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Jazz | Fusion Vinyl 3311 Items

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Reset all Filters Vinyl 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 Stocked Items Only
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Ray Stephen Oche And His Mutambo - Interpretation Of The Original Rhythm
Ray Stephen Oche And His Mutambo
Interpretation Of The Original Rhythm
LP | 1970 | EU | Reissue (Favorite)
15,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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High on everyones afro-jazz wishlist!
Thad Jones & Mel Lewis Orchestra - Consummation
Thad Jones & Mel Lewis Orchestra
Consummation
LP | 1970 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Tordenskjolds Soldater - Peace
Tordenskjolds Soldater
Peace
LP | 1970 | EU | Reissue (Spectator)
39,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Babs Robert & The Love Planet - Babs Robert & The Love Planet
Babs Robert & The Love Planet
Babs Robert & The Love Planet
LP | 1970 | EU | Reissue (Alpha)
44,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.
Joe Pass - Intercontinental
Joe Pass
Intercontinental
LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.
Miles Davis - Bitches Brew
Miles Davis
Bitches Brew
2LP | 1970 | EU | Reissue (Sony)
26,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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180 gram pressing!
Miles Davis - A Tribute To Jack Johnson
Miles Davis
A Tribute To Jack Johnson
LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)
62,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
MOBILE FIDELITY’S NUMBERED-EDITION 180G SUPERVINYL LP PRESENTS 1971 LANDMARK IN EXUBERANT, FULL-RANGE SOUND

Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl’s nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything — from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio — in reference fashion.

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences long-time fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires.

Utilizing wah-wah and distortion, the go-to instrumentalist of the performances— guitarist John McLaughlin — attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson< cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record’s creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.

The least-well-known masterpiece of Davis' career, the 1971 record — seamlessly assembled and spliced together by producer Teo Macero — was a victim of limited record-label promotion. Audiences also didn’t immediately know what to make of its original cover art — faithfully replicated here. In addition, the powers that be at Columbia Records were directing the public’s attention to Miles at Fillmore, a completely different kind of album guided by two keyboardists. A Tribute to Jack Johnson practically lives in a different universe, one from the future. To many listeners who did manage to hear it — among them critic/musician Robert Quine, Stooges leader Iggy Pop, and renowned critic Robert Christgau — it surpassed everything that came before.

Indeed, Davis treated it as a personal manifesto: An opportunity to salute the Black championship boxer admired for his threatening image to the establishment and impeccable taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson — a stance mirrored by the defiant music, which hits with a prize fighter's force and reflects the graceful elegance with which a pugilist navigates the ring — and closes the album with a Johnson quote read by Brock Peters.

Inspired not only by Johnson but by Jimi Hendrix and Sly Stone, Davis changed his approach and his band. He surrounds himself with a cadre of musicians in their 20s and, in the case of bassist Michael Henderson, a 19-year-old fresh from touring with Stevie Wonder. Henderson gives Davis what he requested: boogie-based grooves that don’t lose shape or direction. Soprano saxophonist Steve Grossman, drummer Billy Cobham, and organist Herbie Hancock adhere to a similar aesthetic that prizes brazenness, innovation, and energy.

In that vein, during a portion of “Yesternow,” Davis segues into a separate performance (which became known in its entirety as “Willie Nelson”) played by guitarists McLaughlin and Sonny Sharrock, bass clarinetist Bernie Maupin, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. Dig it!

Talking with jazz scholar Bill Milkowski — who himself noted how McLaughlin’s unrestrained style, decibel-forward volumes, and rapid-fire power chords engendered himself to the rock crowd at the same time that his harmonics and syncopation still definitely made him a jazz player — guitarist Henry Kaiser summed up part of the appeal of A Tribute to Jack Johnson as well as anyone, saying: “It’s a jazz record that way way more open than other jazz records at the time, but still not free jazz. [McLaughlin’s] rhythm guitar playing on ‘Right Off’ — the use of different chords in a rock shuffle than what anybody had used before — was revolutionary.”

And to think that’s just one aspect of a record that contains multitudes. “Never let them forget it.” Indeed.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.
Noah Howard - Space Dimension
Noah Howard
Space Dimension
LP | 1970 | EU | Reissue (Amercia)
41,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more sophisticated. In the neighborhood where I grew up kids around me were listening to Rhythm and Blues and Jazz; Rock came only much later. One of the great moments of my life was when I was around 13 years old and heard Duke Ellington with Paul Gonsalves playing a twenty-some minutes chorus solo on tenor sax at Newport. We had never heard anything like this before; a saxophone player doing so many choruses, this was years before Coltrane opened up. That experience meant there was no turning back; my ears were open and my desire was burning for music.”
He first learned to play the trumpet before moving on to alto, tenor and soprano saxophone. And his musical journey initially took him to Los Angeles where he worked with Dewey Johnson and then later moved to New York to join the Sun Ra Arkestra. Like most forward thinking saxophonists of the time, Howard was influenced by the evolving expressionism of John Coltrane and Albert Ayler and it wasn't long before he became a key member of the mid-60s free jazz movement, a stepping stone to his elevation into one of the world’s most notable saxophonists.
Howard's debut LP as leader, 'Noah Howard Quartet' was recorded in 1965, and the follow up, 'Noah Howard at Judson Hall', in 1966 but not issued until 1968, both for the groundbreaking ESP Records label (incidentally, both albums featured British trumpeter Ric Colbeck). However, Howard's view of ESP was not positive, calling it “ a monster of deception... I am aware of ESP's adventures...they continue to make money off the artists and they refuse to pay any royalties.”

