Folk 2863 Items

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2020 | SE | Original (Teg Publishing)

I.B. Sundström

Antropofagernas rike II

Where It All Began 10th Anniversary Edition

Release: 2020 / SE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Comes with poster and inserts. Numbered 141/200

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Dan+Shay

LP | 2014 | Reissue (Warner Bros.)

Release: 2014 / Reissue

Genre: Rock & Indie

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2LP | 2024 | US | Original (Missing Piece)

Anna Tivel

Question

Release: 2024 / US – Original

Genre: Rock & Indie

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It's So Hard To Tell Who's Going To Love You The Best

Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

2LP | 2024 | US | Original (Unrock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Sir Richard Bishop

Saginaw Racket

Release: 2024 / US – Original

Genre: Rock & Indie

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Wood / Metal / Plastic / Pattern / Rhythm / Rock

75 Dollar Bill

LP | 2016 | US | Reissue (Thin Wrist)

Bob Dylan Featuring Tom Petty

Release: 2016 / US – Reissue

Genre: Rock & Indie

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75 Dollar Bill, a project by CHE Chen and Rick Brown present Wood / Metal / Plastic / Pattern / Rhythm / Rock. "Che's interest in the Arabic modes of Mauritanian music has marked our sound quite a bit but I have brought some things, too. The plywood crate I play is a big factor, defining, by its positive qualities (a nice warm 'boom' sound) as well as by its simplicity, what we're likely to do in the percussion realm. Wood / Metal / Plastic / Pattern / Rhythm/ Rock, this new record, differs quite a bit from the previous one, notably in the rhythmic 'tone.' Wooden Bag (2015) was all forward momentum, stomping and shaking, but the new record explores a long-standing interest of mine: odd and 'compound' meters. In most of my previous musical activities, I've convinced my partners to delve into this, but in 75 Dollar Bill it has just felt natural and I believe Che's modal investigations and melodic/harmonic tendencies enhance (and are enhanced by) this combination. The current record differs from the last in another big way: reinforcements! Over our few years together, Che and I have frequently had friends play with us at some of our gigs. There have been all sorts of permutations of instruments and some great friends/players who don't all appear on this record but here we are lucky to have a bunch of them: Cheryl Kingan (of THE Scene IS Now) on baritone and alto saxes, Andrew Lafkas (of Todd Capp's Mystery Train) on contrabass, Karen Waltuch (of Zeke & Karen) on viola, Rolyn HU (of True Primes) on trumpet and Carey Balch (of Knoxville's Give Thanks) on floor tom. 75 Dollar Bill's plans for the future involve much more playing with these friends and others in bigger and smaller combos—as well as me and Che stripped back to the core guitar and crate duo. For the present, though, please enjoy Wood/Metal/Plastic/ Pattern/Rhythm/Rock."

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Live At The Entertainment Centre In Sydney 24th-25th February 1986 Marble Vinyl Edition

2LP | EU | Original (Second)

Release: EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Kranky)

Roy Montgomery

Temple IV

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2024 / US – Original

Genre: Rock & Indie

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This is the first vinyl issue of Temple IV, arguably Roy Montgomery’s finest solo album, originally released in 1996 on CD. The original album has been enhanced with two newer tracks that constitute side four of the album. Montgomery states: “The two new tracks recorded in 2018 were about asking the question “Can you step into the same river twice?” Heraclitus said you cannot. I say you can…”

From the original press release:

Few recording artists have aligned the quantity and quality of their releases as well as New Zealand singer /guitarist Roy Montgomery has in 1995. Beginning with kranky’s release of the soundtrack for an imaginary film That That Is...Is(Not) by Montgomery’s duo Dissolve early in the year, a series of superb albums and singles have been issued by a variety of labels across the world. Each one of them is a must have. Most recently, the Drunken Fish label released a collection of pastoral drones entitled Scenes From The South Island, singles have appeared on the Roof Bolt and gyttja labels, and further singles are scheduled with Ajax, Siltbreeze and others.

Temple IV is the first solo recording by Roy Montgomery on kranky. The album was recorded by Montgomery on a four-track tape deck and then thickened up with monophonic moog. The tracks on the album are thick with interwoven guitar lines and moog drone, inspired by the Guatemalan rain forests and the mysterious ruins of the temple and ruins Montgomery visited there.

