Metal Vinyl Sale 221 Items

Brand new recordings from two of the heavy rock underground’s most vital acts: "Chain Yourself" sees Wytch Hazel deliver a blistering slice of classic early eighties style heavy metal complete with 16’s on the "disco hats" and hooks that will lodge in your cranium from first hearing, while Spell’s “New World” is a riveting take on Strawbs’ gothic folk masterpiece. Rich mellotron and ghostly harmonies condemn violence in a delicate balance of fragile beauty and disquiet force.

Fresh from the overwhelming success of their latest album ‘IV: Sacrament’ Lancaster's heavy bards and spiritual hard rock titans Wytch Hazel have gone all in on delivering a fully-fledged, tubular-bell-ringing Christmas single. Transposing the hymnal classical influences of Handel's Messiah and the spirit of carols the like of "The First Noël” via the earthy heraldry of Steeleye Span and Wishbone Ash, the band deliver something for which perhaps only they would have the skill, sensitivity and spiritual charge. Replete with Wytch Hazel's trademark twin-guitar harmonies and finely honed arrangements, "King Of Israel" is both a stirring devotional tribute and a heartfelt message of unity, peace and goodwill to all on Earth.

The 7” red marble vinyl edition is backed by Colin Hendra’s minor key arrangement of “Auld Lang Syne” which was misspelled on the first pressing as “Old Lang Syne” by the Bad Omen elves.

Two decades into their journey as ritualistic black metal conjurers, Wolves IN THE Throne Room have emerged from the forest with Primordial Arcana, their most majestic album to date, and their first release via Relapse Records.

Primordial Arcana is the band’s first completely self-contained work: In addition to composition and performance, brothers Aaron and Nathan Weaver alongside guitarist Kody Keyworth handled all aspects of recording, producing and mixing at their own Owl Lodge Studios in the woods of Washington state.

The album’s title is a reference to the band’s ongoing reach back to the most ancient, archetypal energies.

Leadoff track “Mountain Magick” sets the august tone with alpine guitar melodies cresting skyward in triumph. “Spirit of Lightning” returns briefly to the earthly plane as a tribute to the human connections forged in music. Meanwhile, “Primal Chasm (Gift of Fire)” is an explosion of cosmic grandeur, a symphonic rendering of the hermetic maxim As above, so below as envisioned by Keyworth. In fact, Primordial Arcana is the first Wolves IN THE Throne Room record in which Kody was a part of the writing process from the start, so it benefits from his background in cosmic funeral doom.

Always uncompromising, Primordial Arcana sees Wolves IN THE Throne Room stay true to their unique vision. An album born out of the DIY ethos, Primordial Arcana proves to be the band’s most genuine and focused. One of the year’s most ambitious recordings, Primordial Arcana cements Wolves IN THE Throne Room’s legacy as one of US Black Metal’s most daring, unique, and quintessential bands.

"Six tracks of apocalyptic black metal, Wode's newest record unleashes five years of outstanding potential, finding the band on deadly form, wielding enough surprises to suggest that its work in service to the counter-cosmos is far from done."

We’re pleased to present the second of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this blue vinyl version with loads of extras in an expanded package, plus two bonus tracks – covers of Swedish black metal band Bathory’s “Sacrifice” and the Motorhead classic “(We Are the) Road Crew,” which Warbringer often includes in their set lists to this day. 2011’s Worlds Torn Asunder took things up a notch and Warbringer really came into their own with a confident and bold new effort, and first featuring drummer Carlos Cruz. Produced by Steve Evetts, Worlds Torn Asunder features classics like “Living Weapon” and “Shattered Like Glass.” Two years of touring continued launched by the band’s first national headlining tour and US support slots to Destruction, Symphony X, Iced Earth and Death Angel, in addition to a European tour with Arch Enemy and virtually every metal festival.

