Downbeat | Electronica | Leftfield 9836 Items

Release: 2020 / US – Original

Genre: Electronic & Dance

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Waku Waku Doom / Bathyscaphe

Namahage

7" | 2020 | EU | Original (Zonedog)

13,99 €*

Luciano Lamanna & Adamennon

Release: 2020 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Super heavy keta-dub 12" by Namahage, DJ ScotchEgg's mysterious little side project on Zonedog. Hand stamped with glow in the dark ink! Strictly limited vinyls, no digital! 'Waku Waku Doom' on A is a true low end epic. Hazy vocal scraps are flying over vast fx landscapes and percussion loops, all moving in lava lamp speed - until the track properly twists into phase two... The beatless 'Bathyscaphe' on side B goes on a deep sea dive, balancing awe and terror as the submersible slowly descends deeper and deeper into the silent world of immense pressure. Intense journey!

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Iris

12" | 2017 | EU | Original (Souterraine.Org)

10,99 €*

Tape | 2019 | US | Original (Ratskin)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A nightmare inspired by the vision of Dario Argento's “Suspiria”, or a dark soundtrack for a movie just imagined in a couple of visionary minds. “Iris” is the first release on souterraine.org by Luciano Lamanna and Adamennon. Two eclectic musicians who don't need any introduction, improvisation lovers as well as experimenters. The notes of fear are those of vintage keyboards and synthesizers which resound again among labyrinthine woods and gothic buildings. Mixed at the Subsound Studio by Luciano Lamanna and mastered by Andrea Merlini, “Iris” takes you one step from the abyss.

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Dax Pierson

Live In Oakland

13,99 €*

LP | 2021 | UK | Original (Chinabot)

Release: 2019 / US – Original

Genre: Electronic & Dance

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“Don’t take your physical abilities for granted, for you can lose them, with a snap of the neck,” DAX PIERSON chants, as the manipulated vocal loop meets dense, orchestral synthesizers and undulating drones that escalate into a triumphant, cinematic beat for “A Snap of the Neck,” the album’s powerful opening track. Genre wise, Live In Oakland defies categorization; seamlessly blending elements from hip hop, dance music, experimental electronics, and free improv/radio art into an idiosyncratic electronic style.

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Tafaa

Random Activity (...)

15,99 €*

LP | 2017 | UK | Original (Chinabot)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Tafaa - Random activity of the work of art, escalates an extension of accepted (unproductive) concepts of art, nature and society' is a sound editing project led by Chloé Delarue, a visual artist based in Geneva (ch) in collaboration with Adeena Mey, a curator, art critic, managing editor of the magazine Afterall (Central St Martins, London, UK) and researcher/teacher at Ecal (Lausanne, ch).

Together, they gathered sound artists Jaeho Hwang, Lafidki of the Chinabot label and the performer-composer Seth Ayyaz in a desire to bring together horizons of thoughts with a singular tonality in resonance with the Tafaa* cycle. The release is a continuation of the deployment of Chloé Delarue's solo show - Tafaa - THE Century OF THE Snitch, which took place at the Villa du Parc - Contemporary art center in Annemasse (fr).

The four compositions resulting from this meeting are materialized in a hybrid compilation. Each of the tracks, affected by the aesthetic spectrum of Tafaa - THE Century OF THE Snitch, results from unique paths that each sound artist builds in their own works. This compilation released in the exhibition space and in its vinyl form, was infused under this particular atmosphere with the aura of sodium, as an echo of the previous opus Tafaa - Acid Rave. The title evokes territories in wasteland and multitude of theaters of an urbanity that has become tropical for one night.

For Chloé Delarue, the environment produced under Tafaa - THE Century OF THE Snitch and its aesthetic feeling is linked with the dissemination of these four tracks. As she says, it becomes “like the deep trance of a noise invisible to oneself but that we perceive thanks to the questioning of its own imperception, the work no longer looks at itself, it injects itself.”

Moult and Dystopia by Jaeho Hwang, Pandæmonium Cctv by Lafidki in collaboration with Ayankoko and Pisitakun (from Chinabot) and Apophenic studies | stochastic iqaat by Seth Ayyaz thus bring out, through their sound characteristics, a powerful emotional expanse driven by their glimpse of the conceptual reconfigurations of a world increasingly accessible through its ersatz.

The vinyl title Tafaa - Random Activity (...) is borrowed from Gustav Metzger taken from an extract from his Manifesto On random activity in material / transforming works of art in July 30, 1964.

Chloé Delarue constitutes what she calls environments under the influence of the Tafaa perception system, an acronym for Toward A Fully Automated Appearance. Tafaa is a conceptual organ that she builds as a cognitive outgrowth allowing her access to the reasoning that feeds her work. It is under this name, indexed by a number or a subtitle, that each occurrence of her work has been presented since 2015. Thus, she probes the ambiguous relations that our society maintains with its multitudes of transfigurations, real or simulated, at the time of permanent interconnections and raises questions relating to changes in perceptions and cognitive transformations of our beings under the visible and invisible authority of cosmotechnics.

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Lafidki

Chinabot

15,99 €*

LP | 2022 | UK | Original (Chinabot)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Lafidki is the moniker of London-based artist Saphy Vong. Since 2008 he's been working on experimental electronic music that is deeply informed by his origins of being born to Cambodian parents in a Thai refugee camp. Vong has previously released an EP with Orange Milk Records and operates his own label, Chinabot, which is currently getting ready to take off and will focus on showcasing artists from all across Asia.

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Sabiwa

Daba

15,99 €*

12" | 2022 | EU | Original (Eshu)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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DaBa is the new album from the Taiwanese, Berlin-based audio-visual artist Sabiwa. It explores the space between dreams and virtual reality, created both for use and consumption of the user.

As with our relationship to technology and fantasy, the album veers between seduction and repulsion. The intimate There is Nothing Real recalls the wondrous, textural sonic worlds of Bjork and the warm, muted tones of 90s trip-hop.

But the whispered, dream-like lyrics and samples from the natural world contrast with jabbering, scrambled, processed vocal loops as the album progresses, before the record contorts and dissolves into uncanny videogame glitches, reaching a grinding industrial crescendo during Enigma reminding horror movies soundtracks.

Patching together different dimensions and sonic spaces, DaBa creates a virtual landscape floating between primordial evocations, prayers and hyper-processed concrete sounds, dissolving with the rhythmic clicks and gasps of the album’s title track. “DaBa is the blurred moment when I wake up from a dream,” says Sabiwa, “And I don’t understand if it is me or not.”

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Tetelepta

Veldhuizen I

11,99 €*

A Skeleton Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ivano Tetelepta's third album Veldhuizen is another masterclass in deep, shrouded in smoke, spaced out electronics. Touching all half spaces in between dubby minimal, ice cold techno and hazy deep house - the prolific Nijmegen based producer shows on Veldhuizen he's more on point than ever before. Starting the journey with the lush ambiance of 'Sterkenburg' via the deep dubbing 'Opveld', Tetelepta shows his trademark minimal grooves on tracks like 'Langenhorst' and 'Tolhuis'. But there's more, there are multiple efforts in deep hypnotic techno -- 'Halsterenstraat' is one of these impacable hypno grooves that get you locked in space. Together with 'Balearenstraat', 'Klepperheide' and 'Toekomst' it makes this one of the most techno focussed albums of Tetelepta to date. A well balanced pack of deep electronics, influenced by its many branches and restructured with a very personal touch by Tetelepta himself.

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Ben Shemie Of Suuns

LP | 2019 | EU | Original (Hands In The Dark)

17,99 €*

2LP | 2017 | EU | Original (Gost Zvuk)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Limited to 400 copies on black vinyl. Hailing from Suuns, Canadian Ben Shemie offers up his first solo work, ‘A Skeleton’ - an experimental pop album of cold synthetic sounds with touches of psychedelia.

Based on his live, itinerant experiments, the whole album was recorded in a single take with no overdub. Shemie has left traces of the atmosphere of each recording space, adding an element of chaos and unpredictability alongside his masterful/dexterous manipulation of the equipment.

The voices and instruments sound as if they were drawn from a not-too-distant future in which artificial intelligence has taken over human life and mutated into an artist. The album recounts the random wanderings and metaphysical rêveries of a skeleton - the fantasy muse of the machine, devoid of sex or race, a neutral entity.

The refined, minimal sonic narration is executed with astonishing precision and sensitivity. With ‘A Skeleton’, Shemie has definitely painted us a refreshing avant-garde picture.

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Kuzma Palkin

Audiosapr

20,99 €*

Remnants Series Volume I-Viii

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Audiosapr is one of the most consistent albums you re likely to come across in Russia s GOST ZVUK entire back catalogue. Surprisingly, the full-length by Saint Petersburg s scene veteran Kuzma Palkin is a compilation of random jams and studio recordings he made in the period of 2014-2015, carefully pieced together by label s masterminds. SAPR stands for the System of Automatic Projection (a Russian term for Computer-Aided Design, CAD) which defines the album s experimental yet complex and interlocking heart. Based around a central theme of immediacy and spontaneity, Audiosapr builds upon the foundations of early, pre-Detroit era of electro and techno, and then progresses the wispy entrails of analogue gear in a contemporary dancefloor direction. It s clearly music that can be attributed as hybrid, however it s not you re going to think about while listening to Audiosapr , Palkin s definitely most inspiring work to date.

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Isaac Helsen

2Tape | 2022 | UK | Original (Past Inside The Present)

Hijokaidan / Sissy Spacek

Release: 2022 / UK – Original

Genre: Electronic & Dance

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A download code is includued. Past Inside The Present co-founder Isaac Helsen - a multi-disciplinary artist from Michigan, creating photography and paintings as well as music - in action on this double cassette alone after a string of collaborations with labelmate 36 and fellow label co-founder zake. Helsen's sound works on a grand (electronically) orchestral scale at times, the proverbial cathedrals of sound coming to mind, at others (see 'Duniskwalgunyi') understated and intimate. On first listen, it's the simpler moments like 'Whisper At A Party' that grab you, but the 17 track selection slowly reveals itself to be quite special on repeated rotations.