Roy Montgomery spent the past year in New York, Chicago and London before returning to New Zealand. While in the UK he played live with Flying Saucer Attack and collaborated with spoken word performer Kirk Lake. A brief tour across the United States in September saw him performing before enraptured audiences in New York, Boston, Chicago, Detroit and Los Angeles.

The long overdue recognition of Roy Montgomery as a crucial figure in New Zealand’s musical history as a member of The Pin Group, Shallows and Dadamah, is now augmented by his new recordings. Temple IV will serve to extend and deepen that appreciation.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

41,59 €* 51,99 € -20%

2LP | 2024 | US | Original (Sme Nashville)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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Morgan Wade

Obsessed

2LP | 2000 | UK | Reissue (Two Piers)

Release: 2024 / US – Original

Genre: Rock & Indie

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Morgan Wade - Obsessed - Country Vinyl LPMorgan Wade was feeling the urge to simplify after a period of relentless touring and intense media scrutiny during the last couple of years. Every time she sat down with her guitar, new songs just started pouring out. “They were just coming to me left and right,” Wade says. The Virginia-born singer-songwriter made a choice to return to the basics for her new album Obsessed, a solo-written, stripped-down 14-track collection produced by her touring guitarist Clint Wells that showcases Wade at her rawest and most vulnerable. “I really wanted to get back to doing what I used to do,” she says. “Just make this whatever I wanted it to be.”Wade’s third album and follow-up to 2023’s Psychopath, Obsessed puts the focus on Wade’s storytelling abilities and singular voice. She writes with incredible force about the ache for home and the emotion of being reunited with loved ones, of feeling dangerously preoccupied with someone, and of being in situations that society might consider outside the norm. On Obsessed, Wade also does a thorough examination and inventory of her journey as a person, not sparing any ugly details when she’s been the one at fault. It’s a fearless look into the life of one of country music’s most exciting talents, arriving right as she’s hitting her stride.

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Turin Brakes

The Optimist LP

James Yorkston And The Second Hand Orchestra

Release: 2000 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Limited edition. 2021 reissue. Shrink wrap is partially opened but vinyl is still sealed. tiny wear.

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The Wide, Wide River

LP | 2021 | EU | Original (Domino)

LP | 2024 | Original (Code 7)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Green vinyl seems unplayed. cover is close to NM. Original inner sleeve. deluxe edition

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Tir Na Nog

Transmissions

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ritmo Del Barrio)

Los Dexter's E Uchiza

Fiesta En La Jungla

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ritmo Del Barrio)

Los Demonios Del Mantaro

Release: 2024 / US – Original

Genre: Rock & Indie

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2xLP | 2024 | Original (MCA Nashville)

Jimmy Buffett

Banana Wind

If You Can Believe Your Eyes And Ears

Release: 2024 / Original

Genre: Rock & Indie

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Double vinyl LP pressing. 1996 album from the iconic singer-songwriter.

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The Mamas & The Papas

LP | 1966 | JP | Reissue (MCA)

12" | 2021 | DE | Original (BMG)

Release: 1966 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

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Ajr

OK ORCHESTRA

Release: 2021 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Steep Canyon Rangers

Live At Greenfield Lake

2LP | 2024 | Original

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (MCA Nashville)

Jimmy Buffett

Fruitcakes

Release: 2024 / US – Original

Genre: Rock & Indie

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Shadow Of The Moon Limited Red Vinyl Edition

Blackmore's Night

2LP | 2023 | EU | Original (Earmusic)

Shadow Of The Moon Limited Marbled Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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+DVD

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Blackmore's Night

2LP+7" | 2023 | EU | Original (Earmusic)

For The Children Half Speed Master Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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+BluRay

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Labi Siffre

LP | 1973 | Reissue (Demon)

Nathaniel Rateliff & The Night Sweats

Release: 1973 / Reissue

Genre: Rock & Indie

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Released in 1973, Labi’s fourth album (“the album of which I am proudest”) includes two epic songs in “Children Of Children” and “Let’s Pretend”, songs he says he was “provoked” into writing. • This half-speed master edition is presented in its original gatefold sleeve, pressed on 180 gram heavyweight black vinyl, featuring an obi strip, and housed in a poly-lined inner sleeve. The 4-page insert includes all the lyrics and photos of the original tape boxes. • This new edition has been expertly mastered by Barry Grint at AIR Mastering from the original stereo tapes using precision half-speed mastering. Half-speed mastering is a vinyl cutting technique that improves groove accuracy and transient information creating an incredibly detailed stereo image with a natural high frequency response.

