All Items Vinyl 32278 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rug Island Orange Vinyl Edition

Bluey

LP | 2024 | UK | Original (Demon)

31,99 €*

Release: 2024 / UK – Original

Genre: Soundtracks

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Stanway's Revenge/Plain Song

Sidewinder

7" | 2024 | UK | Original (Mukatsuku)

LP | 2024 | UK | Original (Fine Line)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mukatsuku is hurtling towards its 100th release but ahead of that comes another vital and hand-numbered 7'' featuring a brace of tunes taken from the Resolution album from back in 2003 by Sidewinder aka Reading-born Glasgow resident Alan Bryden.
'Stanway's Revenge' you might recognise from Groove Armada's Back To Mine compilation and here, with an exclusive edit . Llush as seductive as ever with the smoochy horns and gentle grooves. On the flip, 'Plain Song' has late-night chords making a sombre vibe while muted trumpet, organic percussion and classy strings all embellish the mood.

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Richard Spaven

Sole Subject

26,99 €*

12" | 2024 | UK | Original (Accidental Jnr)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Forging his own path into the future... With roots in the U.K. club and hip-hop scenes, drummer Richard Spaven brings a fresh approach to the instrument that's at once modern and traditional. Combining machine-like accuracy with jazz-influenced improvisational sensibilities, Spaven's drumming has landed him gigs with vastly varied artists such as UK rapper Loyle Carner, Guru of hip-hop duo Gang Starr, producer Flying Lotus, vocalist José James and Brainfeeder artist Jameszoo. Spaven's brilliance is evident beyond his world-class performance abilities; he's equally impressive in production and compositional territories.

Sole Subject, a captivating crossover of electronica, hip hop, and jazz, explores the nuanced relationship between live drumming and electronic elements, a theme intricately woven throughout Spaven's sixth solo record. Originating from deep, rhythmic ideas, each track is a testament to intense experimentation and precision. At the core of the album are the drums, captured as full live takes which often blur the lines, appearing as if they were programmed or sampled. Dive into Sole Subject and experience a musical journey where innovation meets tradition, and where each beat tells a story of relentless creativity and dedication. The release of the record will be celebrated with a headline show at Jazz Café October 30th.

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Herbert

Part 9

15,99 €*

LP | 2024 | UK | Original (Bastard Jazz)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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10 years since the last installment, Herbert returns to the seminal Parts series synonymous with his trailblazing work in leftfield house music that began with Part One nearly 30 years ago.

It features the first of a series of pieces written with, and sung by artist, producer and drummer Momoko Gill (fka Metta Shiba and performer with Tirzah, Coby Sey, Alabaster de Plume amongst others).

Part 9is the first in a planned resurgence of forthcoming Herbert releases, withPart 10lined up for later in 2024 and his seventh album under this moniker slated for early next year.

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Kool Customer

At Your Service

23,99 €*

LP | 2024 | UK | Original (Kit)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Kool Customer is a collaborative project from B. Bravo and Bay area singer Rojai that brings together the sounds of future funk, 80s boogie, and a little bit of strip club sleaze.

B.Bravo is a 2010 graduate of Red Bull Music Academy with releases on Brownswood, Frite Nite and Ernest Endeavors.

Support from the likes of Benji B (bbc Radio 1), Gilles Peterson, DaM Funk, Sweater Funk Collective .

B. Bravo's shared the stage with artists like Chromeo, Dam-Funk, Flying Lotus and serenaded crowds across the world with his bass heavy outer space boogie and dirty grinding synth grooves at festivals like Sxsw, Detroit Electronic Music Festival, and Sonar in Barcelona.

Rojai (pronounced "row-juh") is a San Francisco born singer emerging as a leading voice in the modern funk scene with a vocal range from a raspy, percussive island vibe, to silky r&b.

As a frontman for Kool Customer and Latin-funk outfit Bayonics, Rojai has proven himself adept at crooning on any groove in his soulful timbre.

Being legally blind hasn't slowed down Rojai's ability to write, record and perform. He has channeled his life experience into songwriting and singing, creating music with a spirit and soul that inspires.