Like many of the black jazz musicians of the 60s, Howard left the USA and settled in Europe (making the permanent move to Paris in 1972). In an interview in 2005, Howard explained his move: “When I first came to Europe it was 1969 and I came to play in a big festival and after that we had a lot of concerts, recalls Howard. "Then we left and we came back to the States, I was based in New York at that time. About six months later, we had some more concerts, we came back and this went on for years, going back and forth and back and forth and back and forth... I decided that instead of going back and forth all the time, it was more advantageous for me to stay over here and live and work.”
It was in Paris that Howard took part in sessions for the Frank Wright albums 'One For John', cut for the leading French free jazz label BYG Actuel and another Wight session, 'Uhuru Na Umoja', for the America label. Another album on America that featured Howard was Archie Shepp's 'Black Gipsy'. This session also featured , among others, Sunny Murray on drums and Clifford Thornton on trumpet.
America Records was to be home to Howard's third album, 'Space Dimension'. On this album, Frank Wright was reunited with Howard once more, and Wright also composed one track, 'Church Number Nine' (Wright would also do his own version as the title track on his 1970 album, initially only released in Japan. That album would also feature Howard.) 'Space Dimension' also features bop drummer Art Taylor on three tracks, with Muhammed Ali (brother of Rashid), on one. They're joined by alongside pianist Bobby Few, longtime member of Frank Wright's group and an alumnus of Archie Shepp's band.
'Space Dimension' has never seen an official reissue since its original release in 1970 and remains, among a few aficionados, one of the most in demand - and little known - albums in Howard's discography. The blend of free improvisation with a tough rhythmic foundation make for an edifying listening experience. The spectral disjointed afro-blues of the title track, with Howard's soaring, searing horn, introduces an exceptional album of weight and significance, a real statement piece. 'Viva Black' starts as a lush groove, rich with texture and tone. Bobby Few's piano is sparse and disciplined, allowing space for the interweaving angles of the horns and drums to cross and jostle and build in intensity, with Muhammad Ali's drum solo acting as a cathartic release.
'Song for Poets' is blistering in its attack, an intense assault from the whole group – urgent and imperative, a call to action that seemed to resonate with the tumult of the late 60s and early 70s and, perhaps, still resonates now. The album closes with the extended piece 'Blues for Thelma'. It starts like a sort of angular, shattered New Orleans first line march band; Howard visceral horn and Few's piano joust and punch like fighters in a ring; Ali's drums hammer a solid undertow of power and energy, relentless in its fire.
All in all, 'Space Dimension' announced Howard's arrival into a new decade, a decade that was to see not just jazz but music and wider society undergo profound change.
Howard's third record was the widely acclaimed 'Black Ark', which featured Arthur Doyle on his first recording. 'Black Ark' soon became a landmark free jazz recording and elevated Howard into the first division of globally renowned free jazz players.

