Downbeat | Electronica | Leftfield 8984 Items

LP | 2021 | EU | Original (Divisi62)

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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Pictureplane has made his name circling the outer limits of pop culture in several mediums. The Brooklyn-based artist's gallery works, shown both in the U.S. and abroad, collide familiar with fringe and hard lines with visceral spatter. His Alien Body clothing line serves up a stylized study of symbology, the occult, and societal decay. And his music—beautiful yet heavy, swirling wild strains of industrial dance, gothic hip-hop, and emotive New Age—treats electronics not as artificial, but as extensions of our analog selves. After a decade thrashing the status quo, Egedy is not only kin to makers of lovely dark music everywhere, but a vital player in the global DIY community. He is a proud outsider, yes, but his tribe is legion and ever-growing.

In 2011, Pictureplane's Thee Physical arrived, marking a major leap forward. Egedy's voice was suddenly dripping sex at the forefront of a lush synthscape, while cuts like "Trancegender" and "Breath Work" explored the human body with gender-dissolving aplomb. He moved to Brooklyn in 2012 in order to stoke alt-rave culture from a more powerful vantage before teaming up with fabled indie-rap imprint Anticon for Technomancer (2015), an LP about the blurring line between ourselves and our machines. Along the way, Egedy's toured with everyone from Crystal Castles and Major Lazer to the Faint and Gang of Four. He has remixed Lil B; been remixed by Grimes; collaborated with bands (Prayers) and SoundCloud stars (Goth Boi Clique)

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Adhianto Aryo

Sintaksis

16,99 €*

Ulrich Schnauss & Mark Peters

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In ‘Syntactic Structures’ (1957), Noam Chomsky argues that language is unlike behavior, but is instead closer to the physical attributes of us humans. In short, once language penetrates the constellations of our physique, then it could be theoritized as empirical. Chomsky concluded that the human consciousness (at least in the syntactic context), is rather like a pendulum between two opposite poles: structural and creative. Its nature is generative and transformative. Free in metaphysical terms, yet bound by the natural laws of physics. Though abstract and speculative, this idea serves as the point of embarkation for the creation of ‘Sintaksis’ by artist Aryo Adhianto. Grounded by a set of rudimentary rules and minimal orchestration, each composition stretches skeletal rhythmic clauses into free-flowing pulses and timbres. Such is the process of untangling the clot of negative energy present within the artist as an individual, simultaneously governed by ‘feel’ and performative aspects. Despite the inward, expressionistic nature of ‘Sintaksis’, its diction is a direct bi-product of external factors. The accumulated distress and volatility that have become the fabric of normalcy in Jakarta urban conditions are present here in fluctuating sonic forms. This chaotic disposition questions the battle of narratives and the paradigm of the individual’s function in society while treading the path of a broad musical heritage with agility and virtuosic qualities.

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Destiny Waiving Yellow Extended Edition

2LP | 2021 | EU | Original (Bureau B)

19,49 €* 29,99 € -35%

Ulrich Schnauss & Mark Peters

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited to 150 copies. Yellow double LP edition.

‘Destiny Waiving’ completes a collaborative trilogy that began with 2011’s ‘Underrated Silence’ and followed by 2013’s ‘Tomorrow Is Another Day’ (Schnauss also became a full time member of Engineers at this time). Initial sessions began at Ulrich’s East London home studio in early 2017 and final mixes were completed there in late 2020. Despite its extended conception, most tracks were completed during 2017, in part informed by improvisational sets in London, Dublin and St James’ Church in Birmingham (as part of the Seventh Wave electronica festival).

Available on LP/CD/digital plus a limited edition with a bonus disc of alternate versions with added live drums by the Von Spar drummer Jan-Phillip Janzen.

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Destiny Waiving Black Vinyl Edition

LP | 2021 | EU | Original (Bureau B)

27,99 €*

Waterfall Symphony (Unreleased Album)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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‘Destiny Waiving’ completes a collaborative trilogy that began with 2011’s ‘Underrated Silence’ and followed by 2013’s ‘Tomorrow Is Another Day’ (Schnauss also became a full time member of Engineers at this time). Initial sessions began at Ulrich’s East London home studio in early 2017 and final mixes where completed there in late 2020. Despite it’s extended conception, most tracks where completed during 2017, in part informed by improvisational sets in London, Dublin and St James’ Church in Birmingham (as part of the Seventh Wave electronica festival).

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Fumio Miyashita

CD | 2021 | US | Original (Personal Affair)

16,79 €* 27,99 € -40%

Forgive You / Come Closer

Release: 2021 / US – Original

Genre: Electronic & Dance

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* Unreleased album by Japanese ambient pioneer * Recorded in late 90’s.

Fumio Miyashita’s unreleased last recording is finally here.

We are honor to receive the master audio of Waterfall Symphony from Fumio’s family last year and finally ready to release on both Vinyl & CD."

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Mali Hayes

7" | 2021 | EU | Original (Band On The Wall)

11,99 €*

Water Blue Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Mali Hayes has been simmering to the surface for a while now. Emerging from a Manchester jazz community that's enjoying its own renaissance away from the much-reported on London scene, the vocalist and songwriter's bittersweet neo-soul sound is trans-Atlantic â€“ think initial progenitors such as Erkyah Badu, D'Angelo and Jill Scott â€“ but is rooted in Manchester's mixed communities and the different walks of life she encounters.
Forgive You / Come Closer â€“ owes itself to Gilles Peterson and Brownswood Music's Future Bubblers programme, when Hayes met producers Cult Architect and Medikul while part of the mentorship scheme. Airplay from Gemma Bradley, Victoria Jane & Mo Ayoub on Radio 1, Jamz Supernova & Gilles Peterson on BBC Radio 6, Victoria Jane on BBC Introducing, Jamz Supernova on Selector Radio. Features in Clash Magazines 'Next Wave' playlist and Spotify's 'Rhythm & Groove by DJ Taro' playlist.
The two tracks come out as part of a new series of 7" releases from Manchester institution Band on the Wall and their new label Band on the Wall Recordings. Based out of the iconic music venue, charity and cultural hub, the label builds on a successful compilation released to raise funds during the Covid-19 pandemic

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Lotic

LP | 2021 | UK | Original (Houndstooth)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Karat)

Marco Gomes

Week

19,99 €* 24,99 € -20%

And We Finally Heard Them Singing

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Marco Gomes is coming with a much personal and intimate album named ” week “, as much as a real research on sounds and textures. It’s a day to day travel in which each element of the week, each day, with its particular soundscape, is part of an ensemble that expresses the complexity of emotions and the difficulties to catch the real life in its crudeness. This album is kind of melancholic, it’s hard to deny it, but it’s not expressed in a naive or depressed language. Some dark sounds, industrial, are always balanced with melodic or harmonic elements. Rhythms change along the pieces, the idea remains, in this kind of sharp and sweet poetry, in a kind of spiritual romanticism. This quest of sound of structures is an existential investigation on the modern life through the prism of ruled time oppression versus sublimation of the machines.

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Umbra

12" | 2021 | EU | Original (Magma)

Wide Through The Eyes Of No One

Release: 2021 / EU – Original

Genre: Electronic & Dance

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And We Finally Heard Them Singing is the first release of Umbra and the first release on Magma Records. The Brussels based producer and magma co-founder produces frenetic yet refined and emotive tracks. His signature palette gathers melancholy and tension with a DIY approach, sampling and mixing live sounding beats and electronic percussions. A large range of influences are morphed into this record showcasing a perfect blend of organic warm sounds, melancholic pads and electronic production.

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Steoples

LP | 2021 | US | Original

27,99 €*

12" | 2021 | EU | Original (Amore)

Release: 2021 / US – Original

Genre: Electronic & Dance

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The Steoples are avant-soul duo of GB and Yeofi.

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A Mountain Of One

Custards Last Stand

14,99 €*

2LP | 2021 | EU | Original (Duzz Down San / HHV)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Mountain Of One are set to return to the musical landscape with their brand new track “Custard’s Last Stand”, released 30th July through new label Amore via Above Board distribution. It is the first new piece of music the band have released in over a decade.

”Custard’s Last Stand” shows the band, made up of musical soulmates Mo Morris and Zeben Jameson, have lost nothing in the past decade. Recorded over Skype during the coronavirus pandemic, with Mo now in Bali and Zeben in west London, it is a shimmering, modern classic, experimental but accessible, melodic and adventurous. As ever, it is utterly unique, made in a musical universe all of their own.

“Custard’s Last Stand” EP is out 27th August, and will come with an incredible Denis Bovell Dub Remix, as well as another new track “Stars, Planets, Dust, Me”. The full EP package will come with a dub remix from musical pioneer Dennis Bovell.

The forthcoming album will be released this autumn. The whole project has been mastered then remixed for a forthcoming album by the legendary Ricardo Villalobos.

When they first started performing, they quickly became one of the most-acclaimed bands out there, with the likes of i-D, Sunday Times Culture, Pitchfork, NME and more raving about them and their inspired and original approach, led by Mo and Zeben’s almost telepathic understanding.

Sold-out shows and awesome reviews followed with “Collected Works” and “Institute of Joy”, two phenomenal records that have stood the test of time, criss-crossing folk, jazz, dance, rock and psychedelia.

A Mountain Of One have collaborated to create a coming together of music and virtual reality. With NYX VX, the band have developed a virtual world, one that will help provide inspired opportunities for artists looking to identify, connect and engage with audiences on multiple levels. This is the first stage of a new world that people will be building out and inhabiting, as venue for performances, home for musical and visual archives, space for play and exploration. Welcome to 'Stars, Planets, Dust, Me'.

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Restless Leg Syndrome

Totem

LP | 2021 | EU | Original (Light Sounds Dark)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With their head-bopping, hip-thrusting, zalghouta-inducing tunes, Restless Leg Syndrome have tastefully-crafted a mélange of global references and in their work.. The Vienna-based group is made up of longtime DJ and producer d.b.h and turntable maestros Chrisfader and Testa. A seasoned enthusiast of Lebanese music, d.b.h offered the influence for their critically acclaimed second EP Dabkeh. The project paid tribute to the Mediterranean form of line-dancing by flipping Lebanese samples into irresistibly groovy beats.

Over the course of 2021, RLS dropped four eclectic EPs that seamlessly fuse long-forgotten tunes with foot-stomping breaks. Their first EP Venom cinematically takes off with Arabic melodies coupled with their signature electronic bounce. The latter half of Venom introduces a fat bass and a tasteful sample selection highlighting the trios’ affinity for Hip Hop. To follow-up the trio released Falcon, a borderless trip through a range of samples from Gwen Stefani’s iconic “uh huh” in the third track ‘My Shit’ to homages to the golden age of Arabic music. Standout track “Represent the Fucking Planet” really underscores the trios’ appreciation for drums that knock.

