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Teratai Åkande' explores electronic techniques transforming sounds, melodies, and rhythms from balinese gamelan. It's an interaction and synthesis of acoustic and electronic expressions, exploring an imagined territory between two otherwise separate cultural worlds.

On 'Teratai Åkande' the Copenhagen-based producer and electronic musician Anton Friisgaard travels new paths, as he explores gamelan music from his own artistic perspective in close collaboration with Balinese musicians, afliated with Ubud’s acclaimed Gamelan scene. After experiencing a concert with the Gamelan ensemble 'Gamelan Salukat' at Roskilde Festival in 2018, Friisgaard became inspired to contact Dewa Alit from the ensemble. With the aim of bringing forth a unique expression through the meeting of two distinct musical traditions, Friisgaard traveled to Ubud, Bali to record, compose and improvise in close collaboration with artists from the esteemed Gamelan scene in Ubud. The result is 'Teratai Åkande', which features Pande Made Gangga Sentana, I Nyoman Suwida, Dewa Badukz, Suryana Putra and Pande Made Gangga of Gamelan Salukat.

Anton Friisgaard (fka Hviledag) is an electronic producer and musician based in Copenhagen. Known primarily for his experimental work with tape loops and ambient soundscapes, he’s become an established figure both in the Danish music scene as well as internationally.

Composed, edited and processed in Copenhagen, Denmark from 2018 - 2024. Here, the recordings and compositions changed shape multiple times over the years, until finally reaching their current state.`

Midnight Blue Vinyl.With their new album 'Rhapsody,' the extraordinary vocalists Ifedayo Gatling, DennisBailey, and George Marage are able to fully explore the entire range of music thatinfluenced them. The follow-up to their acclaimed 2021 release 'Look Up!', the record is adive into a lesser-known but hugelyimportant era in the evolution of gospel music.Starting in the mid-1960s, local gospel groups and singers began incorporating elementsof popular soul and funk styles and in 2006, Chicago-based reissue label Numero Groupreleased Good God! A Gospel Funk Hymnal. HGT's longtime friend and mentor Eli"Paperboy Reed" approached the group with the idea of digging through the Numerocatalog and recording some of the gospel funk material, reinterpreted in their own way_from the high-energy, old-school soul of "God's Been Good to Me" to the hip-hopinflected "Get Involved."The Harlem Gospel Travelers story began when Gatling and Marage met while studyingunder Reed's tutelage. The group put out their debut LP, 'He's On Time', to rave reviewsin 2019, earning them high profile fans like Elton John and landing them festival slotseverywhere from Pilgrimage to Telluride Jazz. Originally a quartet, they brought in Baileyand reconfigured as a trio prior to recording Look Up!, their first album of all originalmaterial.At a moment when the world is reconsidering the concepts of genre and category andwho's allowed to participate in which traditions, HGT are squarely on the cultural pulse."We always found it difficult to stay in this one lane of what people think gospel issupposed to be," says Gatling. "This record allowed us to hear people that wereinnovators in their own time, pushing how gospel music sounded, and now we've createdthis project that is message-wise gospel, but the feeling and the sound can be whateveryou want it to be."

With their new album 'Rhapsody,' the extraordinary vocalists Ifedayo Gatling, DennisBailey, and George Marage are able to fully explore the entire range of music thatinfluenced them. The follow-up to their acclaimed 2021 release 'Look Up!', the record is adive into a lesser-known but hugelyimportant era in the evolution of gospel music.Starting in the mid-1960s, local gospel groups and singers began incorporating elementsof popular soul and funk styles and in 2006, Chicago-based reissue label Numero Groupreleased Good God! A Gospel Funk Hymnal. HGT's longtime friend and mentor Eli"Paperboy Reed" approached the group with the idea of digging through the Numerocatalog and recording some of the gospel funk material, reinterpreted in their own way_from the high-energy, old-school soul of "God's Been Good to Me" to the hip-hopinflected "Get Involved."The Harlem Gospel Travelers story began when Gatling and Marage met while studyingunder Reed's tutelage. The group put out their debut LP, 'He's On Time', to rave reviewsin 2019, earning them high profile fans like Elton John and landing them festival slotseverywhere from Pilgrimage to Telluride Jazz. Originally a quartet, they brought in Baileyand reconfigured as a trio prior to recording Look Up!, their first album of all originalmaterial.At a moment when the world is reconsidering the concepts of genre and category andwho's allowed to participate in which traditions, HGT are squarely on the cultural pulse."We always found it difficult to stay in this one lane of what people think gospel issupposed to be," says Gatling. "This record allowed us to hear people that wereinnovators in their own time, pushing how gospel music sounded, and now we've createdthis project that is message-wise gospel, but the feeling and the sound can be whateveryou want it to be."

