Jazz | Fusion 12182 Items

Rise And Shine: Live At The Aketa's

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A comprehensive collection of descriptive contemporary scores. We say: Just look at the track titles of The Road Forward and swoon: Strangelands, A Man Alone, Sheer Elegance, Mystique Voyage, Cruising. Don’t you just want to hear those? The maestro Alan Hawkshaw really spoils us on this, one of the most sought after KPM greensleeves. This collection from 1977 is a brilliantly varied blend of silky smooth synths, funk-fuelled clavichord grooves and soft focus space beats. Essential. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Fumio Itabashi Trio

LP | 1977 | EU | Reissue (Studio Mule)

LP | 1977 | Reissue (Chiaroscuro)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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This is the third reissue of fumio itabashi on mule.

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James Mason

Rhythm Of Life

23,99 €*

Release: 1977 / Reissue

Genre: Organic Grooves

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The Positive Force With Ade Olatunji

Oracy

LP | 1977 | EU | Reissue (Rain&Shine)

19,99 €*

LP | 1977 | EU | Reissue (Favorite)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Seminal Spiritual Jazz from Detroit, 1977. Officially licensed and re-mastered re-issue. Comes with fold-out insert of Ade Olatunji’s Poetry that features on the album and never before seen artwork designed by New Zealand based designer David Broome. File under Free Jazz, Fusion, Spoken Word, Poetry, Conscious
“I remember Detroit being a cultural hotbed in 1977. There was poetry, theater and music everywhere. I remember even a local bar on the east side even had a poetry night. I don't remember a lot of unemployment or blighted neighbourhoods back then The greatest takeaway from my trip to Nigeria, was the term "Oracy." I want to say that Wole Soyinka, was giving a talk about about communicating with illiterate or functionally illiterate people and he was talking about oral literacy, or "oracy," for short. It struck me as a perfect word-- for what I was doing, practising. When we decided to produce a record of poetry and music there was no question that it would be titled "Oracy."

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Sacbe

Sacbé

LP | 1977 | CA | Reissue (Return To Analog)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Favorite Recordings presents an exclusive reissue of the first private press eponymous LP by Sacbé, a Mexican Jazz Fusion masterpiece from 1977. Unique and beautifully recorded, with a breezy feel brought by the synthesizers, Sacbé could be likened to what Azymuth was doing at the same time in Brazil. Available as a vinyl-only limited pressing Deluxe Tip-On LP, coming with its original printed innersleeve, remastered by The Carvery. Sacbé was composed of Eugenio (keyboards), Enrique (electric bass) & Fernando Toussaint (drums), three brothers hailing from the huge Mexico city, and their friend and sax player Alejandro Campos. Growing up in a family of musicians, they quickly became familiar with jazz music. However they were mostly self-taught, most of them choosing at first to work and study outside the music industry, but somehow, Eugenio had the opportunity to start studies at the Berklee Music University. Before leaving, he deeply wanted to play jazz with his brothers. That’s how Sacbé was created on a hot day of October 1976. The band then built step by step a challenging repertoire including Chick Corea, Herbie Hancock, Weather Report, Milton Nascimento, Focus, Passport, and many more… Gradually, Eugenio started to compose more tracks, and through a cooperative work of arrangement, Sacbé ended up playing only their own compositions. That was not an easy choice for the band, resulting in a lot fewer opportunities to play in bars and clubs at night, while they were cumulating small jobs during the daytime. But their dedication, tightness, and integrity started to attract a wider audience thanks to their sessions at the Musicafé and helped Sacbé to assert its imprint within Mexico’s creative artistic circles. A group of artists with similar attitudes was created and they began working almost as a team, holding live shows, exhibitions, and dance performances, all with a very unique and creative proposal. It’s at this period that the band met Luis Gil, a young designer and recording engineer, who had access to one of the best studios of the city called Lagab. Recording at nights and weekends for free, the Toussaint brothers had, therefore, the chance to really put their band quite literally under the microscope. With tenacity, they explored all the possibilities of interpretations, structures and improvisations, collaborating with great musicians and finding themselves in the position of being their own producers, despite being only around 20 years old! This album is the result of this perfectionism ethics, shared by everyone involved. “Sacbé” means white road in the Mayan culture, it was the name for the roads connecting the main ceremonial centres with the jungle, made of roughly three feet of coral limestone. They were sacred roads used by high priests and warriors, which echoed the musical path of the three brothers. Putting the pieces together, they managed to create their own label and pressed 1000 copies of their reunited recordings in 1977. The artwork was painted by Enrique, inspired by the work of Le Douanier Rousseau and the Mayan jungle. Hopefully, the LP met some success in Mexico and California, opening many radio and TV doors for them. It was the starting point for a whole career of recordings, with a total of seven albums including various guests.

