HHV Records 158083 Items

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Big Daddy Wilson & The Gossebumps Bros.

Plan B

LP | 2023 | EU | Original (Continental Blue Heaven)

Release: 2023 / EU – Original

Genre: Organic Grooves

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7" | 2010 | UK | Original (Records Records Records)

Big Deal

Homework

10,99 €*

Bitches & Ho's / Just A Friend

Release: 2010 / UK – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Numbered Limited edition.

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Big Dick Hustlers

7" | 2023 | Original (Rad Girlfriend)

12,99 €*

Release: 2023 / Original

Genre: Hip Hop

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In The Yard Black Vinyl Edition

Big Dog

7" | 2023 | EU | Original (Mendeku Diskak)

13,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | EU | Original (Minimum)

Big Dust

18,99 €*

Release: EU – Original

Genre: Rock & Indie

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LP | EU | Original (Minimum)

Big Dust

Pewter & Carbon

20,99 €*

Release: EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Cleopatra)

Big Electric Cat

Dreams Of A Mad King

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2021 | US | Original (Incienso)

Big Ever

Otto

19,99 €*

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2016 | UK | Original (Home Assembly)

Big Eyes Family Players

Oh!

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (Progress)

Big Fish

Kalla Doda Drommar

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2024 | US | Original (Munck Mix)

Big Freedia

Live At Jazzfest 2024

Release: 2024 / US – Original

Genre: Hip Hop

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Preorder shipping from 2024-11-15

12" | 1989 | Original (Jive)

Big Fun

Blame It On The Boogie

3,99 €*

Release: 1989 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1989 | EU | Original (Jive)

Big Fun

Can't Shake The Feeling

3,99 €*

Release: 1989 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Black Album Revisited

Big Ghost Ltd.

LP | 2019 | EU | Original (De Rap Winkel)

Release: 2019 / EU – Original

Genre: Hip Hop

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12" | 2023 | UK | Original (Blank Mind)

Big Hands

A Square, A Circle

15,99 €*

12" | 2023 | EU | Original (Sm0000)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Big Hands marks Blank Mind's twentieth release on ‘A square, a circle’. A product of “the loopy miserable life in the big city which we are forced to live; and the need for metaphysical meaning, deep feelings and the tribalistic aspects of early folk music”.

In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds.

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Big Hands & Banishsh

SWGGN

Girde Maye / Astere Remixes

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The latest report from the Smm0000 record label. A remote collaboration between Big Hands and Banishsh. A-side: Original production by Big Hands (Andrea Ottomanni). B-side: two versions by Banishsh (Simone Guido Izzi). Somewhere between bass-oriented electronic music, jungle, drum and bass and techno with an experimental and unusual perspective. The rhythmic pattern of the A-side collides with the sparse, glittering synth arpeggio. Unexpected narrative paths are layered over repetitive percussive drum sounds. The B-side versions take the original ideas and turn them into a more abstract sonic machine, forecasting glitchy rain, micro-tonal shifting melodies and poly- rhythmic drum sessions.

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Big Hands

12" | 2024 | UK | Original (Blank Mind)

20,99 €*

12" | 2024 | UK | Original (Teeth)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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“Tu non hai questo suono. Non avrai mai questo sound” Blank Mind presents three sublime versions of Big Hands’ ‘Girde Maye / Astere’ from Tammo Hesselink, Notte Infinita and Paperclip Minimiser - originally released on the Ossario EP in 2021. Though playful in nature, and not overtly political - the lyrics explore identity and geographical boundaries. As the artist explains - it is written by an Italian and a Türk that talks in Italian, released in Britain in times of Brexit “and that’s why I chose to have a title in Kurdish in a song “sung” by a Türk.” The vocal provides endless scope for reshaping and is entrusted to some of the most distinctive producers in electronic music; each of whom sensitively reimagine the original.

