Punk | Hardcore Vinyl 322 Items

Songs To Scream At The Sun was recorded with Kurt Ballou of Converge at GodCity Studio. Combining Ballou’s signature grit and style of recording with Have HEART’s style of music results in a dichotomy of clean, sharp drums, and a variety of guitar tones and sounds when combined, does not hint at one particular or obvious influence. Musically, there are moments which are mid-tempo and melodic, there are moments that are classic hardcore anthems, and it’s balanced with times which are dark and atmospheric. It’s an impressive accomplishment. As frontman Pat Flynn said, Songs To Scream At The Sun is the coming of age story. It’s about the growing process of a young kid shaking the chains of selfishness, but it’s everything about what you lose and gain in that process of growing up. The songs have an honest, yet poetic reflection that digs deep into the private lives that are shared by everyone-the deconstruction and dismantling of one’s life and the eventual rebuilding and rebirth. This is at times dark and depressing, but Flynn’s lyrics never lose hope in what allows people to get strength in these situations. And what’s so strong about the performance and lyrics, aside from the cliché of hardcore singers “meaning what they say,” is that the perception of the lyrics (are they dark, depressing, positive, or hopeful?) is up to the listener to decide.

A top five label-defining album for Bridge Nine, The Things We Carry is a favorite of collectors and is currently in its 14th pressing. It’s hard to believe this classic hardcore record is nearly 20 years old, having come out in August of 2006. In celebration of the band’s reunion shows over the summer of 2024, Bridge Nine has repressed this record featuring some exclusive variants.

BETTY AND THE WEREWOLVES are three girls and one boy from London who whoop and howl through the night as sweetly sung melodies collide with glitter-struck punk guitars. Taking inspiration from luminary lycanthropes Virginia Woolf and Grandma Wolf, they sing ditties about falling in love with David Cassidy and strange encounters on night buses, shouting all the while and scuffing up their party shoes. This is their wonderful second single following their debut 7" last year on DG called 'Euston Station' and it's a homage to 70's super pop pin-up and Partridge Family member, "David Cassidy". It's backed with another live favourite "Plastic". The Werewolves recorded this just after their recent tour dates with FUCKED UP, who have been telling anyone that will listen that BATW are their favourite band in the world. This single will hopefully plug the gap for those who can't wait for the debut album which is due out later in the year.

This is the first single from the new album 'Triple Distilled' and it's already getting played on BBC 6Music, 'Begging You' was recorded at Ranscombe Studios in Grahams hometown Rochester and it's backed with an exclusive b-side a great instrumental called 'Sitar Spangled Banner'. After a year of touring and the release of their 'Travelled And Unravelled' EP earlier this year, the Gaolers returned to the studio in July 2008 to record their follow up to the critically acclaimed debut album 'Soundtrack To The Daily Grind' with their second album 'Triple Distilled' at Ranscombe Studios in Rochester, Kent which is due for release in October 2008. 'Triple Distilled' is made up of 12 blistering new tracks with fairly autobiographical lyrics telling tales of their life on the road, drinking and smoking. As usual they are the amalgamation of Graham's tuneful and aggressive songs, driven with an energy and attitude, which has been perfectly captured in a simple no-frills studio recording. Buzz couldn't make the recording so Johnny Barker (Ex of The Buff Medways) has stepped in and will also be part of the band that hits the road again around the albums release for another European tour and a headline show at the legendary 100 CLUB in London on October 29th Dan Elektro from the great US band The Woggles is on drums. GRAHAM DAY - Founder member of The Prisoners, Prime Movers & The Solar Flares as well as drummer in The Mighty Caesers and bassist in The Buff Medways alongside old friend Billy Childish.

The LP will be on Yellow and red splattered vinyl!

The first and probably last record of a group of "artists" including Billy Childish and Charles Thompson. This is GREAT punk rock which kicks off with a sample of Tracy Emin. Anachronism in the UK!!!

The 1977 dedut single of this band. Originally recorded on Cambridge's Raw records. Two song limited Colored Vinyl single.

Super sexy Indiana ex-go go dancers Teri and Christen have teamed up with some of London's premier garage musicians to deliver three new songs for this seven inch single. Main track MISO HORNIE is a tongue in cheek seductive little number, B-sides NOTHIN' TO DO (BUT YOU) and WELP, HE'S GONE are dumbed down, uplifting garage fun. Presented in a lovely full colour sleeve with the girls relaxing in a huge bowl of soup as a cover!

