Soundtracks Vinyl Singles 222 Items

* 7” Vinyl with Screen Printed Wave B-Side * Featuring “Tell Me What You Want” from Wave Break * Music by Weezer * Album Art by Cory Schmitz

The second of the new PY releases sees the return of Vorderhaus. Familiar and longterm label favourites and solo offshoot project to Mark Vorderhaus’ Detox Twins groop. Two ace new tracks on a stand alone 45, both with their video clips at foot of the write up here…. In Mark’s own words; “From a simple past, Vorderhaus recollects a decade living in Neukölln, Berlin. Dimly lit urban streets unfold as a backdrop to reveal the lives they contain and their stories within. Tales of love and loss, carved out destinies and shadows that despair, of driven ambitions and broken dreams all eventually consumed by time and the city to be rendered nothing more than a series of lights and faces stretching back into Berlin’s recesses. Simple lines and motifs collect the atmosphere in the music and melody for each life and each street - nowhere is ever home…” Once again, we strongly recommend the 45 to all fans of early Mute, Fad Gadget, Blackwing Studios, Minimal synth / synth pop. A pressing of 250 copies and another brace of perfect electronic pop gems and sure to sell out super quick style….

Music for animation cyber-noir film "Battlefield" (based on same-titled book by Stephen King). Animated films soundtrack is one of the most substantial aspects of Bystryakov's career. He masterfully balances between being a composer and a sound designer. A cartoon thriller for Stephen King's original story was created at the Kyivnaukfilm studio in 1986. The work itself reached the Soviet reader in 1981 for the first time and was King's first publication in the Ussr, as well as "Battleground" was the first and only film adaptation. "Battlefield" is a work that belongs entirely to its time. This soundtrack is a semi-conscious journey through the night TV network: from Italian horror movies and detectives to the movie Blade Runner on the last working channel well past midnight. Actually, in such a sequence, the fabric of the work is revealed. The atmosphere in the style of Goblin (Untitled I), thus echoing the work of Enno Morricone (Title theme, Theme of the boss). In addition to melodic fragments, he boldly creates minimalist pieces that undoubtedly sound like an early acid house (Untitled II), because the sounds of Roland Tb-303 and Tr-606 are instantly recognisable. Bystryakov's approach did not involve the use of many tools or effects. He worked with one Roland Juno-106 synthesiser, using the full palette of its sound. His new tool is a counterpoint. This is how the final theme (End Theme) is constructed, where a piercing solo on a saxophone changes the atmosphere to nostalgia.

Label variaton.
Sticker on label.

Small writing on back cover.
Writing on label.

Theme songs from the movies “Nausicaa of the Valley of the Wind” which was released 35 years ago, “Castle in the Sky” and “My Neighbor Totoro” have been loved by many people up until now and even appeared in music textbooks. The original 7” singles will be reissued and included in the box set. Remastered for this time, you can enjoy the vinyl only sound. We hope you experience the greatness of vinyl record.

Theme songs from the movies “Nausicaa of the Valley of the Wind” which was released 35 years ago, “Castle in the Sky” and “My Neighbor Totoro” have been loved by many people up until now and even appeared in music textbooks. The original 7” singles will be reissued and included in the box set. Remastered for this time, you can enjoy the vinyl only sound. We hope you experience the greatness of vinyl record.

Disc 1~4 ＝ Reissues of the original EP Special Disc 5 ＝Instrumental versions of crystal clear sound New jacket artwork Limited pink colored vinyl Adapter ＝Studio Ghibli Records Original Adapter

Last year, we got together with The Netherlands Institute for Sound and Vision’s RE:VIVE initiative for the second time, inviting four local artists to breathe new life into four archival films from the Sound and Vision and EYE Filmmuseum archives. Jordan GCZ, Suzanne Kraft, Parrish Smith and Upsammy were all assigned short animated films dating back to 1921. The films and their new scores debuted at EYE on August 2nd as part of Dekmantel Festival 2018. Unsurprisingly, each artist imparted their unique styles onto the films that they previously had no relation with. From Suzanne Kraft's sparse atmospherics that have become more apparent in his new SK U KNO project to Jordan GCZ’s free flowing hardware jams. Parrish Smith showed his contemplative side and sparse orchestrations that he demonstrated on his RE:VIVE release, Genesis Black, a sonic departure from his bombastic releases and DJ-sets while upsammy showed yet again her deft hand for melody and texture, a style that dominates all her releases to date.
These four scores can live apart from their films, fitting seamlessly into each artists' growing catalogs of work. But when combined, it’s as if the films and music were made simultaneously with the artist and filmmaker together in the same room. Dekmantel and RE:VIVE are proud to present these new works as the electronic music scene in The Netherlands continues to show its multifaceted talent that continues to expand far beyond the dance floor.