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Ungava

Shamek Farrah & Sonelius Smith

Release: 1977 / CA – Reissue

Genre: Organic Grooves, Rock & Indie

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Québec group Ungava's first and only album (1977) is a seamless blend of progressive rock, jazz fusion and pastoral folk. At its core a virtuosic trio of guitar, bass and drums, the band adds electric piano, sax and flute to great textural effect. Long neglected, the original issue is now a highly valued collector's item.

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The World Of The Children

LP | 1977 | UK | Reissue (Pure Pleasure)

35,99 €*

LP | 1977 | EU | Reissue (Our Swimmer)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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An amazing session of spiritual soul jazz – and one of the rarest albums on Strata East! Shamek Farrah's soulful alto is matched with the free spiritual piano of Sonelius Smith, for a totally memorable session that virtually defines the essence of the Strata East sound! The music is free, but not too free; lyrical, but never indulgent; and always turning over with a fresh sense of imagination, and a soaring groove that's very much in the classic Strata East mode!

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ICP Tentet

Tetterettet

22,99 €*

LP | 1977 | EU | Reissue (Dialogo)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Founded in Amsterdam in 1967 by saxophonist Willem Breuker, pianist Misha Mengelberg, and percussionist Han Bennink, Instant Composers Pool (or Icp) was an independent free jazz label and orchestra that would go on to release over fifty albums featuring such pillars of the scene as Derek Bailey, Peter Brötzmann, Evan Parker, Jeanne Lee, John Tchicai, and Steve Lacy. Based around the concept that improvisation was, in fact, an act of instantaneous composition, ICP's legacy on improvised and free music is impossible to overstate.

The ICP Tentet's Tetterettet is made up of recordings from 14-17 of September, 1977, cut and spliced together by pianist/composer Misha Mengelberg in a style similar to Teo Macero's work with Miles Davis. The first side is taken up entirely by Mengelberg's multi-part title track that breaks in and out of different tempos, with a loose arrangement style owing more than a bit to Charles Mingus' finest work on Black Saint or Ah Um.

Traversing across decades and styles from free-jazz funereal marches, to carnivalesque excursions, broken piano rolls, and ear-splitting skronk, ICP Tentet show remarkable skill and chops in both their compositional craft and improvisational symbiosis. There's a playful undercurrent here that finds its home in some previously uncharted land between Mingus and Spike Jones.

Featuring numerous ICP regulars along with the brilliant Alan Silva on bass, and a return to the fold of the amazing saxophonist John Tchicai, Tetterettet is one of the best of ICP's larger group recordings; humorous, unnerving, and ultimately, quite beautiful. This limited-edition reissue marks the first time this album has been in print on vinyl since its initial release.

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Steve Lacy

Straws

7" | 1977 | EU | Reissue (Trad Vibe)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creatively riveting, and as ahead of its time today as it was when it was laid to tape. Complete with original liner notes penned by Lacy himself, it’s not to be missed!

Steve Lacy (July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. His career has been long and prolific; Lacy worked extensively in experimental jazz and to a lesser extent in free improvisation, but his music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. In 1977 he released a one-off record titled Straws for the Italian Cramps Records label, as the 6th volume of the DIVerso series (which included, among others, Demetrio Stratos’ solo albums) dedicated to contemporary avant-garde composers. Straws is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork and inner sleeve.

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Caribou (Cortex)

Californie

16,99 €*

Gente Distratta Red Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Trad Vibe Records proudly presents a first-time reissue of Caribou, a side-project of Cortex, originally released in 1977. A great and rare double-sider jazz-funk 7inch, now available as a reissue.

French avantgarde Jazz-Funk pioneers Cortex released three milestone albums during the seventies including the iconic Troupeau Bleu. Their music has been sampled by Hip Hop artists such as MF Doom, Wiz Khalifa, Lupe Fiasco and Rick Ross and as a consequence is still very much alive today.

