Dub Techno Vinyl 164 Items

Vinyl with many scuffs and hairlines.

After a long hiatus from the imprint over the past six years, white label Italian imprint Outlaw delivers welcomes the return of its label boss, Matthew Oh. Comprised of four originals with the labels dub-tinged aesthetic.
300 copies vinyl only! hand made stamped.

Clear vinyl seems unplayed. Limited edition with leatherette application on inner sleeve.

Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.
For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.
Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.
Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.
Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.
Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints.
Riyl: Andy Stott, Deepchord, Ellen Allien, Moritz von Oswald

Knowone! Fully recycled vinyl, recycled cover. 190g. Analog mastering, vinyl only. Manufactured by Matter Of Fact Vinyl - Andre Kronerts own pressing plant.

Limited edition. Numbered on cover.

After being featured on Berg AUDIOs >Horizons< compilation, Bucharests Jay Bliss is back on the label with his first solo release in more than seven years. What to expect? A delightful blend of deep, dub, minimal & even a disco influence for the highly awaited track >Neuromancer< ? Artwork by Juli Jah

Utter (in collaboration with 3xl) presents mu tate's second album 'they're with you always', featuring Joshua Inyang (Space Afrika), Nikolay Kozlov, Desirèe Monique, Igor Dyachenko and Mathilde.

Available on limited vinyl housed in a high-gloss sleeve artworked by Lucas Dupuy and Art Crime. Mastered by Ike Zwanikken then transferred and cut by Anne Taegert at D&M.

they're with you always inspired by a true story

Jack Russell - Destination Unknown EP - Ww01 If you enjoy this music, then it is for you. Our modus operandi is to provide djs and listeners with only the finest dance music possible. We focus on intrinsic groove for your dance floor and all our music is made with high quality ingredients. A respect for what has come before, with a mission to bring fresh sounds and sonic experiences. Underground Music, Brooklyn, NY

Stunning dub techno Inch. Markus Suckut Remix!

Label cover.

Healing Force Project continues its sonic journey towards territories of dub/reggae derivation. In this case, creating for Analog Versions, two tracks with a dark flavor, introspective but never banal. In the piece "The Bathysphere Stalks The Ganja", which gives the title to the 10inch record, there is a well-defined rhythmic gait, obviously with a markedly dub timbre and a structure that almost transforms into a jungle mantra, almost giving the listener a feeling of sensory loss. Continuing on this type of production and composition, "Jah Connection" develops on a slow groove in the first bars of the track, and then opens up to contexts close enough to the breakbeat and with a voice that repeatedly punctuates the riddim that is created step by step. Bottom line: whoever listens to this project just has to let themselves be carried away by these timeless sounds.

Dubai’s lo-fi wizards Shadi Megallaa & Abood Nasrawi aka Gyps take a break from their lo-fi experiments & venture onto the dancefloor with 3 original cuts aimed to make the bass bins rumble. We’ve also enlisted Dub master & Mosaic main-man, Steve O’Sullivan for a remix that takes the title track to another dimension.

For those who might have missed out on the sonic odysseys of Gyps1-6, fret not, as they await discovery on Bandcamp under the moniker "gypstapes

IAL welcomes Giacomo Pellegrino who arrives at our doors bringing a groovy and deep EP with his distinguishable sounds. Rich and precise sounds make this release an excellent tool for the dance floor accompanied by a fantastic remix by Delano Smith, who by speeding up the rhythm leaves his unmistakable stamp on a perpetual and devastating mood. This fourth release in a limited copy of 300 is unmissable!

close to NM

White vinyl! Still in shrink but opened.

White label test pressing in generic sleeve!

Price tag. Writing on label sticker.