The Villain I Never Was is the debut studio album from Ghanaian singer and rapper, Black Sherif. Originally released on October 6, 2022, the 14-track album was supported by five singles, “Second Sermon (Remix),” “Soja,” “45,” “Konongo Zongo,” & the smash hit, “Kwaku The Traveller,” which debuted at number 2 on the UK Afrobeats Singles Chart. Since the release of The Villain I Never Was, Black Sherif’s career has seen considerable growth and accolades, such as Artist of the Year (Ghana Music Awards UK 2022), West African Artist of the Year (The Headies 2023), & Best International Flow (bet Hip-Hop Awards 2023). Now for the first time, fans are able to enjoy this momentous album on vinyl. First pressing limited to 500 copies worldwide.

Dive into the soulful world of Little Beaver with the long-awaited reissue of his 1972 debut
album, Joey. Released on Cat Records, this album showcases the unmistakable talent of a
musician who not only crafted the unforgettable guitar riff in Betty Wright's "Clean Up
Woman" but also delivered the #2 R&B hit "Party Down."
Joey stands out as a masterful blend of Rhythm & Blues, Soul, and a touch of Funk & Blues,
enriched by lush orchestrations that elevate each track. The album features the enchanting
title track "Joey," which was produced by Betty Wright, "I'm Losin' the Feelin'," later covered
by Gwen McRae, and the deeply evocative "Katie Pearl," adding layers of soulful resonance
that speak directly to the heart.
Before his solo breakthrough, Little Beaver was a revered figure in the Miami Soul scene,
known for his work as a bassist and guitarist since his early teens and as an arranger who
brought magic to the music he touched. This release not only showcases his formidable skills
as a guitarist but also highlights his deep, intuitive sense of songwriting that draws listeners
into the emotional landscapes of his songs.
This reissue isn't just a return to the shelves; it's a celebration of a profound musical legacy
that continues to resonate. Whether you're a long-time fan or new to his music, Joey by
Little Beaver is an essential addition to your collection, offering a timeless journey through
the depths of soul music. Don't miss the chance to experience this seminal album,
beautifully remastered to capture the original warmth and spirit of Little Beaver's early work.

THE 7000 DOLLAR ACETATE
The year is 1971, a time when nightclubs still had live bands perform the musical hits of the
day. Every city had its local stars and for the club scene of the city of Columbus, Ohio it was
the CROWD PLEASERS. Founded in 1968 by June Carey along with her younger brothers,
twins El & Al, the seven-piece band grew into an in-demand act that performed all over the
city. In April 1971 they went into the studio to record eight songs, but an actual release
never materialized. In time the master tape was destroyed and all that was left were two
acetates. But as time passed, these too were lost. Over the years, a growing market for
obscure funk and soul albums emerged. When one of the acetates went up for sale on eBay
in 2011, it sold for $3,900! Eleven years later, in 2022, the last remaining copy also appeared
on eBay. Collectors drove the price up until it finally sold for a staggering $7,000! So now,
after more than 53 years, Al Carey & Regrooved Records proudly presents the previously
unreleased 1971 album of the CROWD PLEASERS featuring renditions of hits by Marvin Gaye,
Sly Stone's Little Sister, Neil Young, Gladys Knight & The Pips, Cold Blood, Dionne Warwick,
The Lettermen and the original funk break track “Eggs & Bacon”.

Tomin is a self-taught multi-instrumentalist, bioinformatician, and poet from Brooklyn, New York. His primary instruments are the flute, trumpet and alto clarinet, and he participates in the creative music scene as a performer, improvisor, composer and fan. Outside of music, he works in computational genetics, with a focus on oncology.

Thrasher is the soundtrack to a virtual reality video game about a creature that has a life cycle that traverses different psychedelic realities. Thrasher was composed and performed by Brian Gibson, bassist of Lightning Bolt. It is the follow up to the acclaimed best-selling game and soundtrack Thumper. The central character in Thrasher is a giant centipede like creature, so Gibson employed a lot of melodic sequences that resonated well with its segments moving through space.The soundtrack has the drive you might expect knowing Gibson"s work in Lightning Bolt combined with complex melodic structures that are absolutely irresistible. In addition to bucking the hyperreality trend in gameplay, Gibson"s DIY ethos and warehouse culture roots permeate the entire soundtrack. He says it best: "Thumper has that combination of psychedelic and iconic that takes me back to the Fort Thunder days. Thrasher is a further exploration into some of those motifs." We recommend that you play this record VERY loudly.

