u.a.) in Hamburg, mit welchem schon das ,Können gebratene Tauben fliegen?"-Album und die Klartext-7" aufgenommen wurde. Das Cover ist von Pencil Quincy (bekannt ua für die Cover von Digger Barnes) exklusiv gestaltet worden und überhaupt ist die Platte, wie man es von Heimatglück gewohnt ist, besonders hübsch. Dazu gibt es ein Inlay mit allen Texten und Fotos.

"Damaging Acts" is the first single taken from the Cute Lepers upcoming third album "Adventure Time". This 7" release features an exclusive b-side called "Don't Believe The Numbers".

2010 release from the critically acclaimed Punk trio. Last year, Screaming Females toured relentlessly in support of their critically acclaimed third album Power Move. Their hard work landed them spots opening for Dinosaur Jr., Throwing Muses, and Jay Reatard, plus dates touring with Arctic Monkeys and the Dead Weather. The year brought them to a wider mainstream consciousness, gaining attention for their Punk Rock sensibilities and their raucous live shows driven by front woman Marissa Paternoster’s famed guitar heroics. On Castle Talk, the trio proves their abilities as more than just a pint-sized guitar shredder. Castle Talk showcases their growth together as a unit, as a band, with some of their most complex and confident songwriting to date.

Defiance, Ohio return with their third full-length album with No Idea! Were we super excited to get the call where they said they were recording? You bet! Eleven new songs.”—No Idea

2015 debut EP from southwest emo, pop, punks, Shit Present / One sided 12" on neon pink vinyl limited to 300 copies

Limited edition clear vinyl only release featuring audio from the Bad Brains 1982 live DVD. REISSUED FOR 2014 IN LIMITED CLEAR VINYL! This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982.

Sure it sounds confusing, but the material on the CD and LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different.

Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more.

The MY Life MY WAY album was originally released in 2011 by Nuclear Blast. Here is the official 2023 vinyl repress on Rebellion Records.

Limited edition for Black Friday RSD 2015!

“It's a devastating debut...this album has struck me with a vengeance. Because it delivers such a powerful, complex and open-ended punch, it's almost impossible at such an early stage to explain why or how in full detail.” Melody Maker. / “I would be willing to sit down and argue that modern-day rock ‘n’ roll reached its peak in 1978 with Pere Ubu’s The Modern Dance and has declined ever since." Rolling Stone / “Peru Ubu’s full length debut fancies itself a fusion of musique concrete and The Stooges. Shrill and ugly it crystallises their original version of industrial rock” Uncut / ‘The Modern Dance’ is the first studio release from Pere Ubu set for reissue on Fire Records in August, 2015. Following their self-released first singles on Hearpen Records, the uncompromising complex debut has continuously stirred critics. Today the record is still as direct and powerful as it was first heard. Exploding onto the scene with a handful of releases behind them, Pere Ubu’s ‘The Modern Dance’ stunned the music world and quickly began appearing on ‘Most Influential’ album lists. Pere Ubu originally formed as a studio project drawing on a body of musicians who were involved in the Cleveland underground music scene that had, by August 1975, seemingly run its course. The main objective of the band at that time was to document their work and then disappear. Luckily for us they were on the cusp of changing the face of rock forever. For this reworking, Paul Hamann at Suma has transferred from the original 2-track analogue mix tapes to digital at the highest resolution available which, is at least four times the resolution of the original. The tracks have carefully been re-mastered by sonic architect Brian Pyle so as to capture the unique qualities within.

In 2009 Night Birds resuscitated the surf-inspired 80s hardcore sound and have been cranking it to a new level ever since. Mutiny at Muscle Beach, the band’s third full-length and first on Fat Wreck Chords, is an unrepentantly raw blast of punk rock that evokes the spirit of Adolescents, Dead Kennedys, Germs, D.I., and Circle Jerks. The 12 tracks are further developed with Night Birds' integration of modern influences, a referential aesthetic, and a healthy dose of passionate innovation. From “(I’m) Wired” to “In the Red/In the Black” to the title track, Mutiny at Muscle Beach brims with an epileptic energy that defies the listener to sit still. Just like Night Birds live show, this album is an unbridled onslaught of throwback-meets-modern hardcore that never stops to take a breath.

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After only three months of playing shows, DAG Nasty went into Inner Ear Studios with IAN Mackaye. Dag With Shawn was recorded on Halloween Day 1985 and features the original line-up of the band with Shawn Brown on vocals. Initially songs from this session were to be released as a four-song 7-inch on Dischord, but shortly after the recording Shawn left Dag Nasty and the tape was shelved. In early 1986 the band re-recorded the entire album with new vocalist Dave Smalley and released it as Can I Say. Shawn went on to form the much loved Swiz and Dag Nasty went through several more line-up changes over the years, including another vocal switch when Dave Smalley was replaced by Peter Cortner. This original session has only been previously available as partial out-takes and unauthorized bootlegs and, until now, has never been released in its complete form. This recording, taken from restored master tapes, offers a unique view into the early development of one of DC’s most influential bands. LP includes a download.