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Entropic

CD | 2020 | US | Original (Helicopter)

22,49 €* 24,99 € -10%

2LP | 2022 | EU | Original (Libertine)

Release: 2020 / US – Original

Genre: Electronic & Dance

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On the verge of their 40th and in the midst of their 20th anniversaries, respectively, HIJOKAIDAN and SISSY SPACEK merge in Tokyo for their first collaboration, featuring JOJO HIROSHIGE, JUNKO, T. MIKAWA, CHARLIE MUMMA, FUTOSHI OKANO, TENENKO (guest) and JOHN WIESE. Hijokaidan formed in 1979, marking the first wave of groups in Japan exploring extreme noise. Sissy Spacek formed in 1999, often playing in large ensembles of players, and frequently exploring grindcore as a base for creating extreme music, often while eschewing the notion of music altogether. During Sissy Spacek’s 20th anniversary tour in Japan, the recordings of “Amok Time” and “Seven Directions” were made with Hijokaidan in collaboration. While Hijokaidan’s sound has been described as a continuous climax of your entire progressive rock collection, Sissy Spacek’s “Twenty-Five Fragments” is a sequence of peak chaos from their 2018 tour, recorded on walkman for maximum effect.

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Galaxian

Libertine 20

31,99 €*

LP | 2021 | EU | Original (Feines Tier)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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"Pacifying The Population" thrusts us into a world where the dominator culture acts like a ruthless drug cartel, us it's compliant consumers. The highly-charged ten tracker LP evokes a narcotic frenzy like atmosphere that surges into the consciousness and pulses through the body like a craved hit. Once again Kastner propels us through a unique musical landscape at the very edge of the sonic territories.

The dominator culture enforces what is moral, ethical, worthy or valid, selling lifestyles, enforcing rituals, “pushing” values, incentivizing the pathological, imposing our needs and beliefs. Increasingly displaying hallmarks of a cruel drug cartel /drug addict, dependency dynamic. The population hooked and enslaved to it's destructive needs.

Seduced, hooked, strung-out on the promise of instant gratification, short-term satisfaction, shiny gadget infatuation, pre-packaged trash values, the cultish, totem imagery of a moribund, redundant culture. An accurate sense of the lived experience obscured by a junkie haze of stupefied confusion. Addicted and hooked, it holds us hostage, keep us compliant, increasingly we are unable to locate ourselves in the maelstrom of noise. Attempting to operate outside that paradigm rendered almost impossible with countless cultural, social and practical obstacles to overcome. Not "playing the game" is seen & treated as subversive, anti-social, madness.

Opening the album “Sanctioned Sedatives” literally kicks the door down with a massive base line that cuts through disorienting distortions. “Restoring The Connection” sounds like the way out of a tunneling drug habit, a subdued claustrophobic feel in the beginning drive the track to a mind altering, rising wall of pads.

On side B calmer moods create the appropriate environment for the hazy ambience and the suffused positive feel of B2, which, as the title may suggest, sounds like an invitation to get out of the loop, in order to “Unfuk Your Mind”. The title track “Pacifying The Population” begins side C, grand in scope, pounding drum workouts, a sinister spoken narrative, symphonic strings, mind-mangling resonant acid make this an epic trip.

The closing track “Apocalyptic Signs (Eulogy)” is deeply layered, orchestral. Ethereal synth melodies and heavily warped voices from far out territories induce a deep reflection on the whole album, despite the title it sounds like an unexpected ode to life or maybe as the relief from all human pains.

Pacifying The Population evokes an oppressive feel, a sense of constant tension, modern living. The dense atmospheres, the abrasive and repetitive grooves, Consuming and devastating as a drug habit, the elements that perfectly capture the essence of the whole album. Despite that, it still sounds like a way out from all that is possible, a way to restore the connection within ourselves and between each other. A therapeutic purge.

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Hounah

Broken Land

24,99 €*

LP | 2018 | DE | Original (Fun In The Church)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With "Broken Land" Daniel Nitsch presents the first album of his latest project "Hounah" - and thus grants a deep look into his feelings and thoughts. Pieces like "Sorrow", "Fairbanks" or "Norton Bay", which invite you trace inside, are accompanied by those that present Daniel's personal views on very political and generally relevant issues, presented in songs like "Revolution", "Guilty State" or "Cash For Your Home". They cover topics like racism and gentrification, deal with the burden that imperialism places on us. Ask for what a future could look like - and how it could successfully happen at all. Thus, Hounah is not a feel-good project, "Broken Land", the title suggests it, a profound, here and there even painful inventory, which wants to stimulate reflection and further thinking. Very diverse, thematically as well as musically – and created with great attention to detail. Listening closely allows light bulb effects in terms of content, but also in terms of sound, lets us walk in the footsteps of downbeat, hip-hop, trip-hop, ambient, electronica and jazz. Hounah quickly reveals here that they are not afraid of breaks, but are also capable of soulful fusions in sound collages. The circle of friends behind Hounah, consisting of producer Daniel Nitsch, pianist Johann Blanchard, singer Lena Schmidt and guitarist Marten Pankow, came together for the album "Broken Land" in order to immediately try out further alliances: two of the songs on the album were created in creative cooperation with A-F-R-O, the internationally known rapper from Los Angeles. And so it is little surprise that each song creates a new world of sounds and thoughts – and one suspects already after the first tracks that there is more waiting for us, that "Broken Land" will not remain Hounah’s last work.

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Za!

Pachinko Plex

16,19 €* 17,99 € -10%

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Crotocosm (Willie Burns & Jordan Gcz)

Setting The Scene For An Island Battle

12" | 2018 | EU | Original (Rush Hour)

12,59 €* 13,99 € -10%

Mischa Blanos, Khori Ander

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Crotocosm is an occasional collaboration between Jordan GCZ (Lushlyfe, Off Minor) and Willie Burns (Black Deer, WT Records). Tracks were recorded together live in Amsterdam and Brooklyn between 1996 and 2017..

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Crossrhodes

LP | 2021 | EU | Original (Algorhythmofunknown)

28,79 €* 31,99 € -10%

La Ruta (Sean Johnston & Martyn Walsh)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The seven stories unfolded on this album, debugged by a fabulous clarinet technique and a wonderful piano craft, narrate about the Universe, about the chaos and also about the miracle of the musical sound. These imaginative stories, made with talent by musicians Mischa Blanos & Khori Ander, talk about a special attitude towards a distinguished estate of mind, a unique colour of the space around us, devoted to a spirit of meditation, introspection on vast temporal surfaces, each piece representing facets of the same unique and unrepeatable algorithm of an improvisational euphonious Universe. By developing ideas in the process Cezar Lazar engineering craftsmanship reveals the outcome of a thoughtful recording and duo's synergy, refining and defying predictable musical territories

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!la Ruta!

12" | 2021 | EU | Original (Diggers Factory / Days Of Being Wild)

17,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Fossora Black Vinyl Edition

Björk

2LP | 2022 | EU | Original (One Little Independent)

37,59 €* 46,99 € -20%

Fug Bobby Lee & Mia Doi Todd

Release: 2022 / EU – Original

Genre: Electronic & Dance

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each album always starts with a feeling
that i try to shape into sound
the feeling was landing
( after my last album utopia which was all island in the clouds element air and no bass )
on the earth and digging my feet into the ground
it was also woven into how i experienced the "now"
this time around 7 billion of us did it together
nesting in our homes quarantining
being long enough in one place that we shot down roots
my new album "fossora" is about that
it is a word i made up
it is the feminine of fossore ( digger, delver, ditcher )
so in short it means "she who digs" ( into the ground )
so sonically it is about bass , heavy bottom-end ,
we have 6 bass clarinets and punchy sub
i would like to especially thank bergur þórisson and heba kadry
and side project , el guincho , hamrahlíð choir , soraya nayyar , clarinet sextet murmuri , siggi string quartet ensemble , emilie nicolas , serpentwithfeet
viibra and last but not least : sindri and dóa .
visuals were made by viðar logi , james merry , m/m , nick knight , andy huang , edda , isshehungry , tomi , sayaka , sunna , sara and heimir
and my ever so loyal and magnificent team : derek , rosamary , catherine , chiara , hilma and móa

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Home Remixes 4hero & A Mountain Of 1

12" | 2022 | EU | Original (Rewarm)

LP | 2021 | EU | Original (Hallow Ground)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For the first physical remix singles to be taken from the well-received HOME compilation we are very happy to present RE: WARM 012 a double AA side 12' with remixes of two of the most talked-about tracks from the compilation, Fug - From Little Seeds We Grow & Bobby Lee & Mia Doi Todd - Walking With Trees.We are delighted to have none other than 4hero & A Mountain of One on board for remix duties for these wonderful tracks.For the A-Side 4hero takes the wonderfully laidback style of the original track by Fug - From Little Seeds We Grow and turn in a full-on tearjerker. The strings and orchestration on this remix are reminiscent of some of our favourite 4hero moments from over the years. The drums shuffle along nicely with Jess Williams voice perfectly complimenting this take on the track. This one is set for summer glory by any standard.Flip this over to the AA side for the complete analogue journey that is A Mountain of Ones spaced out dubs of Bobby Lee & Mia Doi Todd - Walking with Trees. Mo & Zeben take this track by it's scruff and give it a full-on tropical overhaul using crazy old fashioned dub techniques, stringing it out into a low end slow motion house dub ready for sun-drenched moments with sand between your toes and the smell of sun lotion on the breeze.

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Darksonictales

22,49 €* 24,99 € -10%

LP | 2020 | EU | Original (Grünrekorder)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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DarkSonicTales is a project by Rolf Gisler, the Lucerne-based musician and sound artist explored the peculiar sonic environment of a countryside building and its surroundings through the use of field recordings, modular synthesizers, guitar, bass, kalimbas, a singing saw as well as self-built instruments. The seven tracks, which were finalised in late 2019 and the spring of 2020, are as much a reaction to the setting that they sprung from as they reflect upon and express Gisler’s state of mind in days of solitude.

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Julia Bünnagel

Sound Like ... Vienna

20,69 €* 22,99 € -10%

Conrad Schnitzler & Baal & Mortimer

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Sound performances in public spaces. An urban soundtrack for Vienna.

Julia Bünnagel creates concrete records from molds of sidewalks and street surfaces in Vienna's urban space. The Cologne based artist brings Viennese architecture to life in her live DJ set (turntablism). The turntable's tonearm reads the architectural texture. The cast surfaces of the streets that are inscribed on the records mix with the sounds of the city during the performances Sounds Like… Vienna. - flooding the square - an architecture rave for Vienna.