On the flip, the esteemed and prolific Tammo Hesselink produces a robust, and heavy version in his angular, crystalline style. Finally, Cong Burn wizard Paperclip Minimiser slows the tempo with a futuristic roller, an impressive creation by a man deeply immersed in technological innovation and at one with his machines.

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Big Hands

The Vulgarity Of Snow

22,99 €*

LP | 2018 | EU | Original (Lotterlabel)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Italian born, London-based soundsmith Andrea Ottomani dons his Big Hands moniker for an excursion in modern dub on the burgeoning Teeth label. Ottomani is the artist behind the label Baroque Sunburst, which he runs with Soreab, and he also forms half of jazz techno unit Ottomani Parker with Abraham Parker.

The Vulgarity Of Snow is Ottomani’s woozy, lilting soundwalk through techno, experimental electronics and scorched earth acid. The untitled tracks are less like distinct entities and give way to a larger, conjoined pair of triptychs spread out over two sides of wax. They feel like a paean to the format, which no doubt comes from Ottomani’s time spent working at one of London’s most revered record shops. As a longer, more probing piece, it’s anathema to talk about The Vulgarity Of Snow in terms of bpms and sub-genres, and arguably it owes as much to free jazz and psych-rock as it does to more leaden styles such as dub and roots. At times it pays tribute to the work of acts like Basic Channel and Random Trio, deploying dub electronics in novel ways, but it is also broader in its choice of sounds. On B2, for example, Mino Carbone, the artist’s uncle and an Italian anarchist from the same lineage as artists like Dario Fo, plays a song from that tradition. It’s not a chaotic piece, but it’s not heavily constrained.

Teeth is an ideal home for Ottomani’s freeform work, following contributions to Beat Machine, Blank Mind and Oscilla. The label is the brainchild of Jojo Mathiszig, who also runs Farringdon record shop and radio station Kindred. Slade graduate and Kindred co-founder, Scarlet Griffiths, supplies the artwork following on from her recent exhibition at Dinner Party Gallery.

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Big Howard,The

Will

12,09 €* 21,99 € -45%

Release: 2018 / EU – Original

Genre: Pop

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LP | 2016 | EU | Reissue (Cleopatra)

Big Jay McNeely

Blowin' Down The House

19,99 €*

Release: 2016 / EU – Reissue

Genre: Pop

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LP | 1984 | US | Original (Big J)

Big Jay McNeely

Loose On Sunset

5,99 €*

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Big Jim H & His Boobs Of Rhythm / The Boob People

Jungle Fever / Hippy Skippy Moon Strut

7" | 2022 | AR | Original (Bou-Ga-Louw)

18,99 €*

Release: 2022 / AR – Original

Genre: Organic Grooves

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Kluster Rooms Sessions Colored Vinyl Edition

Big Joanie And Charmpit

7" | 2020 | US | Original (Kill Rock Stars)

11,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Kill Rock Stars)

Back Home

25,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover close to NM

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Back Home Black Vinyl Edition

LP | 2022 | US | Original (Daydream Library Series)

28,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release 4th November on Daydream Library Series in the UK and Kill Rock Stars in the US. The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single 'Cranes in the Sky', a cover of Solange Knowles released on Jack White's Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist Sasami. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band's expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. "We were really ruminating on the idea of a home and what it means," explains Stephanie. "It's about the different ideas of home, whether that's here in the UK, back in Africa or the Caribbean, or a place that doesn't really exist; it's neither here nor there." The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine's nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album's strength lies in the band's bold and varied new sound. Album opener 'Cactus Tree' is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background. Lead single 'Happier Still' is a driving, Nirvana-influenced track that grapples with the idea of wanting to push through a depressive episode. Inspired equally by the melodic rock of Hüsker Dü and the mystical sensibilities of Stevie Nicks, closer 'Sainted' brings the club-ready sentiment of the 2018 single 'Fall Asleep' to its natural conclusion.

