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Jazz | Fusion Vinyl 3311 Items

Hip Hop 254 Organic Grooves 7882 Funk | Soul 3731 Contemporary Funk 9 Jazz | Fusion 3311 Blues 491 Disco | Boogie 1692 Latin | Brazil 379 Afrobeat 190 Original Breaks & Samples 117 Rock & Indie 6078 Electronic & Dance 1627 Reggae & Dancehall 561 Pop 2953 Classical Music 126 Soundtracks 504 Childrens 4
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Reset all Filters Vinyl 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 Stocked Items Only
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Varis - Varis
Varis
Varis
LP | 1979 | DE | Original (Not On Label)
99,99 €*
Release: 1979 / DE – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Tarika Blue - Tarika Blue
Tarika Blue
Tarika Blue
LP | 1977 | US | Reissue (Chiaroscuro)
93,99 €*
Release: 1977 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Cover and vinyl are close to NM. 2020 reissue.
Roy Ayers Ubiquity - Everybody Loves The Sunshine
Roy Ayers Ubiquity
Everybody Loves The Sunshine
LP | 1976 | US | Original (Polydor)
90,99 €*
Release: 1976 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Original inner sleeve. Monarch pressing. Writing on cover.
Edition Speciale - Allée Des Tilleuls
Edition Speciale
Allée Des Tilleuls
LP | 1976 | FR | Original (United Artists)
89,99 €*
Release: 1976 / FR – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Cover with storage wear, a bent corner and small writings on the back! Record with a few scratches!
Peter Giger - Günter Lenz - Eddy Marron - Where The Hammer Hangs
Peter Giger - Günter Lenz - Eddy Marron
Where The Hammer Hangs
LP | 1978 | DE | Original (Nagara)
86,99 €*
Release: 1978 / DE – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Tiny sticker rip off on front cover.
Alan Parsons Project - Eye In The Sky
Alan Parsons Project
Eye In The Sky
2LP | 1982 | UK | Reissue (Mobile Fidelity)
85,99 €*
Release: 1982 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
180g 2LP 45rpm Gatefold Sleeve
Miles Davis - Tribute To Jack Johnson
Miles Davis
Tribute To Jack Johnson
LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)
83,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-07-26
Leo's Sunshipp - Give Me The Sunshine
Leo's Sunshipp
Give Me The Sunshine
12" | 1980 | UK | Original (Grapevine)
82,99 €*
Release: 1980 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: Generic
Mikio Masuda - Mickey's Mouth
Mikio Masuda
Mickey's Mouth
LP | 1976 | JP | Reissue (Universal Music Japan)
81,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Mikio Masuda, who went to the U.S. as an independent member of Terumasa Hino's group, formed the crossover/fusion group 'Mickey's Mouth' after returning to Japan. This is the band's first album, featuring mainly original compositions.
Imitation - Muscle And Heat
Imitation
Muscle And Heat
LP | 1982 | JP | Original (Universal Music Japan)
80,99 €*
Release: 1982 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Steve Scales (Per) and Drutti McDonald (Vo) who also participated in Talking Heads, as well as Sandy and Makoto Kubota, are the pinnacle of world music produced by Japanese people.
Arthur Verocai - Arthur Verocai Half-Speed Mastered Edition
Arthur Verocai
Arthur Verocai Half-Speed Mastered Edition
LP | 1972 | EU | Reissue (Mr Bongo)
79,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
Limited edition for Record Store Day 2017! Seems unplayed.
Serú Girán - Grasa De Las Capitales
Serú Girán
Grasa De Las Capitales
LP | 1979 | AR | Original (Sazam)
79,99 €*
Release: 1979 / AR – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: G+
Cover with strong wear and writings on the front! Record shows scuffs and some scratches!
M. Muraoka & New Symphonette - Fantastic Bamboo Flute Best Collection = 魅惑のポップ尺八 ベスト・コレクション
M. Muraoka & New Symphonette
Fantastic Bamboo Flute Best Collection = 魅惑のポップ尺八 ベスト・コレクション
LP | 1975 | JP | Original (Columbia)
77,99 €*
Release: 1975 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing with insert. Vinyl closer to NM and cover to VG+
Ray Bryant - Solo Flight
Ray Bryant
Solo Flight
LP | 1977 | US | Original (Pablo)
76,99 €*
Release: 1977 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Light ring wear on cover
Shoody - Tomorrow's Child
Shoody
Tomorrow's Child
LP | 1981 | JP | Original (Invitation)
76,99 €*
Release: 1981 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Includes OBI.
Miles Davis - On The Corner
Miles Davis
On The Corner
LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)
74,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Charlie Parker - Charlie Parker On Dial
Charlie Parker
Charlie Parker On Dial
7LP+Box Set | 1973 | JP | Original (Odeon)
73,99 €*
Release: 1973 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Japanese box set with Obi and booklet.
Ella Fitzgerald - Sings The George & Ira Gershwin Songbook
Ella Fitzgerald
Sings The George & Ira Gershwin Songbook
Box | 1985 | Reissue (Not Now)
73,99 €*
Release: 1985 / Reissue
Genre: Organic Grooves
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Judy Anton - Smile
Judy Anton
Smile
LP | 1980 | JP | Reissue (Teichiku Entertainment)
72,99 €*
Release: 1980 / JP – Reissue
Genre: Organic Grooves, Pop
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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.
Yumi Murata - Himiko
Yumi Murata
Himiko
LP | 1982 | JP | Reissue (Columbia)
71,99 €*
Release: 1982 / JP – Reissue
Genre: Organic Grooves, Pop
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Yumi Murata’s second album with Mariah.
It’s a beautiful, stateless ambient record with its halting vocals, which reflect the sonic experiments of Shimizu Yasuaki.