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Tearing At The Seams

2LP | 2024 | US | Original (Fantasy)

Release: 2024 / US – Original

Genre: Rock & Indie

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Somewhere In The Mountains 2

Roland Van Campenhout

2LP+DVD | 2022 | EU | Original (Meyer)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Shadow Of The Moon New Mix Limitedc Edition

Blackmore's Night

2LP+DVD+7" | 2023 | EU | Original (Earmusic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 1999 | UK | Reissue (BGO)

Shirley & Dolly Collins

Anthems In Eden

LP | 2001 | Reissue (Island)

Release: 1999 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Willie Nelson

Rainbow Connection

Release: 2001 / Reissue

Genre: Rock & Indie

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Miles Of Aisles 2022 Remaster

Joni Mitchell

2LP | 2023 | US | Original (Elektra)

Release: 2023 / US – Original

Genre: Rock & Indie

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Driftless Dreamers: In Cuca Country

2LP | Original (Numero)

Release: Original

Genre: Rock & Indie

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Box Set | 2023 | JP | Original (P-Vine)

Yoshiko Sai

Sai Yoshiko Live Box

40,79 €* 50,99 € -20%

LP | 2008 | US | Reissue (4 Men With Beards)

Release: 2023 / JP – Original

Genre: Rock & Indie

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After 2 years of hiatus from releasing "Yoshiko Sai Complete Works", P-vine delighted to announce the release of another special LP box (Cardboard box + OBI-strip) that can hold her live albums of Yoshiko Sai! The item includes a double-sided B3 poster and a limited LP featuring her live performances on FM Tokyo in 1979, and previously unreleased demo takes recorded at her home! This item will be out with completely limited pressing, don't miss out on this opportunity!

Yoshiko Sai also commented on the release of this analog box!

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Fairport Convention

Unhalfbricking

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs, close to VG+

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O Brother, Where Art Thou?

2LP | 2003 | US | Original (Lost Highway)

Release: 2003 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

If You're Feeling Sinister

Belle & Sebastian

LP | 2021 | UK | Reissue (Jeepster)

Release: 2021 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

2LP | 2022 | EU | Original (Earth)

Sandy Denny

Early Home Recordings

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Release: SE

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Virgin)

The Thrills

So Much For The City

2LP | 2024 | EU | Original (Balloon Ranger)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Record Store Day release. Red vinyl. Still in shrink, but opened. With original inner sleeve

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Ane Brun

Songs 2013 - 2023

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (4AD)

Aldous Harding

Designer

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Me & My Religion Golden Yellow Vinyl Edition

Sam Burchfield

LP | 2024 | EU | Original (Sam Burchfield)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1979 | JP | Original (Better Days)

Peter Rowan

Hiroshima Mon Amour

LP | 2024 | US | Original (Thin Wrist)

Release: 1979 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Michael Morley

Pushed Streets

2LP | 2024 | US | Original (Broken Bow)

