Folk Vinyl 4558 Items

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1969 | US | Reissue (Universal)

Glen Campbell

Galveston

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (ATCO)

Buffalo Springfield

Last Time Around

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1970 | EU | Reissue (Music On Vinyl)

Kris Kristofferson

Kristofferson

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | DE | Reissue (Motown)

36,99 €*

Release: 1970 / DE – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Universal)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Original (Polydor)

John Mayall

USA Union

LP | 1970 | UK | Reissue (Parlophone)

Release: 1970 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: G+

taped spines

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Jethro Tull

Stand Up

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Sony)

Bob Dylan

New Morning

LP | 1970 | EU | Reissue (Muza)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, originally released in 1970.

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Marek Grechuta & Anawa

LP | 1970 | CA | Reissue (True North)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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This is 180g vinyl.

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Bruce Cockburn

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

But I Might Die Tonight Light Blue Record Store Day 2020 Edition

Cat Stevens

7" | 1970 | US | Reissue (Island)

13,99 €*

Beverly Copeland Clear Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 5000 copies.

7″ single of Cat Stevens songBut I Might Die Tonightfrom the album Tea For The Tillerman. Side A will feature the alternative version of the song from the film Deep End. The A-side was reworked specifically for the film (which starred Jane Asher and somewhat a UK cult classic) and is a previously unreleased in any form! Colour of the 7″ Single is Light Blue.

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Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

21,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Dialogo)

Piero Umiliani

Africa

Storyteller Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Piero Umiliani’s Africa was released in January 1972, a years-ahead record that includes the prog-tingedblack rhythm of “Africa To-Day”, the ‘fourth world’ inspiration coming from Jon Hassell’s “Green Dawn”, the‘exotic’ references in Martin Denny’s style (“Lonely Village”, “Echos”), the electronic new wave (hearing is believing!) of “Sortilège”, the folk music (“Rite”, “Folk-Tune”). An incredible album summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

Africa (1972) In 1972 Piero Umiliani was above all the man of a thousand soundtracks and the first Italian jazz experiments; from his later career we’ll soon learn that wasn’t enough for him, showing just a tiny part of a more complex picture. Closed within the walls of his Sound Work Shop Studio, the Maestro was weaving much more complicated and satisfying plots, incorporating dozens of influences from a life spent experimenting and discovering new sounds. Among the most fascinating ones, those who came from a continent like Africa, as much fabled as actually little known, but enchanting to the point that Umiliani dedicated to it the entire Africa - which is paired with its twin-record Continente Nero - and released it as M. Zalla, pseudonym used when it came to tidying up uncompromising and avant-garde music textures, as will later happen with masterpieces such as Suspense, Problemi D’Oggi or Mondo Inquieto. Always keep in mind when this album had been released, in January 1972, before approaching its content: here the prog-tinged black rhythm of Africa To-Day, the ‘fourth world’ inspiration coming from Jon Hassell’s Green Dawn, the ‘exotic’ references in Martin Denny’s style (Lonely Village, Echos), the electronic new wave (hearing is believing!) of Sortilège, the folk music (Rite, Folk-Tune). Many years in advance, in Africa Piero Umiliani summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

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Storyteller

LP | 1970 | EU | Reissue (Svart)

LP | 1970 | US | Original (Roulette)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Don Crawford

Roots & Branches

Royal York Crescent Record Store Day 2022 Vinyl Edition

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Ian A. Anderson

LP | 1970 | EU | Reissue (Bonfire)