Mariah, at a time when she was leaning towards hard rock; she used this song as a starting point to steer her into the new wave.
Ray Bryant - Solo Flight
Ray Bryant
Solo Flight
LP | 1977 | US | Original (Pablo)
70,99 €*
Release: 1977 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl is Close to VG+.
Plunky Nkabinde - World Class Sax
Plunky Nkabinde
World Class Sax
12" | 1988 | US | Original (N.A.M.E. Brand Record Company)
69,99 €*
Release: 1988 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: VG
Still sealed.
Cover corners slightly dented, faint storage abrasions visible through shrink.
Real Ax Band - Nicht Stehenbleiben / Move Your Ass In Time
Real Ax Band
Nicht Stehenbleiben / Move Your Ass In Time
LP | 1977 | DE | Original (April)
67,99 €*
Release: 1977 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover with light ring wear on the back.
Kifu Mitsuhashi & Kiyoshi Yamaya - Shakuhachi Mountain Poetry
Kifu Mitsuhashi & Kiyoshi Yamaya
Shakuhachi Mountain Poetry
LP | 1976 | JP | Reissue (Nippon Columbia Co., Ltd. / Lawson Entertainment Inc.)
65,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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First released in 1976, 'Shakuhachi Mountain Poetry' is one of a two part album collaboration between Shakuhachi master, Kifu Mitsuhashi and jazz musician, Kiyoshi Yamaya. Together, the two artists blended their individual musical disciplines to compose an album that beautifully captures the spirit of both traditional Japanese folk music and jazz. Don't miss out on this incredibly unique Japanese-jazz fusion record!
Miles Davis - A Tribute To Jack Johnson
Miles Davis
A Tribute To Jack Johnson
LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)
62,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
MOBILE FIDELITY’S NUMBERED-EDITION 180G SUPERVINYL LP PRESENTS 1971 LANDMARK IN EXUBERANT, FULL-RANGE SOUND

Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl’s nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything — from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio — in reference fashion.

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences long-time fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires.

Utilizing wah-wah and distortion, the go-to instrumentalist of the performances— guitarist John McLaughlin — attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson< cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record’s creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.

The least-well-known masterpiece of Davis' career, the 1971 record — seamlessly assembled and spliced together by producer Teo Macero — was a victim of limited record-label promotion. Audiences also didn’t immediately know what to make of its original cover art — faithfully replicated here. In addition, the powers that be at Columbia Records were directing the public’s attention to Miles at Fillmore, a completely different kind of album guided by two keyboardists. A Tribute to Jack Johnson practically lives in a different universe, one from the future. To many listeners who did manage to hear it — among them critic/musician Robert Quine, Stooges leader Iggy Pop, and renowned critic Robert Christgau — it surpassed everything that came before.

Indeed, Davis treated it as a personal manifesto: An opportunity to salute the Black championship boxer admired for his threatening image to the establishment and impeccable taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson — a stance mirrored by the defiant music, which hits with a prize fighter's force and reflects the graceful elegance with which a pugilist navigates the ring — and closes the album with a Johnson quote read by Brock Peters.

Inspired not only by Johnson but by Jimi Hendrix and Sly Stone, Davis changed his approach and his band. He surrounds himself with a cadre of musicians in their 20s and, in the case of bassist Michael Henderson, a 19-year-old fresh from touring with Stevie Wonder. Henderson gives Davis what he requested: boogie-based grooves that don’t lose shape or direction. Soprano saxophonist Steve Grossman, drummer Billy Cobham, and organist Herbie Hancock adhere to a similar aesthetic that prizes brazenness, innovation, and energy.

In that vein, during a portion of “Yesternow,” Davis segues into a separate performance (which became known in its entirety as “Willie Nelson”) played by guitarists McLaughlin and Sonny Sharrock, bass clarinetist Bernie Maupin, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. Dig it!

