Folk 3149 Items

2LP | 2008 | US | Original (Classic)

Release: 2010 / ES – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.

Small light scuff on side A1.
Includes booklet and innersleeve with seam splits.
Box with small damage at the lower bottom edge.

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Neil Young

Massey Hall 1971

199,99 €*

Release: 2008 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

An Evening With Dando Shaft

Dando Shaft

LP | 1970 | UK | Original (Young Blood)

170,99 €*

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Collected Works Of Neutral Milk Hotel

Neutral Milk Hotel

| 2023 | Reissue (Merge)

159,99 €*

Release: 2023 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Complete box.

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2LP | 1971 | US | Reissue (Mobile Fidelity)

Blue

158,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

2LP | 1970 | US | Reissue (Mobile Fidelity)

154,99 €*

LP | 1987 | CW | Original (Discos Mindelo)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Cesaria Evora

Cesária

150,99 €*

LP | 1972 | UK | Original (CBS)

Release: 1987 / CW – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

tear in top spine, writing on cover and on label stickers. Cape Verdian pressing!

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Wizz Jones

Right Now

149,99 €*

2LP | 2010 | US | Original (Vinyl Films)

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has small sticker on front. light ring-wear.

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Sun Kil Moon

Admiral Fell Promises

139,99 €*

| 1987 | DE | Original (Bear Family)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. With original inner sleeves. Cover with slightly bumped corner. Beautiful copy, overall closer to NM.

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Jerry Lee Lewis

The Killer 1973-1977

129,99 €*

Joe Strummer & The Mescaleros

Release: 1987 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, close to VG+. Box with damaged corner and edges with tape.

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Joe Strummer 002: The Mescaleros Years

| 2022 | Reissue (Dark Horse)

129,99 €*

Release: 2022 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

All sides NM or close to it.

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Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980

4LP | 2024 | Original (Rhino)

124,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Simon Nicol & Ric Sanders, Iain Matthews & Ad Vanderveen, Little Johnny England

Folk Grolloo 1 March 2003, Zaal Hofsteenge Grolloo The Netherlands

2CDr | 2003 | NL | Original (A Harry Production)

120,99 €*

LP+CD | 2009 | EU | Original (Columbia)

Release: 2003 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

with booklet

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Bob Dylan

Christmas In The Heart

111,99 €*

Release: 2009 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Real To Reel: Garech Browne And Claddagh Records

James Morrissey

LP | 2023 | EU | Original (Decca)

110,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Essence Music Group)

Picture
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Kasey Chambers

Backbone

109,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Tapestry 3LP Deluxe Boxset Edition

Box Set | 2023 | EU | Original (Cinedelic)

109,99 €*

2LP | 2016 | IC | Original (Record)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed, until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Junius Meyvant

Floating Harmonies

99,99 €*

Release: 2016 / IC – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beautiful copy!

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To Scratch Your Heart: Early Recordings From Istanbul

4LP+Box Set | 2010 | UK | Original (Honest Jon's)

99,99 €*

LP | 2011 | US | Original (Heaven & Earth Magic Recording Company)

Release: 2010 / UK – Original

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

4 LP compilation of recordings made in Istanbul for Gramophone Company and His master's voice (HMV) during the first years of the 20th century.
Sound restoration at Abbey Road studios.

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Hiss Golden Messenger

Bad Debt

99,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Limited Edition.
No. 39/100.
Label on side B is slightly bulging due to double labeling.
Includes booklet.

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2LP | 1992 | US | Reissue (Mondo)

OST Singles Vol. 1

96,99 €*

4LP | 2022 | US | Original (Earth)

Release: 1992 / US – Reissue

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2022 reissue. Still sealed. Orange vinyl.

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Bert Jansch

At The BBC

93,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Tear in cardboard covers back spine. Limited edition.

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In The Beginning Was The Puls - 50 Years Of Passion

3LP | 2024 | EU | Original (Kirkelig Kulturverksted)

91,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1979 | FR | Original (REM)

Chorale Mixte De Givors

Laissez Briller Le Soleil

Release: 1979 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has light scuffs and wear around the edges.
LP has surface marks.

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Les Boots

7" | 1966 | FR | Original (Polydor)

Release: 1966 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record with clean labels plays with faint surface noise which is especially audible in the run-ins but far from overpowering the music.

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4CD | 2020 | US | Original (Dust-to-Digital)

The Harry Smith B-Sides

| 2013 | EU | Reissue (Warner Bros.)

Release: 2020 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

four CDs with a full-color, 144-page, cork-cover book in a cigar-style box. Stuffed corners

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Ry Cooder

1970 - 1987

The Trials Of Van Occupanther

Release: 2013 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Box with slight corner wear!

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Midlake

LP+7"+All Media | 2016 | UK | Reissue (Bella Union)

84,99 €*

LP | 1972 | UK | Original (Chrysalis)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Gold vinyl. Includes Bonus 7".

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Jethro Tull

Thick As A Brick

80,99 €*

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

UK original in newspaper gatefold cover. Close to VG+.

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LP+7"+All Media | 2023 | US | Reissue (Mondo)

OST That Thing You Do!

