HHV Records 145925 Items

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover has light wear, top and bottom spines have tears. Original US PR Preswell pressing.

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Ronald Mesquita

Bresil 72

22,99 €*

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Classic Brazilian album from master drummer, Ronald Mesquita, originally released in 1972. Featuring songs by Jorge Ben, Antonio Carlos-Jobim, Gilberto Gil, Edu Lobo and others.
Mesquita is probably most well-known for playing with Luis Carlos Vinhas and his ‘Bossa Tres’ outfit, along with his own group, ‘Ronie E A Central Do Brasil’, that he formed after his return from the US in the early 1970s. He also played on several songs on Tenorio Jr.’s ‘Embalo’ album that Mr Bongo recently reissued.
The killer track ‘Balanca Pema’ was very big in the Jazz Dance scene in the 90s and also featured on the Mojo compilation ‘Dancefloor Jazz Volume Four’.
Madlib sampled ‘Balanca Pema’ on his Medicine Show Number 2 ‘Flight to Brazil’.
Official Mr Bongo reissue. Licensed courtesy of Universal Music Group Limited.

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The Sylvers

22,99 €*

The Unforgiven / Theme From "The Movietown Sound"

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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* Record Store Day Europe / UK 2019 Exclusive Release
* Beautiful funk-soul album produced by Jerry Butler, Keg Johnson and Michael Viner, written by Leon Sylvers III.
* The Sylvers were a family group from Los Angeles with chart hits including ‘Fools Paradise’, ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’
* Sampled by J Dilla, Jazzanova, Ghostface Killah, Snoop Dog and many more.

Beautiful funk-soul album produced by Jerry Butler, Keg Johnson and Michael Viner, written by Leon Sylvers III. The Sylvers were a family group from Los Angeles who were very successful during the 70s and into the early 80s, with chart hits – deep into pop-disco territory by then! – including ‘Fools Paradise’, ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. No less than 9 of the 10 brothers and sisters of the family made up the group, often referred to as a Southern version of the Jackson 5. Sampled by J Dilla, Jazzanova, Ghostface Killah, Snoop Dogg and many more.

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Scorpio And His People

7" | 1972 | US | Reissue (Ubiquity)

12,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Be With)

John Cameron

Jazzrock

Colin Wilkie & Shirley Hart

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Morning

LP | 1972 | DE | Original (pläne)

LP | 1972 | US | Original (Gordy)

Release: 1972 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+

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The Temptations

All Directions

15,99 €*

Roberta Flack & Donny Hathaway

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Hollywood pressing.

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LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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The Connoisseur Collection Of The Five Keys

The Five Keys

LP | 1972 | US | Original (Harlem Hitparade)

8,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1972 | US | Reissue (Etats-Unis)

The Taj-Mahal Travelers

July 15, 1972

37,99 €*

LP | 1972 | ES | Reissue (Wah Wah)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.

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Anthony Moore

Secrets Of The Blue Bag

Jim Sullivan Black Vinyl Edition

Release: 1972 / ES – Reissue

Genre: Classical Music

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Secrets Of The Blue Bag', Moore's second solo LP for Polydor, was issued in 1972 but recorded in the Fall of 1971, just a bit before Slap Happy were backed by Faust on the recording sessions of their first album. Anthony Moore was joined by soprano Geeske Hof-Helmers, violinists Toni Sen and Patrick Strub, celloist Rolph Braun and Wolf Schreiber on fagott.

The missing link between British "art-rock" and the German "krautrock" scenes!

This is a 500 copies only reissue done in collaboration with Anthony Moore himself. Comes housed in its original artwork.

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Jim Sullivan

LP | 1972 | US | Reissue (Light In The Attic)

Gladys Knight And The Pips

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Mastered from the original analog tapes
Deluxe Stoughton “tip-on” jacket with debossing
Vinyl pressed at RTI
All tracks previously unreleased
Booklet with liner notes and rare archive photos

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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Standing Ovation

LP | 1972 | JP | Original (Tamla Motown)

20,99 €*

LP | 1972 | JP | Original (Atlantic)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Percy Sledge

When A Man Loves A Woman

Jim Sullivan Mystery Blue Vinyl Edition

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI. Cover with seam split and spine damage, otherwise VG+. Vinyl with a couple of light scuffs

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Jim Sullivan

LP | 1972 | US | Reissue (Light In The Attic)

37,99 €*

LP | 1972 | JP | Original (Polydor)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Chick Corea

Return To Forever

11,99 €*

CD | 1972 | US | Reissue (Dolemite)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

Japanese pressing, no Obi.

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Rudy Ray Moore

The Turning Point

LP | 1972 | CA | Reissue (Return To Analog)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Rudy Ray Moore
The Turning Point

Dolemite Records
DOL103-CD
8 29357 01032 2
$8.14

Throughout the 1970s, Rudy Ray Moore made his name as one of the most uniquely explicit, anti-establishment underground comedians working. With his profane, controversial material, and frequently taboo stories surrounding his famed pimp character Dolemite, Moore commanded a cult-fanbase throughout the decade, remained a star of blaxploitation films of the era, and was a strong influence on rap stars such as Snoop Dogg, Big Daddy Kane, and 2 Live Crew. His party records were considered too vulgar to be displayed in record shops, but word of mouth made his albums the stuff of legends.

