DJ Equipment 1321 Items

Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

FULLY AUTOMATIC PLUG & PLAY-TURNTABLE

The uncomplicated one from Dual with aspirations. The CS 329 uses sophisticated technology for entry-level analogue music playback.

With Plug & Play, you get a complete, ready-to-use package; all components are pre-assembled and permanently set. Plug in and get started!

As a fully automatic machine, the CS 329 offers ideal convenience. The tonearm swivels, lowers and raises autonomously at the touch of a button. All you have to do is put on the record and press the start button.

DETAILS:
Plinth: MDF - Plastic
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover
Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
Tonearm: Straight, Plug and Play
• Plug & Play: all adjustments are factory fixed
• All functions can be fully automatic or manual
Drive: DC- Motor / Belt
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL SPECIFICATIONS:
Motor:
• Drive: Belt
• Speed settings: 33/45
• Wow & Flutter: < ±0,12 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Automatic
• Bearing: Ball-bearing
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: Fixed
• Cartridge Weight Range: N / A
• Factory installed pick up: Audio-Technica AT91

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle Brass bushing (inverted)
• Diameter: 297 mm
• Weight (incl. Mat): 667 g

Plinth:
• Material: Plastic / MDF
• Surface finish: Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA cable (fixed)
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 372 x 132 mm
• Dimension, open dustcover: T: 405 mm / H: 390 mm
• Weight: 5 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/09/BDA-CS-329_manual_V1_DE_EN.pdf

THE MANUALRECORD PLAYER ENTRY

Emphasis on high component precision is a feature of the entire range of Dual products. This is the case for the entry model CS 418, which uses the same platform as the higher models in the product range.

The Ortofon 2M Red pickup and a switchable MM-phonopreamplifier are an integral part of this ready to run package.

The CS 418 is not attractive just because it is excellent value for money, but it also offers a superb and compelling balanced sound experience and a 5 year warranty for long term ownership.

DETAILS:
Plinth: Solid MDF
• Folded MDF construction with a black vinyl veneer
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover

Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
• Solid platterbearing with a hardened steel spindle in a brass bushing

Tonearm: Straight, statically balanced
• Solid aluminium construction with ball-bearings
• Damped tonearmlift
• Adjustable trackingforce and antiskating

Drive: DC- Motor / Belt
• Low vibration DC-Servo-Motor
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL DATA:
Drive:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,1 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: ✕
• Bearing: Ball-bearing
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 5,8 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-418_manual_V4_DE_EN.pdf

FULLY AUTOMATIC HIFI-TURNTABLE

The fully automatic function of the CS 429 provides maximum ease of use. The tonearm automatically lifts, shifts across and drops with the push of a button. Simply place the vinyl record on the platter and push the start button.

The CS 429 has a fully adjustable tonearm. This provides the option to change the pickup in the future and to alter the trackingforce and anti-scating accordingly.

The internal rubber damping construction decouples the tonearm and platter from external vibrations. This very quiet platform pro-vides an excellent sound performance combined with precise, optical speed control.

DETAILS:
Plinth: Solid MDF
• MDF construction with internal vibration absorber
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover

Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
• Solid platterbearing with a hardened steel spindle in a brass bushing

Tonearm: Straight, statically balanced
• All functions can be fully automatic or manual
• Solid aluminum construction with ball-bearings
• Adjustable trackingforce and antiskating

Drive: DC- Motor / Belt
• Precise optical speed control
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL DATA:
Drive:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,08 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Automatic
• Bearing: Ball-bearing
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 6,2 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-429_manual_V4_DE_EN.pdf

MANUAL HIFI-TURNTABLE WITH FULL CARDAN TONEARM

For the true Vinyl Enthusiast, the CS 518 is equipped with a twin gimbal tonearm design using pivot ball-bearings for optimal precision.
This superior tonearm has the ability to guide even high end pickups with the greatest degree of precision and reliability.
The Ortofon 2M Red pickup and a switchable MM-phonopreamplifier are an integral part of this ready to run package.

