Punk | Hardcore Vinyl 322 Items

BETTY AND THE WEREWOLVES are three girls and one boy from London who whoop and howl through the night as sweetly sung melodies collide with glitter-struck punk guitars. Taking inspiration from luminary lycanthropes Virginia Woolf and Grandma Wolf, they sing ditties about falling in love with David Cassidy and strange encounters on night buses, shouting all the while and scuffing up their party shoes. This is their wonderful second single following their debut 7" last year on DG called 'Euston Station' and it's a homage to 70's super pop pin-up and Partridge Family member, "David Cassidy". It's backed with another live favourite "Plastic". The Werewolves recorded this just after their recent tour dates with FUCKED UP, who have been telling anyone that will listen that BATW are their favourite band in the world. This single will hopefully plug the gap for those who can't wait for the debut album which is due out later in the year.

2nd press, green cover

In the twenty or so years since his brainchild, The Dead Kennedys, officially disbanded, Jello Biafra has made a career of spoken word gigs interspersed with musical collaborations with some of the most compelling figures in underground music. Recording projects and touring with the likes of Melvins, NoMeansNo, DOA, Mojo Nixon, and Lard (with Ministry's Al Jorgensen) among others have kept his "punk as political weapon" message sharp, but the lack of his own band made these collaborations usually short-lived and left Biafra with a ton of songs that never saw the light of day. Inspired by The Stooges gig on Iggy Pop's 60th birthday in San Francisco, Biafra laid plans for his own 50th birthday party and finally decided it was time to start a band of his own. After cramming practices for a month, the four-piece dubbed themselves Jello Biafra and the Axis of Merry Evildoers! and featured Biafra, Ralph Spight (Victims Family, Freak Accident, Hellworms), Jon Weiss (Sharkbait, Horsey), and Billy Gould (Faith No More) The band took the stage in a sold-out two-night stand at San Francisco's Great American Music Hall. Flush from that exhilarating triumph, nine months of rehearsal and writing followed; they added ace guitarist Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle), and christened themselves Jello Biafra and the Guantanamo School of Medicine. The Audacity of Hype was produced by Biafra and engineered by hip hop producer and longtime co-conspirator Matt Kelley (Hieroglyphics, The Coup, Digital Underground, Victims Family, Tumor Circus) at Prairie Sun Recording in Cotati, CA, and San Francisco's Hyde Street Studios. The band's twin guitar attack retains some of the space-punk overtones and spy-music-on-meth chaos of The Dead Kennedys while adding a healthy dose of Detroit-style proto-punk flavored with Weiss' industrial excursions into metal percussion.

Self-produced in 2009, Nature + Degree was the first Sxxv project to feature new members Stephen Stringer and Stuart Hill. Founder members Larry and Vin Cassidy are also joined on several tracks by Beth Cassidy, whose vocal style recalls that of her late mother Jenny on From the Hip and Love & Hate.

So the battle cry goes up on Raised Fist's stunning fifth full-length Veil Of Ignorance. Picking up where 2006's powerful Sound Of The Republic left off, and tearing at your ears like a rabid pitbull on steroids, the Lulea, Sweden quintet are in suitably defiant form after over a decade and a half thrilling audiences around the globe. Includes the tracks "friends & Traitors", "wounds" and "words & Phrases". The band proclaimed they were aiming for total perfection on their 5th album, which had brutal consequences for bass player Andreas 'Josse' Johansson. The bass player ended up in hospital after playing and recording bass lines up to 18 hours a day, which left him with a serious elbow injury and hospitalized for days. As the band quietly stated, ""When you want things perfect, these things happen,"

Deluxe vinyl reissue of The Meteors' 2009 album!

Deluxe vinyl reissue of The Meteors' 2009 album!

Re-issue on colored vinyl for the 2009 album

Following the youthful energy of Sixteen and the melodic precision of Facetious Folly Feat, Shook Ones check those boxes and more on The Unquotable A.M.H With the help of superstar producer Jackson Long, the band achieves that fine balance of not being able to sit still and not being able to get the hook out of your head. Their attempt at the “difficult third record” displays the band’s development as songwriters as much as it delivers a familiar restless energy. The lyrical perspective has been seasoned by the passage of time as Scott Freeman continues to evaluate, question, and reflect. A.M.H captures the band hitting their stride, embracing new sonic territory and dynamics as they push the concept of “pop-punk” beyond its stereotyped confines. If you missed it the first time, Revelation Records is giving you another chance to bring home your favorite ShookS’ songs on this record.