Though Rudy Ray Moore was widely known for his provocative stand-up, less is known about his musical side. Though he found success as a comedian he had always wanted to be a famous singer, and deeply loved to perform music. (His stand-up shows regularly featured a backing band, providing his monologues a backdrop of jazz and R&B music.) In 1972, as his comedy career was booming with cult-popularity, Moore released The Turning Point, and fans were treated to the raunchy raconteur's previously unheard croon. The album features smooth R&B renditions of songs by Curtis Mayfield, The Impressions, The Platters, and other favorites of the comedian, even featuring two originals written by Moore himself.

The music on The Turning Point could easily stand toe-to-toe with the smooth, silky 70s soul of greats like Isaac Hayes or Lou Rawls. Over 35 years later, Dolemite Records, with a dedication to bringing Rudy Ray Moore's legacy to a modern audience, now brings you this compact disc reissue, complete with retrospective liner notes from Rudy's former manager Donald Randell.

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Champignons

Premiere Capsule

22,99 €*

Release: 1972 / CA – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Original (Paula)

Fontella Bass

Free

49,99 €*

Africa - Live At The Carnegie Hall 1971

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

US reissue from 2000s.

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Alice Coltrane

LP | 1972 | UK (Alternative Fox)

Release: 1972 / UK

Genre: Organic Grooves

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The musician and spiritual seeker Alice Coltrane was much more than just John Coltrane’s second wife. One of the few harpists to feature prominently in jazz, she was also a renowned pianist and composer and her interest in spiritual matters greatly helped steer her husband deeper into Krishna consciousness, which had significant bearing on his music, most notably evident on A Love Supreme. This mesmerising performance, held at Carnegie Hall four years after John’s untimely passing as part of a benefit event for Swami Satchidananda's Integral Yoga Institute, comprised a stunning and largely improvised rendition of Coltrane’s “Africa,” with Alice’s subtle piano and harp expressions excellently framed by the wailing saxes of Pharaoh Sanders and Archie Shepp, Cecil McBee and Jimmy Garrison trading non-standard bass lines, a dual drum onslaught from Clifford Jarvis and Ed Blackwell, along with members of the Institute on harmonium and tamboura.

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Giuliano Sorgini

Elettroformule

LP | 1972 | UK | Reissue (Speakers Corner)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.

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Carly Simon

No Secrets

LP | 1972 | CA | Reissue (Return To Analog)

Release: 1972 / UK – Reissue

Genre: Pop

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Carly Simon’s unquestionably best album, "No Secrets", was also her commercial breakthrough. It topped the Billboard charts for over five weeks, thus quickly gaining gold status, as did the single release of "You’re So Vain". This song determined the album’s flippant tone, with its sexually unashamed autobiography (»You had me several years ago/When I was still quite naïve«) and its observations on the lifestyle of the jet set. But Simon’s sincerity also meant that her lyricism was double-edged. Now that she thinks she has found true love, she expresses her joy over her relationship to James Taylor with "The Right Thing To Do", another top ten hit. On the other hand she was just as willing to recognize her own mistakes and regretted pointing her finger at other people. It was not just Simon’s frankness that made the album a success, but also Richard Perry’s simple, elegant pop-rock production, which lent Simon’s music a vitality it never known before. Perry was mindful in particular of Simon’s vocals, making them more perceptive and stirring than in her other productions. And of course her fellow musicians, such as Paul and Linda McCartney, Mick Jagger, Klaus Voormann, Lowell George, Bobby Keys, Jim Keltner as well as her ex-husband James Taylor all contributed to the success of the album, which was awarded official platinum status by the Recording Industry Association of America.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.
Recording: September - October 1972 at Trident Studios, London, by Robin Geoffrey Cable

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Franck Dervieux

Dimension M

Release: 1972 / CA – Reissue

Genre: Rock & Indie

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Newport In New York '72 - The Soul Sessions, Vol. 6

LP | 1972 | US | Original (Cobblestone)

7,99 €*

LP | 1972 | UK | Reissue (Pure Pleasure)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

punch out hole. Cover splits on top seam and has small writing on back cover.

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Rahsaan Roland Kirk

Blacknuss

2LP | 1972 | JP | Reissue (Warner Music Japan)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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As deep as a soul record can be and as hot as any jazz record has a right to call itself. deep

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Speed Glue & Shinki

62,99 €*

LP | 1972 | EU (Survival Research)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Speed, Glue & Shinki's last album has been reissued in a gorgeous specification that faithfully reproduces the original, including the entire volume band! Released in 1972. It is a two-disc set that became the last album. Famous for its tiger jacket. There are a lot of songs that seem to be centered on Joey Smith now, but Bluesy Rock is fully opened like the previous work. Although some lyrical songs can be seen, the D-side medley makes heavy use of the precious Moog synthesizer at the time. Guests include Michael Hanopol, Shigeki Watanabe, Hiroshi Oguchi. The 96khz24bit sound source mastered in 2017 is used for this analog conversion. The jacket is a single jacket × 2, a full-length band, a lyrics card, etc. The original is reproduced as much as possible.