The third EP ‘Spirit’ progresses the trio’s genre-defying sound through five tracks. The quintessential boombap sound in ‘Direction’ is contrasted with the African-inspired drums and oriental strings on ‘Anamur’. The groups’ mastery of the art of scratching is tastefully peppered throughout the EP to complement their arsenal of vinyls.

The fourth and final EP of the collection ‘Fool’ is immersively inventive and addictive. The single ‘Gönndir’ is studded with polyrhythms and a seductive bassline. With skittering backbeats and funky riffs, the EP is dynamic in its beat switches and laden with North African gems. ‘Embassadors of Rhythm’ features an instructional workshop by the iconic Egyptian percussionist and composer Hossam Ramzy (sampled by Timbaland for Jay-Z’s song ‘Big Pimpin’). Bass-heavy track ‘The Fools’ alludes to the popular Tunisian mizwed music, which uses the traditional ‘mizwad’ bagpipes and the ‘darbouka’ drum. ‘The Fools’ is accompanied by a music video composed of photographs taken in and around Beirut in 2021 highlighting the fruits of labor of a city plunged in crisis over the past two years.

Restless Leg Syndrome wraps up their marathon of releases with Totem, a 2LP vinyl release featuring the full collection of tracks from all four EPs. Its gatefold cover was crafted by Lebanese illustrator Raphaelle Macaron and imagines each EP as a tarot card.

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Alexander Melzak

23,99 €*

Vaovao White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New music on Light Sounds Dark from Alexander Melzak!

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Vaovao

LP | 2021 | EU | Original (Staatsakt)

12,64 €* 22,99 € -45%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One Thousand Lonely Places

Max Winter

LP | 2021 | EU | Original (Where To Now?)

12" | 2021 | EU | Original (Mute)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Max Winter’s music seeks to traverse a breadth of styles – a world where freewheeling jazzwise drum workouts linger behind silk bass and glooming electronics, where compositional flurries of flute, cello, keys, and violin playfully exchange with restrained melodic ambience, where driving & pummelling big drop productions resurface as introverted pop stunners, where crystalline vocal melodies float above terminator slap bass sessions… it’s literally all going on…and all at the same time. Max holds that rare ability to serve as a vector for his own sweeping ideas, to think something and ‘just do it’ – coming from a jazz & classical compositional background Max writes everything, plays everything, and masterfully grasps everything. To be frank, ‘One Thousand Lonely Places’ has ended up being one of the most mysterious and exciting things we’ve ever put out. Max strives to bring a very human element / approach to his electronic compositions, perhaps a result of the tactile nature of his classical training, he injects a unique rawness into his sound world via vocal experiments which breathe (literally) emotional states into much of the work, building and elevating his sound with the big room pieces, and pushing the other end extreme of anxious isolation deeper into the walls. There’s no denying the strong pop sensibility that permeates ‘One Thousand Lonely Places’, hushed vocal parts are shared between Max and recurring guest Imogen, and there’s a definite structure within the chaos, but this is mostly an odd, isolated, experimental take on formal song structure - walking the same restrained, understated pathways forged by bands such as Talk Talk and The Necks one moment, and then the next minute pointing towards the likes Arto Lindsey & Bill Laswell’s more playful forms of No Wave, and then from there gazing towards the future focus of musically informed, genre less freedom explored by artists such as Laurel Halo, Kaitlyn Aurelia Smith. All of these touchpoints are subtly underpinned with an understanding and appreciation of classical & quiet music forms of composition encompassed and explored by masters such as Akira Rabelais, Harold Budd, David Sylvian.

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Pole

Tanzboden

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Greatest Hits Archive 2010-2015

Ivvvo

LP | 2021 | EU | Original (Lith Dolina)

LP | 2021 | EU | Original

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A collection of works and early studies

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Phanton

Bagufoshe

13,29 €* 18,99 € -30%

LP | 2021 | EU | Original (Pingipung)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Natural electronic music" is how producer and sound engineer Michael Springer aka Phanton describes his music. And that's pretty spot on.

What we hear is warm, earthy and at times slightly eccentric dance music, built on a foundation of organic grooves. Its unique character is created through acoustic instruments, which are looped and processed to generate the final electronic sound. African influences paired with 1980s Krautrock, produce an almost ritual-like, shamanic undertone, in which the minimal sound of the precisely tuned percussions stands out.

By the way: "Bagufoshe" is a Rwandan expression used as a proclamation of joy - no more, no less.

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Cole Pulice

Gloam

Aestum Purple Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Cole Pulice is a saxophone player from Minneapolis. An improviser of Ambient Jazz who earned his merits touring with Bon Iver, working with Godspeed You! Black Emperor and releasing wonderful electroacoustic gems with the groups Iceblink (Moon Glyph) and LCM (Orange Milk). With Gloam - his solo debut - Cole Pulice offers us six spacious audio holograms, one-take recordings of his saxophone entangled with live electronic hardware. We hear undulating pitch shifters, ring modulations and spectrally rich harmonizers. Cole applies all signal processing live, augmenting the calm, serene melodies Cole plays on his saxophone. The electronics never serve as a mere effect here. Instead, Cole’s fine-tuned setup functions as one whole instrument with which he effortlessly morphs shapes and colors, like fractals within a kaleidoscope or fragments of stained glass in a rock tumbler. Cole mentions the Synchromism visual art movement as an influence for this record, an American avantgarde style of the early 20th century in which colour and sound were treated as equivalents. It’s a spot-on analogy for these musical gems which serve to immerse us in imaginatory prisms. Cole’s sessions conjoin artificial processes with the vibrations of his breath to create electro-acoustic lullabies which reveal ever more timbral layers with each listen. Gloam was released on tape by the Moon Glyph imprint from Portland during the first lockdown in 2020 and has been licensed to Pingipung for this vinyl edition.

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Aestum

LP | 2021 | EU | Original (AMMXX)

12" | 2021 | EU | Original (Columbo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Aestum’s self-titled debut album is an in-depth journey into supreme and tranceformative soundscapes. Oscillating around the apex of spacious power ambient and drone, the compositions recorded during 2020 combine monolithic electronica with decaying fantasies and slow-motion euphoria.

The imagination for the album was inspired by the idea of panortosia (universal reform) as described in old scholar books devoted to inter-communication and sacrosanct harmonies in order to find a way into divine temple and shining lux (eternal light). From sonic perspective Aestum created a juxtaposition between warped atmospheres and distant remnants for a state of trance, a multiverse vision of feeling that was evoked by timeless parties and almost religious peak-time club anthems during end of 90’s and 00’s when Aestum as a duo of young friends were entering dancefloors across Europe. With this attitude every composition - often accompanied with dreamy messages and heavenly choirs of Dutch vocalist Bobbie 0rkid - marks its own emotional landscape and reaches new enigmatic spheres.

Influenced by this concept a New York based multidisciplinary artist Emma Pryde created visuals for the album - not just the cover where the story of panartosia is being told across the front and back cover, but also transformative videos for tracks Panortosia and Himmel. Using pure elements like heaven or meadows on the base, she added layers of imagery from sci-fi effects to more ancient and religious images, warping and blending into each other, leading into a fantasy that represents the past and future, and gives a meaningful hope.

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Troniq

Never Say The Last One

12,99 €*

LP | 2021 | EU | Original (La Luna)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The cirle is now complete. Well.. maybe because Never Say The Last One. Troniq left the Prague city life and now he's exploring ambient journeys under his real name Martin KuÅ¡ka while for the dance stuff he reserved the new Goobye Mirage nick.
Two melancholic tracks were left behind unreleased and here they come as a first release on Columbo Records. Polished and glamorised for the hazy dance floors, boosted by stunning remixes of Etbonz and Imre Kiss.
Digital Bonus: Two more mixes from Imre Kiss!

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Gloved Hands

Empty Terminal

15,99 €*

Giovanotti Mondani Meccanici

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The debut full length album from Gloved Hands, entitled Empty Terminal, finds the musician straying from the dance floor in search of something amorphous and less tangible. Ambient in nature, the eight tracks that comprise the LP have a deep focus on texture, space, and human feelings rather than a need for constant propulsion and momentum.

The A-side, the more rhythmic and percussive of the two, is awash with vague echos and smudged, slow-moving chords. Subaqueous drums shift in and out of focus. Sound sources are at once distant and intimately close. The curtains part to reveal a glimpse of a crystalline melody or a fraction of a vocal phrase only for the room to fill with fragrant smoke and go dark. It is a place beyond the dance floor. Perhaps it's a place without any floor at all.

The B-side is even more fragile and diaphanous. The foreground and background are obscured, leaving a hazy mesh of delicate, interwoven forms and rhythms; glistening and brushing against one another in the warm, dimly-lit space in between. With a swirling mix of cavernous bass and sweet-but-never-saccharine melody, the details are stretched and abstracted into something new yet familiar. The compositions ripple in midair, appearing and vanishing, close but just out of reach.