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Con_struct

LP | 2022 | EU | Original (Bureau B)

27,99 €*

Purgatory White Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The German pioneer of electronic music Conrad Schnitzler (1937-2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. This release features con-structions by Baal & Mortimer who writes about it in the linernotes: It was exciting to break open existing material, peeling something out of the past and thus transgressing it and opening portals. Or like Wolfgang Seidel, a fellow musician of Schnitzler, quoted to me from Schnitzler"s archive: "Music is not the sound waves that reach our ears, but what we make of them." Wer ist Conrad Schnitzler Conrad Schnitzler (1937-2011), Komponist und Konzeptkünstler, ist einer der wichtigsten Vertreter deutscher Elektronikmusik-Avantgarde. Er studierte bei Joseph Beuys, gründete 1967/68 den legendären Berliner Subkultur-Club Zodiak Free Arts Lab, war Mitglied bei Tangerine Dream (mit Klaus Schulze und Edgar Froese) und Kluster (mit Hans-Joachim Roedelius und Dieter Moebius) und veröffentlichte unzählige Soloalben. Über Baal & Mortimer Seit 2014 ist Baal & Mortimer das Projekt von Alexandra Grübler, welches musikalisch und sprachlich an Fragen von Widerstand, Autonomie, Materie und Spekulation forscht. Das Debütalbum "Deixis" wurde 2020 auf Bureau B veröffentlicht und die EP "The Torso Tapes" 2021 auf Italic. Im selben Jahr veröffentlichte sie die 7"" Single "And the Sky gave up the Dead" für die Ausstellung "Journey through a Body" in der Kunsthalle Düsseldorf. Nach einem Master in Kunstwissenschaften und Philosophie lebt Baal & Mortimer derzeit in Berlin, in den Räumen zwischen Klang, Sprache und Körper. Baal & Mortimer hat mit Black Merlin, Musiccargo und Rupert Clervaux zusammengearbeitet und war 2018 Mentee von Laurel Halo im Berliner Amplify Programm.

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Cobalt Road

LP | 2022 | CA | Original (Tiger Blood Tapes)

40,99 €*

Net Cruising Pink Vinyl Edition

Release: 2022 / CA – Original

Genre: Electronic & Dance

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Limited edition LP run of 200 on Cloudy Sky Colored Vinyl in full colour jackets and shrink wrapped.

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Cvltvre

LP | 2021 | CA | Original (Tiger Blood Tapes)

44,99 €*

LP | 2018 | US | Original (L.I.E.S.)

Release: 2021 / CA – Original

Genre: Electronic & Dance

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Limited edition LP on Powered Pink Colored Vinyl in full colour jackets and shrink wrapped.

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Krikor

Saudi

19,19 €* 23,99 € -20%

CD | 2018 | EU | Original (Musikfladen)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Originally released as a limited run cassette on Low Jack's Editons Gravats label in 2017, we now get an official vinyl pressing via L.I.E.S.
Krikor Kouchian serves this killer soundtrack to the documentary 'Arabie Saoudite: Les Liaisons Dangerousness' Where the French TV program focuses on the Saudi royal family’s support of Wahhabism and the West’s appeasement of Saudi foreign policy, Kouchian underlines and accentuates the content with a brooding blend of mirage-like electronics and minimalist drum machine geometries. A deviation from his previous works and he moves into appropriately darker synth territory with this one.

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Darth Frogger

Fun Gothic

16,19 €* 17,99 € -10%

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 1991 | EU | Reissue (Bureau B)

Martin Rev

Cheyenne

25,19 €* 27,99 € -10%

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Tape | 2022 | JP | Original (Flower)

Lost Weekend

Down The Road

43,99 €*

LP | 2019 | EU | Original (The Wormhole)

Release: 2022 / JP – Original

Genre: Electronic & Dance

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Slowly's Masato Komatsu and Ryo Kawahara have launched their chill-out alias Lost Weekend! A fictional soundtrack to a weekend lost to the Corona disaster.　The mellow melodies are endlessly mellow, and the soundscape is lo-fi with dubby effects. A collection of works created at once by pulling various materials from their vast drawers. The mellow Lost Weekend Suite is a suite of parts 1 to 4 and is the highlight track of the album. The exo-mood music samples of Sunshine is Golden and Sweet Thing are impressive. It's Not Over Yet", a reworking of the smash hit Not Over You under the Slowly moniker and finishes with "At Last I Am Free", an original song by Chic, also known as Robert Wyatt's masterpiece. . A new masterpiece of exo - Balearic and chill-out music is born. Also released simultaneously on cassette tape in a first complete limited edition.

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Tears|Ov

A Hopeless Place

16,19 €* 17,99 € -10%

LP | 2022 | EU | Original (Oxmose)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Founded in 2015, Tears|Ov are sound artist/self-taught musician Lori E Allen, classically trained cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen's 'Tears of the Material Vulture' cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.
Their writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs' words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. 'Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day/performance. Because of this, the album was recorded with ambient mics capturing multiple instruments. It wasn't possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece' Spafford says.

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Bob Meanza

Quandary

22,99 €*

Nested Russian Dolls Of Paranoia

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Quandary is a work of electronic music that wants to balance between opposites - nature and technology, human agency and artificial thinking, ritual and machinery. That’s how quandaries emerge, as an impossible choice between two extremes. But music isn’t binary thinking and allows the exploration of obscure connections. Underground, a growing mycelium intersects and communicates with a fiber optic backbone: on the surface, the curtains open, and the quandary may begin to dissolve.

Produced in Berlin between 2019 and 2021, the album originates from open jams, which were then deconstructed through heavy editing - and finally recomposed, sometimes challenging the original spirit.

Bob Meanza's oblique approach to music production encompasses the creative textures of guitarist Alex Baboian, and is enriched by the vocal appearances of Bianca Guitton. A small orchestra of three that already implies roots in Germany, Italy, USA, Armenia and France - each musician carrying him/herself the «quandary» of having at least two homes. But again, this unexpected network can bring precious fruits to the surface.

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Prophetas

Tape | 2022 | EU | Original (Sucata Tapes)

Mr Subtitle (Viktor Marek)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Third and probably last volume from Gonçalo F. Cardoso’s most disillusioned moniker, Prophetas.

Where the first tape, Reveal, Accept, Remember, Forget, revived mid 50’s ideas of weird hope (ufo sightings, suburbia, space race) and the second, Maury Island Reverie, explored early 90’s disillusionment through a sound world of mall culture, late night cable TV and rampant consumerism, this new work concludes de unplanned trilogy with a more randomised yet no hope approach to the sentiments and concepts explored previously.

Produced over what we call now the pandemic years, and pressed just before the outbreak of yet another war, the feeling here is schizophrenic to say the least : full channel surfing, all tabs open, zero attention span and out of control consumerism has settled into the music (and our lives), the new normal, no time to think, no time for much really, keep going, feel sorry, carry on and die.

The Fake prophets have now established their claws firmly in every corner of our societies, ripping all of our planet benefits whilst leaving nothing in return, the world is now a gigantic cash dispenser, a credit card landfill, everything is up for grabs as long as it can turn a quick profit. Technology? Science? Art? Who needs it when we can just use it to exploit, to make a other quick buck whilst keeping tabs on the population. All this whilst appearing as humanity saviours? I’ve got a plan, it’s ok, let's all go to Mars.

Secret and not so secret wars have been raging since this work was completed. The old present has finally cancelled any possible future, thank god we have the past to look at and wonder… like this tape does, all hail the ubiquitous fake prophets of the 21st century, it’s us!

‘Bring to the storehouse a full tenth of what you earn…I will open the windows of heaven for you and pour out all the blessings you need’ – Malachi 3:10

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The Lucky Bag Of Viktor Marek Turquoise Vinyl Edition

LP | 2022 | EU | Original (Fun In The Church)

14,99 €* 24,99 € -40%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 1983 | EU | Reissue (Mental Experience)

Care Of The Cow

Dogs' Ears Are Stupid

Maenad Veyl & The Sarcasm Ensemble

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Originally released only on cassette in 1983, “Dogs’ Ears Are Stupid” by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, analogue synths…
One of Chicago’s best kept secrets, Care of the Cow’s history goes back to 1974. A trio formed by Victor Sanders, X Baczewska and Sher Doruff, they had a very unique and eclectic sound, experimental yet very melodic, mixing psychedelic folk-rock with art-rock and DIY / post-punk. Their influences were very diverse: Beatles, Fripp, Eno, Joni Mitchell, Carla Bley, Pauline Oliveros, Eric Dolphy…
Care of the Cow debuted in 1975 with a 10” followed by their first LP album in 1981. By 1983, the band was adding drum machines and synths to their sound, highlighted by Victor’s amazing guitar playing and X & Sher’s perfectly blended vocal harmonies, resulting in “Dogs’ Ears Are Stupid”, the second Care of the Cow album, released only as a tiny cassette edition in 1983.
For us, this is a lost gem from the ‘80s underground which really deserved a LP/CD reissue. Here it is, done in collaboration with Steve Krakow of Plastic Crimewave / Galactic Zoo fame.

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Comfort In Misery

LP | 2021 | EU | Original (Veyl)

15,29 €* 16,99 € -10%

LP | 2021 | EU | Original (Distortion Productions)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Includes poster and download code. Maenad Veyl returns to his namesake label along with The Sarcasm Ensemble for the new album, ‘Comfort in Misery’. Made up of ten compositions exploring sparse beats, cinematic textures and mind altering experimentations, this is an offering of thought provoking pieces which perhaps make the perfect accompaniment to the modern world. As the name implies, ‘Comfort in Misery’ seeks to find ways of dealing with perpetual shifts and agonizing circumstances. The opener, ‘Weak & Weary’, acts an almost rude awakening, while simultaneously cleansing the palette for the forthcoming journey. ‘Harsh Whispers’ quickly takes hold and feels like a fragmented dream you may or may not remember while then moving to the more ominous, ‘Life Expectancy’. From the sparkling tones of ‘Deep Ruby’ to the uncomfortable bliss of ‘Always Worse’, the project touches on the most known yet unknown of moods, emotions and states of being. Winding down with ‘Irreconcilable Differences’ before concluding with the satisfying chaos of ‘Shred’, ‘Comfort in Misery’ cannot be pinpointed or married to any one sound or status. While tackling a seeming insurmountable subject, Veyl & The Sarcasm Ensemble provide a perfect solution for the everlasting pain. Or do they?

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Respect The Prime:

The Vinyl

25,19 €* 27,99 € -10%

LP | 2022 | EU | Original (Soda Gong)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited Edition Vinyl Release Contains 12 Tracks Inspired By The 1986 Transformer Animation Movie.After The Enormous Success Of The Respect The Prime:1986 Revisited Cd, Distortion Productions Has Decided To Take It One Step Further. We Are Proud To Release Respect The Prime:The Vinyl. This Release Will Include The First 12 Tracks From The Original Respect The Prime Cd Completely Remastered For Vinyl By Submersible Studios. This Album Will Come Is A Gorgeous Gatefold Jacket With Mind Blowing Artwork By Idw Comics' Own Casey W. Coller And Design By Jason Wolf. But That Is Not All. This Release Will Be Strictly Limited To 300 Copies Which Will Be Split Into 150 Autobot Red And 150 Decepticon Purple. Previously Only Available At Transformers Conventions And The Coldwaves Festival. The Respect The Prime Project Has Been Successful In Contributing To Electronic Saviors' Massive 71k Donation To Cancer Research. For Those Not In The Know, Respect The Prime Is A Massive Tribute To The Transformers:The Movie Soundtrack From 1986. Comes In Autobot Red And Decepticon Purple Vinyl!Artwork By Idw Comics' Own Casey W. Coller And Design By Jason Wolfvinyl Version Of The Highly Successful Respect The Prime:1986 Revisited Cd!Originally Released As A Celebration Of The 30th Anniversary Of The Release Of The Original Transformers Animated Moviepart Of The Electronic Saviors (Industrial Music To Cure Cancer) Series That Has Raise Over 71k For Cancer Research.For Fans Of The Transformers Animated Series!