DETAILS:
Plinth: Solid MDF
• Folded MDF construction with a black vinyl veneer
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover

Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
• Solid platterbearing with a hardened steel spindle in a brass bushing

Tonearm: Twin Gimbal Design
• Straight, statically balanced
• Solid aluminium construction with precision pivot ball-bearing
• Adjustable trackingforce and antiskating

Drive: DC- Motor / Belt
• Low vibration DC-Servo-Motor
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL DATA:
Drive:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,1 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: ✕
• Bearing: 4 x Pivot ball-bearing / twin gimbal mounting
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 5,9 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-518_manual_V4_DE_EN.pdf

MANUAL HIFI-TURNTABLE

For decades, direct-drive turntables from Dual have been renowned for their quality and reliability. The rumble free direct-drive in the CS 618Q keeps the RPM totally stable, while operating without noise or vibration.

The advanced twin gimbal precision tonearm is partnerd with an Ortofon 2M Blue pickup.

The turntable comes with an auto-stop feature that includes an automatic tonearm lift to reduce wear and tear on the needle as it moves to the end of the record.

DETAILS:
Plinth: Solid MDF
• Surface Options: Vinyl veneer, Gloss paint, Walnut veneer
• Elastomer vibration absorber integrated inside the feet
• Removable dustcover

Platter: Aluminium Die-cast
• Heavy aluminium die-cast platter
• Heavy rubber mat for resonance damping
• Hardened steel spindle integrated into the direct-drive

Tonearm: Twin Gimbal Design
• Autostop function with an automatic tonearmlift
• Solid aluminium construction with precision pivot ball-bearing
• Adjustabel trackingforce and antiskating

Drive: Direct-drive
• Quartz stabilised, high end direct-drive
• No vibrations through coreless inductors
• Double shielded Rotormagnets to eliminate any stray magnetic fields

TECHNICAL DATA:
Drive:
• Drive: Direct-drive
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,07 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Auto-Stop / Auto Tonarmlift
• Bearing: 4 x Pivot ball-bearing /twin gimbal mounting
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g to 4 g
• Cartridge Weight Range: 5 g to 9 g
• Factory installed pick up: Ortofon 2M Blue

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle, Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 1450 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: 415 mm / H: 400 mm
• Weight: 7 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/07/BDA-CS-618Q_manual_V6_DE_EN.pdf

STYLOPHONE GEN-X1
EXPAND YOUR MUSICAL HORIZONS
Packed with features, the Stylophone Gen X-1 portable analogue synthesizer is the next generation. From quirky beats to haunting melodies, you can twist and warp every note in the palm of your hand.

Beginner or music pro, if you like the synth sound you’ll love the Stylophone Gen X-1

PLAYABILITY
Two ways to make sounds with the stylus. The keyboard to make distinct notes and the sound strip to slide between notes on a scale.

PORTABILITY
Take this synth anywhere. Battery operated with built in speaker. Audio line out for headphones and/or external speaker. Audio in to use as an effects unit.

ENRICH THAT SOUND
New features include, LFO (with square and triangle waves), Low pass filter (cutoff/resonance), Envelope (attack/decay).

ANALOG DELAY FEATURE
Add space to your sound with delay time, feedback and level.

ADDED FEATURES
Sub octaves -1 & -2 switch, enrich your sound by adding a second frequency below your source sound. The Pulse Width Modulation button can be used to create a chorus effect.

CONNECTIVITY
Connect the Stylophone Gen X-1 to your computer and other gear to enhance your sound possibilities! Sound from effects pedals, samples from your phone, and other music gear can be twisted and warped with the Stylophone Gen X-1.

Video: https://youtu.be/JicPeSVO8Io

PICK UP AND PLAY ON THE GO

Stylophone Gen X-1 Carry Case

EMBOSSED LOGO: Embossed logo on front
PERFECT FIT: Your Stylophone fits neatly and securely into the case.
PROTECTION: The Carry Case is made of EVA to protect your Stylophone
ZIP TAGS: with Stylophone logo
MESH: The Stylophone Carry Case has an internal black mesh which can store accessories

This case is made from hard wearing silver EVA with the Stylophone Gen X-1 logo embossed on the front. It also has 2 Stylophone logo zip pulls, and inside it has a mesh pocket for any accessories.

The Stylophone Gen X-1 fits perfectly into this carry case.