Release: 2024 / US – Original

Genre: Rock & Indie

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Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley's love of song form has never been far from the surface. In recent years, chance discoveries of Spanish and classical guitar records languishing in the discount and free bins at junk shops in South Dunedin proved to be a revelation. These records, largely recorded in the 1950s and 60s, began to shift Morley's work and lead him to piece together a new musical language from elements completely removed from the rock and avant-garde underground from which he first emerged. Spanish, Mexican and South American composers such as De Fossa, Ponce, Lauro, Barrios, Pujol, Albéniz, Falla, and Villa-Lobos as well as more traditional classical guitar composers like Schubert, Haydn, and Scarlatti all began to etch themselves into his consciousness. Rather than emulate them, Morley "channeled the experience of listening to these strange guitar sounds" as he began to play the acoustic guitar for hours at a time every day as an almost meditative exercise and a way of discovering a new way to play. This new musical language is realized on Pushed Streets, a suite of 12 songs Morley recorded at home in Kōpūtai/Port Chalmers, New Zealand. The music is quiet, almost ephemeral. Chords and melodies are traced in a dark atmosphere with Morley's unmistakable voice almost imperceptibly double tracked, words softly sung and stretched, sometimes at a near whisper. There are no amplifiers, no effects, nothing to distract from Morley's words and the tone of his guitar. Recorded with two 1970s guild guitars, an orchestral six string and dreadnaught twelve string, the guitar sound is rich and dynamic, chords and melodic figures are struck with what sometimes seems the gentlest possible gesture, resonating and floating away into the night. The music and voice, the lyrics are all of that dark thread, distilled with frightening clarity. The music is intimate and fragile, unadorned and heartbreaking in a way that recalls the spirit of lonely and world-weary albums by Skip Spence, Bill Fay, and Loren Connors; yet against the backdrop of the absolute finality of today's culture, the album's alchemy of Spanish and classical influences with Morley's formative work avant garde work, Pushed Streets exists in its own hauntingly desolate realm.

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Lainey Wilson

Whirlwind

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 1977 | DE | Original (Autogram)

Marc Emory

Where All Roads Lead

Release: 1977 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | EU | Reissue (Caroline International)

Fotheringay

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2015 | NO | Reissue (Round 2)

Folque

Release: 2015 / NO – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | UK | Reissue (Night School)

Sorrow

Under The Yew Possessed

LP | 2024 | JP | Original (Sony Music Japan)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gold vinyl version!

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Mari Nakamoto

Mari Nakamoto III

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Sony Music Japan)

Isao Suzuki

Blow Up

Release: 2024 / JP – Original

Genre: Rock & Indie

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Eye Of The Hunter / Live At The I.C.A.

Brendan Perry

LP+LP+All Media | 2023 | EU | Reissue (4AD)

2LP | 2008 | US | Reissue (Audika)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Transparent Blue and green vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to VG+

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Arthur Russell

Love Is Overtaking Me

2LP | 2019 | EU | Original (Columbia)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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Bruce Springsteen

Western Stars

The North Star Grassman And The Ravens

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl version!

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Sandy Denny

2CD | 2011 | EU | Reissue (Island Remasters)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

| 2004 | UK | Original (Columbia)

Christy Moore

The Box Set 1964-2004

Release: 2004 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 1978 | JP | Reissue (Universal Music Japan)

Celluloid No Shoujo

Release: 1978 / JP – Reissue

Genre: Rock & Indie

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7" | 1976 | JP | Reissue (Universal Music Japan)

Bokutachi No Shippai

Release: 1976 / JP – Reissue

Genre: Rock & Indie

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Sayonara Boku No Tomodachi

7" | 1975 | JP | Reissue (Universal Music Japan)

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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Fm Tokyo Pioneer Sound Approach

LP | 2023 | JP | Original (P-Vine)

LP | 2023 | Original (BFD)

Release: 2023 / JP – Original

Genre: Rock & Indie

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Dōji Morita, who debuted in 1975 with the single "Sayonara Boku no Tomodachi / Mabushii Natsu," was a unique and enigmatic presence in Japanese folk scene with her characteristic sunglasses and curly hair. Starting with "good Bye" in the same year, she went on to release a series of masterpiece albums, including "Mother Sky: Can You Fly Alone in the Sad Blue Sky?" (1976) and "a Boy" (1977).

This album is a live recording from the spring of 1978, during the peak of Mori's career, when she appeared on the popular FM Tokyo radio program "Pioneer Sound Approach." With a selection of her best songs, delicate singing and playing, and valuable on-stage banter, this is a must-have live album not only for fans but for anyone. Despite its brevity, this album captures the richness of her career.

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Dallas Wayne

Coldwater Tennessee

Release: 2023 / Original

Genre: Rock & Indie

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A Rare Batch Of Little White Wonder Volume 2

Bob Dylan

LP | 1974 | IT (Joker)

Release: 1974 / IT

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 2016 | US | Original (Jagjaguwar)

Angel Olsen

My Woman

Thick As A Brick (Live In Iceland)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Purple vinyl is close to NM. Tiny wear. Limited edition.

