Electronic & Dance Vinyl 1405 Items

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1985 / BE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Damaged label (plain, no text)

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107-34-8933

Numbers

20,99 €*

12" | 1988 | UK | Original (London)

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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2 Brave

Stop That Girl (Remix)

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2 Men A Drum Machine And A Trumpet

I'm Tired Of Getting Pushed Around (Remix)

12" | 1988 | EU | Original (Metronome)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | DE | Original (Autobahn)

2 plus 1

Easy Come, Easy Go

12" | 1983 | EU | Original (A&M)

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover

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52nd Street

Cool As Ice

10,99 €*

Release: 1983 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1979 | DE | Reissue (Polydor)

801

801 Live

11,99 €*

Release: 1979 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Against The Dark Trees Beyond

A Blaze Colour

LP | 1982 | EU | Reissue (Onderstroom)

23,74 €* 24,99 € -5%

12" | 1988 | US | Original (Sheik)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

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Abbe Kanter

Matter Of Time

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | JP | Original (Mercury)

ABC

The Lexicon Of Love

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Look Of Love (Parts One And Two)

ABC

7" | 1982 | JP | Original (Mercury)

12" | 1988 | NL | Original (Hip Hop)

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Access Denied

Run From The Shot

Release: 1988 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | DE | Original (BCM)

Adams & Fleisner

Space Effects Vol. 3

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1979 | DE | Original (Sky)

Adelbert Von Deyen

Nordborg

12" | 1979 | EU | Reissue (Best Record Italy)

Release: 1979 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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Adolf Stern

More... I Like It

16,99 €*

12" | 1988 | UK | Original (MCA)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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The most obscure and sought after italian electronic release, but also another extraordinary 70s output from the legendary Regson Studio of Milan remembering in 1976 "Funky Bump" and a year later "Disco Shitan", both produced by Pino Presti. The eclectic brother of Vangelis chit> he was playing keyboards like him, helped by Yorgos Pentzikis for the "vocoder" vocals, reached the right sound for one of the craziest electronic disco song now available for for the first time on 12, containing also the unreleased instrumental version. Nikos Papathanassiou in 1976 achieving success with the disco-hit "U" by Chrisma, but Maurizio Arcieri cousin of Pino Presti and Chrisma's leader, moved towards new-wave and punk. So for the orchestral conducting of a new cosmic-disco project titled MoreI Like It he involved Rodolfo Grieco who later produced in the emerging genre of Italo-Disco great classics like "Going Crazy" by Lily Ann."

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Adrenalin M.O.D.

O-O-O

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Burkina Faso (Wagadugu Blues)

Adu

12" | 1982 | UK | Reissue (Emotional Rescue)

15,99 €*

Watching The Dance Silver Colored Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Electronic & Dance

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Emotional Rescue can be relied on to dig up obscure, left of centre dance gems and serve them up to newer, wider audiences. Adu's reggae-pop cut 'Burkina Faso' is a great example, re-purposed for the dancefloor without any of its original flavour lost in the overhaul. A South Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

22,99 €*

LP | 1982 | EU | Original (CBS)

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

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After The Fire

Der Kommissar

5,99 €*

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1984 | FR | Original (RCA)

Agents Aren't Aeroplanes

The Upstroke

Release: 1984 / FR – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1984 | UK | Original (Proto)

Agents Aren't Aeroplanes

The Upstroke

LP | 1985 | DE | Original (Polydor)

Release: 1984 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Price tag.

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Agnetha Fältskog

Eyes Of A Woman

Release: 1985 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | EU | Reissue (Tokuma)

Akio Niitsu

I/O(I･O)

36,99 €*

LP | 1986 | Reissue (Glossy Mistakes)

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.

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Akira Ito

Marine Flowers

29,99 €*

7" | 1974 | US | Reissue (Motown)

Release: 1986 / Reissue

Genre: Electronic & Dance

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Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multi artist Akira Ito. An album that is unique, delicate, exploratory… a true one-of-a-kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.

Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.

But Akira’s musical interests changed throughout his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music. Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First, he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”. Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.

Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka.