Please note: CASE ONLY. Does not include the Stylophone Gen X-1 synthesizer

STYLOPHONE S1
THE ORIGINAL POCKET SYNTHESIZER
The unique sound of the Stylophone has been used by everyone from Bowie to the White Stripes.

The latest Stylophone features the same iconic, analog sound as the original, first released in 1968.

The Stylophone is easy to play, keyboard operated and you can take it anywhere!

EASY TO PLAY
Play by tapping and sliding the connected stylus along the touch-sensitive metal surface. Each segment on the surface plays a different note. It’s easy to play, perfect for beginners and experienced musicians!

PORTABLE & BATTERY-POWERED
At less than 12cm wide, the Stylophone will fit right in your coat pocket. It runs on 3 x AA batteries, and features a built-in speaker and headphone socket – so you can play it everywhere you go.

CONNECT TO YOUR OTHER GEAR
Connect the Stylophone to your computer and other gear to enhance your sound possibilities! Use a 3.5mm Stereo cable to connect into the line input on your PC, and use your preferred software to record and manipulate your Stylophone sounds.

Video: https://youtu.be/qJ1D35aYiv0

BOWIE STYLOPHONE - LIMITED EDITION
GET THE 'SPACE ODDITY' SOUND

Ground control to Major Tom: introducing the limited-edition Bowie Stylophone, a stylish reimagining of the original pocket synthesizer. Featuring a sleek white casing and classic Bowie design, this quirky instrument celebrates the buzzy space-age sound at the core of David Bowie’s 1969 classic ‘Space Oddity’ in true retro style – the ultimate collectible for any Bowie fan.

RETRO BOWIE STYLE
This Stylophone has had a makeover. Now with a dazzling white frame, speaker surround and back panel, and the spaceship-silver grill has the electrifying Bowie logo embossed on it – fit for Ziggy himself.

THE ORIGINAL POCKET SYNTHESIZER
Beneath the Starman exterior, you’ll enjoy the much-loved analog experience that’s entertained millions since the ‘60s. Fun stylus operation, authentic analog sound, 3 different modes with a wobbly vibrato button – great for all kinds of classic synth and bass sounds. Once you pick it up, you won’t want to put it back down…

PORTABLE & EASY TO USE
At less than 12cm wide, it’ll fit right in your coat pocket, rucksack, or handbag. Better still, it runs on 3 x AA batteries, and features a built-in speaker and headphone socket, so you can play it everywhere you go. Tune it up with the control on the back, choose your sound, and play along to your favourite songs – perfect for synth enthusiasts and beginners alike!

Video: https://youtu.be/b7AciDoQtgM

OFFICIAL BOWIE STYLOPHONE CARRY CASE

Bowie Stylophone Logo on the front

SPECIAL SECURE FIT DESIGN

Special secure-fit design – Made from stress-resistant EVA Internal mesh pocket for accessories

BOWIE ZIPPER TAG

Embossed Bowie logo and Stylophone logo zip tags

The Stylophone S-1 Bowie fits perfectly into this carry case.

Please note: CASE ONLY. Does not include the Stylophone S-1 Bowie synthesizer

PICK UP AND PLAY ON THE GO

Stylophone S1 Carry Case

EMBOSSED LOGO: Embossed logo on front
PERFECT FIT: Your Stylophone fits neatly and securely into the case.
PROTECTION: The Carry Case is made of EVA to protect your Stylophone
ZIP TAGS: with Stylophone logo
MESH: The Stylophone Carry Case has an internal black mesh which can store accessories

The Stylophone S1 fits perfectly into this carry case.

