Dub Techno Vinyl 166 Items

Ships in a brand new plain sleeve.

Irenic's Roger Gerressen takes care of another release on the main label. This EP is all dub, featuring tracks for the dancefloor, tracks to play at home and an older track from the vaults, found on RG's 2009 harddrive.

Phonogramme presents Sascha Dive’s inaugural EP, “My Definition of House.” This 4-track gem features the legendary Mr. V and arrives in a limited-edition marbled vinyl format. Dive’s deep understanding of house music merges seamlessly with Mr. V’s soulful touch, resulting in a captivating blend of classic grooves and modern flair. From infectious rhythms to rich, soul-stirring soundscapes, each track takes listeners on a unique journey through the essence of house.

Echo LTD 10" Series 002: 10" transparent blue marbled vinyl by artist Unknown

Sealed copy!

San Francisco dub techno magician is in the game, but wait a minute.. Does anybody know What Robot Says? Vinyl Only Introducing the debut EP from the visionary electronic artist Federsen, What Robot Says Records proudly presents a mesmerizing journey into the depths of dub-infused electronic music. Hailing from the vibrant city of San Francisco, Federsen, also known as Chris Kelly, brings forth a sonic landscape rich with the influence of dub reggae recording techniques. Within this inaugural release, Federsen masterfully melds vintage tape delays and analog equipment to craft a sonic experience unlike any other. Each track within the EP is a testament to Federsen's meticulous attention to detail and his ability to weave intricate melodies with hypnotic rhythms. Opening the EP is "High Pressure," a seamless blend of precise minimalistic percussion and ethereal melodies, effortlessly drawing listeners into a world of hazy dub textures. Following suit is "Sono," where deeper melodic layers intertwine with Federsen's signature sophistication, creating a timeless elegance that permeates every note. As the EP unfolds, "Fazed" emerges as a standout track, delivering a powerful groove destined to ignite dancefloors while still maintaining the immersive simplicity of dub soundscapes. Finally, "Quadrata" serves as the perfect conclusion to the journey, offering a sublime fusion of atmospheric elements that evoke a sense of introspection and tranquility. With this EP, Federsen invites listeners to immerse themselves in a sonic tapestry where tradition meets innovation, where every beat pulses with intention, and where the boundaries between genres blur into oblivion. What Robot Says Records proudly presents Federsen's debut EP, a testament to the boundless creativity and artistry of one of electronic music's most promising talents.

Following the success of last years Babe Roots EP, Echocord revisits the package with reworks from Forest Drive West, Mike Schommer, Felix K, DB1 and Babe Roots themself. London’s DB1 leads the package with his take on ‘Work Hard’, a mostly beatless interpretation fuelled by oscillating white noise, winding dub chords and snippets of the original’s dub reggae vocals. Hidden Hawai’s Felix K then ups the energy levels with a high-octane take on ‘Sufferation Time’, driven by upfront, shuffled and distorted drums and unfaltering, tension building dub swells.

Twenty years after its original release, Paul St. Hilaire (aka Tikiman) & René Löwe’s eternal classic Faith is being reissued for the first time.

Richard Akingbehin’s Kynant Records - which recently released the first solo Tikiman album since 2006 - is behind the reissue of Faith, giving new life and the first digital release to one of the most beloved dub techno 12”s of all time.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert.
Record with just a few paper scuffs is close to VG+.

The Cologne native Blauert releases his first record, and it sounds like he's been doing it all his life. We are thrilled that he chose us for this release. His sound is influenced by dub and Detroit techno, yet it has a unique quality that many releases lack.

The instantly warm and inviting "Did You Love Me?" has been a secret tool of LNS and DJ Sotofett for the greater part of the season. With it's strings and pads, classic house breakbeats and driving bassline the white label was mistakenly called "the proper house remix of Current 82". Second track is a merge of Acid and Dub with an intense sonic signature and chugging deep rhythm. On the full B-side is the grand epic Dub-Techno Stepper titled "Dub You Loved Me?". Spiraling in just below 10 minutes this ultra heavy remix transcends the true fashion of Dub in Club Music with and excursion through pulse, punch, pressure and harmonies. This 12" IS CUT With Loud Volume FOR Excellent Club USE!