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Mark Gomez

Alphane Moods

12" | 2021 | EU | Original (Shot of T)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Australia-based musician Mark Gomes presents the debut full length under his own name for Soda Gong. “Alphane Moods” finds Gomes employing strategies that will be familiar to listeners of his work as Blue Chemise – elegiac, loop-based modes of composition and a predilection for concise etude forms – that manifest here with a strikingly different scope and intent, shifting from expressive abstraction into more conceptual terrain. Over the course of fourteen widescreen tracks, he navigates the gap between nostalgic and futurist sensibilities, concocting elusive, romantic, and sanguine settings that feel both plucked from the past and beamed in from a time still to come. Gomes describes his approach on the record as a “practice of ‘constructed ambience’, deploying sounds and track titles with pop-psychological associations of escape.” The result is a vivid, cinematic album that splits the difference between the worldbuilding retrofuturism of the best vaporwave music and the shadowy, homespun tape vignettes for which Gomes has become well known.

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PST

Understanding The Sun

LP+12" | 2020 | EU | Original (Editions Mego)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Pleasure of frequency vibration from start to the end. Pure analog sound waves by Porn Sword Tobacco. In addition, possibility of mixing up together with anything Deeeejay friendly.

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Russell Haswell

LP + 12"

25,19 €* 27,99 € -10%

Tape | 2019 | US | Original (Hausu Mountain)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Having spent decades carving out his very particular niche which takes influence from a vast range of extreme music this is Russell’s nostalgic nod to his influences whilst forging onwards with his perpetually unforeseen experience. Working in a variety of media over decades Haswell’s belligerence towards his craft and critique of others has allowed him to operate in a zone outside of peers. As daunting as it is refreshing Haswell’s output is always on the very edge of genre.

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Euglossine

Coriolis

Release: 2019 / US – Original

Genre: Electronic & Dance

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LP | 2022 | CA | Original (Seance Centre)

Incantations

29,99 €*

LP | 2022 | CA | Original (Constellation)

Release: 2022 / CA – Original

Genre: Electronic & Dance

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Incantations is a collection of sixteen visual and sonic experiments centred around the idea of score as spell,

A spell and its incantation are distinct, but conjoined by a symbolic, almost umbilical force. A spell is a totem text, a material call for change — a seed, a recipe, an instruction, a potential. The incantation of a spell gives it life, brings breath to body, raises hairs, moves minds. For this project, eight spell- scores were created by visual/text-based artists for a musician/composer to incant. Taking a wide interpretation of what can be considered a score, these works include concrete poetry, collage, painting, drawing, spell-poetry, instructional art, and recipe. The resulting sound works give voice to these evocative “texts”, residing in the liminal space between musical form and magical utterance.

Creating what became the cover artwork for this release, musician and artist Benjamin Kilchhofer conjured salt paintings reminiscent of ancient runes and salt circles — improvised talismans of protection. Translating these expressions into sound using a hydro harp (water drops hitting tuned water-filled porcelain bowls), musician and artist Tomoko Sauvage evokes an embryonic environment, the cleansing and purification of salt water oceans. Artist Mehrnaz Rohbakhsh created a piece that arose from a drawing ritual — a meditation on textile, pattern, and code. In response, Museum Of No Art (Mona Steinwidder) worked her composition by “weaving the piece, layer by layer”. She was “particularly interested in the state one achieves when one works repetitively, stoically and excessively towards a form. Which leads to trance or meditation and creates its own immaterial energy.”

Dani Spinosa, poet of digital and print media, created a typewriter poem that emerged after consulting Hesiod's “Works and Days and Theogony” to learn more about the witch goddess Hekate. Synchronously, interdisciplinary artist Gavilán Rayna Russom had recently returned to research on Hekate, teaching about the goddess in her class “Queering European Witchcraft Traditions”. Russom spent time with Spinosa’s spell, spoke to Hekate, and then unlocked the gate, seeking to “stir sonic emanations that were radiant, multiple and liminal.”

The side ends with a composition by musician and artist Felicia Atkinson via an instructional text from conceptual artist David Horvitz. What is it like to inhabit the mind of a crow? This simple gesture to befriend a crow, to be in relationship with something other than human implies much more, a re- orientation to our living environment and forms of intelligence.

The B-side opens with electronic composer C.R. Gillespie’s sonic manifestation of a score by bricolage artist Andrew Zukerman. Taking compositional inspiration from the Smiss stone, Zukerman created a collaged visual score on staff paper that hints at the formal aspects of occult symbols and sigils, while remaining obliquely secular. Creating an interlocking tapestry of “Roman gamelan”, Gillespie’s track dramatizes the negotiating power and structure of the abstract score

Over three days, iconic Canadian poet bill bissett created a jazz-scape painting filled with an ecstatic gathering of eidetic spirits, “connekting trembling xploring serching remote brooding grooving melodee solo lifting n refrain filling.” Immersing himself in the energy of the painting, musician and composer Idris Rahman overlaid three takes of bass clarinet and found that “melodies, textures and harmonies emerged without thought and the piece took on a life of its own.”

As a way to explore the connection between food and music, the curators commissioned a recipe from electronic producer and home chef, Yu Su. Her simple and wholesome pudding recipe lays out instructions for texture and taste that musician Scott Gailey stirs into a sonic caldron of field recordings and electronics. The closing chant, penned by writer and activist adrienne maree brown and incanted by musician Beverly Glenn-Copeland, was the result of a synergistic conversation between the two. The refrain, “surrender to the present moment / what’s coming now is all that’s left” is a mantra reminding us of the power of speech, repetition, and the evanescent nature of temporal experience.

he eight spell cards, inspired by the format of oracle and tarot cards, are invitations for further interpretation and play. To be under a spell is to be lost in a transformation, an alternate reality, to be in collaboration with an unknowable and powerful force. The works in this collection have created a spontaneous and ludic alchemy, courageous attempts to catalyze and spark in our present moment.

Curated by Seance Centre

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Joyfultalk

Familliar Science

Vladislav Delay & Eivind Aarset

Release: 2022 / CA – Original

Genre: Electronic & Dance

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Joyfultalk returns with its third album for Constellation; another vibrantly divergent stylistic take on the analog materiality and sensibility of electronic composer-producer Jay Crocker, whose previous two records forged trance-inducing polyrhythmic intricacy, each from a distinct angle and sound palette, each enlisting a single instrumental collaborator. Familiar Science rallies contributions from a larger cast of musicians into a looser, cosmic recombinant combo_still shot through with Joyfultalk's singular mixing desk kinetics, but this time deep-diving into gnarled and twisted, spliced and diced out-jazz. Crocker draws inspiration from 1980s M-Base music and Ornette Coleman's harmolodic funk period, while his own prior history as an improv guitarist also resurfaces for the first time in many years_an element in this polyvalent artist's chemistry set that hasn't appeared prominently in his own music for over a decade. Familiar Science finds Crocker folding time (as lockdown will do), immersed in his present-day kaleidoscope of solitary art and music practices in rural Nova Scotia, while channeling his former life as a bustling jazz collaborator in Calgary, Alberta. Building outwards from roiling resampled acoustic drums, Crocker extracted additional sonic and rhythmic textures, then formed the head of each song using dusted-off archival recordings and his own bass, keys and midi sequencing. Albertan percussionists Eric Hamelin (Ghostkeeper, Chad Vangaalen) and Chris Dadge (Lab Coast, Alvvays) provided improvised drum tracks to be chopped and harvested; Nova Scotia-based Nicola Miller (Ryan Driver, Doug Tielli) laid down resplendent excursions on saxophone and flute; Crocker's own dexterous guitar appears on several cuts. Familiar Science also poignantly features samples from live recordings by the late Calgary saxophonisticonoclast Dan Meichel, catalysing some of the album's heaviest contortions. Crocker weaves all these raw materials into exuberant compositions that blur the line between sizzling corporeal combo and sampledelic futurist jamz, variously conjuring (leftfield) Flying Lotus, (later) Tortoise, Badbadnotgood and Squarepusher's Music Is Rotted One Note. The rubbery hyper-compression of boom-bap opener "Body Stone" initiates the séance, and the album offers a panoply of skittering grooves and soaring melodic pathways thereafter, through quags of heady jazz alternately streaked with dayglo delirium and other more vaporous states of revelry. Crocker's own wordless stacked vocals are the giddy secret sauce on several cuts, and his lead guitar work (in kinship with the lean progressions of Mary Halvorson or Jeff Parker) features on "Take It To The Grave", "Stop Freaking Out!" and the album's title track. More honeyed passages on songs like "Blissed For A Minute" and "Ballad In 9" center around Miller's bouyant alto sax and flute. Familiar Science is a rousing feast of noise-tinged polychrome electronic avant-jazz: richly harmolodic compositions teeming with intersecting textures and turbulences; exploratory, exhilarated and indeed joyful.

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Singles

LP | 2022 | UK | Original (Room 40)

29,99 €*

Meakusma (Generators) Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Finland’s Sasu Ripatti aka Vladislav Delay has been responsible for some of the most radically positioned rhythmic electronic music of the past few decades. His willingness to abandon measured and progression senses of repetition in favour of multi-layered unfolding pulses has become a touchstone for a new sensing of time. In a similar way, Norwegian guitarist Eivind Aarset has reappraised the harmonic and timbral capacities of his chosen instrument, the guitar, and unlocked new perspectives on this seemingly familiar instrument. His experiments have unsurprisingly caught the ear of similarly restless artists such as Jon Hassell or David Sylvian, with whom Aarset has collaborated. It’s little wonder then that these two musicians have gravitated towards one another on Singles. Gravity seems a fitting metaphor too, in that this record is a series of orbits, elemental materials catching onto one another and hurtling the music in directions not really expected, nor traceable. Singles is a record of dimension too, opening outward and collating, sometimes simultaneously, texture and pulse into ultraviolet sonic nebula, as ecstatic as they are enveloping. From moments of fluid improvisation, emerge deeply morphic compositions that fold into and on top of themselves, forging an ever deepening sense of pressure and energy. At times open, reductive and spatial, this record also has moments of explosive force, an excessive spilling over that speaks to the fearlessness of these two artists. These are unbounded works, pulling ever closer towards the very edges of what is knowable, in sound.

