Latin | Brazil Vinyl Singles 346 Items

LOS Disco Duro are back with a futuristic/retro reworking of the Celia Cruz y Sonora Santanera guaracha classic "Pa' la Paloma" in their signature vocoder style. Robot vocals meet the laid back electro beat surrounded by FM synthesis for extra weirdness while the white hot timbale solo brings it all back down to earth. This soon to be collectible one sider is pressed on a limited edition clear flexi for extra space saving advantages. ¡No te lo pierdas!

The summer 2023 offering from Discos Mas is a blast from the past updated in typical Los Disco Duro fashion with vocoder vocals, live cumbia percussion and synthesized everything else. Nobody will admit to actually liking the Macarena, yet, without fail, everybody does the dance and sings along to the chorus when it comes blaring out of nightclub speakers. This little 7” life preserver will certainly keep djs from drowning should they find themselves in troubled waters. The B-side is an original electro composition with reflexive yet lighthearted lyrics about dancing dancing dancing to the tiny music in the discoteca heat. Minimal electronic 909 beats and a bassline inspired by enemy Automazeon laser fire from Atari’s Berzerk perfectly balance with the vocoder vocals resulting in pure retro bliss.

Discos Mas kicks off 2023 with a Banger from LOS Disco Duro with this roboticized double A sider featuring a pair of cover songs that are sure to resonate on the dance floor. Many will recognize the Tito Puente composition “Oye Como Va” from the many versions including perhaps the most popular by Carlos Santana. This version heavily references the original arrangement, replacing the horns with interwoven resonant synth lines and vocoder vocals. The A side‘s “La Inconforme” is a newer song, well known in sonidero circles and will soon be a staple in DJ sets around the world.

Introducing the human vocals of LAS Gemelas Diamante for their first time on vinyl, LOS Disco Duro is back with a hard hitting vocoder rendition of the cumbia classic “Chambacu.” The B-side offering is a slow, intense, cumbiafied version of the ‘80s Art of Noise hit “Moments in Love.” Pressed on stunning purple vinyl, this limited edition record is a release you do not want to miss!

From Costa Rica, Los Cuchillos, a garage punk band that have their path already well defined in the garage punk scene. This is their first ep on Groovie Records, not the last for shure. This tracks are super killers and really shows what the band came for... Limited to 300 copies. 100 of them coloured.

LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

Future Rootz has collaborated with Canal Sounds and Egrem to release two funky Afro-Cuban tracks recorded in 1973 by Los Caneyes. This is the first musical project of Juan Pablo Torres, one of Cuba’s most influential musical innovators, and this is the first time that these tracks have been released on vinyl. The discs are in a 7" format.

Names You Can Trust presents the debut release from Netherlands-based group Lola's Dice, an ensemble born and battle-tested by years of punk and hard rock before fusing into its current form, a consolidated tropical-rock rhythm machine. Fueled in equal parts by the group's South American roots in Venezuela and Chile, and the creative freedom of their long-time home in Amsterdam, the band's evolution has resulted in music that is a pure body-moving delight — a fuzzy blend of guitars, synths and musical sabor that is very much rooted in the percussive sounds of Latin America, yet still comfortable in its punk-ethos vandalization of tradition and status quo. Helping to guide the band in this first studio recording is the talented touch of percussion maestro and engineering wiz Alex Figueira (Fumaça Preta, Conjunto Papa Upa) at his Barracão Sounds studio in Amsterdam. The resulting 4-track EP is a perfect match of genre-defying psychedelic madness and Caribbean cool.

Vinyl is Close to VG+.

Reissued for the first time ever on 7 inch, having previously only ever been on the Take A Trip Pussycat LP, Latin Blues Band - (I'll Be A) Happy Man. A dynamic dancefloor jazz and boogaloo belter from 1968, with a legendary piano riff and breakbeats that were most famously sampled by DJ Premier for Christina Aguilera’s classic ‘(Ain´t No Other Man)’. The B side houses another boogaloo bomb in the form of ‘Take A Trip’ that will set you back £80+ for an original copy. Yellow label version with white sleeve.

Writing on label sticker.

discos elgozo is proud to present our second single with two songs by Las Raras Del Folclor, a queer feminist musical project from the Colombian Caribbean, which harnesses the decolonising power of cumbia and drums to heal the community and transgress patriarchal orders. This musical project is part of the LBT Raras no tan Raras Corporation, which was born in 2019 in preparation for Lgbt Pride Day in Barranquilla, Colombia.