80,99 €*

Release: 2023 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Clear with Red, Blue and Yellow Splatter vinyl. With 7". 2023 reissue. Limited edition.

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The Hissing Of Summer Lawns

LP | 2008 | DE | Reissue (Asylum)

Release: 2008 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2016 | EU | Reissue (Source)

Kings Of Convenience

Riot On An Empty Street

Release: 2016 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2001 | US | Original (Badman Recording Co.)

Mark Kozelek

If You Want Blood

Release: 2001 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with hype sticker on the front and slightly bumped corners

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Dr. Strangely Strange

Heavy Petting

LP | 2021 | DE (Vertigo)

Archeophony Black Vinyl Edition

Release: 2021 / DE

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Bootleg with die-cut gimmick cover with polylined LP sleeve and Vertigo "swirl" label.

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Raed Yassin

2LP | 2021 | EU | Original (Akuphone)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP+CD+All Media | 2022 | EU | Original (Inside Out Music)

Jethro Tull

The Zealot Gene

Coups de Coeur Coups de Soleil

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Dark green vinyl version!

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Réséda

LP | FR | Original (Not On Label)

Release: FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1988 | US | Original (Oh Boy)

John Prine

John Prine Live

Release: 1988 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

2LP+CD | 2015 | UK | Original (Play It Again Sam)

Lord Huron

Strange Trails

75,99 €*

And Then I Wrote 180g Edition

Release: 2015 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cracked corner. Original inner sleeves. With CD.

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Willie Nelson

2LP | 2022 | US | Reissue (Analogue Productions)

75,99 €*

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Crosby, Stills & Nash Atlantic 75 Series

Crosby, Stills & Nash

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Johnny Cash

At Folsom Prison

74,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Bridge Over Troubled Water

Simon & Garfunkel

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1992 | US | Reissue (Mobile Fidelity Sound Lab)

Bob Dylan

Good As I Been To You

74,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

The End

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Tin Pan Alley

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Release: 2024 / JP – Original

Genre: Rock & Indie

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Brooklyn Side Record Store Day 2024 Orange Vinyl Edition

Bottle Rockets

2LP | 1994 | US | Reissue (Real Gone Music)

Chu Kosaka & Four Joe Half

Release: 1994 / US – Reissue

Genre: Rock & Indie

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The Bottle Rockets’ 1994 record The Brooklyn Side ranks right up there with Uncle Tupelo’s Anodyne in the pantheon of alt country albums…yet it has Never come out on vinyl. We’ve hooked up with original producer Eric “Roscoe” Ambel and mastering engineer Scott Hull to score the original tapes and create an all-analog release of this legendary record…but we didn’t stop there. We’ve also added six bonus tracks to flesh out this 2LP Expanded Edition, winding up with the track that started it all, Brian Henneman’s “Indianapolis.” Reissued with the full consent and cooperation of the band, this 30th anniversary release stands as one of our biggest Real Gone coups. Flame orange vinyl limited to 1500 copies worldwide, for Record Store Day 2024.

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Motto Motto

LP | 2024 | JP | Original (Sony Music Direct)

72,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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4CD+DVD | 2013 | EU | Reissue (Warner Bros.)

Van Morrison

Moondance

72,99 €*

2LP | 2024 | Original (Reprise)

Release: 2013 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Box is close to NM.

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Billy Strings

Highway Prayers

Release: 2024 / Original

Genre: Rock & Indie

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Big Brother & The Holding Company

Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

Album | 1965 | UK | Original (Transatlantic)

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Bert Jansch

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | UK | Original (Transatlantic)

John Renbourn

The Exciting Wilson Pickett Atlantic 75 Series

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original UK mono pressing.

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Wilson Pickett

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

I Hope You're Sitting Down

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

R&B, soul singer Wilson Pickett's classic third album

Features "In the Midnight Hour," "Land of a Thousand Dances" and "Ninety-nine and a Half (Won't Do)"

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

The Exciting Wilson Pickett, released in 1966, was R&B and soul singer Wilson Pickett's third album, charting at No. 3 on the U.S. Billboard R&B albums chart and No. 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career.

The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man," launching four major crossover hits.

The chart-toppers include "In the Midnight Hour" reached No. 1 on the Billboard R&B singles chart and No. 21 on the pop singles chart. "Land of a Thousand Dances" reached No. 1 and No. 6 respectively, his biggest pop hit. "Ninety-nine and a Half (Won't Do)" reached No. 13 and No. 53. "634-5789 (Soulsville, U.S.A.)," a song which Pickett had not on first hearing liked, reached No. 1 and No. 13.

The deeper album cuts hold significant appeal as well and include standards "Something You Got," "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.

Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Lambchop

2LP | 1994 | DE | Original (City Slang)

Release: 1994 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | Original (Mute)

Laibach

The Sound Of Music

Release: 2018 / Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Mint, Cover: Sealed

12" | 2021 | JP | Reissue (Matador)

Boygenius

Shotgun Willie Atlantic 75 Series

Release: 2021 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Mint, Cover: VG+

Sealed, but cover has slight ringwear.

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Willie Nelson

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

LP | 2024 | EU | Original (Copper Feast)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!

