DJ Equipment 1209 Items

Fits Pioneer PLX-1000, PLX-500 and Technics SL-1200/1210 Mk1, Mk2, Mk3, Mk4, Mk5, Mk5G & Mk6 turntables. Designed and engineered in the UK. Sleek smoked/clear polycarbonate shell provides high level of protection, preserving the lifespan of your turntable. Simple push fit design shields tone-arm from accidental damage whilst making allowances for cables, your turntable can sit ready for operation. At home, on the road or in the club, Decksaver has your turntable covered.

Weight: 0.633 kg
Cover Dimension 45.6 × 35.5 × 7.5 cm
Fits: Technics SL-1200, SL-1210 (MK1-MK7/GR), Pioneer PLX-1000, PLX-CRSS12 and Mixars LTA/STA, Germini PT1000 turntables

Degritter MARK II offers sophisticated ultrasonic cleaning and smart functionalities for more convenient use.

New features:
• Ultrasonic Power Drive 2.0 – stronger, but safe for the record
• Pulse Mode cleaning – better cleaning effect, low power consumption
• Polished exterior design – in keeping with our high design standards

Designed For You:

DISTINCTLY AUTOMATIC
The Degritter is fully automatic, requiring no additional effort after the cleaning cycle has started. Use the free time for listening to records instead of cleaning them.

SIMPLE WATER MANAGEMENT
The machine has a convenient removable water
tank for replacing cleaning water.

PERFECT TOUCH BUTTONS
We have perfected the feel and function of the machine’s buttons. The rotations and presses provide most satisfying feel you will be unable to let go of.

Clever Features:

ACTIVE FILTERING
Cleaning water is pumped through a replaceable filter during washing. Continuous filtration keeps removed dirt from ending back up on the record.

RECORD SAFE
TEMPERATURE CONTROL
Degritter monitors water temperature and
prevents it from rising to levels harmful for vinyl records. High temperatures are managed by automatic cooling cycles.

SMART DRYING
Records are dried by a flow of filtered air. Both the drying time and fan speed can be adjusted to keep noise levels in check and to prevent static electricity build up.

POSTWASH RINSE OPTION
Degritter supports rinsing records during washing cycles with the help of a separate water tank.

Ultrasonic Cleaning Architecture:

4 TRANSDUCER LAYOUT
Ultrasonic cleaning tank that’s in Degritter is purpose built for vinyl records. The tank has two ultrasonic transducers on either side emitting 120 kHz ultrasonic vibrations, evenly distributing the cleaning energy across the record’s surface.

Power DriveTM 2.0 – NEW!

Pulse Mode – NEW!:
Pulse Mode cleaning is a feature offered by the Power Drive 2.0 ultrasonic generator. During pulsing, ultrasonic transducers rapidly switch on and off at high power. This gives enhanced cavitation in water, but keeps the average power consumption low.

Frequency Sweep:
The driving frequency of the Power Drive
ultrasonic generator sweeps between 120-125 kHz.
This evens the cavitation energy distribution in
the water, minimizing losses and giving an
uniform cleaning action.

300 Watts:
The average power output of all the washing programs is 300 W. This makes Degritter the most powerful ultrasonic record cleaner on the market per litre of water. The higher 120 kHz driving frequency keeps your records safe.

THE SHOW & LISTEN FLIP FRAME’S EASY OPENING MECHANISM ALLOWS THE CONTENTS TO BE CHANGED
WITHOUT REMOVING THE FRAME FROM THE WALL.
VINYL LP’S CAN BE DISPLAYED DUE TO THE “SPONGE FINGER” CUSHIONING BACKPLATE,
FROM 12” SINGLES, LP’S, DOUBLES AND EVEN TRIPLE ALBUMS.

djay and invisbl skratch pikls present FUGITIVES OF FUNK djay Control Vinyl (12" Orange).

16 Tracks from DJ Q-bert, Shortkut and D-Styles on STOKYO Thin Press©️ Orange 12" Vinyl

SIDE A:

Track 1 Skipless Scratch 133 bpm
Track 2 Skipless Scratch 133 bpm
Track 3 Skipless Scratch 133 bpm
Track 4 Skipless Scratch 133 bpm
Track 5 Skipless Scratch 133 bpm
Track 6 Skipless Scratch 100 bpm
Track 7 Skipless Scratch 100 bpm
Track 8 Skipless Scratch 100 bpm
Track 9 Skipless Scratch 100 bpm
Track 10 Skipless Scratch 100 bpm
Track 11 Skipless Drums 133 bpm
Track 12 Skipless Drums 133 bpm
Track 13 Skipless Drums 133 bpm
Track 14 Skipless Drums 133 bpm
Track 15 Skipless Drums 133 bpm
Track 16 Locked Groove
SIDE B:

Official Control Vinyl djay algoriddim Tone (10.00)
Produced by Q-Bert, Shortkut & D-Styles

Manufactured by STOKYO 2023 in collaboration with DIRTSTYLE RECORDS, Made in JAPAN

STOKYO has been working on control vinyl for the past 15 years. From our team of DJs, engineers, material experts, and many more involved, we are finally able to call this the perfect vinyl for DJs.