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Tony Esposito

LP | 1977 | EU | Reissue (Numero Uno)

23,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Capon - Maté - Morris - Rahoerson

LP | 1977 | EU | Reissue (Souffle Continu)

A Blow For Me, A Toot For You

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.

Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who had also been on one of the trips to Tananarive and so had also known Rahoerson there. Unfortunately, Eddy Louiss –who had already played with Gilson and Capon on the album “Bill Coleman Sings And Plays 12 Negro Spirituals” in 1968- had to drop out at the last minute: he was delayed by a session with Claude Nougaro. Jean-Charles Capon had also become a sought-after studio musician since his trip to Madagascar in 1969. He appeared on several key albums on the Saravah label including the now famous “Comme À La Radio” by Brigitte Fontaine, “Un Beau Matin” by Areski and “Chorus” by Michel Roques, without mentioning the album by his own Baroque Jazz Trio. He was also to be found with Jef Gilson for his album on Vogue with the ex-drummer from Miles Davis’ first great quintet, Philly Joe Jones, or also in the orchestra led by Jean-Claude Vannier for the album “Nino Ferrer & Leggs”. He also played regularly on albums by Georges Moustaki.

Jean-Charles Capon and Serge Rahoerson found themselves thus in the studio, with Jef at the controls. He had decided to record the rhythmic structure right away. He would find the soloists later, that didn’t worry him. Serge Rahoerson was on drums. Though a saxophonist by training, Jef remembered that Serge was also capable of great things behind a drum kit: he was the improvised drummer on their cover of “The Creator Has A Master Plan” on the album “Malagasy”... The great memories came flooding back (the nod on the title “Orly - Ivato”), and the old magic worked again.

Brought in momentarily from Europamerica, Gilson’s new big band, in which JC Capon also played, the saxophonists Philippe Maté, from France (another Saravah stablemate) and the American Butch Morris (soon to be a key member of David Murray’s band) were invited to record their parts later and Gilson mixed it all as if it had been one single session (as he had already done on other albums, with the tracks by Christian Vander recorded before the creation and success of Magma).

The album would not appear until 1977, on Palm, Jef’s own label, and was dedicated to the memory of Georges Rahoerson, Serge’s father, who had also played on the album “Malagasy” and who had died prematurely at the age of 51 in 1974. “I only received my own copy of the album in 1981 when I came to live in France definitively”, a still-moved Serge Rahoerson told us in 2013. “I was playing in a club one night and Jef turned up by surprise with a copy of the album for me, I was so pleased to see him again. When I arrived in France, I told everyone that I had played with Jef Gilson a few years previously, and I was surprised to learn that so few people knew of him. For us, he was of one of the great jazz visionaries.” (Jérôme "Kalcha" Simonneau)

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Fred Wesley

LP | 1977 | EU | Reissue (Speakers Corner)

33,99 €*

Premiata Forneria Marconi

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Thanks to their first-class training in funk and soul while playing in James Brown’s Band, Fred Wesley and Maceo Parker were the obvious choice when it came to participating in George Clinton’s P-Funk empire – the Godfather of Soul had had an enormous influence on Clinton anyway. In 1977, Clinton and Bootsy Collins produced "A Blow For Me, A Toot For You", the début album by Fred Wesley & the Horny Horns – an ensemble with Wesley on the trombone, Parker on the tenor and alto saxophone, as well as Rick Gardner and Richard 'Kush' Griffith on the trumpet. The majority of the numbers are by Clinton and Collins, so it is not really surprising that much of the LP is pure P-Funk. The album begins rather gloomily with a remake of Parliament’s "Up For The Down Stroke", and the influence of Parliament is also unmistakable in the other numbers. With regard to the instrumental numbers, "Four Play" fuses funk and jazz, while Wesley’s atmospheric "Peace Fugue" reflects the CTI sound of the 1970s. Actually "Peace Fugue" is the work which least sounds like Clinton on this LP. "A Blow For Me, A Toot For You" scarcely ranks behind Parliament’s "Mothership Connection" or Funkadelic’s "One Nation Under A Groove" and is certainly more than just a recommendable LP, which every funk lover should get to know.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1977 at United Sound Systems, Detroit, by Jim Vitti and Hollywood Sound Recorders, Los Angeles, by Jim Callon Production: George Clinton and Bootsy Collins

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Jet Lag Blue Vinyl Edition

LP | 1977 | EU | Reissue (Rca Label)