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Gmm Suite

LP | 1984 | EU | Reissue (Mannequin)

Windflowers Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Mannequin Records is elated to present for the first time on vinyl the reissue of Giovanotti Mondani Meccanici’s first video soundtrack, originally released in 1984 as an audiotape in less than one hundred copies. Giovanotti Mondani Meccanici (literally Mundane Mechanical Youth) or GMM was one of the most unclassifiable audiovisual experiences to emerge from Italy in the 1980s. Maurizio Dami a.k.a. Alexander Robotnick, a pivotal member of GMM, was responsible for the group’s music output. Founded in 1984 by Antonio Glessi and Andrea Zingoni in Florence, GMM was an art collective whose production represents the quintessential expression of postmodern transmedia hybridity. GMM pioneered the genre of computer comics, created video installations, developed “multiple identity” performances, and was involved in fashion, media, and music productions, and later on produced cyberdelic environments, artificial reality projects, and proto-memes. Alexander Robotnick’s first contribution to GMM was this soundtrack for the group’s eponymous first video, the animated version of a computer comics they coincidentally published on legendary Frigidaire magazine. Restored by Dami and reissued here for the first time by Mannequin Records, the composition was also split into two “suites” and released as an audiotape distributed by Materiali Sonori, also responsible for other releases by both Robotnick and GMM. Determining in this work is Dami’s adoption of the alphaSyntauri, also known as the first affordable digital synth (priced less than $2000 when it was released in 1980), which was playable through its own software, “alphaPlus,” on the Apple II computer. The same computer was used by Glessi to “draw” the 3-bit strips scripted by Zingoni recounting the joyrides of the Giovanotti Mondani Meccanici, three merciless cyborgs in black suit and sunglasses dividing their time between nightclubs, rapes and murders. As Robotnick, Dami developed an innovative formula of Italo disco that was attractive to the dance floor yet at the same time highlighted the expressive properties of the instruments he used, notably Roland drum machines and Korg synthesizers. For the soundtrack of GMM’s videos and installations, he left aside the danceable synth rhythmics in favor of ambient sounds that produced rarefied atmospheres, psychological tensions, and enhanced states of consciousness. Dami’s scores for GMM’s artworks could be associated with Italian avant-garde music of the 1970s and 1980s, ranging from composers who adopted electronics flirting with pop and songwriting to minimalist musicians exploring seriality and drones, including Franco Battiato, Roberto Cacciapaglia, Francesco Messina, and Riccardo Sinigaglia. Analogies could also be traced with the playful and humanizing approach to personal computers that characterizes the music output of Marcello Giombini and Doris Norton. The futuristic escapism of minimal synth and ambient music’s psychological nature is infiltrated by drifting harmonics typical of new age, as if in search of a spiritual dimension of technology. Characteristic of the postmodern ethos of GMM Suite, in line with the humanizing approach to technology that is at the base of GMM’s computer comics, is the melancholic take at speculative dystopias in which human beings would find themselves increasingly trapped into identity crises: a true cyborg’s melodrama. Limited edition of 500 copies, (orange vinyl)

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Efterklang

LP | 2021 | EU | Original (City Slang)

23,39 €* 25,99 € -10%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Frederic D. Oberland & Gaël Bonnefon

Meme Soleil

LP | 2021 | EU | Original (IIKKI)

The Composite Moods Collection Vol.2: Point Blank Range

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"Même Soleil" is the result of a dialog between the French photographer Gaël Bonnefon and the French musician Frédéric D. Oberland initiated by Iikki, between December 2019 and June 2021. Self-taught multi-instrumentalist & photographer, Frédéric D. Oberland finds himself at the crossroads of image and sound, favoring a synesthetic approach. Gaël Bonnefon has exhibited at Villa Pérochon, at the Eté photographique in Lectoure, at the 104 in Paris during Jeune Création 2012, at Rencontres Internationales de la Photographie d’Arles and at PhotoEspaña, at the Abattoirs Museum in Toulouse in 2014, at the Château d’Eau Gallery in 2012 and 2019 and in the Vitrine of Frac Île-de-France in 2020.

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Dalhous

2LP | 2021 | EU | Original (Denovali)

42,99 €*

Hugh Small & Brian Allen Simon

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dalhous end the 5-year silence with the long awaited follow up to 2016's House Number 44, presenting the second volume of The Composite Moods Collection. "Point Blank Range" reinterprets the established narrative with an inverse look at the proceedings. The entire record can be listened to as a continuous piece, each track seamlessly linked together as though part of an interconnecting nervous system. Where House Number 44 offered airy, widescreen soundscapes of detached detail, Point Blank Range presents an altogether different form. Creating airtight vacuums of agitated twitching feeling, tracks are pulled to the forefront of the stereo field, continually mutating their densely painted neurochemical hallucinations with a breadth of sound previously unheard on previous releases.

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The Side I Never See

LP | 2021 | EU | Original (Melody As Truth)

Tape | 2021 | EU | Original (Eotrax)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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MAT is proud to announce the forthcoming release of ‘The Side I Never See’, by Hugh Small & Brian Allen Simon. Hugh forms half of Scottish post-punk duo Vazz, whose work was the subject of a recent retrospective by Belgian label Stroom. Brian is known best for his solo project Anenon, under which name he has released four full length albums and multiple remixes for artists including Ryuichi Sakamoto. An improvised recording of Brian playing over the Vazz piece ‘Kazimierz’ catalysed this long-distance collaboration; 2000 feet up a mountain in Andalucia, Hugh heard the recording on a broadcast of Brian’s dublab LA radio show. Immediately taken in by Brian’s playing, the pair soon established contact and began discussing the possibility of working to create something new together. The rest, as they say, is history: the results are fully realised in ‘The Side I Never See’, a shimmering suite of ten compositions for piano, soprano saxophone, synthesizer and guitar. In Hughs words… ‘so, what is it? It’s Ambient-Punk, Abstract-Jazz, Disaffected-Classical, it’s whatever the fuck you want it to be!’ :-) ‘The Side I Never See’ will be released on Melody As Truth in early August 2021, as always on vinyl and digital. Mastered by Stephan Mathieu, Artwork by Michael Willis.

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Lair

I Hurt So I Cry

7,69 €* 10,99 € -30%

When I Hit You You'll Feel It Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lair returns to Eotrax with a new 4-track EP. Following her 2017 self-titled debut EP, releases on Urban Legend and Rhod Records as well as collaborative projects in the visual arts and dance she returns to Eotrax to release I Hurt So I Cry this summer. Created using elements of sound healing and sacred sound I Hurt So I Cry can be engaged with from a purely musical perspective or listeners can take advantage of its sound healing qualities and use this EP as an active sound bath- active in that the listener intentionally uses the music to support them in going within and releasing, resting and restoring their body, nervous system and heart. As with all Lair’s work, the music is composed using only her voice with one exception, a sampled cello in the EPs first track Foreshadow. This brooding opener inhabits the dark ambient world we've come to expect of her music but as the EP unfolds ethereal vocal lines mix with her darker sound and a new, lighter sound world is revealed. In the artist’s words: “A shadow falls across our lives, we hurt so we cry, the feeling starts to shift and from that shift hope can spring." Both intimate and expansive, the tracks create a feeling of existing outside time. Lair’s profound connection to nature can be felt through all the tracks - at times in a deep cavern, at times moving through an elvish forest and at times in an Otherworld. Released on June 29th on red cassette & digital with artwork and design by Goldmoth Media. Mastered by Dominic at Declared Sound.

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

46,99 €*

When I Hit You You'll Feel It Pink Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

44,24 €* 58,99 € -25%

LP | 2021 | EU | Original (Famous Grapes)

Release: 2021 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon
Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Niko Lfo

Aurality

LP | 2021 | EU | Original (Past Inside The Present)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Aurality -20°10’45.3176” -044°04’01.4329” is an array of sonic encounters that floats and wavers above the
pliable junction of experimental electronics and field recording research.
The first release by French artist Niko de Paula Lefort for Famous Grapes Recordings reflects on the relationship between bioacoustics and harmonic space; it explores the effects of Time Lag Accumulation, a tape
looping technique developed by Terry Riley and Pauline Oliveros through their pioneering work in the 1960s.
Aurality -20°10’45.3176” -044°04’01.4329” was recorded at the Fazendinha, or Little Farm, near Belo Horizonte, in Minas Gerais, Brazil. Augmenting past inquiries into the materiality of sound and its role in mediating experience and transmitting knowledge, de Paula Lefort surveys the consonant properties of the region’s
biophony. According to field recordist Bernie Krause, biophony is the aural character of all living organisms
in a particular geographic area. Aurality -20°10’45.3176” -044°04’01.4329” is a two-sided exploit of a 24-
hour period radiating out of dawn and dusk. Divided further, each cyclical procession yields a new orchestra
of natural sonic phenomena.

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Wayne Robert Thomas

Canticles Of Bliss

12" | 2021 | EU | Original (Raw Culture)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Composed and recorded by Wayne Robert Thomas with an electric guitar at Stan Mikita's Donuts, Aurora, Indiana from October 2019 to August 2020. Design, layout and assemblage and christened by Sir Frizzell. Mastered and blessed at Schwebung Mastering (Germany) by Stephan Mathieu. Muted trombone by Ron-Robert Thompson on 'Just Be Patient With Me' Additional guitar by Andrew Bergman on 'Envoi' . "Love abounds in everything"

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Nostalgie Eternelle

Face A L'incertitude EP

16,99 €*

LP | 2021 | US | Original (Bastard Jazz)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Nostalgie Éternelle might sound like a new name on our shameless label but in fact they are 2/3 of Sauerstofff and with Face á l'incertitude EP they keep us in balance between the 1987’s atmosphere of Leer and those of the city of Hamburg in 2019 where Inox Kapell and Dieter Mauson have recorded part of the record. A style lesson that we welcome with great pleasure by two artists with 35 years of friendship and militancy in the post-punk scene in Europe.

An EP that ranges between the dementia no wave of “Human Biodiversity”, the synthetic minimalism of “Die ganze Wut”, the atmospheric romance of “Under Water Dream”; between the dub sonorities of “Raumseelen” and the new wavish of “Wo es weiter geht” and “Thank You!”

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Blood Wine Or Honey

Dtx2

LP | 1985 | EU | Reissue (Morning Trip)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Hong Kong based hypno-tropicalia duo Blood Wine or Honey are set to release their second album 'DTx2" on 30th June 2021. Made up of seasoned multi-instrumentalists James Banbury (synths, bass, percussion, cello) and Joseph von Hess (vocals, clarinet, sax, percussion), they create a heaving, heady brew of brazen sax themes, lo-fi/hi-tech electronics, densely layered cello inflections and motorik drums. These explorations start with the dance-floor then go above and beyond, taking notes from post-punk and tropical polyrhythms, always anchored by the bass weight of the sound system. Their distinctive sound is created in the industrial warehouses and hidden rural settlements of Hong Kong, surrounded by the low-end throb of heavy machinery, the lingering scent of hand sanitiser and the humidity of the South China Sea. Written and recorded during 2020-21, new album 'DTx2" looks ahead to an uncertain future, drawing deep on their experiences and influences.