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Back Home Red Vinyl Edition

LP | 2022 | US | Original (Daydream Library Series)

28,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Back Home Vinyl Me, Please Edition

LP | 2024 | US | Original (Vinyl Me, Please)

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Black feminist punk band Big Joanie’s Back Home references the search for a place to call home. Stephanie Phillips, the band’s singer and guitarist, shared, “We were really ruminating on the idea of a home and what it means. It’s about the different ideas of home, whether that’s here in the UK, back in Africa or the Caribbean, or a place that doesn’t really exist; it’s neither here nor there.”

The band tapped artist Angelica Ellis for the album’s artwork, an embroidered image of drummer Chardine Taylor-Stone’s nephew, a style of art common in Caribbean homes post-Windrush that were a callback to the homes they left behind.

In Back Home, the band pieces together sounds ranging from intense guitars to emotive strings that fully illustrate their range as artists. Limited to 750 copies, the VMP exclusive edition of Big Joanie's Back Home is pressed on 1LP Opaque Yellow vinyl at Independent Record Pressing. The record will arrive in a single direct-to-board, foil stamped and numbered jacket with lyrics and credits printed on the inner sleeve, along with a download code. The album is mastered by Amy Dragon of Telegraph Mastering.

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LP | 2018 | US | Original (Daydream Library Series)

Sistahs

LP | 1978 | EU (Radiation Roots)

Release: 2018 / US – Original

Genre: Rock & Indie

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BIG JOANIE are Stephanie Phillips (singer/guitarist), Estella Adeyeri (bass) and Chardine Taylor-Stone (drums). The band formed in 2013 and released their first EP
'Sistah Punk' in 2014 and the single 'Crooked Room' in 2016. As part of London's thriving DIY punk scene they have played with locals Shopping; toured with US
punks Downtown Boys; and Dutch band The Ex; and performed at the first UK Afropunk festival. Inspired by The Ronettes, Nirvana, Breeders and Jesus and Mary
Chain, Big Joanie have described themselves as being "similar to The Ronettes filtered through '80s DIY and Riot Grrrl with a sprinkling of dashikis." Big Joanie recorded 'SISTAHS' over several sessions from November 2017 to January 2018 at Hermitage Works Studio with producer Margo Broom. One of the main reasons for coming together was to create an atmosphere to be "completely ourselves as black women and discover what was possible to realise in those spaces." The album cover features Steph's mum Joan, whom the band is named after, and her aunt on holiday in Wales.

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Big Joe

At The Control

Big Joe & Mudies All Stars

Release: 1978 / EU

Genre: Reggae & Dancehall

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Second album reissue for Big Joe (born Joseph Spalding in 1955), Jamaican reggae deejay and record producer, who recorded extensively in the 1970s and early 1980s. This is the follow up to Keep Rocking And Swinging, released on Live & Love in 1978 and produced by Bunny Lee. A must for all the reggae and dub fanatics out on Radiation Roots.

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Drifter's On The Ball

7" | 1976 | JM | Reissue (HAM Records)

5,99 €*

7" | JM | Reissue (Moods International Records)

Release: 1976 / JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

reissue

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Big Joe

Set Your Face At Ease

6,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Big Joe Turner And Jimmy Nelson

The Soul Of Joe Turner & Jimmy Nelson

LP | US | Reissue (United)

9,99 €*

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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His Greatest Recordings

LP | US | Reissue (ATCO)

4,95 €*

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | US | Original (ATCO)

His Greatest Recordings

11,99 €*

Big Joe Turner - Pee Wee Crayton and Sonny Stitt

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Small saw cut. Original US mono Monarch pressing.

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Everyday I Have The Blues

LP | 1978 | US | Original (Pablo)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Alshire pressing.

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Genre: Organic Grooves

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LP | 1967 | US | Original (Bluesway)

Singing The Blues

11,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Tiny seam wear.

