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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

Bobby Hutcherson’s cutting-edge 1969 session "Medina" found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.
BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.

Blue Note Records has announced an August 23 release of Celebration, Volume 1, the first in a series of archival releases that the legendary saxophonist and composer Wayne Shorter curated before he passed away in 2023. This thrilling 2014 live recording captured Shorter’s acclaimed quartet with pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade at the Stockholm Jazz Festival in Sweden. The intrepid set includes some of the band’s favorite vehicles of exploration including “Zero Gravity,” “Smilin’ Through,” “Orbits,” “Lotus,” and “She Moves Through The Fair.” The album is introduced today with the single “Edge of the World (End Title),” a theme by composer Arthur B. Rubinstein from the 1983 film WarGames.

Meshell Ndegeocello’s new album after her internationally successful Blue Note debut “The Omnichord Real Book” (Grammy “Best Alternative Jazz Album”, Deutscher Jazzpreis “Album Of The Year International”) is an intellectually and musically gripping homage to legendary author James Baldwin and his topics such as racism and sexuality. "No More Water: The Gospel Of James Baldwin" is a genre-bending work full of deep passion and equally deep grooves and will be released on Baldwin’s Centennial: August 2, 2024. Features frequent collaborators Justin Hicks, Kenita Miller, Abe Rounds, Jake Sherman, Jebin Bruni, and Julius Rodriguez, as well as powerful spoken word performances by Jamaican poet and activist Staceyann Chin.

Meshell Ndegeocello’s new album after her internationally successful Blue Note debut “The Omnichord Real Book” (Grammy “Best Alternative Jazz Album”, Deutscher Jazzpreis “Album Of The Year International”) is an intellectually and musically gripping homage to legendary author James Baldwin and his topics such as racism and sexuality. "No More Water: The Gospel Of James Baldwin" is a genre-bending work full of deep passion and equally deep grooves and will be released on Baldwin’s Centennial: August 2, 2024. Features frequent collaborators Justin Hicks, Kenita Miller, Abe Rounds, Jake Sherman, Jebin Bruni, and Julius Rodriguez, as well as powerful spoken word performances by Jamaican poet and activist Staceyann Chin.

A long-awaited analog version of the gem of Japanese mellow fusion, which has been receiving a lot of attention from the City Pop~Balearic side of the music scene! The album contains many masterpieces such as "Ka Ri Bu No Yu Me", a Balearic/light fusion song with the scent of the ocean, "Manhattan Blue," a popular number that she also arranged, and "Click My Heart," a techno-pop song with a lovely and catchy electric organ. This is a piece that overflows with a unique sense of floating and loveliness, fully showcasing the diverse charms of the electronic organ known as the "Electone". The cover illustration by Tom Akamine is also excellent!

The long-awaited LP release of "sweet SPARE," the third album by I love you Orchestra Swing Style (ilyoss), a leading Japanese Jazz x Citypop band. The album features a danceable instrumental sound based on jazz and swing, and includes nine tracks featuring vocals from Hiro-a-key, Tamuraryo & Namichie, and Korean neo-soul sensation dosii.

Did someone say Summer? Sicily is what Cuba is to the Caribbean, sun, sea, easy and friendly people with lots of troubles! You won't find anything better around that identifies the summer more than this album by Enzo Randisi who at the beginning of the 80s put together a Swing Ensemble as a tribute to that "cheerful" movement of Jazz music. But Enzo and his fellas just couldn't stay on track and put in the best that the alternative Palermo area could offer in that historical period, like the sisters Cinzia and Loredana Spata, who brought the production to a next level in the vocal version of All Blues or in Chic Corea's Spain. But what really struck us was Charles Cables' version of "Quite Fire" (here missspelled as "Quite Fair"), released a few months earlier only in Japan and which would only become famous in the 90s with the Acid Jazz movement, and this tells us a lot about how hungry Enzo and Riccardo were of musical knowle, to be able to find some pearls in a city with basically no record shops and isolated...well...it's on an island!

Two miraculous collections of melodies that only Takeshi Shibuya can express, recorded on a piano that only he can play. These two gems, recorded directly to 2-track using a 24-bit DVD system and with excellent sound quality, are now available on LP for the first time! Long-awaited reissue of two solo piano works by Takeshi Shibuya recorded at Hanzomon TFM Hall on June 4, 2007. As the title suggests, these two superb pieces are divided by two selections: "pieces with beautiful melodies" and "pieces highlighting great composers who composed jazz standards". The selections in "famous composers" highlight the great composers of jazz standards, and has a total of 7 songs including "Come Sandy," "Skating in Central Park," etc.

Two miraculous collections of melodies that only Takeshi Shibuya can express, recorded on a piano that only he can play. These two gems, recorded directly to 2-track using a 24-bit DVD system and with excellent sound quality, are now available on LP for the first time! Long-awaited reissue of two solo piano works by Takeshi Shibuya recorded at Hanzomon TFM Hall on June 4, 2007. As the title suggests, these two superb pieces are divided by two selections: "pieces with beautiful melodies" and "pieces highlighting great composers who composed jazz standards". The selection of songs in "famous melodies" focuses on 7 songs with beautiful melodies, and includes the standards "Danny Boy" and "Smoke Gets in Your Eyes," and other songs.

Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.

Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc. These are two masterpieces that the world has been eager to see reissued. For inquiries about products, please contact local record stores.

DJ Yoshizawa dynamite.jp, an avid record digger and "wamono" style expert who has been active as a professional DJ, remixer, composer, and producer in Japan since the late 80s, published his record guidebook "Wamono A to Z" in 2015. The book introduced many classic and rare Japanese Groove records that were not yet known at the time.