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Howl The Good

16,99 €*

LP | 1972 | US | Original (Gordy)

Release: 1972 / EU

Genre: Rock & Indie

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During the early 1970s, Detroit rock band Howl The Good signed to Motown’s prog-rock offshoot, Rare Earth. Travelling to London to record their self-titled debut album at Olympic Studios, they were fortunate to work with engineer Chris Kimsey (best known for his later work with Peter Frampton and The Rolling Stones), with ex-Spooky Tooth keyboardist Gary Wright in the producer’s chair; Wright was a highly-rated session player that worked with George Harrison, Elton John, Joe Cocker and Steve Winwood, and he also enjoyed a successful solo career. The resultant album is a competent slice of semi-commercial prog rock with an undercurrent of blues and the odd pastoral number; despite the obviously American feel of the material, Billboard assumed the group was British, due to the location of the album’s recording. Despite the strength of “Just Pretend It’s Another Day” and “Long Way From Home,” both co-written by Wright, and a one-off rendition of Cat Stevens’ “The Joke,” the album flopped on release on both sides of the Atlantic, leading the band to remain in obscurity and ultimately break up.

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The Temptations

All Directions

18,99 €*

LP | 1972 | UK | Original (Chrysalis)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Hollywood Pressing.

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Jethro Tull

Thick As A Brick

80,99 €*

LP | 1972 | EU | Reissue (Wewantsounds)

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

UK original in newspaper gatefold cover. Close to VG+.

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Alice Clark

LP | 1972 | EU | Reissue (Demon)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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2022 repress. Following the success of Wewantsounds' Alice Clark RSD edition featuring an extra 20-page booklet, the label reissues the standard version of Alice Clark's highly sought-after soul jazz classic produced by Mainstream Records' Bob Shad in 1972. Featuring original artwork, remastered sound making this reissue is the first official reissue of Alice Clark's original album for decades, a long overdue release of one of the best Soul albums ever recorded. When it comes to legendary albums, very few can match the cult status achieved on the international jazz and funk scene, by Alice Clark's eponymous album, recorded for Mainstream Records in 1972. The record which went unnoticed when it first came out has become one of the most sought-after albums ever since it became cult on the London jazz and funk scene in the late '80s. It is now being acknowledged as one of the best soul albums of all-times. Recorded live over two days at the Record Plant studios in New York City, the album was produced by Bob Shad and arranged by jazz veteran Ernie Wilkins with a big band setting. The music is a superb mix of jazz and soul blessed by Clark's superb singing and including two all-time favorites, "Don't You Care" and "Never Did I Stop Loving You" plus a selection of heart-wrenching songs beautifully sung by Clark. Hailed as a soul masterpiece alongside Aretha Franklin or Roberta Flack's best albums, Alice Clark's LP took almost fifty years to achieve classic status and Alice Clark is now finally getting the recognition she deserves.

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Harrison Kennedy

Hypnotic Music

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Demon)

Laura Lee

Two Sides Of Laura Lee

Brother, Brother, Brother

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This classic is reissued on 180g heavyweight black vinyl with original artwork and printed inner sleeve.

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The Isley Brothers

LP | 1972 | US | Original (T-Neck)

40,99 €*

LP | 1972 | EU | Reissue (Speakers Corner)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. Cover is Close to VG+.

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Buddy Guy & Junior Wells

Play The Blues

LP | 1972 | US | Reissue (Motown)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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The blues is perhaps one of the most private things from which a human being can suffer. However, to play the blues, and thus to express a man’s innermost feelings and state of mind, is probably the most important task of black music. With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. The enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine’s list “100 Greatest Guitarists of All Time”, and several times he was awarded one of the coveted Grammy awards. Junior Wells entered Muddy Waters’ 'academy' at the tender age of 18 and played the blues harp with enormous passion and virtuosity. In this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky style ("A Man Of Many Words"), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a 12-bar blues construction and creating an earthy groove ("T-Bone Shuffle"). Then the duo works perseveringly on an unrelenting chord ("A Poor Man’s Plea"), only to return to two numbers that pulsate forcefully with a snappy and jagged offbeat ("This Old Fool"). The handpicked band, among them being co-producer Eric Clapton who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker Dr. John who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: October 1970 at Criteria Studios, Miami (fl), by Ron Albert and April 1972 at Intermedia Studios, Boston (ma), by Richard Oulleppe Production: Ahmet Ertegun, Eric Clapton, Michael Cuscuna, Tom Dowd

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Grover Washington, Jr.