The Cogs are a fun loving, hook crazy fast and furious pop-punk band from New York City. "No Expectations" is an unashamed two minutes of 90mph stop start punk rock while b-side "Vacation Bible School" is a slightly more laid back affair from the same sessions.

Deluxe 20th anniversary 2xLP edition of dorkrorckcorkrod.

Includes 2024 remaster by Justin Perkins and 20th anniversary remix by Steve Albini.

Extensive oral history of dorkrockcorkrod by Mike Faloon.

In 2017 Rolling Stone listed the album as #34 on their "50 Greatest Pop-Punk Albums" list.

"The three-song suite of "Most Violent Rap Group," "Pray For Rain," and "Saturday Night Crap-O-Rama" may be one of the best triple plays in all of rock music, let alone pop-punk" - The A.V. Club

Orange 9mm was formed by vocalist Chaka Malik (burn) in 1992 with Chris Traynor on guitar, Eric Rice on bass, and Larry Gorman on drums. The hardcore rhythm outfit are self-described as a result of being “happy and pissed off at the same time and playing at the moment.” Orange 9mm went on to release two full-lengths on major labels East West and Atlantic, releasing videos, and touring with bands such as Quicksand, Biohazard, Deftones, and more.

Originally released on Johanns Face Records in 1996, this is the first vinyl reissue for ‘Grease, Grits and Gravy’, first album by The Cletus from Charleston, South Carolina. Featuring Johnny Puke on vocals, produced by Mass Giorgini, catchy hooks and infectious melodies. Turn up the volume.

Groundbreaking 90’s all-female political SF hardcore punk. Retrospective LP featuring the s/t 7” on Lookout!, their full debut LP on Ebullition and the legendary ‘Mi Cuerpo Es Mio’ 7”. ‘Their songs raged against macho bullshit and patriarchal society’s cliches of male dominance, and at the same time gave out a reevaluation of female strength’ - Dick Lucas

A remastered version of the very first Screaming Females album, originally self-recorded and self-released in 2006. Includes such hit singles as “Dinosaurs,” “Baby Jesus” and “Foul Mouth.” An instant classic.

The legendary, influential, celebrated and inarguably smallest release by I Hate Myself. First pressing in twenty-four years housed in pocket sleeves from the original source artwork and pressed on limited edition glow-in-the-dark vinyl.

Originally released in 2006, Seattle, WA’s Sinking Ships’ full-length Revelation debut, Disconnecting, took a look at the trials and tribulations of everyday life. Weaving elements of melody and hard-edge riffs, Sinking Ships created a sound all their own, somewhere between the familiar echoes of hardcore bands like Bane and IN MY Eyes, but with their own distinct, morose overtones.

First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.As Muzik magazine noted on its initial release "In The Beginning" is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.The bands featured come (mostly) from the then bleak post-industrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time.

Brutal Panda is honoured to join the likes of legendary labels, Trance Syndicate and Amphetamine Reptile, in bringing one of noise-rock's gnarliest albums ever recorded back into print. Originally released in 1994, this reissue of Heroin Man stays true to the original layout, complete with a custom polybag cover and logo sticker. "Heroin Man stands as both the chronological centre of the Cherubs catalogue, and its defining moment. As one of noise rock's finest moments, Heroin Man is both a delicate, tragic statement and send-off to a friend who had OD'd, and a bellowing, roaring, over-amped screwball masterpiece of Butthole Surfers mayhem and Husker Du pop structures. It's sometimes difficult to distinguish between Kevin Whitley's guitar and Owen McMahon's bass, and that's precisely the point -- this is noise rock; and still at others, Whitley's guitar is a washing, white-noise counterpoint to the pummelling rhythm section. This is a dense, sprawling, spiralling work showing a band peaking aesthetically, with perhaps an even more ambitious album to follow. Unfortunately, due to the usual host of reasons, that never occurred. This was the Cherubs final studio album until their reformation 20+ years later." - words by Patrick Kennedy SIDE A:1. Stag Party2. Animator3. Blackhouse4. Baby Huey5. Dave Of The Moon6. Coonass7. Mr. GoySIDE B:1. Cockpit - Kiss The Shine2. Venus Flytrap3. The Big Groovy4. Wornout Balls5. Playdough6. Example Maiden Japan / Devil's Food

Reissue for Brisbane, Australia punk rock pride, The Onyas’ 1996 debut album. Defined as a shambolic collage of alcoholic excess, smutty humour and a nihilistic attitude, this album is a raucous journey through the heart of rebellious punk ethos. The album doesn't just invite you to listen; it demands that you join the mayhem. First EU reissue since its original release.

