DJ Equipment 1245 Items

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

The FLUX-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.

After more than a year of development, we at Flux HiFi are now presented with the FLUX-Turbo. A plate brush with integrated suction. Sounds simple, but it isn’t.

The enemy of record reproduction is dust. This consists of many components. Silicates, polymers, organic substances, everything is contained. With a plate washing machine that works with a fluid, I get most of it cleaned, even release agent residues are removed. But what then? As soon as the valuable disc is put on, the dust falls on the record like snow. This creates some problems. Particles and hair settle on the needle, making scanning virtually impossible. For this purpose, the dust particles on the plate constantly cause enormous crackling noises, which lead to considerable distortions.

With a commercially available plate brush, the dust is collected, but with the exception of a few coarse particles that the brush absorbs, it is rather pressed into the groove floor and distributed, the Flux Turbo quickly provides a remedy. The suction force is so strong that almost all particles are sucked in, already in 1-2 revolutions.

The interior of the turbo is very complex. In order to achieve a well-usable suction force in this small, lightweight housing, each item had to be specially developed. From the fan wheel geometry to the shape of the suction channel, it has been optimized where it went. At the slightly inclined suction channel end you can easily see the integrated guidelines, which ensure that the whole surface is evenly extracted. An elaborate filter construction, the cartridge of which can be easily replaced, absorbs the dirt. The capacity ranges far beyond 100 applications, as well as the durability of the batteries.

Everything was thought of here. Even the velvet skids, which ensure that the surface of the record is not damaged, are easy to replace.

The brush insert made of real carbon fibers is additionally grounded, so that the sound patter is removed from the static charge, which attracts even more dust. The large contact strip under the switch is responsible for this. This is electrically connected to the conductive brush fibers.

The effect on playback is surprisingly strong. The sound seems liberated. Even complex music with strong controls is played back much less distortionally. Scanning noises, previously characteristic of analogue playback, are reduced by up to 50 by the suction before hearing. This is not about achieving clinically pure reproduction, but to get everything that is contained on the record out optimally. And that’s a lot. More than one dared to hope !

Simplicity is crucial when using the Flux Turbo. Quickly sucked over the plate and the pleasure can start. Hearing better records than ever before !

The FLUX-Hifi Vinyl-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.
For this purpose, a special cyclone with replaceable filter was developed, which makes it possible to realize a strong suction performance despite the small housing size (dimension 125 x 122 x 64mm).
Surface dust, as well as the dirt that sits deep in the groove, is extracted without residue within a few revolutions.

Only when the LP is free of dust can the pickup system scan the record without interference and distortion.

With the Turbo, a new era in record maintenance has begun.

• cleans and maintains your valuable records
• works without liquid and without additives
• quick and easy to use on the turntable
• increases the life of the plate and needle
• increases sound quality
• Filter cartridge and sliding skids available in a cheap double pack
• MADE IN GERMANY
• 3-year warranty
• Weight 229 g
• Size: 11,5 x 14 x 6 cm

Jimmy Cage Jr. is part of the Frame Your Records product series Record Jack, which includes shelves made of MDF that can be perfectly integrated into the room. Capacity: approx. 40 7 inch singles. Material: MDF & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

The Gemini TT-4000 High Torque direct drive turntable features a redesigned chassis with reinforced cabinet construction. The TT-4000 uses a precision-machined die-cast aluminum platter for a stable stand in the club. The shock-absorbing rubber feet absorb shock or vibration during operation.

It is ideal for DJs, audiophiles and casual listeners alike. The 16-pole brushless 3-phase DC motor drives the TT-4000's direct drive. The turntable features precise pitch control of +/- 10%. A statically balanced S-shaped tonearm features a hydraulic lift and anti-skate mechanism.

For those who want to digitize their record collection, the Gemini TT-4000 offers a USB port for connection to PC/Mac. This way you can easily record and digitize your vinyl albums.

Thanks to a built-in phono preamp that allows for a line-level output, the TT-4000 does not require grounding.

Features:
• Direct drive turntable with very powerful torque
• Ideal for DJing, listening to music or digitizing
• USB port for connection to PC/Mac
• Very strong torque of 4.5 kg/cm
• Balanced tonearm in S-shape
• Damped rubber feet absorb shocks and vibrations
• Phono preamp with line output built in - no grounding required
• Pitch control of +/- 10%

Technical data:
• Direct driven DC motor with high torque (4.5 kg/cm)
• Signal-to-noise ratio: 40 dB
• Turntable weight: 523 g
• Pitch adjustment: +/- 10%
• Audio interface: USB 2.0 | sampling rate: 48k, 44.1k, 16 bit
• Power consumption: approx. 5.5 W
• Power supply: AC 115V - 60Hz | 230V - 50Hz
• Weight: 6.35 kg
• Dimensions (W x D x H): 490 x 315 x 262 mm

Scope of delivery:
• Gemini TT-4000 Turntable
• Power cable
• RCA cable
• Headshell with pickup/stylus
• Slipmat
• 45 adapters
• User manual & warranty information
• Audacity Software CD V2.1.3