Record is close to VG+.

stickers on label stickers

First release from the Portuguese vinyl only label, Dreams Come True. Born from the childhood dream of his mentor Ostinato, DCT aim to reflect his passion for vinyl records and electronic music. For this first release, nothing better than bring together friendship, passion and talent. In the last couple of years Floog and Ostinato became close friends and crafted this release togheter. The original tracks from Floog reflect all his versatility fusing minimal with some spicy and tasty vocals, following a different path of the classic rominimal sound. The remixes are the reflection of the label owners personal taste. Antraum (Traumer and Anton) did a huge remix with an infectious groove, a huge bassline, and certain sound complexity that makes you dance from the first to the last beat. Ted Amber its for sure one of the bastions of the classical Rominimal sound. This remix shows all his talent to build unique vibes in each release he does. Dreams Come True is now unleashed, and we ll keep sharing them with you.

As deep as it comes, two unwinding cuts of beautiful deep house.. Hand scrubbed textured record sleeve, with custom stamp by Ciaran Birch. “Escape” from abusive family ties is almost a cliche in modern media. In practice, the threshold for self-informed decoupling from said abuse is often socially out of reach for those that have in fact been abused, both physically and/or psychologically. We feel shame for even entertaining the idea of getting rid of people in our lives that are joined to us by blood. Instead of genuine mutually-assured connection, we feel duty-bound to them - no better than a minimum wage retail job without which we would become homeless. Had these people been anything other than family, we would have ditched them long ago. I encourage a decoupling from the family unit and giving up on any hope you had for improved relations. This record has been mastered without compression in an attempt to counter the over saturation of three minute, brick-walled, max-energy production trends in contemporary dance music.

San Francisco dub techno magician is in the game, but wait a minute.. Does anybody know What Robot Says? Vinyl Only Introducing the debut EP from the visionary electronic artist Federsen, What Robot Says Records proudly presents a mesmerizing journey into the depths of dub-infused electronic music. Hailing from the vibrant city of San Francisco, Federsen, also known as Chris Kelly, brings forth a sonic landscape rich with the influence of dub reggae recording techniques. Within this inaugural release, Federsen masterfully melds vintage tape delays and analog equipment to craft a sonic experience unlike any other. Each track within the EP is a testament to Federsen's meticulous attention to detail and his ability to weave intricate melodies with hypnotic rhythms. Opening the EP is "High Pressure," a seamless blend of precise minimalistic percussion and ethereal melodies, effortlessly drawing listeners into a world of hazy dub textures. Following suit is "Sono," where deeper melodic layers intertwine with Federsen's signature sophistication, creating a timeless elegance that permeates every note. As the EP unfolds, "Fazed" emerges as a standout track, delivering a powerful groove destined to ignite dancefloors while still maintaining the immersive simplicity of dub soundscapes. Finally, "Quadrata" serves as the perfect conclusion to the journey, offering a sublime fusion of atmospheric elements that evoke a sense of introspection and tranquility. With this EP, Federsen invites listeners to immerse themselves in a sonic tapestry where tradition meets innovation, where every beat pulses with intention, and where the boundaries between genres blur into oblivion. What Robot Says Records proudly presents Federsen's debut EP, a testament to the boundless creativity and artistry of one of electronic music's most promising talents.

This is the fourth and final installment of Sushitech label head Yossi Amoya's reissue series focussing on the work of Eric Spire and his Silver Pearl label. The Los Angeles based producer was on a hot streak back in the late 90s, fomenting a new take on West Coast house music with hard drums and psychedelic synths that lay down something of a blueprint for later tech house a la Craig Richards, Wiggle and co. This useful 12" packs another punch with potent drums and razor sharp percussion across three cuts from some of the Silver Pearl mainstays.

Berlin's cultured Sushitech label is back with another of its superb reissue projects, this time focusing on a small but vital label from the 90s. Silver Pearl was where Los Angeles based producer Eric Spire released a small but steady and superb series of records that took house music into all new realms. He and his peers brought a touch of heaviness and psychedelic energy that paved the way for later developments by artists like Craig Richards & Lee Burridge's Tyrant nights at Fabric. Relive the magic of that time with this new series of carefully curated 12"s featuring high grade club weaponry.

