Electronic & Dance Vinyl 1626 Items

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | BR | Reissue (Discos Nada)

D-Day

Grape Iris

29,99 €*

12" | 1988 | DE | Original (Quazar)

Release: 1986 / BR – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-08-02

Originally released as a picture disc in 1986, this is D-Day’s first LP, presenting a beautiful mix of Minimal Synth, New Wave, and Bossa Nova. The band was formed in October 1982 and became well-known in the Japanese indie scene. They spent over 200 hours in the studio for recording. At that time, even for major label bands, it didn't take that much time to record an album. However, as D-day was not a major label band, they were free to craft their own narrative. Thus, they had a lot of time to experiment with their dreamy melodies, whisper-like vocals, programmed beats, swirling guitars. First-ever vinyl reissue of this Japanese masterpiece. Remastered from the original tapes, it includes a replica of the original insert, and a poster with a beautiful photo and in the other side translated lyrics and an extensive text by Chihiro Yoshikawa.

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D.J. Jack

Hot House

D Mob Featuring Gary Haisman

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Clear Vinyl.

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We Call It Acieed (Remix)

12" | 1988 | EU | Original (FFRR)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Another Time, Another Place

Dan Siegel Project

LP | 1984 | JP | Original (Elektra)

LP | 1987 | EU | Reissue (Orbeatize)

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Dana Andrew Rath

Impressions Of The City

17,99 €*

12" | 1987 | DE | Original (ZYX)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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From ("Xisle" member) Rath's private archive. Originally released in 1987 only on tape cassette format, remixed in Oct. 2019 by Mr. Rath and remastered in Jan. 2020 by himself with the collaboration of sound engineer Andreas Merlini.

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Dance Aid

Give Give Give

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | EU | Original (Amber)

Dance Speak

14,99 €*

Release: 1986 / EU – Original

Genre: Electronic & Dance

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LP | 1982 | JP | Original (Woorell)

Daniel Sahuleka

Sunbeam

Attack Of The Killer Robots

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Danish Sky

12" | 1986 | US | Original (Maximum Management)

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | JP | Original (RCA)

Daryl Hall & John Oates

H₂O

13,99 €*

LP | 1985 | DE | Original (Sire)

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Data

Elegant Machinery

9,99 €*

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | JP | Original (Victor)

David Christie

Back In Control

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1976 | US | Reissue (Superior Viaduct)

David Cunningham

Grey Scale

David Javelosa & Baby Buddha

Release: 1976 / US – Reissue

Genre: Electronic & Dance

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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979. Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone. As Cunningham states in the liner notes, his approach was to "pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new." Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham's own Piano label, Grey Scale was indeed "something new" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.

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Everyone Is My Age

LP | 1987 | US | Reissue (Dark Entries)

LP | 1982 | US | Original (Elektra Musician)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Baby Buddha is the experimental new wave duo of Charles Hornaday (vocals, guitar, electronics, drums) and David Javelosa (vocals, electronics, clarinet). Born from late night improvisations of San Francisco synth-punks Los Microwaves with a rotating cast of musicians. Live shows would include music, projections, dance and performance art in both clubs and gallery spaces. In 1980, Howie Klein's 415 Records released their first single of Tammy Wynette's “Stand By Your Man”. In 1981, ‘Music For Teenage Sex’ was their first full length album released via Poshboy Records. It featured Los Microwaves’ Meg Brazill, Poshboy boss Robbie Fields, and Kathy Peck as "Tammy Why-not", who later went on to found H.E.A.R (Hearing Education and Awareness for Rockers). In January 1983 Kathy, Charles and David went into the studio with a couple of Kathy's original “country” songs and began working on a sophomore album. They also incorporated songs from a live multi-track recording of a concert at the Graffiti Club on June 6th 1984. The album titled ’Everyone Is My Age’ sat unreleased until 1987 due to relocation to Los Angeles and eventually found a home on David’s Hyperspace Communications, the original label for the first Los Microwaves singles. For this first time reissue we’ve added a previously unreleased bonus song “What’s Going On,” a Kathy Peck original. All songs have been remastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in the original jacket featuring a collage by David Javelosa and includes an insert with lyrics, photos and liner notes.

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David Sancious

The Bridge

5,99 €*

LP | 1978 | EU | Reissue (Dialogo/Cramps)

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.