Features:
• 3x vinyl cover frames for 12'' records
• Stylish interior design with your favourite records
• Easy to mount and exchange your vinyl art
• Wide frame border available in black, white and rosewood version
• Adjustable grip mount
• Robust plastic frame and glass cover

Technical Data:
• Outer dimensions: 370 x 370 x 15 mm
• Inner dimensions: 310 x 310 mm
• Weight: 875 g (1 frame)

Features:
• 3x vinyl cover frames for 12'' records
• Stylish interior design with your favourite records
• Easy to mount and exchange your vinyl art
• Wide frame border available in black, white and rosewood version
• Adjustable grip mount
• Robust plastic frame and glass cover

Technical Data:
• Outer dimensions: 370 x 370 x 15 mm
• Inner dimensions: 310 x 310 mm
• Weight: 875 g (1 frame)

Holds up to 90 slim cases or 62 jewel cases - perfectly fitting the Record Box look. The solid construction even allows wall mounting. These CD boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Features:
• Holds up to 90 slim cases or 62 jewel cases
• Combination system: Easy stacking with other CD Boxes
• With divider (45 CDs per compartment)
• Matches the look of Mix Station and Mix Extension
• Wall mounting possible
• Supplied without decoration (i.e. CDs)

Technical Data:
• Material: solid MDF wood
• Dimensions: 705 x 155 x 170 mm
• Weight: 4.4 kg

Holds up to 90 slim cases or 62 jewel cases - perfectly fitting the Record Box look. The solid construction even allows wall mounting. These CD boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Features:
• Holds up to 90 slim cases or 62 jewel cases
• Combination system: Easy stacking with other CD Boxes
• With divider (45 CDs per compartment)
• Matches the look of Mix Station and Mix Extension
• Wall mounting possible
• Supplied without decoration (i.e. CDs)

Technical Data:
• Material: solid MDF wood
• Dimensions: 705 x 155 x 170 mm
• Weight: 4.4 kg

Plain and solid storage system for 12'' records. These record boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Technical Data
•Material: MDF wood
•Dimensions: 705 x 355 x 340 mm
•Weight: 11.7 kg

Features
•Holds up to 230 12'' records
•Combination system: perfectly stackable with other Glorious Record Boxes
•Optically matches the Glorious Mix Station and Mix Extension
•Available with black or white shrink-wrap finish

Plain and solid storage system for 12'' records. These record boxes are made of quality MDF wood, available as untreated wood edition or black or white shrink-wrap finish.

Technical Data
•Material: MDF wood
•Dimensions: 355 x 340 x 210 mm
•Weight: 5 kg

Features
•Holds up to 55 12'' records
•Combination system: perfectly stackable with other •Glorious Record Boxes
•Optically matches the Glorious Mixstation and Mix Extension
•Available with black or white shrink-wrap finish

The Record Rack 330 is an advanced 2-piece vinyl station, which was originated by combining the Record Box 230 with the Record Box Advanced 110 and it can hold up to 330 12''-records.

Direct access to records
Thanks to its slanted sides, quick access to the records is possible. The Record Rack 330 is therefore ideally suited for record stores and DJs who need direct access to their records or the home vinyl collection.

Especially stable construction
Compared to conventional furniture solutions, the rack offers an especially stable construction and is also very easy to set up.

Record Box Display Door
With the perfectly designed Record Box Display Door, you can also extend your Record Rack to protect your record compartments from dust and light, as well as to elegantly highlight your vinyl covers.

Clearly arranged
The clearly arranged storage solution is made of robust wood and is available with black or white finish.

Features:
• Advanced vinyl station with 2-piece layout
• Combination of Record Box Advanced 110 and Record Box 230
• Holds up to 330 12''-records
• Slanted sides for quick access to records
• Especially stable construction, unlike traditional furniture solutions
• Easy set-up in just a few simple steps
• Matches the look of the Mix Station and Mix Extension
• Available with black or white finish
• Supplied without decoration (12''-records)
• Extendable with the Record Box Display Door to keep the record compartments closed and to artfully hang up your vinyl covers

Technical Data:
• Material: MDF wood
• External dimensions: 356 x 956 x 342 mm (L x H x W)
• Weight: 12.7 kg

Features:
•Elegantes Display und Aufbewahrungsmöglichkeit für Schallplatten
•Bietet Platz für bis zu 75 Schallplatten
•Stilvolle Präsentation im zeitlosen Design aus Holzelementen und stabilem Acrylglas
•Verwendbar für alle Vinyl-Formate (7‘‘, 10‘‘, 12‘‘)
•Bequemes Stöbern seiner Vinyl-Sammlung ohne Verrutschen der Platten dank gerillter Holzführung
•Praktischer Neigungswinkel zu beiden Seiten verhindert ungewolltes Umkippen der Schallplatten

The Glorious Turntable Lowboard is a high-quality piece of furniture in a retro 1960’s design and is ideal for placement in your living room. With a dedicated surface for a turntable and plenty of space for your vinyl collection, the Turntable Lowboard is ideal as a listening station. The open record crate invites you to dig through your collection and allows direct access to up to 130 12''-records.

