Jazz | Fusion 13362 Items

LP | 1975 | EU | Reissue (Dialogo)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“Pianofender Blues”, originally released in 1975 and entirely recorded with the aid of two electric pianos - Fender, of course, and Wurlitzer, bass, piano, drums and percussion, is another curious foray for the eclectic composer Piero Umiliani into territories other than the usual jazz, soundtrack and avant-garde ones. This album blends the Fender Piano melancholic sound over an easylistening repertoire, testifying the author’s versatility once again.

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Piero Umiliani

Polinesia

22,99 €*

LP | 1975 | EU | Reissue (Souffle Continu)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“Polinesia” is another incredible example of Piero Umiliani’s versatility, showing how he could combine an artistic path intimately bound to Italy and to its traditions with the world’s sounds - and even more, given the cosmic ventures of some of his releases. Fully recorded with glowing percussion and exotic suggestions that remind of Martin Denny, bringing to mind sunny white beaches, Oceania and the famous Bora Bora island, “Polinesia” is the perfect soundtrack to a full-moon exotic night.

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Jacques Thollot

Watch Devil Go

LP | 1975 | EU | Reissue (Musica Per Immagini)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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To write these few lines, we spoke to saxophonist François Jeanneau, an old friend of Jacques Thollot who also played on several of his albums, including the “Watch Devil Go” which interests us here. He told us a story which, according to him, sums up the personality of Thollot. A noted studio had reserved three days for a Thollot recording session. The first morning was devoted to sound checks and putting some order in the score sheets which Jacques would hand out in a somewhat anarchic manner. Then everyone went for lunch. When the musicians returned to the studio, Thollot had disappeared. He wasn’t seen again for the three days. When he reappeared, he had already forgotten why he had left, The music of Jacques Thollot is in the image of its’ author: it takes you somewhere, suddenly escapes and disappears, returning in an unexpected place as if nothing had happened.

Four years after a first album on the Futura label in 1971, Jacques Thollot returned, this time on the Palm label of Jef Gilson, still with just as much surrealist poetry in his jazz. In thirty-five minutes and a few seconds, the French composer and drummer, who had been on the scene since he was thirteen, established himself as a link between Arnold Schoenberg and Don Cherry. Resistant to any imposed framework and always excessive, Thollot allows himself to do anything and everything: suspended time of an extraordinary delicacy, a stealthy explosion of the brass section, hallucinatory improvisation of the synthesisers, tight writing, teetering on the classical, and in the middle of all that, a hit; the title-track - that Madlib would one day end up hearing and sampling.

“Watch Devil Go” was in the right place in the Palm catalogue, which welcomed the cream of the French avant-garde in the 70s. But it is also the story of a long friendship between two men. Jacques Thollot and Jef Gilson had known and respected one another for a long time. Though barely sixteen years old, Thollot was already on drums on the first albums by Gilson starting in 1963 and would play in his big band (alongside François Jeanneau once again), ‘Europamerica’, until the end of the 70s.

In a career lasting half a century and centred on freedom Jacques Thollot played with the most important experimental musicians (Don Cherry, Sonny Sharrock, Michel Roques, Barney Wilen, Steve Lacy, François Tusques, Michel Portal, Jac Berrocal, Noël Akchoté...) and they all heard in him a pulsation coming from another world. (Jérôme "Kalcha" Simonneau)

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Ugo Busoni

Valvole

Clap Clap! The Joyful Noise

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

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Kenny Cox

2LP | 1975 | UK | Reissue (BBE Music)

42,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Be With)

Sammy Burdson

Background Action

Sammy Burdson, Klaus Weiss & Larry Robb

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. Background Action’s first side is all Blaxploitation wah-wah, funky clav and heavy, heavy drums. It’s top-quality takes on the sort of hard-knocking psychedelic sleuth-funk that the library labels gave us in spades.