Dive into the soulful world of Little Beaver with the long-awaited reissue of his 1972 debut
album, Joey. Released on Cat Records, this album showcases the unmistakable talent of a
musician who not only crafted the unforgettable guitar riff in Betty Wright's "Clean Up
Woman" but also delivered the #2 R&B hit "Party Down."
Joey stands out as a masterful blend of Rhythm & Blues, Soul, and a touch of Funk & Blues,
enriched by lush orchestrations that elevate each track. The album features the enchanting
title track "Joey," which was produced by Betty Wright, "I'm Losin' the Feelin'," later covered
by Gwen McRae, and the deeply evocative "Katie Pearl," adding layers of soulful resonance
that speak directly to the heart.
Before his solo breakthrough, Little Beaver was a revered figure in the Miami Soul scene,
known for his work as a bassist and guitarist since his early teens and as an arranger who
brought magic to the music he touched. This release not only showcases his formidable skills
as a guitarist but also highlights his deep, intuitive sense of songwriting that draws listeners
into the emotional landscapes of his songs.
This reissue isn't just a return to the shelves; it's a celebration of a profound musical legacy
that continues to resonate. Whether you're a long-time fan or new to his music, Joey by
Little Beaver is an essential addition to your collection, offering a timeless journey through
the depths of soul music. Don't miss the chance to experience this seminal album,
beautifully remastered to capture the original warmth and spirit of Little Beaver's early work.

The year is 1971, a time when nightclubs still had live bands perform the musical hits of the
day. Every city had its local stars and for the club scene of the city of Columbus, Ohio it was
the CROWD PLEASERS. Founded in 1968 by June Carey along with her younger brothers,
twins El & Al, the seven-piece band grew into an in-demand act that performed all over the
city. In April 1971 they went into the studio to record eight songs, but an actual release
never materialized. In time the master tape was destroyed and all that was left were two
acetates. But as time passed, these too were lost. Over the years, a growing market for
obscure funk and soul albums emerged. When one of the acetates went up for sale on eBay
in 2011, it sold for $3,900! Eleven years later, in 2022, the last remaining copy also appeared
on eBay. Collectors drove the price up until it finally sold for a staggering $7,000! So now,
after more than 53 years, Al Carey & Regrooved Records proudly presents the previously
unreleased 1971 album of the CROWD PLEASERS featuring renditions of hits by Marvin Gaye,
Sly Stone's Little Sister, Neil Young, Gladys Knight & The Pips, Cold Blood, Dionne Warwick,
The Lettermen and the original funk break track “Eggs & Bacon”.

Soren Skov Orbit"s debut album, "Adrift", is at once subtle and profound. The saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines.

Saxophonist John O"Gallagher has carved out a formidable reputation as a musician and composer who seeks to expand beyond the frontiers of jazz and into new territories of improvisational concepts. His list of collaborators is a who"s-who of adventurous improvised music. Recently he"s extended into an actual new territory, moving to Lisbon, Portugal in 2021. This new record Beast captures him playing in front of a live audience with a new multi-generational ensemble of musicians from the fertile European improv scene. Rhythm section duties are handled by the Portuguese team of Ze Almeida on bass and drummer Joao Lencastre. Joining the band on piano is the German musical polymath Samuel Gapp, so that this recording marks the first time in John"s prodigious and storied career that he has recorded as a leader with the classic piano quartet line-up.

The Blues is a unique sound that comes from particular times, places, and people. However, that sound is universal in that it can be used to articulate every human emotion. In this album, I invite listeners from all walks of life to the world of The Blues as it is in 2024. I invite people to engage with the ups and downs we all experience, through this music.

The blues was a black-American innovation in our history that had many facets to it. There are technical components to the blues - standards and vocal phrasing. There are also components to the blues that are more abstract, such as history, geography, even intellectual movements. In this album, I endeavored to use those building blocks to articulate the humanity I see around me - past, present, and future - without compromising the quality, the foundation that the blues provides.

These fifteen original songs are my invitation to everyone out there - whether you’re a blues aficionado or just passing through the genre, I hope you find plenty to engage with.

Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.

Released in 1971 on Impulse and recorded with two different ensembles, "Thembi" marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for much of his solo career. Instead, it offers an intriguingly wide range of relatively concise ideas resulting in something of an anomaly in Sanders' prime period. Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.