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Michael Masley

Cymbalom Solos

2LP | 2019 | US | Reissue

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar - both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived from Michigan in 1982. Even today, he remains a common sight, working as a street performer - catching the attention of passers-by as he summons otherworldly overtones from a coterie of arcane instruments. This is how he met fellow east-coast transplant and musical voyager, Barry Cleveland, in 1983. Cleveland was enraptured by the sound of Masley’s wildly innovative bowhammer cymbalom. The cymbalom is an ancient instrument, similar to a zither or hammered-dulcimer - originating in Eastern Europe in 1874, but with primitive early examples dating back as early as 3500 BC. Yet Masley’s approach to the instrument was wholly original. Masley replaced the two traditional cymbalom hammers, with bowhammers - an invention wherein he fitted each of his fingers with it’s own combination hammer/bow device, which allowed him to both strike the strings, and bow them like a violin. Outfitted with his bowhammers, Masley was able to wrest startlingly new sounds from a centuries-old instrument. In 1985, after performing together for a couple years, Cleveland produced Masley’s first solo endeavour, Cymbalom Solos. With the help of Cleveland’s timely production, Masley’s technique reached its zenith. His complex and beautiful compositions combined elements of Eastern-European classical, new minimalism, and celtic/folk music, yet the end result falls squarely within the world of new age kosmiche. Music of the spheres, conjured by earthbound strings. Masley estimates that he sold tens-of-thousands of cassette copies of Cymbalom Solos over his years of performing. And now, Morning Trip is distinctly proud to offer it on vinyl for the first time ever - an album of startling, imaginative beauty, by a brilliant American folk artist.

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S?K

Outworld Black Vinyl

43,99 €*

Release: 2019 / US – Reissue

Genre: Electronic & Dance

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The S?K Files Black Vinyl Edition

S?K

2LP | 2021 | US | Original (Sic)

27,29 €* 41,99 € -35%

The S?K Files Clear W/ Splatter Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Edition OF 100 Copies

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S?K

2LP | 2021 | US | Original (Sic)

42,99 €*

12" | 2021 | EU | Original (Milkman)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Edition OF 150 Copies

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Azu Hoyvoy

Future Literature EP

12,99 €*

Save My Day Incl. DJ Python Remix

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since 2016, Milkman has been a pioneer in India’s ever-evolving electronic music scene. From building the foundations of India’s warehouse-rave culture, to consistently curating international and local artists at the forefront of the electronic musical underground, Milkman has quickly become a formidable force. Both editions of its festival, ‘Terminal 1’ were highly well-received, and this year, Milkman brings its first ever release as a label to the world. Azu Hoyvoy’s music feels like it has a toehold in the world of left-field dance-floors, while also being comfortable in any post-apocalyptic sensorium you can dream up. This peculiar trait should not come as a surprise. The chaos, darkness, and simultaneous beauty of the city from which he hails all make for a hard cocktail of deep-uplifting-frightening-introspective fervor, spilling appropriately into this record. The twenty-three-year-old Mumbai-native’s previous music is largely dominated by RnB and Soul, and in some ways feels like the proverbial Jekyll to Future Literature’s Mr. Hyde. To the extent that Azu’s previous incarnation still resides in his darker counterpart, it shows in Future Literature’s multi-faceted grooves and syncopations that are relatively unique in this spectrum of electronic music. This collection of tunes finds a very suitable corner in the eclectic and forward-thinking home of Milkman, and the result is an enjoyably mind-expanding, if sometimes disconcerting record.

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PYTKO

12" | 2021 | EU | Original (Phantasy Sound)

11,99 €*

Listen And Donate Picture Disc Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Phantasy is proud to introduce the first release from Polish-born, London-based experimentalist, Pytko. ‘Save My Day’ and ‘Wife’ offer a tantalising introduction to a unique sonic world, remixed delicately by DJ Python. Bristling and vulnerable, ‘Save My Day’ is an aching internal monologue reborn as a haunting melody. Led by guitar in the outsider spirit of This Mortal Coil or Dead Can Dance, Pytko’s compelling vocals invite listeners to lean further in, conjuring dream pop textures within her personal but ambiguous songwriting. A student of sound design and composition for moving images, PYKTO’s approach is more abstract but no less intriguing on ‘Wife’, a cryptic story told through ghostly sonics, establishing a sensibility somewhere between DIY indie and futurist pop visions. One of the most creative and singular electronic musicians in recent years, DJ Python builds on his recent acclaim with a spectral and sensitive rework of ‘Save My Day’. Suspending Pytko’s vocals atop a weightless bed of dreamlike percussion, the New York producer pushes his signature ‘deep reggaeton’ style to its psychedelic finest.

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Pone

2LP | 2021 | Original (Naive)

30,99 €*

Release: 2021 / Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Cyclic Law)

Beckahesten

Tydor

Kid Millions And Jan St. Werner Of Mouse On Mars

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Second full length album from one of Sweden's most singular sonic entity. Featuring guest appearances by Kai Uwe Faust of Heilung, Lars-Magnar Enoksen and Anders Hovland, the music of Beckahesten emerges from a borderland where ambient, folk music and ritual converge. Recorded in various natural locations in Norway and Sweden, nature spirits have infused themselves in these recordings... Dancing with vague entities in a blackened cinder field, followers of dread that has woken, hypnotised one is drawn deeper into their realm. The trees moulder around and offer little protection. Haunting voices keep echoing in the dusk. Lost and trapped you lay down, shivering in the dew. You are their offering, sinking into the mire. Standard Edition LP of 200 copies in standard sleeve with spot UV and Matt lamination with printed inner sleeve.

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Imperium Droop Purple With White Vinyl Edition

LP | 2021 | US | Original (Thrill Jockey)

28,79 €* 31,99 € -10%

Nwaq Aka Newworldaquarium

Release: 2021 / US – Original

Genre: Electronic & Dance

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Imperium Droop brings two mavericks of sweeping exploration together into new avenues of musical expression. Kid Millions and Jan St. Werner explore a liminal space between improvisation and composition, a fluid yet defined sound-space, founded on the unique chemistry of their friendship and pushing into the future. Kid Millions stands as one of the most sought after drummers and improvisers in NYC, known for his work as the drummer for Oneida, his expansive solo work as Man Forever, as well as collaborations and performances with the likes of Laurie Anderson, Philip Glass, Royal Trux, Boredoms, White Hills, and Spiritualized. Regardless of who he's working with Kid Millions radically redefines the drums as an instrument. Jan St. Werner has consistently remained at the vanguard of electronic music. In his work as one half of the visionary duo Mouse On Mars, as well as his acclaimed solo work both as a composer and sound artist, and in collaborations with The Fall's Mark E Smith, Oval's Markus Popp, Stereolab, and The National St. Werner constantly pushes the limits of recorded sound. Together, Millions and Werner have crafted a monument of unpredictable beauty built on breathless forays into the unknown. Werner's application of a seemingly infinite arsenal of textures unleashes colorful swaths of energy. Mats Gustaffson joins Werner on the maximalist "Color Bagpipes," unleashing torrents of swiveling melody and breathy clicks over the exponential thunder of Millions' drum kit. Pieces like "Dark Tetrad" and "Astral Stare" demonstrate the duo's mastery of space and surprise. Dark flutters flow in slow pulses across "Apotropaic" where erratic swirls of sound twist and mutate on "Sorrows and Compensations," unified as a single force by the overwhelming diversity of sounds. Millions' drums effortlessly rides each wave of Werner's prismatic deluges and channels their energy into dynamic movements. Through his singular prowess, Millions' tireless rhythms and subtle gestures mirror Werner's boundless textural palette and drive each piece towards transcendence. On Imperium Droop, Kid Millions and Jan St. Werner have combined their powers into an incomparable work of gripping and intrepid sonic fluctuations.

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Above EP

12" | 2021 | EU | Original (Last Age)

Interstellar Funk / Guenter Raler

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Jochem Peteri comes drifting back into earshot with some new Nwaq tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the Nwaq soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. Nwaq has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.

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Scores III

12" | 2021 | EU | Original (Dekmantel)

11,69 €* 12,99 € -10%

OST Yasuke (A Netflix Original Series ) Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Label Text "Dekmantel once again teams up with RE:VIVE, the cultural initiative setup by the The Netherlands Institute for Sound and Vision, to pair modern electronic talent with Dutch archival footage. The third EP in the Scores series sees Interstellar Funk and Italian producer Guenter Råler create innovative, modular soundscapes to the graceful visual arts unearthed from the EYE Filmmuseum archives. As Interstellar Funk, Olf van Elden uses his production competency to craft a heavenly arpeggiated, synth composition to the amateur aquarium movies by J.L. Clement which are edited for this project by Sjoerd Martens. Filmed in the 1940’s, the video’s turn-of-the-century black-and-white style aquatic footage is reanimated through van Elden’s tacit polyphonic, modular sonic soundtrack. Layering together multiple sequences, van Elden pieces together the music as a whole, to mimic the way in which the film was created. On the B-Side, Italian abstract artist and Dutch native Guenter Raler concocts a deeply introspective, and perfectly choreographed, ambient soundtrack to a select series of pieced together clips from the Collectie Natuurbeelden, [the Institute’s Collection of Natural Images]. The music plays against the depiction of multiple biological communities in transition; what is referred to as an ecotone. The title itself not only recalls that of a musical tone, but represents the ever-evolving aspect of life and nature as similar colours, along with movements of animals and plants pass on from one image to the next. Within their own right, the new scores not only give the age-old films new context and sonic character, but exist as creative works as their own, full of resonance and individualism that highlight the retrospective artists’ voices to their fullest."

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Flying Lotus

LP | 2021 | UK | Original (Warp)

Mind Killer HHV GSA Exclusive Edition

Release: 2021 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Given his noted love of anime, scoring a fantastical retelling of a 16th-century samurai warrior of African descent serving under a Japanese daimyo, must be a dream project for Flying Lotus. But, as we’ve come to expect from the man who brought us the mind-bending 2019 LP Flamagra and his own written, directed and scored full-length surrealist fever dream Kuso back in 2017, Steve Ellison is anything but predictable.

Where his recent work has ventured deep into the hitherto unexplored avant-garde reaches of contemporary electronic music, jazz and hip-hop, FlyLo’s score to renowned anime creators Studio MAPPA’s Netflix original series Yasuke — on which he also acts as story consultant and executive producer — sees FlyLo eschew his digital maximalism with rumblings of traditional instrumentation, sweeping romanticism and widescreen cinematic scope.

Broadening the canvas of show creators LeSean Thomas and Takeshi Satou’s alternative-historical Sengoku period of magic and swordplay, with a soundtrack of Morricone-style epic tones, traditional Japanese percussion instruments and West African percussion, the feudal yet futuristic world of Yasuke is summoned.

The drum-driven drama of ‘Your Armour’ and ‘Your Lord’ simmer with synth flutes, strings and koto, as the bubbling arps of ‘War Lords’ recall the cyberpunk noir of Vangelis’ Blade Runner score, while frequent collaborators Thundercat and Niki Randa, also make an appearance in this parallel universe.

Another spellbinding FlyLo release even without the stylish animations of the show, Yasuke is set to be one of Ellison’s most prized releases.