24,29 €* 26,99 € -10%

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1977 | CA | Reissue (Morning Trip)

James Newton

Flute Music

Derek Bailey And Andrea Centazzo

Release: 1977 / CA – Reissue

Genre: Organic Grooves

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Jame’s Newton’s 1977 self-released solo-debut, ‘Flute Music’ is an unheralded gem of the 70’s jazz underground. An album that showcases a diverse range of styles and fervent cross-pollination, while retaining a clear sense of direction and cohesion. An artist funnelling their wild expression into multiple facets of “The New Music”, crafting an auspicious and artistic debut. Newton would later go on to record with revered jazz labels like India Navigation and ECM, and collaborate with fellow creative luminaries like Sam Rivers, Anthony Davis, Andrew Cyrille, David Murray, and John Carter. But ‘Flute Music’ captures Newton’s fiery creativity and experimental nature in its earliest blossom.

The album’s opener, Arkansas Suite, finds Newton’s flute unaccompanied, but densely layered. Folding and cascading upon itself, he creates a ricocheting web of dense woodwind harmonics. The effect is deeply immersive and meditative. From first blush, it seems this could be an album of blissful new age. But after this track, Newton’s influences explode outwards. On the same LP side, Darlene’s Bossa welcomes a full band into the fold. The track expounds upon a latin-jazz groove as if the group were seasoned experts of the form. The next track once again finds Newton’s flute on its own as he upends Duke Ellington’s jazz standard, Sophisticated Lady. And finally, on the sidelong b-side track, Poor Theron, the band is suffused with free-jazz electricity - quietly roiling in the midst of musique concrete clatter, and exploding into a din of spiritual fervor. Flute Music pushes in many directions at once, and yet it revolves firmly around a singular smoldering core. That core is Newton’s unmistakable talent and musicianship. His flute anchors the whole affair, whether it’s in cascading sheets of unaccompanied wind, or flitting between the breathmarks of his backing band.

With ‘Flute Music’, James Newton casts himself as a potent force on the creative-jazz scene, and the rest of his career has certainly given credence to that promise.Reissued for the first time since its scarce private-press issue in 1977, Morning Trip are exceedingly proud to present the debut solo work by a renowned and prestigious jazz luminary.

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Drops

LP | 1977 | EU | Reissue (Ictus)

Steve Lacy / Andrea Centazzo / Kent Carter

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In the history of free improvised music, there has been arguably no greater advocate for the idiom’s power and potential than the English guitarist Derek Bailey. Fiercely principled, between his emergence during the 1960s and his death in 2005, he cut a wide path, positioning this music at the height of creativity, transpiring in real time, and a means through which people from diverse backgrounds could come together, express, and commune. For Bailey, “playing is about playing with other people... Improvisation is a process that gets relationships sorted out.”

Among many great examples of this within Bailey’s sprawling discography, a stand out is his 1977 duo LP Drops - originally issued as the third album on Ictus - recorded with the Italian percussionist / drummer Andrea Centazzo. Capturing the guitarist during one of his most prolific and creatively visionary periods - overflowing with explosive clarity, dialogic energy, and imagination - he clearly found a perfect foil in Centazzo, who recalls of the sessions “The kaleidoscopic quality of Drops was created by this restraint of performing limits, i.e. the choice of instrumental timbres, dynamics and metronome speeds to suit each piece. We explored some aspects of our improvisational art, gleaned the best elements from our baggage of music memories and exposed them clearly and confidently.”

Comprising nine individual improvisations, Drops encounters each of its players at their best, finding a strange middle ground between the intuitive logics of their instruments; Bailey’s tones taking on decidedly percussive approaches, while Centazzo’s fractured polyrhythms and beats often veer toward the presence of a notable tonality. Remarkably expressive and diverse in the approach of each piece, Drops presents creative interplay at its most striking and challenging, rethinking the terms of musicality and collaboration every step of the way. Flurries of rattle back and forth, sculpting barbed and pointillistic landscapes of texture, stripped of reference and precedent, and abstract as real time organised sound comes.