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The Boss Of The Blues Sings Kansas City Jazz

LP | 1956 | UK | Reissue (Pure Pleasure)

38,99 €*

Big Joe Turner With Pee Wee Crayton And Sonny Stitt

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. "Boss Of The Blues" is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions. At the time, "Boss Of The Blues" marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations. Both feature some incredible playing by the piano master. Turner's versions of "I Want A Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, "Boss Of The Blues" would be there.

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Everyday I Have The Blues

LP | 1991 | US | Reissue (Original Jazz Classics)

19,99 €*

Let 'Em Roll Tone Poet Vinyl Edition

Release: 1991 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Big John Patton

LP | 2023 | EU | Original (Blue Note)

34,99 €*

LP | 1965 | DE | Reissue (Blue Note)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Kansas City born Hammond B3 organ dynamo Big John Patton made a stellar run of soul jazz albums for Blue Note thru the 1960s but Let ‘Em Roll stands among the finest with Patton adding vibraphonist Bobby Hutcherson to a standard organ trio line-up with guitarist Grant Green and drummer Otis Finch.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Big John Patton

Oh Baby!

25,99 €*

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Blue Note’s 1960s roster boasted numerous Hammond B3 organ whizzes including the soulful Kansas City born master Big John Patton. The dynamic quintet that Patton assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by trumpeter Blue Mitchell, tenor saxophonist Harold Vick, guitarist Grant Green, and drummer Ben Dixon.

Big John Patton (organ); Blue Mitchell (trumpet); Harold Vick (tenor sax); Grant Green (guitar); Ben Dixon (drums)

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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It's Better This Way Blue Vinyl Edition

2LP | 2015 | US | Reissue (BMG Rights Management)

42,99 €*

Release: 2015 / US – Reissue

Genre: Hip Hop

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Double vinyl LP pressing of this 2015 mixtape from the hip-hop artist and producer.

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LP | 2019 | EU | Original (BMG)

K.R.I.T. Iz Here

36,99 €*

Release: 2019 / EU – Original

Genre: Hip Hop

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LP+LP+All Media | 2019 | US | Original (Multi Alumni Studios)

K.R.I.T. Iz Here

Release: 2019 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: VG

Cover with seam split all along the spine

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2LP | 2020 | US | Original (BMG Rights Management)

K.R.I.T. Wuz Here

Release: 2020 / US – Original

Genre: Hip Hop

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2LP | 2013 | US | Reissue (BMG Rights Management)

King Remembered In Time

42,99 €*

Release: 2013 / US – Reissue

Genre: Hip Hop

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Double vinyl LP pressing of this 2013 mixtape from the hip-hop artist and producer.

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2LP | 2021 | US | Reissue (BMG Rights Management)

Style Not Quite Free

37,99 €*

Consume Me Coke Bottle Green Vinyl Edition

Release: 2021 / US – Reissue

Genre: Hip Hop

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Double vinyl LP pressing of this 2021 mixtape from the hip-hop artist and producer.

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Big Laugh

LP | 2023 | US | Original (Revelation)

31,99 €*

Manic Revision Blue & Red Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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For decades, the upper Midwest of the United States has been a hotspot for hardcore bands that bend genres and refuse to stick to tired formulas, producing acts like Husker DÜ and DIE Kreuzen. Milwaukee’s BIG Laugh are here to continue that tradition, with a sound that finds them as much at home playing DIY shows in dingy basements as playing large clubs alongside some of hardcore and punk’s luminaries

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Big Laugh

7" | 2020 | US | Reissue (Revelation)