Talking with jazz scholar Bill Milkowski — who himself noted how McLaughlin’s unrestrained style, decibel-forward volumes, and rapid-fire power chords engendered himself to the rock crowd at the same time that his harmonics and syncopation still definitely made him a jazz player — guitarist Henry Kaiser summed up part of the appeal of A Tribute to Jack Johnson as well as anyone, saying: “It’s a jazz record that way way more open than other jazz records at the time, but still not free jazz. [McLaughlin’s] rhythm guitar playing on ‘Right Off’ — the use of different chords in a rock shuffle than what anybody had used before — was revolutionary.”

And to think that’s just one aspect of a record that contains multitudes. “Never let them forget it.” Indeed.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.
Wendell Harrison - An Evening With The Devil
Wendell Harrison
An Evening With The Devil
LP | 1973 | JP | Reissue (Deep Jazz Reality / Tribe / Octave-Lab)
61,99 €*
Release: 1973 / JP – Reissue
Genre: Organic Grooves
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Mustafa - Polygamy Purple Vinyl Edition + Booklet
Mustafa
Polygamy Purple Vinyl Edition + Booklet
LP | 1984 | EU | Reissue (Fatima International)
59,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.
Charlie Parker - Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition
Charlie Parker
Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition
2LP | 1977 | US | Reissue (Rockbeat)
59,99 €*
Release: 1977 / US – Reissue
Genre: Organic Grooves
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Dizzy Gillespie With The Orchestra - One Night In Washington
Dizzy Gillespie With The Orchestra
One Night In Washington
LP | 1983 | US | Original (Elektra Musician)
59,99 €*
Release: 1983 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
US original.
Ron Everett - The Glitter Of The City
Ron Everett
The Glitter Of The City
LP | 1978 | EU (Funky Planet)
59,99 €*
Release: 1978 / EU
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Kosuke Mine - Mine
Kosuke Mine
Mine
LP | 1970 | JP | Reissue (Sony Music Japan)
59,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves
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A monumental work that marks the historical beginning of the prestigious Three Blind Mice label, and the shivering debut album by saxophonist Atsusuke Mine, with a tension that seems to tear through the entire album. (Series supervisor: Koki Hanawa). This is the first release of the "three blind mice premium reissue collection" series, the first commercial LP product on the TBM label from SME.
Motohiko Hino - Ryuhyo
Motohiko Hino
Ryuhyo
LP | 1976 | JP | Reissue (Sony Music Japan)
59,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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This is a hot live recording made in Nemuro in the northern land of Japan, which has been loved together with the 'First Album' (Tact). The title track is as epic as an ice floe literally colliding on the ocean floor. (Series supervisor: Koki Hanawa). This is the first release of the "three blind mice premium reissue collection" series, the first commercial LP product from SME under the TBM label.
Tsuyoshi Yamamoto - Misty
Tsuyoshi Yamamoto
Misty
LP | 1974 | JP | Reissue (Sony Music Japan)
59,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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The second release by Tsuyoshi Yamamoto, one of the most popular works on the TBM label. A definitive disc by a Japanese piano trio, packed with lyricism, powerful swing and a variety of other jazz delights! (From series supervisor Koki Hanawa).

Remastered and cut by Bernie Grundman. Includes original reissue liner notes.
Johnny Hammond - Gears
Johnny Hammond
Gears
2LP | 1975 | UK | Reissue (BGP)
58,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Clear vinyl. Still in shrink but opened. Tiny wear. 2015 reissue.
Horii Katsumi Project - Hot Is Cool Blue Vinyl Edition
Horii Katsumi Project
Hot Is Cool Blue Vinyl Edition
LP | 1987 | JP | Reissue (Great Tracks)
57,99 €*
Release: 1987 / JP – Reissue
Genre: Organic Grooves
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Jiro Inagaki And Soul Media - In The Groove White Coloured Vinyl Edition
Jiro Inagaki And Soul Media
In The Groove White Coloured Vinyl Edition
12" | 1973 | EU | Reissue (Nippon Columbia/Lawson (Japan))
57,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.

Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.

This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”