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Al Green

Take Me To The River

11,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1985 | YU | Original (Suzy)

Al Jarreau

In London

Release: 1985 / YU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

LP | 1979 | UK | Reissue (Finders Keepers)

Alain Pierre

Des Morts (Of The Dead)

22,49 €* 24,99 € -10%

LP | 1982 | EU | Reissue (Libreville)

Release: 1979 / UK – Reissue

Genre: Electronic & Dance

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Expanded reissue of mega rare 1979 unknown vanity pressing LP that blends ethnological field recordings, musique concrète principles, and introspective synthesizer music from this cult European studio maverick and historic collaborator of COS, Philippe Druilet, Marc Moulin, and John Surman. Alain Pierre's Mondo movie soundtrack to the controversial Des Morts shares very few stylistic rivals, but fans of Jodorowsky's The Holy Mountain soundtrack and some of the more eldritch early sampling experiments of Jean-Pierre Massiera will certainly draw fragmented comparisons herein. Other listeners might file this album at the weirder end of your Smithsonian Folkways shelf, just before the Video Nasty soundtracks. Presented in remastered form comprising extra vintage studio outtakes (in accordance with the films morbid narrative), Des Morts serves as a would-be sequel to Finders Keepers' previous Ô Sidarta release witnessing Pierre balance his allegiance to the Belgian bandes dessinée scene and Thierry Zéno's shock cinema oeuvre from the heart of his uber-legendary Brussels based experimental recording studio through the 1970s. Presented in remastered form comprising extra previously unreleased vintage studio outtakes. Edition of 750.

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Albert Alan Owen

Following The Light

25,99 €*

LP | 1979 | EU | Reissue (Libreville)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Lovely crafted tip-on sleeve. Remastered from the master tapes. 600 copies.

Recorded in 1982, Following The Light is the third album british composer Albert Alan Owen recorded for the Apollo Sound Label.
Originally a Library oriented Music label, Apollo Sound by the mid 70s commissioned contemporary musical pieces from new composers, aiming presumably to provide atmospheric backgrounds for film, television and advertising, and to feed the burgeoning demand for ‘New Age’ music. Therefore comes Following The Light.
While certainly melodic, Owen’s music makes no concessions to mid-afternoon mindfulness or commercial use and reuse. Instead, Following The Light - whose title is taken from the Tao. Number 27 - is a deep and immersive listening experience, clearly the work of a singular musical imagination following its own rules in its own way.
With the help of Katherine Sweeney on violin and Milada Polasek on electric piano and organ, Albert Alan Owen recorded Following The Light in “live” conditions, taking profit of a strong use of the digital effects which were in its infancy at this time; the music was written to make the most of what technology was available, resulting a singular piece of music of sheer beauty
The record demands to be considered as a stand-alone unit, its three sections unfolding elegant and propulsive by turns, as reoccurring themes answer each other through the layers. There are echoes of Reich and Riley in the use of delay, that warm rolling repetition and those bass pulses. But this is not in the service of a system. There is something more lyrical, more humane at work in the music.
With Following the Light, Albert Alan Owen has given us a record that stands outside of time and place, it’s familiar elements made strange and new, all bathed in magic hour light.

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Albert Alan Owen

Keyboards & Strings

28,99 €*

Rockmantico Red Vinyl Edtion

Release: 1979 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.

In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside. In 1979, 29-year-old Albert Alan Owen released “Keyboards & Strings”, a light magical chamber music masterpiece. Transcending the formal conventions of its era, “Keyboard & Strings” is an acoustic and electric piano piece, where the violin is met by synths and electronics.

As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, “Keyboard & Strings” stands out as an electronic-age tone poem, a rare gem that transcends time and place.

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Alberto Camerini

LP | 1982 | EU | Reissue (Catalog)

24,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1978 | US | Original (Casablanca)

Alec R. Costandinos

Trocadero Lemon Blue

10,99 €*

Aleem Featuring Leroy Burgess

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back. Vinyl close to VG+

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Casually Formal

LP | 1986 | US | Original (Atlantic)

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

2LP | 1985 | EU | Reissue (Rotorelief)

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Alesia Cosmos

Aeroproducts

39,99 €*

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | US | Reissue (Dark Entries)

Alesia Cosmos

Exclusivo!

21,99 €*

12" | 1986 | EU | Reissue (ZYX)

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Culture. Under the influences of William Burroughs, John Cage, Pierre Henry and others, he developed tape music studio work. By 1982 he appeared for the first time under the name Alésia Cosmos Furi Show. It was a solo performance on guitar, voice, analog synth and tapes. This experimental show lead to a music project based on Bruno and Pascal's compositions to be performed and recorded with other musicians in the beginning of 1983.