Best Of Big Mama Thornton 1951-58

Release: 2020 / US – Reissue

Genre: Rock & Indie

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For decades, the upper Midwest of the United States has been a hotspot for hardcore bands that bend genres and refuse to stick to tired formulas, producing acts like Hüsker DÜ and DIE Kreuzen. Milwaukee’s BIG Laugh is here to continue that tradition, with a sound that finds them as much at home playing DIY shows in dingy basements as playing large clubs alongside some of hardcore and punk’s luminaries. Self-described “punks who listen to JUDGE,” BIG Laugh works in a wide array of influences—from the blazing speed and harsh noises of Japanese rippers like Gauze and Bastard to the mosh-ready impact of Nyhc bands like Burn and Alone IN A CROWD—and even some melodic sensibilities akin to the aforementioned Hüsker DÜ. The album’s lyrics hit close to home for the band, holding personal notions while still feeling outwardly relatable. Focused on building their own lane, BIG Laugh is not afraid of the work it takes to make the masses take notice. Booking their own tours, they have played alongside bands like Revelation Records labelmates Tørsö and Urban Sprawl, as well as GEL, SPY, NO Pressure, and appeared at 2022’s massive Sound And Fury Fest in LA that drew more than 5,000 people. Manic Revision is the debut EP from BIG Laugh, following up a highly-acclaimed demo and went through three pressings on the DIY label 11pm Records before going out of press. This new version has updated artwork and audio and is the first time it has been available in nearly two years

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Big Mama Thornton

LP | 2023 | EU | Original (Acrobat)

23,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Sweet On Candy: Best Of 1953-61

Big Maybelle

LP | 2024 | US | Original (Acrobat)

31,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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12" | 2016 | EU | Original (Blank Slate)

Big Mean Sound Machine

Blank Slate 014

8,99 €*

Cleaning Up With Pink Vinyl Edition

Release: 2016 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Big Mess

LP | 2023 | EU | Original (Specialist Subject)

16,79 €* 20,99 € -20%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Heroic Captains Of Industry

Big Mess

LP | 2024 | US | Original (Sad Milk Collective)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LP | 2003 | Reissue (Alive)

Big Midnight

Everything For The First

27,99 €*

Release: 2003 / Reissue

Genre: Rock & Indie

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12" | 2024 | EU | Original (Happiness Therapy)

Big Miz & Bessa

Coolin

Big Miz Presents Friends Fm Ep Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Next up on Happiness Therapy is an energetic and raw club-oriented EP from the dynamic duo Big Miz and Bessa. Hailing from Glasgow, Scotland, these long-time friends have extended their camaraderie into the studio to produce a project that has already made some damages on worldwide dancefloors.

Adding to the allure of this release are two stellar remixes. The rising producer and Semi Delicious label owner Demi Riquísimo injects his unique flavor into the main title « Coolin », as Driss Dennis aka OCB, the mastermind behind Casa Voyager, offers his distinct touch, delivering a remix that complements the EP's energetic and raw vibe, with his distinctive ghetto tech & electro-funk touch.

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Big Miz

12" | 2023 | EU | Original (Shall Not Fade)

13,59 €* 15,99 € -15%

CD | 2022 | US | Original (Empire)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Big Miz returns to Shall Not Fade, this time with a collaborative project featuring some incredible producers; Hayley Zalassi, Van Damn & Bessa!

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Big Moochie Grape

East Haiti Baby

LP | 2022 | EU | Original (Proto)

Release: 2022 / US – Original

Genre: Hip Hop

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East Haiti Baby is the second studio album from Paper Route Empire artist, Big Moochie Grape, and first full-length solo offering since 2020’s Eat Or Get Ate. Heavily steeped in the Memphis underground tradition, Big Moochie Grape has drawn comparisons to Memphis’ own Project Pat, as well as southern rap legend, Gucci Mane. Making it a true family affair and keeping features in-house, the 15-track album sees appearances from Kenny Muney, Key Glock, and the late PRE head honcho, Young Dolph. Production is largely handled by PRE sound architect, Bandplay, as well as Sosa 808, Ayoza and more.

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Big Mountain County

Klaus

15,99 €*

12" | 2023 | EU | Original (Bank Of Switches)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.