He spent much of the next decade or so exploring new ideas and places to work, including Europe and Africa, moving to Nairobi in 1982 and finally Brussels, where he had a studio and ran a jazz club.
In his autobiography, Howard described going to Africa: “It was a Sunday morning with bright blue skies and I reached down and grabbed a handful of earth, holding it in my hands. It was red earth. As the first of my family to make this voyage back to my community, I was filled with emotion and started to cry – thinking about all those before me who didn’t survive the middle passage and slave trade. I thanked the few strong survivors of which I’m a descendant and was grateful to be a live and to make it back to Africa in my lifetime. The feeling of coming back home, after generations had gone through abuse and suffering, was upon me. I would put some of this into music later on when recording with James Emmanuel, the poet on 'Middle Passage'”
He recorded steadily through the 1970s and 1980s, mostly with his own label AltSax and continued to expand his repertoire, exploring a range of sounds from ethno-funk to world music in his latter decade. He returned to his free jazz roots in the 90s, mixing the myriad of influences and styles he had encountered throughout his journey.
Noah Howard recorded 35 albums, and their styles reflect the ceaseless musical searcher he was: blues, free jazz, world music. He covered it all.
Noah Howard died on September 3rd, 2010 while on holiday in the South of France. He died a day before finishing the first draft of his autobiography.
Paul Baillargeon & Dean Morgan - Viens, Mon Amour
Paul Baillargeon & Dean Morgan
Viens, Mon Amour
LP | 1970 | EU | Reissue (Tresor National)
21,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Tresor Notional is a new Montreal-based record label dedicated to reissuing long lost gems recorded in Quebec (Canada). Their inaugurational release will be o 180g vinyl-only official reissue of the 1970 cult classic “maple syrup porn” soundtrack “Viens, mon amour’ (Love in a 4 letter World), composed by Paul Baillargeon (Star Trek TV series, Jean- Pierre Ferland's Soleil, Curious Georges) and Dean Morgan.
Between 1968 and 1974, Quebec was exposed to unabashed exploitation cinema. Erotic and taboo, these B-movies took on the name of films de fesses (titty films) or “maple syrup porn”. The genre produced some of the most delectable and collectable soundtracks at the time while “Viens, mon amour” easily stands out as one of the sexiest example ever recorded in La Belle Province! Original pressings are scarce and have been highly sought-after for decades by collectors from around the world. This remastered reissue highlights every sensual, psychedelic and
funky side, where rare grooves mix with delicate pop songs and Moog- infused, fuzz-driven titles with hard-hitting brass. A true gem for cinephiles, DJs and all diggers of exotic sounds... with a distinctive Québécois feel.
This first-ever reissue also includes extensive liner notes, rare artwork and exclusive commentaries from the composers. Pressed at 1000 copies, the album will be released in June 2019.
Reuben Wilson - Blue Mode
Reuben Wilson
Blue Mode
LP | 1970 | US | Reissue (Blue Note)
25,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Marius Cultier - Marius Cultier
Marius Cultier
Marius Cultier
LP | 1970 | CA | Reissue (Return To Analog)
24,99 €*
Release: 1970 / CA – Reissue
Genre: Organic Grooves
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Eden Rose - On The Way To Eden White Vinyl Edition
Eden Rose
On The Way To Eden White Vinyl Edition
LP | 1970 | EU | Reissue (Guerssen)
21,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.
Bill Evans - From Left To Right White Vinyl Edition
Bill Evans
From Left To Right White Vinyl Edition
LP | 1970 | EU | Reissue (Klimt)
24,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)
Mike Osborne - Outback
Mike Osborne
Outback
LP | 1970 | EU | Reissue (Eargong)
13,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Miles Davis - Live Evil Black Vinyl Edition
Miles Davis
Live Evil Black Vinyl Edition
2LP | 1970 | EU | Reissue (Music On Vinyl)
33,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands. One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.
Kohsuke Mine - First
Kohsuke Mine
First
2LP | 1970 | UK | Reissue (BBE)
39,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.
John Mclaughlin & John Surman - Where Fortune Smiles Color Vinyl Edition
John Mclaughlin & John Surman
Where Fortune Smiles Color Vinyl Edition
LP | 1970 | EU | Reissue (Tiger Bay)
15,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Lloyd McNeill Quartet - Washington Suite Ox Blood Red Vinyl Edition
Lloyd McNeill Quartet
Washington Suite Ox Blood Red Vinyl Edition
LP | 1970 | UK | Reissue (Soul Jazz)
28,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Soul Jazz Records' new ox-blood red Colored Vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album, first released as a private-press album in 1970 on flautist Lloyd McNeill's own Asha Record label in Washington, DC. Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill's hypnotic 'Washington Suite' was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.
Patty Pravo - Bravo Pravo Yellow Vinyl Edition
Patty Pravo
Bravo Pravo Yellow Vinyl Edition
LP | 1970 | EU | Reissue (Rca Label)
20,24 €* 26,99 € -25%
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Piero Umiliani - Paesaggi Limited Edition
Piero Umiliani
Paesaggi Limited Edition
LP | 1970 | EU | Reissue (Four Flies)
32,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Limited to 700 copies. Four Flies Records is proud to present the first reissue of Piero Umiliani’s Paesaggi – a record that, despite remaining for many years pretty obscure compared to other titles in the maestro’s discography, is now regarded by collectors and experts as the gold standard in Italian library music. By using a multitude of instruments, such as flute, vibraphone, harpsichord, sitar, gong and others, it brings together a variety of arrangements, styles, and genres spanning from bossa nova to jazz, easy listening to psychedelic, Latin, exotica, and many more.
Francois Tusques - Piano Dazibao
Francois Tusques
Piano Dazibao
LP | 1970 | EU | Reissue (Souffle Continu)
25,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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In Paris in 1965, F. Tusques mixed with Michel Portal, François Jeanneau, Jean-François Jenny-Clark, Aldo Romano or Jacques Thollot. He also met Don Cherry and above all recorded, with other like-minded Frenchmen (Portal and Jeanneau alongside Bernard Vitet, Beb Guérin and Charles Saudrais), the first album of free jazz in France. Years later his thirst for freedom led him to isolation; between May and September 1970, the pianist recorded, at his home, the first of two albums that he would release on Futura Records: »Piano Dazibao« and »Dazibao N°2«.
Masayuki Takayanagi And New Directions - Independence: Tread On Sure Ground
Masayuki Takayanagi And New Directions
Independence: Tread On Sure Ground
LP | 1970 | EU | Reissue (Cinedelic)
24,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Considered the 'Lochness monster' of Japanese free jazz records due to its incredible rarity, this album was the debut recording of Takayanagi Masayuki as leader with The New Directions. Recorded at the Teichiku Kaikan studios on 18 September 1969 (released in 1970) Independence - Tread on Sure Ground, is largely regarded as the first true classic of Japanese free jazz. The group thrashes out an entirely new Japanese methodology for improvisation based on Takayanagi's theories about progressive art. As Alan Cummings explains in his texts to review issues, the group's sonic outburst is pregnant with an urgent intensity similar to a violent rotating windstorm. .....“An electric guitar string is pinged with a sour and markedly unlovely resonance. It is left to fade away naturally, its dying whisper replaced with a wavering feedback tone that grows steadily in volume and thickness. Against the slow feedback wave, a sudden loud percussive crash, urgent staccato rolls across the toms, and the dry rasp of a rattle. A choppy, non-sequential series of chords from the guitar, still mouth-puckeringly bitter is set against the warmer resonance of an alternately bowed and plucked double bass. Each instrument sounds self-contained, like lunar bodies spinning on their own axes at different tempos, but locked together by unfathomably complex rules of motion. Additional percussive rattles and scrapes have been overdubbed to fill in the blank space. Tendrils of feedback snake in and out, like cosmic dust from some cataclysmic celestial event. The playing is exploratory and deliberate, technically adept and keenly judged, easily sustaining interest and motion across the track's eleven minutes. Its sense of focused concentration is more akin to the European free improvisation of AMM or The Spontaneous Music Ensemble than the violent ecstasies of American fire music.”....... (by Alan Cummings) Includes OBI and insert
Virgilio Armas - De Repente
Virgilio Armas
De Repente
LP | 1970 | US | Reissue (We Are Busy Bodies)
33,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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James Brown - Soul On Top Verve By Request Edition
James Brown
Soul On Top Verve By Request Edition
LP | 1970 | EU | Reissue (Verve)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Stark Reality - Discovers Hoagy Carmichael's Music Shop
Stark Reality
Discovers Hoagy Carmichael's Music Shop
2LP | 1970 | US | Reissue (Now-Again)
36,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.
Bobby Hutcherson & Harold Land - San Francisco Blue Note Classic Vinyl Edition
Bobby Hutcherson & Harold Land
San Francisco Blue Note Classic Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco, which found the musicians moving into fusion territory with relentlessly grooving tunes like “Goin’ Down South” and “Ummh” counterbalanced by exploratory pieces like the mesmerizing “Prints Tie.”