Nice To Meet Miss Christine Record Store Day 2022 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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When we talk about british folk revival we should not forget a key figure as Ian A. Anderson, a songwriter on its own and a truly prime mover in the local scene. Currently editor of the ‘world music magazine’ fRoots, Ian A. Anderson first performed in his home town of Weston-super-Mare as a member of the Backwater Jook Band and came to prominence as a member of the Bristol based country blues scene of the mid to late 1960s, performing live and on record, both solo, with Al Jones and Elliott Jackson as the trio Anderson Jones Jackson, and as a duo with ‘globetrotter’ and long time friend Mike Cooper. After two EPs, he recorded his first album, Stereo Death Breakdown, as Ian Anderson’s Country Blues Band, which was released by Liberty/United Artists in 1969. In December 1969, with John Turner, he conceived the record label The Village Thing, for which he was also a producer. The label released two dozen albums by mostly between 1970 and 1974 including influential albums by Wizz Jones, Sun Also Rises, Pigsty Hill Light Orchestra, Steve Tilston, Dave Evans, Lackey & Sweeney, Chris Thompson, Dave Peabody and more, as well as three by Anderson himself. ‘Royal York Crescent’ is proper solo debut was licensed the 13th of Novemebr 1970 and is still considered as a forerunner of the acid folk movement . His lightly fingerpicking was backed by bongos – Ian Turner – and bass/piano – John Turner – providing a dynamic effort for his spectacular lyricism. This long lost classic is finally backing in print for your necessary uplifting entertainment.

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Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

32,99 €*

I Mean To Shine Record Store Day 2022 Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Linda Hoover

LP | 1970 | US | Reissue (Omnivore)

24,99 €*

LP | 1970 | EU | Reissue (True North)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Limited to 2000 copies. A shelved album from 1970. 1) I Mean To Shine 2) Turn 3) Roaring Of The Lamb 4) Roll Back 5) Autumn 6) Jones

Side B 1) In A Station 2) Mama Tears 3) City Mug 4) 4 + 20 5) The Dove

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Bruce Cockburn

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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An Evening With Dando Shaft

Dando Shaft

LP | 1970 | EU (Trading Places)

20,99 €*

LP | 1970 | JP | Original (Vanguard)

Release: 1970 / EU

Genre: Rock & Indie

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Formed in the West Midlands manufacturing town of Coventry in 1968, esteemed psychedelic folk group Dando Shaft are revered as key influencers of the progressive strand of the 1960s folk revival, and the interplay of melodies on guitar, mandolin and violin made their sound distinctive, thanks to frontman Martin Jenkins, whose expressive vocals compliment his intricate lines, while Roger Bullen’s melodious bass helps to lubricate the proceedings. Recorded before Polly Bolton’s harmonic presence shifted the emphasis of their output, this masterwork is required listening for all progressive folk devotees.

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The Greenbriar Boys

Ragged But Right!

17,24 €* 22,99 € -25%

Beverly Copeland Yellow Vinyl Edition

Release: 1970 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert,

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Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

23,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Bridge Over Troubled Water

Simon & Garfunkel

LP | 1970 | JP | Original (CBS/Sony)

9,99 €*

LP | 1970 | DE | Original (Barclay)

Release: 1970 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI.

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Los Chacos

El Condor Pasa

6,64 €* 6,99 € -5%

LP | 1970 | US | Original (Symposium)

Release: 1970 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam split.

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Leo Kottke

Circle 'Round The Sun

LP | 1970 | DE | Original (Kuckuck)

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+!

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Jack Grunsky

Toronto

19,99 €*

Release: 1970 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Michael Nesmith & The First National Band

Loose Salute

LP | 1970 | US | Original (RCA Victor)

11,99 €*

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

An Evening With Dando Shaft

Dando Shaft

LP | 1970 | UK | Original (Young Blood)

170,99 €*

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

If You Could Read My Mind Gold Vinyl Edition

Gordon Lightfoot

LP | 1970 | US | Reissue (Friday Music)

44,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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If You Could Read My Mind Green Vinyl Edition

Gordon Lightfoot

LP | 1970 | US | Reissue (Friday Music)

44,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Buck Owens And His Buckaroos

Live In Scandinavia

LP | 1970 | US | Reissue (Sundazed Music)

30,99 €*

7" | 1970 | UK | Original (Reprise)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The first ever LP reissue of this prime Buck that was available only in Norway for a brief time in 1970. At that time in the States, with the in-person London and Vegas albums released in such close proximity, Buck hardly needed any more live concert sets. Besides, Capitol, noting his rising status with Hee Haw, had flooded the U.S. market with a total of nine Buck albums from December 1969 to February 1971, including new studio albums and reissues of earlier albums. And that doesn’t even count the three Buckaroos solo albums that appeared in that same period.

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Gordon Lightfoot

Me And Bobby McGee

5,99 €*

7" | 1970 | UK | Original (CBS)

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Ships in a label sleeve.