Las Raras Del Folclor are feminist, maricas, drummers and caribbean. Their musical proposal is a disruptive political bet, where the lyrics carry a message of respect for the lives and re-existences of sexual and gender diversities, while the drumming and collective chants unite us in the joy of the movement of our diverse bodies. If in the first track, La Denuncia, we find the strength of our ancestral women to confront patriarchal violence, in the second track, La Pajarera, we find the community that welcomes and cares for us.

If you order additional products from our site they will be sent out with 'brz45087', so please place a separate order for those. A: Lafayette – Sol De Verão / B: Marissa Rossi - Quem Vem Lá For Brz45087 we present a split release comprised of two tried-and-tested favourites from the Mr Bongo record bag. Rio-born pianist and organist Lafayette’s career started in the mid-60s and saw him become a prominent member of the Brazilian musical movement entitled 'Jovem Guarda’. For his inclusion on this selection in the Brazil45 series we move things along a few years to 1982 and the Brazilian boogie gem 'Sol De Verão'. Taken from his album 'Edição Especial’ and originally released on Copacabana Records, 'Sol De Verão' was written by Jorginho Gomes from one of Brazil's greatest bands Os Novos Baianos. It's a superb slice of 80s boogie/funk brilliance with a super catchy ear-worm of a vocal - definitely one for the dancers! For the flip, we include an absolute monster from the fantastic Marisa Rossi, who we featured previously on number 38 in the Brazil45 series. 'Quem Vem Lá’ is a heavy driving Samba Rock / MPB groove track with female and male call and response vocals. Originally released on a very rare and exclusive 7" also on Copacabana Records, but this time in 1971. Marisa would go on to work with the legendary Arthur Verocai in the 1980s. Two very different slices and styles of Brazilian music, but both absolute gems.

It's been 5 years since Nicolas Cubillos started his musical odyssey with his band Lachinos. In 2020 they released their first EP America Lachina with the label Goutte d'Or Records. Through these four songs full of lysergic magic, they offer an ode to Latin American music that was danced at home. In the fall of 2022, Lachinos will release his second EP entitled Costa Brava, still on Goutte d'Or Records. This record, which mixes surf rock, merengue, cha cha cha and cumbia with Japanese tints, is a sincere exploration through their colorful and festive universe. With the added bonus of two brilliant remixes by Voilaaa and Matias Aguayo Currently, the group is composed of important actors of the avant-garde music scene in Peru and Colombia: Ernesto Velarde (Moldes, Juan Wauters) on drums, Santiago Jimenez (Mamíferos, Las Migrañas) on keyboards and vocals, John Socha (Romperayo, Nkumba System, the Caribbean Makina) on bass.

In a world governed by stereotypes, Lachinos break down the boundaries between people and gender. It is impossible to clearly distinguish the origin, roots and cultures that are specific to each of its members. An association that turns out to be as unexpected as it is effective on their first EP America Lachina, out on Goutte d’Or, a sub-label of french team Cracki Records. America Lachina is also and above all an ode to Latin American music. One travels to the rhythms of merengue, cha cha cha, cumbia or even Brazilian surf, always with a musical commitment to rock accents.

Sweet soul and sentimental music has never really gone out of style, and in the particular cases of the innovative wave of 1950's filin era Cuban boleros, or 1960's Nuyorican street soul, they both remain a thriving beacon of timelessness and universality, capturing a particular style of breezy Caribbean romantic music that has stubbornly thrived in the tough concrete landscape of New York City.
Perhaps there is some love in the heart of the city, as the new ensemble La Triunfadora has managed to tap into something of significant substance on their debut recording, Clasicos Sentimentales Para Una Nueva Generación. Co-produced by band leader Benjamin R. Juliá and renowned talent William Holland aka Quantic (recorded and mixed at the latter's Selva Recording studio in Brooklyn), the group has managed to capture the essence of this reemerging style of classic music, while further injecting their own inspired vision of experimental and psychedelic arrangements.
On A-side display for this debut 7-inch release on Names You Can Trust are two canonized Cuban boleros from maestro composer and guitarist Cesar Portillo De La Luz, stacked together in an old school continuous medley, and transformed with lush orchestration that has the talented musicians sparkling behind the duet of lead vocalists Candace Camacho and bandleader Juliá.
The B-side jumps from 1950's filin into Ralfi Pagan's iconic 1969 latin soul masterpiece "Hijo De Mama." Once again La Triunfadora peppers in just enough exquisite arrangements and musicianship to transform the original into something fresh, yet still guided from an analog sensibility, and ultimately performed with a familiar romanticism that these classic lovers' songs have managed to express over the decades to different generations.