This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Structure - Pop Music Black Vinyl Edition
Structure
Pop Music Black Vinyl Edition
LP | 1970 | EU | Reissue (Sommor)
25,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Cool library-styled French album from 1970. Psychedelic, proggy jazz-funk with Brazilian/Bossa touches! Groovy flute by Bernard Wystraëte plus heavy bass, drums (by André Ceccarelli), violin, occasional fuzz-wah guitar and Urszula Dudziak-like scat vocals. In 1970, the AFA label asked flautist Bernard Wystraëte to register a “pop” album after the worldwide impact of progressive bands like Aphrodite’s Child and Jethro Tull. Bernard recruited some of his friends who were professional musicians and Structure was born. He wrote a collection of songs influenced by progressive rock, jazz and Brazilian music. The “Pop Music” album was recorded live in the studio to give a “live show” feel. It was released later that year housed in a superb psychedelic sleeve. The band even toured across France and several countries at the same time that Bernard and other Structure members started backing famous French singer Marie Laforêt live. After the good reception given to the album, another label asked Bernard to record a Structure 45. “Dilatation” / “Scale” was released under a new line-up. Both tracks of this 45 are included as bonus tracks on the Digital Download version and the CD.
Sonny Stitt - When Sonny Blows Blue
Sonny Stitt
When Sonny Blows Blue
LP | 1970 | JP | Reissue (P-Vine)
35,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves
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Groove Diggers is delighted to present a reissue of When Sonny Blows Blue by the legendary saxophonist Sonny Stitt for the first time on limited edition vinyl. Originally released in 1970, this album featured a star-studded line-up with the likes of Herbie Hancock, Grady Tate and Ron Carter backing Stitt across a number of jazz standards. By force of its cast, ‘Summertime’ and ‘Out of This World’, have never sounded quite like this. The gold sleeve returns along with an iconic Japanese obi strip.
Arthur Prysock - Fly My Love
Arthur Prysock
Fly My Love
LP | 1970 | US | Original (King)
8,79 €* 10,99 € -20%
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Oliver Nelson - Black,Brown And Beautiful
Oliver Nelson
Black,Brown And Beautiful
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
24,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Originally released in 1970, “Black, Brown and Beautiful” saw legendary composer and arranger Oliver Nelson musically address the state of black America in the wake of the assassination of Martin Luther King. Tracks like ‘Requiem’, ‘Lamb Of God’ and ‘Martin Was A Man, A Real Man’ directly address the passing of King, whereas ‘Self Help Is Needed’ and ‘I Hope In Time A Change Will Come’ orchestrally and passionately ask questions that still remain unanswered today. Indeed, Nelson, writing about the track ‘Self Help Is Needed’ stated “I have always felt that the Federal Government wasn’t going to do a damn thing and American Blacks were going to have to do it themselves. However, you can’t have a foot on your neck making it impossible for you to help yourself. That seems logical – doesn’t it?” Sadly, those words still hold true today.

Musically, this is a sumptuous, almost big band, banquet with Nelson himself talking the soprano sax solo on the aching ‘I Hope In Time A Change Will Come’. Those who are fans of classic Nelson albums like “The Blues And The Abstract Truth” (1961) and the equally polemical “The Mayor And The People” (1971) will find much to enjoy here.

This reissue replicates the original high-quality gatefold sleeve of the original and is pressed on 180gm vinyl.