We’re pleased to present the third of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this blue/green vinyl version with loads of extras in an expanded package 2013’s Warbringer IV: Empires Collapse showcased the band aiming to diversify their sound and taking chances by expanding boundaries by continuing to bring in more influences from black metal to punk to industrial in a overall more experimental and free effort that was initially met with mixed reactions but has become a favorite amongst many in the band’s fanbase. Continuing to work with producer Steve Evetts (Sepultura, Hatebreed, Symphony X) the band opted for a different mix and enlisted Brett Eliason (Pearl Jam, Avenged Sevenfold) who brought a cleaner and different approach to the traditional thrash band. Staples include “The Turning of the Gears,” “Hunter-Seeker,” “Black Sun, Black Moon” and the epic “Towers of the Serpent.” The reissue adds the band’s take on the Led Zeppelin classic “Communication Breakdown.” Touring continued with notable supports to Overkill and Kreator in the US and Iced Earth in Europe.

Hailing from Norrköping, Sweden, Wanton Attack is a new heavy metal force to be reckoned with. The duo, consisting of traditional metal enthusiasts Micael Zetterberg (vocals, drums) and Niklas Holm (guitars, bass), formed in 2019 and is now ready to unleash their self-titled debut album of Arcane Metal upon the world.

Strictly limited. Originally released as a Picture Disc via Capitol in 1984, ‘I Wanna Be Somebody’ was the first single from heavy metal band W.A.S.P.’s self titled debut album. Ranking at #84 in VH1’s 100 Greatest Hard Rock Songs, this single is backed with the incendiary ‘Tormentor’ as on the original release. 2,000 only Limited Edition Picture Disc for Record Store Day 2022. The band will be embarking on a world tour in 2022 to celebrate the band’s 40th Anniversary.

Vinyl issue of their inaugural release from early 2018. Raw and passionate, at times evoking a similar essence of certain Urfaust recordings. Single-sided 12" vinyl with an etching of the band logo on the B Side.

White vinyl.

Vanguard is a metallic hardcore band based out of Houston, TX; formed during the Covid-19 quarantine of 2020. Vanguard is unapologetically a vegan-leftist band, and actively supports and promotes a host of critical social and political causes, both lyrically and through the direct action and activism of its members. The band is ideologically tied to the animal liberation movement, endorses socialistpolitical theory, is vehemently anti-fascist, and believes and fights for the political, legal, educational, and economic equality of all people, regardless of race, gender, orientation, or class. Their message and sound come exploding out of the gates with a style that nods to the storied militance and aggression of metallic hardcore from decades past, while injecting the sound with their own unique modern ferocity and urgency.

Pelagic Records commemorates the work of electronic music pioneer Lustmord by releasing The Other, based around his tenth studio album [ O T H E R ] (2008) The Others - Lustmord Deconstructed is a celebration of the fearless attitude of being different and the expression of unique ideas which have never existed before. The new 3LP is an album of Lustmord tracks reinterpreted by some of the spearheads of the contemporary heavy music scene – and beyond: Ulver, Enslaved, Godflesh, Zola Jesus, Bohren & DER Club OF Gore, Steve VON Till, Ihsahn, Jaye Jayle, JO QUAIL,SPOTLIGHTS, KATATONIA's Jonas Renkse , Alexander HACKE's (einstürzende Neubauten) new band Hackedepiciotto, as well as Mono, THE Ocean, Årabrot and Crown. Over 13 years after the release of [ O T H E R ] , 16 bands and solo artists have gathered to record their own unique takes on tracks from the Other-sessions. The result is an album that is more than a compilation, and more than the sum of its parts; covering a wide and diverse range of musical territories, but sharing the same underlying mood and vibe defined by Lustmord's timeless soundscapes: from the ambient solo performances provided by Ihsahn, Enslaved or Jonas Renkse to the subdued voice of Zola Jesus woven into Lustmord's sombre fabric to the industrial carnage that is Godflesh's version of 'Ashen'. What demonstrates the profound influence of Lustmord on this contemporary music underground showcased here is that these very different artists all felt inspired to explore the essence of his idiosyncratic sounds within their own realm: experimental electronica icons Ulver excel on a stunning, hazy rendition of ‘Godeater’, while Japanese post-rock act Mono deliver a crushing version of ‘Er Eb Os’, and THE Ocean take us on a cathartically heavy mindtrip back to our 'Primal [State of Being]'. In the end, each of these 16 artists delivers an interpretation that pays the deepest respect to this pivotal artist, while also standing out as a new track of its own. The Others - Lustmord Deconstructed is not only a tribute and an excellent entry point into the discography of the founding father of dark ambient. It is also a celebration of the most accomplished visionaries in the underground music scene of today, and a manifestation of what binds them together.