Text by Yusuke Ogawa (universound/deep Jazz Reality)
Chet Baker - At Capolinea
Chet Baker
At Capolinea
LP | 1984 | EU | Reissue (Red)
56,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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The Kenny Drew Trio With Paul Chambers , "Philly" Joe Jones - Kenny Drew Trio
The Kenny Drew Trio With Paul Chambers , "Philly" Joe Jones
Kenny Drew Trio
LP | 1984 | JP | Reissue (Riverside)
56,99 €*
Release: 1984 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Japanese pressing with OBI and insert.
Charles Mingus - Mingus At Antibes
Charles Mingus
Mingus At Antibes
2LP | 1976 | EU | Reissue (Speakers Corner)
55,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun
Freddie Hubbard & Stanley Turrentien - In Concert
Freddie Hubbard & Stanley Turrentien
In Concert
2LP | 1976 | EU | Reissue (Speakers Corner)
55,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Herbie Hancock - Flood
Herbie Hancock
Flood
2LP | 1975 | EU | Reissue (Speakers Corner)
55,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne
Tommy Flanagan - Overseas Mono Edition
Tommy Flanagan
Overseas Mono Edition
LP | 1978 | US | Reissue (Acoustic Sounds)
55,99 €*
Release: 1978 / US – Reissue
Genre: Organic Grooves
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Sun Palace - Winning
Sun Palace
Winning
12" | 1983 | UK | Original (Passion)
55,99 €*
Release: 1983 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Record has some hairlines.
Ships in a label sleeve with small sticker.
Jiro Inagaki & Soul Media - Onna Tomodachi (Wandering Birds)
Jiro Inagaki & Soul Media
Onna Tomodachi (Wandering Birds)
LP | 1971 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1971 / JP – Reissue
Genre: Organic Grooves
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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.
Hiromasa Suzuki - High Flying Clear Purple Vinyl Edition
Hiromasa Suzuki
High Flying Clear Purple Vinyl Edition
LP | 1976 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.
Takeo Moriyama - Smile Clear Sky Blue Vinyl Edition
Takeo Moriyama
Smile Clear Sky Blue Vinyl Edition
LP | 1981 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1981 / JP – Reissue
Genre: Organic Grooves
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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.
Jiro Inagaki & Soul Media - Head Rock Clear Blue Vinyl Edition
Jiro Inagaki & Soul Media
Head Rock Clear Blue Vinyl Edition
LP | 1970 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves
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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.
Shigeo Sekito - Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition
Shigeo Sekito
Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition
LP | 1975 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1975 / JP – Reissue
Genre: Organic Grooves
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The song "The Word II" was sampled by Mac DeMarco on “Chamber of Reflection" and by Travis Scott and Quavo's project Huncho Jack on "How U Feel." This sampling led to the song becoming widely recognized around the world. The reissue of Shigeo Sekito's masterpiece includes the song. This is the most listened to Electone album in the world, attracting attention from a diverse range of musical genres, including hip-hop, Balearic, and dream pop.
Frank Sinatra - Watertown 50th Anniversary Deluxe Edition Incl. Original Poster
Frank Sinatra
Watertown 50th Anniversary Deluxe Edition Incl. Original Poster
LP | 1972 | EU | Reissue (Capitol)
52,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Roy Porter Sound Machine - Inner Feelings Deluxe Edition
Roy Porter Sound Machine
Inner Feelings Deluxe Edition
LP+7" | 1975 | JP | Reissue (P-Vine)
51,99 €*
Release: 1975 / JP – Reissue
Genre: Organic Grooves
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He wasn’t satisfied simply being a bebop legend!

After spending the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971. Four years later, he followed that up with “Inner Feelings”. Listeners back then had to wait four years for the sequel, but you don’t have to wait at all!

The seven-man band, with its powerful horns and phat grooves, is no doubt worthy of the name ‘Sound Machine’ Praise has been sung of this record in and among rare groove circles for over three decades, with mere rumors of original copies being enough to cause collectors to begin salivating. Album opener, “Party Time”, begins with an almost mechanical drum break - a groove so tight, you just might think Roy Porter is a metronome. Jpegmafia certainly thought so, sampling the drum beat on “Free the Frail”. Fans of classic hip-hop may also recognize “Panama”, not just for its beautiful melody and iconic groove, but from DJ SPINNA’s hit-song “rock”. The re-recorded version of “Jessica” adds vocals and a touch of melancholy to the jazz-funk classic. It’s still danceable, but it might also make you stop and think for a second. Album closer, “Out on the Town Tonight”, takes the funk one step further, with an even larger horn section, and fiery solos. Yet throughout the whole album, the drumming remains steadily funky, a reminder that Roy Porter sits at the heart of the Sound Machine.

With the LP reissued on clear blue vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a re-edit by the legendary DJ Muro, and the nearly impossible to find vocal version of “Panama”, this reissue is no doubt going to be legendary! Don’t miss this iconic album, reissued for the first time on clear blue vinyl with a 7” record, available only from P-vine Records!
Roy Porter Sound Machine - Jessica Deluxe Edition
Roy Porter Sound Machine
Jessica Deluxe Edition
LP+7" | 1971 | JP | Reissue (P-Vine)
51,99 €*
Release: 1971 / JP – Reissue
Genre: Organic Grooves
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He wasn’t satisfied simply being a bebop legend!

Roy Porter spent the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy, quickly becoming a sought-out drummer in the blossoming bebop scene before disappearing from the music industry. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971.