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Ian Anderson

3LP | 2014 | EU | Reissue (Ear Music Classics)

LP | 1971 | EU | Reissue (A&M)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. tiny wear. 2019 reissue.

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T. Rex

Electric Warrior

LP | 2024 | Original (Real Gone Music)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with OBI. tiny wear. 2022 reissue.

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Tony Rice

Native American

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Secret City)

Leif Vollebekk

Revelation

Release: 2024 / EU – Original

Genre: Rock & Indie

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Raga Lalat / Raga Malkauns

Kesarbai Kerkar

LP | 1963 | IN | Reissue (His Master's Voice)

Wild Boy (The Lost Songs Of Eden Ahbez)

Release: 1963 / IN – Reissue

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Tear in top spine. Vinyl is slightly warped, otherwise VG+.

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Eden Ahbez

LP | 2016 | DE | Original (Bear Family)

Release: 2016 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to NM.

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Petty Country: A Country Music Celeb. Of Tom Petty

2LP | 2024 | Original (Universal)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (City Zen)

Mia Doi Todd

Morning Music

Release: 2024 / Original

Genre: Rock & Indie

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Beleza Tropical 2 Orange / Blue Vinyl Edition

David Byrne presents

2LP | 1998 | US | Reissue (Luaka Bop)

2LP | Original (Drag City)

Release: 1998 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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25th anniversary of this criminally under-appreciated compilation of Brazilian pop music (New! More! Better!), so we're putting it on vinyl for the first time. It's been 10 years since we at Luaka Bop released our first compilation of Brazilian music. Beleza Tropical. It sold extremely well, 350,000 and still going strong, but alot has happened since then. This collection reflects the impact and energy of a new generation who rather than seeking to overturn or discredit the work of ist predecessors, wants to build on it, add to it, and continue absorbing greater and more contemporary influences.

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Papa M

Whatever. Mortal

Release: Original

Genre: Rock & Indie

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Strut My Stuff Green Vinyl Edition

LP | 2019 | US | Original (Modern Harmonic)

Release: 2019 / US – Original

Genre: Rock & Indie

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2LP | 2004 | Reissue (Curb)

Tim McGraw

Live Like You Were Dying

Release: 2004 / Reissue

Genre: Rock & Indie

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Coastal Plain Signed (Maroon Vinyl Editoin

Muscadine Bloodline

LP | 2024 | EU | Original (Stancaster Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (BMG)

Davide Van De Sfroos

Manoglia

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Universal)

Margherita Vicario

Gloria!

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1968 | UK | Original (Xtra)

Archie Fisher

When Will I Find Something New

Release: 1968 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Tall Mary

2LP | 2024 | US | Original (Kingfisher Bluez)

Release: 2024 / US – Original

Genre: Rock & Indie

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Canzoni Edizione Way Point Black Vinyl Edition

Fabrizio De Andre'

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Parsley, Sage, Rosemary And Thyme

Simon & Garfunkel

LP | 1979 | JP | Reissue (CBS/Sony)

LP | 2024 | US | Original (Elbow Room)

Release: 1979 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl close to VG+

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Ryan McMahon

Live Now

Release: 2024 / US – Original

Genre: Rock & Indie

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Recorded In Miami 1989-1991

Watt

LP | 2023 | US | Original (Palilalia)

LP | 2019 | US | Reissue (Bloodshot)