Through hundreds of test presses, material challenges, global compliances, precession adjustments from the boiler room to the cast, our “Shokunin” ethics is translated straight onto our vinyl. From our time, energy, research and devotion, all can be experienced on the new MADE IN JAPAN, djay Neural Mix vinyl.

"It’s been a journey and we are honored and thankful to have the opportunity to release our newest vinyl with such great friends we have known since their humble beginnings. DJs be ready!!!
Chuck Ono
STOKYO"

FEATURES

● Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
● Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
● DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

djay and invisbl skratch pikls present FUGITIVES OF FUNK djay Control Vinyl (12" White).

16 Tracks from DJ Q-bert, Shortkut and D-Styles on WHITE on STOKYO Ultra-Thin Press©️ Vinyl (6% Lighter than Orange!)

SIDE A:

Track 1 Skipless Scratch 133 bpm
Track 2 Skipless Scratch 133 bpm
Track 3 Skipless Scratch 133 bpm
Track 4 Skipless Scratch 133 bpm
Track 5 Skipless Scratch 133 bpm
Track 6 Skipless Scratch 100 bpm
Track 7 Skipless Scratch 100 bpm
Track 8 Skipless Scratch 100 bpm
Track 9 Skipless Scratch 100 bpm
Track 10 Skipless Scratch 100 bpm
Track 11 Skipless Drums 133 bpm
Track 12 Skipless Drums 133 bpm
Track 13 Skipless Drums 133 bpm
Track 14 Skipless Drums 133 bpm
Track 15 Skipless Drums 133 bpm
Track 16 Locked Groove
SIDE B:

Official Control Vinyl djay algoriddim Tone (10.00)
Produced by Q-Bert, Shortkut & D-Styles

Manufactured by STOKYO 2023 in collaboration with DIRTSTYLE RECORDS, Made in JAPAN

STOKYO has been working on control vinyl for the past 15 years. From our team of DJs, engineers, material experts, and many more involved, we are finally able to call this the perfect vinyl for DJs.

Through hundreds of test presses, material challenges, global compliances, precession adjustments from the boiler room to the cast, our “Shokunin” ethics is translated straight onto our vinyl. From our time, energy, research and devotion, all can be experienced on the new MADE IN JAPAN, djay Neural Mix vinyl.

"It’s been a journey and we are honored and thankful to have the opportunity to release our newest vinyl with such great friends we have known since their humble beginnings. DJs be ready!!!
Chuck Ono
STOKYO"

FEATURES

● Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
● Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
● DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

FULLY AUTOMATIC PLUG & PLAY-TURNTABLE

The uncomplicated one from Dual with aspirations. The CS 329 uses sophisticated technology for entry-level analogue music playback.

With Plug & Play, you get a complete, ready-to-use package; all components are pre-assembled and permanently set. Plug in and get started!

As a fully automatic machine, the CS 329 offers ideal convenience. The tonearm swivels, lowers and raises autonomously at the touch of a button. All you have to do is put on the record and press the start button.

DETAILS:
Plinth: MDF - Plastic
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover
Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
Tonearm: Straight, Plug and Play
• Plug & Play: all adjustments are factory fixed
• All functions can be fully automatic or manual
Drive: DC- Motor / Belt
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL SPECIFICATIONS:
Motor:
• Drive: Belt
• Speed settings: 33/45
• Wow & Flutter: < ±0,12 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Automatic
• Bearing: Ball-bearing
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: Fixed
• Cartridge Weight Range: N / A
• Factory installed pick up: Audio-Technica AT91

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle Brass bushing (inverted)
• Diameter: 297 mm
• Weight (incl. Mat): 667 g

Plinth:
• Material: Plastic / MDF
• Surface finish: Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA cable (fixed)
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 372 x 132 mm
• Dimension, open dustcover: T: 405 mm / H: 390 mm
• Weight: 5 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/09/BDA-CS-329_manual_V1_DE_EN.pdf

THE MANUALRECORD PLAYER ENTRY

Emphasis on high component precision is a feature of the entire range of Dual products. This is the case for the entry model CS 418, which uses the same platform as the higher models in the product range.

The Ortofon 2M Red pickup and a switchable MM-phonopreamplifier are an integral part of this ready to run package.

The CS 418 is not attractive just because it is excellent value for money, but it also offers a superb and compelling balanced sound experience and a 5 year warranty for long term ownership.

DETAILS:
Plinth: Solid MDF
• Folded MDF construction with a black vinyl veneer
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover

Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
• Solid platterbearing with a hardened steel spindle in a brass bushing

Tonearm: Straight, statically balanced
• Solid aluminium construction with ball-bearings
• Damped tonearmlift
• Adjustable trackingforce and antiskating

Drive: DC- Motor / Belt
• Low vibration DC-Servo-Motor
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL DATA:
Drive:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,1 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: ✕
• Bearing: Ball-bearing
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 5,8 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-418_manual_V4_DE_EN.pdf

FULLY AUTOMATIC HIFI-TURNTABLE

The fully automatic function of the CS 429 provides maximum ease of use. The tonearm automatically lifts, shifts across and drops with the push of a button. Simply place the vinyl record on the platter and push the start button.