Please note: CASE ONLY. Does not include the Stylophone S1 synthesizer

The WARM4 is a professional analogue rotary DJ mixer with four channels, developed and produced by ECLER in Barcelona.
It has 4 phono/line channels, 2 microphone inputs, classic sharp filters and a 4th order isolator. The WARM4 also includes a unique feature: an analogue subharmonics synthesizer that can be selected per channel and is specifically designed to generate and amplify ultra-low frequencies.
The WARM4 is ECLER's latest analogue rotary mixer, inspired by New York's disco "Paradise Garage", also referred to by François Kevorkian as the "Temple of Music", whose influence has been instrumental in shaping some of today's best clubs. Designed and manufactured in the Barcelona factory, the WARM4 is a mixer that keeps the classic structure of ECLER mixers in mind, but incorporates completely redesigned circuitry and mechanics. This ranges from new circuit boards that further improve the noise floor and dynamic range, to the rotary pots that are carefully hand-assembled by our production team.
Staying true to the innovative spirit since the first A4 mixer in 1971, ECLER presents a DJ tool never before included in a mixer: an analogue subharmonics synthesiser. Inspired by the original device from the "Paradise Garage" DJ booth, we have developed our own circuit that allows the subharmonic generator to be tuned to different frequencies so that the DJ can adapt it individually to the track and the respective sound system.
The WARM4 also features the 4th order isolator already included in the WARM2, as well as 4 mixing channels, 3-band equaliser with full cut per channel and high quality potentiometers from Alps with metal axis. Using an external effects module has also never been easier. The WARM4 can output a PRE/POST fader signal and lets you control and pre-listen to the return signal.
The WARM4 is designed specifically for sound systems that can reproduce subsonic frequencies - for clubs, festivals and events where bass response is crucial.
Unleash a whole new dancefloor experience and take the music experience to the next level!

Technical details:
AUDIO PERFORMANCE
INPUTS:
-
Number of inputs:
LINE: 4 stereo unbalanced inputs
PHONO: 4 stereo unbalanced inputs
MIC: 2 mono balanced inputs
FX RETURN: 1 stereo unbalanced input
Connection types:
LINE 1-2-3-4: RCS STEREO
PHONO 1-2-3-4: RCS STEREO
MIC 3: XLR3-F
MIC 4: Combo XLR3-F/6.3mm jack balanced
FX RETURN: RCS STEREO
Input sensitivity nominal / impedance:
LINE: 0 dBV / 50kΩ
PHONO: -40 dBV / 50kΩ
MIC: -50 dBV / >1kΩ
FX RETURN: 0 dBV / >6kΩ
POWER:
-
Frequency response:
LINE: 10Hz÷30kHz -1dB
MIC: 10Hz÷25kHz -1dB
PHONO: RIAA ±0.5dB
FX RETURN: 10Hz÷50kHz -1dB
THD+N:
LINE: <0.004%
MIC: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%
CMMR (Common-Mode Rejection Ratio):
MIC: >75dB at 1kHz
Signal-to-noise ratio:
LINE: >105dB
MIC: >90dB
PHONO: >100dB
FX RETURN: >110dB
Trim control / tone control for inputs 1-2-3-4:
INPUTS 1-2-3-4: ±15dB
BASS: +10/-30dB
MIDDLE: +10/-25dB
TREBLE: +10/-30dB
Trim control / tone control for the isolator:
BASS: +12/-70dB
MIDDLE: +12/-40dB
HIGH: +12/-70dB
Sound filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MIDDLE: 200Hz÷6.8kHz
HIGH: 6.8kHz
Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz÷4kHz
MIDDLE:
HIGH: 4kHz
Analogue subharmonics synthesiser:
Input selective filter: 50÷120Hz
Harmonics synthesis: 25÷60Hz
Maximum output level: +12dBV
OUTPUTS:
-
Number of outputs:
HOUSE: 1 stereo balanced outputs / 1 stereo unbalanced outputs.
BOOTH: 1 stereo balanced outputs / 1 stereo unbalanced outputs
HEADPHONES: 2 stereo unbalanced outputs
FX SEND: 1 stereo unbalanced output
REC: 1 stereo unbalanced output
Connection types:
HOUSE: XLR3-M STEREO / RCS STEREO
BOOTH: XLR3-M STEREO / RCS STEREO
HEADPHONES: jack stereo 6.3mm / jack stereo 3.5mm
FX SEND: RCS STEREO
REC: RCS STEREO
Output level / Minimum load:
HOUSE (balanced): 0dBV/600Ω 1V *(+12dB 4V).
HOUSE (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (balanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
REC: 0dBV/10kΩ
HEADPHONES: 200mΩ/200Ω THD 1%
FX SEND: 0dBV/2.2kΩ
Maximum undistorted output level:
HOUSE (electrically balanced): 21dBV (23dBu)
BOOTH (electrically balanced): 21dBV (23dBu)
HOUSE (unbalanced): 21dBV (23dBu)
BOOTH (unbalanced): 21dBV (23dBu)
ELECTRICAL
Power supply: Internal
AC mains voltage: 90-264VAC 47-63Hz
AC mains plug: 15A IEC inlet plug
Rated power consumption: 39 VA
OTHER
Control mode: Rotary with Alps Blue Velvet potentiometers and Alps RK09L potentiometers
Phantom power: 18VDC/5mA max (ON by default)
Input VU meter: LED 12 segments (-38dBV ÷ +10dBV)
House Mix Booth VU meter: LED 12 segments (-30dBV ÷ +20dBV)
Subharmonics output VU meter: LED 3 segments (-20dBV / 0dBV / +4dBV)
PHYSICAL
Operating temperature: -5˚C ÷ 45˚C
Operating humidity: 20 - 90% RH (no condensation).
Storage temperature: -10°C ÷ 50˚C
Storage humidity: <90% RH (no condensation)
Installation options: Desktop or rack mounting with optional accessories.
Accessories included: IEC cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm
Weight: 5.32 kg
Shipping dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm
Shipping weight: 6.74 kg