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Big Nick D

Continue

15,19 €* 15,99 € -5%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The first release on Bank of Switches is an ode to the heads down, not hands up. Inspired by the post 3am vibe in a club when everyone settles in for the long haul, the drinkers have run out of steam, the casual clubbers have gone home & the dancefloor chats have finished. Only nods & smiles are needed to communicate. It’s a flickering, shuffling, ultra funky piece of music for the body and the hidden parts of the mind, that’s constantly in movement even as it seems to suspend time. It’s seemingly simple but packed with untold micro detail that only reveals itself through immersion – and it comes with a sharper-edged remix from Ollie Drummond, whose extra gurgles and swoops bring out echoes of the heyday of turn of the millennium London tech house.

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Big Nothing

7" | US (Asian Man)

9,99 €*

Release: US

Genre: Rock & Indie

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LP | 2019 | US | Original (Salinas)

Big Nothing

Chris

17,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Dog Hours Transparent Blue Vinyl Edition

Big Nothing

LP | 2022 | EU | Original (Lame-O)

Virtual Control Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Being in a band is often a cheap alternative to therapy. It allows an outlet for feelings its members can't articulate. It provides a space for physical inhibitions to be let loose. For Big Nothing's Liz Parsons, the need for that mental nourishment became evident when she moved to Philadelphia. She found herself fitting into the city nicely, yet felt isolated and empty. Her new home was one of America's musical epicenters - a big reason she moved there - and she didn't plan on wasting any time filling the indie rock shaped hole in her life. She shot a text to guitarist Pat Graham, who recently had a conversation with drummer Chris Jordan about starting a new project. Once Matt Quinn caught wind of the three playing music together - he begged to bring his Rickenbacker tone into the mix.After jamming out some Voice Memo riffs - Big Nothing was here to stay. Sonically, big nothing find themselves borrowing cues from indie mainstays like Superchunk and The Replacements. It's clear that they are trying to unhinge themselves from patterns they've repeated in the past, but they're also not afraid to blast the tried and true methods of rock and roll. Their live shows mirror the honesty of their albums. Big Nothing is a genuine rock band.

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Big Paul Ferguson

LP | 2021 | US | Original (Cleopatra)

23,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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7" | 2013 | US | Original (Funk Night)

Big Pimp Jones

Bring Your Love To Me

10,99 €*

Chantilly Lace Starring The Big Popper

Release: 2013 / US – Original

Genre: Organic Grooves

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Instrumental … more sweet funk from Detroit!

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Big Popper

LP | 1958 | EU | Reissue (Waxtime)

Release: 1958 / EU – Reissue

Genre: Rock & Indie

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2LP | 1998 | EU | Reissue (Sony Music Catalog)

Capital Punishment

Release: 1998 / EU – Reissue

Genre: Hip Hop

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Capital Punishment 25th Anniversary Colored Vinyl Edition

2LP | 1998 | US | Reissue (Get On Down)

36,99 €*

Release: 1998 / US – Reissue

Genre: Hip Hop

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Limited to 2000 copies worldwide.

Pressed on Double colored vinyl in a gatefold jacket with 25 Year Anniversary commemorative OBI limited TO 2000 Copies Big Pun remains on the best rappers ever list to this day. Reasons for this weigh largely on his debut Capital Punishment which was released 25 years ago on April 28, 1998. His commanding voice and rapid fire delivery make it clear there will never be another Big Pun. Pun was New York. His confidence on the mic made him stand out among his contemporaries. Similarly, the production -- by a cast of many – remains ever so New York loyal. The close cousins "Im Not a Player" and "Still Not a Player", may have been the hits off this album but it is packed with so many more that show Pun's true abilities.

"Beware" and "Dream Shatterer" are great examples of Big Pun at his best, dark cinematic production with just enough room to let him breathe fire. On "Twinz (Deep Cover)" Big Pun is trading bars with his mentor Fat Joe over a remake of Dr. Dre's classic beat. Here Pun delivers one of his most quoted verses that contains among others "Dead in the middle of Little Italy little did we know that we riddled some middlemen who didn't do diddly." There are numerous guest appearances, the best of which include aforementioned Fat Joe (on several tracks), Black Thought of The Roots on the MC showcase "Super Lyrical", Prodigy and Inspectah Deck on "Tres Leches (Triboro Trilogy)", and an extra-insane Busta Rhymes on "Parental Discretion".