• High-quality turntable lowboard in 60s retro design for your living room
• Listening station: provides storage space for a turntabel and plenty of space for records
• Open record crate for diggin through you collection and access to up tp 130x 12"-records
• Front compartment with push mechanism for amplifiers, CDs or boocks
• Cavity on the rear panel hides unsightly wires
• Timeless design made of wood with white high-gloss finish
• Stable and elegant stand made of solid ash wood (white ash)
• Shock-absorbing rubber feet for damping vibrations

Material corpus: MDF wood with white high-gloss veneer
Material stand: Ash wood (white ash)
External dimensions corpus: 862 x 240 x 420 mm (L x H x W)
Overall height: 444 mm
Weight: 17 kg

Stylus for Goldring G1006 Cartridge

Just needle, not the complete cartridge included!

Goldring E1

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E1 cartridge, the first in the range, utilises a carbon-fibre reinforced cantilever and bonded, spherical (0.6 mil) stylus with a round shank. Carbon is an effective alternative to more premium aluminium or boron materials, producing comparable results in most entry level hi-fi applications.

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Red
• Cantilever: Carbon
• Stylus profile: Spherical
• Stylus radius: 0.6 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E1 MM Cartridge

Goldring E2

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E2 cartridge, the middle in the range, features the same spherical stylus profile as the E1 but with the additional benefit of an upgraded aluminium cantilever. This is both stiff and light weight allowing the stylus to more accurately trace medium to high frequencies offering more detail and reducing distortion and mis-tracking during loud passages.

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Green
• Cantilever: Aluminium
• Stylus profile: Spherical
• Stylus radius: 0.6 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E2 MM Cartridge

Goldring E3

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E3 cartridge, representing the top of the range features the same aluminium cantilever as the E2, but benefits from a superior, bonded, super-elliptical (0.3 x 0.7 mil) stylus. This gives it better high frequency detail retrieval over ordinary elliptical (0.4 x 0.7 mil) or spherical (0.6 mil) types due to its smaller front-to-back radius. The main effect is the reduction of sibilance, especially in high level vocal recordings

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Violet
• Cantilever: Aluminium
• Stylus profile: Elliptical
• Stylus radius: 0.3 x 0.7 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E3 MM Cartridge

Just needle, not the complete cartridge included!

Stylus for Goldring E4 MM Cartridge

Just needle, not the complete cartridge included!

The Goldring 1006 is designed for owners who want to get the very best from their systems at a budget price. This cartridge has an elliptical tip for improved high frequency clarity and a powerful magnet to ensure high sensitivity.

This hand-built cartridge features an elliptical stylus; its shape enables it to more accurately trace the highest frequency record grooves giving it the advantage over ordinary spherical types. The lightweight shank also gives the stylus a lower tip mass than cheaper metal bonded types lending the cartridge an improved transient response.

Low Mass Pocan® Body
The 1000 series uses a strong one piece body which holds the fixed parts securely in place. Made from a special type of ultra-rigid, glass reinforced polyester called Pocan, the body can be tightly bolted to the head shell for maximum efficiency and optimum sound quality. The user replaceable stylus carrier slots tightly into the body with a locating pin preventing unwanted vibrations which would otherwise colour the sound. An integral mu-metal can keeps the generator parts shielded from hum-inducing stray magnetic fields. Because Pocan has a high strength-to-mass ratio, the overall mass of the G1000 series cartridges is kept below 6.5 g. Low mass and moderate compliance keep the natural arm/cartridge resonance within safe limits for easy matching to a wide range of tonearms.

High Efficiency Magnetic Circuit
Finely etched mu-metal is laminated to form the pole pieces around which are fitted two formerless coils of four thousand turns each. This unique design reduces mass and also makes for a very efficient magnetic circuit producing a higher than average output. This construction also reduces the loss at high frequencies inherent in conventional designs, making for a smooth and extended frequency response.

Reduced Moving Mass
The 1000 series uses a unique ultra-low-mass, micro-miniature Alnico V magnet made to a tolerance that can be achieved by no other manufacturer worldwide. Welded to the magnet is a gold plated nickel tie-bar which provides an earth path for vinyl static charge build up and stabilses the cantilever in unwanted vibrational modes. The whole ultra-low-mass assembly is then mounted in a special butyl rubber polymer with optimised damping characteristics.

Expert Adjustment
The correct setting of stylus azimuth (or horizontal tracking angle) is essential for the maintenance of a proper stereo sound stage. Azimuth is the term used to describe the angle that the vertical centre-line of the stylus makes with the record surface and this must be exactly perpendicular to the record groove. This is not usually a user adjustable parameter on most budget decks and so it is vital that the cartridge leaves the factory with the azimuth precisely set. Badly adjusted azimuth can cause uneven channel balance and increased crosstalk between channels which would severely degrade the stereo image.