Extensive sync history include Awkwafina Is Nora From Queens, Netflix's Fatherhood, as well as 3 unique songs featured on Tyler Perry's Sistas and more

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Robert Stillman

Something About Living

Aurelia Golden Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Something About Livingis an album of live recordings by experimental jazz composer/multi-instrumentalist Robert Stillman. The music was captured over the course of Stillman's time as the solo support act for The Smile (Thom Yorke, Jonny Greenwood, Tom Skinner). The album weaves excerpts from various theater and arena shows along the tour's North American routing into a seamless whole, creating a 40-minute program that represents an expanded version of Stillman's ever-transforming live set.
Something About Livingis the product of a steady, on-stage evolution that happened over the course of the nearly 60 shows opening for the Smile across the EU, UK, US, Canada and Mexico. However, the creative origins of the set began in relative isolation during the pandemic, through Stillman's work on projects like his multi-media installationUnseen Forcesand his monthly broadcast for Margate Radio, both of which drew upon solo improvisation using saxophone, cassettes, Yamaha DX7 synthesizer, and effects.
"At the time The Smile asked whether I'd like to open for them on their first tour, I felt like I'd already been preparing without really knowing it," says Stillman. "I'd been doing this music constantly, but always for a hypothetical audience" During the pandemic, Stillman's solo set-up served as the research lab where he worked on all the concepts he was interested in: solo improvisation, creating and manipulating cassettes, FM synthesis, analogue delays chains, no-input mixing, and non-metric rhythmic pulses. So when he was offered the first Smile tour, the idea was to bring "the lab" onto the stage.
What Stillman could not have prepared for was the experience of playing in venues with capacities of up to ten thousand listeners. "The first tour was in summer 2022, so not that long after the worst of the pandemic, when I had pretty much made peace with the idea that I might never be able to perform for an audience again. Then all of a sudden I found myself in front of huge numbers of people, and felt the massive responsibility of being with an audience, of this thing I'd done alone for so longactually being witnessed, and it was completely overwhelming!" On the flip-side, Stillman also recalls, was a new appreciation of how powerful the live performance was as a social phenomenon. "It's a cliche, but also true: the moment of making and hearing music in a shared time and space has a very specific meaning and power; there was a sense that everyone in the venue was necessary to make it real, regardless of what they were doing, or how they felt about it. There was an inevitability about it that I'd never fully appreciated."
Over the course of the tours that followed, Stillman transformed this appreciation of the shared moment into an ethic of spontaneity that guided the development of his live set. "An important reference for this set has always been an Animal Collective show I saw when I first moved to New York, probably in 2001 or so, that has always set the high-water mark for what I wanted to do live- they were improvising a lot, and out of what would seem to be absolute chaos they'd find their way to something structured, and then back out again into the unknown. It was so thrilling to witness".
ThoughSomething About Livingcompiles recordings from different dates along the tour, Stillman has edited and mixed them into a work that seeks to reflect the ebb and flow between 'chaos and control' that characterizes his live set. Among the compositions featured are some from previous album releases ("Time of Waves", "What I Owe", "What Does it Mean to Be American") as well as some new compositions ("The Dream of Waking", "Renaissance 2.0," and the title track, "Something About Living").
The album/track title "Something About Living" is a reference to a line from Stillman's favorite film,My Dinner With André: "André Gregory is explaining the value of life experiences that, as he says, are'to do with living'.That really struck me, the way he articulated it. I strongly believe live music situations can ask these kinds of questions, for performers and audiences. I hope that's reflected in this music."

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Deary

LP | 2024 | UK | Original (Sonic Cathedral)

LP | 2024 | UK | Original (World Of Echo)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Just under a year after their acclaimed self-titled debut, dreampop duo deary release a brand new six-track EP – Aurelia – via Sonic Cathedral on November 1.

It includes the singles ‘The Moth’, ‘Selene’ and ‘The Drift’ and features Slowdive drummer Simon Scott playing on three songs. It will be available on three different vinyl variants, a CD with three bonus tracks and digitally.