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Keith Fullerton Whitman

LP | 2022 | UK | Original (Nakid)

28,99 €*

Significant Soil Dark Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Keith Fullerton Whitman brings his 3-part Generators series for Japan’s Nakid label to a close with a third and final instalment that ravishes the senses with hybrid analogue/digital systems tekkerz. Hazing into a solemn start of floating organ and slurred drums, the first part fizzes into action with pranging irregularities, tentatively allowing the system to voice varying pitches and nimble rhythms that resemble balletic footwork plies as much as classically-trained instrumentalist flurries. It’s deeply trance-inducing, meditative gear that over the course of 25 minutes slowly gains momentium and complexity, first adding robust arps to complicate the structure, treading the finest line of chaos and discipline. In time, those arps turn themselves into a rhythm track, landing somewhere between Whitman’s earliest junglist works as Hrvatski and a sort of plucked rhythmic minimalism that reminds us of Mark Fell’s Sensate Focus, gliding on natural, brownian motion and flux of texture, punctuated by what sound likes a plucking of a drum machine from the inside-out. In part 2 the mood pools and diffracts in slow-fast meter, bristling ruptures of atonality that send limbs flailing one way and then another, adding subs for a dimensional shift that’s rhythmically fractured but always grounded at the low registers. The wavy embroidery of Whitman’s machines trigger each other in endlessly fascinating forms of gyring workshop ballistics and dub reverberations. A special bonus piece ‘Meakusma (Generators, Soundcheck)’ is the most curious of the lot, with a lone clarinet heard in the air, perhaps a serendipitous inclusion form someone else’s soundcheck, lending an enchanting depth perception to his frolicking bleeps.

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Mister Water Wet

LP | 2022 | UK | Original (West Mineral)

24,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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West Mineral return with a followup to Mister Water Wet’s 2019’s subtropical ambient slow-burn debut ‘Bought the Farm’, expanding Iggy Romeu’s horizons to contrast feverish Afro-Caribbean ambient jazz with jaunty illbient and atmospheric freakouts. Low-lit heat that’s highly recommended if yr into Nick León, Carlos Niño, Kelman Duran, Gonçalo F. Cardoso. Mister Water Wet continues to excavate the tropical soundscapes that simmer the producer’s Kansas City home with his Puerto Rican roots, on a new album of extended vignettes and mood pieces that cross a late 90’s Mo Wax instrumentals vibe with present day feelings of displacement and ennui. LP opener ‘Bory’ tunes us into Water Wet’s weirdly fuzzed frequencies, where tremeloed strings and found sounds resemble what might have been a lost dean blunt x dean hurley sound design concept for Inland Empire, while ‘I Saw the Green Flash’ opens a swirl of strings and traditional rhythms caught in a reflecting pool of canned classical orchestrals and 1950s theremin wails. ‘Good Apple’, meanwhile, cranks up the mood with aged x looped piano paired with an undulating, bass-heavy shuffle that wouldn’t sound out of place on a Kelman Duran x Martin Denny mixtape. ‘When Kennybrook Burned to the Ground’ leans into heady jazz vapours, spreading crackle over pitch-fucked horn samples, but it’s the producer’s weird use of percussion that keeps us gripped: scattering his arrangements across the grid, mimicking an ensemble of players deployed in irregular formations. Romeu embraces trip-hop on ‘Any Other Time’, blending Afro-Caribbean percussion with a swung downtempo beat, while ‘Isthmus’ reminds us of the clatterbox plunder of Moonshake’s PJ Harvey hookup ‘Just a Working Girl’ - with all its asymmetric hooks. The extended closing track ‘Losing Blood’ takes a leaf out of Fennesz’s glitched rulebook, stretching and folding disintegrating loops through an 11 minute descent into the elegiac aether.

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2LP | 2015 | US | Original (Shelter Press)

Doppeldoppelgänger

41,39 €* 45,99 € -10%

LP | 2022 | EU | Original (Metaphon)

Release: 2015 / US – Original

Genre: Electronic & Dance

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A subjective compilation by David Le Simple and Vincent Romagny after the three exhibtions cycle ‘Doppelgänger’ at Ceaac curated by Vincent Romagny. The double LP ‘Doppeldoppelgänger’ is a purely subjective compilation of sound works by artists (Félicia Atkinson, bruant&spangaro), sound from films by artists (David Lamelas), sound poetry and performances (John Giorno, Karl Holmqvist, Lisa Holzer & David Jourdan); of works by very different cult composers (Benjamin Britten, Jean-François Pauvros, Gérard Pesson, Jean-Claude Vannier), legendary groups (Deux Filles) and unclassifiables (Potima Zen Neuman, Joiejoiejoie).

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Johannes Fritsch

Kyo Mu / Hochtöner

25,99 €*

LP | 2019 | EU | Original (Lullabies For Insomniacs)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970. Together with Rolf Gehlhaar and David Johnson (also from the Stockhausen Ensemble) he established the Feedback Studio Köln and the Feedback Studio Verlag, the first publishing house owned by composers in Germany.

Fritsch’s complex musical estate consists of approximately 130 works: it covers electronic music, chamber music, ballet, theatre and film music, organ compositions, an opera and pieces for large orchestras. Although Fritsch’s compositions are varied, all of them convey a strong interest in new sound combinations and sound colours.

‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time.

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Garland

23,39 €* 25,99 € -10%

LP | 2022 | EU | Original (Laaps)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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This Spring Garland returns with their second album on LFI.
The follow up to their debut Preludes # 1 is a surreal journey in which the duo further explore their shared interest of sample based music, minimalism and arrangement methods found in the dub tradition. By combining analogue and digital technologies with found sounds and acoustic instrumentation, Cologne based DJ Phillip Jondo and Glasgow based artist Simon Weins invite the listener to delve deeper into their exploration of time, space, texture and form...
Returning with a more refined body of work, Garland sets the tone on # 2 by shifting attention to the ever-changing nature inherent to sound itself. Worlds in which the origin of sound is untraceable and where micro events become the basis for extended explorations.

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Tomotsugu Nakamura

Nothing Left Behind

10" | 2021 | NL | Original (Soundunbound)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. He has performed with various genre of musicians and his works have been released by Kaico, Audiobulb Records, and more recently by Laaps.

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Fentom

Trichotillomania

16,14 €* 18,99 € -15%

Release: 2021 / NL – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Lux Rec)

Wavering Hands

Vulture

10,19 €* 11,99 € -15%

Syntheticopia Purple Swirled Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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To conclude the Unsung and Defeated series we turned our attention to the distopic wave group Wavering Hands. The duo comes from Bern and Zurich, and this is their first vinyl release. The use of real drums, guitars and vocals is an unusual field for us, nevertheless, as it is clear now, we have shown no fear in going wherever our interest take us. And this time is pure New Wave, Kraut Rock inspired music. A perfect ending for this series of Unsung and Defeated local heroes.

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Zake & Ossa

LP | 2022 | EU | Original (Past Inside The Present)

32,99 €*

12" | 2022 | EU | Original (Emotional Response)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Space is the place - at least, it's the place uppermost in the mind of midwest US label Past Inside The Present founder zake and his sonic partner Ossa - location given as the north pole according to his Twitter - as they embark on collaborative 10 tracks. The fact that that the National Aeronautics and Space Administration - Nasa to you and me - has supplied them with celestial sound emissions for the tracks is a bonus. But ultimately, the real headline factor once it's actually on your turntable is the vivid atmosopheres and gorgeous textures that the pair are capable of generating. The album's closer, 'Metric Expansion', is a tremulous glory, peaking and slipping away like rays of sunlight. 'Space & Time', meanwhile, is a simple, gliding analogue delight, and 'Drifting' proves you can carve imperceptible beauty from a couple of well crafted chords.

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Cherrystones

Aged Of Silver

17,99 €*

This Will Destroy You / Lymbic System

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Cherrystones returns with the second of the "Aged" EPs for Emotional Response. Time propels and so does sound, thus orbiting nuances and motion leads us here, to present whatever maybe or interpreted as. Since the acclaimed Aged Of Bronze EP a symbiotic progress of craft arrives in the aptly titled Aged Of Silver. Again each track is like a coded syntax, unlocking the puzzle to aid a listeners journey and experience, building blocks to a utopian scape in form without form notes and pictures living and residing in the dimensions. Never pandering to trends, his art based on immediacy and the moment, no disposable sub genres that fade as fast as they emerge, transposing and emitting heard and unheard a way to communicate with himself and those that identify. A capsule of touched emotions bearing gifts for those in the present and wishing to be present, a key with keys analogue for Silver Tongues and Brass monkeys living in the shadow of a Scorpian's Tail.

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Field Studies Foam Green Vinyl Edition

LP | 2008 | US | Reissue (Dark Operative)

27,99 €*

March Of The Imbecile / Love From The Astroplane

Release: 2008 / US – Reissue

Genre: Electronic & Dance

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Originally released on January 26, 2009 via Magic Bullet Records, this excellent split release between This Will Destroy YOU and Lymbyc Systym (featuring all songs exclusive to this release) now sees formal reissue via Dark Operative. All tracks were recorded in succession in late 2008 at Elmwood Studios in Dallas, Texas with Grammywinning engineer and mixer John Congleton at the helm. This Will Destroy YOU recorded their songs first with Lymbyc Systym arriving in town toward the latter part of those sessions to carry right into the tracking of their material immediately following. Mixing of the entire album was done all at once at the conclusion of tracking to ensure sonic consistency across both sides. Since its initial release, “Field Studies” stands tall in the discography of both bands, with This Will Destroy YOU’s “Freedom Blade” having garnered numerous syncs over the years and the entirety of Lymbyc Systym’s material being regarded by fans and critics alike as among the best they ever wrote and recorded. Marketing /

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Leisure Connection

7" | 2020 | EU | Original (R=A)

10,79 €* 11,99 € -10%

LP | 2022 | EU | Original (R-Records)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A pair of high voltage fairy-tales from the ever psychedelic Leisure Connection crew (responsible for the classic frolicking, sloth adorned Jungle Dancing No 'Label' 12" back in 2013) . With twists and turns a plenty along the way - everything sounds gloriously badly wired and sparking. Big. Recorded in Los Angeles. Mastered by the Bastard.