To commemorate the 25th Anniversary Get On Down is proud to present this limited edition that contains a new colored 2xLP presing in a brand new gatefold package with a double sided OBI that folds out into a mini poster. Available for preorder now and shipping in October.

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Capital Punishment Vinyl Me, Please Edition

2LP | 1998 | US | Reissue (Vinyl Me, Please)

43,99 €*

Release: 1998 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-08

Why you'll love it...
The beats on Capital Punishment, from RZA, Rockwilder, Domingo, and other A-list maestros, are grimy, radio- friendly, yet low-ley cutting-edge, affirming its status as an undisputed classic. Big Pun was as much a visionary — conceptualizing every song — as a consummate pro in the booth. Citing Picasso and Baby Jesus while purporting to “twist your temples into pretzels,” Pun made Minute Rice out of multi-syllables. There’s no way to describe Pun’s febrile liberties with the king’s English. He doesn’t really breathe; when he does, it’s a sharp gasp for air that almost mimics his Ginsu-like wordplay. Pun’s habit of sucking wind before spitting an ill verse mimics the effect of a lit grenade about to land and decimate entire sections of the population. If Pun’s dense rhymes invoke mixed metaphors, that’s likely because he’s an impossible amalgam of wanton wooer and lyrical hitman, an overweight lover with a murderous mouthpiece.

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Yeeeah Baby Colored Vinyl Edition

2LP | 2000 | US | Reissue (Get On Down)

36,99 €*

LP | 2024 | UK | Original (Evidence Music)

Release: 2000 / US – Reissue

Genre: Hip Hop

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This past year marked the 25th Anniversary of Big Pun's debut Capital Punishment. Big Pun was truly larger than life and sadly passed away at the age of 28, only two months before the release of his sophomore studio album Yeeeah Baby. Yeeeah Baby was released on April 4, 2000, excecutive produced by Fat Joe and a roster of producers including Just Blaze, L.E.S., Buckwild, Younglord, and Sean C among others. The album which would be Big Pun's final release was certifed Gold after three months off the strength of the first two singles "It's So Hard" and "100%" and eventually certified Platinum. Get On Down is proud to present and honor the legacy of Big Pun with a limited edition vinyl reissue pressed on double A-Side/B-Side colored vinyl and stamped numbered OBI limited to 2000 copies.

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Big Red

Blood & Victory

31,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-22

LP | 2023 | EU | Original (Baco)

Big Red

Come Again

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Release: US

Genre: Hip Hop

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/ how they want it

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LP | 2018 | EU | Original (People)

Release: 2018 / EU – Original

Genre: Rock & Indie

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How Long Do You Think It´S Gonna Last?

Tape | 2021 | US | Original (Jagjaguwar)

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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How Long Do You Think It´S Gonna Last? Black Vinyl Edition

2LP | 2021 | US | Original (Jagjaguwar)

Release: 2021 / US – Original

Genre: Rock & Indie

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How Long Do You Think It´S Gonna Last? Red Vinyl Edition

2LP | 2021 | US | Original (Jagjaguwar)

27,99 €*

LP | 1983 | JP | Original (Scotti Bros.)

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Ric

LP | 2024 | US | Original (Friday Music)

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI is missing.

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Big & Rich

Greatest Hits

44,99 €*

7" | 2020 | US | Original (1-2-3-4 Go!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited turquoise and blue colored vinyl LP pressing.