“Black, Brown And Beautiful” has never been reissued on vinyl since the original 1970 US pressing.
Akira Ishikawa Count Buffalo Jazz And Rock Band - Bakishinba: Memories Of Africa Black Vinyl Edition
Akira Ishikawa Count Buffalo Jazz And Rock Band
Bakishinba: Memories Of Africa Black Vinyl Edition
LP | 1970 | EU | Reissue (Cinedelic)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.
Grant Green - Green Is Beautiful Blue Note Classic Vinyl Edition
Grant Green
Green Is Beautiful Blue Note Classic Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Matti Oiling - Happy Jazz Band
Matti Oiling
Happy Jazz Band
LP | 1970 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Lipposen Levy ja Kasetti. An official repress of this classic Finnish jazz record from 1970, limited to 340 copies only.
Hermeto Pascoal - Hermeto
Hermeto Pascoal
Hermeto
LP | 1970 | EU | Reissue (Far Out)
31,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Far Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album. Recorded in 1970 at A&R studios in New York, the album features certified North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album).
Dorothy Ashby - The Rubaiyat Of Dorothy Ashby Verve By Request
Dorothy Ashby
The Rubaiyat Of Dorothy Ashby Verve By Request
LP | 1970 | EU | Reissue (Verve)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Nucleus - Elastic Rock
Nucleus
Elastic Rock
LP | 1970 | EU | Reissue (Be With)
30,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
Giovanni Tommaso - Indefinitive Atmosphere
Giovanni Tommaso
Indefinitive Atmosphere
LP | 1970 | EU | Reissue (Sonor Music Editions)
36,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Giovanni Tommaso is the greatest Italian Jazz bassist and founder and member of the most important ever Italian Jazz Rock ensembles, the Perigeo band. He composed "indefinitive Atmosphere" at the end of 1969, released a few months after in 1970 on Sermi label, and recorded it at Rca studios in Rome. "indefinitive Atmosphere" represents a special album for him and for us as well, since it was his first album released as a sole composer/artist. The Maestro dug in personal archive for us and finally found a copy of the original master tape containing part of the recordings. Besides the misspelled title "Indefinitive" instead of "Indefinite", that became part of the legend here, this album was incredibly ahead of his time, with the young Maestro Tommaso playing electric bass and contrabass a in studio ensemble composed of 3/4 elements plus the strings section, with plenty of stunning Jazz-Funk, Jazz-Rock and Free Jazz tracks. The session is also known for including the legendary American Jazz soprano sax Steve Lacy on the track called "Steve", where he plays a sax solo. We entirely restored the full session from the original tapes found, and digitally remastered the sound for a greater sound experience, chasing the original analog source.
Quincy Jones - Gula Matari Deluxe Gatefold Sleeve Edition
Quincy Jones
Gula Matari Deluxe Gatefold Sleeve Edition
LP | 1970 | EU | Reissue (Elemental Music)
32,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Duke Ellington - Duke Ellington's 70th Birthday Concert
Duke Ellington
Duke Ellington's 70th Birthday Concert
2LP | 1970 | US | Original (Solid State)
13,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
Sandy Nassan - Just Guitar
Sandy Nassan
Just Guitar
LP | 1970 | US | Original (Embryo)
7,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
Shirley Scott - Something
Shirley Scott
Something
LP | 1970 | US | Original (Atlantic)
10,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG
Record has a scuffs and hairlines. Cover with seam splits on top and bottom spine
Sphere - Inside Ourselves
Sphere
Inside Ourselves
2LP | 1970 | UK | Reissue (BBE)
44,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself.

Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, ‘What’s Going On’, the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings.

Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military.

A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster.

While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.
Ornette Coleman - Friends And Neighbors
Ornette Coleman
Friends And Neighbors
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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This is an unusual album in the catalogue of Ornette Coleman, and one that passes by most critics. It is however a unique insight into the ‘free jazz’ pioneer’s way of working in the early 70s. Recorded at his large loft space in downtown New York which inspired a whole scene of experimental musicians who were locked out of playing established venues.

The music is a romp showing Ornette playing trumpet as well as saxophone. His quartet which featured second saxophonist Dewey Redman alongside long term cohorts Ed Blackwell and Charlie Haden prove to be the perfect foil for this legendary set.

This is the first vinyl reissue in nearly 20 years and utilises a fresh 24/96 transfer from the original production master.
Percy Faith - Plays Latin Themes
Percy Faith
Plays Latin Themes
LP | 1970 | JP | Original (CBS/Sony)
6,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing.
Eero Koivistoinen - For Children Black Vinyl Edition
Eero Koivistoinen
For Children Black Vinyl Edition
LP | 1970 | EU | Reissue (Svart)
26,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Masterful Finnish jazz available on wax again!

The 1970 album For Children by Eero Koivistoinen was originally released by the book publishing company, Otava, which was responsible for his earlier two albums as well. Jazzpuu/Sähkö Recordings reissued For Children in 2006 as did we in 2016, yet both of these releases have been hard to find ever since. This time around Svart brings this important piece of Koivistoinen's career, a successful amalgam of acoustic jazz and funky fusion back on the market on a limited Svart exclusive blue vinyl edition, classic black vinyl and CD.
Donald Byrd - Electric Byrd Opaque Turquoise Blue Vinyl Edition
Donald Byrd
Electric Byrd Opaque Turquoise Blue Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
49,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Guy Pedersen - Contrebasses
Guy Pedersen
Contrebasses
LP | 1970 | Reissue (Be With)
27,99 €*
Release: 1970 / Reissue
Genre: Organic Grooves
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Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.

"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.

Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".