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Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

Brown Rice Brown Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Don Cherry

LP | 1975 | EU | Reissue (Klimt)

Doug Hammond & David Durrah

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Brown Rice is probably the most accessible entry point into Cherry's borderless ideal, jelling into a personal, unique, and seamless vision that's at once primitive and futuristic in the best possible way. Its title track is a sensual fusion of various styles and sounds from the African, Indian and Arabic traditions. It also represents the spiritual multiculturalism that Cherry was interested in exploring during this creative period. With ex-Ornette Coleman cohorts on board – Billy Higgings on drums and Charlie Haden on double bass (also heard on electric) – the album (originally released in Italy in 1975) is a cult on its own.

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Reflections In The Sea Of Nurnen

LP | 1975 | US | Reissue (Now-Again)

30,99 €*

Jothan Callins & The Sounds Of Togetherness

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Winds Of Change

LP | 1975 | EU | Reissue (Mad About)

LP | 1975 | EU | Reissue (Aguirre)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Rare Spiritual Jazz Funk masterpiece reissued for the first time ever worldwide with the original 4 page booklet. Jothan Callins had played with Olatunji in the late 1960s, he both joined the Sun Ra Arkestra and founded his own Sound of Togetherness. The incarnation of the band featured on this 1975 New York recording includes Cecil McBee, Norman Connors, Joseph Bonner and Roland Duval. “Winds of Change” is generally compared to the Strata East style of Jazz. Under exclusive license from Amadi Aziliwe.

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Seikatsu Koyji Iinkai

Special Sound Series Volume 1

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Ferocious JP / US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs & liner notes by Alan Cummings.

Following hot on the heels of the first, mid-sixties generation of Japanese free jazz players like Kaoru Abe, Masayuki Takayanagi, Yōsuke Yamashita, Motoharu Yoshizawa, etc., an exciting second wave of younger players began to emerge in the seventies. Two of its leading members were the saxophonist Kazutoki Umezu and multi-instrumentalist Yoriyuki Harada. Both were post-war babies and immigrants to the city, Umezu from Sendai in the north and Harada from Shimane in the west.

They first met as students in the clarinet department at the Kunitachi College of Music, a well-known conservatory in western Tokyo. Harada was already securing sideman gigs on bass with professional jazz groups and was active in student politics, making good use of his connections to set up jazz concerts on campus. It was around this time that the two began to play together in an improvised duo, with Umezu on clarinet and bass clarinet and Harada on piano. They also experimented with graphic scores and prepared piano.

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Shigeo Sekito

LP | 1975 | EU | Reissue (Holy Basil)

Mazzabubu Clear Vinyl Eidtion

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Considered by many one of the most gifted and outstanding players in the Electone community thanks to his fresh, energetic, rhythmic and sometimes humorous style of playing, from 1975 to 1977 Shigeo Sekitō released a four-LP album set titled Special Sound Series for the iconic Nippon Columbia. On the first chapter of this series, Sekitō revisits, in his own colourful style, compositions such as "You Are The Sunshine Of My Life" by Stevie Wonder, "Oh, My Love" by John Lennon and Yoko Ono, "Andalucia" by Ernesto Lecuona, alongside some of his own composition such as "My Sweet Girl" and the title track "Catch In Alice", creating a blend of easylistening jazz with funk and soul influences. Long out of press, we are very proud to bring this "brilliant electone" album back on vinyl under exclusive license from Nippon Columbia.

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Gabriella Ferri

LP | 1975 | EU | Reissue (RCA)

16,79 €* 20,99 € -20%

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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East Coasting Clear Vinyl Edition

Charlie Mingus

LP | 1975 | EU | Reissue (Sowing)

Joel Mc Ghie & Space Spies

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Recorded in 1957 this is one of Charles Mingus's lesser known sessions. Here the master was at the head of an awesome band including some of his regular sidemen. Jimmy Knepper - trombone, Shafi Hadi - alto saxophone, tenor saxophone and Dannie Richmond - drums, along with nothing but Bill Evans on piano! This is dense, lyrical and very stimulating music deeply rooted in the bop tradition yet with an open ear to other sound territories.

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LP | 1975 | EU | Reissue (Comet)

LP | 1975 | EU | Reissue (Altercat)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Comet Records present the new release out of the Comet new reissue series, Noel McGhie’s only fulllength LP, released in France in 1975 at cult private label Disques Esperance! A true rare groove classic, a one-of-a-kind spiritual jazz funk record with a fusion touch. Includes ‘Trapeze’, ‘Dancer’ and ‘Mademoiselle Tuloch’.