Exclusivo! was the group’s debut album recorded and self-released in 1983 on Planetarium. Pascal and Bruno would compose tunes in their personal home studios. Then they would bring the tapes, electronics, guitar lines and lyrics to experiment and rehearse with the other members of the group. Improvisations and adaptations brought more ideas and the album was recorded in a few days. The result was a musical mixing of electronic music, field recordings, North African and Asian percussion, electric guitars and voices, compositions and free improvisations. All four musicians take turns singing onomatopoeic phrases and backing vocals, even sometimes in an unknown language, a sort of mixed bag between Breton and Japanese. All songs have been remastered cut by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a replica of the 1983 cover and includes a 6-page insert with photos, lyrics, reviews and liner notes by Bruno de Chénerilles.

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Alex Chroma Band

A New Day

Computer Sourire Clear Vinyl Edtion

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

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Reissue of this italo disco rarity from 1986 with remixes by Flemming Dalum and Rey David Diaz.

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Alexander Robotnick

LP | 1985 | EU | Reissue (Lantern)

12" | 1986 | JP | Original (Vanguard)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance, Pop

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Fully remastered and licensed, ltd to 500 copies on clear vinyl Yet another chapter in the ongoing Alexander Robotnick saga. Electronic wizard Maurizio Dami licensed his second single in 1983 on Materiali Sonori ‘club series’ Fuzz Dance. After the surprising and astonishing success of the debut - Problèmes D'Amour – Robotnick became a sort of cult figure even in the United States and soon was labeled as a forerunner of the electro movement.

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Alisha = Alisha

Baby Talk = ベイビー・トーク

28,99 €*

12" | 1985 | DE | Original (Vanguard)

Release: 1986 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with OBI has tiny wear.

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Alisha

Boys Will Be Boys

Release: 1985 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

For You Only (Extended New Version)

Alison Moyet

12" | 1985 | EU | Original (CBS)

Dance With Me (Empire Remix)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Small sticker on cover.

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Alphaville

12" | 1986 | EU | Original (WEA)

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

7" | 1985 | EU | Original (WEA)

Alphaville

Jet Set

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | EU | Reissue (Our Swimmer)

Alvin Curran

The Works

29,99 €*

LP | 1976 | EU | Reissue (Dialogo)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

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Alvin Lucier

Bird And Person Dyning

25,99 €*

12" | 1988 | DE | Original (Memory)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Bird and Person Dyning is his first solo recorded work; originally released on the Italian Cramps Records label as the 11th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Bird and Person Dyning is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Bird and Person Dyning”: The Duke of York (1972) “A long time ago I wanted to build a grotesque jukebox. I thought of merging three or four old jukeboxes and then recording sounds on 45s, so that you could mix the sounds together. [...] The original idea of this work was about the power of singers and vedettes in our society and the hypothesis that their vocal personalities are present in our memory at different levels and, in addition, that all of us, living or dead, might somehow be part of a huge composite identity that is constantly changing with the birth and arrival of new people. The Duke of York is an attempt to elaborate these ideas. A single performer chooses and determines the order of an indefinite number of whole songs, speeches, arias, selected excerpts from books, letters, poems, films, plays, TV series or any other vocal sounds, including non-human ones. The actual duration of these sounds is altered by one or more people using synthesisers or other electronic tools, basing their choices on memories or similar experiences. Once altered, for example through a filter, the example can no longer be undone, and other changes must be made to the previous examples. The effect is that of a vocal identity made of layers of separate and partial iden tities. [...] The Duke of York was composed in 1971 and was performed in its current version on 19 February 1972 at the Metropolitan Museum of Modern Art in New York. Bird and Person Dyning (1975) for performers with microphones, amplifiers, speakers and a sound object. One day I got an electronic bird in the mail. It was a silver ball with an electrical cord that, when connected, made a sound similar to that of a chirping bird [...]. A few months later I read an article in «Scientific American» about how certain birds that fly at night, particularly the bunting, cross long distances by partly orienting themselves looking at the position of the stars in relation to the rotation of Earth [...]. I owned a Sennheiser binaural microphone consisting of two mini microphones which, when introduced into the ears of a dummy or a person, faithfully reproduced the sounds as heard when they were bouncing inside the head and in the ear canals. I began experimenting by moving the sounds of the bird between two speakers, listening to them through the two mini microphones inserted in my ears, as I walked slowly through the space between the two speakers. The amplified chirps moved left and right according to my movements, creating small time delays and phase-shifts in relation to the position of the motionless bird. Sometimes the microphones would resonate with the loudspeakers, thus generating a Larsen feedback, and I could control the timbre and volume with small head movements [...]. A performance of Bird and Person Dyning is a live exploration of these phenomena. The title is meant as an exact description of the activity.