The CS 429 has a fully adjustable tonearm. This provides the option to change the pickup in the future and to alter the trackingforce and anti-scating accordingly.

The internal rubber damping construction decouples the tonearm and platter from external vibrations. This very quiet platform pro-vides an excellent sound performance combined with precise, optical speed control.

DETAILS:
Plinth: Solid MDF
• MDF construction with internal vibration absorber
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover

Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
• Solid platterbearing with a hardened steel spindle in a brass bushing

Tonearm: Straight, statically balanced
• All functions can be fully automatic or manual
• Solid aluminum construction with ball-bearings
• Adjustable trackingforce and antiskating

Drive: DC- Motor / Belt
• Precise optical speed control
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL DATA:
Drive:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,08 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Automatic
• Bearing: Ball-bearing
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 6,2 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-429_manual_V4_DE_EN.pdf

MANUAL HIFI-TURNTABLE WITH FULL CARDAN TONEARM

For the true Vinyl Enthusiast, the CS 518 is equipped with a twin gimbal tonearm design using pivot ball-bearings for optimal precision.
This superior tonearm has the ability to guide even high end pickups with the greatest degree of precision and reliability.
The Ortofon 2M Red pickup and a switchable MM-phonopreamplifier are an integral part of this ready to run package.

DETAILS:
Plinth: Solid MDF
• Folded MDF construction with a black vinyl veneer
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover

Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
• Solid platterbearing with a hardened steel spindle in a brass bushing

Tonearm: Twin Gimbal Design
• Straight, statically balanced
• Solid aluminium construction with precision pivot ball-bearing
• Adjustable trackingforce and antiskating

Drive: DC- Motor / Belt
• Low vibration DC-Servo-Motor
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL DATA:
Drive:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,1 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: ✕
• Bearing: 4 x Pivot ball-bearing / twin gimbal mounting
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 5,9 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-518_manual_V4_DE_EN.pdf

MANUAL HIFI-TURNTABLE

For decades, direct-drive turntables from Dual have been renowned for their quality and reliability. The rumble free direct-drive in the CS 618Q keeps the RPM totally stable, while operating without noise or vibration.

The advanced twin gimbal precision tonearm is partnerd with an Ortofon 2M Blue pickup.

The turntable comes with an auto-stop feature that includes an automatic tonearm lift to reduce wear and tear on the needle as it moves to the end of the record.

DETAILS:
Plinth: Solid MDF
• Surface Options: Vinyl veneer, Gloss paint, Walnut veneer
• Elastomer vibration absorber integrated inside the feet
• Removable dustcover

Platter: Aluminium Die-cast
• Heavy aluminium die-cast platter
• Heavy rubber mat for resonance damping
• Hardened steel spindle integrated into the direct-drive

Tonearm: Twin Gimbal Design
• Autostop function with an automatic tonearmlift
• Solid aluminium construction with precision pivot ball-bearing
• Adjustabel trackingforce and antiskating

Drive: Direct-drive
• Quartz stabilised, high end direct-drive
• No vibrations through coreless inductors
• Double shielded Rotormagnets to eliminate any stray magnetic fields

TECHNICAL DATA:
Drive:
• Drive: Direct-drive
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,07 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Auto-Stop / Auto Tonarmlift
• Bearing: 4 x Pivot ball-bearing /twin gimbal mounting
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Blue

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 1450 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 7 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-618Q_manual_V6_DE_EN.pdf

STYLOPHONE GEN-X1
EXPAND YOUR MUSICAL HORIZONS
Packed with features, the Stylophone Gen X-1 portable analogue synthesizer is the next generation. From quirky beats to haunting melodies, you can twist and warp every note in the palm of your hand.

Beginner or music pro, if you like the synth sound you’ll love the Stylophone Gen X-1

PLAYABILITY
Two ways to make sounds with the stylus. The keyboard to make distinct notes and the sound strip to slide between notes on a scale.

PORTABILITY
Take this synth anywhere. Battery operated with built in speaker. Audio line out for headphones and/or external speaker. Audio in to use as an effects unit.

ENRICH THAT SOUND
New features include, LFO (with square and triangle waves), Low pass filter (cutoff/resonance), Envelope (attack/decay).

ANALOG DELAY FEATURE
Add space to your sound with delay time, feedback and level.

ADDED FEATURES
Sub octaves -1 & -2 switch, enrich your sound by adding a second frequency below your source sound. The Pulse Width Modulation button can be used to create a chorus effect.

CONNECTIVITY
Connect the Stylophone Gen X-1 to your computer and other gear to enhance your sound possibilities! Sound from effects pedals, samples from your phone, and other music gear can be twisted and warped with the Stylophone Gen X-1.