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Roland Schappert

Route1

21,24 €* 24,99 € -15%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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"route 1 heißt roland schapperts debütalbum, auf dem er lange zurückreichende erfahrungen und aktuelle realisierungen erstmals kompakt gebündelt hat. er nutzt dabei ein breites elektronisches spektrum, das zwischen verschiedenen stilarten zu mäandern scheint und dabei sämtlichen erwartungshaltungen von club-kausalitäten oder einem abdriften in esoterische ecken trotzt. alle stücke entstanden juni bis oktober 2021. es ist roland schapperts persönlicher weg der klänge, die konturen aus elektronischer musik, pop und klassischen strukturen miteinander verschmelzen lässt. uneindeutig. reichhaltig. stetig variierend. nie kopflastig, sondern mit einer angenehm anmutenden wärme emotional berührend. letzteres ist hier ein sehr charakteristisches wesensmerkmal. unwillkürlich entstehen bilder, die im kontext zu den songtiteln, die jeweils orte bezeichnen, persönliche erinnerungen aufblitzen lassen. aber auch imstande sind, gänzlich andere gedanken diesem klanglichen niveau anzupassen, die zunächst mehr gefühlsbetont als begrifflich gestimmt sind. bildlichkeit ist im gesamten schaffen von roland schappert immens wichtig - seien es eigenartig verschlungene bildwerdungen der schrift auf dem gebiet der bildenden kunst, die freie entfaltung persönlich gefärbter verknüpfungen in seinen schriftstellerischen arbeiten oder die intime suggestionskraft seiner musikalischen werke. roland schappert selbst definiert die spezifische bildlichkeit seiner musikalischen prozesse so: "die mittel werden überwiegend digital erstellt. kompositionen mit virtuellen synthesizern stehen im dialog mit sparsamen field recordings und lyrischen versatzstücken. naturhafte prozesse der tonfindung ergänzt mit rhythmischen elementen und minimaler elektronik. emotionen, organische digitalität." konkret sieht das so aus, dass in jedem der vier bis zehn minuten langen stücke mehrere elektronische segmente miteinander wetteifern, die aber durch plötzlich auftretende breaks entgleiten können, um dann erneut sich wieder zusammenzufügen. die field recordings - geräusche während einer autofahrt, regen, etliches anderes naturhaftes, auch menschliches atmen - sind wohltuend in den digitalen klangkosmos eingebettet. von disharmonie keine spur. doch damit nicht genug. wenn man sich erst mal in diesem strudel musikalischer materie eingerichtet hat, erklingt urplötzlich wie aus dem hellen nichts eines plötzlich geöffneten fensters eine klare männliche sprechstimme - es ist schapperts eigene - mit sowohl kurzen verlautbarungen als auch zaghaften lyrischen passagen. so etwas wäre in songorientierter elektronischer popmusik gemeinhin nicht anzutreffen, eher erinnert das an einen der populärsten vertreter der klassischen avantgarde - an karlheinz stockhausen. in vielen seiner werke, etwa im chorstück stimmung und in seinem umgang mit intuitiver musik, beispielsweise in aus den sieben tagen, platzen immer mal unverhofft persönliche statements hinein - artikuliert aus his master's voice himself. selbst sein gigantischer licht-zyklus, bei dem in dem kompletten durcheinander aus mannigfachen handlungssträngen die größtmögliche glückseligkeit - die liebe - das maß aller dinge ist, bleibt von derlei störaktionen nicht verschont. bei roland schappert wäre so etwas ausuferndes eher als feinsinnige anspielung eingesponnen. und darüber hinaus ist in den sechs stücken von route 1 noch ein weiterer aspekt von belang. an manchen stellen ertönen völlig losgelöst von den zumeist eng verwobenen elektronischen soundflächen melodiöse keyboard-figurationen, die geradewegs auf das glorreiche zeitalter des barock zu verweisen scheinen, hier jedoch mit hilfe zeitgenössischer algorithmen programmiert. einmal mehr wird die vielschichtigkeit von roland schapperts musikalischem wirken offenkundig." joachim ody, januar 2022

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Special Species' Anthoza Anthology

LP | 2021 | US | Original (Special Species)

25,49 €* 29,99 € -15%

When I Hit You You'll Feel It

Release: 2021 / US – Original

Genre: Electronic & Dance

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This is the 30th release and 3rd Anniversary of our first tape, so to celebrate the label has brought together friends new and old for a spectacular compilation ranging from ambient to dreampunk to uk garage to house. All proceeds from this release will be donated to the Coral Reef Alliance.

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Leslie Winer

CD | 2021 | US | Original (Light In The Attic)

22,94 €* 26,99 € -15%

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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LP | 2021 | EU | Original (Concentric)

Colliding Wind

20,99 €*

12" | 2011 | UK | Original (Honest Jon's)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The ambient/cross-genres record label Concentric Records (Simone Merli / Soundwalk Collective & Luca Calo / Born In 1986) - launches Colliding Wind, the second compilation of its introductory release trilogy. Featuring music by Christina Vantzou, Echium, Etapp Kyle, Jana Winderen, Kareem Lotfy, Soundwalk Collective, Tragic Selector (Daisuke Tadokoro & Terre Thaemlitz), the album is composed of a wide spectrum of ambient, field recording-based and experimental works, exploring unexpected sonic spaces and evocative landscapes.

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Tshetsha Boys

Anidyi Nyama

Departement D'Education Psychique

Release: 2011 / UK – Original

Genre: Electronic & Dance

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/ TTB / Mahala / Raxa Remix ... Storming, squinty Shangaan Electro to herald the current European tour of Tiyiselani, the Tshetshas and producer Dog.

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Musique Improvisee

12" | 2015 | EU | Original (Acido)

11,99 €*

Tape | 2021 | EU | Original (Ikuisuus)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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50 min long improvised electronic music recording in one go. Recorded by french industrial music composer Jean Marc Foussat and Dresvn in paris in the summer of 2014, a spontaneous living room session

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Stuart Chalmers

The Heart Of Nature

7,99 €* 9,99 € -20%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Ikuisuus)

Swagger Jack

Phoney Recs

7,99 €* 9,99 € -20%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Ikuisuus)

Cucumber Sandwich

7,99 €* 9,99 € -20%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Ikuisuus)

Altaat / Euter

Split

17,59 €* 21,99 € -20%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Waking Through The Dawned Shades

Sunhiilow

Tape | 2022 | EU | Original (Ikuisuus)

13,59 €* 16,99 € -20%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Kame House)

Infuso Giallo

Ocular Soda Remixes

11,19 €* 13,99 € -20%

Computer World Remastered Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Collins Dictionary Example sentence: „Other ocular signs include involuntary rhythmic movement of the eyeball.“ Someone in the editorial department wasn‘t paying attention and involuntarily spoke a deeply buried truth: The movement from the eye to rhythm and from there to sound is sometimes a small, puny one. Now Infuso Giallo provides the proof at the same time and implements his live show for last year‘s debut album „Ocular Soda“ as an audio-visual show, as intertwined senses. Visible sound, audible images. Such ideas only last when they are put to the test and scrutinised by several experts.

The duo Globus, which consists of 2/5 of the post-hardcore band Pttrns, examines the synth hook of the second part of the double-opener „Every Waking Hour Pt.2“ by playing it, varying it, letting it sway.

In contrast, Anatolian Weapons from Athens can‘t help but immerse the ambient, Soft Machine-production-like first minutes of „Every Waking Hour Pt.1“ in a sinister black light. Staggering into a basement club filled with nocturnal shadow people and indulge in carousing. Cautiously at first, then more and more determinedly.

From Hamburg and Berlin, the „Mole Gaze“ gets a special treatment. The trio Love-Songs drags the number off to Hamburg harbour, packs it onto a steamer, deep into the bow and lets it operate the sonar there. Conrad Schnitzler would have been delighted. Infuso Giallo, meanwhile, realises that there is nothing more boring than standing still, so he revamps „Hello World“ and gives it a rear spoiler that keeps this number in lane even at club speed. Speaking of „keeping in lane“: Niklas Wandt, the magician, doesn‘t even try such tricks. He simply throws an acid bolt on the closer „Ocular Soda“ and waits to see what happens. Alongside breakbeats from nowhere, Albert Hoffmann himself appears on a bicycle. „Ocular Soda Remixes“ is the first tape on the Kame House label, so there‘s only one thing to do: open your eyes and listen!

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Kraftwerk

LP | 1981 | EU | Reissue (Parlophone)

49,99 €*

2LP | 2015 | UK | Original (Bel-Air Glamour / The Vinyl Factory)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Computer World (German: Computerwelt) is the eighth studio album by German electronic music band Kraftwerk, originally released on 10 May 1981. The album deals with the themes of the rise of computers within society. In keeping with the album's concept, Kraftwerk showcased their music on an ambitious world tour and issued several different versions of the single "Pocket Calculator" in different languages: namely, German ("Taschenrechner"), French ("Mini Calculateur") and Japanese ("Dentaku", or 電卓). A fifth version, in Italian ("Mini Calcolatore"), was lip-synched to on Italian television in 1981. The compositions are credited to Ralf Hütter, Florian Schneider, and Karl Bartos. As was the case with the two previous albums, Computer World was released in both German- and English-language editions. The title of the final track, "It's More Fun to Compute", is in English in all releases, as it is based on the slogan "It's more fun to compete!", which could be seen on old pinball machines.

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Kristin Anna

Howl

36,99 €*

Transition Black Vinyl Edition

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Bel-Air Glamour Records is a new label created by Icelandic artist and musican Ragnar Kyartansson in collaboration with The Vinyl Factory which will feature some of the most innovative music coming out of Rekyavik and beyond. The first release is an album of "ritualistic ambient music" by Kristín Anna, the much celebrated ex-singer from múm, which is the result of a site-specific artistic residency in the Mohave Desert in California. Recorded in the wilderness the resulting 82.36 min of music is a pure reflection of Kristin's artistic ambition at its very rawest, emotional and unfettered. The accompanying sleeve artwork, shot on location by photographer Elísabet Davíðsdóttir, is equally stunning.

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The Dark Destiny

LP | 2021 | EU | Original (Hiraeth)

32,99 €*

LP | 2022 | US | Original (Sige)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Shroud OF Dark Desolation Falls Over A Once Bounteous Utopia

Having explored a range of genres, 暗闇destiny finds a glorious sweet spot in a work that revels in euphoria, whilst utilising synth-driven instrumentation to confidently progress the neo-mythic narrative. Watch the story unfold like an epic poem of deities and divine landscapes.

遷移transition shows the transformation of a location blooming with vitality into a dark, unrecognisable place. 暗闇destiny masterfully weaves sombre ambient with visceral electronic instrumentation. The artist paints a picture of epic proportions, the slow degradation and collapse of a fruitful society, and the privation of its positive energy.