Smooth vinyl precision.

ELAC’s Miracord 50 Turntable is designed to deliver exceptional vinyl transcription, inspired by the iconic Miracord name from the Golden Age of Stereo, when turntables reigned supreme. The Miracord 50 is carefully engineered with a belt-drive motor and die-cast aluminum platter. A precision static balanced, straight-tube tonearm with removable headshell features a factory-mounted MM phono cartridge. Designed with convenience in mind, the Miracord 50 is equipped with a built-in defeatable phono preamplifier, allowing you to add this turntable to virtually any music system.

SPECIFICATIONS

Turntable Section
• Drive System: Belt drive
• Motor: DC motor
• Selectable Speeds: 33⅓ and 45 rpm
• Motor Servo: Speed rotation and servo system
• Rotation Speed Variation: +/-1%
• Wow and Flutter: 1%
• Signal-to-Noise Ratio: -67 dB or higher (A-weighted) -60 dB or higher (unweighted)
• Platter: Aluminum die-cast
• Platter Diameter: 0 in / 300 mm

Tonearm Section
• Type: Aluminum tube, static-balanced
• Effective Arm Length: 8 in / 223.6 mm
• Stylus Pressure Range: 0 to 0 g
• Cartridge Weight Range: 5 to 6.0 g
• Effective Arm Mass: 4 g
• Overhang: 6 mm
• Offset Angle: 25 degrees
• Anti-Skating: Adjustment Supported
• Main Bearing: Stainless steel

Cartridge Section:
• Type: Audio-Technica AT91 moving magnet
• Stylus Construction: Bonded diamond
• Mount: Half-inch
• Frequency Response: 20 Hz to 20 kHz
• Channel Separation: >18 dB
• Channel Balance: 5 dB
• Vertical Tracking: Angle 20 degrees
• Stylus Pressure: 0 g +/-0.5 g
• Cartridge Weight: 0 g +/-0.5 g
• Headshell Weight: 0 g (including screws, nuts and wires)

Phono Equalizer Amplifier
• Type :Moving magnet (MM)
• Phono Output: 5 mV (1 kHz, 3.54 cm/sec)
• Line Output: 140 mV (-17 dBV)
• Phono/Line: Switchable
• Supported Load Impedance: 47 kΩ

Connector: RCA pin jack including RCA cable accessories
Voltage: 100 to 240 V AC / 50 to 60 Hz
Power Consumption: 1.5 W (less than 0.5 W at standby)
Dimensions: (WXHXD) 5.5 x 16.05 x 14.20
Weight: 12.10 lb

Tech Sheet: https://elac-content.s3.amazonaws.com/uploads/2018/08/Miracord-50-Turntable_8-8-18.pdf

The Eric B. & Rakim Slipmat is made from lightweight felt and equipped with a fresh graphic that makes you feel like the most amazing turntable artist of the world. Style meets function to the highest degree.

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

With this cleaning liquid specially adapted to the FLUX-Sonic, you always get the best result!