Video: https://youtu.be/JicPeSVO8Io

STYLOPHONE S1
THE ORIGINAL POCKET SYNTHESIZER
The unique sound of the Stylophone has been used by everyone from Bowie to the White Stripes.

The latest Stylophone features the same iconic, analog sound as the original, first released in 1968.

The Stylophone is easy to play, keyboard operated and you can take it anywhere!

EASY TO PLAY
Play by tapping and sliding the connected stylus along the touch-sensitive metal surface. Each segment on the surface plays a different note. It’s easy to play, perfect for beginners and experienced musicians!

PORTABLE & BATTERY-POWERED
At less than 12cm wide, the Stylophone will fit right in your coat pocket. It runs on 3 x AA batteries, and features a built-in speaker and headphone socket – so you can play it everywhere you go.

CONNECT TO YOUR OTHER GEAR
Connect the Stylophone to your computer and other gear to enhance your sound possibilities! Use a 3.5mm Stereo cable to connect into the line input on your PC, and use your preferred software to record and manipulate your Stylophone sounds.

Video: https://youtu.be/qJ1D35aYiv0

BOWIE STYLOPHONE - LIMITED EDITION
GET THE 'SPACE ODDITY' SOUND

Ground control to Major Tom: introducing the limited-edition Bowie Stylophone, a stylish reimagining of the original pocket synthesizer. Featuring a sleek white casing and classic Bowie design, this quirky instrument celebrates the buzzy space-age sound at the core of David Bowie’s 1969 classic ‘Space Oddity’ in true retro style – the ultimate collectible for any Bowie fan.

RETRO BOWIE STYLE
This Stylophone has had a makeover. Now with a dazzling white frame, speaker surround and back panel, and the spaceship-silver grill has the electrifying Bowie logo embossed on it – fit for Ziggy himself.

THE ORIGINAL POCKET SYNTHESIZER
Beneath the Starman exterior, you’ll enjoy the much-loved analog experience that’s entertained millions since the ‘60s. Fun stylus operation, authentic analog sound, 3 different modes with a wobbly vibrato button – great for all kinds of classic synth and bass sounds. Once you pick it up, you won’t want to put it back down…

PORTABLE & EASY TO USE
At less than 12cm wide, it’ll fit right in your coat pocket, rucksack, or handbag. Better still, it runs on 3 x AA batteries, and features a built-in speaker and headphone socket, so you can play it everywhere you go. Tune it up with the control on the back, choose your sound, and play along to your favourite songs – perfect for synth enthusiasts and beginners alike!

Video: https://youtu.be/b7AciDoQtgM

ETERNAL Crossfader is an inductive fade technology based on a magnetic control patented by Ecler. An extremely light aluminium screen (0,5 gr.) cuts the flux lines of a magnetic field created between two sets of coils. This electromagnetic modulation controls an assigned Voltage Controlled Amplifier that modifies the gain/attenuation of the signal. The contactless technology is combined with a custom high quality glides mechanism to offer a very smooth touch and succeed the most accurate Crossfader system.

The ETERNAL concept does have obvious advantages upon other existing Systems using optical technology. Unlike optoelectronic elements, the inductive concept is resistant to smoke, moisture, temperature and aging. Other electromagnetic systems found on the market are particularly sensible to the lateral room of the mechanism, and have heavier mobile elements (magnets or iron plates) that add an excessive weight to the crossfader. Such systems usually have a strange feel that can bother highly precise manipulations such as Scratching and Beat Juggling.

Field technology tested over 20.000.000 Operations, Eternal Crossfader is the revolutionary fader admired for turntablism djs and hip hop community. Suitable with NUO2.0, and the NUO3.0, NUO4.0 and HAK Series legacy products.

All product characteristics are subject to variation due to production tolerances. NEEC AUDIO BARCELONA S.L. reserves the right to make changes or improvements in the design or manufacturing that may affect these product specifications.

The NUO 2.0 is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the mixed music style.
Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 will please all your needs thanks to its versatility and plenty of features!

Its superb sound quality and robust format, plus balanced XLR Master output and Booth output for monitoring make it also a perfect mixer for small installations.

Key features:
• 2 mixing channels
• 1 MICRO/LINE channel
• 2 PHONO inputs
• 3 LINE inputs
• Master output XLR and RCA
• Booth output RCA
• 3 band full cut EQ
• Extra large ergonomic EQ knobs
• 3 band EQ kill switches
• FX Send control per channel
• FX Pre/Post fader selector
• 45mm long life VCA faders
• 45mm long life VCA crossfader
• Fader and crossfader shape adjustment
• Crossfader Reverse and Cut-In
• Crossfader suitable for ETERNAL

Technical data:
• Inputs Sensitivity nom/Impedance:
LINE: 0dBV/50kΩ
PHONO: -40dBV/50kΩ
MICRO: -50dBV/>1kΩ
FX RETURN: 0dBV/>6kΩ