All The King's Horses

7,99 €*

The Oscar Peterson Trio With Herb Ellis

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

1981 reissue.

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Hello Herbie

LP | 1972 | US | Original (BASF)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Mickey & The Soul Generation

How Good Is Good Record Store Day 2020 Edition

7" | 1972 | EU | Reissue (Mr. G)

12,99 €*

2LP | 1972 | EU | Reissue (Parlophone Label Group)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

Fully remastered reissue with replica artwork of ultra-rare heavyweight Funk 45 by DJ Shadow’s favourite Funk band, Mickey & The Soul Generation – ‘How Good Is Good’. 1972 originals of this 7 inch gem sell on the second hand market for £1000. Black 7″ dinked centre hole vinyl

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Itzhak Perlman

24 Caprices

26,99 €*

Release: 1972 / EU – Reissue

Genre: Classical Music

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2LP | 1972 | US | Original (Chess)

Bo Diddley

Got My Own Bag Of Tricks

11,99 €*

2LP | 1972 | US | Original (Motown)

Release: 1972 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Gatefold cover with small cut corner and small seam split!

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Diana Ross

OST Lady Sings The Blues

10,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Rodgers & Hammerstein / Julie Andrews, Christopher Plummer, Irwin Kostal

OST The Sound Of Music

LP | 1972 | JP | Original (RVC Corporation)

4,99 €*

Release: 1972 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Sahib Shihab + Gilson Unit

La Marche Dans Le Desert

LP | 1972 | EU | Reissue (Souffle Continu)

21,99 €*

LP | 1972 | EU | Reissue (Sony)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this French free jazz nugget recording by Sahib Shihab + Gilson Unit. Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gillespie, Monk and Coltrane, for a brief stroll in the desert. For three-quarters of an hour, the caravan passes by, evoking, one after the other, Pharoah Sanders and Alice Coltrane, Pierre Henry and Karlheinz Stockhausen... Oh yes, and one other thing, we forgot to mention that Shihab’s saxophone is... amplified.

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Simon & Garfunkel

Greatest Hits

30,99 €*

Release: 1972 / EU – Reissue

Genre: Pop

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LP | 1972 | EU | Reissue (Universal)

Balletto Di Bronzo

63,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Original (Motown)

Four Tops

Nature Planned It

8,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | US | Original (Sussex)

Bill Withers

Still Bill

LP | 1972 | US | Reissue (Demon)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines. Cover with creasing

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Glass House

Thanks I Needed That

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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LP | 1972 | EU | Reissue (Cinedelic)

Enrico Intra

Jazz In Fabbrica

LP | 1972 | EU | Reissue (Green Tree)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Cinedelic presents a reissue of Enrico Intra’s Jazz In Fabbrica (Jazz In The Factory) originally released in 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter between the most exquisitely jazz language and contemporary music of a cultured matrix, and for this reason he was among the first Italian musicians to develop a “European” concept of jazz. Nuova Civiltà suite, certainly one of his best-known compositions, often also interpreted by Gerry Mulligan, deeply combines blues and tradition, adhering to the most radical trends of the music scene. A challenge to established formal and expressive schemes.

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Abacus

Everything You Need

You Don't Mess Around With Jim / Operator (That's Not The Way It Feels) Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Studio Album, released in 1972. CD reissue 2012 New Music-Green Tree + 2 exclusive bonus tracks. 8-page booklet, digitally remastered

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Jim Croce

12" | 1972 | EU | Reissue (BMG)

17,99 €*

Music Inc.: Live At Slug's Volume 1

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release. Color: Tangerine.

Limited edition double A-side on 12” Tangerine vinyl, featuring the first two singles from Jim Croce’s 1972 album, You Don’t Mess Around with Jim, which hit #1 in the US and Canada is RIAA Certified GOLD

Also included are the original B-sides “Photographs and Memories” and “New York’s Not
My Home”

The release also includes replicated original front cover art from both singles, one on each side.

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Charles Tolliver

LP | 1972 | UK | Reissue (Pure Pleasure)

LP | 1972 | EU | Reissue (Heavenly Sweetness)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: »Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an Art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul.« And he isn't kidding. You won't find a much higher level of communication than he, Cecil McBee, Stanley Cowell, and Jimmy Hopps engaged in on May 1, 1970 at Slugs' in New York City. This was much more than an attempt to merely 'preserve acoustic jazz' as in the stilted Marsalis vein. This was an attempt to preserve a measure of authenticity while maintaining the notion of forward-thinking, present-tense improvised music. They deserved a greater response than the lukewarm, sparse applause they received that night, and continue to deserve a far more cognizant audience for their efforts. Tolliver ('Drought"), McBee ("Felicite"), and Cowell ("Orientale") each contribute a track to the set; though very much distinct, each is equally strong. "Drought" is the kind of dark-hued, well-honed burner which Tolliver routinely produced in his fertile years. "Felicite" is a more contemplative affair, a deeply felt and empathically performed piece; the unit here is in particularly sublime form, merging considerable skill with a staggering depth of emotion. "Orientale" falls somewhere in between the pace of the two, with Cowell's Eastern scales establishing an austere, industrious tone throughout its seventeen-and-a-half-minute length. Through its duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favour, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass. I feel saddened that Music Inc. fell so far short of »eventually reach[ing] every soul« - yet fortunate that it eventually reached mine. RYM