Now an established force in the reggae world, the Aggrolites just kept pumping out a steady stream of toe-tapping adventures all the way through the first decade of the 2000’s. This, their third and final album released by Hellcat showcased the talent and synergy that caused so many to dance and sing along. To many fans, this album really represents the point when this band permanently affixed themselves as a ‘forever’ staple in the reggae world. It was broadcast far and wide thanks to the support of Hellcat/Epitaph, and just like the tunes, the band was carried far and wide too - literally. Nonstop. As much as it represents permanency for many, it also marks a change for the band - to take on more responsibility, and seize the opportunity to grab the reigns and carve out a more tailored next chapter. "iv" would be their last album on Hellcat, but it would by no means be the last thing heard from these passionate and illustrious cats. Quite the contrary.

Deluxe edition, limited to 400 copies, remastered reissue of their 1st full length that's been out of circulation since 2009. Includes 2 previously unreleased bonus tracks, available only with the LP. Members of several Canadian punk/garage acts such as The Steve Adamyk Band & more.

incl. download code

Songs To Scream At The Sun was recorded with Kurt Ballou of Converge at GodCity Studio. Combining Ballou’s signature grit and style of recording with Have HEART’s style of music results in a dichotomy of clean, sharp drums, and a variety of guitar tones and sounds when combined, does not hint at one particular or obvious influence. Musically, there are moments which are mid-tempo and melodic, there are moments that are classic hardcore anthems, and it’s balanced with times which are dark and atmospheric. It’s an impressive accomplishment. As frontman Pat Flynn said, Songs To Scream At The Sun is the coming of age story. It’s about the growing process of a young kid shaking the chains of selfishness, but it’s everything about what you lose and gain in that process of growing up. The songs have an honest, yet poetic reflection that digs deep into the private lives that are shared by everyone-the deconstruction and dismantling of one’s life and the eventual rebuilding and rebirth. This is at times dark and depressing, but Flynn’s lyrics never lose hope in what allows people to get strength in these situations. And what’s so strong about the performance and lyrics, aside from the cliché of hardcore singers “meaning what they say,” is that the perception of the lyrics (are they dark, depressing, positive, or hopeful?) is up to the listener to decide.

This is the first single from the new album 'Triple Distilled' and it's already getting played on BBC 6Music, 'Begging You' was recorded at Ranscombe Studios in Grahams hometown Rochester and it's backed with an exclusive b-side a great instrumental called 'Sitar Spangled Banner'. After a year of touring and the release of their 'Travelled And Unravelled' EP earlier this year, the Gaolers returned to the studio in July 2008 to record their follow up to the critically acclaimed debut album 'Soundtrack To The Daily Grind' with their second album 'Triple Distilled' at Ranscombe Studios in Rochester, Kent which is due for release in October 2008. 'Triple Distilled' is made up of 12 blistering new tracks with fairly autobiographical lyrics telling tales of their life on the road, drinking and smoking. As usual they are the amalgamation of Graham's tuneful and aggressive songs, driven with an energy and attitude, which has been perfectly captured in a simple no-frills studio recording. Buzz couldn't make the recording so Johnny Barker (Ex of The Buff Medways) has stepped in and will also be part of the band that hits the road again around the albums release for another European tour and a headline show at the legendary 100 CLUB in London on October 29th Dan Elektro from the great US band The Woggles is on drums. GRAHAM DAY - Founder member of The Prisoners, Prime Movers & The Solar Flares as well as drummer in The Mighty Caesers and bassist in The Buff Medways alongside old friend Billy Childish.

1st press

Fucked Up"s now classic 2008 album The Chemistry Of Common Life synthesizes numerous diverse impulses into an expansive epic about the mysteries of birth, death, and the origins of life (and re-living). Merging elements of hardcore songwriting with up to 70 tracks of guitars, organs, winds and vocals, (including 18 guitars on the first single, the fatalistic "No Epiphany"), the music remains iconoclastic and startling, with Pink Eyes" vocals front and center. Guest musicians, of course, abound, notably gorgeous voices such as Brooklyn"s Vivian Girls and Toronto"s Katie Stelmanis.