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David Tudor

Microphone

25,99 €*

12" | 1985 | EU | Reissue (Mental Experience)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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David Eugene Tudor (1926 – 1996) was an American pianist and composer of experimental music. He eventually became one of the leading performers of avant-garde piano music, giving first or early performances of works by Pierre Boulez, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, La Monte Young and many others. Tudor is particularly associated with John Cage, who wrote a number of compositions for him. His solo record “Microphone” was originally released on the Italian Cramps Records label as the 16th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, “Microphone” is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Microphone”: David Tudor was born in Philadelphia in 1926.He studied organ and theory with H. William Hawke, piano with Irma Wolpe Rademacher, analysis and composition with Stefan Wolpe. He began his concert activity as an organist. He has been known as the most important avant-garde pianist since the day he performed, to great acclaim, the American debut of Pierre Boulez’s Deuxieme Sonate pour Piano (1950), and subsequently introduced the works of Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen and Christian Wolff to a larger audience. At the beginning of the 1960s, he and Cage switched to live electronic music as opposed to music performed in the studio. As a composer, Tudor relies on technological tools that are both flexible and complex: he uses mostly modular electronic devices, many of which he built himself. His method requires the choice of specific electronic components and transducers, whose interconnections define both composition and performance. The sound materials he employs unfold through broad movements in time and space, with many of his compositions associated with visual sources: light systems, dance, television, theatre, film or 4-colour laser projections. The only source of Microphone’s sound is the modulation of a microphone feedback produced in a distant echo chamber. The incidence and duration of the sounds are produced by the action of extremely close (narrow band) peak/notch filters (used in both modes), inserted into the lead signal. Each of the 9 versions is performed by the composer and simultaneously recorded on four tracks. Then the four tracks are spliced onto two, using a pan-matrix. The final product is a library of 9 stereo tapes, each about 32 min. long, which can be used in any combination, for live performances or for electronic installations. In these performances the tapes are played and stopped at any point, rewound and played again, altered in amplitude and/or equalisation, rotated on any given channel, etc., at will, for any period of time. A live performance of Microphone (for instance without tapes) can be achieved by employing (a minimum of 4) performers using duplication systems, each one with 2 speakers. This 1973 instantiation of Microphone covers a work originally conceived for the Pepsi Pavilion of Expo ‘70, in Osaka, Japan. Conceptually, the original work derives from discoveries made through the composer’s collaboration in the design of the Pavilion’s acoustic system. Sound diffusion was achieved through the use of 37 loudspeakers placed in a rhomboid grid system covering 3/4 of the sphere. The original tapes for Microphone were recorded in May 1973, at the Mills College Centre

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Days Of Sorrow

Remembering The Days

18,99 €*

LP | 1984 | US | Original (Motown)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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First ever vinyl reissue of this sought-after POST-PUNK / COLD WAVE / MINIMAL SYNTH 12” from 1984, Germany. Days Of Sorrow formed in Dortmund in 1981 by a bunch of school friends influenced by the Post-Punk / New Wave scene. They were William Lennox (vocals, keyboard) André Schreiber (bass), Wolfram Huber (guitar) and Nicolai Sabotka (drums). Soon after, John Tollhaus, who ran a tiny record label (Tollhaus Records), discovered them at one of their rehearsals and impressed from what he heard and saw, helped the band to release their first 12”. “Remembering The Days” saw the light in 1984 and featured four excellent tracks: “Wild World”, “War”, “Travel” and “Don’t Leave Me Drowning”. A perfect mix of post-punk and minimal synth / cold wave. Dark and powerful sound with distorted guitar, minimal synths, drum machines, cold vocals…No wonder this is one of the most sought after minimal synth 12” from the 80s Euro scene. In 1985, Days Of Sorrow signed a deal with Rough Trade and after some line-up changes and a couple of releases, the band split up just before a scheduled Spanish tour.