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Jerry Naylor

But For Love

5,99 €*

7" | 1970 | UK | Original (Reprise)

Release: 1970 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Ships in a label sleeve.

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Joni Mitchell

Big Yellow Taxi

19,99 €*

The Contemporary Guitar Sampler Volume 2

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.
Prong has been removed.

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V.A.

LP | 1970 | UK | Original (Transatlantic)

Release: 1970 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1970 | EU | Reissue (Endless Happiness)

Fotheringay

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fotheringay is the self-titled album by the group formed by Sandy Denny after she left Fairport Convention in 1969, and was the group’s only contemporaneous release. It was recorded in 1970 with former Eclection member and Denny’s future husband Trevor Lucas, with Gerry Conway, Jerry Donahue, and Pat Donaldson. The album includes five Sandy Denny compositions (one of which was co-written with Lucas), one song by Lucas, as well as one traditional song and two cover versions: Bob Dylan’s “Too Much of Nothing” and Gordon Lightfoot’s “The Way I Feel”.

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Jan Dukes De Grey

Sorcerers

LP | 1970 | JP | Original (Overseas)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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This incredibly rare release predates their more widely-known second album, Mice and Rats in the Loft. This is superb psych-folk dated 1969. The Jan Dukes De Grey started out as a duo of two multi-instrumentalists, Michael Bairstow and Derek Noy, who stood midway between Tyrannosaurus Rex and Jethro Tull with very short all-acoustic songs with strange lyrics. Similar to early Incredible String Band or Mark Fry, with a touch of Comus weirdness. A mixture of trippy and stoned songs and instrumentals with eastern feel. A unique album. One of the most brilliant acoustic experiments of folk-psych-prog rock ever.

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Mireille Mathieu

Mademoiselle Soleil

LP | 1970 | JP | Original (RCA)

Release: 1970 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI.. Cover close to NM

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John Denver

Whose Garden Was This

18,99 €*

7" | 1970 | JP | Original (Liberty)

Release: 1970 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. obi is missing.

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Jerry Wallace

マンダム~男の世界

Release: 1970 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1970 | US | Original (Blue Thumb)

Dave Mason

Alone Together

LP | 1970 | PL | Original (Polskie Nagrania Muza)

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Punch out hole. multi-colored "splatter" vinyl in a tri-fold die-cut jacket. Edge wear.

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The Quare Fellas

At Home

Release: 1970 / PL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1970 | DE | Original (Ariola)

Helga & Klaus

12 x Folk

Release: 1970 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

La Mia Gente Blue Vinyl Edition

Enzo Jannacci

LP | 1970 | EU | Reissue (RCA)

31,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Elektra)

Tom Rush

Classic Rush

8,99 €*

LP | 1970 | EU | Reissue (Super Sonic Jazz)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1976 reissue. Price tag.

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Beverly Glenn-Copeland

66,99 €*

Bale Roue Arzur = La Marche Du Roi Arthur

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

OBI is missing!

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Ar Breizerien

LP | 1970 | FR | Original (Disques Velia)

18,99 €*

LP | 1970 | EU | Reissue (Caroline International)

Release: 1970 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Embossed cover.

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John & Beverley Martyn

Stormbringer!

11,99 €*

Did You Give The World Some Love Today, Baby

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2018 reissue.

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Doris

LP | 1970 | UK | Reissue (Mr Bongo)

Michael Nesmith & The First National Band

Release: 1970 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2014 reissue.

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Loose Salute

LP | 1970 | US | Original (RCA Victor)

9,99 €*

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut-out.

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Tom Rush

16,99 €*

Fr. Joseph Palackal C.M.I.

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

180g vinyl.
Copy is close to NM.

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Christian Bhajans

LP | 1970 | IN | Original (Deccan)

Release: 1970 / IN – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1970 | JP | Reissue (Hispavox)

Mari Trini

Amores

24,99 €*

Mermaids Bouzouki & Dolphins

Release: 1970 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI and insert. close to NM. 1974 reissue.