Release: 2023 / US – Original

Genre: Rock & Indie

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I was hanging out with Bill Orcutt at the 930 Club nearly 30 years ago, watching a famous post-rock band (who shall remain nameless, but whose moniker contained two-and-a-half times more articles and conjunctions than nouns) when he said: 'This band is like my band in college—all major 7th and 9th chords.' I relate this to emphasize that in the case of Bill Orcutt and Harry Pussy, the seemingly untutored ooze of 'Please Don't Come Back From the Moon' and 'Girl With Frog' had its genesis in something far more Apollonian than is usually understood. It's debatable whether or not Watt, the duo of Orcutt and drummer Tim Koffley featured on Recorded in Miami, is the above referenced grad-school band. Watt is not resplendent with jazz chords, but it's certainly more tutored, offering a mannered link between the contemporaneous Thunders-esque punk of Orcutt's Trash Monkeys and Harry Pussy's mayhem. The continuity with Harry Pussy is more than temporal. Recorded in Miami is Orcutt's first use of the four-string guitar, and Harry Pussy claimed the same amp and drum kit. The resemblance more or less ends there. To further put Recorded in Miami—made on Orcutt's Walkman, Rat Bastard's North Miami studio, and South Miami's Natural Sound (total bill $289)—into context, consider the fecundity of the underground music world as the '80s rolled into the '90s. It's hard to relate to those who missed it, but it was a time when post-hardcore hadn't quite given way to the bloat of grunge, when the Minutemen held sway (for the moment) over Led Zeppelin. The indie world was ruled by an ever-propagating compost heap of jagged guitar bands like Tful282, Truman's Water, and (to crank it back a couple years) Phantom Tollbooth. And in some ways (although Orcutt swears Watt's prime influences were James Blood Ulmer and Fred Frith's Massacre ), this record seems very much cut from that decade-ending cloth, seemingly only one vocal overdub away from a Homestead catalog number. Track after track (mostly titled after episodes of Art Clokey's slyly Buddhist TV masterwork, Gumby), Recorded in Miami 's tracks spill over with right angles, rockist tropes, and verse / chorus structures, from the Minutemen oid funk of 'Band Contest' to the stroked Moore-Ranaldo-isms of 'The Young and the Decoding.' Yet Orcutt's fretboard-spanning angular melodic runs are right up front in the latter, and the final two tracks introduce a bit of the explosive chaos that would follow when Adris finally claimed the drum kit. Consider 'Wattstock,' where Koffley forms the bedrock for an extended Orcutt hotbox of instantly-composed harmolodics. Or 'God Are You There, It's Me, Watt,' where we can hear the spontaneous vocal bursts (the only vocals on the album) that would re-emerge on Orcutt's early solo records. Watt began to crumble when Koffley, as drummers will do, yearned for rhythmic grids of increasing complexity, while Orcutt instead wanted to 'smoke more pot and improvise.' For a few records with Harry Pussy, Orcutt would get his wish (though some of the structuralism of Watt would creep into later records). But we shouldn't regard Recorded in Miami as mere transitional scraps of juvenalia, or stunt-rock delivered for the mere thrill of pulling it off. Rather, it's an early, major piece of the unfolding and complex puzzle of Orcutt's music. A foundation. And without the earth beneath our feet, how can we ever reach the sky?"—Tom Carter

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Robbie Fulks

Country Love Songs

Bakirköy Akil Hastanesi'nde Remastered Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink but opened with hype sticker. Cover and vinyl are close to NM. Original inner sleeve.

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Zen

LP | 2023 | EU | Original (Zel Zele)

Keep Walkin': Singles, Demos & Rarities 1965-1978 8-Track Cartridge

Release: 2023 / EU – Original

Genre: Rock & Indie

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Zel Zele is thrilled to announce the first-time vinyl issue of Turkish improv band ZeN"s iconic album "Bakirköy Akil Hastanesi"nde". Performed live in Istanbul"s Bakirköy Psychiatric Hospital for an audience of patients, doctors and visitors, this exceptional recording offers an entrancing blend of krautrock, psychedelic and free anatolian sounds. Perhaps one of the most unusual albums of Turkey"s underground musichistory, "Bakirköy Akil Hastanesi"nde" is a testament to improvisation in its purest form. Originally released in 1999 in cassette and CD, this co-release with Ada Müzik brings the album back into the spotlight:

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Nancy Sinatra

Tape | 2023 | US | Original (Light In The Attic)

37,19 €* 61,99 € -40%

My Window Faces The South

Release: 2023 / US – Original

Genre: Rock & Indie

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8-Track available on Pink, Yellow, Blue or White (Randomly selected). Due to limited capacity the full track-list is not included on the 8-Track Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Sweet Megg

LP | 2023 | Original (Turtle Bay)

37,04 €* 38,99 € -5%

Release: 2023 / Original

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Island)

Nick Drake

Bryter Layter

36,99 €*

Sit Resist Remastered Deluxe Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

180 gram vinyl. Still sealed with hype sticker. 2013 reissue.

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Laura Stevenson

LP | 2020 | US | Original (Don Giovanni)

36,99 €*