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Matias Pizarro

Pelo De Rata

19,79 €* 21,99 € -10%

Lonnie Liston Smith & The Cosmic Echoes

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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"Hey, there's this new guy around that plays like Herbie Hancock!!". When Chilean pianist Matías Pizarro arrived in Argentina fleeing Pinochet's dictatorship, word spread like wildfire in the local jazz scene.

In the two short years that Pizarro spent in Buenos Aires, he became one third of the Viejas Raíces project alongside local jazz heroes Jorge López Ruiz and Pocho Lapouble, recorded with famed Italian trumpeter Enrico Rava and released his own solo album, Pelo de Rata ("Rat's hair").

Pizarro was no beginner though. Whilst in Chile he had already participated in several music projects and worked as a producer and arranger for the IRT label, and was connected to influential bands such as Los Jaivas and Blops. He had also studied in the Berklee School of Music where he not only met and lived with the cream of an emerging new wave of musicians, but he also had the chance to attend live performances of giants such as Miles Davis or Thelonious Monk.

In the recording of Pelo de Rata Pizarro is joined by fellow Chilean Alejandro Rivera (Sacros, Grupo Sol) on quena and charango, Swedish bassist Bo Gathu on bass, Uruguayan saxophonist Finito Bingert and an impressive percussion team featuring Pocho Lapouble, "El Zurdo" Roizner and the mighty Domingo Cura. The album draws from the US jazz fusion currents of the time (think Chick Corea and Miles Davies), adding an undeniable Latin American character, all projected through Pizarro's own musical prism which displays his acute sense of harmony and a musical intimacy that reminds of those sincere, dreamy moments in Viejas Raíces.

The 8-page booklet that accompanies the vinyl edition will give you a deeper insight into the story of Matías Pizarro, with previously unseen pictures and liner notes by Argentinean journalist Humphrey Hinzillo (La Nación , Rolling Stone Argentina).

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Expansions HHV Exclusive Transparent Yellow Vinyl Edition

LP | 1975 | UK | Reissue (BGP)

LP | 1975 | EU | Reissue (Dialogo)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Limited to 500 copies on transparent yellow vinyl in gatefold sleeve, exclusively available at HHV.

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Enrico Rava

Pupa O Crisalide

30,99 €*

Inner Feelings Deluxe Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. A border city with a long history as part of Austria, an important port on the Adriatic see, a places influenced by different cultures. Rava's music at its best is a product of this city - a mix of Central European and Italian culture. 'Pupa o Crisalide' is one of the most interesting works in Enrico's discography. It is a good summary of the first phase of his solo career, and contains tracks recorded with three different line-ups: an all-Italian line-up for the opener "Pupa O Crisalide" and the closer "Giromondo", recorded in Rome with Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini - an Argentinian octet for the B-side of the LP, recorded in Buenos Aires, and finally an impressive American septet with Jack DeJohnette and John Abercrombie, to name a few for the A-side, recorded in New York. The musical style clearly reflects the composite nature of the album. The first half is funkier, edgier and more fiery, evidently influenced by the jazz-rock/fusion tendencies that were spreading at the time. The second is more placid, elegantly incorporating some Latin/samba elements into the alchemy. The two halves are held together by the similarity in timbre of the line-ups (which feature almost the same elements), and Enrico Rava's renowned trumpet style. Often compared to Miles Davis and Kenny Wheeler, his technique involves rarefied notes, full of atmosphere, and erratic melodic lines that surprisingly do not undermine the 'presence' of his trumpet sound. On the contrary, the charisma of Rava's trumpet seems to emerge precisely from this surprising balance of detachment and red blood.

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Roy Porter Sound Machine

LP+7" | 1975 | JP | Reissue (P-Vine)

51,99 €*

Une Bien Curieuse Planète

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

After spending the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971. Four years later, he followed that up with “Inner Feelings”. Listeners back then had to wait four years for the sequel, but you don’t have to wait at all!

