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Gritty, loud, unforgiving and uncompromising, Ghastly Soud formed around the foundation of childhood friends TJ Maynard (bass) and Ryan Lewis (drums), who began writing songs as a two-piece focused on guitarless volume worship and a love for party riffs.The band's rolling, thunderous tones blended with a splash of groove attracted vocalist Tyler Gurwicz, whose presence provided equal amounts straightforward candor and raw power.

If you ever thought a slower and more atmospheric and cerebral “sludge version” of infamously fringe and violent extreme metal bands like early Carcass or Pissgrave was just a silly pipe dream, think again... Like an acid trip that goes totally wrong just as you enter a torture dungeon of unnameable horrors and begin to hallucinate before the most harrowing cruelty and inhumanity, MISCARRIAGE's new album and Sentient Ruin debut Imminent Horror is a work which defies logic and sanity in its insurmountable display of misery, cruelty, and barely comprehensible chaos. Set to become one of the most shockingly violent, depraved, unsettling, and horrific albums of 2019, Imminent Horror seems to have crossed a new and never before seen threshold in extreme metal, taking the genre to a sickening new extreme never before explored, and never before fathomed, not even by the sickest and most fucked up minds. Structured around a churning morass of hallucinatory atmospheres, derailing, discordant, and appallingly dense and downtrend guitar crush-depth, an unpredictable and utterly oppressive rhythm section, and a swarming haze of distorted screams, the songs on this abomination incarnated seem to want to reach out into a realm of the absurd to harness a level of deviancy and inhumanity of unseen magnitude and plausibility. With their post-Carcass gorenoise/goregrind roots firmly anchored at the base, Miscarriage have augmented the foundations of this abhorrent sound and built an entire new world above it by bringing in elements of slower and more experimental and atmospheric extreme music coming from a sickening cesspool of influences as diverse as early Swans, Primitive Man, Corrupted, Ride for Revenge, Godflesh and the most fucked extreme black metal, to materialize an aural abomination of near-incomprehensible horror. Classic homemade gore-drenched artwork and lyrics that can not and should not be ever unearthed for one's mental sanity and safe sleep round out a release of absolutely incinerating cruelty and insanity whose sole existence is already an inexplainable mystery.

Orthodox recently reformed as a duo with Marco Serrato (bass, vocals) and Borja Daz (drums). Here they perform with different guests musicians, developing a new form of contemporary heavy metal meets extreme jazz meets doom. These tracks showcase a more 'straight forward' concept in the composing process. But this is just NOW, as ORTHODOX never compromises with certain sound or 'song concept' for very long. 'Crown For A Mole' is the first single taken from the 2015 album 'Axis'.

The debut album by the project led by Gaahl, the former drummer of Gorgoroth. Hallucinating vocals, Scandinavian folkloristic instruments and ambient elements make for a totally original black metal effort.