You might think you know the West Coast house sound but are you familiar with Eric Spire and his Silver Pearl label? He's a rather overlooked but influential figure from Los Angeles who dropped some seriously sick records back in the late 90s. They brought a hardness and psychedelic edge to house music that eventually paved the way of the sort of industrial tech that was championed by the likes of Craig Richards with his Tyrant nights and project alongside Lee Burridge. Now Sushitech label head Yossi Amoya has dug into it to put together a series of 12"s that best showcase this special era.

New Jersey Dub Techno stalwart Eric Louis delivers Rollings Hills, featuring remixes from Thule Records artist OHM, Vuo Records boss Tm Shuffle and Australian rising talent Dan Goul (Mixcult, Berg Audio) on remix duties. Feedback and support from Andrey Pushkarev, Sascha Dive, grad_u, Eric Cloutier. Vinyl only.

The initiatory release on the co:clear label is a stunning debut by Brooklyn-based artist, Eden Aurelius. Written between Chicago and New York throughout 2023, 'Plateau' is a lacework of chiller dub-techno and ambient sparkle, crafted via recorded material, astute sampling, and live instrumentation. Rounded off with a stellar remix from your favourite ambient boyband (Purelink), this record is one for the serial unwinders.

Clear and yellow vinyl.

Record is close to VG+. comes in a fresh set of inner and outer sleeves.

Mysticisms' Dubplate series is back once again, this time with Nick Barber aka Doof at the helm. He was a 90s trance icon who here serves up some tunes that have previously only been available digitally. They were all recorded to tape and remixed and live dubbed on the desk so have an authentic feel to the melon twisting sounds. There are plenty of psychedelic twists and turns to the wispy synth leads and snaking hits here, all with heavy and cavernous low ends and plenty of future facing ideas. Each one is sure to set the dancefloor alight when dropped at the right moment.

Wania returns with a super solid and very special club 12" containing alternative mixes and non-album tracks from the upcoming "Wania mk1" double album. This 12" has 2 full tracks, 2 tracks ending in locked grooves and 5 further regular locked grooves! Ronny Nyheim & DJ Sotofett's "Dubquartz" which has been the secret weapon of LNS and Sotofett for years, is a chord riding anthemic Classic Techno big room track, leaving as much space for rhythmic punch as harmony. A-side also carries Zarate_Fix & DJ Sotofett's "Dub State Looped" a Dub Techno belter ending in a locked groove after 1 minute. On the flip Ronny Nyheim returns with "exp" in a Sotofett remake discovering further Dub Techno territories before ending as locked groove. B-side also gives space to beautiful Balearic Ambient on "1st Wave Fusion" by L.A. 2000 & DJ Sotofett. With its 11 minutes of polymeter sequenced arpeggios, pads and synthesizer parts arranged with sonic drama not unlike the sunset itself. This 12" IS CUT With Loud Volume FOR Excellent Club USE!

close to NM

Dialog return with the second instalment of their DOT series, exploring dub techno and soundsystem atmospherics through an experimental but deeply rooted lens, voiced by the father-son partnership of Benji and Josei.
The studio and stage collaboration finds Samuel van Dijk (aka celebrated Dutch electro innovator Vc-118a) and Finnish producer Rasmus Hedlund pooling their considerable production expertise into expansive cut which channel the experimental tendencies and sonic traditions of dub into their own distinctive riddims, matching vintage processing with modernist sound design and holding down a physical pulse suited for the dance as much as private meditation.
Following an initial ambient double LP for noted label Astral Industries, they met Benji, originally from Jamaica but a resident of Finland for more than 30 years, and his son Josei through a studio neighbour in Helsinki. A productive run of sessions has resulted in a strong body of material which will appear on this inspired series, carrying dub techno forwards with an approach to the culture which is all their own.

Bleu Ciel is back with its 11th release by Demond Vinyl Only. Blue White Marbled.

stamped white label. Limited edition

Hand stamped white label.

Approaching 20 years since its original release (2007 via Smallfish), now remastered to pure analogue bliss from the original ampex tape masters.