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Blanck Mass

LP | 2021 | UK | Original (10)

15,99 €* 19,99 € -20%

Vers Quelques Attracteurs Étranges

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Exclucively available for mainland Europe except Scandinavia at HHV.

Blanck Mass - the project of musician Benjamin John Power - announces Mind Killer, out Friday, May 14th, via Power’s own Weirding Way label. Recorded in April 2020 at the beginning of the lockdown during the Covid-19 outbreak, Mind Killer is an improvised and original live-streamed performance by Blanck Mass. Using a core setup of the Korg Volca Series (beats, bass, sample & keys), the result is a 40+ minute long voyage into improvised techno and loop-work, warts and all. The only alteration is a slight edit in length so it fits onto a piece of vinyl. The release is extremely limited, one pressing only of 1,000 copies worldwide on black vinyl.

Mind Killer follows the recently released Blanck Mass album, In Ferneaux. The album is made of an archive of field recordings from a decade of global travels. Isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue.

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Cévennes

LP | 2021 | EU | Original (Les Disques Solubles)

20,99 €*

Beautify Junkyards With Belbury Poly

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Cévennes is a project by Didier Delrieu, a French musician born in 1967. From the mid-90s, he creates his home-studio and begins to create electronic music. In 2000, he left Paris to set up a bookstore specializing in art in Toulouse. He divides his time between his job as a bookseller and musical creation.

Vers Quelques attracteurs étranges is the first album from Cévennes and the first release from Les Disques Solubles.

Slow electronic music composed mostly on Buchla and various analog synthesizers, this work is interested in sound poetry, exotic and cinematographic atmospheres.

Tracklist

A1. Cévennes - Misérable miracle A2. Cévennes - Soleil bas A3. Cévennes - Les Fins d'après-midi renoncent A4. Cévennes - Le Voyage des fragiles

B1. Cévennes - Hikikomori B2. Cévennes - Eloge de la mousse B3. Cévennes - Avec elle, dérivant B4. Cévennes - La Fin des oiseaux

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Painting Box

7" | 2021 | UK | Original (Ghost Box)

Axel Dörner & Richard Scott

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The A side is a cover of The Incredible String Band’s Painting Box, originally written by Mike Heron. It’s a collaboration between Beautify Junkyards and Belbury Poly and produced by Jim Jupp. The flipside is an original by Beautify Junkyards, Ritual in Transfigured Time, produced by João Branco Kyron.

Both have a delightfully disorientating sound. The artists complement each other perfectly with their through-the looking-glass electronic psychedelia.

Beautify Junkyards: A talented group of Lisbon based multi-instrumentalists headed up by João Branco Kyron on vocals and keyboards with Helena Espvall (formerly of Espers) on cello, flute and electric guitar, Martinez on vocals, João Moreira acoustic guitar and keyboards, Sergue Ra on bass and Antonio Watts on drums and percussion.

Belbury Poly: Jim Jupp is co-manager of UK label Ghost Box Records. As Belbury poly he’s released EPs, singles and six albums on the label. He is also a member of The Belbury Circle along with Jon Brooks (of The Advisory Circle) and occasional collaborator, John Foxx. He’s remixed tracks for several artists including John Foxx and Bill Ryder-Jones (The Coral) and has co-written a song with Paul Weller for his 2020 album On Sunset.

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A Journal Of Elasticity

LP | 2021 | UK | Original (Bohemian Drips)

23,99 €*

earlytrance Magenta Vinyl Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance

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»Journal of Elasticity« sees Richard Scott and Axel Dörner team up again after having previously collaborated live onstage and in the studio for albums such as »Orbit, Dialogue and Trajectory: Live In Berlin« with Thomas Lehn and »Seven Types of Ambiguity.« The duo came together for the 2017 edition of bohemian drips’ very own »Speicher – Festival for Site-Specific Music« to compose and record two sessions—one just by themselves in the empty tank and another one during which they were surrounded by an audience—at the big water reservoir in Berlin-Prenzlauer Berg, whose acoustic idiosyncrasies have been previously explored by Microtub on »Chronic Shift« (2019, Bd010) and Tomoko Sauvage on »Fischgeist« (2020, Bd013) released also on bohemian drips. Amplified through a hexaphonic sound system, Scott worked with a Eurorack modular synthesiser, an EMS Synthi A and a Ciat-Lonbarde Tetrassi, while Dörner played a a Holton Firebird trumpet with additional live-sampling via Max/MSP and a controller interface developed by Sukandar Kartadinata. Their two compositions are based around flexibility and elasticity and marked by a mutual understanding of the unpredictabilities of each other’s playing. The duo’s process is a fluctuating one that creates friction and tension along the way that are briefly resolved in one moment and then emerge anew while the duo goes on to find new sonic and musical formations in the next one. This compositional approach is further diversified and complicated by the space around the two players, whose acoustic qualities are directly shaped by the presence or absence of other bodies. Side A, »The Near-field of an Accelerating Dislocation,« recorded without any other people present, may be the shorter piece but uses the unique acoustics of the Großer Wasserspeicher as a third actor: while the musicians’ distinct voices converge and diverge, their reverberations overlap in space. »Discontinuity within a Continuum in the Presence of Electromagnetic Fields« on side B sees Dörner and Scott put a heavier emphasis on individual sonic events that are being layered and interwoven in an acoustically more confined setting. What resonates in the latter piece is less the naked brick walls of the reservoir than the physicality of the audience—bodies in space and time to sound. With »Journal of Elasticity,« two boundary-breaking musicians do not so much explore a middle ground between them, but rather use the dynamics of the peculiar spaces around them. Scott and Dörner masterfully construct and play with tonal, temporal, spatial and sonic dualities. The spatial information on this LP was captured with a binaural dummy head microphone (Neumann Ku-100) – listening with headphones is recommended for a more immersive experience.

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Mindspring Memories

2LP | 2017 | CA | Reissue (Tiger Blood Tapes)

50,99 €*

12" | 2021 | UK | Original (Mad Habitat)

Release: 2017 / CA – Reissue

Genre: Electronic & Dance

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Limited edition double vinyl LP on magenta Colored Vinyl in full colour jackets in protective sleeves. Remastered by Angel Marcloid 2021. Contains new exclusive bonus track.

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Greville

Summer & Wonder

Sugai Ken & Lieven Martens

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Greville translates the deft drum programming and atmospherics of their previous work on Mad Habitat into a dextrous downtempo odyssey. The tracks pair woody percussion with crystalline pads and figurative sounds that evoke their own biospheres; listen to the woodland motorik of “Marbles” or swingbeat syncopation and coruscating arps of “Time”. The depth of production here is best exemplified by “Night Light” where the “Ambient Mix” strips the track down the dreamy chords and the asynchronous twitter and chirrups of a synthesized bushland - and like the EP altogether, it's a curious sonification of Australia in the summer.

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Kagiroi

LP | 2021 | EU | Original (Edicoes CN)

12,59 €* 20,99 € -40%

LP | 2021 | UK | Original (La Sape)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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I met Sugai KEN a few years ago in Tokyo, outside the Dommune radio studios. His personality and music, a very special brand, touched me. His music is a coded vision of a dream world. A trade that is progressive yet traditional - in the most positive sense of the word. Recently out of the blue, Sugai San sent me a collection of personal field recordings he made of folklore groups and public performances in Tokyo, Toyama, Kanagawa, Kyoto, Tottori, … The close listener already knows that Sugai San’s aesthetics speak of a great knowledge of these performing arts. An open invitation: “the traditional local performing arts in the 21st century intrinsically conceive “fragility” as they are vulnerable to extinction. The Japanese local performing arts that appear in this recording is no exception, endangered by the declining birth rate and aging population which are typical to the country. (Sugai Ken)” I bring the original recordings into conversation with new elements (corresponding field recordings and or additional percussion and strings, performed by Antwerp musicians Jeroen Stevens and Roman Hiele) like a ‘monomane’ - tr. imitating – sound game. But when i throw these old and new figurines together on the podium, the objects immediately disappear in the cracks of the stage wood. Thus only the understament of the suggestion remains. And relentlessly the significance of every movement now becomes a question. Furthermore, what’s in focus? The manipulation? Or the content? Or are we zooming in on the aspect of archiving ~ preserving? Dubious. In Kagiroi – tr. heat haze - people coexist for a moment severely carved in time like a high contrast still of dancing flames. When you bring this composition home, it will never boil yet merely evaporate. And when you gaze at the clouds of condensed droplets inside your own darkness, on a soft volume, You complete our puzzle.

Sugai KEN - field recordings, liner notes Lieven Martens - collage, additional sounds and field recordings Jeroen Stevens - additional percussion Roman Hiele - double bass, mastering Kohei Oyamada - liner notes translation

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On-Ly

Yurodivy

12" | 2021 | UK | Original (Sähkö)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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On-Ly is the solo and collaborative moniker of pianist and producer Joshua Smeltink. On-Ly has been playing local traps since 2017, varying across numerous bands, recently settling into the second line-up for his own On-Ly band: Carl Lindeberg, bass (Surprise Chef), Henry Hicks, guitar (Horatio Luna) and Bryce Zelno, drums (Astral Flex).

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Basic House

Crown Ever Remain

18,99 €*

Since I Left You 20th Anniversary Deluxe Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Stephen Bishop is a Newcastle based producer behind the label Opal Tapes. As a solo artist he is called Basic House.

Crown Ever Remain is a contemporary bass heavy magical masterpiece in a tradition of the black experimental electronic noise of the North England.

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The Avalanches

4LP | 2021 | UK | Original (XL)

58,99 €*

LP | 2021 | EU | Original (Body Meat)

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.

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Body Meat

Year Of The Orc

17,99 €*

Preacher's Sigh & Potion: Lost Album Yellow & Black Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Body Meat—the project of Philadelphia-based multi-instrumentalist and producer Christopher Taylor. Streched and bold out of shape pop accompanied by mangled electronics that meld together like a beautiful peice of abstract dance. full info soon!