• Outputs Level/Minimum Load:
MASTER (BAL): 0dBV/600Ω 1V *(+6dB 2V)
MASTER (UNBAL): 0dBV/2.2kΩ 1V *(+6dB 2V)
BOOTH (UNBAL): 0dBV/2.2kΩ 1V *(+6dB 2V)
REC: 0dBV/10kΩ
HEADPHONES: 200mΩ/200Ω THD 1%
FX SEND: 0dBV/2.2kΩ

• Frequency Response:
LINE: 10Hz÷30kHz -1dB
MICRO: 10Hz÷25kHz -1dB
PHONO: RIAA ±0.5dB
FX RETURN: 10Hz÷50kHz -1dB

• THD+N:
LINE: <0.07%
MICRO: <0.1%
PHONO: <0.15%
FX RETURN: <0.05%

• CMRR:
MICRO: >70dB @ 1kHz

• Signal Noise Ratio:
LINE: >95dB
MICRO: >85dB
PHONO: >90dB
FX RETURN: >100dB

• Gain control:
INPUTS 1-2: ± 15dB
INPUT 3: ± 20dB

• Tone control Inputs 1-2:
BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB

• Tone control Input 3:
BASS: ± 15dB
TREBLE: ± 15dB

• Kill Filter, cut frequency at –6dB (slope 12dB/oct):
BASS: 200Hz
MID: 200Hz÷6.8kHz
TREBLE: 6.8kHz

• Phantom voltage: +18VDC/5mA max.
• Mains: 90-264VAC 47-63Hz
• Power consumption: 30VA
• Dimensions: 370x165x80mm
• Weight: 3kg

Two-Channel Analogue Rotary Mixer

WARM2 is a professional two-channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring two phono/line channels and a micro/line channel, classic sharp filters, a 4th order Isolator and a narrow portable format, it will deliver a warm and crystal clear analogue sound. All circuits are strictly designed, mounted and tested at Ecler facilities in Barcelona, in order to offer the best professional grade in quality and reliability. With over 50 years of experience in analogue audio design and for the first time after 13 years, Ecler proudly presents our WARM2 rotary mixer.

Key features:
• 2+1 Mixing channels
• 1 MICRO input
• 2 PHONO inputs
• 3 LINE inputs
• Master Output (HOUSE) on XLR and RCA connectors
• Booth Output on RCA connectors
• 6.3mm J ack and 3.5mm mini-jack Headphone Monitor Outputs
• 3 band full cut EQ for main channels and 2 band full cut EQ for MICRO/LINE channel
• 3 bands isolator (300Hz and 4KHz, -∞ /+12dB, 4th order 24dB/oct )
• Maximum Output without distortion: 21dBV (23dBu)
• Mechanized from a solid block of aluminum knob, without visible screw. Ecler Unique design
• Alps Blue Velvet Potentiometers
• FX Send control and Pre/Post fader selector
• Screen-printed faceplate by selective anodizing
• Wooden side panels included

Technical data:
• Control Mode: Rotary with Alps Blue Velvet Potentiometers
• Phantom Voltage: 18VDC/5mA Max (Default ON)
• MIX and PFL VU-Meter: LED 12 segments (-30dBV ÷ +20dBV)
• Operation Temperature: -5˚C - 45˚C / 23˚F - 113˚F
• Humidity: 20 - 90% RH (no condensation)
• Mains voltage: 90-264VAC 47-63Hz
• Rated power consumption: 30VA
• Dimensions (without wooden sides): 400 x 185 x 100mm / 15.7” x 7.2” x 3.9”
• Weight: 3.6Kg / 7.94 lbs

The WARM4 is a professional analogue rotary DJ mixer with four channels, developed and produced by ECLER in Barcelona.
It has 4 phono/line channels, 2 microphone inputs, classic sharp filters and a 4th order isolator. The WARM4 also includes a unique feature: an analogue subharmonics synthesizer that can be selected per channel and is specifically designed to generate and amplify ultra-low frequencies.
The WARM4 is ECLER's latest analogue rotary mixer, inspired by New York's disco "Paradise Garage", also referred to by François Kevorkian as the "Temple of Music", whose influence has been instrumental in shaping some of today's best clubs. Designed and manufactured in the Barcelona factory, the WARM4 is a mixer that keeps the classic structure of ECLER mixers in mind, but incorporates completely redesigned circuitry and mechanics. This ranges from new circuit boards that further improve the noise floor and dynamic range, to the rotary pots that are carefully hand-assembled by our production team.
Staying true to the innovative spirit since the first A4 mixer in 1971, ECLER presents a DJ tool never before included in a mixer: an analogue subharmonics synthesiser. Inspired by the original device from the "Paradise Garage" DJ booth, we have developed our own circuit that allows the subharmonic generator to be tuned to different frequencies so that the DJ can adapt it individually to the track and the respective sound system.
The WARM4 also features the 4th order isolator already included in the WARM2, as well as 4 mixing channels, 3-band equaliser with full cut per channel and high quality potentiometers from Alps with metal axis. Using an external effects module has also never been easier. The WARM4 can output a PRE/POST fader signal and lets you control and pre-listen to the return signal.
The WARM4 is designed specifically for sound systems that can reproduce subsonic frequencies - for clubs, festivals and events where bass response is crucial.
Unleash a whole new dancefloor experience and take the music experience to the next level!