After the glorious Wormboiler cassette tape compilation obliterated human ears in 2021, American one-man black industrial weapon Uranium finally emerges from the depths of oblivion with its debut full-length album An Exacting Punishment, a five-track, forty-minute radioactive nightmare of complete sonic ruin channelling the darkness of black metal with the scathing immensity of defining post-industrial acts like Brighter Death Now, Godflesh, Wolf Eyes, Swans, MZ. 412, Controlled Bleeding, and Genocide Organ. As the band's name aptly hints at, Uranium was conceived as an aural vessel to explore the outer limits and the most irreversible states of complete human disintegration, and the incineration of its most defining and triumphant achievements; namely society, progress, technology, and civilization, with nuclear power being the conduit and ultimate engine of the greatest and most horrific forms of total annihilation mankind could ever face. Auditory terror both permeates and defines Uranium's music, with bludgeoning and majestic post-industrial soundscapes pulsing inside a lightless void lit only by drifting embers and falling ash, while immense infernal atmospherics wrap their deathly spires around the listener, crushing them into a distorted auditory abyss. Power electronics, industrial noise and black metal have rarely before been seen chained together and weaponized into such a mortal design. An authentic weapon of mass annihilation engineered to face human life with absolute death. A death-scarred reality that emerges from the utter bleakness and ruination of Uranium's apocalyptic design, as the listener is cast at the center of a caustic nuclear nightmare where flesh boils and evaporates off bone, cells erratically split into endless deformities and the world is turned into a mangled, corroded and disfigured radioactive oblivion.

Underoath has been a seminal voice in progressive, heavy rock for almost two decades. On Voyeurist, their seventh full-length (and second with Fearless Records), Underoath has once again found brilliance in walking the line between reinvention and the foundational elements of the project. The story of Voyeurist traces back to their 2020 livestream event, Underoath: Observatory. The success of Observatory, which was orchestrated largely by the band, provided the confidence for them to self-produce their next record for the first time. The result is the most collaborative album of Underoath’s career and, anchored in a profound respect for each other, one that left no stone unturned creatively. The band refers to it as “high-def violence” - technologically advanced, but undeniably visceral. Conceptually, Voyeurist has several interrelated meanings, each tying back to the concepts of how we curate ourselves through social media and how that facade masks a lot of what we actually experience in life. With their shared history of remarkable accolades and trying hardships still shaping who the individual members are as people, Underoath is just scratching the surface of what they can accomplish as a band. There are few acts in the annals of rock history that can say their best work is still ahead of them almost two decades into their career. Fortunately, Underoath falls into that category. It will be something special to witness as this next chapter in the Underoath story unfolds.

Ulver's Blood-Red Baroque 'n' Roll Album turns 18! Hailed by critics and clerics upon its release, and described by the band as a maelstrom full of wreckage, it is undoubtedly their most byzantine and excessive work to date. A trip through the lavish void!

Ulver's Blood-Red Baroque 'n' Roll Album turns 18! Hailed by critics and clerics upon its release, and described by the band as a maelstrom full of wreckage, it is undoubtedly their most byzantine and excessive work to date. A trip through the lavish void!

New L.A. metal release of Spookey Ruben's Transilience.

Nervesaw' is the first EP by American band Transilience, and the comeback release after many years of absencefrom the scene. Transilience were originally formed in 1988, in Reston, Virginia, and their debut album 'Mouthful OfBuildings' was released in 1989. Their very particular brand of thrash metal was hailed at the time as innovative andoriginal, and that record remains a fresh listen to this day. Transilience disbanded soon after, and frontman Spookyembarked on a solo career under the name Spookey Ruben. As of 2019, Transilience returned to activity withbassist Jerry Barrett and drummer Omar Ruiz joining Spooky in the lineup. In 2023, the band signed for AloneRecords and announced 'Nervesaw', their comeback EP, featuring the unmistakable Transilience style but updatedand reinvigorated for a new age. It's almost like they never left.