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Dazz Band

Jukebox

11,99 €*

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

In Too Deep (Off Yer Mong Mix)

Dead Or Alive

12" | 1985 | EU | Original (Epic)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1984 | DE | Original (Sunnyview)

Debbie Deb

When I Hear Music

10,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

12" | 1986 | US | Original (Atlantic)

Debbie Gibson

Only In My Dreams

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1987 | EU | Original (Atlantic)

Debbie Gibson

Shake Your Love

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | EU | Original (Atlantic)

Debbie Gibson

Shake Your Love

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Debbie Jacobs Featuring Jolo / Marianna

In The Heat Of The Night / The Big Hurt (Remix)

12" | 1985 | UK | Original (Fantasia)

Release: 1985 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

High On Your Love / Hot Hot (Give It All You Got)

Debbie Jacobs

12" | 1979 | NL | Original (MCA)

Release: 1979 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1980 | DE | Original (CBS)

Debbie Neon

American Nightmare

Once More Into The Bleach

Release: 1980 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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Deborah Harry / Blondie

2LP | 1988 | US | Original (Chrysalis)

39,99 €* 49,99 € -20%

12" | 1984 | DE | Original (ZYX)

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with saw cut, close to VG+

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Deborah Kinley

Surprise

Release: 1984 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1981 | DE | Original (Ariola)

Debra Dejean

Are You Lovin' Somebody

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Holle Holle (Indian Acid Trip And Alright In Raj's House Versions)

Deepak And Khan

12" | 1988 | UK | Original (Circa)

3,59 €* 3,99 € -10%

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

That's Where You'll Find Me

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Déjà

12" | 1987 | US | Original (Virgin)

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1985 | EU | Original (Baby)

Den Harrow

Future Brain

Release: 1985 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1985 | US | Original (Comeny-Records)

Depro Art

Ghettolife

Release: 1985 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1988 | US | Original (Motown)

Desiree Coleman

Desiree

Release: 1988 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Volkskunst Aus Dem Knabengebirge

Detlef Diederichsen

LP | 1982 | DE | Original (Konkurrenz Schallplatten)

LP | 1979 | DE | Reissue (Kuckuck)

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original inner sleeve included.

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Deuter

Ecstasy

Release: 1979 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | EU | Reissue (Black Sweat)

Deuter

OST Princess Of Dawn

18,99 €*

Silence Is The Answer / Buddham Sharnam Gachchami

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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New Lp-edition of an obscure un-released library of the early ‘70s.
Together with Florian Fricke, Peter Michael Hamel and Stephan Micus, Deuter is certainly the main responsible of a fruitful encounter between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a “library” to be used for films, TV and radio. As a library it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure “kraut” ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneesh's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration, Haleakala, Ecstasy and Silence is the Answer. Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative “space-relax” tones of some tracks (Triad, Deep Sea, Gothic Velvet or Evening) to the most amused formulations of pulsating analog synths that in the hands of Deuter become “toy-equipement” to modulate and explore (Desert Rock, Synth Effect, Flea Dance or Laser). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian (Reed, Arabia) or devotionally solar themes (Tom Bombaddils Dance), so evoking an air of diffuse peace then completely conquered in the beloved India.

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Deuter

2LP | 1984 | DE | Reissue (Kuckuck)

Release: 1984 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | EU | Reissue (Our Swimmer)

Deux Filles

Double Happiness

24,99 €*

LP | 1983 | JP | Original (Canyon International)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The.

Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.

Double Happiness is the duo’s second album, originally released in 1983 on their own imprint, Papier Maché. Full of meandering guitar and with a more ominous tone than the debut, the album is recommended for fans of Durutti Column and Thomas Leer & Robert Rental’s The Bridge.

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Dial M

Dial-M

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | EU | Reissue (Intravenal Sound Operatio)

Diamanda Galás

The Divine Punishment

34,99 €*

12" | 1984 | UK | Original (Capitol)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

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On June 30, 1986, the same day that Diamanda Galás's The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia's so-called sodomy law in Bowers v. Hardwick, criminalizing consensual sex between men. At the time, about 15,000 people were known to have died of Aids in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of Aids deaths globally would exceed 36 million. The first album in her Masque of the Red Death trilogy, The Divine Punishment is one of the most jarring works of art produced in response to the Aids epidemic, and a milestone in Diamanda Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and as well as a physical representation of Aids and those it afflicts.

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Diana Ross

Missing You

Release: 1984 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | US | Original (RCA)

Diana Ross

Ross

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | EU | Original (Capitol)

Diana Ross

Swept Away

Release: 1984 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Eclipse Splatter Vinyl Edition

Didier Bocquet

LP | 1977 | EU | Reissue (Cameleon)

27,99 €*

Die Singende Sternlaterne / Folklore Des Weltalls

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Reissue of extremely rare kosmische/electronic/experimental/ambient album by Didier Bocquet, originally released in 1977 on the Kiosque D'Orphe label. Limited to 300 copies on splatter vinyl.