Technical details:
AUDIO PERFORMANCE
INPUTS:
-
Number of inputs:
LINE: 4 stereo unbalanced inputs
PHONO: 4 stereo unbalanced inputs
MIC: 2 mono balanced inputs
FX RETURN: 1 stereo unbalanced input
Connection types:
LINE 1-2-3-4: RCS STEREO
PHONO 1-2-3-4: RCS STEREO
MIC 3: XLR3-F
MIC 4: Combo XLR3-F/6.3mm jack balanced
FX RETURN: RCS STEREO
Input sensitivity nominal / impedance:
LINE: 0 dBV / 50kΩ
PHONO: -40 dBV / 50kΩ
MIC: -50 dBV / >1kΩ
FX RETURN: 0 dBV / >6kΩ
POWER:
-
Frequency response:
LINE: 10Hz÷30kHz -1dB
MIC: 10Hz÷25kHz -1dB
PHONO: RIAA ±0.5dB
FX RETURN: 10Hz÷50kHz -1dB
THD+N:
LINE: <0.004%
MIC: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%
CMMR (Common-Mode Rejection Ratio):
MIC: >75dB at 1kHz
Signal-to-noise ratio:
LINE: >105dB
MIC: >90dB
PHONO: >100dB
FX RETURN: >110dB
Trim control / tone control for inputs 1-2-3-4:
INPUTS 1-2-3-4: ±15dB
BASS: +10/-30dB
MIDDLE: +10/-25dB
TREBLE: +10/-30dB
Trim control / tone control for the isolator:
BASS: +12/-70dB
MIDDLE: +12/-40dB
HIGH: +12/-70dB
Sound filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MIDDLE: 200Hz÷6.8kHz
HIGH: 6.8kHz
Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz÷4kHz
MIDDLE:
HIGH: 4kHz
Analogue subharmonics synthesiser:
Input selective filter: 50÷120Hz
Harmonics synthesis: 25÷60Hz
Maximum output level: +12dBV
OUTPUTS:
-
Number of outputs:
HOUSE: 1 stereo balanced outputs / 1 stereo unbalanced outputs.
BOOTH: 1 stereo balanced outputs / 1 stereo unbalanced outputs
HEADPHONES: 2 stereo unbalanced outputs
FX SEND: 1 stereo unbalanced output
REC: 1 stereo unbalanced output
Connection types:
HOUSE: XLR3-M STEREO / RCS STEREO
BOOTH: XLR3-M STEREO / RCS STEREO
HEADPHONES: jack stereo 6.3mm / jack stereo 3.5mm
FX SEND: RCS STEREO
REC: RCS STEREO
Output level / Minimum load:
HOUSE (balanced): 0dBV/600Ω 1V *(+12dB 4V).
HOUSE (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (balanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
REC: 0dBV/10kΩ
HEADPHONES: 200mΩ/200Ω THD 1%
FX SEND: 0dBV/2.2kΩ
Maximum undistorted output level:
HOUSE (electrically balanced): 21dBV (23dBu)
BOOTH (electrically balanced): 21dBV (23dBu)
HOUSE (unbalanced): 21dBV (23dBu)
BOOTH (unbalanced): 21dBV (23dBu)
ELECTRICAL
Power supply: Internal
AC mains voltage: 90-264VAC 47-63Hz
AC mains plug: 15A IEC inlet plug
Rated power consumption: 39 VA
OTHER
Control mode: Rotary with Alps Blue Velvet potentiometers and Alps RK09L potentiometers
Phantom power: 18VDC/5mA max (ON by default)
Input VU meter: LED 12 segments (-38dBV ÷ +10dBV)
House Mix Booth VU meter: LED 12 segments (-30dBV ÷ +20dBV)
Subharmonics output VU meter: LED 3 segments (-20dBV / 0dBV / +4dBV)
PHYSICAL
Operating temperature: -5˚C ÷ 45˚C
Operating humidity: 20 - 90% RH (no condensation).
Storage temperature: -10°C ÷ 50˚C
Storage humidity: <90% RH (no condensation)
Installation options: Desktop or rack mounting with optional accessories.
Accessories included: IEC cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm
Weight: 5.32 kg
Shipping dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm
Shipping weight: 6.74 kg

Smooth vinyl precision.

ELAC’s Miracord 50 Turntable is designed to deliver exceptional vinyl transcription, inspired by the iconic Miracord name from the Golden Age of Stereo, when turntables reigned supreme. The Miracord 50 is carefully engineered with a belt-drive motor and die-cast aluminum platter. A precision static balanced, straight-tube tonearm with removable headshell features a factory-mounted MM phono cartridge. Designed with convenience in mind, the Miracord 50 is equipped with a built-in defeatable phono preamplifier, allowing you to add this turntable to virtually any music system.