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Matthew Dear

LP | 2021 | US | Original (Ghostly International)

Preacher's Sigh & Potion: Lost Album Black Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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This unearthed Matthew Dear album was originally recorded after his acclaimed album Asa Breed (2007). Riyl: Beck, Bill Callahan/Smog, Bibio. Twenty-plus years into his career, producer/vocalist/songwriter/DJ Matthew Dear remains artistically unpredictable in pursuit of his prescient strain of electronically-formed, organically-delivered indie pop. His work traverses myriad musical worlds, belonging to none. But these fluid moves have not been without a few forks in the road, decisive turns, and what-ifs. Most notable is the pivot-point following Dear's acclaimed 2007 avant-pop LP, Asa Breed, in which he broke away from the 4/4 grid of his techno/house debut Leave Luck To Heaven and into something much more wild and idiosyncratic. Traveling between his adopted Detroit and his home state of Texas throughout 2008 and 2009, Dear amassed a set of personal, playful, looping guitar-centric recordings he'd consider for his next album. Given the new momentum of the hybrid electronic pop of Asa Breed which led to an opening slot for Hot Chip and remixes for `00 heroes like Spoon and Postal Service, Dear decided to shelf the material. He moved ahead to work on his watershed 2010 album, Black City, a steely noir set which earned him a Best New Music on Pitchfork and a worldwide tour with a besuited band. This "lost album" had a sound, a spirited country romp in the techno barn, and it had a rough title, a scribble on one of the CD-Rs passed to Ghostly label founder Sam Valenti IV, Preacher's Sigh & Potion. He never fully walked away from it, and merely kept moving down the road, waiting for the audience to catch up. Over a decade later, that time is now. Preacher's Sigh & Potion finds Dear unknowingly at an intersection in his young run, a burgeoning songwriter at his most freewheeling and unaffected. In hindsight, there were hints of Preacher's sound on Asa Breed, but the set still registers endearingly out of step with his eventual direction. This was the first time Dear tapped so directly into his late father's influence as a fingerpicking guitar player in the 1960s and `70s and a gateway to the music of John Prine, Townes Van Zandt, and Emmylou Harris. From the twang and tambourine stomp of album opener "Muscle Beach," to the metronome-like pulse of "Hikers Y" complete with an unmistakable Matthew Dear dryly dismissive mantra, to the gloomy carnival-leaving- town pomp of "Gutters and Beyond," Preacher's Sigh & Potion is filled with the reckless notions of an artist dashing the history of pop and rock, the twang of country, the build and release of techno. Dear is an auteur, and in retrospect, so many of his signatures crop up in these relics from his former self.

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Matthew Dear

LP | 2021 | US | Original (Ghostly International)

LP | 2021 | JP | Reissue (HMV Record Shop)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Fujio Yamaguchi

Himatsubushi

55,99 €* 69,99 € -20%

Release: 2021 / JP – Reissue

Genre: Electronic & Dance

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LP | 2021 | JP | Reissue (HMV Record Shop)

Koji Shimotsu

Transient World

63,99 €*

Release: 2021 / JP – Reissue

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Vinyl On Demand)

V.A.

Vanity Demos

31,99 €*

10" | 2021 | EU | Original (Residence)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One copy per customer.

Lp01 DEN SEI Kwan / P'
Lp02 V.A. / Demos

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Avont

LP | 2021 | EU | Original (Bwaa)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Avont is a music project by Amsterdam based artist Arjan Timmermans The music on Avont's #1 EP was mainly created with the use of a four-track tape machine, guitar, hardware synths and a eurorack modular synthesizer. Avont juxtaposes the element of chance and the glitches that are inherent in the use of tape loops, with meticulous sound design and synthesizer programming.

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Lennart Heyndels

Halling

12" | 2021 | EU | Original (Ballyhoo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Some time ago, Lennart Heyndels sought refuge in modular synthesis after injury prevented him from playing the double bass. In 2019 he continued this research into the physics of sound in a small hut in Norway and came back with this album.

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Thee J Johanz & MSRG

ADS-7

14,99 €*

PRSNT White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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(Very Limited Full Color Sleeve edition, comes with sticker) Semi promotional record for the Russian Ads7 drumsynthesizer. Thee J Johanz is going from the Chicagoish banging drumsynth only I Wanna Turn On My Beatbox, to nearly Italoesque electro in Drops Of Joy, to end with the (only playable inside out) trippy Italo proto techno adventure in Calm Your Tits Kitty. On the other side 4 tracks with top class electro, all made by Msrg, who is also the man behind the drum synthesizer. Funky, jazzy and even stamping in the last track, always elegant and spot on. Sleeve by Afrobot.

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V.A.

LP | 2021 | EU | Original (Modern Obscure Music)

57,99 €*

When The Waters Refused Our History

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Ltd White Vinyl Gatefold edition + 32 Page Booklet + Download Code The LP contains original compositions by Ryuichi Sakamoto, Pascal Comelade, Laurie Spiegel, Lyra Pramuk, Chassol, Nicolas Godin and Pierre Rousseau, Pedro Vian and Pierre Bastien, Visible Cloaks, Kelman Duran, Raul Refree, Lucrecia Dalt, Lafawndah. The booklet includes writings by contemporary thinkers like Shumon Basar, François J. Bonnet, and pictures by, Araki, Juergen Teller, Elizaveta Porodina, Dani Pujalte, P Jack Davison, Zhong Lin, Alessandra Sanguinetti, Adrià Cañameras, Javier Tles among others. Lacquer cut by Josh Bonati & Mastered by Rashad Becker ‘prsnt’ is a unique global artistic project combining the input of artists across the worlds of music, video and written word which acts as a statement on how we, as consumers, engage with music in the 21st century. Vital electronic musicians including Ryuichi Sakamoto, Lafawndah, Lyra Pramuk, Lucrecia Dalt and Visible Cloaks have each contributed tracks, which are approximately 32 seconds long. The concept was devised by Created By Us and the Barcelona-based label Modern Obscure Music. They read a study which identified that the overwhelming volume of instantly accessible information online is shortening attention spans and altering how audiences engage with music digitally. Their curiosity about the state of online consumption developed further on discovering that around a third of all listeners using digital platforms skip to the next track, within the first 30 seconds of playing. Each musician was given a fascinating challenge to create engaging compositions with real artistic merit, inside the confines of this shortened span. Akin to Brian Eno’s famous Windows 95 start-up music, the time constraints are crucial, and the compositions are deceptively complex and more substantial than expectations of their nano nature would suggest.

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Sunken Cages

LP | 2021 | EU | Original (On The Corner)

Summer Nightmares And Lazy Dogs Tolouse Low Trax Rework

Release: 2021 / EU – Original

Genre: Electronic & Dance

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On the Corner have taken a deep dive into the murky waters where ancient percussion are jolted through history with a high voltage shock of experimental electronics. Across the territory of ‘When The Waters Refused Our History’, Sunken Cages channels his own journey and that of the world of his ancestors and adroitly breaches the porous frontiers being pushed by the cosmic adventures-led OntheCorner.

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Andy Ded

12" | 2021 | EU | Original (Camisole)

12,34 €* 18,99 € -35%

12" | 2021 | EU | Original (Finale)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Andy Ded was an English artist who living in Paris in the mid 80’s. The only trace of his work is this EP called “Summer Nightmares and Lazy Dogs” mixing industrial music with a Post-punk attitude. Notwithstanding a danceable appeal, the release did not gain access to an audience more attracted by the emerging french Cold Wave scene. This reissue is accompanied by a mutant Tolouse Low Trax Rework featuring additionals lyrics and vocals. With the help of some friends (Laura Lippie and Gwen Jamois aka Iueke) he adds a deviant Laurie Anderson atmosphere to the original track. Remastered and Limited to 300 copies.

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Wrong Beach

Wrong Morning EP

12,59 €* 13,99 € -10%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Wrong Beach is an experimental music project run by Cristiano ‘grim’ Feleppa Grimaldi, TK Lawrence and James “blu Jemz” Sheffield Dewees in New York. The band jams multi genres especially rap, house, and ambient with an improv approach informed by irony, a consequence which they call “post club’ music. Wrong Morning EP is the first release by the band on their Finale Records: It explores a violent unstoppable nature that rips apart the body but spares the mind.

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The Broken Symphony Limited Gold Vinyl Edition

2LP | 2021 | EU | Original (X-Ray)

21,69 €* 30,99 € -30%

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Degiheugi releases his 2008 album on vinyl for the first time. One time pressing, only one per customer.

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CD | 2010 | EU | Reissue (X-Ray)

Abstract Symposium

Release: 2010 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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CD | 2015 | EU | Reissue (X-Ray)

Endless Smile

Release: 2015 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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CD | 2017 | EU | Reissue (X-Ray)

Bagatelle

Release: 2017 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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Mesektet 10th Anniversary Edition

Flako

2LP | 2021 | EU | Original (Project: Mooncircle / HHV)

LP | 2021 | US | Original (Jagjaguwar)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited edition of 300 copies on black vinyl in gatefold sleeve.

When being described as “Hardly a typical album, primarily a beat tape in the spirit of Dilla's Donuts. An intriguing album that is a testament to his talent.” by Resident Advisor shortly after its original release in 2011, Flako's release left a lasting impression on many and marked the beginning of an exciting career as a music writer and producer.

10 years later and with a vastly diverse and colorful catalogue of solo releases, as well as stunning productions for other artists across the world and all genres, this album hasn’t lost much of its original flavor.

Now considered a classic, “The Mesektet” is getting a complete revamp in form of a 2LP Gatefold Edition including three exclusive newly unearthed beats and retrospective collection of photos by Robert Winter.

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Ross Gay

Dilate Your Heart

LP | 1985 | EU | Reissue (Trueclass)

Release: 2021 / US – Original

Genre: Electronic & Dance

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· First release of the Jagjaguwar 25th anniversary celebration happening in 2021. · Features production and composition accompaniment from Bon Iver, Mary Lattimore, Angel Bat Dawid, Gia Margaret, and Sam Gendel. · Limited edition Opaque Green vinyl. Over the last 12 years, Ross Gay's poems have given us indelible images and phrases of radical empathy and unabated gratitude; about community, collaboration, connectedness and hard work. They have crept into our hearts and made a home of all of us. And so we are launching our 25th Anniversary celebration with `Dilate Your Heart', our first spoken word album since titan Robert Creeley's self-titled release twenty years ago. "Catalog of Unabashed Gratitude" is given a gorgeous, slowly creeping bed of vines by Bon Iver, as Gay's unadorned voices speaks a lifetimes of Thank You's. On "Burial," harpist and composer Mary Lattimore's lunar landscape follows Gay's voice into space, telling of our endless energy exchange with nature. Chicago's Angel Bat Dawid dances with the frenetic, joyous scene Gay leads us through on "To the Fig Tree on 9th and Christian," in which a group of Philadelphia strangers scramble together to harvest the fruit of the titular urban fig tree. Songwriter Gia Margaret provides a mystical, amniotic environment for Gay's "Poem To My Child If Ever You Shall Be," a love letter to an imagined future child, treating Gay's voice like a message in a bottle to a far off idea made only of love and potential. Sam Gendel, a secret weapon collaborator, affects Gay's voice on "Sorrow Is Not My Name" to something glassy and almost singsongy. Throughout, Gay recites his poems with bright aliveness, his voice as warm and easy when he speaks about death as when he speaks about mercy, or love.