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Die Welttraumforscher

LP | 1982 | EU | Reissue (Planam)

28,99 €*

LP | 1985 | EU | Reissue (Exil)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Planam very proudly presents you "Die singende Sternlaterne / Folklore des Weltalls 1982" by Die Welttraumforscher. This record includes the first time LP edition of the mysterious swiss electro-dada artist's second cassette as well as previously unreleased material. Issued in conjunction with Christian Pfluger first comprehensive retrospective "Ein Sommer in der Wirklichkeit" (i.e. "A Summer in Reality") at Kunsthaus Langenthal and the corresponding monograph "Songs, Signs, Explorations" presenting drawings, music, lyrics, films and other rare material. When Die Welttraumforscher set out on 14 July 1981 no one could have realized that their journey would not be over soon. For more than thirty years now, Swiss Christian Pfluger has been working on drawings, texts, films and songs for the fascinating universe of the imaginary trio, which is well populated with figures like Leguan Rätselmann or Kip Eulenmeister and his astronauts of the spirit. In the course of that journey, among other things, over 35 music cassettes, LPs and CDs have been released, presenting minimal songs that the Welttraumforscher themselves call "Bretzelberg Pop" and "Space Folklore". After the now sold out "Herzschlag Erde / Verdunkelt die Sinne" PLANAM and A Tree in a Field Records have now re-issued the Welttraumforschers' second cassette, including the previously unreleased album "Folklore des Weltalls 1982" (not to be confused with the 1989 "Folklore des Weltalls" which is a different story). Translator's note: The expression "Welttraum" in "Die Welttraumfroscher" is a play on the words "Weltraum" (Universe), "Welt" (world) and "Traum" (dream). "Die Welttraumforscher" can both be read as "The Explorers of the Universe" as well as "The Explorers of the Dream of the World". Edition limited to 350 copies.

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Dissidenten & Lem Chaheb

Sahara Elektrik

26,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12" | 1988 | DE | Original (Check In Records)

DJ Fuzzy

Stooopp Grooovve

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1985 | DE | Original (Rush)

DJ's Factory

A View To A Kill

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

7" | 1988 | EU | Original (Empty)

Doc Wör Mirran

Deadthings In Love

10,99 €*

Get Out Of My Mix (Special Dance Version)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Original old stock. Six-track single from 1987, by this free-form collective led by Joseph B. Raimond (treatments, drawings, guitar, dulcimer, synth). Limited edition of 50 copies, somehow still available.

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Dolby's Cube

12" | 1983 | US | Original (Capitol)

Release: 1983 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Haven't We Said Goodbye Before

Dollar

12" | 1986 | UK | Original (Arista)

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | EU | Original (Metronome)

Dollar

O L'Amour

LP | 1980 | EU | Reissue (Editions Mego)

Release: 1987 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Small sticker on cover.

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Dome

LP | 1980 | EU | Reissue (Editions Mego)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of »using the studio as a compositional tool« and recorded and released three Dome albums on their own label in the space of 12 months: »Dome« (July 1980), »Dome 2« (October 1980) and »Dome 3« (October 1981). A final fourth album, »Will You Speak this World: Dome 3« was released on the Norwegian Uniton label in May 1983.

These albums represent some of the most beautifuly stark and above all timeless exercises in studio experimentation from early 1980s alternative music scene.

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Dome

LP | 1981 | EU | Reissue (Editions Mego)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Dome

22,79 €* 23,99 € -5%

2LP | 1972 | EU | Reissue (Distance)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Don Bradshaw-Leather

Distance Between Us

28,49 €* 37,99 € -25%

LP | 1987 | US | Reissue (Pine Hill)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

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Don Harriss

Elevations

36,99 €*

LP | 1983 | US | Reissue (Numero Group)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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What is it like to be up in that ominous, dark blue/pink sky that we stare at in wonder? Without the use of a single word, Don Harriss shifts the unknown universal connection to the forefront of the mind with the mystical collection of compositions on his album Elevations. Originally released in 1987, this album is seeing its first-ever appearance on vinyl. This ambient, melodic new age masterpiece will bring you to unspoken places. Tracks like “Motion #4”, “Impromptu” & ”The Tortoise, The Temple & The Rain” showcase the album’s element of depth. Various diverse themes carry you all the way to the beautiful closing track “Caravans.” To the right age audience, this album is highly reminiscent of some of the best 80s & 90s video game soundtracks. This could fit right onto the Ecco The Dolphin 1992 Sega Genesis soundtrack. Other tracks could be well-imagined in 1994’s Donkey Kong Country on Super Nintendo. If you’re into ominous, extremely well-done OSTs, this is for you. This album is highly appreciated & widely overlooked.