Weight: 61 g
Size: 3,6 x 2 x 9,2 cm

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Replacement filter for the FLUX-Turbo.
The replacement filter must be changed approx. every 2 to 3 months or after 20 aspirations to ensure a good suction result. Two filters are supplied in a double pack.
The inner filter material is selected to retain the coarse particles. At the same time, the suction power is not reduced too much by the pressure loss.
The FLUX-Filter is compatible with FLUX-Turbo and the FLUX-Turbo 2.0.

Weight: 3 g
Size: 3 x 3 x 3.5 cm

Replacement skids for the FLUX-Turbo.
After approximately one year of use, we recommend replacing the skids. In the set all 3 skids are included: 2 short ones for the sides an one long one for the suction channel.

Measures short:
Weight: 0.1 g
Size: 2 x 0.6 x 0.5 cm

Measures long:
Weight: 0.3 g
Size: 10.5 x 0.6 x 0.4 cm

Jimmy Cage Jr. is part of the Frame Your Records product series Record Jack, which includes shelves made of MDF that can be perfectly integrated into the room. Capacity: approx. 40 7 inch singles. Material: MDF & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Holds up to 90 slim cases or 62 jewel cases - perfectly fitting the Record Box look. The solid construction even allows wall mounting. These CD boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Features:
• Holds up to 90 slim cases or 62 jewel cases
• Combination system: Easy stacking with other CD Boxes
• With divider (45 CDs per compartment)
• Matches the look of Mix Station and Mix Extension
• Wall mounting possible
• Supplied without decoration (i.e. CDs)

Technical Data:
• Material: solid MDF wood
• Dimensions: 705 x 155 x 170 mm
• Weight: 4.4 kg

Holds up to 90 slim cases or 62 jewel cases - perfectly fitting the Record Box look. The solid construction even allows wall mounting. These CD boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Features:
• Holds up to 90 slim cases or 62 jewel cases
• Combination system: Easy stacking with other CD Boxes
• With divider (45 CDs per compartment)
• Matches the look of Mix Station and Mix Extension
• Wall mounting possible
• Supplied without decoration (i.e. CDs)

Technical Data:
• Material: solid MDF wood
• Dimensions: 705 x 155 x 170 mm
• Weight: 4.4 kg

The Glorious Turntable Lowboard is a high-quality piece of furniture in a retro 1960’s design and is ideal for placement in your living room. With a dedicated surface for a turntable and plenty of space for your vinyl collection, the Turntable Lowboard is ideal as a listening station. The open record crate invites you to dig through your collection and allows direct access to up to 130 12''-records.

• High-quality turntable lowboard in 60s retro design for your living room
• Listening station: provides storage space for a turntabel and plenty of space for records
• Open record crate for diggin through you collection and access to up tp 130x 12"-records
• Front compartment with push mechanism for amplifiers, CDs or boocks
• Cavity on the rear panel hides unsightly wires
• Timeless design made of wood with white high-gloss finish
• Stable and elegant stand made of solid ash wood (white ash)
• Shock-absorbing rubber feet for damping vibrations

Material corpus: MDF wood with white high-gloss veneer
Material stand: Ash wood (white ash)
External dimensions corpus: 862 x 240 x 420 mm (L x H x W)
Overall height: 444 mm
Weight: 17 kg

Stylus for Goldring G1006 Cartridge

Just needle, not the complete cartridge included!

Goldring E1

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E1 cartridge, the first in the range, utilises a carbon-fibre reinforced cantilever and bonded, spherical (0.6 mil) stylus with a round shank. Carbon is an effective alternative to more premium aluminium or boron materials, producing comparable results in most entry level hi-fi applications.

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Red
• Cantilever: Carbon
• Stylus profile: Spherical
• Stylus radius: 0.6 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E1 MM Cartridge

Goldring E2

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E2 cartridge, the middle in the range, features the same spherical stylus profile as the E1 but with the additional benefit of an upgraded aluminium cantilever. This is both stiff and light weight allowing the stylus to more accurately trace medium to high frequencies offering more detail and reducing distortion and mis-tracking during loud passages.