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Στέλιος Ζαφειρίου

LP | 1970 | GR | Original (Zodiac)

7,99 €*

The Best Of Glen Campbell

Release: 1970 / GR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Glen Campbell

LP | 1970 | JP | Original (Capitol)

5,99 €*

Uncle Charlie & His Dog Teddy

Release: 1970 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Nitty Gritty Dirt Band

LP | 1970 | JP | Original (Liberty)

8,99 €*

LP | 1970 | DE | Original (Kuckuck)

Release: 1970 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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Jack Grunsky

Toronto

Release: 1970 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Bridge Over Troubled Water

Simon & Garfunkel

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

154,99 €*

Poet And The One Man Band

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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LP | 1970 | US | Original (Paramount)

30,99 €*

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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LP | 1970 | DE | Reissue (Motown)

34,99 €*

Release: 1970 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Mr. Compromise Black Vinyl Edition

Keith Noble

LP | 1970 | EU | Reissue (Guerssen)

Mr. Compromise Clear Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this elusive private pressing from 1970 by British singer/songwriter Keith Noble (a founding member of pre-Pink Floyd bands Sigma 6 / The Abdabs and co-composer of Chad & Jeremy’s hit ‘A Summer Song’). Mr. Compromise, originally released as a tiny demo pressing on the custom Eden label (home also of other psych-folk rarities like Mourning Phase), showcases the versatile songwriting talent of Noble: jazzy-bossa pop, Kinks/Hollies/Byrds styled full electric numbers and haunting psychedelic folk not unlike Al Stewart or Incredible String Band. Featuring Keith’s friend from the pre-Floyd days Rado Klose (one of the earliest members of Pink Floyd) on lead guitar. After the album release, Keith Noble dedicated his life to architecture and teaching and he also wrote several musicals. Sadly, he passed away in 2014. This long awaited reissue of “Mr Compromise”, has been possible with help from the Noble family.

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Keith Noble

LP | 1970 | EU | Reissue (Guerssen)

31,99 €*

LP | 1971 | US | Reissue (Mobile Fidelity)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Carole King

Tapestry

60,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (4 Men With Beards)

David Wiffen

35,99 €*

2LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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*Canadian singer/songwriter David Wiffen's 1971 self-titled album, originally released on Fantasy Records, is now reissued by 4 Men With Beards. The album is a showcase for David's rich baritone voice and his world weary, laid back songs. Standout tracks include the classic song "Driving Wheel" covered by Tom Rush, The Byrds, The Jayhawks, Roger McGuinn and The Cowboy Junkies among many others, plus the openly confessional "More Often Than Not" and "I've Got A Ticket." This is an underground folk/chamber pop classic reissued on 180-gram vinyl.

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Love

Forever Changes

73,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Mastered from the Original Master Tapes for Unsurpassed Analog Sound: Mobile Fidelity's 180g 45RPM 2LP Set Opens Up Scale of Lush Orchestral Architecture and Elegant Baroque Textures.

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Judee Sill

LP | 1971 | UK | Original (Golden Hour)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Judee Sill was an American singer and songwriter. She released two albums and partially completed a third album before her death in 1979. Sill encountered Graham Nash and David Crosby and toured with them for a time as their opening act, a year before the release of her eponymous debut album.

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Donovan

Golden Hour Of Donovan

LP | 1971 | EU | Reissue (Pilz)

Release: 1971 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.
Small sticker on back cover.

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Witthüser & Westrupp

Trips & Träume

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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2LP | 1971 | DE | Original (Warner)

The Grateful Dead

Grateful Dead

35,99 €*

LP | 1971 | EU | Reissue (Right Track)

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has some lamination peeling, but overall is in great conition. Records have very light scuffs but much play wear.

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Fairuz

Lebanon Forever

31,99 €*

LP | 1971 | EU (Alternative Fox)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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Ricotti & Albuquerque

First Wind

LP | 1971 | EU | Reissue (Rhino)

Release: 1971 / EU

Genre: Rock & Indie

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Percussionist Frank Ricotti played in the National Youth Orchestra and was rated the UK’s top vibraphonist during the late 1960s. In 1971, with guitarist Mike de Albuquerque, he cut the multifaceted jazz album, First Wind, which alternated between experimental rock- influenced jazz and thoughtful adaptations of work by James Taylor, John Sebastian and Melanie Safka, with some surprising blues diversions too, such as Albuquerque’s “Go Out And Get It.” However, Albuquerque soon joined ELO as a bassist, putting an end to the duo.