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Trio Live

LP | 1977 | EU | Reissue (Ictus)

Jean-Charles Capon / Philippe Maté / Lawrence "Butch" Morris / Serge Rahoerson

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally issued in 1977, Trio Live was recorded in 1976, only a handful of days after Steve Lacy and Andrea Centazzo’s Clangs was laid to tape, presumably capturing another moment on the same two-week tour that had rendered the recordings for its brilliant predecessor. This time, the pair - Lacy and Centazzo - is joined by the American bassist, Kent Carter, a sinfully under-appreciated artist who had worked extensively in Steve Lacy's group, played on the two Jazz Composer's Orchestra LPs, and toured in the bands of Don Cherry, Alan Silva, Mal Waldron, Bobby Bradford, Max Roach, Roswell Rudd, Derek Bailey, John Stevens, Trevor Watts, Steve McCall and many others. The previous year, he had also delivered the stellar LP, Kent Carter Solo With Claude Bernard, as Ictus’ second LP, allowing Trio Live to be understood as a narrowing of an already tight circle, despite its slightly expanded ensemble.

Arguably best defining the first two entries in the Ictus reissue series - Clangs and Drops - is a sense of rigorous and artistry. While no less present across the length Trio Live, what takes the forward charge throughout its five tracks is a sense of joy and pure pleasure in playing together. The sounds and structural interventions are locked in and tight, feeling at ease and intuitively responsive in the ways that players with a history of collaboration are only able to produce.

From swinging and chugging to stepped back and sparse combinations of rhythm and tone - moving from the lingering sensibilities of straight-ahead jazz to radically out hard blow fire - Trio Live is a cornucopia of brilliant artistry and improvised music.

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Jean-Charles Capon - Philippe Maté - Lawrence "Butch" Morris - Serge Rahoerson

LP | 1977 | EU | Reissue (Souffle Continu)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Hear & Now Yellow Vinyl Edition

Don Cherry

LP | 1977 | EU | Reissue (Klimt)

20,99 €*

Kippie Moketsi & Hal Singer

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Recorded in December 1976, Hear And Now was produced by drummer/keyboardist Narada Michael Walden (ex-member and session man for Journey, Mahavishnu Orchestra, Weather Report). The album – licensed by major label Atlantic – has been often dismissed by jazz purist and early days Cherry fans as a commercial effort. To be true it is a record that epitomize the ‘club’ tendencies discovered in the second half of the decade by many jazz and fusion artists. Led by the incredible ‘world’ rare groove of Universal Mother, the album is to be rediscovered in a different light.

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Blue Stompin'

LP | 1977 | US | Reissue (We Are Busy Bodies)

37,99 €*

2LP | 1977 | US | Original (Verve)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Blue Stompin' is a collaborative album between Kippie Moketsi and Hal Singer that was organized and produced by Rashid Vally, owner of The Sun record label. The album prominently features both influential saxophonists as well as other iconic South African players Barney Rachabane and Pat Matshikiza. It was originally released by The Sun in 1977 and is being reissued by We Are Busy Bodies in partnership with the original label. The album has been remastered by Noah Mintz at Lacquer Channel. ---- 'Kippie Morolong Moketsi will appear very prominently in any history of jazz in South Africa. He will span the period from the frantic years when the sounds of the Charlie Parker's and the Dizzy Gillespie's first hit our shores to the now. And into this story some will read a curve: from Kippie teaching himself music by imitation, to a climax of artistic achievement and renown in this country, and then the decline... Others will read a lifetime of involvement, in spite of personal problems. Count me among the latter. A life-time of involvement: Kippie was among the few who understood bebop while the rest of us were still doing the jitterbug to the sounds of swing. In his way he made us see what it was all about. He has seen a generation of colleagues go to join the Orchestra Up Yonder, or merely leave their horns to spiders and their webs while they got on the straight and narrow path of grandfather-hood and six to six jobs at factories. Kippie continues on the wide, wide ' often unappreciated - road, creating music.' Notes by JOE Thloloe (Jazz Critic Drum Magazine)

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Count Basie

Sixteen Men Swinging

8,49 €* 9,99 € -15%

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.