The sound on display here I could imagine as a soundtrack while submerging in a submersible diving deeper than the Marianas trench!

The B side now features an epic live version captured @ AIR, Tokyo, Japan. Made in the heart of Detroit, with love!

The first twelve-inch of the year from e c h o s p a c e features epic reworks of cv313's now classic, "Seconds To Forever" released back in 2010. The first track is a killer dubbed out reversion by intrusion, for the dancefloor or the sofa, this is spaced out sonic submersion of the highest order. There's also 2 beautiful remixes from the brilliant Rod Modell (DeepChord), those touched by his recent output on Soma will have a lot to love here. Gorgeous plumes of sound all lovely mastered and mixed down from 1/4" analog tape, cut and remastered by bazza (Abbey Road Studios) at Alchemy, London. Sublime and beyond deep, another exquisite excursion transmitting from the other side of the galaxy. Pressed onto 160 gram crystal clear wax.

Remastered into analogue bliss from the original ampex tape masters conducted at the NSC mastering lab in Detroit by the legendary Ron Murphy (R.I.P.) Recorded from a live session near the heart of Detroit, using countless modular synths, analog devices and custom made effects producing a hypnotic state like no other; tugs right at the heartstrings!

10 Year anniversary edition, recut and remastered from the analogue tape masters from Bazza's Alchemy Mastering in London; focusing and enriching every finite detail. This EP features 2 new pieces of sonic meditation residing somewhere between space and time, somewhere in the cosmos. With the title track, "Beyond Starlit Sky", vaporous atmospheres emerge from the distance, while ghostly apparitions and analog modulations rise to the surface of a truly hypnotizing rhythm, submerging the mind deep into an analog world. With the "Live" version a mixture of themes from "Fading Lights" and "Beyond Starlit Sky" find an engaging syncopation, resting somewhere in the ether. Those who loved Echospace's "The Coldest Season" on Modern Love will have plenty to adore here, timeless in all senses of the word.

From the shimmering depths of Subosc Records emerges a luminous sonic debut, ushering in a new chapter from France's Charles LCC. His "Introduction EP" unfurls across three ethereal soundscapes of rhythmic immersion and textural wonder.

"Octopus’s Garden" opens like curtains parting to reveal a gleaming aquatic dreamrealm. Rippling percussion and notes dissipating into fathomless seas conjure visions of vivid coraline grottos. In "Introspection," lacey patterns of synthesized thought crystallize upon subdued beats, steeping the listener in hypnotic reflection. The journey peaks within the kaleidoscopic whorls of "Circles," its radial pulses emanating from a shimmering nebula of tuned light. Within this mesmeric vortex, all notions of terrestrial logic dissolve into rapture's core.

Techno maestro Luigi Tozzi adds his magic with the remix of "Introduction", retaining the original's ethereal aura but ramping up the rhythmic intensity and full-bodied low ends for the dancefloor.

Black Vinyl. The second part of the Blue Channel Session completes the bundle. Steve O Sullivan crafted an additional, stripped-down version of >Complete With U< under his Bluetrain alias, as featured in the original release on the first vinyl.

Black Vinyl Version. Blue Channel is a brand-new dub-roots collaboration between Bluetrain aka Steve O Sullivan, and Another Channel ? two titans in the dub techno scene. They are accompanied by Prince Morella, who adds his smooth vocals on top of the scapes of chords and delays. If you are into legendary labels like Maurizio, Burial Mix, and Rhythm & Sound, then this one is for you.

tip ! Limited marbled Version. classy tracks for your dancefloors )) pure early 90s analog jams

Vibraphone Records starts the new year with another banger from Basic Realities! Dubtroit is a classic techno hommage to Motor City and it comes around with an stunning remix by the Legend, Mr. "Inner City" Kevin Saunderson! The Vinyl is expected to be out last week of January! Highly recommended!