The lines of this picture trace horrifyingly close to the lines of our own world, as 暗闇destiny explores themes such as environmental destruction, mankind’s self-harming nature and the world’s beauty succumbing to evil, insatiable forces.

Hiraeth Records invites listeners to witness the destruction of an utopian empire on this sublime work. Attend the dismantling of a world, told through lashings of atmospheric ambient and dreamy electronic instrumentation. Wander through a stark wasteland, as 暗闇destiny illustrates a story as epic as those depicted by the romanticist painters of old.

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Barnett & Coloccia

Third Wilderness

28,99 €*

LP | 2022 | EU | Original (Verydeeprecords)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Barnett & Coloccia is: Alex Barnett who has operated under his own name, as Champange Mirrors as well as part of the group Oakeater; and Faith Coloccia who has released music under her own name, as Mara, in collaboration with Philip Jeck, and as the founder/director of the group Mamiffer. This is their fourth album after two previous full lengths on Blackest Ever Black and one on Sige Records. Third Wilderness marks another engaging continuation of the uncanny, chimerical constructs from Barnett & Coloccia. Their sparse arrangements for restrained rhythm and softened noise often center on an economic use of electronic syncopation. The two weave various loops and interjections from clandestine tape recordings, environmental textures, shortwave radio confessionals, therapeutic visualizations, and Coloccia's own ethereal voice. The compositions push and pull against the fixed, minimalist templates marked by prismatic flashes of decontextualized / disembodied sound, developing as structurally angular rhizomes. Third Wilderness was produced and mixed by the duo with additional mixing/production by Randall Dunn (producer for Candyman OST, Oren Ambarchi, Sunn o))), etc).

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Constantin John

Transform

22,99 €*

LP | 2020 | EU | Original (Music For The Other People Place)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Constantin John is interested in the ongoing and never-ending reconfiguration of structures and things. On his debut LP, called Transform , he guides us into a digital swampland, haze or fog—or the catacombs after all? Drawing inspiration from films, video games and his work for theater he creates cinematic, glitchy electronic sketches, that evolve between post post club music and neo-classical pieces for the year 2022. This somehow sounds like the end of the world and a new beginning at once. Subway lines as the veins of the city body, bending steel, falling parts, collapse.

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Unknown Artist

Topp 011

19,99 €*

Heart Music (with Seamsplit)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Very special and highly limited electro / electronics project (tributed to James Stinson) from the Fundamental Records camp, produced by different artists that will remain anonymous, if they choose to…

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Post Moves

LP | 2022 | EU | Original (Where To Now?)

Destroy ---> [Physical] Reality [Psychic] <--- Trust Phase One

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A few copies arrived with a Seamsplit Cover. We're therefore selling it on a reduced price.

Sam Wenc is a composer and multi-instrumentalist working with sound, text, and objects. He utilises guitar, pedal steel guitar, vibraphone, electronics, field recordings, and found objects to compose both structured and formless pieces that attempt to blur concepts of what constitutes “folk music”. He has released music on labels such as Noumenal Loom, Obsolete Staircases, Moon Villain, and his own label, Lobby Art. Below are Wenc’s own thoughts on his work and approach, which frankly do a far better job of capturing the essence of his spiritual, minimal, and transcendent pieces than we could… “‘Heart Music’ was recorded over the course of 2019 and 2020. The initial intention was not necessarily to produce an album, but rather to explore composing from a percussive perspective and trying to avert relying heavily on the pedal steel guitar and guitar as primary modes of composing. The pedal steel guitar lends itself to such a soft sound palette so even in pieces that are highly structured (Always for Pleasure, Going Right to the Praying Mantis), I wanted to avoid the propensity to let the composition amble along, and rather create a brisk, biting percussive component. This can particularly be heard on "Del Mero Corazon", which pulses along with the droning bowing of the banjo and marimacho before drums kick in and later on the vibraphone. Thematically, much of the music (to me) takes on a somewhat ceremonial feeling and explores the trajectory of exploring intrapersonal contradictions and what it means to navigate a disharmonious public sphere. Films was also a major inspiration for songs and their titles: Wiilka & Phaxsi (named for the characters in the film Wiñaypacha), Always for Pleasure (named for the Les Blanks film) was an attempt at writing something akin to a processional march, "Going Right to the Praying Mantis" & "That's the Boss, Not Some Human!" was a quote of Milford Graves pulled from the film "Full Mantis". On that note, the title of the album, "Heart Music", is in recognition of Milford's exploration of the internal data, knowledge, and ultimately music that is present within our bodies. More so than on previous albums, I felt myself letting rhythm, intuition, and improvisation guide the work, often resulting in longer form pieces that allows myself (and hopefully the listener) to listen deeply, observing moments of tension and harmony tangled, dependent, and resolved by one another. One other noticeable addition is the introduction of poetry into "Madness is a Fully Instrumented Score" and "Evidence" (both spoken by Anna Jeters of the band Ancient Pools). This was touched on in my last album on the track "David's Death", but by bringing in the voice to create both parallel and perpendicular narratives, it creates another line to follow and bring the listener into a deeper state of listening. I like playing with blurred narratives, homespun ideas of conventional thoughts that are ever changing in a climate where fixed ways of relating to sound and composition can become something new and mangled in its own right.” If you dig the following then this is most certainly one for you… Susan Alcorn, Alice Coltrane, Phil Cohran, Bobby Hutcherson, Henry Flynt, Jon Gibson, Mind Over Mirrors, Natural Information Society, Johnny Coley, Oren Ambarchi, Tortoise, Yasuaki Shimizu, Califone.

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Minimal Violence

12" | 2020 | EU | Original (Tresor)

8,79 €* 10,99 € -20%

LP | 2020 | US | Original (Friends Of Friends)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Tresor Records is pleased to welcome Minimal Violence to the label, starting with the first chapter in a series of three records entitled DESTROY ---> [physical] REALITY [psychic] <--- TRUST to be released during the next 12 months. At the furthest edges of their idiosyncratic brand of ferocious hardware techno, this first EP, Phase One, reveals the Vancouver duo to be expertly out on a limb. Mirroring the explosive cut and thrust of their live sets, their recorded output extends a metaphysical rave.

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Somni

Home

19,99 €* 24,99 € -20%

LP | 2014 | UK | Original (Harbinger Sound)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Taking influence from home recording, beat tape production and psychedelic West Coast soul combined with intimate, homespun songwriting and experimental instrumental arrangements; UK born, LA based Somni is set to release new album 'Home' via Friends of Friends Music on 27th March 2020. Leo Shulman aka Somni moved to Los Angeles from Hampshire, UK with his family when he was eight years old. From a family of mostly classical musicians - his father Andrew Shulman is a notable session and concert cellist (LA Chamber Orchestra, LA Philharmonic, Britten Quartet, London's Philharmonia Orchestra) - he studied classical guitar from a young age, also learning drums, bass and piano. The album features an array of instrumentation, from the common: acoustic guitar, upright and electric bass, drums, synths; to the more exotic: kalimba, melodica, zither, toy piano, and accordion, alongside field recordings and cassette tape manipulation. Both in narrative and in wordless harmony, Leo's vocals across the record are pitched and manipulated adding a further layer of otherworldliness. Inspired into songwriting by artists like Elliott Smith, Modest Mouse and Cat Power in his early teens; inspiration from the LA beat scene, notably Low End Theory, and artists like Amon Tobin, Portishead, J Dilla, Flying Lotus and Shlohmo brought together a fitting collision of these two worlds in his own music.

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Spoils And Relics

Sins Of Omission

32,99 €*

LP | 2021 | EU | Original (Quindi)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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"a mutating web of feedback, choral echoes and lo-fi loops of various
squeaking, rattling found sounds, settling gently into certain texture
combinations before teasing the stasis through jolts of pitch bend or slow
fades into somewhere else. It's a real nightmare collage: one minute it's a
blast of screaming electronics, like someone tampering with the cockpit
controls, and the next it's tornado of factory noise and alien sex. Musique
concrete for the mind's darker, more paranoid recesses, with a gorgeously
sparse latter half of noise squeals fed through some sort of astronaut
intercom." - Jack Chuter, ATTN magazine

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Cabaret Du Ciel

The Breath Of Infinity

15,19 €* 18,99 € -20%

Reedale Rise, Outlier, Jo Johnson & Romanticise The World

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following the stellar trip through Woo’s Arcturian Corridor, Quindi Records continues to explore intimate, inviting sounds with an experimental bent by facilitating the return of overlooked Italian duo Cabaret du Ciel. Initially formed in 1986, Cabaret du Ciel’s debut album Skies In The Mirror was a low-key and extremely rare cassette release of spellbinding electro-acoustic ambient music created by Gian Luigi Morosin and Andrea Desiderà. A reissue on Hybride Sentimento in 2018 brought renewed attention to the startling music contained within this unique project. The Breath Of Infinity is an album comprised of new works recorded over the past year, either as new pieces or reworked from old ideas with the assistance of Giorgio Ricci.

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Less Popular Than Cats

2x12" | 2021 | EU | Original (Verdant)

I Do Not Wish To Be Known As A Vandal

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"Verdant returns with an intriguing release and continues to follow its unique, meandering path through the electronic music landscape. The label's tenth record invites listeners to explore rich, enchanting, ambient textures and the sonics for which the Verdant name was first associated with decades ago. Naturally, the line up and music is overflowing with quality and its 4 artists are afforded an expansive 20 minute, untitled, single cut each. One of the UKs cherished electro producers, Reedale Rise, graces side A with a rare excursion into beatless space. Next, Out.lier casts an imaginative spell before talented live and recorded musician Jo Johnson captivates with cascading synthesis. Romanticise The World (who appeared under an alias on Verdant before) closes, assembling Detroit [Escalator] Inspired landscapes to fall into. Ambient music how it needs to be experienced on vinyl."

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Sam Slater

LP | 2022 | EU | Original (Bedroom Community)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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CD | 2021 | EU | Original (Kompakt)

Pop Ambient 2022

11,99 €* 14,99 € -20%

LP | 2022 | UK | Original (Room 40)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Note: With THE Purchase OF THE Vinyl OR THE CD YOU Will GET THE Single MP3 Files AS Well AS A Continous MIX VIA E-mail. With the cover artwork for Pop Ambient 2022, longtime Kompakt graphic artist Veronika Unland has once again outdone herself. Following the almost baroque, blood-red and jet-black, extremely physical sculptures of Pop Ambient 2021, which emerged from a dark, floral sea like bodies erect for dancing, the front of 2022 is adorned with a pastel-white form, intertwined, folded many times and crisscrossed with delicate shading, which seems to float on a pale pink background; soft, gentle waves woven from Venetian colors that leave the viewer puzzled: Is it a flower, a coral, a mollusk?