The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Antonio Carlos Jobim - Stone Flower
Antonio Carlos Jobim
Stone Flower
LP | 1970 | EU | Reissue (Endless Happiness)
21,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his 6th studio release Stone Flower is an absolute classic. The album is emblematic of 70’s bossa with it’s seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and musicality is so well cared for that it effortlessly carries listeners away.
Les McCann - Comment
Les McCann
Comment
LP | 1970 | US | Original (Atlantic)
23,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Original US Presswell pressing.
Jackie McLean - Demon's Dance Tone Poet Vinyl Edition
Jackie McLean
Demon's Dance Tone Poet Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
43,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Jackie McLean’s music weaved in and out of the avant-garde throughout the late-60s but the saxophonist maintained a decidedly post-bop edge on Demon’s Dance featuring trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scott Holt, drummer Jack DeJohnette, and striking cover art by Mati Klarwein.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
Kenny Cox - Multidirection Black Vinyl Edition
Kenny Cox
Multidirection Black Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
43,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Kenny Cox - Multidirection Coke Bottle Clear Vinyl Edition
Kenny Cox
Multidirection Coke Bottle Clear Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
49,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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V.A. - Traditional Jazz On V-Disc
V.A.
Traditional Jazz On V-Disc
LP | 1970 | JP | Original (DAN)
9,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
OBI and top spine have a tear.
V.A. - The Great Big Band On V-Disc
V.A.
The Great Big Band On V-Disc
LP | 1970 | JP | Original (DAN)
16,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
With OBI. Tear in top spine.
Caravelli And His Magnificent Strings - Caravelli Canzone Deluxe
Caravelli And His Magnificent Strings
Caravelli Canzone Deluxe
LP | 1970 | JP | Original (CBS/Sony)
14,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG, Cover: VG
Cover has foxing inside gatefold.
Larry Coryell - Standing Ovation - Solo
Larry Coryell
Standing Ovation - Solo
LP | 1970 | JP | Original (Arista Novus)
26,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
With OBI. close to NM
Andy Williams - Andy Williams
Andy Williams
Andy Williams
2LP+Box Set | 1970 | JP | Original (CBS/Sony)
14,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG+, Cover: VG
OBI not included.
Includes large poster and booklet with small writing on minor foxing.
Jon Appleton & Don Cherry - Human Music
Jon Appleton & Don Cherry
Human Music
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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A forward thinking collaboration between electronic music pioneer Jon Appleton and trumpet great Don Cherry, that explores the relationship between the humanity and the manufactured robotic future.

Using the techniques associated with Musique Concrete the ensuing improvisations create a unique entry into the great trumpeter's discography. It was an in vogue attempt to render the music of tomorrow, and today sounds more like the soundtrack to a truly great sci-fi movie