Following the success of last years Babe Roots EP, Echocord revisits the package with reworks from Forest Drive West, Mike Schommer, Felix K, DB1 and Babe Roots themself. London’s DB1 leads the package with his take on ‘Work Hard’, a mostly beatless interpretation fuelled by oscillating white noise, winding dub chords and snippets of the original’s dub reggae vocals. Hidden Hawai’s Felix K then ups the energy levels with a high-octane take on ‘Sufferation Time’, driven by upfront, shuffled and distorted drums and unfaltering, tension building dub swells.

Babe Roots & Another Channel join forces with Danish label Echocord with four dubbed out cuts titled, ‘Takeover’. Turin based artist, Babe Roots’ catalogue has seen a steady growth since he started out in 2016 with releases on French label Linear Movement, Portland dub label ZamZam Sounds and Rohs! Records. ‘Takeover’ sees him team up with Another Channel, an up and coming German producer with records on Transient Audio and Modern Hypnosis. After a successful summer for Echocord with albums from Silent Harbour aka Conforce and Idealist, the label continues 2018 with consistently intriguing output from artists across the electronic music spectrum. ‘Takeover (intro)’ kicks off the pack by delivering a minute of spaced-out, dub-tinged atmospheres to ease you in. ‘Can’t See’ then provides a pitched-down, meditative ambience peppered with deep, sedative reggae drums, calming synth flutters and an enchanting vocal. Next, ‘Money Run Things’ sustains the mellow moods, spirited chants and stirring flourishes of dubby vibrations. To finish, ‘Get You Down’ offers a meditative, dropped- tempo dub-techno track – with sound system culture, dispersed grooves and undulating minimalism becoming the main focus here.

An Apparition introduces the hazy feeling of the EP with a thundering kick, dubbed-out chords, and a mysterious vocal sample topped off with a funky 303 interlude. The A2 track CoupCoup builds the late night suspense with looming strings and chords driven by deep, groove-soaked percussion. Molecular kicks off the B side with eerie vocal samples and gorgeous, otherworldly synth work, and is held together with a heavy broken beat and a morphing acid line. The final track, It’s You, summarizes the EP’s concept with a mesmerizing exploration through propulsive percussion, deep bass and immersive, evolving chords. Drawing from a substantial archive of equipment, knowledge and experience, Mike McClure and Craig Lambert’s approach to production results in modern music that remains true to old school sounds, methods and ideologies. Rather than adhere to the strict demands of any given genre, they seek out what sounds and feels authentic in the moment when they come together to write. With their attention focused on live performance and capturing that same energy in the studio, AutoClub infuses electronic music-making with refreshing, intimate, human qualities. Warm tones against a deep, celestial backdrop characterize their sound. Brisk, stimulating tempos, analog textures and organic, nearly seamless transitions between genres keep their performances fluid and engaging. Cut from the 90’s rave cloth, AutoClub understands the crucial role music plays in bringing people together. Supporting and collaborating with other creatives is important to them. AutoClub are hands-on producers, synthesizer enthusiasts and community supporters/ organizers who value connecting with their community as much as with their instruments. It’s also worth noting that Craig and Mike are both accomplished solo artists, Craig is also known as Midnight Music Club, and Mike as Autokinetic.

Scottish Techno wizard Astro joins Piff Records on their landmark tenth release, with 5 cosmic and groovy belters.

Having recently found success with his own Neptune Discs imprint and regularly performing up and down the country, Astro has firmly established himself as one to watch in the techno sphere. Opening with the title track, Astro combines a relentless bassline with dubbed-out chords and spacey leads. Echoing space-age soundscapes and futuristic sounds of 70s kosmische musik and 90s techno, Astro makes good on the aesthetic promised by his artist name.

Astro brings down the tempo for the hypnotic Cloned Substance. A mesmerising hat pattern combines with delay-drenched leads and a bouncy bassline to create a track intent on capturing the listener in a state of trance.

Thunderstorm adheres to the tried-and-tested Astro combination of a thick bassline, spacey stabs, and continuously evolving drums. As to be expected, the results are spectacular. Irresistible grooves and rich soundscapes are the order of the day as Astro delivers once again.