Three years have passed since the previous album "Candy Dream", and the sixth album "Will"

Shuya Okino, who leads Kyoto Jazz Massive and Kyoto Jazz Sextet, and is not only a DJ / composer / song selector but also a lyricist who is active in a variety of fields such as writing and sound branding, demonstrated his multi-faceted skills as a lyricist.

The emperor of Japanese funk, Osaka = monorail, which has already been made into 7 inches and has been well received, JB funk "The Jet Leg" featuring Ryo Nakata of the monorail, Nancy Wilson's singing and Mellow dancer "I'm In Love" cover song known for Mr./Ms. singing in Eryka Badu's "Honey" Seoul / The album containing all 9 Q.A.S.B. sounds, which develops a wide range from funk tunes to city pop, has finally been completed after 5 years of production!

Continuing our exploration of Sao Tomé and Príncipe with DJ Tom B., Les Disques Bongo Joe proudly announces the release of Africa Negra Anthology Vol. 2.We"ve carefully selected and remastered 13 standout tracks for this volume, digitized from studio tapes by their tour manager. The album includes a booklet with updated liner notes and vintage photos of the group.

Thrasher is the soundtrack to a virtual reality video game about a creature that has a life cycle that traverses different psychedelic realities. Thrasher was composed and performed by Brian Gibson, bassist of Lightning Bolt. It is the follow up to the acclaimed best-selling game and soundtrack Thumper. The central character in Thrasher is a giant centipede like creature, so Gibson employed a lot of melodic sequences that resonated well with its segments moving through space.The soundtrack has the drive you might expect knowing Gibson"s work in Lightning Bolt combined with complex melodic structures that are absolutely irresistible. In addition to bucking the hyperreality trend in gameplay, Gibson"s DIY ethos and warehouse culture roots permeate the entire soundtrack. He says it best: "Thumper has that combination of psychedelic and iconic that takes me back to the Fort Thunder days. Thrasher is a further exploration into some of those motifs." We recommend that you play this record VERY loudly.

Strut introduces a pioneering new compilation "A Dancefloor In Ndola," curated by revered East African DJ, Kampire. This release marks an evolution in Strut"s approach to compilations, showcasing emerging DJ talent from across the world and embracing an innovative approach to musical discovery from the next wave of selectors.

Greeting Mother Sea Intro Shining Menidaso My Hope Destruction Everywhere Orbit Sirius Sunmo Mi Ee Bloom Flora Gyaszba Borult Isten Csillagvara Home Vermezo Sun Is Away Shango Greeting Mother Sea Outro

Yakul are James Berkeley (vocals and keys), Tom Caldwell-Nichols (bass), Sam Hughes (drums) and Leo Utton (guitar) who are based out of Brighton UK. The band marry introspective lyrics with deep grooves and jazz infused progressions, blending a range of styles into a sound they call “Future Soul”. Their collaborative works with London beatmaker edbl were also great, so they have become a topic of conversation among music fans not only in Europe but also around the world. In 2022, an album co-produced by South London producer edbl and the band's frontman James Berkeley was released in Japan, and in 2024 the band was invited to perform at the Java Jazz Festival, one of the largest jazz festivals in Indonesia. In 2024, the band will be invited to perform at the Java Jazz Festival, Indonesia's largest jazz festival, and is also attracting attention in Japan and other Asian countries. Here is their brand-new album from P-vine.

"Heaven & Earth" was a soul vocal group based in Chicago in the mid-1970s, and throughout their career, they left behind four high-quality albums. Among them, this first album released from Clarence Johnson's G.E.C. Label could be considered their most overflowing work of the charm of their sweet vocals. This piece, where you can thoroughly enjoy Dwight Dukes' consistently sweet falsetto, has never been reissued on record since its release in 1976 until today. The P-vine edition includes the additional track "Promises," which was only released on a single.

The elegant City Pop album released in 1979, which shines with Junko Ohashi's unchanging overwhelming singing and the sophisticated performance of the second generation Minoya Central Station, which added new members, is available exclusively on milky pink vinyl. Re-release!

What would Louis Armstrong sound like if he were a contemporary artist? Probably Jumaane Smith... acclaimed Trumpeter, Vocalist, and long-time bandmember/featured guest artist with Michael Bublé. Comprised of original works and new arrangements by Jumaane Smith, this deeply emotional album seamlessly traverses jazz, blues, and contemporary soul, with nostalgic echoes of classic albums from those genres. Smith has performed on 5 GRAMMY Award-winning records (selling more than 60 million copies), 2 Emmy Award-nominated TV performances, the GRAMMY Awards with Stevie Wonder, in Steven Spielberg's West Side Story (trumpet solo actor), at The White House, on the Today Show, Tonight Show, Oprah, Good Morning America, and American Idol. He has worked with musical legends such as Quincy Jones, Herbie Hancock, ArethaFranklin, Christian McBride, Kamasi Washington, Alicia Keys, Jon Batiste, and many more.