Now, DJ Yoshizawa dynamite.jp recommends four rare light mellow funk and soft rock LPs by Junko Hirotani, Kyoko Omiya & Orange, and Chie Sawa. These LPs were released on the independent Japanese label Pony Canyon from 1974 to 1980.

These albums feature the participation of Haruomi Hosono, Ken Sato, Masaki Matsubara, Masataka Matsutoya, Masayoshi Takanaka, Shigeru Suzuki, Taeko Onuki, Tatsuo Hayashi, Tatsuro Yamashita, Tetsuji Hayashi, Yuji Toriyama, Yukihiro Takahashi, and others.

All songs have been digitally remastered and reissued on translucent color vinyl with a Japanese obi.

Put the needle on the record, turn up the volume, and dig into "Wamono A to Z" right now!

DJ Yoshizawa dynamite.jp, an avid record digger and "wamono" style expert who has been active as a professional DJ, remixer, composer, and producer in Japan since the late 80s, published his record guidebook "Wamono A to Z" in 2015. The book introduced many classic and rare Japanese Groove records that were not yet known at the time.

Now, DJ Yoshizawa dynamite.jp recommends four rare light mellow funk and soft rock LPs by Junko Hirotani, Kyoko Omiya & Orange, and Chie Sawa. These LPs were released on the independent Japanese label Pony Canyon from 1974 to 1980.

These albums feature the participation of Haruomi Hosono, Ken Sato, Masaki Matsubara, Masataka Matsutoya, Masayoshi Takanaka, Shigeru Suzuki, Taeko Onuki, Tatsuo Hayashi, Tatsuro Yamashita, Tetsuji Hayashi, Yuji Toriyama, Yukihiro Takahashi, and others.

All songs have been digitally remastered and reissued on translucent color vinyl with a Japanese obi.

Put the needle on the record, turn up the volume, and dig into "Wamono A to Z" right now!

Underground Canopy is Hip-hop fed, Groove infused, Jazz band based in Paris, France. Uncut Gems is a raw exploration of what makes the cornerstone of our world. Dug up from a year long of free playing and experimentations at the Uchq, these pieces were brought to the surface, like diamonds in the rough, through the direct and spontaneous energy connecting us. These precious moments, these ‘gems’, were invented and collected during the sessions attended by all the members of Underground Canopy. They are now presented to you, in the form of this authentic record, illustrated by the heartfelt imagery of Davor Gromilovic’s artwork which perfectly synthesizes the visual incarnation of the project.

Renowned Berlin-based music discovery platform ColorsxSTUDIOS will release their new vinyl compilation album, ‘MOVE:FEEL1’, just in time for the holidays.

The limited-edition double disc gatefold vinyl will feature 16 beloved A Colors Show tracks, both recent and from the archive, including London-based rapper Kwengface’s ‘Freedom’ that was released earlier this year, critically-acclaimed Malian artist Fatoumata Diawara’s ‘Nterini’ from 2019, and Dominican-Italian star YEИDRY’s breakout 2020 hit ‘Nena’.

The album is truly international—it will feature songs sung in six different languages (including English, Swedish, German, Bambara, French, Vietnamese, and Spanish) and represent artists from 15 different countries across the world.

‘MOVE:FEEL1’ reflects and celebrates the launch of Colors’ new ‘move’ and ‘feel’ playlists that are now available across all DSPs. Updated monthly, these playlists will curate Colors’ genre fluid output into cohesive listening experiences that cater for varying emotional states.

The songs on the ‘move’ playlist—and hence on the ‘move’ sides of the vinyl—are uptempo, bold, sexy and energetic, and aim to set the tone for daring and unapologetic enjoyment. In contrast, the tracks on the ‘feel’ playlist and discs are downtempo and emotive. They are for relaxation, and to help listeners contemplate their internal and external environments

Designed by Colors’ in-house creative team, the vinyl cover is mirrored, meaning its appearance adapts depending on the light and colors it reflects. This was an important decision to ensure the cover represents all of the featured artists, who all performed their A Colors ShowS against different colored backdrops. The mirrored material also enables the audience to literally (and hopefully metaphorically) see themselves in the album.

Each side of the mirrored cover is adorned differently: while the “move” side features embossed lines, stripes and slashes indicative of motion, the more introverted “feel” side is debossed with goosebump-like grooves. Even with their eyes closed, people will be able to feel which side of the album is which, adding an extra sensory layer to the listening experience. MOVE:FEEL1’s design also prioritizes sustainability, using no single-use plastics for its packaging.

The "Piranha Gundan" was established in 1975 by Toei actors. The actors, who support the Toei production by playing roles in movies and TV dramas, naturally gathered for booze ups. Masaru Shiga, a member of the group, named them "Piranha Kai" with a dream to one day playing main roles in movies.

The gang benefited from the positive publicity generated by Takuzo Kawatani and Hideo Murota's appearance in the drama "Zenryaku Ofukuro-sama," broadcast from October 1975. This gradually brought the other corps members to the attention of the public. The release of "Violent Panic: The Big Crash" and "A Savage Beast Goes Mad" (both released in 1976), in which corps actors played major roles, contributed to the continued growth of the Piranha Gundan boom. In 1977, the movie "The Smart Aleck Ten" was released, starring all members.

This album was released in April 1977. Folk singer Kan Mikami, who was also active as an actor, conceived the idea of producing a Piranha Gundan record at a party with Tsunehiko Watase. With the exception of M-2 "Mura Uta ~Washashiranbushi~" and M-4 "Ore (Re-o)," 11 songs were written and composed by Kan Mikami. The album was arranged by Jun Sato and Ryuichi Sakamoto, who also played keyboards. Other musicians who contributed to the album include Shuichi Murakami, Tetsuro Kashibuchi, Tsugitoshi Goto, Nobu Saito, and others.

SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.