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Green
• Cantilever: Aluminium
• Stylus profile: Spherical
• Stylus radius: 0.6 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E2 MM Cartridge

Goldring E3

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E3 cartridge, representing the top of the range features the same aluminium cantilever as the E2, but benefits from a superior, bonded, super-elliptical (0.3 x 0.7 mil) stylus. This gives it better high frequency detail retrieval over ordinary elliptical (0.4 x 0.7 mil) or spherical (0.6 mil) types due to its smaller front-to-back radius. The main effect is the reduction of sibilance, especially in high level vocal recordings

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Violet
• Cantilever: Aluminium
• Stylus profile: Elliptical
• Stylus radius: 0.3 x 0.7 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E4 MM Cartridge

Just needle, not the complete cartridge included!

The Goldring 1006 is designed for owners who want to get the very best from their systems at a budget price. This cartridge has an elliptical tip for improved high frequency clarity and a powerful magnet to ensure high sensitivity.

This hand-built cartridge features an elliptical stylus; its shape enables it to more accurately trace the highest frequency record grooves giving it the advantage over ordinary spherical types. The lightweight shank also gives the stylus a lower tip mass than cheaper metal bonded types lending the cartridge an improved transient response.

Low Mass Pocan® Body
The 1000 series uses a strong one piece body which holds the fixed parts securely in place. Made from a special type of ultra-rigid, glass reinforced polyester called Pocan, the body can be tightly bolted to the head shell for maximum efficiency and optimum sound quality. The user replaceable stylus carrier slots tightly into the body with a locating pin preventing unwanted vibrations which would otherwise colour the sound. An integral mu-metal can keeps the generator parts shielded from hum-inducing stray magnetic fields. Because Pocan has a high strength-to-mass ratio, the overall mass of the G1000 series cartridges is kept below 6.5 g. Low mass and moderate compliance keep the natural arm/cartridge resonance within safe limits for easy matching to a wide range of tonearms.

High Efficiency Magnetic Circuit
Finely etched mu-metal is laminated to form the pole pieces around which are fitted two formerless coils of four thousand turns each. This unique design reduces mass and also makes for a very efficient magnetic circuit producing a higher than average output. This construction also reduces the loss at high frequencies inherent in conventional designs, making for a smooth and extended frequency response.

Reduced Moving Mass
The 1000 series uses a unique ultra-low-mass, micro-miniature Alnico V magnet made to a tolerance that can be achieved by no other manufacturer worldwide. Welded to the magnet is a gold plated nickel tie-bar which provides an earth path for vinyl static charge build up and stabilses the cantilever in unwanted vibrational modes. The whole ultra-low-mass assembly is then mounted in a special butyl rubber polymer with optimised damping characteristics.

Expert Adjustment
The correct setting of stylus azimuth (or horizontal tracking angle) is essential for the maintenance of a proper stereo sound stage. Azimuth is the term used to describe the angle that the vertical centre-line of the stylus makes with the record surface and this must be exactly perpendicular to the record groove. This is not usually a user adjustable parameter on most budget decks and so it is vital that the cartridge leaves the factory with the azimuth precisely set. Badly adjusted azimuth can cause uneven channel balance and increased crosstalk between channels which would severely degrade the stereo image.

Specifications:
• Frequency Response: 20 Hz -20 kHz ±3 dB
• Channel Balance: within 2 dB @ 1 kHz
• Channel Separation: better than 25 dB @ 1 kHz
• Sensitivity: 6.5 mV ±1.5 dB, 1 kHz @ 5 cm/sec
• Static Compliance: 24 mm/N (lat); 16 mm/N (vert)
• Equivalent tip mass: 0.45 mg
• Vertical Tracking Angle: 24°
• Stylus Radius: Elliptical
• Stylus Type: Replaceable
• Load Resistance: 47 kΩ
• Load Capacitance: 150-200 pF
• Internal Inductance: 570 mH
• Internal Resistance: 660 Ω
• Cartridge Mass: 6.3 g
• Cartridge Mass (inc. fixings): 7.6 g
• Fixing Centre: 0.5" (12.7 mm)
• Playing Weight: 1.5 - 2.0 g (1.7 g nom.)
• Replacement Stylus: 1006 - D0