Specifications:
• Frequency Response: 20 Hz -20 kHz ±3 dB
• Channel Balance: within 2 dB @ 1 kHz
• Channel Separation: better than 25 dB @ 1 kHz
• Sensitivity: 6.5 mV ±1.5 dB, 1 kHz @ 5 cm/sec
• Static Compliance: 24 mm/N (lat); 16 mm/N (vert)
• Equivalent tip mass: 0.45 mg
• Vertical Tracking Angle: 24°
• Stylus Radius: Elliptical
• Stylus Type: Replaceable
• Load Resistance: 47 kΩ
• Load Capacitance: 150-200 pF
• Internal Inductance: 570 mH
• Internal Resistance: 660 Ω
• Cartridge Mass: 6.3 g
• Cartridge Mass (inc. fixings): 7.6 g
• Fixing Centre: 0.5" (12.7 mm)
• Playing Weight: 1.5 - 2.0 g (1.7 g nom.)
• Replacement Stylus: 1006 - D0

A glamorous modern tassel that catches
and reflects the light as it sways through
space, whether at an open air or in a pulsating
bunker.

A piece for pierced ears, it consists of a
classic silver hoop earring with a fine curb
chain which attaches to an ear plug. When
not in your ear, the plug becomes the tip of
an extravagant dangle earring.

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Ableton Push 3 and Push 2
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with the Decksaver® Push covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Akai Pro APC64
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Akai Pro MPC One+ and MPC One
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand
• Fits Elektron Analog Heat, Analog Heat MKII, Analog Heat +FX, Digitakt, Digitakt II, Digitone, Syntakt
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your NI Maschine Mikro MK3
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your NI Maschine MK3 or Maschine+
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Polyend Tracker, Tracker+, Play, or Play+
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Roland TR-8S
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

The Headliner Gigastsand USB+ is a fully adjustable laptop stand with integrated high-speed USB hub. Designed for DJ’s, Musicians, Performers, and Creators, this 2-in-1 device will save space on your workstation and in your bag by combining two integral parts of your setup.

The Gigastand USB+ is constructed of steel and aluminum for the ultimate combination of portability and durability. It is fully adjustable, configurable in C or Z positions, and folds flat thanks to an intuitive ratchet lever system. Easily loosen and tighten each joint to find the right angle for your setup. The telescoping neck rotates 360˚ and has a max height of 16”.

The integrated USB hub features two USB-C ports and two USB-A ports to connect controllers, interfaces, hard drive, and more, and one USB-C port for computer connection. It is fully USB powered so it does not require carrying around an additional power supply.

Carrying pouch and USB-C cable included.

Highlights:
• Fully adjustable DJ laptop stand, configurable in C or Z positions and folds flat thanks to an intuitive ratchet lever system.
• Constructed of steel and aluminum for the ultimate combination of portability and durability.
• Telescoping neck rotates 360˚ and has a max height of 16”.
• Integrated USB hub features two USB-C ports and two USB-A ports to connect peripherals, and one USB-C port for computer connection.
• 2-in-1 device will save space on your workstation and in your bag by combining two integral parts of your setup.

Features:
• Fully-adjustable laptop stand with integrated USB hub
• (2) USB-C ports and (2) USB-A ports to connect peripherals, and (1) USB-C port for computer connection
• Ideal for storing and traveling with compact folding design and included carrying pouch
• Rugged construction of steel and aluminum for the ultimate combination of portability and durability.
• Ratchet lever system makes it a breeze to find the perfect position for the stand. Easily loosen and tighten each joint to find the right angle for your setup.
• Fully adjustable tray and feet up to +/- 90%
• Telescoping neck with 360˚ rotation and max height of 16”
• Configurable in C or Z positions to fit into most workspaces
• Also fits small controllers, samplers, drum machines, and more
• Fits laptops up to 17″
• Includes USB-C cable and pouch

Dimensions:
• Tray (WxD): 250mm x 232mm / 9.8” x 9.1”
• Legs (WxD): 250mm x 296mm / 9.8” x 11.6”

R2 2-CHANNEL ROTARY DJ MIXER

Introducing the Headliner R2, a 2-channel rotary DJ mixer that is perfect for DJ’s looking for precise control and a warm sound, without breaking the bank. The R2 is packed with features, like an analog filter and 3-band isolator EQs on each channel, and uses only high-quality components, including genuine ALPS potentiometers.
Featuring two stereo channels with selectable Line and Phono RCA inputs, each channel on the Headliner R2 comes equipped with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a filter activation switch.
The Master channel boasts an analog filter, headphone monitoring, and output control section. The analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls, giving you precise control over your sound. Independent Master and Booth outputs with volume controls, both with balanced XLR and unbalanced RCA connectors, give you the flexibility to connect to any sound system.
The Headliner R2 features genuine ALPS potentiometers, and a sturdy metal enclosure with stained wood side panels for a classic look that will complement any DJ setup. The modular internal construction, coupled with the external power supply connected via locking Mini XLR ensure superior audio performance.
The Headliner R2 is a reliable, high-quality mixer that will give your DJ performances that classic vibe. Whether you’re spinning house, techno, or classic funk/soul/disco jams, this fun little mixer is the perfect addition to your setup.