There’s no doubt that his early work in the bebop scene would alter the shape of jazz to come, but it’s his work with Roy Porter Sound Machine where you can really hear the iconic drummer let loose. Recorded at the age of 50, Roy Porter is no longer content to sit back and let others take the spotlight, and his drumming has all the fervent energy of a young drummer who just moved to New York. The title track and album opener, “Jessica” (supposedly written for his girlfriend at the time) quickly became a jazz-funk classic, making appearances on ‘Inner Feelings’ (1975) and ‘Generations’(1994). Throughout the album, Porter shows his incredible talent, whether it’s the downtempo cool swing of “Hip City”, the almost maniacal drum solo on “Drums for Daryl”, or the Jobim-inspired Afro-cuban “Ooh-La-La”. It seems implausible that this was Porter’s first recorded material in over a decade, and one of his first albums as a leader, but it is. With original pressings going for over a thousand dollars on the second-hand market, there’s no doubt that this record is worth its weight in gold.

With the LP reissued on clear yellow vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a vocal version of “Jessica”, and a remix by the one and only Kenny Dope, this reissue has “Deluxe” written all over it. Don’t miss this legendary album, reissued for the first time on clear yellow vinyl with a 7” record, available only from P-vine Records!
Charles Tolliver's Music Inc - Live At The Loosdrecht Jazz Festival
Charles Tolliver's Music Inc
Live At The Loosdrecht Jazz Festival
LP | 1972 | UK | Reissue (Strata-East)
51,99 €*
Release: 1972 / UK – Reissue
Genre: Organic Grooves
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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording "With Love".

With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years. https://charlestolliver.com/

This LP is jazz of high energy and high sincerity. Jazz at it's best. One of Tolliver's (and jazz's) masterpieces. It is a live recording from 1972. On another occasion, Tolliver recorded with another quartet with Stanley Cowell on piano, and some critics prefer that quartet. However, this quartet is the equal of that one. I think John Hicks did a masterful job of piano playing here. Hicks equalled Charles in energy. The bass playing of Reggie Workman (who was John Coltrane's bassist) is equally smouldering. Drummer Alvin Queen is a perfect match for the other three.
Passionate Jazz Fan.

Tolliver's music (which holds on to one's attention throughout the live set) has its connections to the bebop tradition but also forges ahead and can be quite passionate. Recommended. By Scott Yanow/AMG Personnel: Roberto Miranda - Bass
Everett Brown Jr. - Drums
Aubrey Hart - Flute
Adele Sebastian - Flute, Vocals
Fundi Legohn (tracks: B1) – French horn
Virjilio Figueroa - Percussion
Linda Hill - Piano, Vocals
Sabir Matteen* - Tenor Saxophone, Clarinet
Jugegr Juan Grey - Vocals

Produced by Tom Albach

Recorded & mixed by Dennis Moody in 1981
Horace Tapscott - Dial 'B' For Barbra
Horace Tapscott
Dial 'B' For Barbra
2LP | 1981 | UK | Reissue (Pure Pleasure)
50,99 €*
Release: 1981 / UK – Reissue
Genre: Organic Grooves
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The best of pianist Horace Tapscott's recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott's originals plus a 19½-minute version of Linda Hill's "Dem Folks". Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and the performances have a momentum of their own. Scott Yanow/AMG A great group recording from pianist Horace Tapscott – recorded in LA in the early 80s, but done with all the righteousness and spirituality of his earlier albums! Tracks are long and exploratory, but also relatively lyrical too – stretching out with a style that's never too 'outside', and which has Horace and the group really soaring to the heavens on the best moments! The group here is a sextet – with the great Gary Bias on alto and soprano saxophone, plus Sabir Matteen on tenor, Reggie Bullen on trumpet, Roberto Miguel Miranda on bass, and Everett Brown on drums and percussion – all working with a cohesiveness that reminds us of some of Tapscott's larger group recordings, but with a cleaner, leaner kind of feel. Titles include "Lately's Solo", "Dial B For Barbara", and "Dem Folks".
Clifford Jordan Quartet - Glass Bead Games
Clifford Jordan Quartet
Glass Bead Games
2LP | 1973 | US | Reissue (Pure Pleasure)
50,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London / Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove.

Glass Bead Games is full of revelations at many levels. First, the decade of the 1970s did produce genuinely creative, "human" new music flowing from the jazz mainstream; second, Bill Lee was more than Spike's dad: he was a superlative bassist, a team player of the first order, a powerful catalyst who, if anything, deserves to be better known than his son; third, Billy Higgins was, as so many musicians insist, a once-in-a-lifetime drummer—the bellows inspiriting the collective flame.

Most importantly, Clifford Jordan was an artist of the first order, his playing so effortless and unforced, unselfconscious and focused, mature and wise that, at a time when altissimo fury was all the rage, it's small wonder his authentic voice frequently went unheard. His musical rhetoric is so personally expressive, its substance so compelling, the listener couldn't care less about the extraordinary technique required to convey its captivating message. Compared to some of his more acclaimed peers he's a less aggressive yet paradoxically more directive and shaping influence. The climaxes, rather than spelled out, are merely suggested, registering with deep and lasting impact on the listener. It all comes down to learning the language, those precious little beads. Not every player, including Jordan or the listener, can use it like Shakespeare, but all can learn to read Shakespeare and understand its principles of arbitrariness and serendipity, of invariance and transformation.