The seven-man band, with its powerful horns and phat grooves, is no doubt worthy of the name ‘Sound Machine’ Praise has been sung of this record in and among rare groove circles for over three decades, with mere rumors of original copies being enough to cause collectors to begin salivating. Album opener, “Party Time”, begins with an almost mechanical drum break - a groove so tight, you just might think Roy Porter is a metronome. Jpegmafia certainly thought so, sampling the drum beat on “Free the Frail”. Fans of classic hip-hop may also recognize “Panama”, not just for its beautiful melody and iconic groove, but from DJ SPINNA’s hit-song “rock”. The re-recorded version of “Jessica” adds vocals and a touch of melancholy to the jazz-funk classic. It’s still danceable, but it might also make you stop and think for a second. Album closer, “Out on the Town Tonight”, takes the funk one step further, with an even larger horn section, and fiery solos. Yet throughout the whole album, the drumming remains steadily funky, a reminder that Roy Porter sits at the heart of the Sound Machine.

With the LP reissued on clear blue vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a re-edit by the legendary DJ Muro, and the nearly impossible to find vocal version of “Panama”, this reissue is no doubt going to be legendary! Don’t miss this iconic album, reissued for the first time on clear blue vinyl with a 7” record, available only from P-vine Records!

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François Jeanneau

LP | 1975 | EU | Reissue (Souffle Continu)

LP | 1975 | UK | Reissue (Pure Pleasure)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

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The Piano Choir

Handscapes Volume 2

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Lipposen Levy Ja Kasetti)

Jukka Tolonen

Hysterica

Story Of Wind Behind Left HHV Exclusive Green Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Tolonen's 1975 album Hysterica was nearly an international hit, with the band scheduled to appear on a major international tour. However, things didn't work out and the album remains a cult item. Some songs from it, such as Silva The Cat and Windermere Avenue, are perennial favorites on compilations of Tolonen's best work.

This edition features newly done interviews with Tolonen and other key players such as Esa Kotilainen and Häkä Virtanen. The cover is expanded to gatefold format.

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Masahiko Togashi

LP | 1975 | EU | Reissue (Cinedelic)

Nana Nelson Angelo Novelli Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on green wax, limited to 100 copies

Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. On the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left,” Masahiko Togashi revolutionized the Japanese jazz scene. The record includes an insert with the original liner notes translated into English.

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Naná Vasconcelos

LP | 1975 | Reissue (Altercat)

Release: 1975 / Reissue

Genre: Organic Grooves

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Story Of Wind Behind Left Black Vinyl Edition

Masahiko Togashi

LP | 1975 | EU | Reissue (Cinedelic)

LP | 1975 | EU | Reissue (Be With)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. In the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left,” Masahiko Togashi revolutionized the Japanese jazz scene. The record includes an insert with the original liner notes translated into English.

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Nucleus

Snakehips Etcetera

27,99 €*

LP | 1975 | EU | Reissue (Musica & Entretenimiento)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”

With all restraint out the window, 1975's pimped-up Snakehips Etcetera is the outrageous - in both cover art and sound - follow-up to the brooding Under The Sun. It's perhaps not one for the jazz purists! It finds Nucleus pared down to a core group of six, with Carr, Bob Bertles (sax), Ken Shaw (guitar), Geoff Castle (keys), Roger Sutton (bass) and Roger Sellers (drums) comprising the collective. Snakehips Etcetera reflects a period where the compositions start to become a little more direct and less-cerebral in comparison to some of Nucleus' previous releases. And why would we begrudge them some fun? This one rocks, swings and funks with no little soul. And more than a little jazzy sleaze. Clearly, they were having a good time.

The album has a real live, jamming feel to it, no surprise given the extent to which they were touring at the time. The band is tight and grooving throughout, none more so than on Bob Bertles's effervescent opener, "Rat’s Bag". So darn funky it stings, it's an infectious gem full of punchy clean lines over a killer bassline from Sutton. The thick, driving jazz-rock of "Alive And Kicking" is exactly that. It has a very improvisational feel, but an inspired one at that and features a wailing guitar solo from Ken Shaw that simply slays. The funky "Rachel’s Tune" is amazing, bringing you back to Canterbury days with its fuzzed-out organ solos to close out Side A.