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12,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Odyssey Of The Oblong Square Gold Vinyl Edition

Steve Reid

2LP | 1977 | UK | Reissue (Soul Jazz)

29,99 €*

LP | 1977 | JP | Reissue (Universal Music Japan)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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New special one-off pressing limited-edition gold vinyl edition (and one-off pressing limited-edition gold CD edition) of this deep spiritual jazz classic. Drummer extraordinaire and legend, Vietnam conscientious objector, ex-Black Panther, Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, friend of John Coltrane, worked at Motown, and, in the latter part of his career, worked extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010. Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid and The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’ first released over thirty five years ago on Steve Reid’s own Mustevic Sound record label (where it came out in an edition of 1000 copies) and has been a serious collectors album ever since. These special gold vinyl and CD editions are both one-off pressings, which, like the original, are limited to 1000 copies worldwide.
Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album Spirit Walk, released on Soul Jazz in 2005, releasing five joint releases together in the following years. Steve Reid is steeped in musical history and a true pioneer of US deep left-field jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo! He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career

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Yasuda Minami

Some Feeling

39,99 €*

LP | 1977 | US | Original (Savoy)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The 3rd album released in 1977 by jazz singer Yasuda Minami, whose original with obi is very difficult to obtain as a popular wamono album, is the first LP reprint! It is a masterpiece in the history of Japanese music, backed by Naoya Matsuoka (Key), Tsuyoshi Yamamoto (Key), Kenji Omura (G), Kazumasa Akiyama (G), Ray Ohara (B), Shuichi Murakami (Ds), etc. .. Contains 10 songs including 'Wall Song', which is a fun bossa nova arrangement.

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Charlie Parker

Bird At The Roost

LP | 1977 | JP | Reissue (Showboat)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US pressing.

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Tadashi Kosaka

Morning

39,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Frankie Baum / Michael Goltz

Rhythm & Steel Guitars / Rhythm & Soft Guitars

LP | 1977 | IT | Original (Devega Records)

9,49 €* 18,99 € -50%

Release: 1977 / IT – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | US | Reissue (Etats-Unis)

Blorp Esette Volume One

35,99 €*

Bird And Pres: The '46 Concerts

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. In 1977, Lafms released Blorp Esette, one of several compilations tracking the collective's growth and wild-eyed experimentation. Ace Farren Ford, an early Lafms recruit from the Poo-Bah circle, produced the album and solicited cover artwork by Don Van Vliet (Captain Beefheart). Ford appears in various configurations alongside members of Smegma, Le Forte Four and "unknown artist" (as the credit for more than one piece reads). The Residents, showing their affinity with Lafms, contributed "Whoopy Snorp" for their first non-Ralph Records release. Blorp Esette shows the artists grasping for new, non-idiomatic voicings and collaborative modes, anticipating Lafms affiliates and offshoots such as Airway, Human Hands and Monitor. A second volume would come out in 1980, featuring Ford's punk band The Child Molesters. If you're looking for the missing link between mid-'70s art practice and outsider music, then look no further. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

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Jazz At The Philharmonic

2LP | 1977 | US | Original (Verve)

7,14 €* 10,99 € -35%

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Antropofagia Red Vinyl Edition

Patrizio Fariselli

LP | 1977 | EU | Reissue (Cramps)

20,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Classical Music

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LP | 1977 | UK | Reissue (Mobile Fidelity)

James Taylor

61,99 €*

Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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180g 1LP Gatefold Sleeve

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Charlie Parker

2LP | 1977 | US | Reissue (Rockbeat)

59,99 €*

Release: 1977 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Four Flies)

Gianni Safred

Electronic Designs

27,99 €*

Machito And His Orchestra Special Guest Artist Lalo Rodriguez

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.

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Fireworks

LP | 1977 | US | Original (Coco)

11,99 €* 15,99 € -25%

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with ring wear

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10,99 €*

LP | 1977 | EU (Trading Places)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Albert Dailey

Renaissance

New York Afternoon (Alto Madness)

Release: 1977 / EU

Genre: Organic Grooves

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Modern and grounded in 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939 – 1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians, the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus and Lee Konitz to name just a few. But despite that, he was an underrated artist during his lifetime receiving deserved recognition only after his death. Renaissance 2 November 1977 is his second album, played by a bold group that includes the voice of Cheryl Alexander, Carter Jefferson on sax, Cecil McBee on bass and features both Cheryl Alexander and Adam Nussbaum on drums.

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Richie Cole

LP | 1977 | US | Original (Muse)

15,99 €*

LP | 1977 | US | Original (ABC Impulse!)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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John Handy

Carnival

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | US | Original (Pablo)

Ray Bryant

Solo Flight

69,29 €* 76,99 € -10%

2LP | 1977 | UK | Reissue (BBE)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Light ring wear on cover

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Per Husby Septett

Peacemaker

44,99 €*

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Kenny Clarke Meets The Detroit Jazzmen

LP | 1977 | US | Reissue (Savoy)

8,99 €* 9,99 € -10%

LP | 1977 | US | Original (Galaxy)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

US reissue.
Sleeve has cut corner.