DJ Sotofett presents a double 12inch with 8 strictly underground & classic Techno tracks. The album features regular collaborators LNS, L.A. 2000, Ronny Nyheim and Zarate_Fix while scanning through a set of tracks designed for DJ Sotofett's resident nights at Berlin's Tresor club. Energy driven Dub-Techno, overtonal and percussive Acid, pumping bassline-riding power Dubs and Deep Techno wraps up this DJ friendly but versatile double pack. The programming, mixing, mastering and cutting on "wania mk1" has been perfected for an attempt to resurrect real undeground & no-bullshit club music, strictly for real DJ's and clubbers who passionately loves the core of true Techno music. Includes the bombastically percussive "Preparation" and 909-vocoder driven "My Spirit Is In Techno Music" as well as alternative mixes from the previously released "wania mk2". This 2x12" SET IS CUT With Loud Volume FOR Excellent Club USE!

The initiatory release on the co:clear label is a stunning debut by Brooklyn-based artist, Eden Aurelius. Written between Chicago and New York throughout 2023, 'Plateau' is a lacework of chiller dub-techno and ambient sparkle, crafted via recorded material, astute sampling, and live instrumentation. Rounded off with a stellar remix from your favourite ambient boyband (Purelink), this record is one for the serial unwinders.

Record is slightly warped but still enjoyable.

Sub Basics returns to Modern Hypnosis with Rhino EP. This time bringing four dub, techno and house inspired tracks for the collectors and selectors.

Sub Basics opens with Roll Up, a delicate broken beat track, where under the microscope, heavy traces of cosmic dub-dust have been detected throughout. Roll Up guides you along at 115bpm as it glistens in the stars.

The title track, Rhino is an addictive, somewhat cheeky, progressive dub techno tune, with each dub-stab as it enters the fold offering the listener a different skank to groove on. This track will connect dancefloors around the world for many years to come.

Together on the flip, Haze and Fluctuate are perfectly executed pieces of dub techno hypnotism, with Fluctuate leaning into those house music elements we all cherish and love. Sub Basics does it again!

Enjoy.

Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.
For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.
Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.
Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.
Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.
Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints.
Riyl: Andy Stott, Deepchord, Ellen Allien, Moritz von Oswald

IAL welcomes Giacomo Pellegrino who arrives at our doors bringing a groovy and deep EP with his distinguishable sounds. Rich and precise sounds make this release an excellent tool for the dance floor accompanied by a fantastic remix by Delano Smith, who by speeding up the rhythm leaves his unmistakable stamp on a perpetual and devastating mood. This fourth release in a limited copy of 300 is unmissable!

Berlin-based record label, Equilibrisme, has just revealed its third vinyl release. This EP continues the tradition of its predecessors by offering a skillful blend of deep minimal techno, chords, and dubby groove to energize the dancefloor. The release includes tracks from producer Man-L, a collaboration between Man-L and Berlin-based Uruguayan producer and musician Martin Teysera, and Canadian dub techno legend Altitude aka Matt Thibideau.

Taevalaotus delivers his second long player >Ringlus< which is the second release on the Estonian based Taevas Records, comprising five originals plus a remix from Octal Industries. Heavyweight special-effect vinyl pressing (three colors, marbled).

Orange Marbled Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels. Limited Colored Vinyl. Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

The seventh release in the Secondary Series, Primary Colours welcomes all around deep and dub master from Scotland - Stillhead. We first came to know of Alex in the early 2000s and have followed his music under several monikers ever since. Stillhead o?ers us three orginal cuts for this six track EP with remix support from the one and only Mike Schommer and label heads Echo Inspectors plus a beatless rework of Recreation Beats. This release seamlessly blurs genre lines, merging dub-techno with elements of bass, downtempo, deep-house, and ambient influences. The result is a release that feels familiar yet enigmatic, while simultaneously forging a unique and attractive fusion of styles. Stillhead is a master of his craft, and we are very pleased to bring this release to life with a heavy-weight 12Inch press and availability on digital outlets.