Reissued in a fascimile of the original gatefold sleeve, and remastered from new 24/96 transfers, this is part of Ace's HiQ LP series
Chris Barber - Chris Barber In Berlin 2
Chris Barber
Chris Barber In Berlin 2
LP | 1970 | GDR | Original (AMIGA)
6,99 €*
Release: 1970 / GDR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Cover has light wear, bent corner, discolouration. Vinyl has a few scuffs and hairlines, close to VG+.
Dudley Moore Trio - The World Of Dudley Moore
Dudley Moore Trio
The World Of Dudley Moore
LP | 1970 | UK | Original (Decca)
3,99 €*
Release: 1970 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Record slightly warped but still enjoyable and close to VG+.
Louis Armstrong - The Definitive Album By Louis Armstrong
Louis Armstrong
The Definitive Album By Louis Armstrong
LP | 1970 | US | Original (Audio Fidelity)
14,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Herbie Mann - Stone Flute
Herbie Mann
Stone Flute
LP | 1970 | US | Original (Embryo)
15,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl with scuffs and hairlines
Wes Montgomery - Eulogy
Wes Montgomery
Eulogy
LP | 1970 | US | Original (Verve)
10,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Steve Marcus, Miroslav Vitous, Sonny Sharrock & Daniel Humair - Green Line
Steve Marcus, Miroslav Vitous, Sonny Sharrock & Daniel Humair
Green Line
LP | 1970 | EU (Endless Happiness)
19,99 €*
Release: 1970 / EU
Genre: Organic Grooves
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Les McCann - Comment
Les McCann
Comment
LP | 1970 | US | Original (Atlantic)
12,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
US original.
Neil Ardley, Ian Carr, Don Rendell - Greek Variations
Neil Ardley, Ian Carr, Don Rendell
Greek Variations
LP | 1970 | EU (Endless Happiness)
21,99 €*
Release: 1970 / EU
Genre: Organic Grooves
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Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influential jazz-rock band Nucleus was rising from the ashes.
Marian McPartland Trio - Ambiance
Marian McPartland Trio
Ambiance
LP | 1970 | US | Original (Halcyon)
7,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
Splits in seams.
Writing on cover.
Ramsey Lewis - Julia
Ramsey Lewis
Julia
7" | 1970 | UK | Original (Chess)
9,99 €*
Release: 1970 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
Record is close to VG+.
Ships in a label sleeve with small tears.
Quincy Jones - Killer Joe / Oh Happy Day
Quincy Jones
Killer Joe / Oh Happy Day
7" | 1970 | UK | Original (A&M)
16,99 €*
Release: 1970 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Ships in a label sleeve.
Record slightly warped but still enjoyable and close to VG+.
Bill Evans - Alone White Vinyl Edition
Bill Evans
Alone White Vinyl Edition
LP | 1970 | EU | Reissue (Klimt)
24,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Alone was recorded at Webster Hall in the East Village, which was reserved for two recording sessions in October 1968. A Steinway & Sons concert grand piano model D-274 was chosen by Bill Evans for this recording. Released in April 1970, the Grammy Award-winning Alone was Bill Evans' first single piano solo album following in the footsteps of his 1963 Verve session Conversations with Myself (three pianos overdubbed) and his 1967 Further Conversations with Myself, also on Verve (two pianos overdubbed).
Majoie Hajary - La Passion Selon Judas
Majoie Hajary
La Passion Selon Judas
LP | 1970 | EU | Reissue (Mad About)
28,49 €* 29,99 € -5%
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.
Eddie Jefferson, Joe Carroll & Annie Ross - The Bebop Singers
Eddie Jefferson, Joe Carroll & Annie Ross
The Bebop Singers
LP | 1970 | US | Original (Prestige)
12,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Cover is close to VG+.
Herb Alpert & The Tijuana Brass - Greatest Hits
Herb Alpert & The Tijuana Brass
Greatest Hits
LP | 1970 | JP | Original (A&M)
7,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Qithout OBI, Cover with writing on the back, close to VG+
Sérgio Mendes & Brasil '66 - Greatest Hits
Sérgio Mendes & Brasil '66
Greatest Hits
LP | 1970 | US | Original (A&M)
14,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Pitman pressing. Unipak.
Les Copains - Tu Ne M'Aimes Plus / Indic A Tifs
Les Copains
Tu Ne M'Aimes Plus / Indic A Tifs
7" | 1970 | FR | Original (Radio Sonor)
29,99 €*
Release: 1970 / FR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Record is close to VG+.
Cover with faint ring wear and writing on the back.
Larry Coryell - Spaces
Larry Coryell
Spaces
LP | 1970 | US | Reissue (Vanguard Apostolic)
6,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: G
Splits in seams.
Novi Singers - Torpedo
Novi Singers
Torpedo
LP | 1970 | EU | Reissue (Warner)
26,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Eric Burdon & War - The Black-Man's Burdon
Eric Burdon & War
The Black-Man's Burdon
LP | 1970 | DE | Original (Liberty)
29,99 €*
Release: 1970 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Small sticker on cover.
Includes original inserts.
Quincy Jones - Gula Matari
Quincy Jones
Gula Matari
LP | 1970 | US | Original (A&M)
28,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US Pitman pressing.
Carmen Cavallaro - The Fascinating Latin Piano Of Carmen Cavallaro
Carmen Cavallaro
The Fascinating Latin Piano Of Carmen Cavallaro
LP | 1970 | JP | Original (MCA)
8,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Jimmy Smith - The Best Of Jimmy Smith
Jimmy Smith
The Best Of Jimmy Smith
LP | 1970 | JP | Original (Blue Note)
30,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Duke Jordan - Les Liaisons Dangereuses
Duke Jordan
Les Liaisons Dangereuses
LP | 1970 | JP | Original (Overseas)
13,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl close to NM
Sérgio Mendes & Brasil '66 - Live At Expo '70
Sérgio Mendes & Brasil '66
Live At Expo '70
LP | 1970 | FR | Original (A&M)
12,99 €*
Release: 1970 / FR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Miles Davis / Dave Brubeck - The Jazz Street 1 Modern Combo And Orchestra
Miles Davis / Dave Brubeck
The Jazz Street 1 Modern Combo And Orchestra
LP | 1970 | JP | Original (CBS/Sony)
8,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Only record 1! Record 2 is missing! Club edition. Cover and vinyl are Close to VG+. Tiny stains on cover.
Dionne Warwick - Best Screen Themes
Dionne Warwick
Best Screen Themes
LP | 1970 | JP | Original (Scepter)
15,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
OBI.
Leo Wright Combo - Modern Jazz Studio Nr. 4
Leo Wright Combo
Modern Jazz Studio Nr. 4
LP | 1970 | GDR | Original (AMIGA)
7,99 €*
Release: 1970 / GDR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Sérgio Mendes & Brasil '66 - Live At Expo'70
Sérgio Mendes & Brasil '66
Live At Expo'70
LP | 1970 | JP | Original (A&M)
49,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
Original Japanese pressing without OBI!
Johnny Hodges - A Tribute To Johnny Hodges
Johnny Hodges
A Tribute To Johnny Hodges
LP | 1970 | US | Original (MGM)
5,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Small punch hole in cover.
Sérgio Mendes & Brasil '66 - Ye-Me-Le
Sérgio Mendes & Brasil '66
Ye-Me-Le
LP | 1970 | JP | Original (A&M)
9,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
No obi.
Kosuke Mine - Mine
Kosuke Mine
Mine
LP | 1970 | JP | Reissue (Sony Music Japan)
59,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves
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A monumental work that marks the historical beginning of the prestigious Three Blind Mice label, and the shivering debut album by saxophonist Atsusuke Mine, with a tension that seems to tear through the entire album. (Series supervisor: Koki Hanawa). This is the first release of the "three blind mice premium reissue collection" series, the first commercial LP product on the TBM label from SME.
Dave Pike - The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition
Dave Pike
The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition
LP | 1970 | US | Reissue (Nature Sounds)
31,34 €* 32,99 € -5%
Release: 1970 / US – Reissue
Genre: Organic Grooves
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For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.
Don Ellis - Don Ellis At Fillmore
Don Ellis
Don Ellis At Fillmore
2LP | 1970 | US | Original (Columbia)
11,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Cover with strong ring, shelf wear, but no splits.
Dizzy Gillespie - Dizzy Gillespie
Dizzy Gillespie
Dizzy Gillespie
LP | 1970 | US | Original (Everest Records Archive Of Folk & Jazz Music)
8,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
Pete Jolly - Seasons Clear Amber Vinyl Edition
Pete Jolly
Seasons Clear Amber Vinyl Edition
LP | 1970 | US | Reissue (Future Days)
33,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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First ever vinyl reissue of this rare masterpiece - Remastered from the original analog tapes by Kevin Gray at Cohearent Audio - Includes new liner notes by Dave Segal interviewing Herb Albert and Chuck Berghofer - Pressed at RTI on Clear Amber Wax & Clear Light Green Wax - Originally released on A&M in 1970 - Featuring session heavyweights Chuck Berghofer (bass), John Pisano (guitar), Milt Holland (percussion), Paul Humphrey (drums), Emil Richards (percussion) and Herb Albert (producer) - Sampled by Cypress Hill, Jay Dee, & Busta Rhymes Organic, electric, freeform. Pete Jolly's Seasons is comprised of melodies and textures composed live and without pretense—its grooves contain a complete and divine listening experience that surpasses all others of the era in which it was originally released, coming as close to transcendent musical meditation incarnate as one could possibly imagine. Seasons is an unsung masterpiece of ensemble groove and stellar musicianship, equally unsurpassed and inspired in its quiet excellence.