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Amadhouse

Shock Me Amadhouse

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1986 | EU | Original (Island)

Amazulu

Too Good To Be Forgotten

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Amii Stewart And Mike Francis

Together

12" | 1985 | DE | Original (RCA)

12" | 1979 | DE | Original (Hansa International)

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Small sticker on cover.

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Amii Stewart

Knock On Wood

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1979 | DE | Original (Hansa International)

Amii Stewart

Knock On Wood

13,99 €*

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker tear. With poster.

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Andre Hazes

Eenzame Kerst

12,14 €* 26,99 € -55%

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Music On Vinyl)

Andre Hazes

Met Liefde

12,95 €* 26,99 € -52%

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | DE | Original (Leo Musik)

André Szigethy

299,99 €*

12" | 1983 | DE | Original (Leo Musik)

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Test Pressing.
Small audible scuff on B1, other wise VG+.
Includes poster and booklet.

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André Szigethy

Geisterfahr'n

19,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: VG

... Behind The Gardens - Behind The Wall - Under The Tree ...

LP | 1981 | US | Original (CBS)

Release: 1981 / US – Original

Genre: Electronic & Dance

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Medium: VG, Cover: VG

...Behind The Gardens - Behind The Wall - Under The Tree...

LP | 1981 | DE | Original (CBS)

Release: 1981 / DE – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

Caverna Magica (...Under The Tree - In The Cave...)

LP | 1983 | EU | Original (CBS)

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Medium: Near Mint, Cover: VG+

Caverna Magica (...Under The Tree - In The Cave...)

LP | 1983 | EU | Original (CBS)

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with sticker

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LP | 1986 | CA | Original (FM)

Down To The Moon

Release: 1986 / CA – Original

Genre: Electronic & Dance

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Medium: Near Mint, Cover: VG+

Andrzej Marko / Andre Mikola

Fly Me To The Sun (Coloursound)

LP | 1983 | EU | Reissue (Be With)

27,99 €*

LP | 1978 | DE | Original (Well Known Records)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record.

Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop.

The wonderfully sleaze-adjacent opener "Dhamma" includes some grandiose piano chords amid floating ambient sounds a la Steve Hillage with slick drums entering the fray at a languid pace. "Circulation" sounds like Bowie ran into Chaz Jankel during an extended stay in Los Angeles, the Thin White Duke emerging out of a studio at 6am, bleary-eyed and clutching this filthy, bleepy instrumental of sonic smut. "Magic Scenery" is as delicate and astounding as the title suggests, a deep ambient movement conjuring halcyon images of rolling fields with abundant fauna and flora; acid-tinged visions of intense colour and natural beauty. Cool, slo-mo breaks adorn the strutting melancholy of “Longing for Tomorrow” and “Nocturnal Flowers” to close out Side A.

Skip the title track, which opens up Side B, and head straight to “Birth of a Butterfly” for a slice of creeping digi-dub-soul niceness. This should've been front and centre of that Personal Space compilation a decade ago. Raising both the tempo and the temperature, “Riding on a Sunbeam” continues in the mesmerising cosmic funk style before "Osmosis", one of the clear stand-outs, presents a fine vintage synth solo over a mellow funky rubberband beat. The closing track, "Solar Heating", warms things up with slapped bass and bold drum machine beats and the synth lends Sci-Fi vibes to the dark dub-funk-reggae rhythm.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Fly Me To The Sun comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Andy Goldner

∞

19,99 €*

7" | 1986 | JP | Original (Atlantic)

Release: 1978 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Small sticker on back cover.

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Andy Taylor

Take It Easy

7,99 €*

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

7" | 1986 | EU | Original (Atlantic)

Andy Taylor

Take It Easy

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop, Soundtracks

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Medium: VG+, Cover: VG

7" | 1986 | JP | Original (MCA)

Andy Taylor

When The Rain Comes Down

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1981 | DE | Original (Hansa)

Aneka

Little Lady

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1984 | US | Original (Arista)

Angela Bofill

Let Me Be The One

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1985 | UK | Original (Passion)

Angie Gold

Timebomb

Release: 1985 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Love Is Just The Great Pretender

Animal Nightlife

2x12" | 1985 | UK | Original (Island)

Release: 1985 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1985 | UK | Original (Island)

Animal Nightlife

Preacher, Preacher

Release: 1985 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1984 | DE | Original (Mercury)

Animotion

Obsession (Dance Mix)

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 1974 | US | Reissue (Fat Possum)

Ann Peebles

I Can't Stand The Rain

30,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)

Anna Domino

East & West + Singles

30,99 €*

Anna Homler And Steve Moshier

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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Les Disques du Crepuscule present a new, remastered vinyl edition of East & West, the bittersweet debut album by American singer-songwriter Anna Domino, originally released by the label in 1984.