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Big Rig

Expansive Heart

10,99 €*

LP | 2022 | EU | Original (La Martingale)

Release: 2020 / US – Original

Genre: Rock & Indie

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BIG RIG was a very short lived project from Jesse Michaels (operation IVY, Common Rider, Classics OF Love), Doug Sangalang (screw 32, Limp, ONE Time Angels), Kevin Cross (the Nerve Agents, Pitch Black), Jeremy Goody (Pitch Black) and Brandon Riggen. The band rose and fell in 1993. They played a single show and left behind a demo and this EP which was originally on Lookout Records in 1994. 1-2-3-4 Go is extremely proud to be able to reissue this EP. This is a vastly under appreciated piece of East Bay punk and a hidden gem of the Lookout catalog. Includes a faithful reproduction of the original 8-panel booklet/sleeve.

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Big Rubato

Menue Monnaie

Release: 2022 / EU – Original

Genre: Pop

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CD | 2023 | US | Original (Megakut)

Big Sammy & DJ Eons One

Miklos Leg

11,69 €* 17,99 € -35%

LP | 2014 | US | Original (Barsuk)

Release: 2023 / US – Original

Genre: Hip Hop

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West Bay to the Woo connect with grimey life lessons over dusted beats.

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Big Scary

Not Art

27,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.

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Lavender Blues Black Vinyl Edition

LP | 2020 | EU | Original (Heavy Psych Sounds)

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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BIG Scenic Nowhere the supergroup led by Bob Balch from FuManchu is coming back with a new killer EP titled “lavender Blues” The band has a straight core of members as Gary Arce from Yawning Man and Tony Reed from Mos Generator, this time the album going to feature great names as Per Wiberg from Opeth, Spiritual Beggars at synth and piano, Daniel Mongrain from Voivod at the guitar and the mighty producer from Kyuss: Chris Goss from Masters Of Reality at the guitar. The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there. The album feature once again the cover art of the visionary Max Loeffler.

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Long Morrow Black Vinyl Edition

LP | 2022 | EU | Original (Heavy Psych Sounds)

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!

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Long Morrow Transparent Green/Purple/Yellow Vinyl Edition

LP | 2022 | EU | Original (Heavy Psych Sounds)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Waydown Black Vinyl Edition

LP | 2023 | EU | Original (Heavy Psych Sounds)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bob Balch here. These recordings go back to 2021.BIG Scenic Nowhere played a show out in Joshua Tree and while we were all in the same place (Tony the singer lives like 20 hours away) we thought we should spend two days jamming in the studio. Our usual way of recording is jam out freely and then edit those jams down into songs afterwards. The song “The Way Down” was the last jam of that session. We were about to pack up and Tony Reed started playing the main riff. Sometimes that’s all it takes to get immersed into a 25 min jam.

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The Waydown Blood Red Vinyl Edition

LP | 2023 | EU | Original (Heavy Psych Sounds)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Vision Beyond Horizon Black Vinyl Edition

LP | 2020 | EU | Original (Heavy Psych Sounds)

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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Vision Beyond Horizon Purple Vinyl Edition

LP | 2020 | EU | Original (Heavy Psych Sounds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited to 550 copies.This album is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from the melodic stoner mellowness, to faster tempos, to classic heavy sounds, but songwriting is never customary.We can say, "Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man." For sure that is something that's never been tried before!Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a very special record and deserves your full attention, because we predict that over time you will hear different elements within it. So dig in and get lost. Let your journey begin.

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CD | 2024 | US | Original (Def Jam)

Better Me Than You

20,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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Big Sean - "Better Me Than You" / Def Jam Recordings; Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. EXPLICIT

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Better Me Than You Clarity Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Better Me Than You (Clarity Edition) Big Sean Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. Clarity Edition LP on BLUE EXPLICIT

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Better Me Than You Focus Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Big Sean - "Better Me Than You" Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. Focus Edition LP on GREEN vinyl and includes the bonus track, "Get You Back." EXPLICIT

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Better Me Than You Happiness Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Big Sean -"Better Me Than You" Better Me Than You is the 6th studio album from Detroit superstar rapper, Big Sean. Happiness Edition LP on YELLOW vinyl and includes the bonus track, "Together Forever," featuring The Alchemist. EXPLICIT

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Better Me Than You Pressure Edition