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Mulatu Astatke

Ethio Jazz

Release: 1972 / EU – Reissue

Genre: Reggae & Dancehall

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Preserve Wildlife Orange Vinyl Edition

Mama Lion

LP | 1972 | EU (Future Shock)

Showmen 2 (Napoli Centrale) White Transparent Record Store Day 2021 Edition

Release: 1972 / EU

Genre: Rock & Indie

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Debut album for Lynn Carey's band, Mama Lion. The ten song blues rock recording, which opens with a three-minute remake of Bill Withers' "Ain't No Sunshine", showcases curvaceous Carey competently backed by bassist Neil Merryweather, guitarist Rick Gaxiola and drummer Coffi Hall. Has to be one of the best album covers of all time.

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Showmen 2

LP | 1972 | EU | Reissue (Udp Disco Piu)

32,99 €*

Radius Colored Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021

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Alberto Radius

LP | 1972 | EU | Reissue (Numero Uno)

31,99 €*

LP | 1972 | EU | Reissue (Transversales Disques)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release.

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Philippe Sarde

OST Cesar Et Rosalie

27,99 €*

LP | 1972 | US | Original (Columbia)

Release: 1972 / EU – Reissue

Genre: Soundtracks

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After Les choses de la vie, Transversales proudly presents the first ever LP reissue of this classic Philippe Sarde soundtrack: César et Rosalie. « As it happens, Philippe is less interested in his natural function which is to write music sheets... than in the film itself. And I, somehow, am as much, and perhaps more interested in the music than in the film itself. Therein lies the deep reason for our paradoxical relationship.” These are the words French film director Claude Sautet used to define his collaboration with the prodigious French composer. The « Cesar et Rosalie » score is like a magical bridge linking baroque and electronic music, mixing Moog synthesizer sequences with acoustic instruments. Compared to the original CAM LP, this reissue contains 6 unreleased tracks that were removed from the original tracklisting. Among them a Mariage 72 in Bacharach style and a beautiful piano version of the theme performed by Philippe Sarde himself. It obviously contains Romy Schneider’s famous voice-over in the unforgettable track La lettre de Rosalie.

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Maynard Ferguson

M.F. Horn Two

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Music Inc.: Live At Slug's Volume 2

Charles Tolliver

LP | 1972 | UK | Reissue (Pure Pleasure)

LP | 1972 | EU | Reissue (Sonor Music Editions)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Owning both this disc and "Live at Slugs', Volume 1" is essential for hardcore Jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Tolliver's compositional work with the touching Coltrane tribute "Our Second Father". Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar fashion to Garrison and Jones did with Coltrane. The McBee original Wilpan's also highlights the strength of McBee's writing and is probably the pick of the tunes here.

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Sandro Brugnolini

Utopia

36,99 €*

Slayed? Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Sonor Music Editions is proudly continuing the dive into the glorious Sermi catalogue, a renomated Italian Library label that released, between late 60s and early 70s, some among the most sought-after and insane records of the whole Library/Soundtrack genre. We're now excited to announce the first ever reissue of another Italian Library grail from the catalogue - originally issued in 1972 on Gemelli label. Sandro Brugnolini's masterpiece "utopia", originally pressed on a ridiculous run, and released on a beatiful tip-on sleeve reproducing painter Michel Seuphor's abstract art. The first official release after the recent maestro's passing, conceived with the great arrangements of Giorgio Carnini at the Hammond and piano, and the direction of maestro Franco Tamponi. A brilliant and inspired Jazz-Funk and Lounge Jazz session with just amazing sounds, driven by both dreamy and underground moods, Avant-garde Jazz refined orchestrations and gorgeous grooves.

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Slade

LP | 1972 | EU | Reissue (BMG Rights Management)

30,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | UK | Original (Vertigo)

Iain Matthews

Tigers Will Survive

16,99 €*

In The Beginning The World Of - 1960-1967

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

UK original.
Front cover with sticker rip off, edgewear.

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Aretha Franklin

2LP | 1972 | US | Original (Columbia)

8,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

Aretha Franklin With Rev. James Cleveland & The Southern California Community Choir

Amazing Grace

2LP | 1972 | US | Original (Atlantic)

DNA Clear Red Vinyl Edition

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines, close to VG. Cover with shelf wear

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Jumbo

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Original (ABC)

Steely Dan

Can't Buy A Thrill

69,99 €*

Release: 1972 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl has a few scuffs and scratches. Gatefold cover is close to VG+!