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John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Happy Birthday, Ruthy Baby

McGuinness Flint

LP | 1971 | DE | Original (Capitol)

8,49 €* 16,99 € -50%

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1971 | FR | Reissue (Sony Legacy)

Carole King

Tapestry

Crosby, Stills, Nash & Young

Release: 1971 / FR – Reissue

Genre: Rock & Indie

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Originally releaed in 1971 the album is a milestone in modern Pop and Rock music and decorated with four Grammys.

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4 Way Street

2LP | 1971 | DE | Original (Atlantic)

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | EU | Reissue (Bonfire)

Extradition

Hush

Buck Owens & His Buckaroos

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that pursue the ‘think green’ revolution. It could be the English folk revival or the West Coast flower power, but the album introduce a different state of mind, far away from the chaotic suburbs of the counter culture. Lost on the isle, the acoustic set up of the band brings joy and happiness, a new age that reflects the multiple essence of the four elements. While the opener ‘ A Water Song’ brings to mind the course of a small river ‘A Love Song’ sets the mood for a long lost medieval folk tale. Acoustic guitar, small percussion, natural found sound and the celestial voice of Shayna Carlin (also member of cult band Tully, a weirdo surf-psychedelic affair) all of the elements above literally conjure for an ambient album before the definition was fully embraced by a massive audience.

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Bridge Over Troubled Water Black Friday Record Store Day 2021 Edition

LP | 1971 | US | Reissue (Sundazed)

LP | 1971 | UK | Original (Chrysalis)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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In celebration of the 50th anniversary of the the- controversial album of Buck Owens, Don Rich and the rest of the Buckaroos doing countrified covers of Simon & Garfunkel, Donovon, and Dylan along with some originals. We shipped the original reels to Kevin Gray to do an all analog thing of sonic beauty. This is known as Buck's big thumbs-up to the folk-rock sound and it's time we celebrate it. All analog and on clear vinyl.

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Tir Na Nog

42,99 €*

Tia Blake & Her Folk Group

Release: 1971 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover has slight wear, close to VG+
Vinyl is close to NM!

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Folksongs & Ballads

LP | 1971 | EU | Reissue (Ici Bientot)

24,99 €*

LP | 1971 | EU | Reissue (Supraphon)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first ever reissue on vinyl. When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community. There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah. Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs. Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

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Greenhorns (Zelenaci)

Greenhorns '71

18,89 €* 26,99 € -30%

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Wewantsounds)

Abdel Halim Hafez

Mawood

33,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Born in Lower Egypt in 1929, Abdel Halim Hafez became, during a relatively short career that ended with his death in 1977 aged 48, one of the giants of Egyptian Music and his legend has never stopped growing since. Alongside Oum Kalthoum, Warda, Farid el Atrache and Mohammed Abdel Wahab, Hafez revolutionised Egyptian music and became a hugely popular star across the whole Arab world. Blessed with stricking good looks, Abdel Halim Hafez started his career in the early 50s and quickly attracted the attention of one of the Egyptian radio's A&Rs who took him under his wing and invited him to perform on the radio. His career went from strength to strength and from 1953, he was associated with the Egyptian revolution led by Nasser. His music mixing tradition and modernity made him one of the most loved singers of the 1950s as he developed a romantic edge that became his signature style (he was dubbed "the dark-skinned nightingale"). In the mid 50s, hot on the heels of his success in music, he launched his acting career in the thriving Egyptian film industry and also became a hugely popular actor. Hafez worked with the greatest composers of their time including Mohammed Abdel Wahab and Baligh Hamdy who composed ‘Mawood’ ("Promised.") Recorded live in 1971 (as it was the norm at the time. Singer would rarely record studio albums), 'Mawood' is one of the singer's most recognisable standards. The song stretches over the two sides of the album and consists of several sections alternating instrumental parts and sung ones. The song, written by Egyptian poet Mohamed Hamza, sees Hafez talking to his heart, apologizing for driving it from failure to failure and concluding that, to find solace, one must keep love at bay. He's backed by his full orchestra featuring traditional instrumentation and those powerful strings that influenced the likes of Jean-Claude Vannier, together with modern instrumentation including organ and electric guitar by Omar Khorshid adding his unmissable twang to the ensemble. 'Mawood' mixes tradition and modernity and develops into a hypnotic epic full of groove with a superb soulful performance by one of the greatest singers of the 20th century. An undisputed Arabic Music classic which Wewantsounds it delighted to reissue on vinyl for the first time since the 1970s.