It’s a stunning record, which displays a new-found maturity in terms of production as well as musically and lyrically. The band – singer Rebecca ‘Dottie’ Cockram and guitarist/producer Ben Easton – have had to grow up in public since the release of their debut single at the start of 2023, supporting legends such as Slowdive and Cranes and TikTok sensations like Wisp along the way.

An aurelian is a rare old term for a lepidopterist – someone who studies and collects moths – derived from the Latin aurelia, meaning chrysalis. The perfect title for an EP which is based around the theme of metamorphosis and change.

“It leans on the natural world, the human body, the earth and sky as well as human emotion,” says Ben of how the EP represents physical and metaphysical growth. “Change can be daunting but equally exciting, which is something we’ve come to learn.”

“While writing the EP, I found a letter I had written to myself when I was 22,” adds Dottie. “I was fresh out of university and had moved back in with my parents as Covid was in full force. I was uninspired and lost and reaching out to my future self for some hope. It was a physical representation of what can happen in a few years; how much can change and how you never know what’s coming next.

“I found it interesting that – at the age of 26 – here I was looking back to my younger self for hope or just some comfort in the fact that things will and do move on. It was important to me to bring both of these versions of myself into the new songs.”

“Personally, I had noticed a change in myself; a new level of social anxiety, a strange disassociation to things that once brought me joy as well as negative repetitions in my daily life,” reveals Ben. “I began the year sober which allowed me to finish the writing process as a letter of care to my own mental health. There are motifs throughout the EP – for example the riffs in ‘The Moth’ and ‘The Drift’ being reminiscent of each other – which are like musical reflections of these repeated cycles.”

It’s musically where the change deary have undergone is most obvious. ‘The Moth’ mixes howling guitars atop a strident breakbeat making it more Curve than Cocteaus; ‘Selene’ is a slow-building wall of noise; ‘The Drift’ combines a perfect pop melody with an incredible sense of urgency. These three singles are balanced by the brief but beautiful ‘Where You Are’ which leads into the Portishead-style trip-hop of ‘Dream Of Me’. The title track has been a staple of their live sets for about a year as ‘Can’t Sleep Tonight’, but its mix of The Cure circa Disintegration and Mezzanine Massive Attack has grown and evolved so much that they renamed it ‘Aurelia’ as the embodiment of the change they have been through.

“We’ve allowed deary to naturally grow over the past year, we didn’t want to force it to take a certain shape or sound,” explains Dottie of the duo’s slow and steady approach. “A lot of the last EP was written by sending ideas back and forth over WhatsApp, but this time we were able to sit in the same room and I think that really shows. We know each other a lot better now as we have experienced this journey together and that benefits the writing process as we are more open with each other and can be vulnerable.”

“Aurelia definitely feels a lot more collaborative, more personal and more fully realised than the first EP,” concludes Ben. “It feels like a real document of what has been a very important time in both of our lives. Ironically, the band has changed and matured even more since the recording, so we’re both excited to document the next stage.”

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Able Noise

High Tide

25,99 €*

Bear Bites Horse Sessions

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Able Noise are a cross-continent duo based between The Hague (nl) and Athens (gr), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock anti-formalism, emerged in low-key fashion in 2020 as a cassette through Glasgow’s famed Glarc label. Numerous European wide tours and left-of-centre festival appearances led the pair back to the studio for the recording of debut LP, High Tide, to be released via World of Echo on 1st November.

The shift to a studio environment was a significant one, since Able Noise was primarily conceived as a live band, thinking of and writing for the live concert experience specifically. Consider their practice an Active Performance of sorts, one that seeks to challenge understandings of the medium of the live arena, how its properties and limitations can be addressed creatively, and the dialogical relationship between performer and the audience. Those who have caught them live will have witnessed very physical yet malleable performances, shaped each time by the context at hand, be that the time of day, the acoustic properties of the space, and the shared energy of the assembled patrons.