New L.A. metal release of Spookey Ruben's Transilience.
Nervesaw' is the first EP by American band Transilience, and the comeback release after many years of absencefrom the scene. Transilience were originally formed in 1988, in Reston, Virginia, and their debut album 'Mouthful OfBuildings' was released in 1989. Their very particular brand of thrash metal was hailed at the time as innovative andoriginal, and that record remains a fresh listen to this day. Transilience disbanded soon after, and frontman Spookyembarked on a solo career under the name Spookey Ruben. As of 2019, Transilience returned to activity withbassist Jerry Barrett and drummer Omar Ruiz joining Spooky in the lineup. In 2023, the band signed for AloneRecords and announced 'Nervesaw', their comeback EP, featuring the unmistakable Transilience style but updatedand reinvigorated for a new age. It's almost like they never left

“Nightmare Eclipse”, the second album and label debut from Sheboygan, Wisconsin's mosh masters Toxic Ruin. The album shows off the combination of energetic thrash metal, death metal brutality and clinical technicality that propelled the band to the final round of the 2019 Wacken Metal Battle. Toxic Ruin was formed in 2014 with a mission of blending classic thrash metal, old-school death metal and modern technicality and tones into a wicked headbanging brew. Operating out of their collective hometown of Sheboygan, the band released their debut album, “Subterranean Terror,” in 2016. This opening serve showcased the group's already-burgeoning barrage of furious riffs and lyrical content ranging from the socio-political commentary of tracks such as “Seat of Corruption” to the beloved craving of a good drink on songs such as “Alcoholocaust.” The group followed up that debut record with the release of their 2018 EP, “Mortal Insolence,” on which the current line-up of Toxic Ruin took shape with Behrendt stepping into the vocalist position and the debut of rhythm guitarist Blake Toltzmann alongside lead guitarist Jacob Baneck and drummer David Miller. The effort saw the group further evolve their sound, leading to praise from Dead Rhetoric for showcasing “a stronger level of confidence and insight into dynamic songwriting for a thrash band not content to rest on recycling the past, but rather creating a bright future." Toxic Ruin began writing and recording “Nightmare Eclipse” while relentlessly touring the United States in 2019 alongside bands such as Lich King and Stonecutters and playing multiple festivals including Full Terror Assault and Slam Dakota, plus winning 2nd Place in the 2019 edition of Wacken Metal Battle USA. The result is the band's most mature and complex material to date, while also being their heaviest display of metallic force so far.

TO THE DOG’s self-titled debut EP. A whirlwind of crust metal dirtiness from the North Americas. Hailing from the frozen wastes of Wisconsin, TO THE Dogs are a juggernaut of classic crust. The power-trio made their public debut in December 2020 with a digitally-released three-song demo, which is now being released as their debut EP and thusly titled To the Dogs. Charging hard, charging free, TO THE Dogs have Motorcharge on lock, but also nod to classic blackthrash (think early Aura Noir) and the punkiest speed metal (think classic Warfare). Theirs is a sound that's unapologetically old-style, but refreshingly honest in its approach - not to mention addicting! Indeed, across the nine short/sharp/shocked minutes of To the Dogs, TO THE Dogs roam the post-apocalyptic wasteland on motorcycles made exclusively of spikes and chains, and then proceed to burn through that wasteland and get the fuck out. Hitch a ride now or DIE!