While Seasons never had significant commercial success upon its release, it has since amassed a cult following, leading collectors to pay top dollar for copies of the rare record. Out of print since 1971, it has only been reissued once on CD. In his liner notes accompanying this release, Dave Segal puts the album’s massive demand in perspective: “British label owner Jonny Trunk put up an original pressing of the LP for sale for an undisclosed but large sum on Instagram in January 2023, and it sold in five minutes. With Seasons back in circulation, maybe Pete Jolly will finally gain the broader audience that his phenomenal skills merit,” writes Segal. “If nothing else, it serves as a valuable lesson to artists: venturing outside of your comfort zone can bring the most interesting, enduring results.”

Remastered from the original analog master tapes by Kevin Gray at Coherent Mastering, this record not only foreshadows the roots of hip-hop but manages to embody the richness of a full album listening experience that few records can offer. Its timeless appeal is rare—and its dynamic range sets it apart as an album that straddles both the jazz and pop worlds in a way that almost no others can. Sit back, relax, and enjoy the changing and complex colors of Seasons for the first time ever since its initial release.
Pete Jolly - Seasons Clear Green Vinyl Edition
Pete Jolly
Seasons Clear Green Vinyl Edition
LP | 1970 | US | Reissue (Future Days)
33,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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First ever vinyl reissue of this rare masterpiece - Remastered from the original analog tapes by Kevin Gray at Cohearent Audio - Includes new liner notes by Dave Segal interviewing Herb Albert and Chuck Berghofer - Pressed at RTI on Clear Amber Wax & Clear Light Green Wax - Originally released on A&M in 1970 - Featuring session heavyweights Chuck Berghofer (bass), John Pisano (guitar), Milt Holland (percussion), Paul Humphrey (drums), Emil Richards (percussion) and Herb Albert (producer) - Sampled by Cypress Hill, Jay Dee, & Busta Rhymes Organic, electric, freeform. Pete Jolly's Seasons is comprised of melodies and textures composed live and without pretense—its grooves contain a complete and divine listening experience that surpasses all others of the era in which it was originally released, coming as close to transcendent musical meditation incarnate as one could possibly imagine. Seasons is an unsung masterpiece of ensemble groove and stellar musicianship, equally unsurpassed and inspired in its quiet excellence.

While Seasons never had significant commercial success upon its release, it has since amassed a cult following, leading collectors to pay top dollar for copies of the rare record. Out of print since 1971, it has only been reissued once on CD. In his liner notes accompanying this release, Dave Segal puts the album’s massive demand in perspective: “British label owner Jonny Trunk put up an original pressing of the LP for sale for an undisclosed but large sum on Instagram in January 2023, and it sold in five minutes. With Seasons back in circulation, maybe Pete Jolly will finally gain the broader audience that his phenomenal skills merit,” writes Segal. “If nothing else, it serves as a valuable lesson to artists: venturing outside of your comfort zone can bring the most interesting, enduring results.”

Remastered from the original analog master tapes by Kevin Gray at Coherent Mastering, this record not only foreshadows the roots of hip-hop but manages to embody the richness of a full album listening experience that few records can offer. Its timeless appeal is rare—and its dynamic range sets it apart as an album that straddles both the jazz and pop worlds in a way that almost no others can. Sit back, relax, and enjoy the changing and complex colors of Seasons for the first time ever since its initial release.
Herbie Mann - The Best Of Herbie Mann
Herbie Mann
The Best Of Herbie Mann
LP | 1970 | US | Original (Atlantic)
12,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+
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