A haunting and proggy FM-lead acts as the foundation for Pluto, underpinned by a sub-heavy kick and tranquil chords. The meditative ebb and flow of various elements masterfully expresses the solitude of the track’s namesake.

Planetary Blitz closes the EP as a digital bonus track. Expanding on the spaced-out motifs of the previous track (as reflected in the track title), Astro substitutes chord stabs and warm basslines for a driving blend of punchy kicks and a subtle glittery guitar.

Angel delivers a new dub techno EP, ?Sous l?eau?, on the in Stuttgart-based label Amas_Studio. The EP unveils 4 dub techno tracks including a remix by the Amas crew and Estrato Aurora. it is a deep journey through and under the water of her mind and soul. listen and swim through her sound of berlin streets. The original versions of ?Particule I? and ?Particule II? highlight a contemporary vision of dub techno, boasting some vocals and deep layers, while being aligned to the broader dub techno genre. Amas Remix provides a singular vision of ?Particule II?, with reverbs and harmonics that are more electronica-oriented, while the version of Spanish producer Estrato Aurora, working exclusively on analog instruments, unveils a deeper and more atmospheric touch.

Big grooving dub tunes! Two of Andre Kronerts most wanted tunes finally back on Vinyl. With friendly permission.

Vinyl is close to NM. Tiny wear.

There's seemingly no end to the mind-blowing vaults of UK tech house titan Mark Ambrose. Even after the extensive three-volume run of reissues on Repeats, Rawax have found more of the South Coast legend's late 90s material that hasn't been reissued yet. Sharks be damned, the Cat Groove 12" is back within reach and remastered to bring the best out of the tracks. The title track is one of those artfully squashed, funk loop-riding jams that turns the heat up without any need for studio showboating - just the right ingredients. 'Floating Around' is a heady tripper crying out for the morning, while 'Hook Up' finds another soulful lick to place at the centre of a groove so crunchy it just has to come from an MPC. Hold tight for 'Warehouse Blues', which injects some nasty, pumping techno energy into the mix with a metallic bassline that comes on like Mr Fingers dipped in chrome.

Copenhagen’s Echocord returns this September with the ‘Invincible Nature’ EP by Altone, backed by a remix from Thomas Fehlmann and Another Channel. Atone is the guise of Tokyo’s Yuki Takasaki, one of the leading figures of the genre out of Japan with releases on the likes of Greyscale, Lempuyang, Vuo, Æ Recordings, Primary [colours] and many more. His distinctive twist on Dub Techno has earned him accolades worldwide within the underground and here he joins the roster of the esteemed Echocord, the Kenneth Christiansen helmed label that’s been at the forefront of Dub Techno for more than two decades now. The original mix of ‘Naturally Unnatural’ opens, showcasing Altone’s unique style via subtly nuanced chord flutters, expansive reverberations, pulsating low end tones and ever unfolding, subtly unfurling feel. The ‘Naturally Flowing Thomas Fehlmann Remix’ follows, the Swiss sonic wizard and former member of the legendary The Orb among many other projects delivers deep, throbbing subs and glitched out synth modulations intertwined with fragments of the original composition. ‘Unnaturally Balanced’ then opens the B-Side with Altone diving deeper into dub realms courtesy of ever alternating, billowing dub echoes and a raw, reduced rhythm section. The ‘Another Channel Version’ of ‘Unnaturally Balanced’ then rounds out the EP, embracing a more classic dub techno aesthetic as crunchy drums, swirling atmospherics and spaced out echoes ebb and flow amongst one another across the six and half minute duration.

After a nine-year hiatus, F4TMusic is back with a bang, and they’re making their return even more spectacular by teaming up with dub techno extraordinaire Alessandro Crimi. With over two decades of musical prowess, Crimi is set to unveil his latest masterpiece : Moirae Ep

Satoshi and Nao performed their live “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd. These sounds are transformed and improvised through reconstruction and sample synthesis.