Opening up Side B, the cool psychedelic title track unfolds slowly and sensually over its ten-plus minutes. A stoned soul stew of sorts, each member of the crew gets their chance to shine over Sellers's steady drums. The melodic funk fusion of "Pussyfoot" pairs Carr with Bertles on ace solo flute for a bright, springy melody. This one really gleams over shuffling drums. Changing the pace to close out this memorable set, the particularly cool "Heyday" is a reflective, sober tune which reinforces the sumptuous Nucleus palette, the acoustic guitar and bass high in the mix to make the neck snap, the horns elegantly blasting to help you swoon.

This Be With edition of Snakehips Etcetera has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The striking, lascivious sleeve has been restored in all its seductive/ridiculous beauty.

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Fusion

Top Soul

35,99 €*

LP | 1975 | EU | Reissue (Seriewoc)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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"Top Soul" (1975) by Fusion is released now on vinyl, from the original IRT masters! The experience of the group Fusion, historically considered the first Chilean electric jazz project, according to musicologist Alvaro Menanteau in his book Historia del jazz en Chile (History of jazz in Chile). Luna was the son of Peruvian diplomats settled in Chile. He had lived and studied art in New York and for that reason he had first-hand knowledge of the current jazz scene: the last years of John Coltrane in the avant-garde and the mutation of Miles Davis to electric jazz. He had studied at the Boston school of Berklee and had an important collection of records by Davis himself and his disciples: Joe Zawinul, Herbie Hancock, Chick Corea, Wayne Shorter, Miroslav Vitous. While Pizarro, who had appeared in the mid '60s as a very young pianist, of outstanding technique, advanced ideas and notorious musical culture, was also returning from a period of study at Berklee. The workshop meetings, jam sessions and auditions of new music were held at Pizarro's house, on Hernando de Aguirre and Eliodoro Yánez streets, and there was no jazz musician during those years who did not go through the experience of attending the initiation sessions. According to Chilean musicologist Alvaro Menanteau in his book Historia del jazz en Chile (2003), from the youngest (pianists Manuel Villarroel and Mario Lecaros or drummers Patricio Villarroel and Pedro Greene), to the most experienced (saxophonists Patricio Ramírez and Sandro Salvati or drummer Jaime Farfán), they frequented Pizarro's house and consolidated the core of musicians that faced the hard decade of the 70s. That was the seed of the foundation of Fusion, a group that adopted its name directly from the generic topic that began to understand and describe the music promoted mainly by Miles Davis in those years. In 1972, Fusion launched its project with the Luna-Pizarro-Salvati trio, using electric instrumentation, experimenting with rhythmic patterns of soul, funk and rock, but keeping intact the impulse of the original jazz improvisation and an important factor of Afro-Latin music, full of percussion. Although to record the album "Top Soul" (1975), the band ended up with soloists like David Estánovich (tenor sax) and Lautaro Rosas (guitar), plus a rhythm trio with Mario Lecaros (electric piano, ex Village Trio), Enrique Luna (bass) and Orlando Avendaño (drums, ex Nahuel Jazz Quartet), plus guests like trumpeter Daniel Lencina, and the young percussionist Santiago Salas (from the group Santa y su Gente). But it was, in any case, a brief history with few live appearances. One of them took place in 1972 at the Chile Stadium, with some members of Fusion as Luna, Pizarro and Greene, joined Los Jaivas for a free collective improvisation session, under the name of La Banda, and of which there is a valuable filmed testimonial record, although without audio. Fusion's life ended definitively after the release of the album, with Matías Pizarro living in Paris since 1977, Mario Lecaros in Barcelona in 1976, Orlando Avendaño retired from music, Enrique Luna back in Peru after working with the fusion group Almandina, and a hostile reality for the development of music during the first years of the military dictatorship.