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Hank Jones

Just For Fun

5,39 €* 5,99 € -10%

LP | 1977 | US | Original (Concord Jazz)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with cut corner. Copy close to VG+

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Frank Capp / Nat Pierce

Juggernaut

6,29 €* 6,99 € -10%

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | UK | Original (Spotlite)

Jon Eardley / Mick Pyne

Two Of A Kind

6,29 €* 6,99 € -10%

Release: 1977 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Frank Wright / Georges Arvanitas

Shouting The Blues

LP | 1977 | FR | Original (Sun)

42,74 €* 44,99 € -5%

Release: 1977 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Larry Coryell - Steve Khan

Two For The Road

LP | 1977 | US | Original (Arista)

6,64 €* 6,99 € -5%

Homecoming - Live At The Village Vanguard

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

cover is stained.

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Dexter Gordon

2LP | 1977 | US | Original (Columbia)

15,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | US | Original (ABC Impulse!)

John Handy

Carnival

Dave McKenna / The Wilbur Little Quartet

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with cut corner

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Natural

LP | 1977 | US | Original (Honeydew)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 1977 | US | Original (Savoy)

The Roots Of Rock'N Roll

10,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

The Battle Of Disco HHV Summer Of Jazz Exclusive Clear Yellow Vinyl Edition

Bra Sello

LP | 1977 | EU | Reissue (Afrodelic)

The Tatum Solo Masterpieces, Vol. 2

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Art Tatum

LP | 1977 | JP | Original (Pablo)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1977 | JP | Reissue (ABC Blue Thumb)

Pointer Sisters

That's A Plenty

19,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

More From The Last Concert

The Modern Jazz Quartet

LP | 1977 | JP | Reissue (Atlantic)

17,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sidney Bechet With Eddie Condon And His All-Stars

At Eddie Condon's Floor Show

LP | 1977 | IT | Original (Queen-Disc)

Duke Ellington And His Orchestra

Release: 1977 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Back cover shows some foxing.

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An Evening With The Duke

LP | 1977 | US | Original (Giants Of Jazz)

6,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Lee Ritenour & His Gentle Thoughts

Lee Ritenour

LP | 1977 | JP | Original (JVC)

LP | 1977 | JP | Original (CBS/Sony)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing with OBI!

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André Previn Quartet

My Fair Lady

7,99 €*

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

The Definitive Jazz Scene Volume 2

LP | 1977 | JP | Reissue (Impulse!)

16,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1977 | JP | Original (MCA)

Guitar Player

22,99 €*

LP | 1977 | JP | Original (Blue Note)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

With OBI, insert. Vinyl seems unplayed.

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Earl Klugh

Living Inside Your Love

My Funny Valentine - Miles Davis In Concert

Release: 1977 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover without OBI has some corner wear. With insert. Vinyl seems unplayed. Original Japanese pressing.

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Miles Davis

LP | 1977 | US | Reissue (Columbia)

33,99 €*

LP | 1977 | US | Original (Kudu)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with faint ring wear.

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Hank Crawford

Tico Rico

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1977 | US | Original (Warner Bros.)

David Sanborn Band

Promise Me The Moon

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Homecoming - Live At The Village Vanguard

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has some damage to gatefold spine, close to VG+.

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Dexter Gordon

2LP | 1977 | US | Original (Columbia)

LP | 1977 | PL | Original (Polskie Nagrania Muza)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Vistula River Brass Band

Entertainer

Release: 1977 / PL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | US | Original (Capricorn)

Sea Level

Cats On The Coast

6,99 €*

Lee Ritenour & His Gentle Thoughts

Release: 1977 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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Lee Ritenour

LP | 1977 | JP | Original (JVC)

Count Basie With The Alan Copeland Singers

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original japanese pressing with obi.
Sleeve has some foxing and a seam split.

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Basie Swingin' Voices Singin'

LP | 1977 | JP | Reissue (ABC-Paramount)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | US | Original (Blue Note)

Earl Klugh

Finger Paintings

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Rosemary Clooney Arranged & Conducted By Nelson Riddle

Rosie Solves The Swingin' Riddle!