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Don Slepian

Sea Of Bliss

12" | 1986 | US | Original (Tremper Records)

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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First ever vinyl edition of the landmark 1980 cassette by synth wizard Don Slepian. Utilizing the fabled and notoriously complex Alles digital synthesizer at the Bell Laboratories scientific research center, Sea Of Bliss features two transcendent cascading sidelong tracks, to easily qualify as one of the ultimate pinnacles of the new age genre. Cut with care using the Direct Metal Mastering process, and featuring cover artwork by visionary artist Jonathan Meader.

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Donna Garraffa

Don't Make Me Wait

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1979 | JP | Original (Casablanca)

Donna Summer

Bad Girls

14,99 €*

2LP | 1982 | EU | Reissue (Driven By The Music)

Release: 1979 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing
OBI not included.

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Donna Summer

43,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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12" | 1986 | DE | Original (Chic)

Donnette Robbins

We're Close To Heaven

4,89 €* 6,99 € -30%

7" | 1981 | JP | Original (Overseas)

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Doris D And The Pins

Dance On

The Marvellous Marionettes

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Doris D And The Pins

7" | 1981 | JP | Original (Overseas)

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Your Prayer Takes Me Off / The Captain Of Her Heart

Double

12" | 1985 | DE | Original (Metronome)

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Pam Beach Club - Saint Tropez

Douce France

7" | 1986 | FR | Original (Not On Label)

Acid Story 35th Anniversary Yellow Colored Vinyl Edition

Release: 1986 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Back cover with faint ring wear.

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Dr. Phibes

12" | 1988 | EU | Reissue (DiKi)

16,99 €*

Acid Story White Transparent Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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One of the very first compositions by Bruno Sanchioni (Age of Love, Bbe), released in 88 just at the beginning of the New Beat phenomenon that marked the history of Belgian music.

Along with Confetti's and Amnesia, it was one of the most popular tracks of its time and marked the start of a long and promising career for Bruno Sanchioni. Just 2 years later, he composed the original bassline for the legendary track "Age of Love", which, thanks to Jam & Spoon's remix, was to stamp the electronic music scene for several generations. Based on video clash created by the visionary Lil'Louis, the original slow tempo was enhanced by the highly recognisable vocal "The Story" and a simple but highly effective melody. It was already remixed 10 years later by Viper, with a rhythmic pattern once again inspired by the Chicago pioneers.

25 years on, this track still evokes emotion and still inspires a good number of artists to want to touch it up, and for the track's 35th anniversary it seemed appropriate to pay it a vibrant tribute by offering several remixes split into two different vinyl projects. In a faster, more acid-influenced style, the first project features a remix by Djhs, Manu Kenton and Furax, emblematic artists from the north of France, and is completed by Viper's excellent 98 remix for those who haven't heard it yet. Djhs is behind the legendary acid track 'Spokesman', Manu Kenton is one of the flagship artists of the 'Ghoststyle' label and Furax is behind 'Big Orgus'.

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Dr. Phibes

12" | 1988 | EU | Reissue (DiKi)

Destiny (The DMC Remixes)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this club classic from 1988, remastered for 2021.

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DSM

12" | 1988 | DE | Original (Streetheat)

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1986 | EU | Reissue (DBH)

Duane & Co

Hardcore Jazz

11,99 €*

12" | 1986 | EU | Reissue (DBH)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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DBH Music proudly presents the new inhouse label called DBH! We're very happy and proud to represent with the first release the first ep which came out on legendary Dance Mania Records! "Hardcore Jazz" by Duane & Co. was done as a hommage to James Brown. Special thanks to Ray Barney! Here are some words by Duane Buford: Some yers ago my friend and Mentor Ray Barney started a record label and we sat down and talked about his 1st release, I sat down in my basement and put something together little did I know years later it will be reissued, a little while later we did our second release which was really successful. I really give thanks to Dancemania records a label Ray Barney and I started, many others have tried to claim that they started this record label but all of them are totally full of s*** . A little while later ended up getting signed to a major record label which actually served no purpose for me what so ever, it was'nt the label it was the people i was involved with at the time, I was making more money with Ray Barney and Dancemania. Moral to this, take care of your paper work when you release your music, don't sign away your publishing, you never know where your song will end up.