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LP | 1972 | EU | Reissue (Holy Basil)

Underground Mood

26,99 €*

LP | 1972 | US | Original (Dial)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First launched in 1971, Flirt Records was one of the many notable production music imprints distributed by Flipper Music, iconic publishing company founded by Romani Di Bari in 1968 and house to some of the best Italian library music. Back in 1972 the label released this compilation entitled "Underground Mood" featuring music composed by Emma De Angelis, Roberto Conrado, Luigi Lopez as well as Amedeo Minghi, whose anthemic "Lustful" track went on to be sampled by Justin Timberlake in 2013. An incredible 12-tracks collection of guitar driven jazz-funk tinted with fuzzy psychedelic rock vibes, making it one of the most interesting and sought-after releases of the Flirt Records catalog. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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Joe Tex

I Gotcha

7,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

It Became Crystal Clear Blue Vinyl Edition

Blue Sharks

LP | 1972 | EU | Reissue (Redi / Btf)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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“It Became Crystal” by Blue Sharks is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

The library music LP re-release series by Redi Edizioni Musicali starts off with a true colossus in the genre. The record was written by maestros Giorgio Zinzi (under the pseudonymous “Ipcress” in the record’s credits) and Carmelo Carucci, who managed to involve composer and songwriter Stelvio Cipriani to collaborate with them in 1972: under the name “Blue Sharks” the trio created a perfect mix of rock, funk and soul, together with elements borrowed from their previous soundtrack works. The Moog synthesizer contributes to making this album unique and captivating from its first to last note. An evergreen classic!

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Ethiopian Modern Instrumentals Hits

LP | 1972 | JP | Reissue (Groove Diggers)

36,99 €*

CD | 1972 | UK | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Seminal compilation of instrumental tracks, originally released in Ethiopia in 1972. Features tracks from Tèsfa-Maryam Kidané, Bahta Gèbrè-Heywèt and Mulatu Astatké including the hit “Yégélé Tezeta”

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Eagles

Eagles SACD Edition

50,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Speakers Corner)

Allen Toussaint

Life, Love And Faith

LP | 1972 | EU | Reissue (Elkar)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Allen Toussaint had it all around him – the voices and spirits of black music, rhythm ’n’ blues, funk and soul. He was born in New Orleans and grew up there, the birthplace of jazz. As from 1960, he worked as a record producer and an A&R man at Minit Records, an independent label, which was closely associated with the transformation of the New Orleans Sound. His compositions for fellow musicians landed them in the charts, he frequently participated by performing with them on the piano, and so became a connoisseur and master of all possible sounds. "Life, Love And Faith" marks his launch into his solo career, and quite rightly so. In the songs, Toussaint amalgamates all he had mastered with a rocking R&B, funky rhythms and expressive soul to create his highly personal sound. Although it is a soul album through and through, one has the feeling that one is listening to an album from Reprise’s stable of singers/songwriters – including such artists as Randy Newman, Bonnie Raitt, Little Feat and Joni Mitchell – rather than what usually came out of New Orleans in the early Seventies. And also because "Life, Love And Faith" captures an eccentric genius who pursues his own idiosyncratic vision. It is a structured, multi-layered album, which does not show Toussaint in his purest form, but it is his only album that shows just how widely ranged and profound his many talents were.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1972 at Jazz City Studios, New Orleans, by Cosimo Matassa and Skip Godwin Production: Allen Toussaint

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William S. Fischer

Akelarre Sorta

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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2LP | 1972 | US | Original (Atlantic)

Heavy Soul

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1972 | EU | Reissue (Cinedelic)

Capricorn College

Orfeo 2000

21,99 €*

LP | 1972 | EU | Reissue (Cinedelic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Capricorn College was a sextet created by composer / musician Mario Barigazzi known as Barimar and very active since the 1960s. Orfeo 2000 from 1972 is the first of the 2 LPs they produced (both on Kansas) and certainly the most interesting with jazz and prog cues especially in the instrumental tracks and a melodic sang typical of those years in Italy. Masterfully recorded by Maestro Vittorio Paltrinieri at his Fono-Play Studio. A hidden gem of extreme rarity to be rediscovered. First reissue ever in a limited edition.

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Flashmen

Pensando

Twenty Four Hours A Day / Rejoice

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Finally (after 50 years!) the LP reissue of one of the most loved albums by Italian progressive rock connoisseurs in a limited edition with gatefold cover like the 1972 original released for Kansas (the same label that produced Capricorn College 'Orfeo 2000' and EA Poe ‘Generazioni’). The Flashmen, a quartet from Cremona formed in 1967, have a wide and interesting discography but “Pensando” is at an absolutely superior level as regards creativity and maturity. A remarkable record worthy of the best groups of their contemporaries and aligned with that 'thirst for new' that pervaded the period in which it was made. With the superb organ of Silver Scivoli in the foreground, the distorted guitar of Luciano Spotti and the powerful drumming of Roberto Caroli which in the record demonstrates all its caliber the Flashmen (whose name derives from the Italian film 'Flashman' of 1966) give their best blending Rock Prog, Hard Blues, Psych and Gothic. A limpid and vigorous execution, an over the top recording, scratchy and modern lyrics as well as solid and original in its song structure enclosed between an "Ingresso (Entrance)” and a “Sortita (Sortie)" just like in the best concept albums make " Pensando” an essential album in the genre.