LP | 1977 | JP | Original (RCA)

Release: 1977 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Please Send Me Someone To Love

Phineas Newborn Jr.

LP | 1977 | JP | Original (Contemporary)

19,99 €*

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1977 | JP | Original (EMI)

Shirley Bassey

Best Of

17,99 €*

LP | 1977 | EU | Reissue (Redi)

Release: 1977 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

No obi.

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Paolo Casa

Nature

30,99 €*

Raymond Lefèvre, Raymond Lefèvre et son Grand Orchestre

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1977 on Edizioni Leonardi’s Wild Cat label, “Nature” is one of the rarest Italian synchronization LP’s, and it is almost impossible to find traces of it among the library music enthusiasts communities despite having been recorded by a real ‘supergroup’ of its era. Finally, thanks to Redi Edizioni, this album is now available on black vinyl, in a sleeve that faithfully reproduces the original artwork.

The musical content of “Nature” is truly excellent: in addition to funk, jazz-rock and blues, Gabriele Ducros’ flute leads the listener towards pastoral atmospheres, typical of the early ’70s folk-prog genre. In addition to Paolo Casa (12-string guitar, Mellotron), this LP sees the participation of Alberto Visentin (piano, Fender, synth), Franco Di Stefano (drums, percussion), George Simms (guitars), Gianni Dall’Aglio (drums), Jeans Orchestra (strings), Mauro Chiari (bass, vocals), Remigio Ducros (piano Fender), Roberto Puleo (electric guitar) and Roger Smith (bass).

“Nature” was also recorded at Piero Umiliani’s Sound Work-Shop studio! A real must for any library music enthusiast!!!

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Live in Japan 1977

2LP | 1977 | JP | Original (Barclay)

Duke Ellington And His Orchestra

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI and insert. Cover with seam split on bottom spine. Promo copy with white labels

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Duke Ellington's Third Sacred Concert, The Majesty Of God, As Performed In Westminster Abbey

LP | 1977 | JP | Original (RVC Corporation)

The Battle Of Disco Black Vinyl Edition

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original insert.

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Bra Sello

LP | 1977 | EU | Reissue (Afrodelic)

Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Edo Black Vinyl Edition

LP | 1977 | EU | Reissue (Soave)

23,99 €*

Fred Van Hove & Cel Overberghe

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Edo” is a cosmic ambient experimental masterpiece conceived in 1977 by Masashi Komatsubara and developed alongside with Hideki Matsutake (a.k.a. Logic System and reductively defined by many as the "fourth member of the Yellow Magic Orchestra"). As a true sound scientist, he pours all his efforts into this record, and aimed at the widest possible use of an electronic instrument that was at the forefront at that time — the Moog IIIc. He extends his research by trying to break down the last wall between modernity and the past: the union and eurythmy between artificial sounds and traditional sounds. All this through a perfect three-way collaboration together with the shamisen musician Konae Imato, and the creation of a unique and extraordinary charming work dedicated to the double soul of the capital of Japan: ancient Edo, now the current day city of Tokyo.

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Fred Van Hove & Cel Overberghe With Strings - Met Strijkers - Avec Cordes

LP | 1977 | BE | Original (Kamikaze)

44,99 €*

Release: 1977 / BE – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

Miles Davis-Tadd Dameron Quintet

In Paris Festival International De Jazz - May, 1949

LP | 1977 | US | Original (Columbia)

12,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Original US mono pressing.
LP has hairlines and surface marks.

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LP | 1977 | US | Original (The National Association Of Jazz Educators)

Project Two

17,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Thad Jones & Mel Lewis & The Jazz Orchestra

Presenting Thad Jones • Mel Lewis & "The Jazz Orchestra"

LP | 1977 | US | Reissue (Solid State)

11,99 €*

Everything's Coming Up Rosie

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Rosemary Clooney

LP | 1977 | US | Reissue (Concord Jazz)

12,99 €*

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Marian McPartland, Jimmy McPartland & The All Star Jazz Assassins

!Wanted!

LP | 1977 | US | Original (Improv)

LP | 1977 | US | Original (Discovery)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with cut corner

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Mike Wofford

Afterthoughts

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with punch hole

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Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | US | Original (Epic)

6Lee Ritenour

Captain Fingers

6,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1977 | US | Reissue (Superior Viaduct)

Milford Graves

Bäbi

24,69 €* 25,99 € -5%