Jordan, no less than Shakespeare, requires a like-minded cast of players—in this case four musicians of such redoubtable proficiency that each remains committed to keeping the beads in play. He's not a man content with a mere musical "dialogue" with his fellow musicians nor is he about to take the initiative in pulling his troops up to his level. Instead he begins to tell a musical story that's so compelling his three comrades are inspired equally to contribute to a collaborative narrative. This is brilliant music-making by a Coltrane- influenced successor who feels no obligation to mime the predecessor. It may be the most significant saxophone performance on record since Coltrane and, providing the listener stays with it for any length of time, the most deeply satisfying. Jordan's game—so effortless, unforced, and "level"—erases distinctions between composed and improvised, soloist and ensemble, narrator and narrative, the dancer and the dance. It seems incapable of wearing out its welcome.
Rahsaan Roland Kirk - Bright Moments
Rahsaan Roland Kirk
Bright Moments
2LP | 1973 | UK | Reissue (Pure Pleasure)
50,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Pure Pleasure SD2-907
Sun Palace - Winning
Sun Palace
Winning
12" | 1983 | UK | Original (Passion)
50,99 €*
Release: 1983 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
Cover with ring wear.
Horace Tapscott with The Pan-Afrikan Peoples Arkestra - Live At I.U.C.C.
Horace Tapscott with The Pan-Afrikan Peoples Arkestra
Live At I.U.C.C.
2LP | 1979 | UK | Reissue (Pure Pleasure)
50,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Bud Powell - The Scene Changes, Vol. 5
Bud Powell
The Scene Changes, Vol. 5
LP | 1983 | JP | Original (Blue Note)
49,99 €*
Release: 1983 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Limited Edition.
OBI not included.
Includes original insert.
Record is close to VG+.
Sérgio Mendes & Brasil '66 - Live At Expo'70
Sérgio Mendes & Brasil '66
Live At Expo'70
LP | 1970 | JP | Original (A&M)
49,99 €*
Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
Original Japanese pressing without OBI!
Jazz Celula - Oheň Až Požár
Jazz Celula
Oheň Až Požár
LP | 1976 | CS | Original (Panton)
49,99 €*
Release: 1976 / CS – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Keith Jarrett - Concerts
Keith Jarrett
Concerts
3LP+Box Set | 1982 | JP | Original (ECM)
49,99 €*
Release: 1982 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG
Comes with inserts and booklet. Boxhas light foxing, no plits.
Wayne Shorter - Super Nova
Wayne Shorter
Super Nova
LP | 1977 | JP | Reissue (Blue Note)
49,99 €*
Release: 1977 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing without OBI! Cover with slight wear and sticker residue on the back! Record has a few slight scratches!
Art Blakey & The Jazz Messengers - Moanin'
Art Blakey & The Jazz Messengers
Moanin'
LP | 1977 | JP | Reissue (Blue Note)
49,99 €*
Release: 1977 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
You & The Explosion Band = You & The Explosion Band - Lupin The 3rd (Original Soundtrack) = ルパン三世・2 オリジナル・サウンドトラック
You & The Explosion Band = You & The Explosion Band
Lupin The 3rd (Original Soundtrack) = ルパン三世・2 オリジナル・サウンドトラック
LP | 1978 | JP | Original (Satril)
49,99 €*
Release: 1978 / JP – Original
Genre: Organic Grooves, Soundtracks
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Used Vinyl
Medium: Near Mint, Cover: VG
Japanese pressing with OBI! Cover with slight wear and yellowing, close to VG+!
Art Blakey & The Jazz Messengers - The Big Beat
Art Blakey & The Jazz Messengers
The Big Beat
LP | 1984 | FR | Reissue (Blue Note)
49,99 €*
Release: 1984 / FR – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Cover with minor storage abrasions.
Includes OBI.
Ichiko Hashimoto - Beauty
Ichiko Hashimoto
Beauty
LP | 1984 | JP | Reissue (Universal Music Japan)
49,99 €*
Release: 1984 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: Near Mint
* Originally released in 1984 * With OBI.
Al Di Meola - Splendido Hotel
Al Di Meola
Splendido Hotel
LP | 1980 | JP | Original (CBS/Sony)
49,99 €*
Release: 1980 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl close to NM. Cover with stains
Nat King Cole - Unforgettable
Nat King Cole
Unforgettable
LP | 1979 | JP | Original (Capitol)
49,99 €*
Release: 1979 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Record and cover are close to NM.
Includes OBI and insert.
Elvin Jones - Genesis Opaque Pink Vinyl Edition
Elvin Jones
Genesis Opaque Pink Vinyl Edition
LP | 1971 | US | Reissue (Blue Note / Third Man)
49,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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Donald Byrd - Electric Byrd Opaque Turquoise Blue Vinyl Edition
Donald Byrd
Electric Byrd Opaque Turquoise Blue Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
49,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Kenny Cox - Multidirection Coke Bottle Clear Vinyl Edition
Kenny Cox
Multidirection Coke Bottle Clear Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
49,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Clifford Jordan Quartet - Glass Bead Games
Clifford Jordan Quartet
Glass Bead Games
LP | 1974 | JP | Reissue (P-Vine)
48,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.
Woody Shaw - Blackstone Legacy
Woody Shaw
Blackstone Legacy
2LP | 1971 | US | Reissue (Craft)
48,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.
Picture
Coming Soon
Masaki Matsubara
Painted Woman White Vinyl Edition
LP | 1983 | JP | Reissue (Pony Canyon)
47,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-08-09
Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.
Picture
Coming Soon
Masaki Matsubara
Sniper White Vinyl Edtion
LP | 1984 | JP | Reissue (Pony Canyon)
47,99 €*
Release: 1984 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Preorder shipping from 2024-08-09
Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc. These are two masterpieces that the world has been eager to see reissued. For inquiries about products, please contact local record stores.
Bob James - Two Gold Vinyl Edition
Bob James
Two Gold Vinyl Edition
LP | 1975 | HK | Reissue (Evosound)
47,99 €*
Release: 1975 / HK – Reissue
Genre: Organic Grooves
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Woo - In The Heart Of Love
Woo
In The Heart Of Love
2LP | 1988 | US | Reissue (Palto Flats)
47,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Absolutely essential. Deluxe 2LP edition of this impeccable album from 1988. The spot glossed Gatefold jacket features artwork including archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives.