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Messengers Incorporated

7" | 1972 | EU | Reissue (P-Vine)

OST $ Green Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Although the word "ultimate" is rarely attached to the Rare Groove world, there are certain records deserving of such titles and among them, Messenger's Incorporated's Soulful Proclamation is a legendary work of funk and soul. It was dug up in the boom of deep funk, and P-vine is delighted to be bringing of its most two popular tracks to 7" single. The highlight of the album "Twenty Four Hours a Day" is a funk jam whose contrasting melancholy in the vocals of Barbara Burton add an alluring quality to the single. On the B side, the high tension instrumental funk on"Rejoice" that concludes the album is a power to behold.

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Quincy Jones

LP | 1972 | EU | Reissue (Warner)

20,99 €*

Release: 1972 / EU – Reissue

Genre: Soundtracks

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LP | 1972 | US | Original (ABC)

B.B. King

Guess Who

9,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Azimut Yellow Vinyl Edition

Perigeo

LP | 1972 | EU | Reissue (RCA)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Right Tempo)

Gino Marinacci

Atom Flower's

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

Karen Dalton

8Track | 1972 | US | Reissue (Light In The Attic)

51,99 €*

Phil Ranelin & Wendell Harrison

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

30,99 €*

LP | 1972 | EU | Reissue (Virgin)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Roxy Music

33,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Foetus Green Vinyl Editition

Franco Battiato

Illusion Of The Maintenance Man

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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An internationally known artist, Franco Battiato has been everything in his long career, from beat singer to avantgarde performer, producer, contemporary music composer. His beginnings lay in the mid 60's, with many singles released with no particular success, the first two under his real name of Francesco. He had left the native Sicily (he was born in Jonia, near Catania in 1945) moving to Milan around 1965.

In 1970 after his collaboration with Osage Tribe (that he quit before their only album Arrowhead) he had a record deal with Bla Bla, releasing his first solo album in 1972. Fetus, housed in a outrageous cover (reproducing a foetus) was definitely a prog album, but a very original one, with a minimalist sound mainly based on the use of a Vcs3 synth, unusual lyrics, complex arrangements. Two tracks, Energia and Una cellula were also released as single. (source: www.italianprog.com)

Produced by Pino Massara in the '70s, "Foetus" remained unreleased until 1999, when Vinyl Magic finally released it on CD (VM CD 065).

Limited clear green vinyl edition / Argent laminated cover.

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Virgin Insanity

LP | 1972 | EU | Reissue (P-Vine)

38,99 €*

See All Her Faces 50th Anniversary Record Store Day 2022 Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In an active internet age that has collectively dug up a wealth of lost and hidden classics in recent times, it's easy to become cynical about the possibility of valuable discoveries still to be made. Illusions Of The Maintenance Man by Virgin Insanity, however, is a stunning record of 70s acid folk and assures us that there will always be a wealth of lost great records as long as there artists who veer off the beaten path. Bob Long formed the band in the 70s in the backdrop of Texas, and there is an eerie, timeless quality to the acoustics of these tracks that spread out and breath life as much today as they did when this album was originally released in 1972. On an earlier version of the album, the late great writer of psychedelic culture Patrick Lundborg wrote glowing liner notes for the album which were sadly never used, but exist in various forms online for those wishing to read more about the album's background. This is the first release for the band since P-vine released a CD containing Long's previously unreleased 2nd and 3rd album in 2006. Modern-day fans of Mount Eerie and Cat Power will surely find something to love in the dream-like rooms and space of Virgin Insanity's world. All tracks are remastered by frontman Bob Long himself and the jacket will be reproduced from specifications of the original version which is now trading at more than $1,800!

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Dusty Springfield

2LP | 1972 | EU | Reissue (UMC)

More Hot Rocks (Big Hits & Fazed Cookies) Record Store Day 2022 Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Pop

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Technically Dusty’s seventh studio album, See All Her Faces is a collection of tracks from the late 1960s and early 1970s, and released on the Philips label in 1972. The original album was never released in the U.S., though some of the tracks had appeared on singles there.Amongst the many highlights was the bossa nova-influenced title track, another bossa style number, Come for a Dream, co-written by Antonio Carlos Jobim, as well as beautifully. orchestrated pop ballads, like I Start Counting, and a stab at a Motown-style groover Girls It Ain’t Easy. There were also some deeply soulful tracks, echoing her ‘In Memphis’ LP, such as Tony Joe White’s Willie & Laura Mae Jones, as well as featuring songwriting royalty in the shape of Goffin & King’s That Old Sweet Roll (Hi-De-Ho), Jimmy Webb’s album-opener Mixed Up Girland Greenwich and Barry co-writes -What Good Is I Love You and Nothing Is Forever. Bonus tracks - This unique package includes an additional LP of rare tracks, recordings from the shelved ‘Faithful’ album along with out-takes from the original album sessions

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The Rolling Stones

2LP | 1972 | Reissue (ABKCO)

39,99 €*

LP | 1972 | EU | Reissue (Everland Psych)

Release: 1972 / Reissue

Genre: Rock & Indie

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Limited to 7200 copies.