The cheerful ragtime combination of piano, banjo, tuba, and drums was first presented on record more than 80 years ago by members of the Lu Watters Yerba Buena Jazz Band (including pianist Wally Rose). Their recording of the "Black and White Rag" caught on and helped to kickstart the first ragtime revival wave in the 1940s. In 2024, Brian Holland and The Ragabonds revive the instrumentation - but with plenty of surprising twists! Upon first hearing the Ragabonds' take on Scott Joplin's "The Ragtime Dance," jazz pianist Jeff Barnhart exclaimed "I never want to hear it any other way!" The playlist is a mix of old and new compositions spanning nearly a century, yet every track sounds fresh and contemporary in these performances by The Ragabonds. If you have a pulse - and a heart capable of soaring - prepare to smile until your face hurts as you listen to Brian Holland and The Ragabonds. Musicians include: Brian Holland (piano), Katie Cavera (banjo), Paul Hagglund (tuba), and Gareth Price (drums). Includes liner notes by Jeff Barnhart. 14 tracks. 51 minutes. 180 gram vinyl. Limited edition of 500.

Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

Bobby Hutcherson’s cutting-edge 1969 session "Medina" found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.
BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.

Blue Note Records has announced an August 23 release of Celebration, Volume 1, the first in a series of archival releases that the legendary saxophonist and composer Wayne Shorter curated before he passed away in 2023. This thrilling 2014 live recording captured Shorter’s acclaimed quartet with pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade at the Stockholm Jazz Festival in Sweden. The intrepid set includes some of the band’s favorite vehicles of exploration including “Zero Gravity,” “Smilin’ Through,” “Orbits,” “Lotus,” and “She Moves Through The Fair.” The album is introduced today with the single “Edge of the World (End Title),” a theme by composer Arthur B. Rubinstein from the 1983 film WarGames.

Meshell Ndegeocello’s new album after her internationally successful Blue Note debut “The Omnichord Real Book” (Grammy “Best Alternative Jazz Album”, Deutscher Jazzpreis “Album Of The Year International”) is an intellectually and musically gripping homage to legendary author James Baldwin and his topics such as racism and sexuality. "No More Water: The Gospel Of James Baldwin" is a genre-bending work full of deep passion and equally deep grooves and will be released on Baldwin’s Centennial: August 2, 2024. Features frequent collaborators Justin Hicks, Kenita Miller, Abe Rounds, Jake Sherman, Jebin Bruni, and Julius Rodriguez, as well as powerful spoken word performances by Jamaican poet and activist Staceyann Chin.

Meshell Ndegeocello’s new album after her internationally successful Blue Note debut “The Omnichord Real Book” (Grammy “Best Alternative Jazz Album”, Deutscher Jazzpreis “Album Of The Year International”) is an intellectually and musically gripping homage to legendary author James Baldwin and his topics such as racism and sexuality. "No More Water: The Gospel Of James Baldwin" is a genre-bending work full of deep passion and equally deep grooves and will be released on Baldwin’s Centennial: August 2, 2024. Features frequent collaborators Justin Hicks, Kenita Miller, Abe Rounds, Jake Sherman, Jebin Bruni, and Julius Rodriguez, as well as powerful spoken word performances by Jamaican poet and activist Staceyann Chin.

A long-awaited analog version of the gem of Japanese mellow fusion, which has been receiving a lot of attention from the City Pop~Balearic side of the music scene! The album contains many masterpieces such as "Ka Ri Bu No Yu Me", a Balearic/light fusion song with the scent of the ocean, "Manhattan Blue," a popular number that she also arranged, and "Click My Heart," a techno-pop song with a lovely and catchy electric organ. This is a piece that overflows with a unique sense of floating and loveliness, fully showcasing the diverse charms of the electronic organ known as the "Electone". The cover illustration by Tom Akamine is also excellent!

The long-awaited LP release of "sweet SPARE," the third album by I love you Orchestra Swing Style (ilyoss), a leading Japanese Jazz x Citypop band. The album features a danceable instrumental sound based on jazz and swing, and includes nine tracks featuring vocals from Hiro-a-key, Tamuraryo & Namichie, and Korean neo-soul sensation dosii.