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LP | 1971 | EU | Reissue (Island)

36,99 €*

More Pages Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

180 gram vinyl. Still sealed with hype sticker. 2013 reissue.

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Storyteller

LP | 1971 | EU | Reissue (Svart)

A Vulture Is Not A Bird You Can Trust

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Storyteller's two albums were released by Britain's then foremost folk label, Transatlantic, their eponymous debut LP in 1970, and their last will and testament, 'More Pages', in 1971. This Svart reissue of 'More Pages' comes after the successful reissue of the band's debut album last year, and this one is likewise restricted to 500 copies on black vinyl.

'More Pages' has been hard to find as a full album, because the Storyteller CD reissue consists of the full first album and only a portion of the second.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Ian A. Anderson

LP | 1971 | EU | Reissue (Bonfire)

20,99 €*

LP | 1971 | EU (Trading Places)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Another underground folk masterpiece back on the map. Forerunner of the british revival Ian A. Anderson licensed the album on his own The Village Thing on December 1971. Besides a couple of excellent cover- Black Uncle Remus penned by Loudon Wainwright III and a minor Bob Dylan classic as One Too Many Mornings – the album shows a more forward thinking production, with several bucolic progressive arrangements.

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Dando Shaft

20,99 €*

12" | 1971 | EU (Trading Places)

Release: 1971 / EU

Genre: Rock & Indie

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Dando Shaft’s self-titled sophomore set continued to build on the reputation established by their excellent debut, and now the arrival of female singer Polly Bolton added another textural dimension, as heard most clearly on the soaring ‘Riverboat,’ the absence of drums throughout allowing us to fully appreciate the players’ excellent musicianship, with Martin Jenkins’ masterful mandolin, flute and fiddle drawing the sound to higher realms. As it was issued on RCA’s prog sub-label Neon, which folded soon after its release, the LP is as rare as it is excellent—another must-have for fans of progressive folk and psychedelic folk rock.

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Comus

Diana

13,99 €*

LP | 1971 | EU (Trading Places)

Release: 1971 / EU

Genre: Rock & Indie

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Progressive folk act Comus was a true one-off, their unique take on folk rock a spine-tinglingly shocking one, even as the music draws the listener into singalongs. Formed by singer-guitarist Roger Wootton with some art school mates, including guitarist Glen Goring, violinist Colin Pearson and oboist Rob Young, Comus began recording their debut LP for RCA, who dropped them halfway through, leading to further recordings for Dawn with Barry Murray. Every song on this single bears the hallmark of their exceptional take on folk rock, too far ahead of its time to gain favour on release, and all the more to savour now.

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Unicorn

Uphill All The Way

21,99 €*

Fela With Ginger Baker Live!

Release: 1971 / EU

Genre: Rock & Indie

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Getting their start in the mid-1960s as a covers band, the Surrey-based group that began as The Late and who would be forced to take the name Unicorn mid-way through the recording of this excellent debut LP soon understood that originals made better sense, pointed in that direction by the success of Crosby, Stills and Nash. Given greater depth by Gerry Rafferty’s producer, Hugh Murphy, Uphill All The Way makes for superb listening, the musical craftsmanship yielding intricate textures beneath Ken Baker’s dreamy lyrics, the intelligent folk rock complete with country and western underpinnings. A must for UK folk rock fans!

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Fela Kuti

2LP | 1971 | Reissue (Knitting Factory)

Release: 1971 / Reissue

Genre: Rock & Indie

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In My Own Time Silver Vinyl Edition

Karen Dalton

LP | 1971 | US | Reissue (Light In The Attic)

34,99 €*

LP | 1971 | EU | Reissue (Real Gone Music)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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1971 acid folk masterpiece reissued on 180 g vinyl and remastered from the original tapes ... and limited to 1000 copies!