Technical specifications:

• Two stereo channels with selectable Line and Phono RCA inputs
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED
• Master channel features analog filter, headphone monitoring and output control section
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls
• Genuine ALPS potentiometers
• Headphone Cue control section features volume control, mix control (Cue/Master), and split monitor switch
• High current headphone amplifier with dual 1/4” and 1/8” jacks
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs
• Additional Record output with unbalanced RCA jacks
• Dual LED level meters for the Master output
• Microphone input with level control on front panel
• Sturdy metal enclosure with stained wood side panels
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector and push-button power switch
• Measurements: 320 x 219 x 106 mm
• Weight: 2.8 kg

Microphone Input:
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: < 0.1%
EIN: -120dBu (150Ω Load)
Input Impedance: 3 kOhm

Line Inputs:
Nominal Input Level: -10dBV (-7.8dBu)
Gain Range: -12dB to +12dB
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: < 0.05%
Input Impedance: 47 kOhm

Phono Inputs:
Maximum Input Level: -40dBu
Gain Range: -12dB to +12dB
Frequency Response: RIAA

Main Outputs:
Nominal Output Levels, balanced: +4dBu
Maximum Output Level, balanced: +20dBu
Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
Maximum Output Level, unbalanced: +12dBu
Frequency Response: 20Hz-20kHz (+/-0.5dB)
Residual noise: <-80dBu Dynamic Range: > 100dB
Crosstalk: < -65dB
THD + N: < 0.05%

Headphone Output:
Maximum Output Level: 70mA/channel into 150Ω
Minimum Load Impedance: 32 Ohms/channel

Power Supply:
Type: External with locking mini-XLR connector
Input Voltage: 100-240v ~ 50/60Hz
Output Voltage: +/-15V; 500mA
Voltage Range: 32 Ohms/channe
THD + N: < 0.05%
Input Impedance: 47 kOhm

Introducing the Headliner R4, a 4-channel analog rotary mixer designed to elevate your DJ experience. Continuing the tradition of precision, warmth, and affordability, the R4 is packed with enhanced features and top-notch components, including genuine ALPS potentiometers, ensuring an unparalleled mixing experience.

Crafted with four Line inputs, three Phono inputs, and one Mic input on four stereo channels. Each channel boasts essential features like gain control with peak LED, a 3-band isolator EQ, headphone cue selector, generous channel volume knob, and a filter activation switch, granting DJs precise control over their sound.

At the heart of the R4 lies the Master channel, equipped with an analog filter, headphone monitoring, and a comprehensive output control section.

Seamlessly toggle between High Pass / Low Pass Filter modes with Frequency and Resonance controls to shape your signature sound.

Empowering DJs with absolute control, the headphone Cue control section offers headphone volume control, headphones mix control (Cue/Master), and a split monitor switch for smooth transitions between outputs.

Featuring independent Master and Booth outputs, both equipped with volume controls and balanced XLR and unbalanced RCA connectors, the R4 ensures seamless connectivity across various sound systems. Dual LED level meters for the Master output facilitate precise monitoring and adjustment of audio levels. Additionally, the mixer boasts a dedicated Record output with unbalanced RCA jacks, and an additional microphone input with level control located on the front panel.

Sporting genuine ALPS potentiometers, a robust metal enclosure, and stained wood side panels, the R4 exudes a classic aesthetic that complements any DJ setup. Its modular internal construction and an external power supply connected via a locking Mini XLR guarantee superior audio performance.

The Headliner R4 stands as a testament to precision and warmth in the DJ realm. Whether spinning house, techno, or the timeless funk/soul/disco beats, this versatile mixer elevates your setup, ensuring your mixes stand out with exceptional quality and control.

Highlights:
• 4 Channel analog rotary DJ mixer with built-in Filter.
• Analog High Pass / Low Pass filter with frequency and resonance controls to shape your signature sound.
• Four stereo channels featuring gain control with peak LED, 3-band isolator EQs, headphone cue selector, generous channel volume knob, and a filter activation switch, granting you precise control over your sound
• Four line inputs, three phono inputs, and two mic inputs connecting a wide variety of devices including turntables, media players, and microphones.
• Independent Master and Booth outputs equipped with volume controls, balanced XLR and unbalanced RCA connectors, ensures seamless connectivity across various sound systems.