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Vinicio Adames

Al Comienzo Del Camino

28,99 €*

Sounds Of The Unborn Green Splatter Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1985. With 23 years of age Vinicio Adames self-produced and self-financed his 1st Album “Al comienzo del camino". Released in its time in Venezuela only, the album has been unavailable for decades. A complete restoration of the masters for this release, makes this album available now for the first time in fine audio quality.

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Luca Yupanqui

LP | 2021 | US | Original (Sacred Bones)

19,99 €* 24,99 € -20%

Will Guthrie & James Rushford

Release: 2021 / US – Original

Genre: Electronic & Dance

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Luca Yupanqui was not yet born when she recorded her debut album. The music on the aptly titled Sounds of the Unborn is the expression of life in its cosmic state _ pre-mind, pre-speculation, pre-influence, and pre-human. It is the first album created by a person while they were still inside the womb, the expression of a soul that hasn't yet seen the light of day nor taken a single breath of air. It is a message that comes from a different realm, a sublayer of our existence. Sounds of the Unborn was made with biosonic Midi technology, which translated Luca's in utero movements into sound. With the help of her parents, Psychic Ills bassist Elizabeth Hart and Lee Scratch Perry collaborator Iván Diaz Mathé, Luca's prenatal essence was captured in audio. They designed a ritual, a kind of joint meditation for the three of them, with the Midi devices hooked to Elizabeth's stomach, transcribing its vibrations into Iván's synthesizers. They let the free-form meditations flow without much interference, just falling deeper into trance and feeling the unity. After five hour-long sessions, the shape of an album began to emerge. Elizabeth and Iván then edited and mixed the results of the sessions, respecting the sounds as they were produced, trying to intervene as little as possible, allowing Luca's message to exist in its raw form. This cosmic soul summoning created new sounds, striking into uncharted territory for Elizabeth and Iván as musicians. A new language was being created, a new form of communication. It was a music without intellect or intentionality behind it, with no preconception or attempt to create any specific sound or melody. Every note on Sounds of the Unborn occurred naturally. It is human nature to wonder what life is like inside another human being's consciousness. How does it feel? What does it sound like? All these questions became stronger and more important to Elizabeth and Iván while they were waiting for Luca to come into the world. At a certain point the questions turned into, What would she say if she could speak? How would she react to the outer world? And ultimately, What kind of music would she play if she was able to? This album is an attempt to answer those questions. Riyl: Brian Eno, Mort Garson, Kaitlyn Aurelia-Smith

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Real Real World

LP | 2021 | EU | Original (Black Truffle)

LP | 1980 | EU | Reissue (Glossy Mistakes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Real Real World is the first collaborative effort from Nantes-based Australian drummer/percussionist Will Guthrie and Australian keyboardist/composer James Rushford. Primarily recorded in a fluid, spontaneous studio session in Nantes, with overdubs added later in Melbourne and Nantes, Real Real World presents five spacious, unhurried pieces that inhabit a unique sound world characterised by wheezing, half-voiced organ chords, chiming metal percussion, and eruptions of small sounds. Beginning with the eerily beautiful, shakuhachi-esque sound of Rushford performing on detuned portative organ, the opening title track is abruptly transformed by the entry of Guthrie’s sizzling cymbals, deep gong strikes, and rustling hand percussion. On the epic ‘Lumbering’, which occupies the majority of the record’s first side, organ chords define a space in which a kaleidoscopic succession of amplified thuds, chiming bells, rustled and dragged objects, and abruptly silenced clusters advance and recede in an oneiric blur, eventually making way for a passage of Guthrie’s virtuosic polyrhythms, itself unexpectedly overtaken by waves of melting fairground organ. The record reaches an energetic climax mid-way through the second side with the stunning ‘Slakes’, where lugubrious chords in the organ’s lowest register are joined by Guthrie’s skittering rhythms, which somehow manage to call to mind both the most chaotic moments of Balinese Gamelan and the stochastic breakbeats of late-90s Autechre. On this piece, Guthrie and Rushford are joined by Melbourne saxophone maverick Scott McConnachie, who contributes an alto sax solo of burning precision, working with a single-minded palette of piercing long tones and wild intervallic leaps. Though it makes extensive use of overdubbing, Real Real World retains a strong sense of having been performed, rather than constructed: while at times the fleeting succession of events can recall electroacoustic music, its primarily acoustic nature and unhurried pace is also reminiscent of the music of Aacm affiliates or Marion Brown’s classic Afternoon of a Georgia Faun. Immediately engaging while also hiding countless details in the folds of its polychrome fabric, Real Real World is a relaxed and joyous document of collaborative musical invention.

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Stu Cisco

Amanita

LP | 2021 | EU | Original (Ideophones)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1980, ‘Amanita’ is an early approach of Canadian artist Sherine Cisco, formerly known as Stu Cisco, to the limitless world of synthesizers in music, through ambient, progressive rock and drone noise. A unique combination of ambient, progressive rock and even drone noises and space-age that converged in ‘Amanita’, her first full album and a piece of music history. This LP marks a milestone in the investigation, experimentation and evolution of musical instruments, where the Mini Moog demonstrated its versatility and creative potential, opening Sherine a path of limitless possibilities.

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Trigger

Cycles & Causality

17,99 €* 23,99 € -25%

2LP | 2021 | EU | Original (Ilian Tape)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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‘Cycles & Causality’ by Trigger is an album containing two tracks that stretch over side A and B. Its musical expression lives somewhere between club music, ambient and musique concrète but refuses to entirely fall into any of these categories – equally fitting on the dance-floor as in in-depth listening sessions at home. Trigger is an audiovisual collaboration between musician/composer Stephan Meidell [no] and Blank Blank Film (Petri Henriksson [fi] and Carlos Vasques [co]). Although the music on the resulting release is made by Meidell himself. ‘Cycles & Causality’ is released both digitally and on vinyl – accompanied by a beautiful 16-page booklet with photos from the live performances of this project and scans of the images produced in that process. The release thus becomes an extension of Meidell’s sound universe, making it a complete package and must-have for any collector and adventurous DJ. The first track ‘Flutter’ is an exhilarating, energetic bomb with an engaging, underlying arpeggiated structure on a robotic zither throughout the 16-minute track. It creates an uplifting and open atmosphere, where the voluminous sonic landscape gives an orchestral feel. This track is an all-out braindance! It allows you to shift focus between the many layers of sound and frequently reveals new intriguing compositional ideas and textures. A choir of 24 canary birds adds lightful and lively melodic voices to the composition. The second track ‘Undulation’ on side B and has a more constant pulse and evocative character to it. An extensive repertoire of small acoustic sounds and textures makes out a playful and hypnotic sonic environment that keeps the listener alert and interested during the 15 and a half minutes that make up side B. The multi-layering of sounds invites the listener to participate in the track’s many twists and turns.

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Kas

Like Sunlit Threads

12" | 2021 | EU | Original (Kraak)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Encounters with the ineffable.
The dormant roused.
Openness, observation, questioning, humility, sincerity.
Re-imagining the known, that which is untapped, all that was concealed.
Pathways to wholeness unearthed.
Meeting of truest self.
Temporal versus infinite.
The fallout.
Sudden disintegration, falling away, continuity shattered.
Facade ruptured, persona released, identity laid bare, history withdrawn.
Appearance of no-thing-ness.
Pregnant with possibilities, birth out of chaos, mystery unfolds.
Healing through anguish, renewal through trauma.
Newborn imaginings.
Accept the summons.
Chapters of lucidity, adventures in clarity.
Alignment in harmony.
All encompassing.
Reorientation emerges, subsequent renewal, transcendent insights, enlightened revelations.
Surrender reached, acceptance embraced, liberation appears.
Transmutation.
Solemn symbols of gratitude.
New found depth of meaning, of understanding, of moving, of seeing.
Beyond mental illusion, unifying as nature, expression of stillness.
Vision of the undivided, transmission of wisdom.
Flowering into being.

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Crash Toto

The Riptoffer

15,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Nutriot)

Blacklight Chameleon

The Plane Of Now & Then

12,99 €*

2LP | 1983 | EU | Reissue (Orbeatize)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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On The Plane of Now & Then, Blacklight Chameleon seamlessly follows the path of his recently released album Tearing at the Edges of all Restraint. It evokes a feeling of being in a musical time loop. An EP blending the experimentalism of post-punk with the exploratory escapism of psychedelia. After the dark comes light – gotta light?!

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Ricky Starbuster

Protosyn

LP | 2021 | US | Original (Hit + Run)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Like his previous "Starburst" release, "Protosyn" was privately released in 1983 only on tape cassette format. Restored and remastered from the original tapes by Davide Bassi (Press Rewind Studios, Milan); Mr. Ricky having fun with Prophet 5, Pro 1, Korg Vc-10 Vocoder and Roland Tr-606 Drumatix.

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Grace Oh

Moyo

33,99 €*

Alterazioni Video / Giovanni De Donà

Release: 2021 / US – Original

Genre: Electronic & Dance

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Grace OH is a Visual and Sensory Healing Artist working with the mediums of Sound and Light. She practices Sound Healing Therapy, Yoga, Reiki, Nutritional & Vibrational Cheffing as well as Photography & Videography. Grace has a combination of a twenty-year journey in all the modalities and mediums she practices. Inspired by travel and deep inner journeys that can happen in retreat settings, Grace began co-facilitating retreats in Bali, Yosemite & Tanzania in 2018. 'moyo' is Grace Oh's first Sound Healing Album. The album emphasizes a Sound Bath experience which is supported by the playing of Crystal Bowls, Vocal Toning, Tuning Forks, & Wind Chimes. The pieces in the album are of recordings created from the timeline of 2017 - 2019 in Venice & Topanga, CA to the Serengeti of Tanzania.