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Saheb Sarbib

Evil Season

39,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | JP | Reissue (P-Vine)

Karin Krog

We Could Be Flying

Mel Tormé Featuring Al Porcino Big Band

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1975, Norwegian jazz singer Karin Krog’s We Could Be Flying has long been called an underrated masterpiece. Although Krog is listed as the sole leader on the album, pianist Steve Kuhn’s presence is felt throughout. Composing four out of nine tunes and playing on all nine, the New York pianist’s brand of mellow jazz is on full display from beginning to end. Album opener and title track “We Could Be Love” sets the tone for the record, as spiritual chimes and rolling piano arpeggios make way for a gentle groove, over which Krog’s vocals soar. “The Meaning of Love” is a Kuhn composition, and sees the pianist take an understated, yet fantastic solo. However, the true highlights are the bass playing from Steve Swallow and drumming from John Christensen. The two are perfectly locked in, and you can practically imagine the two of them locking eyes as they create a rhythmic bedrock. The cover of Joni Mitchell’s “All I Want”, is another highlight of the record, with 70’s sensibilities oozing from practically every aspect of the performance. Despite that, the track has aged well, and perfectly shows the interplay between Krog and the immensely talented rhythm section. That’s not to say that the rest of the record is lacking in any way. From the loungey interpretation of Carla Bley’s “Sing Me Softly Of The Blues”, to the danceable samba-inspired “Raindrops, Raindrops” and “Hold Out Your Hand”, fans of all kinds of jazz are sure to be delighted from beginning to end. Reissued on vinyl with an obi-strip for the first time ever, this record is a must-have for any jazz fan!

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Live At The Maisonette

LP | 1975 | US | Original (Atlantic)

5,19 €* 7,99 € -35%

LP | 1975 | US | Original (EMUS)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with punch hole

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Dinah Washington

5,99 €*

Phil Woods / Michel Legrand Et Son Orchestre

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with long open seam splits

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Images

LP | 1975 | US | Original (RCA Victor)

4,79 €* 5,99 € -20%

LP | 1975 | US | Original (Ode)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Tom Scott

New York Connection

8,99 €*

2LP | 1975 | US | Original (Atlantic)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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The Modern Jazz Quartet

The Last Concert

17,59 €* 21,99 € -20%

Butterfly HHV Summer Of Jazz Exclusive Clear Vinyl Edition

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover close to VG+

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Bra Sello

LP | 1975 | EU | Reissue (Afrodelic)

24,69 €* 25,99 € -5%

Art Tatum / Erroll Garner

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Giants Of The Piano

LP | 1975 | JP | Original (Roulette)

11,99 €* 14,99 € -20%

Doug Hammond & David Durrah

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Mono.
OBI not included.
Includes original insert.

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Reflections In The Sea Of Nurnen

LP | 1975 | US | Reissue (Now-Again)

33,99 €*

LP | 1975 | US | Original (Westbound)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Reflections IS NOW Available IN A Limited Edition Yellow Vinyl Pressing Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the de nitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Houston Person

Get Out'a My Way!

7,64 €* 8,99 € -15%

LP | 1975 | US | Original (Columbia)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

US original.

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John Lewis

P.O.V.

4,24 €* 4,99 € -15%

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | JP | Original (United Artists)

Shirley Bassey

Good, Bad But Beautiful

14,24 €* 14,99 € -5%

The Shirley Bassey Singles Album

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Shirley Bassey

LP | 1975 | JP | Original (United Artists)

15,19 €* 15,99 € -5%

LP | 1975 | UK | Reissue (Matsul)

Release: 1975 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

With OBI

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Allen Kwela

Black Beauty

LP | 1975 | JP | Original (Mercury)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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• Allen Kwela, the legendary guitarist and composer central to the story of South African jazz, channels Wes Montgomery and overlays home-grown marabi, setting the benchmark for what became known as “70s township jazz”. • Black Beauty features four tracks composed and led by Kwela with a stellar line-up of musicians including Kippie Moeketsi, Barney Rachabane, Gilbert Matthews, Dennis Mpale, Sipho Gumede and others. • First ever vinyl reissue, a deluxe 180g edition with printed inner sleeve and pressed at Pallas in Germany. Audio mastered and cut for vinyl by Frank Merritt at The Carvery. • Liner notes by Kwanele Sosibo featuring key musician interviews, new insights and unseen photos.