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Endless Valley

Kaskashir

68,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-04

LP | 2019 | AT | Original (Lotterlabel)

Voodoo Jürgens

'S Klane Glücksspiel

68,99 €*

88 Maestro Giora Feidman Blue Vinyl Edition

Release: 2019 / AT – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tiny corner wear. With insert.

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Giora Feidman

LP | 2024 | EU | Original (BuschFunk)

67,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Teles Music)

Guy Van Nueten

Decent Music

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-11

Dancing With Bad Grammar: The Director's Cut

L.A. Salami

2LP | 2016 | UK | Original (Sunday Best)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | JP | Original (Cutting Edge)

X0o0x_

Ningyou

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Super Sonic Jazz)

Beverly Glenn-Copeland

I'm Wide Awake, It's Morning

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

OBI is missing!

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Bright Eyes

LP | 2005 | US | Original (Saddle Creek)

Two Sad Little Islands Drift Together, Two Lonely Little Monkeys Find A Tree (Rare And Unreleased) 2015-2023 Orange Creamsicle Splatter Vinyl Edition

Release: 2005 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. Cover and vinyl are close to NM

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Richard Edwards

3LP | 2023 | US | Original (Profound Discomfort)

Hummingbird Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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"The most underrated songwriter of our times" - Los Angeles Review Of Book.

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Carly Pearce

2LP | 2024 | US | Original (Big Machine)

64,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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La Sone Des Pluies Et Des Tombes

Xavier Grall

LP | FR | Original (Disques Velia)

64,99 €*

Loren Auerbach With Bert Jansch

Release: FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light wear

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Colours Are Fading Fast

| 2016 | US | Reissue (Earth)

64,99 €*

LP | 2024 | Original (Vere Music)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Only side C is VG, rest NM. The cover is close to NM, too.

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Hillbilly Thomists

Marigold

63,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-04

Woodstock - Music From The Original Soundtrack And More

3LP | 2020 | EU | Reissue (Cotillion)

62,99 €*

The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beautiful vinyl housed in a Tri-Fold Jacket

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Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

62,89 €* 73,99 € -15%

LP | 2024 | AU | Original (Mistletone)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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Orbweavers

New Moon / Silver Moon

61,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Singlar Och Andra Sidor Clear Vinyl Edition

Agnetha Fältskog

LP | 2024 | EU | Original (Cupol)

61,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1987 | DE | Reissue (Immediate)

Duncan Browne

Give Me Take You

Better Oblivion Community Center

Release: 1987 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

White vinyl. German reissue from 1987. Tear in opening.

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LP | 2019 | US | Original (Dead Oceans)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Orange vinyl. Still in shrink but opened with hype sticker. Tiny wear. Limited edition.

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We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins

LP | 2024 | EU | Original (Morningstar Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Steve Wynn & The Miracle 3

Static Transmission

2LP | 2003 | DE | Original (Blue Rose)

Emahoy Tsegue Maryam Guebrou

Release: 2003 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Spielt Eigene Kompositionen

LP | 2016 | US | Reissue (Mississippi/Change)

LP | 2016 | DE | Reissue (Kwaidan)

Release: 2016 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 2016. Black labels. Vinyl with a couple of light scuffs. Copy close to NM

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Nouvelle Vague

Bande À Part

LP | 1969 | JP | Original (CBS/Sony)

Release: 2016 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Pink Transparent vinyl. Cover signed by the band on the back.

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Bob Dylan

Nashville Skyline

Zhao Jiping, Jonathan Lee , Sandy Lam

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

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霸王別姬電影原聲帶 = Farewell To My Concubine Original Motion Picture Soundtrack

LP | 2020 | TW | Original (Rock Records & Tapes)

2LP | 2024 | EU | Original (Everland)

Release: 2020 / TW – Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Generic

Original cover is missing!

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Boban Petrovic

Zur / Zora

Release: 2024 / EU – Original

Genre: Rock & Indie

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Harry Smith's Anthology Of American Folk Music, Volume Four

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Harry Smith

| 2007 | US | Reissue (Revenant)

Release: 2007 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2024 | EU | Original (1301 Media)

Christoph Bouet

Groeninger Bad 23

59,84 €* 62,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Birna Amber Vinyl Edition

Wardruna

2LP | 2025 | EU | Original (By Norse Music)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

LP | 2024 | AU | Original (Ada Global)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Henry Wagons

Four Seasons

Release: 2024 / AU – Original

Genre: Rock & Indie

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Songwriter Clear With Black Splatter Vinyl Edition

Johnny Cash

LP | 2024 | Original (Universal)

LP | 2023 | JP | Original (Vap)

Release: 2024 / Original

Genre: Rock & Indie

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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

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Vsq No Sporta

Avatama

Release: 2023 / JP – Original

Genre: Rock & Indie

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2x12" | 2017 | AU | Original (Essence Group Entertainment)

Kasey Chambers

Dragonfly

57,99 €*

LP | 1998 | JP | Reissue (Universal Music Japan)

Release: 2017 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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Freebo

Smoking Blues

57,99 €*

Release: 1998 / JP – Reissue

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

57,99 €*