Features:
• Three stereo channels with selectable Line and Phono RCA inputs and one channel with selectable stereo Line and mono Microphone.
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel volume control and filter activation switch with LED.
• Master channel features analog filter, headphone monitoring and output control section.
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls.
• Genuine ALPS potentiometers.
• Headphone Cue control section features headphones volume control, headphones mix control (Cue/Master), and split monitor switch.
• High current headphone amplifier with dual 1/4” and 1/8” jacks.
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs.
• Additional Record output with unbalanced RCA jacks.
• Dual LED level meters for the Master output.
• Microphone input with level control on front panel.
• Sturdy metal enclosure with stained wood side panels for a classic look
• Modular internal construction for superior audio performance.
• External split rail power supply connected via locking Mini XLR connector.
• Push-button power switch on rear panel.
• Measurements: 12.6” x 12.2” x 4.2” (320 x 310 x 106 mm)
• Weight: 7.7lbs (3.5Kg)

Specifications:
Microphone Inputs
• Nominal Input Level: -50dBu
• Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
• THD + N: < 0.1%
• Input Impedance: 1.2 kOhm

Line Inputs
• Nominal Input Level: -10dBV (-7.8dBu)
• Gain Range: -12dB to +12dB
• Frequency Response: 20Hz – 20kHz (+0/- 0.5dB)
• THD + N: < 0.05%
• Input Impedance: 10 kOhm

Phono Inputs
• Nominal Input Level: -40dBu (@1kHz)
• Gain Range: -12dB to +12dB
• Active RIAA equalization
• THD + N: < 0.05%
• Input Impedance: 47 kOhm
• Input capacitance: 100pF
• Single stage Phono Preamp
• Ceramic capacitors

Main Outputs
• Nominal Output Levels, balanced: +4dBu
• Maximum Output Level, balanced: +20dBu
• Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
• Maximum Output Level, unbalanced: +12dBu
• Frequency Response: 20Hz-20kHz (+0/-1.5dB)
• Residual noise: <-86dBu (Line to Master)(A-Weighted)
• Dynamic Range: > 100dB (A-Weighted)
• Crosstalk: < -65dB
• THD + N: < 0.05%

Headphone Output
• Maximum Output Level: 70mA/channel into 150Ω
• Minimum Load Impedance: 32 Ohms/channel

Power Supply
• Type: External with locking mini-XLR connector
• Input Voltage: 100-240v ~ 50/60Hz
• Output Voltage: +/-15V; 500mA

For our 20th anniversary, we've teamed up with UDG to introduce the HHV x UDG SlingBag Trolley Deluxe (HHV 20 Years Edition), a very special design where functionality meets subtle co-branding. This limited edition version of the UDG SlingBag Trolley Deluxe comes with enough storage space for your records and additional equipment like headphones, controllers, mixers or other tools. In addition, it's also possible to transport a 15.4 inch laptop in the velvet padded interior compartment. In addition, the HHV x UDG SlingBag Trolley Deluxe has a more stable road position due to the widened wheelbase, which will not throw you off track even when sprinting to the train. Furthermore, the nylon upper material gave way to extremely durable, coated canvas, without sacrificing the rain protection for the vinyl. Easily replaceable foam pads with hook and loop fasteners provide a variable interior that offers maximum protection for approximately 58 x 12 inch records.

HHV x UDG SlingBag Trolley Deluxe - features/specs:

• soft rubber grip
• padded 15,4 inch laptop compartment
• small inner zip bag
• adjustable shoulder strap
• hide-away 3-stage trolley handle
• smooth rolling wheels with quality bearings
• UTX buckle at main compartment
• 2 x side zip pockets e.g. for headphones
• flap pocket with hook and loop fastenr, zip closure on front
• interior replacable padding with hook and loop fasteners
• code combination lock
• exterior dimensions (H x W x D): 470 x 510 x 310 mm
• interior dimensions (H x W x D): 320 x 390 x 200 mm
• weight: ca. 5,5 kg
• exterior fabric: coated canvas
• lining: 420D nylon

For our 20th anniversary, we've teamed up with UDG to introduce the HHV x UDG Ultimate 7" SlingBag 60 (HHV 20 Years Edition), a very special design where functionality meets subtle co-branding. The HHV x UDG 7” SlingBag 60 is a small size bag that holds approximately 60 pieces of 7 inch records. It's equipped with a small pocket at the front and an interior mesh pocket for small accessories. In addition, the HHV x UDG Ultimate 7" SlingBag 60 features the special soft fleeced lining which provides protection from bumps and knocks. The HHV x UDG Ultimate 7" SlingBag 60 comes with a handgrip, detachable and adjustable shoulder strap. This HHV x UDG item is the one bag a DJ need to carry around 7-inch records - a perfect-sized bag for a minimalist DJ set!

HHV x UDG Ultimate 7" SlingBag 60 (HHV 20 Years Edition) - Features/Specs:

• Soft fleeced interior provides protection from bumps and knocks
• Interior mesh pocket for USB drives, SD cards and small accessories
• Small front pocket for smaller gears
• Adjustable shoulder strap
• Convenient carry handles
• Holds up to 60 x 7” records
• Weight: 0.35 kg / 0.77 lbs
• Outer Dimensions (W x H x D) cm: 21 x 21 x 16.5 | inch: 8.3 x 8.3 x 6.5
• Inner Dimensions (W x H x D) cm: 20.5 x 19 x 15 | inch: 8.1 x 7.5 x 5.9
• Material: Water resistant Ballistic Nylon 1680D

The Reloop SPiN Tone Arm by Jesse Dean Designs.