The Fall’s 26th album, originally released in 2008. This classic is now re-issued on black 12" vinyl.

Originally released in 2008, Machine 15, celebrates it"s 15th anniversary with a long awaited vinyl repress, remastered for vinyl by Dan Swanö. With an impressive string of releases behind them, nearly two million records sold worldwide and having shared stages with the likes of Blink 182, the Foo Fighters and Queens of the Stone Age, the Orebro based quartet of vocalist/bassist Nikola Sarcevic, guitarists Erik Ohlsson and Mathias Farm and drummer Fredrik Larzon show that they are on top of their game. While upholding the classic Millencolin sound, they chose to diversify, evolve and progress on the new album The explosive result is pop infused punk at its all-time best with driving beats, anthemic choruses and irresistible melodies that prove the band is back to kick ass and take names. For Machine 15, Millencolin re-teamed with producer Lou Giordano (Sugar, Taking Back Sunday, Plain White T"s), who previously worked with the band on 2003"s Home From Home. "We wanted the kind of crisp sound that Lou is notorious for. Plus we have a great chemistry with him," guitarist Erik Ohlsson adds.

One of the most legendary and longest lasting of English anarcho-punk acts, Chaos UK was formed in the southwest fishing port town of Portishead, near Bristol, in 1979, their lightning-speed protest anthems leading to top-ranking status internationally, most especially in Japan, where they influenced a range of emerging local hardcore bands. This compilation gathers the best of their Japan singles issued in the 1990s and early 2000s, including the ‘King For A Day,’ ‘Kanpai,’ ‘Making Half A Killing’ and ‘The Dangerous Study’ EPs, as well as bonus tracks culled from the Punk’s Not Dead compilation. Absolutely essential Chaos!

Limited double-LP version of the 2008 CD originally issued on Load, compiling the best live and studio recordings by the final iteration of this group. "60 second bursts of chaotic rock 'n' roll that barbarize whole histories of freakout style, from free jazz through classic hardcore, boogie, blues, Black Flag, Germs, most explicitly through Beefheart, but all hyper-condensed into ultra-kranky riffs that Orcutt plays at hallucinatory speed, compressing Zoot Horn Rollo style avant confusion into lighting runs and metallic two note knock-outs. Hoyos's style is so primitive that it's wildly avantgarde, with an instinctive feel for time that confounds the most advanced improvisatory strategies with the most hysterical. And her vocals are post-Yoko in the truest sense, not directly informed by her but sharing the same spontaneous energy and a-musical appeal, sometimes breaking from songs completely to expand on barely articulated vocal rants and fever pitched bouts of screaming. The whole group existed in a zone that was constantly beyond technique. The arc of their career was perfect, the mission truly accomplished, and all that's left is this amazing series of recordings, a body of work that has had a disproportionate effect on the minds, if rarely the actual sound of the underground."—David Keenan , The Wire, December 2008

Svart Records present an official vinyl reissue of the debut and so far only album by the Eyehategod side project Outlaw Order, originally released on Season of Mist in 2008. Walking on a similar path as their mothership EHG, Outlaw Order do their best to push the dirty, sludge-ridden envelope even further. “At just over twenty seven minutes long, this is just fucking spot on for an album that aims to equate with the force of a double barrelled shotgun. The fury that explodes from OO% cannot be faked, and this debut makes compelling listening for anyone who digs the pungent New Orleans sound of EHG and their various associates, whether on parole, in remand, or currently serving time.” – The Sleeping Shaman

Svart Records present an official vinyl reissue of the debut and so far only album by the Eyehategod side project Outlaw Order, originally released on Season of Mist in 2008. Walking on a similar path as their mothership EHG, Outlaw Order do their best to push the dirty, sludge-ridden envelope even further. “At just over twenty seven minutes long, this is just fucking spot on for an album that aims to equate with the force of a double barrelled shotgun. The fury that explodes from OO% cannot be faked, and this debut makes compelling listening for anyone who digs the pungent New Orleans sound of EHG and their various associates, whether on parole, in remand, or currently serving time.” – The Sleeping Shaman

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “Folie a Deux” is finally back in print on limited vinyl.