SPECIFICATIONS

Turntable Section
• Drive System: Belt drive
• Motor: DC motor
• Selectable Speeds: 33⅓ and 45 rpm
• Motor Servo: Speed rotation and servo system
• Rotation Speed Variation: +/-1%
• Wow and Flutter: 1%
• Signal-to-Noise Ratio: -67 dB or higher (A-weighted) -60 dB or higher (unweighted)
• Platter: Aluminum die-cast
• Platter Diameter: 0 in / 300 mm

Tonearm Section
• Type: Aluminum tube, static-balanced
• Effective Arm Length: 8 in / 223.6 mm
• Stylus Pressure Range: 0 to 0 g
• Cartridge Weight Range: 5 to 6.0 g
• Effective Arm Mass: 4 g
• Overhang: 6 mm
• Offset Angle: 25 degrees
• Anti-Skating: Adjustment Supported
• Main Bearing: Stainless steel

Cartridge Section:
• Type: Audio-Technica AT91 moving magnet
• Stylus Construction: Bonded diamond
• Mount: Half-inch
• Frequency Response: 20 Hz to 20 kHz
• Channel Separation: >18 dB
• Channel Balance: 5 dB
• Vertical Tracking: Angle 20 degrees
• Stylus Pressure: 0 g +/-0.5 g
• Cartridge Weight: 0 g +/-0.5 g
• Headshell Weight: 0 g (including screws, nuts and wires)

Phono Equalizer Amplifier
• Type :Moving magnet (MM)
• Phono Output: 5 mV (1 kHz, 3.54 cm/sec)
• Line Output: 140 mV (-17 dBV)
• Phono/Line: Switchable
• Supported Load Impedance: 47 kΩ

Connector: RCA pin jack including RCA cable accessories
Voltage: 100 to 240 V AC / 50 to 60 Hz
Power Consumption: 1.5 W (less than 0.5 W at standby)
Dimensions: (WXHXD) 5.5 x 16.05 x 14.20
Weight: 12.10 lb

Tech Sheet: https://elac-content.s3.amazonaws.com/uploads/2018/08/Miracord-50-Turntable_8-8-18.pdf

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

The FLUX-Hifi VINYL-BRUSH is designed to free the record on the turntable from surface dust and static charging. A completely new design combines velvet pads with an integrated carbon brush. The special office ensures a flat cleaning of the plate surface, dust particles are completely removed. The carbon brush prevents static charging of the record. How crackling and crackling noises are minimized and prevents further dusting of the record. Only when the LP is free of dust can the pickup system control the record without noise and Scan distortions. For cleaning the needle, we recommend the FLUX-Sonic, the innovative electronic needle cleaner.

• special Office for Record Cleaning
• gentle dust removal
• integrated carbon brush
• prevents static charging
• ergonomic housing
• Combination of velvet and carbon fiber brushes
• Weight: 45 g
• Dimensions: 11,5 x 5 x 3,5 cm

The carbon fiber brush is primarily used to remove static from the record. Here it is very important that the fiber and the aluminum housing are electrically connected and the aluminum is not coated, otherwise the static dissipation cannot be realized.

The velvet takes the dust from the surface. Our velvet has a pile height of 1.2mm, the fiber is a multifilament yarn with a high basis weight of 500g/lfm.

With this cleaning liquid specially adapted to the FLUX-Sonic, you always get the best result!

Weight: 61 g
Size: 3,6 x 2 x 9,2 cm

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

The FLUX-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.

After more than a year of development, we at Flux HiFi are now presented with the FLUX-Turbo. A plate brush with integrated suction. Sounds simple, but it isn’t.

The enemy of record reproduction is dust. This consists of many components. Silicates, polymers, organic substances, everything is contained. With a plate washing machine that works with a fluid, I get most of it cleaned, even release agent residues are removed. But what then? As soon as the valuable disc is put on, the dust falls on the record like snow. This creates some problems. Particles and hair settle on the needle, making scanning virtually impossible. For this purpose, the dust particles on the plate constantly cause enormous crackling noises, which lead to considerable distortions.

With a commercially available plate brush, the dust is collected, but with the exception of a few coarse particles that the brush absorbs, it is rather pressed into the groove floor and distributed, the Flux Turbo quickly provides a remedy. The suction force is so strong that almost all particles are sucked in, already in 1-2 revolutions.

The interior of the turbo is very complex. In order to achieve a well-usable suction force in this small, lightweight housing, each item had to be specially developed. From the fan wheel geometry to the shape of the suction channel, it has been optimized where it went. At the slightly inclined suction channel end you can easily see the integrated guidelines, which ensure that the whole surface is evenly extracted. An elaborate filter construction, the cartridge of which can be easily replaced, absorbs the dirt. The capacity ranges far beyond 100 applications, as well as the durability of the batteries.

Everything was thought of here. Even the velvet skids, which ensure that the surface of the record is not damaged, are easy to replace.