Straight outta SoCal.

Easy installation for your Reloop SPiN.

Engineered to work with;

- Ortofon OM style
- Reloop OM-GT
- Shure M44-7

Super stable design and accepts all magnetic cartridges!

- Constructed from FR4 fibre board
- Adjustable brass counter weight
- Front LED target light
- Phono analogue pre-amp included
- Magnetic clip for housing
- Easy wire installation kit, including cartridge mounting screws

Match it with a JDDX2R-SP SPiN contactless fader!?

Please note: The JDD-SPCB does not include a cartridge and stylus.

Installation Video: https://www.youtube.com/watch?v=NyBZpw0tuhw&feature=youtu.be&fbclid=IwAR32dn4iAJAp5fNS8pGmC8_vYDIPBIhEV_y1YNBRQYoEJ5Eeu5igEldFFHw

Introducing the new budget build tone arm by Jesse Dean Designs!

Compatible with any PT01 or Handytrax portable turntable!
Straight outta SoCal.
Battle tested at Portablist Lounge.
Easy install.

A far superior improvement over the factory tone arm.

• Constructed from Fr4 fiberboard
• ABS molded gimbal
• Adjustable brass counter weight
• Front LED target light
• Preamp included - no soldering required
• Magnetic clip for housing

Engineered to work with almost every cartridge like:
• Ortofon OM style
• Reloop OM-GT
• M447

Please note: The JDDPTA-PCB does not include a cartridge and stylus.

JDDPTA-PCB installation video: https://www.youtube.com/watch?v=5dHAPSt4yfo&feature=youtu.be&fbclid=IwAR1xzjGcWeySRyexDii-fJI_-1S5B2lr4h6NaRTuuQ4_9uEKaECb62LDDD0

Introducing the new budget build tone arm by Jesse Dean Designs!

Compatible with any PT01 or Handytrax portable turntable!
Straight outta SoCal.
Battle tested at Portablist Lounge.
Easy install.

A far superior improvement over the factory tone arm.

• Constructed from Fr4 fiberboard
• ABS molded gimbal
• Adjustable brass counter weight
• Front LED target light
• Preamp included - no soldering required
• Magnetic clip for housing

Engineered to work with almost every cartridge like:
• Ortofon OM style
• Reloop OM-GT
• M447

Please note: The JDDPTA-PCB does not include a cartridge and stylus.

JDDPTA-PCB installation video: https://www.youtube.com/watch?v=5dHAPSt4yfo&feature=youtu.be&fbclid=IwAR1xzjGcWeySRyexDii-fJI_-1S5B2lr4h6NaRTuuQ4_9uEKaECb62LDDD0

Introducing the new budget build tone arm by Jesse Dean Designs!

Compatible with any PT01 or Handytrax portable turntable!
Straight outta SoCal.
Battle tested at Portablist Lounge.
Easy install.

A far superior improvement over the factory tone arm.

• Constructed from Fr4 fiberboard
• ABS molded gimbal
• Adjustable brass counter weight
• Front LED target light
• Preamp included - no soldering required
• Magnetic clip for housing

Engineered to work with almost every cartridge like:
• Ortofon OM style
• Reloop OM-GT
• M447

Please note: The JDDPTA-PCB does not include a cartridge and stylus.

JDDPTA-PCB installation video: https://www.youtube.com/watch?v=5dHAPSt4yfo&feature=youtu.be&fbclid=IwAR1xzjGcWeySRyexDii-fJI_-1S5B2lr4h6NaRTuuQ4_9uEKaECb62LDDD0

THE NEW JESSE DEAN DESIGNS JDDPTA

PORTABLE TURNTABLE TONE ARM KIT.



WITH THESE FEATURES:

• 3K CARBON FIBER TUBE AND HEAD SHELL
• BILLET ALUMINUM GIMBAL WITH BALLBEARINGS
• CUSTOM ENGINEERED LIMITED BOUNCE TENSION SYSTEM
• PHONO PRE-AMP INCLUDED
• EASY WIRE INSTALLATION KIT
• Made in SoCal, USA
CAPATABILITY:

NUMARK PT-01
NUMARK PT-01USB
NUMARK PT-01SCRATCH
VESTAX HANDYTRAX
VESTAX HANDYTRAX-USB

Weight 10 oz
Dimensions 10 x 3 x 2 in

Installation Guide:
[youtube https://www.youtube.com/watch?v=kKWMM6O2rRA?version=3&rel=1&fs=1&autohide=2&showsearch=0&showinfo=1&iv_load_policy=1&wmode=transparent]

[youtube https://www.youtube.com/watch?v=bidUVnQ_49k?version=3&rel=1&fs=1&autohide=2&showsearch=0&showinfo=1&iv_load_policy=1&wmode=transparent]

PLEASE NOTE:THE WARRANTY FOR YOUR PT01 SCRATCH PORTABLE OR OTHER TURNTABLE IS NO LONGER VALID ONCE INSTALLING THE JDDX2RS.

Contactless Fader by Jesse Dean for your Reloop SPIN turntable.