Issued for the first time in its entirety on vinyl, spread over two LPs, and remastered from newly discovered hi-quality DAT sources, we’re thrilled to present the definitive version of Woo’s most fully-formed album. A cosmic testament to the healing power of love, utilizing vocoded clarinets, pastoral guitars, homespun folk lullabies, and lilting electronics, coalescing into a an hour plus long journey through their otherworldly soundscapes. A prime entry point to Woo’s sound, containing some of their most beloved songs, such as ‘Make Me Tea,’ ‘It’s Love,’ ‘Hopi’ and many others, and also including a never-before heard bonus track – the vocal version of ‘It’s Love.’

Into The Heart Of Love was originally self-released on cassette in 1988, with a wider cassette release in 1990. Compiled from home recordings from the preceding years, and released during a transitional point for the band, the Ives brothers see this album as their most complete work, offering space to the listener to stretch out and immerse themselves into the warmth of their sound.

Woo is the uncategorizable project of Clive and Mark Ives from Brighton, UK. Since the 1970s, the duo have been recording a plethora of eclectic sounds, most falling under the blanket genre of new age, but spiraling out toward notions of ambient sounds, jazz, and other spiritual takes on modern music. They received some acclaim for their early releases, including 1982's Whichever Way You Are Going, You Are Going Wrong and 1989's It's Cosy Inside, but their work began to receive renewed appreciation during the 2010s, when labels such as Drag City and Palto Flats reissued the band's albums. The brothers remained active all the while, digitally self-issuing material.
V.A. - ECM Special Edition For Contemporary Music
V.A.
ECM Special Edition For Contemporary Music
LP | 1973 | JP | Original (ECM)
46,99 €*
Release: 1973 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
With OBI and insert. Cover and vinyl are close to NM.
Jack Wilkins - Windows
Jack Wilkins
Windows
LP | 1973 | FR | Reissue (Wewantsounds)
46,99 €*
Release: 1973 / FR – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
tiny wear. 2018 reissue
Après La Pluie - La Célèbre Ascension Abyssale De Joseph Celsius
Après La Pluie
La Célèbre Ascension Abyssale De Joseph Celsius
LP | 1978 | FR | Original (Temps 3)
46,99 €*
Release: 1978 / FR – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl close to NM
Wendell Harrison - Dreams Of A Love Supreme
Wendell Harrison
Dreams Of A Love Supreme
LP+7" | 1980 | JP | Reissue (P-Vine)
46,54 €* 48,99 € -5%
Release: 1980 / JP – Reissue
Genre: Organic Grooves
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Wenha’s inaugural release! From Wenha and Tribe co-founder Wendell Harrison comes Dreams Of A Love Supreme with the never before-reissued 7” single “No Turnin’ Back / Rocket Love” for the first time ever!