Satoshi Tomiie Unveils His Latest Ep, '12b Dub', Exclusively on Phonogramme Records Tokyo &Ndash; Renowned Dj and Producer Satoshi Tomiie Is Back With a Captivating New Ep, '12b Dub', Set to Make Waves in the Electronic Music Scene. This Four-Track Release Marks a Slight Shift Towards a More House-Oriented Sound, Showcasing Tomiie's Versatility and Innovative Approach to Music Production. Having Garnered Acclaim for His Previous Releases and Collaborations, Tomiie Continues to Push Boundaries With '12b-Dub', Solidifying His Reputation as a Trailblazer in the Electronic Music Industry. This Latest Offering on Phonogramme Records Is Sure to Be a Staple in Dj Sets and Playlists Worldwide....

Satoshi and Nao performed their live “Diskordant” using their analog machines and object-activated sounds in front of the New York crowd. These sounds are transformed and improvised through reconstruction and sample synthesis.

Steve O'Sullivan Returns to Phonogramme Records with New EP 'Tribal Dubs’ Following the success of his debut EP on the label, Steve is back with a mesmerizing three-track offering that showcases his signature blend of deep grooves and atmospheric textures.This marks Steve O'Sullivan's second EP on Phonogramme Records, further solidifying his relationship with the label and cementing his reputation as a leading figure in the techno scene. 'Tribal Dubs' is a testament to Steve's continued creativity and innovation, showcasing his ability to push boundaries while staying true to his roots.'Tribal Dubs' is set to release on Phonogramme Records and will be available on all major streaming platforms and vinyl. Don't miss out on this exceptional release from one of techno's most respected artists.

Black Version! Dub mastersclass by Stojche, accompanied by a rework from label head Andrey Pushkarev - this is Luck Of Access 7th installment.

Records are close to VG+

Dub mastersclass by Stojche, accompanied by a rework from label head Andrey Pushkarev - this is Luck Of Access 7th installment.

Stólar label boss Philipp Priebe delivers the inaugural long player on his own imprint this December, entitled ‘Movements In An Empty Department Store’ and comprising eight original compositions from the German artist. This LP is about a kid’s dream - one night alone in an empty department store. A dream come true for lots of children and adults, as it gives you the opportunity to do what you want, try everything without the side eye of employees, snack through the entire food and sweets section and have a night off without thinking about consequences. This can become great, a nightmare or a feverish dream these eight tracks are your soundtrack to this adventure. Throughout the ‘Movements In An Empty Department Store’ album, Priebe further showcases his ability to craft, raw, cinematic and often mystical deep house music that acts as a cosseting sonic blanket for the listener throughout. From the swelling bass lines, dubby echoes and ethereal textures found in tracks like ‘Marble’, ‘Porcelain’, ‘Drenched In Dust’ and ‘Fever Dreams’, through to more rugged percussion driven dance

Copenhagen’s Echocord returns this September with the ‘Invincible Nature’ EP by Altone, backed by a remix from Thomas Fehlmann and Another Channel. Atone is the guise of Tokyo’s Yuki Takasaki, one of the leading figures of the genre out of Japan with releases on the likes of Greyscale, Lempuyang, Vuo, Æ Recordings, Primary [colours] and many more. His distinctive twist on Dub Techno has earned him accolades worldwide within the underground and here he joins the roster of the esteemed Echocord, the Kenneth Christiansen helmed label that’s been at the forefront of Dub Techno for more than two decades now. The original mix of ‘Naturally Unnatural’ opens, showcasing Altone’s unique style via subtly nuanced chord flutters, expansive reverberations, pulsating low end tones and ever unfolding, subtly unfurling feel. The ‘Naturally Flowing Thomas Fehlmann Remix’ follows, the Swiss sonic wizard and former member of the legendary The Orb among many other projects delivers deep, throbbing subs and glitched out synth modulations intertwined with fragments of the original composition. ‘Unnaturally Balanced’ then opens the B-Side with Altone diving deeper into dub realms courtesy of ever alternating, billowing dub echoes and a raw, reduced rhythm section. The ‘Another Channel Version’ of ‘Unnaturally Balanced’ then rounds out the EP, embracing a more classic dub techno aesthetic as crunchy drums, swirling atmospherics and spaced out echoes ebb and flow amongst one another across the six and half minute duration.