Exclusive limited edition package for Record Store Day, celebrating the 50th anniversary of this landmark double album release. This iconic collection is a must-have release by the ‘world’s greatest rock and roll band’…!! More Hot Rocks…offers hits, some of the best deeper cuts, and a whole LP side’s worth of rarities that hadn’t yet been available in the United States when this compilation was released.Originally released in 1972, this indispensable 25-track, collection features Not Fade Away, It’s All Over Now, The Last Time, Lady Jane, Dandelion, She’s a Rainbow, Have You Seen Your Mother Baby, Standing in the Shadow?, Out of Time, Tell Me, and We Love You. The rarities include their 1963 debut single Come On, early R&B covers of Fortune Teller and Bye Bye Johnnie, great slide guitar on Muddy Waters’ I Can’t Be Satisfied, (recorded at Chess Studios and in stereo here) and the soulful 1966 U.K. B-side Long Long While. Also included is the stereo version of the psychedelic non-LP B-side Child Of The Moon, previous to the 1972 release, was only heard in mono. This iconic collection is a must-have release by the ‘world’s greatest rock and roll band’…!!

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Niagara

S.U.B.

Chakachas Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Rhythm master Klaus Weiss knew he had a good thing going with Niagara. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album “S.U.B.” he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. ‘S.U.B.’ is definitely worth being traded for 180,00 Euros and more among collectors for a clean original and when the needle hits the groove you will realize why. There is a tightly woven web of rhythms from drums and percussions, as the solid and ever pulsating base with a laid back but really present bass guitar adding more depth and power to the beats and clean rhythm guitars with a nifty wah wah effect for the extra kick. From time to time the guitars fire off a memorable steaming riff on top of the rhythm pulse and the horns answer the call for arms. You really have to look at the backcover to find out that this is a German outfit instead of one of these utterly hot and hip US funk rock cult bands of the time. Niagara aka Klaus Weiss waive the vocals so it is an instrumental record you face with ‘S.U.B’, but then this band goes so wild in some of the compositions, that you will be left breathless on your knees by all these simmering performances. Each musician participating in this project is a professional, but they all let the music erupt into a climax of sound you can only achieve, when you put your whole heart and soul into it. A masterpiece of funky and utterly unleashed rock music from the early 70s.

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Chakachas

LP | 1972 | EU | Reissue (Soulgramma)

LP | 1972 | EU | Reissue (Sonor Music Editions)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Fully licensed !180 gr. vinyl ltd edition. Gaston Bogaert aka Tito Madinez (percussion) was the leader of this Belgian band often mistaken for an Afro-american combo, due to their music and unmistakable aesthetics. Released in 1972 on local Blue Elephant imprint, their self-titled album is still regarded as a rare groove bonafide bin, able to make it even in the States. Featuring the talents of Kari Kenton (vocals) from Cuba; Victor Ingeveldt (saxophone) a Dutchman from Liege, Charlie Lots (trumpet), Christian Marc (piano), Henri Breyre (guitar and backing vocals) and Bill Raymond (bass guitar) Chakachas were soon labeled as the continental answer to US Latin funk champions. Full of exciting dance parts and dj friendly breaks, Chakachas is still worth your feverish attention.

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Rino de Filippi

Nel Mondo Del Lavoro

36,99 €*

Reale Accademia Di Musica

Release: 1972 / EU – Reissue

Genre: Soundtracks

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We proudly announce the first ever reissue of this quintessential, oustanding Italian Library grail, originally released on Sermi label in 1972. Highly-regarded album and considered a masterpiece of the genre, "Nel Mondo Del Lavoro" (also released at the time with the title "World At Work" on Conroy) is one of the most precious and beatiful works conceived by the Italian maestro Rino De Filippi, and originally used for the soundtrack of the Rai-TV documentary series "sapere: IL Petrolio". Music is written and composed by the maestro backed by the great I Marc 4 studio ensemble and accompained by I Cantori Moderni di A.Alessandroni with breathless scats, insane arrangements and unbelievable, unique and complex mood music from Jazz to Lounge, Bossa Nova and more. A real monster of record that best catches the library music job in adding music to films and documentaries! Edition of 800 copies

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Reale Accademia Di Musica Record Store Day 2022 Blue Vinyl Edition

LP | 1972 | EU | Reissue (RCA)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In My Own Time 50th Anniversary Edition

Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

12,99 €*

Il Paese Dei Balocchi Clear Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Il Paese Dei Balocchi