Cover with small writing and a slightly worn opening side.
Includes original inner sleeves.

9 x 7" box set.

The Godzilla franchise is a Japanese media franchise created and owned by Toho, centered on the fictional kaiju character Godzilla.

It is the longest-running film franchise, having been in ongoing production from 1954!



From the first ever Godzilla record "Godzilla-san / Our Anguirus" to the big hit "Shin Godzilla" in 2016, it is a permanent preservation board that traces Godzilla's music history in the form of a single record. In addition to "All Monsters Attack", the theme song that colored Godzilla's hero era at the Toho Champion Festival is recorded in the form of a reprint of the original version of Crown Toho Records. For the theme song "Kaese! Taiyo wo" of "Godzilla vs. Hedorah (1971)", which is gaining cult popularity, the soundtrack version used in the movie was made into a record for the first time. "Godzilla vs. Mothra (1992)" and "Shin Godzilla (2016)", which boast the largest number of mobilization in the Heisei Godzilla series, are the first 7inch records of the inserted songs.

The reprinted 7inch single record contains valuable past art. (* The recording form of art is different from the original board)The four new records will be recorded with completely new art.

Shaped Picture Disc! Comes in plastic sleeve.

Imagine a world in which you are permitted, by a warlock, to go back in time to use an advanced yet primitive submarine to investigate the deepest waters in and around Japan, for the first time in human history. You are not permitted, but two Japanese scientists were allowed on such an aquatic adventure!

Here we have an underwater in-submarine field recording of their adventures, intermixed with a slippery-watery score, that surely represents the lurking fresh surroundings of the deep as they retreat further and further to the bottom of the ocean. The cameras, the retracting mechanical sea tentacle, their communication devices, are all audible now for you, as Deep Sea Animals is played out as a fresh digital radio play. All the audio has been preserved at Studio Isabellalei, by Milan W. from the original laserdisc, which was a part of the cinematic curatorial program at the opening for Spencer Clark’s album Avatar Blue, in Antwerp, Belgium.

With a purchase of the vinyl album of Deep Sea Animals on Pacific City Discs, you not only return to the prehistoric times of 1986, when two brave Japanese submarine pilots were to record deep underwater creatures, but you are also thus thrust back in time to Antwerp 2018, to a romantically titled, Event Horizon Cactus Cooler Laserdisc Theater. Just as well, the proceeds of this disk, tirelessly edited by Spencer Clark, will be donated to the preservation of the ocean, via the inspiring Sylvia A. Earle’s foundation, Mission Blue. Its not that you may or may not believe what I am now discussing with you, its that you can believe, because this disk is real, and thanks to Pacific City and Discrepant we will ride further into the super-natural realms of real life.

What an amazing experience,

Spencer Clark, Athens 2023

The multidisciplinary project led by Fermin Muguruza has created different artefacts; comics, films, music, exhibitions... continues to bring together creators around the Black is Beltza universe. Now it is Ainhoa, the protagonist of the second release, who presents us with this maxi of 4 tracks. Side A opens with El Gran Silencio, from Monterey (Mexico) with their cumbia-vallenato-norteño punk and the collaboration of Fermin himself and closes with Joseba Irazoki's apotheosis version of the mythical "Sarri, Sarri, Kriston martxa dabil". The rappers La Basu (Basque Country) + Wöyza (Galicia) + TESA (Valencia) in 3 voices and 3 languages claiming their power with the song "Rap is Beltza" open the B-side, and "Bizitza triste eta ederra", a song that appeared on the album "Ustelkeria" (1996) by Negu Gorriak with the voice and guitar of Iñigo Muguruza, now and after his death and with a strong hip hop rhythm, it becomes a meeting between the two brothers, Fermin and Iñigo, closing this great jewel released on vinyl at 33 RPM, and with spectacular art, the work of Mr. Zé from Valladolid.

Crystal Blue vinyl. Still sealed with hype sticker. Cover has slight corner wear, close to NM.

Vinyl closer toNM

“Daaaaaali”, the new movie of Quentin Dupieux (aka Mr Oizo) .

Record is close to NM.

Minor foxing on back cover.