Again, the current edition of the tradition-steeped compilation series curated by Wolfgang Voigt is about the persistent and ever-necessary definition of beauty, of reduction, of electronic music of heavy lightness and light heaviness, of ambient's eternal promise of a state of physical and acoustic weightlessness and Pop's of redemption. And about the question why a never arbitrary combination of soundscape, drones, samples and loops, put together in a certain way, can create this feeling of warmth, depth and space, - something three-dimensional, where the imagination feels at home as a fish in the water or a bird in the sky. A key aesthetic stimulus that sends all the senses into a slow glide and drift, after which your synapses feel like they've been bathed in essential oil. Next to Soul, Ambient is probably the most effective musical healing plant of mankind.

Behind the aural test tubes, the who's who of Pop Ambient is once again at work, led for the first time by the highly trafficked Californian duo Blank Gloss, whose debut album "Melt" this year was certified by The Guardian as nothing less than "heartaching beauty". Yui Onodera's "Chrome" as well as "Kari", a cooperation of Markus Guentner and Joachim Spieth, could also be imagined in the score of Denis Villeneuve's new film version of Dune - however, colleague Hans Zimmer managed that quite well without the three. After such wonderful and stylish contributions by Reich & Würden, Triola and Thomas Fehlmann, the ear then lingers a bit longer on the ghostly "Weiht" by Morgen Wurde feat. Maria Estrella, a track like a temple of sound, a deep electronic immersion in a Japanese onsen. In this sea of unnameable time you could sink forever, but with the tracks of Andrew Thomas, Thore Pfeiffer and Max Würden & Pepo Galán the journey slowly comes to an end.

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Natalie Beridze

Of Which One Knows

26,99 €* 29,99 € -10%

LP | 2018 | EU | Original (Editions Mego)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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A gossamer collection of tranquillized and dissociated material from Georgian artist Natalie Beridze (fka Tba), curling her distinctive FX-fukt vocals like incense smoke around faded pads and processed field recordings. Riyl Tujiko Noriko, Hiroshi Yoshimura. Sometimes it’s the tracks that don’t end up on “major” releases that end up floating to the surface. That’s definitely the case with “Of Which One Knows”, a set of demos recorded by Beridze between 2007 and 2021. She’s put out plenty of music in that time period, including three startling fulllengths on Monika Enterprise, but these pieces here occupy a different creative space, forgoing the itchy industrial atmospheres of last year’s “Mapping Debris” and the galvanized dream pop of its predecessor in favor of dialed-down soundscapes and loose-limbed vocal experiments. Heady and deeply personal, these tracks poke into Beridze’s gooey core, inspired by memories of rummaging thru her dad’s studio: the smell of books and glue, the feeling of an old armchair, the outline of a flickering desk lamp. Percussion is minimal throughout - a beat helps introduce opening track ‘Ash Wednesday’, but it’s simply a muffled thump that helps accent Beridze’s harmonically complex vocal. Words can just about be extracted from the verses, but syllables are extended and elongated, melodies are bent into disquieting shapes, and echoes are molded into reverberating, neuron-teasing loops. None of this material is experimental for the sake of being weird, Beridze manages to shape a mood that’s coherent and challenging, but never walled off. On ‘Drift’, cinematic synths and strings heave beneath swirling vocal chops that never descend into darkness or cliche. Beridze instead uses her processing skills and compositional expertise to inspire mystery and wonder. The most obvious comparison - on tracks like ‘Door Part II’ or muted piano-led closer ‘Sadness’ - might actually be to Scandinavian jazz-electronic sounds, the sort of crossover experiments that have emerged from labels like Smalltown Supersound and Rune Grammofon over the years. Beridze treats her instruments and compositions with care, but her music’s never precious, it’s rigorous and poetic, and endearingly reflective.

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Jung An Tagen

Agent Im Objekt

15,99 €* 19,99 € -20%

2LP | 2005 | UK | Reissue (Warp)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Jung an Tagen is practicing sonic animism on a molecular level. With 'Agent im Objekt' he confronts us once more with a form of highly abstracted electronic music - puristic clubsounds for an accelerated future.
Kicking off with an accumulation of high-pitched, psychoactive sounds, 'Agent im Objekt' takes us into a hyperreal sphere reigned by sonic entities. Playing with swarm-dynamics and singular signals, moments of distance and proximity and noise textures that stimulate our perception, Jung An Tagen transgresses the common syntax of clubmusic. His strategies resemble computer music composition and focus on timbre, texture and structure in an almost analytical way. The sounds filtered from his synthesizer are polished and bright, but behave in an astonishingly organic way, forming propulsive melodic sketches. Arranged in multiple layers of versatile polyrhythms, the tracks are nurtured by the forceful dialectics of precisely arranged chaos and ecstatic order.
With his titles, Jung An Tagen is further adding an enigmatic narrative to his tracks, transcending the actual sphere of the dancefloor towards fictional storytelling. Following the structure of a one-sided chatlog, they evoke associations from the X-file series or mystery novels, revealing a brainteaser that is drawn from mysterious coordinates and secret codes.
In addition the official video "20:03 [Y] HOW IS THAT POSSIBLE?" underlines Jung An Tagen's interdisciplinary interest in synaesthetic processes. Developed in collaboration with the programmers JeongHo Park and Scott Sinclair the video visualizes particle explosion data from CERN - the European Organization for Nuclear Research. Inspired by Peter Kubelkas 'Arnulf Rainer', the resulting geometric figures are exposed to a 'complimentary stroboscope' that glitches your receptors and stimulate your brainwaves with photo- and EEG-stimulation close to seizure, inducing a hallucinative reality.
'Agent im Objekt' is playful but analytical, uplifting but mentally disturbed. While the dynamic use of reoccuring motives forces your body to move, cerebral timbres provoke a series of stimuli to massage your brain. It is intellectual body music that might mark a poetic turn in progressive dance music.

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Bibio

31,99 €* 39,99 € -20%

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

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Hässelby Till Mariatorget

Mariusmane

12" | 2022 | EU | Original (The Transient Nature Of The Disco Business)

8,44 €* 12,99 € -35%

Tape | 2022 | UK | Original (The Tapeworm)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Blargh! We are back with a EP from Marius Mane, with features by Stockholm royalty Dr. Echoe & Natty Silver. This 27 minute record will break your looping mind into pieces, it will make you sing soothing songs in someone’s ear and force your body into movement. You better just surrender to the feeling. GET IN THE Game!

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Blood Music

For The Vagus Nerve

10,39 €* 12,99 € -20%

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Score for as many players as you like – the recording is for nine.

Play any frequency between 264.94 Hz and 277.18 Hz, held, bent or gliding, between B3 and C#4 – hold this note for as long as your breath and/or heart permits.

If you feel you are in the same heart or breath rhythm of another player, cluster with them, or squirm out from under or over them.

Imagine a pink nerve inside your gut going up into your lungs, into your heart, into your reptilian brain, back into your gut.

Imagine the colour pink on the inside of this nerve.

Stop when you feel your pink nerve is sufficiently soothed into rest and digest.

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12" | 2022 | EU | Original (Gems Under The Horizon)

Gems Under The Horizon 2

13,59 €* 16,99 € -20%

Recorded At Frequency Farm 1993 - 1994

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A1 by Joeri Bultheel in Berlin 2019. A2 by Uman Therma & Yetsuby in Seoul 2020. B1 by Ugne Vyliaudaite & Marija Kudabaité in Brussels, 2020. B2 by Raquel Rivera-Lys in Bogota 2021.

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Toxic Frequency

LP | 2022 | EU | Original (Delodio)

22,99 €*

Tape | 2021 | EU | Original (The Tapeworm)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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First vinyl edition of these homemade electronic tracks, recorded in a primitive bedroom studio between 1993 and 1994 by Mahk Rumbae, a British born fan of synths and drum machines. A surprising crossover, as it alternates between the soft balearic sound heat and the urban indu-electro rigour.

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Evan Lindorff-Ellery

No Water Recordings 2011

10,39 €* 12,99 € -20%

LP | 2021 | EU | Original (Association Fatale)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Evan Lindorff-Ellery is a visual and sound artist based in Kingston, New York, and co-owner of Notice Recordings. "No Water Recordings 2011" was created in Ravenswood, Chicago using a hydrophone against a bridge, above water, and a contact mike and ceramic insulator against a brick. The recordings were captured to cassette which was transferred 10 years later by Branic Howard. This album exists as an antithesis of much of Evan's recent fascinations with water, yet accommodates similar poetic endeavours.

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DJ F16 Falcon

Sugar Dada

11,99 €* 14,99 € -20%

12" | 2020 | EU | Original (Wake Dream)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Brace! Brace! That record is a bouncing riddim, and we never know where it's gonna land: here noise or miami bass, there dark disco and then Balearic. What could be an easy puzzle for diggers always feels true though. Sincere, like the 14-year-old DJ F16 Falcon, going nuts on some American nu hardcore - the back of the record are actual screenshots testifying of that moment. A life ago, DJ F16 Falcon used to be a part of the noise music scene in Paris, releasing music under the Roger mpr moniker. He dropped the complicated stuff for dance music but kept the industrial touch. We all need some dance. And we all need a Sugar Dada.

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Ruutu Poiss

Untitled

11,19 €* 13,99 € -20%

Mmxx-19: 1883 (Sound Model I)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Ruutu Poiss, the Amsterdam/Tallinn based expert in glistening psychedelic electronics, arrives on the first outing for Wake Dream (A new label run by Amsterdam’s Orpheu The Wizard). After releasing several 7”s, 12”s and EP’s on Levels, International Major Label, Rets Records and features on various compilations from Fasaan Rec. and Porridge Bullet, Ruutu Poiss lands at Wake Dream to release his first full length album (wadr002), scheduled for late summer 2020. Leading up to the album, this untitled three tracker gives you a taste of his unique spectrum of kaleidoscopic modular dance music, futuristic synth funk and emotionally charged experimental cuts. These three tracks are not featured on the album and are exclusive only to this pre-release!

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Carlos Casas

LP | 2021 | EU | Original (Matière Mémoire)

24,99 €*

Chafik Chennourf & Katsunori Sawa

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Matière Mémoire presents the final batch of the Mmxx Series: 20 experimental/electronic artists created an original 20 minutes piece and an artwork. Each record is limited to 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each 12" is housed in a transparent sleeve printed with the Mmxx logo, coming with a print of the artist artwork.

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Caused Corruption & Spilled Blood Clear Vinyl Edition

12" | 2018 | EU | Original (Voidance)

11,99 €*