The JDDX2R-SP is the same design built of the legendary JDDX2RS-A - with extra capability!

No need to take out and calibrate each time - calibrate from the top!

It’s dual rail slide contactless element gives it durability for an aggressive environment. This long-lasting fader has no audio bleed thanks to its magnetic sensors and circuitry. There is virtually no cleaning needed with this contactless element.

- Dual rail 45mm slider for stability and smooth action
- Magnetic sensor contactless circuitry
- Two side cut-in adjustment
- Switchable from double cut to 2 channel capability
- FR4 fiberglass PCB faceplates
- Full size fader cap by Cooler Caps!
- 30 second easy installation
- Comes with cut adjuster screw driver

JDDX2R-SP calibration instructions: http://www.zendell.uk/LINKS/JDDX2RS-A_calibration.pdf

JDDX2R-SP double cut instructions: http://www.zendell.uk/LINKS/JDDX2R-SP.pdf

The JDDX2RS-A PT01SCRATCH Scratch Fader is a creation of Jesse Dean Designs. This Fader is a
direct replacement for the factory switch. It’s dual rail slide contact-less element gives it durability for an
aggressive environment. This long-lasting fader has no audio bleed thanks to its magnetic sensors
and circuitry. There is virtually no cleaning needed with this contact-less element. Here are the main
features of the JDDX2RS-A Pt01Scratch Fader:
Magnetic Sensor Contact-less Circuitry
Two Side Cut-in Adjustment
Dual Rail Slider for Stability and Smooth Action
Full Size Fader Knob (COOLOR CAPS), Feels Like a Full Size Mixer when Scratching.
Easy Installation with No Soldering Required!
Using highest quality components and relentless testing, we designed this Fader for the Artist that requires
the best from their gear. We feel that this Fader will keep the artist innovating and excelling in their art form.

Installation Video: https://www.youtube.com/watch?v=J5b0QzA9ZxE&feature=youtu.be

PLEASE NOTE:THE WARRANTY FOR YOUR PT01 SCRATCH PORTABLE TURNTABLE IS NO LONGER VALID ONCE INSTALLING THE JDDX2RS.

The JDDX2RS-A PT01SCRATCH Scratch Fader is a creation of Jesse Dean Designs. This Fader is a
direct replacement for the factory switch. It’s dual rail slide contact-less element gives it durability for an
aggressive environment. This long-lasting fader has no audio bleed thanks to its magnetic sensors
and circuitry. There is virtually no cleaning needed with this contact-less element. Here are the main
features of the JDDX2RS-A Pt01Scratch Fader:
Magnetic Sensor Contact-less Circuitry
Two Side Cut-in Adjustment
Dual Rail Slider for Stability and Smooth Action
Full Size Fader Knob (COOLOR CAPS), Feels Like a Full Size Mixer when Scratching.
Easy Installation with No Soldering Required!
Using highest quality components and relentless testing, we designed this Fader for the Artist that requires
the best from their gear. We feel that this Fader will keep the artist innovating and excelling in their art form.

Installation Video: https://www.youtube.com/watch?v=J5b0QzA9ZxE&feature=youtu.be

PLEASE NOTE:THE WARRANTY FOR YOUR PT01 SCRATCH PORTABLE TURNTABLE IS NO LONGER VALID ONCE INSTALLING THE JDDX2RS.

Carbon Fibre Tone Arm for the Stanton STX Portable Turntable.

Available with Black gimble.

Engineered to work with:

• 3K carbon fibre tube and aluminum head shell
• Billet aluminum gimbal with ball bearings
• Custom engineered limited bounce tension system
• Phono analogue pre-amp included
• Easy wire installation kit, including cartridge mounting screws
• Engineered to work flawlessly with: Ortofon VNL/OM, Reloop OM-GT and Shure M44-7

Please note: The JDDPTA-SX does not include a cartridge and stylus.

Why not get the tonearm with a Ortofon VNL Cartridge & Stylus?

Installation video can be found here:
https://www.youtube.com/watch?v=pQsXTqpkfjQ

Jesse Dean Contactless Scratch Fader for your Stanton STX portable turntable.

The all new high performance fader for ultra fast cuts.

Digitally controlled.

The fader features billet aluminum rail blocks for a robust construction.

Extremely easy cut-In adjustment without having to remove your fader.
Simply calibrate your fader from the top!

45mm glider travel with standard mounting hole pattern for preferred alignment.

Kit includes:

• JDDX2R-SX fader
• Black JDD fader plate
• Black fader cap
• Mini screwdriver for cut adjustment

JDDX2R-SX calibration instructions: https://www.youtube.com/watch?v=Gm3RpM8ughI&t=3s
Stock fader calibration instructions: https://www.youtube.com/watch?v=4o4nG07CUcA

OEM Replacement Pitch Potentionmeter for Technics SL 1200 MkII

Easy install.

• Improved carbon element
• No zero 'detent click' for accuracy
• Super smooth
• 105mm travel
• Suitable for SFDZ122N11 or SFDZ122N11-1