Handstamped white label.

Label cover.

Vinyl closer to VG+

yellow Marbled Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels. Limited Colored Vinyl. Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Black Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Mastered on a reel to reel tape machine cut on 12" 180g black vinyl.

Babe Roots & Another Channel join forces with Danish label Echocord with four dubbed out cuts titled, ‘Takeover’. Turin based artist, Babe Roots’ catalogue has seen a steady growth since he started out in 2016 with releases on French label Linear Movement, Portland dub label ZamZam Sounds and Rohs! Records. ‘Takeover’ sees him team up with Another Channel, an up and coming German producer with records on Transient Audio and Modern Hypnosis. After a successful summer for Echocord with albums from Silent Harbour aka Conforce and Idealist, the label continues 2018 with consistently intriguing output from artists across the electronic music spectrum. ‘Takeover (intro)’ kicks off the pack by delivering a minute of spaced-out, dub-tinged atmospheres to ease you in. ‘Can’t See’ then provides a pitched-down, meditative ambience peppered with deep, sedative reggae drums, calming synth flutters and an enchanting vocal. Next, ‘Money Run Things’ sustains the mellow moods, spirited chants and stirring flourishes of dubby vibrations. To finish, ‘Get You Down’ offers a meditative, dropped- tempo dub-techno track – with sound system culture, dispersed grooves and undulating minimalism becoming the main focus here.

Another successful hold up by Brako. He is enjoying his loot incognito with some classy breaks, house music and voice cuts.

Big grooving dub tunes! Two of Andre Kronerts most wanted tunes finally back on Vinyl. With friendly permission.

Dub Techno at its best! Merv makes a comeback to Kontakt with two exceptional dubtechno masterpieces. >Inwards< highlights an unmistakably Merv-esque style, characterized by rich chords and a solid sub-bass, while >Suspended< delves into deep, resonating chords that persist for nearly ten minutes. Limited coloured vinyl.

First release from the Portuguese vinyl only label, Dreams Come True. Born from the childhood dream of his mentor Ostinato, DCT aim to reflect his passion for vinyl records and electronic music. For this first release, nothing better than bring together friendship, passion and talent. In the last couple of years Floog and Ostinato became close friends and crafted this release togheter. The original tracks from Floog reflect all his versatility fusing minimal with some spicy and tasty vocals, following a different path of the classic rominimal sound. The remixes are the reflection of the label owners personal taste. Antraum (Traumer and Anton) did a huge remix with an infectious groove, a huge bassline, and certain sound complexity that makes you dance from the first to the last beat. Ted Amber its for sure one of the bastions of the classical Rominimal sound. This remix shows all his talent to build unique vibes in each release he does. Dreams Come True is now unleashed, and we ll keep sharing them with you.

From the old demo music vaults of Yagya, we found this amazing dub techno track dating back 15 years to the summer of 2008! Directly at the first listen we knew that this had to be fully released, Yagya was quick to agree, and also delivered 2 remixes himself and added another one from Octal Industries which resulted in a dub techno jam made in heaven!

You might think you know the West Coast house sound but are you familiar with Eric Spire and his Silver Pearl label? He's a rather overlooked but influential figure from Los Angeles who dropped some seriously sick records back in the late 90s. They brought a hardness and psychedelic edge to house music that eventually paved the way of the sort of industrial tech that was championed by the likes of Craig Richards with his Tyrant nights and project alongside Lee Burridge. Now Sushitech label head Yossi Amoya has dug into it to put together a series of 12"s that best showcase this special era.

Coming in hot after last year's Pura Lempuyang compilation is this new two part 12" offering up cuts from it on limited edition turquoise wax. Dib kicks off with 'Cieloterra' which is a devilishly deep and dubby techno cut with fizzing synths running across its face. Federsen is much more smooth and silky with liquid pads and a sublime sense of frictionless groove to his 'Random Motion' while Grad U offers more heavy and stumbling dub quakes on 'From The Shadows.' Last of all is Altone's 'Emergent Structure,' a lush minimal excursion with deft hits and feathery pads over sublime drums.