Charlatans took its beginning back in 2019 when Mattias Svensson gave Jens Broman a call. Jens Broman hadn't been working with music to any major extent since 2010 when he left Darkane. Since the release of the album, Anomaly, back in 2006, The Defaced had slowly started to dissolve during 2007-2008 and was finally set on pause indefinitely in late 2008. Mattias explained on the phone that he had written a bunch of songs that he wanted Jens to listen to. The intention was to start up The Defaced again. Jens loved the songs immediately and slowly during 2019 Mattias and Jens started to set up a work process for continuing working on the songs. – It all came very naturally, just like in the old days, says Jens. Klas Ideberg shared the same thoughts and ambitions and after recruiting new drummer Bob Ruben a new start of the band was on the table. All instruments were recorded in Helsingborg at the Mansarda studios, produced by Klas and Mattias. Vocals were recorded and produced by Jens and Björn Strid at Studio Björngrottan, in Tyreså Autumn 2020. Mixing and mastering by Lawrence Mackory, At Obey Mastering, in Uppsala. December 2020. As with so many artists much of the inspiration for this record, lyrically came from a large extent from the pandemic. Not as such but its creativity came as an involuntary pause from the wound-up stressed world. The songs cover themes such as struggles with relationships, self-doubt and eager frustration and a feeling that everything is already too late to change. Charlatans is an album that encompasses the sound of the earlier albums but given the addition of a more prominent progressive touch. The songs aim to give the listener an even greater sonic adventure than the previous records. Still, most of the heritage from old metal giants is ever so present, blended together with classic songwriting with a twist towards progressive soundscapes.

Thanatopsis (a Greek word meaning “Meditation Upon Death”) was formed towards the beginning of 1992 in the San Francisco Bay Area, producing several demo tapes and touring the surrounding area. After a long hiatus, the band regrouped in 2015 and decided to create new material, giving some of the timeless songs from the past the chance that they deserved. The resulting output is eight songs that take the listener on a emotionally twisted ride of violent, catchy, thrashy death metal. These are timeless songs reminiscent of the days when bands had their own distinctive sound while also maintaining a modern edge. ‘Initiation’ contains eight songs that take the listener on an emotionally twisted ride of violent catchy death metal. With themes that include corruption, occultism, murder, revolt, and loss of faith, Thanatopsis have delivered an album that keeps the listener engaged from start to finish, wth a sound unlike any other.

After the calm and sublime People Used To Live Here, Spook THE Horses, hailing from Wellington, New Zealand deliver their ferocious new album, Empty Body. With distortion levels cranked up, tempoes sped up and songs condensed and stripped down to the bare, ugly essentials, Empty Body comes as a brutal wake-up call within the rampant covid-19 fatigue, and an unexpected surprise in almost every regard. "We've always been both a heavy and a quiet band. An entire album of our prettier, more bittersweet inclinations demands a reply of our most aggressive and confrontational. The pendulum must swing back the other way", comments multi-instrumentalist Callum Gay. Imagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of. Spook THE Horses are such a band. Maybe this multi-instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 4 albums: while 2011's debut album Brighter was defined by sweet post-rock crescendos, 2015's Rainmaker was a much heavier affair. People Used To Live Here“ (2017) created an atmosphere of quiet desolation, raw and real, desperate and unsettling: the post-apocalyptic soundtrack to abandoned places, where people used to live, at one point in time, long ago.

Straight out of Paris, Spheres will be offering up their next canvas of progressive metal in the form of their second full-length “Helios” on September 23rd. The album follows their highly praised 2019 debut “Iono”, which the band supported across Belgium, the Netherlands, Germany and their home country of France.

“Helios” sees a fresh lineup with founding member and album producer Jonathan Lino. The recording quintet is now inviting fans on a new spiritual journey featuring a multitude of contrasts and textures. From the sharp riffs, soaring melodies, through the clear singing to the growl while passing by ambiences and oscillating between dream and frenzy... everything is made to jostle the audience and invite them to take part in the journey.

Recommended for fans of Opeth, Tool, Mastodon, Gojira, and Devin Townsend, Spheres‘ forthcoming album “Helios” is available for pre-order now on Limited Edition Luminescent Vinyl LP.

On vinyl for the first time. Acclaimed San Antonio, Texas-based prog/tech metal triumvirate Spastic INK, featuring guitarist/composer Ron Jarzombek, bassist Pete Perez, and drummer Bobby Jarzombek. "I worked on the album off and on for over four years and at times it seemed like it would never get done," Ron Jarzombek said in a press release. "The most difficult part was of course finding musicians to play these INK tunes while Bobby and Pete were touring and recording with Halford and Riot. All of the guests who helped out did unbelievably fantastic jobs and I couldn't be any happier with their performances." Joining Spastic INK on "Ink Compatible" is Ron Jarzombek's long-time Watchtower bandmate, singer Jason McMaster, who provides lead vocals on five tracks.