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Photons

LP | 2021 | EU | Original (Koo Editions)

36,89 €* 40,99 € -10%

Beginnings Remix EP Feat. Goro & Nisi-P

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Unprecedented submolecular laser class 4 electro session, recorded in Physics Dept, Freie Univeristät Berlin, in 2005. The modern photon concept was originated by the work of Albert Einstein at the beginning of XX century, when he elaborated the relativity theory, in 1905. To celebrate the centenary (2005) of that singular event, the AEM - "Casa dell'energia" of Milan - organized the presentation of a dedicated installation and a live performance by the artistic collective Alterazioni Video. To develop this photonic work, they went to the physics laboratory of the Freie Universität in Berlin. Together with Giovanni De Donà, then researcher Markus Gühr (now director at Potsdam University after his experience at Stanford) carried out his research using a class 4 laser. There are various types of lasers and class 4 is one of the most powerful. Certainly not a free sale item. The class 4 is able not only to pierce the retina, but also to break the bond that holds the oxygen molecules together, thus generating flashes of light and powerful micro-couplings with interesting rhythmic flaps. The session involved a certain risk, the atmosphere was naturally electrified, and under the supervision of Markus it was possible to trigger the laser through a drum machine in order to control these bursts and use them as rhythmic units. Improvising a unique session of electro to all effects properly sub molecular, minimal electronic sounds interacted with the rhythms of the matter stimulated by the laser while producing light phenomena. The Waterlaser track in particular was created by concentrating the laser focus on a water surface, and documents the background sound given by the splitting of the molecules of the liquid. This experimentation on the border of art and science goes beyond the reductionism given by the programmed structures of the explosions, and highlights the obscure aspect of indeterminacy revealed by uncontrollable explosions, out of the rhythmic grid and out of every possible control. This took place because of a physical principle that we could touch with our hands, which brought science closer to the aesthetics of magical realism, as we could experience with our eyes and ears: Gdd- Markus, what's going on? There are explosions that I didn't program, that create these syncopated rhythms, as if someone was improvising on the sequence... And it's not me...- MG- It's ... (sneering) a matter of “sympathy”, “vibratory sympathy”. Sometimes, some molecules follows the ones that blows, with no particular apparent reason...- This true Berliner experimental session was recorded with room microphones, and the balance was all in all positive: no one injured, a professional digital camera burned for daring to linger too long in framing the focus of the explosion of molecules. and a recording that is now presented in this record 15 years later. The B side features Chris Mitchell with Bass influenced kinematic interpretation using parts from the session. The recording of the next Milanese public session was lost in the black hole of the RAI archives.

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Zen Rydaz

12" | 2021 | EU | Original (Ene)

14,99 €*

Woo'd Early Blue Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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3 track EP featuring Chida's remixes plus the original 2017 track in a 'Dub-like Reprise'.

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Free Dust

LP | 2021 | EU | Original (Past Inside The Present)

LP | 2021 | EU | Original (Porridge Bullet)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For a year, in 2015, Matthew Sage (aka M. Sage) cataloged near-daily recordings made with a very narrow creative constraint; electric guitar and a few pedals, all recorded and mixed directly to cassette 4-track. Eschewing the often complex studio gadgetry and computer editing that he relies on for his primary project, Free Dust became a respite that offered room for technique to fall away and for pure expression to surface. He collected and released more than two-and-a-half hours of this material throughout the year as quarterly digital downloads; this body of work was then re-released as a double-CD in 2019 on his now-defunct label Patient Sounds. Now, Past Inside the Present presents a new collection of Free Dust material, the first proper LP for this project.

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Mart Avi

Vega Never Sets

22,49 €* 24,99 € -10%

LP | 2021 | EU | Original (Art / Werk)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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The accomplished and uniquely characteristic world-builder Mart Avi delivers his most complete body of work yet with Vega Never Sets. His fifth full-length solo release, a record of abstract soul and spectral electronic textures finds him evolving further into a state of hyperkinetism and timeless grandeur. Like the great storyteller, Mart Avi blends the familiar and comforting with the new and the unpalatable, to seduce the unawares with a bold new record that veers between folkloristic tech-noir and melodic, post-digital ballads; a movement of electronic pulses, gently held together by his finely composed worlds. Pulling at deeper contexts, he expresses an unstrained defiance of gravity through his playful character — one that is smartly dressed, charming and full of boyish anarchism. As The Quietus wrote, Avi is “like a David Foster Wallace of pop”, cerebral and hot-blooded, with plenty of fervour and a lust for living.

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Vonda7

Let Go

20,99 €*

LP | 2021 | EU | Original (Affine / HHV)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Vonda7 delivers her ten-track debut album ‘Let Go’ on art | werk this December, uncovering a collection of productions which showcase her diverse and rich sound palette via her own imprint. Presenting a melting pot of influences, inspirations and artistry from across the electronic spectrum, taking in nuances and cues from house and techno through to hip-hop, indie, synth-pop and beyond, Vonda7’s debut album ‘Let Go’ showcases and serves up a well-crafted and notable example of her continued experimentation across styles. With her own vocals at the core of her work, and with her productions connecting a variety of elements and sounds into a genre-fluid and evolving project, the ten-track offering presents the Berlin-based DJ and producer in her most complete musical form to date, highlighting her desire to not fit within conventional boundaries and guidelines, but instead to create her own realm. Combining a collection of tracks already released digitally as singles alongside a host of fresh, unreleased productions, the project unveils a rich body of work whilst telling a story of self-reflection, and exploring subjects such as human relationships and a quest for purpose. Often playful, with fairy tale and dream-like qualities at times, whilst also presenting real and raw questions, messages and thoughts throughout, ‘Let Go’ offers up an in-depth and personal journey into Vonda7 not only as an artist, but as an individual, delivering an impressive debut album from a blossoming talent most certainly on the rise.

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Wandl

Womb

LP | 2021 | EU | Original (Wake Dream)

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Limited edition of 300 copies on black vinyl.

Wandl, the progressive 25-year-old producer, musician and vocalist from Vienna, is back with his second solo album, "Womb". Following the success of his debut release "It's All Good Tho" (2017), an extensive tour with Bilderbuch in Germany, a performance at Primavera Sound in Barcelona (2018) and several artistic projects (2019), "the master of delayed loops" now delivers a self-produced and highly condensed work of about 25 minutes that focuses on the dark chords of the emotional keyboard.

With "Womb", Wandl engages in musical interspaces where potential clarity gradually dissolve into the nebulous blanket of the night. In the midst, Wandl's distinct voice unites with his characteristic soundscapes and the warm euphony of the piano. His songs deal with self-doubt, emotional inhibition, freedom found in loneliness, undesired social acknowledgement, transcendence and the arrival in the womb of an unexpected maternal reconnection. In the end there is even yodeling.

The usual platitudes of the new economy as crude maximization strategies are thus safely ignored: Wandl is a genre unto itself. Something for your mind, body and soul – in the best sense of the word.

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Ruutu Poiss

Palav Aed

12" | 2021 | EU | Original (L.I.E.S.)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Wake Dream is proud to present Palav Aed, the first full length album by Amsterdam/Tallinn based Estonian musician Ruutu Poiss. Recorded over the course of seven years from 2012 to 2019 in various home studios in Ruutu Poiss’ home town Tallinn, the tracks on Palav Aed were all made revolving around the same equipment constellation, the album sounding as coherent as it sounds timeless. Having released several 7”s, 12”s and EPs on Levels, International Major Label, Rets Records and being featured on various compilations from Fasaan Rec. and Porridge Bullet, Ruutu Poiss defined a sonic universe of his own that is equally unique as it is familiar. Rich in influences and references, from ethereal harmonics and melodics that might be traced back to his background in choral music, to saturated synth funk and psychedelic futurism, Palav Aed is a document that encompasses the full range of Ruutu Poiss, a musician peacefully floating through leftfield electronics, experiments and sonic imaginations.

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Moist 96

LP | 2021 | EU | Original (Mylja)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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NYC by way of Miami, Moist 96 is a new project of Rene Nunez, mostly known through the years for his work under the name, Horoscope. Culled together from decaying tapes, bled out and dubbed one too many times over, Nunez took pieces from these 4 track demos drawing back on the music of his youth; Miami bass, freestyle and coked out funk to create this record. The lp being a raw in your face snapshot which is the musical equivalent of a pit bull being locked in a car for hours during a heatwave with the afternoon mix show on full blast. As the artist says, " This is not trying to be some jokey-ironic-funny-costume-campy bullshit. It is trying to be on some real illegal pre-internet bootleg rush-hour mix; 808's on blown-out car systems; cassette tapes melted in the center console speeding by Hot Wheels and Club Madonna’s neon signs; pants-shitting bass frequencies, like a roundhouse kick to your chest type shit. If you’re tired of all this cum fast video game techno you might enjoy this project. And if you don’t, that’s cool, too. I hope everyone keeps their head up, Releasing music right now can feel stupid and unimportant, but hopefully this record can take your mind off shit for a second and have some fun. Thanks for taking the time and listening. "

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Alchi

Full Of It

18,89 €* 20,99 € -10%

LP | 2020 | EU | Original (Caldeira)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Krijn Moons aka Alchi emerges as a new voice in instrumental electronic music with his debut ‘Full of It’ released with Mylja. Inspired by artists such as Nicolás Jaar, Boards of Canada, Sigur Rós and James Holden, Alchi produces and performs music that is rooted in experiment rather than a single genre, flowing between and weaving through alternative dance, instrumental electronic postrock and neoclassical influences. Playing with imperfections and disarray, Alchi’s work honours emotional ambiguity, cultivating a sound that can be equally euphoric as it can be melancholic, a feeling that words cannot - and do not have to - articulate. This is also the approach to composition and production for ‘Full of It’, Alchi explains. “More than the sum of its parts, the sound of a song creates a space that it starts to exist in, an intangible context shaped by the details that come from zoomed-in sound design and production or even working with old or broken instruments. At a certain point, in this space that feels somewhat unknown and familiar at the same time, everything comes to life.” Within this ambiguity, Alchi finds a place to liberate himself from instrumental boundaries, creating landscapes that value coincidence, playful sound choices and a little bit of chaos. ‘Full of It’ portrays an uncommon kind of music that, in its abstraction, layers and linear structures, will balance both the familiar and the surreal.

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Louis Crelier

Rester Partir

LP | 2020 | EU | Original (Olvo)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Fresh imprint Caldeira open their account with the first vinyl retrospective of Swiss composer Louis Crelier, whose FM sorcery and LinnDrum drama takes the listener away to an imaginary Africa. Standing proud amid the sound waves, Caldeira emerges with a singular mission; to bring us music with hidden depth. Whether it’s a reissue or retrospective, archival or original, each release reflects the Michelin-grade tastebuds of label founder Camille Bertin AKA Plastic Bamboo.

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Olvo

Limitless Possibilities

16,89 €* 25,99 € -35%