Russell 'Konkie' Halmeyer was born and raised on the small island of Curaçao, located 60 kilometers off the coast of Venezuela. Konkie is a percussionist who specializes in the steelpan, a percussion instrument originating from Trinidad and Tobago that is made out of an industrial drum. He started playing at the age of 12. Throughout his career, he has explored the boundaries of the steelpan and associated genres. He has become one of the most innovative pannists in the Caribbean, taking the steel pan out of its context of steel bands, carnival and calypsos. In the 1990s Konkie toured through the States, where he performed frequently, merging steel band sounds with jazz.

In Curaçao, where he is considered the most important pannist of the island, Konkie mainly performs in hotels and at tourist sites. He enjoys performing for these crowds but his true passion and joy lie in arranging deep and melancholic compositions. These two tracks are the result of that joy. "Simadan Kologá" means "the hanging harvest". "Simadan" or “Seú” is the local harvest period on the island. "Kologá" means "hanging" because Konkie used a hanging steel pan for the arrangement. "Mi Ke Libertat" means "I want freedom". Instruments used: steelpan, drum, conch (seashell horn), and chapi, the iron part of a hoe that slaves used to work the fields with.

This single includes two unreleased tracks recorded during the sessions of their first album ‘Shaken & Stirred’: ‘Sick & Tired’, a song with a classic flavor and a great showcase for Anton Jarl’s drumming, and the ballad ‘Let Me Free’ with a brilliant vocal performance by Koko-Jean Davis and an exquisite guitar solo by Dani Baraldés.

Nigeria’s Kingsley Bucknor’s ‘Just U and Me’ LP gets the long-awaited reissue treatment from Melbourne’s Left Ear Records. After cutting his teeth playing with Fela in the 70’s and releasing two afrobeat LP’s Kingsley travelled the globe before finding himself in London, it’s here that he laid down 6 distinctive electro-funk tunes inspired by African rhythms and music he’d heard through his travels in the States and in Europe. Originally issued on Kinglsley’s own KAB records in ’85 and according to Kingsley the release was well received at the time, but due to constraints of international marketing the record remained mostly unknown outside of his homeland. Fast-forward to 2017 and the stage is set for a new global audience to appreciate the distinct sound of KB.

Soundway presents a double-sider of raw, West Indian Funk from 1977. Led by King Wellington's 'Shango', the stand-out cut harvested from his Sooner Or Later LP finally gets the 45 treatment it deserves. Inspired by the Shango ritual with its roots in Yoruba culture, traces of Calypso music are driven by hypnotic bass and Wellington's signature vocal, making up a musical blend only found in the Caribbean.

Hidden on the B-side, 'Mystery Music' fronted by Canadian musician Tony Springer, embarks on a dreamy, dynamic and even a touch psychedelic trip. Steel pans coupled with floating horns, electronic keyboard effects, crisp drums and subtle guitar licks cook up a soundscape baked by the Trinidad sun. While original copies climb their way to impossible-to-find status, enthusiasts will be excited to hear this sought after piece of music is available on the 45 format again.

After the trilogy of King Sporty & The Ex-tra's EPs in 2018, Emotional Rescue returns to the music of Noel Williams with this first ever single release of his 1976 reggae disco bomb, Safari, backed with a special discomix by Lexx.
Taken from William's debut album, Deep Reggae Roots, it can be considered a culmination of his career to date, from growing up on the streets of Kingston, Jamaica, to his first singles for Studio One and Trojan, his relocation to Miami and the birth of his Konduko label and moves to incorporate the local clubs growing affiliation with funk and disco.
Prescient to the coming wave, Williams enlisted some of Miami's finest in George Perry and Clay Cropper (Chocolate Clay), Ron Smith (KC & The Sunshine Band) and legendary producer Alex Sadkin (Compass Point, Bob Marley, Grace Jones, Talking Heads).
The stand out from the album, Safari, with it's hazy, low slung groove of razor sharp rimshot, guitar licks and funk bass is topped with an incessant chant 'Disco, Safari'. Criminally brief, the choice of Lexx to step in the mix was a simple one. His dubbed rework is perfect, laidback, letting the groove roll and King Sporty's mantra shine.

Accomplished NYC singer-songwriter Kelli Sae unveils joyful new single Good Feeling on 21st June 2024, the first fruit of her fourth solo artist album due early next year. Good Feeling swings, sways and shimmies with playful Latino spirit; a summer-fun delight all about seizing the day and embracing love and life. Sae’s sizzling vocals dance in and around deft keys, layered horns, tight guitar parts and, of course, that infectious percussion. Verses switch up to agile scat solos and down to emotive breakdowns – it’s the very best of feelings….