R2 2-CHANNEL ROTARY DJ MIXER

Introducing the Headliner R2, a 2-channel rotary DJ mixer that is perfect for DJ’s looking for precise control and a warm sound, without breaking the bank. The R2 is packed with features, like an analog filter and 3-band isolator EQs on each channel, and uses only high-quality components, including genuine ALPS potentiometers.
Featuring two stereo channels with selectable Line and Phono RCA inputs, each channel on the Headliner R2 comes equipped with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a filter activation switch.
The Master channel boasts an analog filter, headphone monitoring, and output control section. The analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls, giving you precise control over your sound. Independent Master and Booth outputs with volume controls, both with balanced XLR and unbalanced RCA connectors, give you the flexibility to connect to any sound system.
The Headliner R2 features genuine ALPS potentiometers, and a sturdy metal enclosure with stained wood side panels for a classic look that will complement any DJ setup. The modular internal construction, coupled with the external power supply connected via locking Mini XLR ensure superior audio performance.
The Headliner R2 is a reliable, high-quality mixer that will give your DJ performances that classic vibe. Whether you’re spinning house, techno, or classic funk/soul/disco jams, this fun little mixer is the perfect addition to your setup.

Technical specifications:

• Two stereo channels with selectable Line and Phono RCA inputs
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED
• Master channel features analog filter, headphone monitoring and output control section
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls
• Genuine ALPS potentiometers
• Headphone Cue control section features volume control, mix control (Cue/Master), and split monitor switch
• High current headphone amplifier with dual 1/4” and 1/8” jacks
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs
• Additional Record output with unbalanced RCA jacks
• Dual LED level meters for the Master output
• Microphone input with level control on front panel
• Sturdy metal enclosure with stained wood side panels
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector and push-button power switch
• Measurements: 320 x 219 x 106 mm
• Weight: 2.8 kg

Microphone Input:
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: < 0.1%
EIN: -120dBu (150Ω Load)
Input Impedance: 3 kOhm

Line Inputs:
Nominal Input Level: -10dBV (-7.8dBu)
Gain Range: -12dB to +12dB
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: < 0.05%
Input Impedance: 47 kOhm

Phono Inputs:
Maximum Input Level: -40dBu
Gain Range: -12dB to +12dB
Frequency Response: RIAA

Main Outputs:
Nominal Output Levels, balanced: +4dBu
Maximum Output Level, balanced: +20dBu
Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
Maximum Output Level, unbalanced: +12dBu
Frequency Response: 20Hz-20kHz (+/-0.5dB)
Residual noise: <-80dBu Dynamic Range: > 100dB
Crosstalk: < -65dB
THD + N: < 0.05%

Headphone Output:
Maximum Output Level: 70mA/channel into 150Ω
Minimum Load Impedance: 32 Ohms/channel

Power Supply:
Type: External with locking mini-XLR connector
Input Voltage: 100-240v ~ 50/60Hz
Output Voltage: +/-15V; 500mA
Voltage Range: 32 Ohms/channe
THD + N: < 0.05%
Input Impedance: 47 kOhm

The curved 7 Inch Single Puck is the companion piece of your big hole 7 inch records, made with high-grade steel. As a reminder that you can get the hottest beats and vinyl releases at HHV, the 7" Single Puck 45 RPM Adapter also features our branding at the bottom.

• Weight: approx. 140 g.
• Ø 37 cm
• Height: ca. 23 mm.

Made in Germany

Here comes the add-on to our latest concrete turntable collaboration between HHV and BETONAT: the 100% Concrete Vinyl Stand. With a simple and straightforward design featuring clear shapes, this stand celebrates the fusion of urbanism, music, and subculture.

Handcrafted from 100% concrete, this vinyl stand is aesthetically pleasing and its minimalistic design complements any modern living space.

Whether you’re a collector or just starting out, the Vinyl Display Stand is the perfect way to show your favorite records.

Original HHV × BETONAT Vinyl Display Stand
Suitable for 7″ vinyl singles & 12″ vinyl LP, not for double LP
118 mm length x 48 mm height x 60 mm width
0.55 kg pure concrete
100% handmade in Berlin Neukölln
Beautiful gift box