From The Gruesome Depths In Which They Mercilessly Rule, The Ancient Gods Of The Merciless Hm2 Buzz Saw Cult Summoned Fresh Disciples To Serve Their Cause. Niko (Ex-Tyrant's Kall), Jörgen (Theudho), Bart (Ex-Fleshmould, Ex-Storm Upon The Masses) And Tomas (Human Vivisection, Ex-Fractured Insanity, Ex-Storm Upon The Masses) Answered That Infernal Call In 2017, Crafting Frantic Hymns Based On Barbarous Riffing, Chaotic Soloing And Ferocious Hammering Under The Moniker Of Slithering Decay. In March 2018, They Committed Four Of Their Twisted Concoctions To Tape And Unleashed Them Upon The Realm Of Mortals In The Form A Cassette Demo, Highly Appropriately Yet Fabulously Apathetically Entitled Demo 2018. The Fifty Black Cassettes Quickly Found Their Way To All Corners Of The Earth, While Digital Copies Were Left To Quench The Blood Thirst Of New Devotees. In The Meanwhile, More Disharmonious Pieces Were Conjured From The Nameless Abyss. Once Again Engineered, Recorded And Mixed By The Band Themselves, Ten Wretched Pieces Were Gathered For Their Debut Album Aeons Untold. The Equally Appropriately And Apathetically Entitled Promo 2020 Was Sent Out To A Number Of Possible Partners In Crime For A Potential Release Of The Debut Album. The Infamous Testimony Records Answered The Call. Aeons Untold Received A Final Sonic Boost Through A Master By Dan Swanö (Of Edge Of Sanity Fame). The Sinister Cover Art By Wesley Dewanckel (Tyrant's Kall, Unmensch) Outstandingly Captures The Atmosphere Of The Madness Captured On The Record.

Where does reality end and where does it begin? And who, or what, decides this? Multinational experimental black metal enigma 夢遊病者 re-propose this question to us via their masterful fourth album Skopofoboexoskelett, an enigmatic and playfully formulaic quandary of deconstructed visionary counter-music reminding us a simple concept: that reality is dictated by perception, and as such, by manipulating perception (via the arts), any reality is not only possible but also valid. And as is always the tradition with 夢遊病者, music is the alchemical key via which questions are raised and answers are found in the labyrinth of history, culture, lore and world traditions. In the case of Skopofoboexoskelett, an exploration of the notions of self-reflection, intuition, phobia, luck, and failure in the context of the evil eye, its historical, cultural, physical and metaphysical meanings, as well as its psychological effects, carefully unraveled and revealed. Within this paradigm Skopofoboexoskelett takes 夢遊病者's vision, agenda, and intents, further than ever before, with musical boundaries shattered, definitions pulverized, genres, styles and aesthetics ridiculed into a masterful sensorial manipulation which draws the listener into the deceptive and subversive absurdity that is their own perception being stimulated in unprecedented ways. Drawing their own line and dictating the guidelines of music's end as we know it, Sleepwalker use their unique sonic idealizations made of lysergic black metal excoriations, kraut, psych, noise rock, world music, improvised deconstructionism and schizoid free jazz to transcend conscience and reason, devastate the senses (particularly the auditory one) and open the mind unto a new plane of perception of which the only logic is illogicality, as only true and unquestionable experimental arts dictate and demand.

New album from Norwegian hard rockers Skambankt!!

Sgàile is the solo project of Scottish multi-instrumentalist Tony Dunn, a venture that was a long time in the making due to Dunn’s commitments with other bands such as Falloch, Cnoc An Tursa and Saor. “For almost a decade, I had concentrated on playing other people's songs, singing other people's lyrics, and not feeling that I had an identity of my own. The name Sgàile means "ghost" or "shade" in Gaelic, and this was born from the fact that I didn't quite "fit in" with the Scottish Black Metal scene that these bands were an integral part of”.

Satyricon’s groundbreaking Black Metal milestone "Rebel Extravaganza", remastered and reissued on 2LP Gatefold Vinyl and Digipack!