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Duane & Co

Hardcore Jazz

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 1983 | EU | Reissue (Music From Memory)

Dub Oven

Skin 'N' Bones

16,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Music From Memory’s final 12" for 2017 is a reissue of Dub Oven's self released, and sadly one-off, 1983 EP 'Skin N Bones’.
Pioneers in the Post Punk Industrial and New Wave scene in 1980’s San Francisco, Gary Miles (Voice Farm) and Blaise Smith (Minimal Man), met at San Francisco’s notorious 181 Club in December of 1982. This straight/same sex/swing-both-ways late night dive bar was tucked away in one of the city's most risky, drug riddled neighbourhoods. Stationed near the SF Museum of modern Art it attracted a wild audience of local patrons, aspiring young artists and music heads. In the thick of all this the duo felt impartial to a lot what was going on musically and set out to produce electronic music that could break through the "somewhat exhausted post disco sound that was then competing in the local San Francisco clubs". Enlisting soul vocalist Celeste Miller, the duo were also inspired by Lee Perry / Upsetters dub tracks being produced in Jamaica and created a unique breed of avant guard hybrid New Wave/Electronic Funk.
With it's influences seemingly as much rooted in the past and the present as it was focused on the future; Dub Oven formed a distinct, mystical approach to music intended for the dance floor. All three tracks on this 12" embody a signature groove and an inventive synthesized abstraction to express a languishing urban unsettledness and spiritual awareness. Recorded at L7 Studios in San Francisco with the assistance of the the studio’s in house producer Marco Perry (who currently now works with Bjork) the record was unfortunately overlooked by A&R at several major and even local labels and was finally self-released in very limited quantities. Utilising analog electronics and instrumentation, the record draws on elements of dub, new wave, soul and funk to create a sound that is uncategorizable and one that was perhaps simply too forward thinking for it’s time.

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7" | 1988 | JP | Original (EMI)

アイ・ドント・ウォント・ユア・ラヴ

Release: 1988 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

007 美しき獲物たち = A View To A Kill

7" | 1985 | JP | Original (EMI)

9,99 €*

Release: 1985 / JP – Original

Genre: Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: Near Mint

7" | 1985 | UK | Original (Parlophone)

A View To A Kill

Release: 1985 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1985 | UK | Original (Parlophone)

A View To A Kill

11,99 €*

Release: 1985 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

A View To A Kill (Im Angesicht Des Todes)

7" | 1985 | EU | Original (EMI)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

7" | 1988 | UK | Original (EMI)

All She Wants Is

Release: 1988 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1988 | EU | Original (EMI)

All She Wants Is

Release: 1988 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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All She Wants Is (Euro Dub Mix)

12" | 1988 | EU | Original (EMI)

5,99 €*

Release: 1988 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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All She Wants Is (US Master Mix)

12" | 1988 | DE | Original (EMI)

Release: 1988 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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LP | 1984 | JP | Original (EMI)

Arena

31,99 €*

Release: 1984 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing with obi and inserts. very close to NM

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LP | 1984 | US | Original (Capitol)

Arena

18,99 €*

Release: 1984 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US WInchester pressing. With booklet and insert. close to NM. Stamp on front cover. Original inner sleeve

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2LP | 1988 | EU | Reissue (Parlophone)

Big Thing

95,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny wear. 2015 reissue.

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12" | 1981 | UK | Original (EMI)

16,99 €*

Release: 1981 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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12" | 1981 | UK | Original (EMI)

Release: 1981 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Record has many hairlines and surface marks. Cover has small seam split and ring wear

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12" | 1981 | UK | Original (EMI)

Release: 1981 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM.

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7" | 1981 | PT | Original (EMI)

Release: 1981 / PT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1983 | JP | Original (EMI)

Carnival

29,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1983 | JP | Original (EMI)

Carnival

28,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI and insert. Few scuffs. cover is close to NM.

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12" | 1982 | EU | Original (EMI)

Carnival

20,99 €*

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

seam splits

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LP | 1983 | JP | Reissue (EMI)

29,99 €*