Canada's punk rock legends DOA release their twelfth album Northern Avenger on Sudden Death Records. Led by Canada's punk rock godfather JOE SHIT KEITHLEY, Northern Avenger is a bone-rattling combo of anthemic punk, intense riffs, politics and a good dose of humor—just what you want from a DOA album. The album was produced by BOB ROCK (Mettalica, Offspring, Motley Crue, Pointed Sticks) and JAMEY KOCH (Copyright).

incl. bonus CD of full album

A top five label-defining album for Bridge Nine, The Things We Carry is a favorite of collectors and is currently in its 14th pressing. It’s hard to believe this classic hardcore record is nearly 20 years old, having come out in August of 2006. In celebration of the band’s reunion shows over the summer of 2024, Bridge Nine has repressed this record featuring some exclusive variants.

A remastered version of the very first Screaming Females album, originally self-recorded and self-released in 2006. Includes such hit singles as “Dinosaurs,” “Baby Jesus” and “Foul Mouth.” An instant classic.

Originally released in 2006, Seattle, WA’s Sinking Ships’ full-length Revelation debut, Disconnecting, took a look at the trials and tribulations of everyday life. Weaving elements of melody and hard-edge riffs, Sinking Ships created a sound all their own, somewhere between the familiar echoes of hardcore bands like Bane and IN MY Eyes, but with their own distinct, morose overtones.

1st press

1st press

In 2006, THE Draft was formed by Hot Water Music members Jason Black, George Rebelo, and Chris Wollard shortly after singer/guitarist Chuck Ragan's departure. The three remaining members of the band wanted to continue making music together but chose not to continue under the Hot Water Music name, opting for a fresh start instead. The initial writing and demo sessions included the legendary punk rock guitarist Brian Baker (known for Minor Threat, Dag Nasty, Bad Religion). However, due to conflicting schedules, Baker couldn't commit as a full-time member, leading fellow Florida resident and former Discount member Todd Rockhill to join the band. After releasing their debut album "In a Million Pieces" (produced by the esteemed Brian McTernan) on Epitaph Records in 2006, the band embarked on extensive tours with acts like Samiam, The Gaslight Anthem, and Paint It Black. They also released several singles on the renowned No Idea Label before disbanding in 2008. With both "In a Million Pieces" and all 7" records being out of print for years, THE Draft has now teamed up with End Hits Records and Equal Vision Records to release a deluxe vinyl version on double vinyl. For the first time, you can find every track ever recorded by THE Draft: Included are the twelve album tracks, six songs featured on three 7" records, two unreleased demo versions, as well as four songs recorded during a radio session in the UK that have never been released before. Not only were all songs remastered specifically for vinyl by Brian McTernan, and detailed liner notes have been added to tell the band's history from beginning to end, but the packaging has also been completely overhauled. A special feature for collectors: the European and American versions come in different gatefold covers, which together form a complete work of art.

Originally released by Hopeless Records in 2006, now remixed and remastered with love by Jeff Dean (the Bomb). Jeff truly ripped the lid off this record and brought a newfound clarity and immediacy! To all those who loved these songs already, allow us to reintroduce you. Includes a bonus song and shiny updated artwork by Sergie Loobkoff. Colored vinyl; includes download code.

Scott Freeman lends his trademark vocals that have been compared favorably to Lifetime vocalist Ari Katz, with a unique note of political and personal thought, moving in directions not often aimed for by such tuneful bands. It’s rare for a record to have the charisma that 2006’s Facetious Folly Feat does, but even rarer when a record defines the aggression, heart and passion of hardcore music without trodding on beaten trails. With this effort, the Shook Ones show they are more than capable of sharing their passions and pains with the world, and most importantly, doing it in their own way.

FUCKED UP’s second reissue for Get Better Records is cloaked in shades of unconventional aesthetics, symbolic overtones and a self-proclaimed “culture of confusion.” Hidden World, the band’s first full length studio album, marks a turning point for the mysterious Toronto band, transcending the boundaries of punk with melody, aggression, expansive structures and enigmatic diatribes on what lies underneath the immediate, visualized World. FUCKED UP combine confrontational ideologies with deliberate misinformation to produce a brutal analysis on thought provocative punk. In a word, FUCKED UP and Hidden World is dangerous and unpredictable in a time when punk has become a manufactured commodity.