The brush insert made of real carbon fibers is additionally grounded, so that the sound patter is removed from the static charge, which attracts even more dust. The large contact strip under the switch is responsible for this. This is electrically connected to the conductive brush fibers.

The effect on playback is surprisingly strong. The sound seems liberated. Even complex music with strong controls is played back much less distortionally. Scanning noises, previously characteristic of analogue playback, are reduced by up to 50 by the suction before hearing. This is not about achieving clinically pure reproduction, but to get everything that is contained on the record out optimally. And that’s a lot. More than one dared to hope !

Simplicity is crucial when using the Flux Turbo. Quickly sucked over the plate and the pleasure can start. Hearing better records than ever before !

The FLUX-Hifi Vinyl-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.
For this purpose, a special cyclone with replaceable filter was developed, which makes it possible to realize a strong suction performance despite the small housing size (dimension 125 x 122 x 64mm).
Surface dust, as well as the dirt that sits deep in the groove, is extracted without residue within a few revolutions.

Only when the LP is free of dust can the pickup system scan the record without interference and distortion.

With the Turbo, a new era in record maintenance has begun.

• cleans and maintains your valuable records
• works without liquid and without additives
• quick and easy to use on the turntable
• increases the life of the plate and needle
• increases sound quality
• Filter cartridge and sliding skids available in a cheap double pack
• MADE IN GERMANY
• 3-year warranty
• Weight 229 g
• Size: 11,5 x 14 x 6 cm

Jimmy Cage Jr. is part of the Frame Your Records product series Record Jack, which includes shelves made of MDF that can be perfectly integrated into the room. Capacity: approx. 40 7 inch singles. Material: MDF & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

The Gemini TT-4000 High Torque direct drive turntable features a redesigned chassis with reinforced cabinet construction. The TT-4000 uses a precision-machined die-cast aluminum platter for a stable stand in the club. The shock-absorbing rubber feet absorb shock or vibration during operation.

It is ideal for DJs, audiophiles and casual listeners alike. The 16-pole brushless 3-phase DC motor drives the TT-4000's direct drive. The turntable features precise pitch control of +/- 10%. A statically balanced S-shaped tonearm features a hydraulic lift and anti-skate mechanism.

For those who want to digitize their record collection, the Gemini TT-4000 offers a USB port for connection to PC/Mac. This way you can easily record and digitize your vinyl albums.

Thanks to a built-in phono preamp that allows for a line-level output, the TT-4000 does not require grounding.

Features:
• Direct drive turntable with very powerful torque
• Ideal for DJing, listening to music or digitizing
• USB port for connection to PC/Mac
• Very strong torque of 4.5 kg/cm
• Balanced tonearm in S-shape
• Damped rubber feet absorb shocks and vibrations
• Phono preamp with line output built in - no grounding required
• Pitch control of +/- 10%

Technical data:
• Direct driven DC motor with high torque (4.5 kg/cm)
• Signal-to-noise ratio: 40 dB
• Turntable weight: 523 g
• Pitch adjustment: +/- 10%
• Audio interface: USB 2.0 | sampling rate: 48k, 44.1k, 16 bit
• Power consumption: approx. 5.5 W
• Power supply: AC 115V - 60Hz | 230V - 50Hz
• Weight: 6.35 kg
• Dimensions (W x D x H): 490 x 315 x 262 mm

Scope of delivery:
• Gemini TT-4000 Turntable
• Power cable
• RCA cable
• Headshell with pickup/stylus
• Slipmat
• 45 adapters
• User manual & warranty information
• Audacity Software CD V2.1.3

Features:
• 3x vinyl cover frames for 12'' records
• Stylish interior design with your favourite records
• Easy to mount and exchange your vinyl art
• Wide frame border available in black, white and rosewood version
• Adjustable grip mount
• Robust plastic frame and glass cover

Technical Data:
• Outer dimensions: 370 x 370 x 15 mm
• Inner dimensions: 310 x 310 mm
• Weight: 875 g (1 frame)

Holds up to 90 slim cases or 62 jewel cases - perfectly fitting the Record Box look. The solid construction even allows wall mounting. These CD boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Features:
• Holds up to 90 slim cases or 62 jewel cases
• Combination system: Easy stacking with other CD Boxes
• With divider (45 CDs per compartment)
• Matches the look of Mix Station and Mix Extension
• Wall mounting possible
• Supplied without decoration (i.e. CDs)

Technical Data:
• Material: solid MDF wood
• Dimensions: 705 x 155 x 170 mm
• Weight: 4.4 kg

Holds up to 90 slim cases or 62 jewel cases - perfectly fitting the Record Box look. The solid construction even allows wall mounting. These CD boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Features:
• Holds up to 90 slim cases or 62 jewel cases
• Combination system: Easy stacking with other CD Boxes
• With divider (45 CDs per compartment)
• Matches the look of Mix Station and Mix Extension
• Wall mounting possible
• Supplied without decoration (i.e. CDs)

Technical Data:
• Material: solid MDF wood
• Dimensions: 705 x 155 x 170 mm
• Weight: 4.4 kg