'The cream of Johannesburg’s jazz musicians gathered at state-of-the-art Satbel studios to create Black Beauty for the “Soweto” label. Led by guitarist extraordinaire Allen Kwela and featuring the godfather of South African jazz Kippie Moeketsi, the album successfully straddles producer pressure to emulate the commercial success of Abdullah Ibrahim’s Mannenberg, against the musicians’ own impetus to play a jazz they wanted. While the title track “Black Beauty” nods at Ibrahim’s stylings, the magic happens in the three remaining tracks where Kwela and his top-notch band lay down new directions.

Producer Patric van Blerk, sounded disappointed when asked about the sessions, saying that Kwela was his usual strong-willed self, unwilling to be nudged towards the pop trends of the day. “He was a monster talent and deserved much more than he got at the time.”

Matsuli is proud to restore this special album to its rightful place in the pantheon of South African jazz.'

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Sarah Vaughan

Reflection 18

19,99 €*

Return To Forever Featuring Chick Corea

Release: 1975 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original insert.

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No Mystery

LP | 1975 | JP | Original (Polydor)

17,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1975 | JP | Original (East Wind)

Hank Jones

Hanky Panky

18,99 €*

Butterfly Black Vinyl Edition

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Close to VG+.

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Bra Sello

LP | 1975 | EU | Reissue (Afrodelic)

LP | 1975 | DE | Original (SR International)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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V.A.

Kings Of Swing

5,99 €*

Release: 1975 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Hoagy Carmichael Sings Hoagy Carmichael

Hoagy Carmichael

LP | 1975 | UK | Original (MCA Coral)

3,99 €*

LP | 1975 | US | Original (Horizon)

Release: 1975 / UK – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on label.

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Thad Jones & Mel Lewis

Suite For Pops

4,99 €*

New Bird - Hi Hat Broadcasts 1953

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with punch hole

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Charlie Parker

LP | 1975 | US | Original (Phoenix Jazz)

7,99 €*

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

The Original Memphis Five

LP | 1975 | US | Original (RBF)

Herb Ellis And Freddie Green

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

US original.

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Rhythm Willie

LP | 1975 | US | Original (Concord Jazz)

19,99 €*

LP | 1975 | EU | Reissue (Music On Vinyl)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Weather Report

Tale Spinnin'

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | HK | Reissue (Evosound)

Bob James

Two Gold Vinyl Edition

43,99 €*

Release: 1975 / HK – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Original (Nemperor)

Stanley Clarke

Journey To Love

LP | 1975 | US | Original (Springboard)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. Richmond pressing.

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Brian Auger

17,99 €*

Orkiestra Pr I Tv W Lodzi

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover.

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String Beat

LP | 1975 | EU | Reissue (Warner)

30,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | PL | Reissue (Warner)

Czeslaw Niemen

Katharsis

Release: 1975 / PL – Reissue

Genre: Organic Grooves

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Easy! Black Vinyl Edition

Wojciech Karolak

LP | 1975 | EU | Reissue (Warner)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1975 | EU | Reissue (Warner)

Wojciech Karolak

Easy! Red Vinyl Edtion

32,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1975 | JP | Original (RCA)

Michel Legrand

Recorded Live At Jimmy's

11,99 €*

LP | 1975 | JP | Reissue (Cadet)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Dodo Marmarosa

Dodo's Back

M. Muraoka & New Symphonette

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI, but with insert. Cover with a couple of small stains, closer to VG+

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Fantastic Bamboo Flute Best Collection = 魅惑のポップ尺八ベスト・コレクション

LP | 1975 | JP | Original (Columbia)

77,99 €*

A Portrait Of Louis Nelson

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with insert. Vinyl closer to NM and cover to VG+

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Louis Nelson

LP | 1975 | JP | Original (Storyville)

Sonny Stitt Plays Arrangements From The Pen Of Quincy Jones

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, and insert. Cover with a couple of small stains.

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Sonny Stitt

LP | 1975 | JP | Reissue (Roulette)

LP | 1975 | JP | Reissue (Riverside)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert. Cover with a couple of small stains.

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Wynton Kelly

Kelly Blue

22,99 €*

LP | 1975 | GDR | Original (Nova)

Release: 1975 / JP – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing. No Obi.