Following the untimely collapse of Tribe Records, Tribe co-founder Wendell Harrison established the Wenha record label in 1980, followed that same year by its inaugural release : Dreams Of A Love Supreme. Spirituality and themes of Black Consciousness are apparent throughout, yet compared to the fiery hymnals of its namesake, or even the funky avant-garde jazz of The Tribe, Dreams Of A Love Supreme is mellow - a reflection of the changing landscape of Detroit’s jazz scene. Electric guitars and pianos twinkle behind Harrison’s always impressive playing, with soft tones tempering the fiery spirituality of his solos. Featuring many of Detroit’s greatest musicians, including Tribe co-founder Phil Ranelin (Tb.), Harold McKinney (pf.), and Roy Brooks (perc.), Dreams Of A Love Supreme is filled to the brim with spiritual jazz royalty! Reissued for the first time ever alongside a never before reissued 7” single “No Turnin’ Back / Rocket Love”, as well as one of our iconic obi-strips, everything about this screams deluxe! Don’t miss Dreams Of A Love Supreme (Deluxe Edition) available only from P-vine Records!
Harold McKinney - Voices And Rhythms Of The Creative Profile
Harold McKinney
Voices And Rhythms Of The Creative Profile
LP+7" | 1974 | EU | Reissue (P-Vine)
46,54 €* 48,99 € -5%
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!
Steve Grossman - Love Is The Thing
Steve Grossman
Love Is The Thing
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Cedar Walton - The Trio 3
Cedar Walton
The Trio 3
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Robert Watson Quartet - Love Remains
Robert Watson Quartet
Love Remains
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Janko Nilovic - Rythmes Contemporains
Janko Nilovic
Rythmes Contemporains
LP | 1972 | UK | Reissue (Cosmic Sounds)
45,99 €*
Release: 1972 / UK – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
2000 reissue.
Grant Green - Born To Be Blue
Grant Green
Born To Be Blue
LP | 1985 | US | Reissue (Blue Note)
45,99 €*
Release: 1985 / US – Reissue
Genre: Organic Grooves
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Woo - In The Heart Of Love
Woo
In The Heart Of Love
2LP | 1988 | US | Reissue (Palto Flats)
45,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Frank Wright / Georges Arvanitas - Shouting The Blues
Frank Wright / Georges Arvanitas
Shouting The Blues
LP | 1977 | FR | Original (Sun)
44,99 €*
Release: 1977 / FR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Donald Fagen - The Nightfly
Donald Fagen
The Nightfly
LP | 1982 | JP | Original (Warner Bros.)
44,99 €*
Release: 1982 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without OBI, but with insert. Cover with ring wear and some damage on spine.
Lemuria - Lemuria
Lemuria
Lemuria
2LP | 1978 | JP | Reissue (P-Vine)
44,99 €*
Release: 1978 / JP – Reissue
Genre: Organic Grooves
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The 1978 self-titled album by the free soul band Lemuria remains much talked about around rare groove circles. Formed by Kirk Thompson of the iconic Kalapana, it’s a proud statement of Hawaiian AOR, and highlights the magic touch of Thompson as both a keyboardist, and behind the mixers, his work as the album’s serving producer. For this new reissue edition, P-vine is including three bonus tracks and two alternate takes for the first time on vinyl, resulting in this deluxe fourteen track double gatefold package.
Today's Latin Project - Today's Latin Project
Today's Latin Project
Today's Latin Project
LP | 1983 | JP | Reissue (P-Vine)
44,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves
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Long awaited reissue is finally coming! "Today's Latin Project '' was released in 1983 from Discomate and currently this is one of the most demanded vinyls of 80's Walearic record which was produced by Tadaaki Misago (Tokyo Cuban Boys) who is one of the most important person of Latin music scene in Japan. and arranged by Yasuaki Shimizu (composer, saxophonist and producer / well known for his interpretations of the music of J.S. Bach) , Jun Takemura (latin music compiler / januralist) and Kazuo Otani (composer, arranger / he had been also playing in Shogun). CD version is also available from P-vine / released in 2020). OBI strip is attached.
Al Di Meola - Elegant Gypsy
Al Di Meola
Elegant Gypsy
LP | 1977 | JP | Original (CBS/Sony)
44,99 €*
Release: 1977 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing with OBI and insert!
Lonnie Liston Smith And The Cosmic Echoes - Visions Of A New World
Lonnie Liston Smith And The Cosmic Echoes
Visions Of A New World
LP | 1975 | US | Original (Flying Dutchman)
44,99 €*
Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G
US original pressing! Gatefold cover with some wear, bends and big seam split!
Record shows some scuffs and scratches!
Babs Robert & The Love Planet - Babs Robert & The Love Planet
Babs Robert & The Love Planet
Babs Robert & The Love Planet
LP | 1970 | EU | Reissue (Alpha)
44,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.
Miles Davis - Circle In The Round
Miles Davis
Circle In The Round
2LP | 1979 | US | Original (Columbia)
44,99 €*
Release: 1979 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Original US pressing. Vinyl is Close to VG+. Promo stamp on back cover.
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