East & West was recorded in Brussels in 1983 with guest contributions from Virginia Astley, Blaine L. Reininger (of Tuxedomoon) and alt-pop polymath Luc Van Acker. The five tracks on the original mini-album format include her first single Trust, In Love (an NME single of the week), and an exquisite cover of Land Of My Dreams, originally a hit for Aretha Franklin in 1965. Rare b-side track Repeating (from the same sessions) is also now added to the album.

Other bonus tracks include the popular singles Zanna, a 1984 collaboration with Luc Van Acker, and radio hit ‘Rythm’, produced a year later by legendary Telex founder and jazzmeister Marc Moulin. The expanded remaster closes with a previously unreleased demo song called Dream Back, recorded in New York City with her friend Stanton Miranda of Thick Pigeon in 1984.

The album retains the original cover art by Joel Van Audenhaege, and adds new liner notes written by Anna herself.

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Breadwoman & Other Tales

LP | 1985 | US | Reissue (Rvng Intl.)

30,99 €*

12" | 1985 | JP | Original (Epic/Sony)

Release: 1985 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM. Original inner sleeve. with booklet. 2016 reissue.

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Annie

DJ In My Life

LP | 1972 | JP | Reissue (P-Vine)

Release: 1985 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

With OBI. Vinyl seems unplayed. Cover is close to NM.

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Anthony Moore

Reed Whistle & Sticks

39,99 €*

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

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LP | 1980 | JP | Original (Victor)

Arabesque IV

21,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI. Few paper scuffs. close to NM

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LP | 1980 | JP | Original (Victor)

Arabesque IV

19,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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LP | 1981 | JP | Original (Victor)

Greatest Hits

15,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without obi.

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LP | 1981 | JP | Original (Victor)

Greatest Hits

7,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

with OBI and inserts

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LP | 1981 | JP | Original (Victor)

Greatest Hits

Arabian Prince And The Sheiks, The

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Situation Hot

12" | 1986 | EU | Reissue (Rawax)

12,99 €*

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Second release on the new Rawax East Coast Edition comes again from The Arabian Prince And The Sheiks! It's the 1986 hit "Situation Hot". The re-mastered black vinyl edition will be out in Novembver 2021. Highly recommemded!

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7" | 1985 | UK | Original (Parlophone)

Release: 1985 / UK – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG

7" | 1985 | US | Original (Capitol)

Release: 1985 / US – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

12" | 1985 | UK | Original (Parlophone Odeon Series)

Release: 1985 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Medium: VG+, Cover: VG

7" | 1985 | JP | Original (EMI)

11,99 €*

Release: 1985 / JP – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

Japanese promo has small punch hole.

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7" | 1985 | JP | Original (EMI)

Release: 1985 / JP – Original

Genre: Electronic & Dance, Pop

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Medium: Near Mint, Cover: VG+

Election Day (Cryptic Cut (No Voice))

12" | 1985 | UK | Original (Parlophone Odeon Series)

Release: 1985 / UK – Original

Genre: Electronic & Dance, Pop

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Medium: Near Mint, Cover: VG+

7" | 1986 | Original (Parlophone)

Goodbye Is Forever

Release: 1986 / Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

7" | 1986 | JP | Original (EMI)

Goodbye Is Forever

26,99 €*

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Medium: Near Mint, Cover: VG+

Japanese promo has small punch hole.

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Say The Word (Theme From "Playing For Keeps")

7" | 1986 | US | Original (Atlantic)

26,99 €*

Election Day / Life's What You Make It

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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Arcadia / Talk Talk

7" | 1985 | IT | Original (EMI)

Release: 1985 / IT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | UK | Original (Parlophone Odeon Series)

The Flame (Remix)

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

7" | 1986 | US | Original (Capitol)

The Flame (Remix)

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

7" | 1985 | DE | Original (Parlophone Odeon Series)

The Promise

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Overall close to VG+

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7" | 1985 | NL | Original (Parlophone Odeon Series)

The Promise

Release: 1985 / NL – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

The Promise (Extended Remix)

12" | 1985 | EU | Original (Parlophone Odeon Series)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

The Promise (Extended Remix)

12" | 1986 | UK | Original (Parlophone Odeon Series)

Release: 1986 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Promise (Extended Remix)

12" | 1986 | JP | Original (EMI)

56,99 €*