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John Hartford

Aereo-Plain

38,69 €* 42,99 € -10%

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Bonfire)

The Woods Band

Homegrown / Keep My Children Warm

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Remastered and fully licensed. An underrated acid folk masterpiece brought to you by the classic couple Terry (guitar, mandolin, banjo) and Gay Woods (vocals), who formed the band after departing from the very influential british combo Steeleye Span. They recorded their debut album in 1971 on the small indie label Greenwich Gramophone Company. Think about the holy magic of the irish folk scene alongside some essential progressive rock scores.

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Andy Roberts

7" | 1971 | US | Original (Ampex)

What A Beautiful Place Black Vinyl Edition

Release: 1971 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Small light scuffs on both sides.

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Catherine Howe

LP | 1971 | US | Reissue (Numero Group)

7" | 1971 | DE | Original (Capitol)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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This recorded autobiography of Catherine Howe, age 20, briefly appeared in 1971. Too young for memoirs, most artists have barely established any sort of musical competence by the age of legal adulthood, let alone compositions matching the maturity and complexity of Howe's. What A Beautiful Place, however, is a prodigious effort wrought from the melancholy ruminations of post-adolescence. The album's twelve songs unfold like a classic bildungsroman, beginning in the smoke-stained industrial county of Yorkshire, transformed by the electrified creative landscape of mid-century London, and retiring to the warm pastoral bliss of the county of Dorset on England's southern coast. Produced by noted jazz pianist Bobby Scott, the LP_oft-mistaken for a concept album_was available for only a month in the summer of 1971, disappearing after Reflection Records' shuttering in 1971.

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McGuinness Flint

Malt And Barley Blues

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Creedence Clearwater Revival

Sweet Hitch-Hiker / Door To Door

7" | 1971 | DE | Original (Bellaphon)

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

What A Beautiful Place Yellow Vinyl Edition

Catherine Howe

LP | 1971 | US | Reissue (Numero Group)

LP | 1971 | US | Reissue (PQR-Disques Plusquereel)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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This recorded autobiography of Catherine Howe,age 20, briefly appeared in 1971. Too young formemoirs, most artists have barely established anysort of musical competence by the age of legaladulthood, let alone compositions matchingthe maturity and complexity of Howe's. What ABeautiful Place, however, is a prodigious effortwrought from the melancholy ruminations ofpost-adolescence. The album's twelve songsunfold like a classic bildungsroman, beginning inthe smoke-stained industrial county of Yorkshire,transformed by the electrified creative landscapeof mid-century London, and retiring to thewarm pastoral bliss of the county of Dorset onEngland's southern coast. Produced by noted jazzpianist Bobby Scott, the LP_oft-mistaken for aconcept album_was available for only a month inthe summer of 1971, disappearing after ReflectionRecords' shuttering in 1971.

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Roy Rutanen

44,99 €*

Control Black Vinyl Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Roy Rutanen’s self-titled album has remained a very well-kept secret among psychedelia and acid-folk collectors ever since its original release in 1971 on MCA in Australia. Now is the right time for Rutanen’s glorious music to shine through, with his unique combination of moody acoustic bliss and acid-drenched solos, as evidenced on ‘The Trip Song', a 10-minutes magnum opus that might well be a candidate for top 10 psychedelic tunes of all time! (Tell me too that ‘Plastic People’ doesn’t make you instantly think of Rodriguez). And like Rodriguez, despite the far flung nature of his record’s release, Rutanen is actually American. But during his time in Vietnam, Rutanen used two R&R periods to visit Australia. He liked it so much, he decided to fly straight back upon his discharge from the US Army. Rutanen's early recollections of Australia were of having good times, making many good friends: "I smoked a lot of pot and indulged in other highs,” Roy said. "I lived right on Manly Beach in Sydney and went to sleep at night with the sound of surf coming in through the open balcony doors.” He started putting his name about in the scene and playing his own songs at some local venues, which led to the album being recorded, and then more or less abandoned by MCA. What could have been the solid foundation for a promising career in the music industry was abandoned due to the lack of label support, subsequently surviving as a one-off release, accessible only to a select few who could afford the steep price ($650+) commanded for original copies.

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John St. Field

LP | 1971 | EU | Reissue (Guerssen)