Suite Crude Revue is a rotating cast of outstanding performers committed to an unshackled aesthetic. Produced, composed, and arranged by Daniel Zelonky, this single presents songs for imagined films. “Cowpoke Detox” might be termed “spaghetti jazz”. It’s a strange hybrid of spaghetti western style baritone guitar lines supporting jazz noir harmonies, creating a surreal backdrop for the tale of an unrepentant murderer, who feels regret only in terms of the consequences he’s facing. “Blue Ramen #1” is a lover’s lament, set to what might be termed a “Hollywood samba”: One imagines Los Angeles session players emulating samba for a commercial film, not an authentic Brazilian band. The lush aural environment culminates in a dreamy closing vamp with the impassioned vocal set amid a swirl of improvised trumpet, violin, and piano. This haunting, yet ironic song may well have found its way into the popular consciousness ... if the movie had actually existed! This record breaks the mold of history-conscious record making, eschewing the slavish copying of past styles which has become so common, and exemplifying the label’s stated mission of “Reimagining a futuristic past” where “weird vistas of fresh possibilities unfold before us...” Very limited edition on vinyl.

Terre Haute Pressing.

Ships in a brand new plain sleeve.

On Electro Records' ''Sci Fi Electro'' series, each artist has created a 15 minute track for each side of the record, taking you from pure electro tracks to very experimental compositions, sounds and atmospheres. Each side is divided in ''movements'' in a continuous morphing process without any pause between different tracks. The series is a collection of seven releases inspired by the following films created in the 20th century: THX 1138, 2001 A Space Odyssey, Blade Runner, The Thing, Akira, Terminator and Tron.

EP compilation Of Soichi Terada's work for the Ape Escape 1 Playstation game. TIP! Outside of the international house underground, where his early ‘90s works for the Far East Recording label he co-founded with Shinichiro Yokota are rightly celebrated as bona-fide classics, Soichi Terada is best-known for his work composing music for video games. Yet until now, few of his productions for video games have been released outside of Japan, especially on vinyl.

Apes In The Net, a six-track EP featuring music composed for the popular PlayStation 1 series Ape Escape, sets the record straight. It not only showcases Terada’s quality as a composer and producer, but also his versatility. Like much of Terada’s work on the Ape Escape series, the tracks featured don’t explore deep, New York and New Jersey influenced house sounds, but rather his lesser-celebrated love of jungle and drum & bass – a sound he fully explored on 1996 album Sumo Jungle.

“The producer of the Ape Escape games heard that and got in touch,” Soichi remembers. “They asked me to make the soundtrack, and then work on the music for the sequels after that. I used to love making music with Akai hardware samplers, synthesisers, and computers, so I played and recorded the tracks using almost the same methods as I did when I made house music. Using breakbeats and audio samples with a sampler was the most useful way to make the soundtracks.”

The six tracks on show, which were originally recorded in the ‘90s but reconstructed and remastered for Japan-only CD and digital releases over a decade ago, mix elements of Terada’s familiar deep house style – think warming chords and pads, memorable melodies, and emotive musical motifs – with blistering D&B breakbeats, 16-bit synth sounds, electronic bleeps and undeniably weighty basslines. They’ve stood the test of time and arguably sound just as fresh now as they did at the turn of the millennium.

For proof, check the soaring, spellbinding ‘Spectors Castle’, where uplifting lead lines and sumptuous chords dance atop punchy beats and growling bass, the jazzy and saucer-eyed rush of ‘Mount Amazing’ (all twinkling piano motifs, alien synth sounds, squelchy bass and skittish drums) and the intergalactic, liquid D&B excellence of ‘Time Station’, whose whistling melodies and stargazing chords are undeniably alluring.

There are plenty of other delights to be found across the EP, too, from the bustling, race-to-the-finish breathlessness of D&B/bleep techno fusion workout ‘Spectors Factory In’, and the rumbling sub-bass, creepy pads and suspenseful melodies of ‘Haunted House’, to the bombastic, all-out-assault on the senses that is ‘Coaster’, the set’s most “purist” jungle workout – albeit one that also doffs a cap to the pulsating world of big room techno.

Apes In The Net, then, celebrates Soichi Terada’s mastery as a video games composer and early Japanese junglist. Props are well and truly overdue.

10" vinyl only release limited to 500 in beautifully printed tip-on jacket. A mysterious film score from Sean Lennon with dreamy washes of echoey drum machines & keyboards with dark & foreboding synth arrangements, twangy guitar riffs with a sci-fi western flair, 50s pop, 70s punk, creepy demonic themes interlaced with a touch raunchy, swaggering horns that recalls old school film noir, with a surprisingly fresh indie rock edge. Features guest spots from KING KHAN, MARY OCHERS, KARLA MOHENO, & BISHY & FOLEY STEWARD. NO EXPORT TO UK/EU/JAPAN

The original soundtrack of the masterpiece retro-style action game that has been the talk of the town among game fans will be released on a limited donut vinyl (7inch record)!! The retro-style action game "Donut Dodo" stole the hearts of game fans as soon as it appeared, with its look and music that seems to have come straight from the 80s! If the game has a doughnut theme, there is no choice but to make it, and a limited edition doughnut vinyl (7inch record) is now available for pre-order! The album contains a total of 9 songs, including new songs from the arcade version of "Donut Doodle Doo!".