Good Feeling is produced by Chris Franck, co-founder of Da Lata, chief instigator behind Zeep, Smoke City and Batu, and long-standing mastermind for a wealth of other studio projects and remixes. The record features a talented cast of musicians including award-winning Brazilian composer Rafael Martini, who arranged and conducted the horn sections in one of Latin music’s truest heartlands Belo Horizonte.

Kelli Sae’s story has it all. An internationally acclaimed artist, she previously shone as lead vocalist for renowned jazz-funk collectives Incognito, Count Basic and Defunkt, and worked with Tina Turner, Chaka Khan, Patti LaBelle, Ashford & Simpson and Me’shell Ndegéocello among others. Born of Puerto Rican, African and French descent, Sae has soulful eclecticism in her blood. The exciting mix of sounds, cultures and influences across her three, independently-released solo albums to date is testament to this, as well as her respected forays into composing, playwrighting and stage performance.

Good Feeling is Kelli Sae’s latest impactful outing for Reel People Music, following singles Good Love, Right Now and Believe In A Brighter Day earlier this decade. The special relationship is set to blossom further over the coming months. We. Can’t. Wait.

Following the success of the Retro-Zouk mixtapes series (4 volumes / 15k plays on Soundcloud), Secousse Radio proudly presents its first official vinyl reissue of a long lost Zouk banger.
Originally released in 1993-1994, those two tracks have been road-tested in various clubs and parties for months and the feedback is clear: it’s dancefloor devastation business.
Their author is Jules Henri Malaki, an established and self-produced artist from Guadeloupe, a French overseas island in the Southern Caribbean Sea.
As the popularity of Zouk music keeps growing every day in Europe, America and Asia, just whisper the name “Makiyaj” to any of the best DJs from the current tropical diggers scene and watch their eyes scintillate… This secret weapon shall not remain secret very long.

Ships in a generic sleeve with hype sticker.
Record is close to NM.

Rio-born, Joyce Moreno, is one of the greatest Brazilian artists of all time. The voice, the playing, the writing, they all combine to make her a true allrounder. She possesses the ability to transport, captivate and transcend listeners. With a career that has spanned more than 30 albums and over 50 years, she continues to record and tour the world.

‘Aldeia de Ogum’ is one of her most well-known songs. With a joyfully jazzy arrangement, building Latin percussion, Brazilian flute and tropical atmosphere, this full-bodied samba smash became an anthem amongst London’s DJs and dancers in the Acid Jazz days. A favourite of Patrick Forge and Gilles Peterson, it was regularly spun at their legendary Dingwalls sessions.

Originally featured on her sought after Feminina LP from 1980, it also appears on our 'Essential' Joyce compilation from 1997. The original pressing of this Brazil 45 was the first time the track had been released on 7".

A fellow Rio native, Rosinha was a highly acclaimed composer, arranger and guitarist who played with legends including Baden Powell, Sérgio Mendes and Sivuca.

Here we present her stunning cover of the Gershwin classic, ‘Summertime’. Rosinha’s elegant, instrumental interpretation showcases her majestic guitar playing, and what a player she was! Backed with beautifully arranged, emotion-drenched strings, this track is guaranteed to stir your soul.

'Summertime' is taken from her 1975 RCA LP entitled Um Violão Em Primeiro Plano. The original pressing of this Brazil45 was the first time the track had been released on 7".

Remastered with refreshed artwork.

Record Store day exclusive. For the first time on vinyl! The fabled extended recording.... from the unreleased 1977 Natureza album produced, arranged, and conducted by Claus Ogerman.

For number 90 in the Brazil45 series, we share a couple of lesser-known discoveries that have become recent favourites here at Bongo HQ.

First up we head to the north of Brazil with funky Forró / boogie hybrid monster, 'Vendedor De Mangaios' by Josan. Originally released in 1981 on the album 'Rio De Renovações’ on Copacabana Records. This addictive dancefloor gem is still relatively under the radar, but it has become a firm favourite at Bristol's Worm Disco Club parties and amongst the DJ's and collectors of Brazil's underground dance music scene.

Taken from the illustrious singer Bartô Galeno's self-titled 1977 album on Tapecar Records, 'Vou Tirar Você Daqui' is an unusual one. Not easily pigeon-holed, the song sits somewhere between MPB / funk and rock, yet isn't really any of them. Backed with a big orchestrated sound and tripped-out synths, the track has a truly unique feel.

We hope you dig these finds. Another testament to the diversity and depth of Brazil's rich musical heritage.