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V.A.

Jazz-Aspekte

Release: 1975 / GDR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

LP | 1975 | JP | Reissue (Time)

Sonny Clark Trio

18,99 €*

LP | 1975 | JP | Original (RCA)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. With insert, OBI is missing. 1975 reissue.

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The Sunshine Band

The Sound Of Sunshine

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Oscar Peterson & Jon Faddis

LP | 1975 | JP | Original (Pablo)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1975 | JP | Original (Whynot)

Muhal Richard Abrams

Afrisong

44,99 €*

LP | 1975 | JP | Original (Reprise)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert.Vinyl is close to NM.

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Al Jarreau

We Got By

LP | 1975 | JP | Original (Monument)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese promo copy with b/w labels! OBI is missing!

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Maxine Weldon

Alone On My Own

LP | 1975 | JP | Reissue (Impulse!)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. Close to NM. OBI is missing.

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Keith Jarrett

Death And The Flower

Miles Davis' Greatest Hits

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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Miles Davis

LP | 1975 | JP | Original (CBS/Sony)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1975 | JP | Original (United Artists)

Shirley Bassey

Live In Japan

Stereo Laboratory, Vol. 8 - Piano

Release: 1975 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with Obi.
Sleeve has foxing, wear.

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Ronnie Aldrich

LP | 1975 | JP | Original (London)

11,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Hannibal Marvin Peterson And The Sunrise Orchestra

Hannibal

LP | 1975 | JP | Reissue (BASF)

LP | 1975 | UK | Reissue (Mr Bongo)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. 1980 reissue.

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Lonnie Smith

Afro-Desia

CD | 1975 | UK | Reissue (Mr Bongo)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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The second in our Mr Bongo series opening the vault on classic recordings from the fabled Groove Merchant Records catalogue. This time the spotlight turns to the Hammond B3 organ maestro Lonnie Smith, as we proudly present a reissue of his cosmic jazz-funk journey, ‘Afro-Desia’.

Originally released in 1975, this much-loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson’s quartet in the ‘60s, that not so discreet veil appears to have been lifted on who this ‘friend’ might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn’t stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outfit.

An album of two parts, the first side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk flexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over fluttering jazz percussion and off-kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith’s organ playing complimented by stretched out horns. Before long it opens out into unconstrained fluid sections that do its title proud. Pure ‘70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz flavour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full-frontal horn and organ lines providing a fiery party punch. It’s a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the ‘90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith firing Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy.

A truly wonderful album, and an archetypal release showcasing the height of jazz musician excellence from this era.

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Lonnie Smith

Afro-Desia

LP | 1975 | US | Reissue (Craft)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Azar Lawrence

Summer Solstice

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Original (Atlantic)

Herbie Mann

Waterbed

12,99 €*

LP | 1975 | US | Original (CTI)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Presswell Pressing.

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Hubert Laws

The Chicago Theme

15,99 €*

I Love The Blues, She Heard My Cry

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has slight lamination peel

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George Duke

LP | 1975 | US | Original (MPS)

19,99 €*

LP | 1975 | US | Reissue (Atlantic)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Cover with seam split.
Small writing on back cover.

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Herbie Mann

The Best Of Herbie Mann

7,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | US | Original (Arista)

Jon Hendricks

Tell Me The Truth

8,99 €*

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1975 | US | Original (Westbound)

Houston Person

Get Out'a My Way!

11,99 €*

LP | 1975 | US | Reissue (Craft)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Johnny Hammond

Gears

36,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Original (Horizon)

Thad Jones & Mel Lewis

Suite For Pops

10,99 €*

Release: 1975 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1975 | UK | Reissue (Be With)

Cedar Walton

Mobius

29,99 €*

LP | 1975 | EU | Reissue (Music On Vinyl)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Don't judge a book by its cover. Judge a record by its cover.

And, perhaps, its title.

Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.

Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!

Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.

Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.

Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.

As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Bill Withers

Making Music

Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

180 gram vinyl.

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Shigeo Sekito

LP | 1975 | JP | Reissue (Nippon Columbia)

54,99 €*