Limited to 400 copies. Two terrific shake signed by Sante Maria Romitelli, and taken from the original soundtrack of TOP SENSATION, also known as THE SEDUCERS. A late sixties giallo erotic cult movie starring Edwige Fenech and Rosalba Neri. Hammond groove a go-go!

Copy is close to NM.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

Only released in 1999 as it was thought it wasn’t a sellable soundtrack. Now for the first time Dynamite Cuts are making a 2x7” 45 collection of some of these gems. The Black Windmill is very much on the same vibe as Stone killers. When I first heard “No Co-Operation” I almost fell off my chair!! In particular, the drums and dark strings (by the National Philharmonic Orchestra) lift this into another zone. In addition, the deep bass groove (this time featuring Daryl Runswick on bass) and killer horns, featuring more of the finest players from Budd’s stable, take this piece into the stratosphere!

Red, single sided flexi disc!

Cover with seam split.

“La Settima Donna” (1978), also known as “The Last House On The Beach”, is a disturbing thriller directed by Franco Prosperi and set in a secluded cottage overlooking the Tyrrhenian sea, starring Florinda Bolkan, in the role of Sister Cristina, governess of five female students on a short vacation, rehearsing their Shakesperean end-of-year play. The unfortunate inhabitants of the house became soon hostages of three vicious criminals looking for a hiding place after a bank robbery, but the psychological and sexual violence ends when the nun abandons her vows. And the victims decide to get justice. Roberto Pregadio's brilliant music is not surprisingly, functional and almost disconnected from the bloody images: there is no overwhelming sense of disturbance for the listener. The soundtrack of “La Settima Donna” was published only once, in cd format, attached to the rare dvd of the film, gaining new life on vinyl thanks to Musica Per Immagini. Some of the eleven tracks of the score are characterised by an easy listening mood and united by a psychedelic feel, in harmony with the progressive atmospheres found in albums such as “A Saucerful Of Secrets” (1968) and “Meddle” (1971) by Pink Floyd. However, the English band is not the only reference for the jazz pianist, who quotes a piece by Bryan Ferry, entrusting it to the voice of Ray Lovelock, one of the three kidnappers. After that, the Sicilian composer remodels an international hit by Donna Summer, background of the sequence in which the nun is forced to strip naked in front of her tormentors.

HHV Exclusive edition on red and black splattered wax, limited to 50 copies worldwide.

“La Settima Donna” (1978), also known as “The Last House On The Beach”, is a disturbing thriller directed by Franco Prosperi and set in a secluded cottage overlooking the Tyrrhenian sea, starring Florinda Bolkan, in the role of Sister Cristina, governess of five female students on a short vacation, rehearsing their Shakesperean end-of-year play. The unfortunate inhabitants of the house became soon hostages of three vicious criminals looking for a hiding place after a bank robbery, but the psychological and sexual violence ends when the nun abandons her vows. And the victims decide to get justice. Roberto Pregadio's brilliant music is not surprisingly, functional and almost disconnected from the bloody images: there is no overwhelming sense of disturbance for the listener. The soundtrack of “La Settima Donna” was published only once, in cd format, attached to the rare dvd of the film, gaining new life on vinyl thanks to Musica Per Immagini. Some of the eleven tracks of the score are characterised by an easy listening mood and united by a psychedelic feel, in harmony with the progressive atmospheres found in albums such as “A Saucerful Of Secrets” (1968) and “Meddle” (1971) by Pink Floyd. However, the English band is not the only reference for the jazz pianist, who quotes a piece by Bryan Ferry, entrusting it to the voice of Ray Lovelock, one of the three kidnappers. After that, the Sicilian composer remodels an international hit by Donna Summer, background of the sequence in which the nun is forced to strip naked in front of her tormentors.

For the first time on 7’’, the two grooviest tracks from the soundtrack composed by Riz Ortolani for “Confessione di un commissario di polizia al procuratore della Repubblica” (aka, “Confessions of a Police Captain”), the renowned 1971 crime drama by Damiano Damiani, starring Franco Nero at the peak of his career. A succession of irresistible and elegant jazz-funk breaks, practically tailor-made for sampling.