Back in the year 2000, Julien Temple directed this account of Punk pioneers the Sex Pistols short but hugely influential initial career. The soundtrack – a mix of their classic tracks, rarities and a sprinkling of diverse artists from the Bay City Rollers and Sailor to Tappa Zukie and The Who – was only ever available on CD, making this its vinyl debut. Uncluttered by the other artists tracks, the OST spread across 2 slices of red and white vinyl includes sing along family favourites Liar, Anarchy In The UK and No Fun alongside lesser known but no less essential cuts Don’t Give Me No Lip, Road Runner and What’cha Gonna Do About It. The latter cover of The Small Faces classic comes complete with amended lyrics reflecting the spirit of the times. Ltd edition and numbered to 3k units.

In 1990, Judge had a new song entitled “Forget This Time” and there was a desire to record it and get it out into the wild. Additionally, the band had been touring and made some improvements to some of their existing songs; one standout was “The Storm,” which now had a breakdown in the middle that didn’t exist in the previous versions. Mike was excited about covering “When The Levee Breaks” (which was a bonus track on the Cdep, now a streaming bonus track) and the idea of his local buddy Todd Schwartz doing the harmonica solo. With these three songs the guys headed to Don Fury’s studio on Spring Street to record what became “The Storm” EP. One day Mike showed up on his Harley and the idea came about to run a microphone cable out into the street to record it rev, which you can hear on this version of “The Storm.”

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Reissue of the influential Californian post-hardcore band's first album for Immortal Records/Epic in 1996. Reconstructed artwork for vinyl by Simon Tripcony. Mastered for vinyl by Jan Oberg at Hidden Planet, Berlin. Manufactured at Matter of Fact, Germany. FFO: Deftones, Quicksand, Hundred Reasons, early-Biffy Clyro.

- Gatefold cover - 12" booklet with 16 pages - 180 gram double Colored Vinyl

The 20th anniversary pressing of BANE’s seminal, 2001 release Give Blood featuring updated artwork in a gatefold jacket with a 10-page booklet full of photos and notes from the band.

Quest For Certainty is considered by many to be the best Shelter record ever. Originally released in 1992, it is comprised of tracks from the No Compromise and In Defense Of Reality EPs with a track from the Voice Of The Voiceless compilation, a Black Sabbath cover outtake from those sessions, and two live tracks. The record was recorded by two different line-ups featuring Ray Cappo (youth OF Today, Better Than A Thousand), Vic Dicara (inside OUT, 108), Porcell (youth OF Today, Judge, Gorilla Biscuits), Graham Land (Better Than A Thousand, Battery), and Sammy Siegler (youth OF Today, CIV, World BE Free, Judge, Rival Schools).

Fucked Up"s now classic 2008 album The Chemistry Of Common Life synthesizes numerous diverse impulses into an expansive epic about the mysteries of birth, death, and the origins of life (and re-living). Merging elements of hardcore songwriting with up to 70 tracks of guitars, organs, winds and vocals, (including 18 guitars on the first single, the fatalistic "No Epiphany"), the music remains iconoclastic and startling, with Pink Eyes" vocals front and center. Guest musicians, of course, abound, notably gorgeous voices such as Brooklyn"s Vivian Girls and Toronto"s Katie Stelmanis.

Omega Sessions is a 5-song EP recorded by Bad Brains in 1980 and released in 1997. The tracks were recorded and mixed at the original Omega Recording Studios in Rockville, Maryland. The EP contains early versions of songs that eventually appeared on later releases, including a reading of "I Against I." Side B of the LP features a custom etching.

When HorrorPops say Bring It On, it"s as much about the music as it is about kicking ass. While never dropping their trademark sexy, horror-flick flair, Bring It On!, produced by BAD RELIGION"s Brett Gurewitz, revealed new depths of songwriting. Brash, Link Wray guitars; singer Patricia"s sultry petulance; throbbing standup bass - all served up in loving tribute to the brooding pop of 80s icons like Blondie and Siouxsie Sioux. First repress since the original release in 2005.