True to this approach, the pair have embarked upon the recording of their debut album with a similar exploratory impetus. In a studio without a physical audience to confront, the questions are suddenly quite different: how does one create a definitive recorded music initially rooted in improvisation, how is that recording then listened to and understood, and, without the spectacle of performance, how is it possible to work with the sense of hearing alone. Unsurprisingly, the music of High Tide is significantly different to that of an Able Noise live set. Minimalism has been traded for a detail-oriented approach, the limitations of two sets of hands suddenly lifted by the possibilities of multi-tracked thinking, post-production and various processing techniques. Real-time gives way to fragmentation, distortion and dilation, and the shift is notable - High Tide is a woozy and often disorientating listen that plays quick and easy with conventional notions of structure, at once both centreless and impressionistic, yet somehow guided by an imagined formless space.

Reliant much less on their own capabilities - and limitations! - as musicians, Knegtel and Andropoulos heartily invited the contributions of friends from both their local Athenian music community and those made while playing the UK, with the important disclaimer given that anything played during the recording session will not sound the same once on record. The result is duos, trios, quartets and sextets playing in different experiences of time, and on dynamic scales vastly different from one another, brought to equal footing.

Critically, the wholesomeness of their creative communion belies the darker theme of inertia that the pair acknowledge runs throughout the album, a sense of bodies of very different weights and momentums existing alongside each other, either adapting to or clashing with one another. In short, the outside world can’t help but seep in, even as you create within your own hermetic universe - the feeling of hopelessness amidst endless political and social strife, obsolescence in the face of technological development, time’s inexorable march. These are things we’ve all felt, and while High Tide, like much before it, doesn’t provide any definitive resolution for these challenges, it does present its own set of unique possibilities written in the shared language of its creators.

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Thee Alcoholics

LP | 2024 | UK | Original (Rocket)

25,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Rocket)

Gnod + Mc Sissi

Inner Fucking Peace

23,99 €*

2LP | 2024 | UK | Original (Bingo)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Less than six months after Gnod rewired their sound for the umpteenth time, with the release of deliciously detailed deep listener Spot Land, they’re back with another album and a whole new approach. Inner Fucking Peace comprises eight tracks for voice and electronics – varied in style but connected in feeling and recorded as a trio. Chris Haslam and Paddy Shine, the two ever-present members in the Gnod lineup since their first stirrings in mid-2000s Salford, are completed by Portuguese vocalist MC Sissi. Inner Fucking Peace is the first time MC Sissi, or Cecilia de Fatima dos Santos, a very well known name in Portuguese experimental circles has recorded with Gnod. From the minimalist tuned percussion of ‘Stop’, to the shuffling beats and spaced-out synth on ‘Perde-Te Onde Quiseres’, to ‘Get Out’ and its ominous electronics and crashing industrial drums (combined with Sissi’s irate-sounding vocal, here Gnod are on a tip that compares to great Bristolian duo and recent touring partners Harrga), to the supremely chopped & screwed woodwind that’s central to ‘Flute Theme’, to ‘Reprise’s hypnotic hand drum workout, to ‘Tea & Eggs’ – ten minutes of reggaeton-goneminimal-synth – to ‘Olivia’, named after Sissi’s niece and the track’s guest vocalist, to ‘Cannela Crematoria’ closing us out and hitting a zenith of gloominess with some more industrial battery folded in…this is a full on Gnod vibe shift that also makes total sense in their infamously extensive discography. With this band enjoying hard-won freedom from release schedule tyranny, they – just like us – don’t know what’s next on the recording agenda, or if there’ll be more Gnod & MC Sissi collab albums, but this is an engrossing introduction to the partnership. In the short term, the trio will be playing some European shows in the autumn, including a slot at Utrecht festival Le Guess Who? in November

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The Bug Club

Rare Birds

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Heartworm Press)

Cold Cave

Passion Depression

54,99 €*

2LP | 2024 | US | Original (Amish)

Release: 2024 / US – Original

Genre: Rock & Indie

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Cold Cave present the darkly luminous new album Passion Depression. Icy Synth-pop for the hot blooded. Eight songs featuring the singles "She Reigns Down," "Shadow Dance," "Blackberries," and "Hourglass."

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Primitive Art Group

1981-1986

44,99 €*

Hey, At Least You're Not Me

Release: 2024 / US – Original

Genre: Rock & Indie

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This gatefold 2xLP is a combination of the group’s only two albums, consisting of one LP of Five Tread cuts plus “Cecil Likes to Dance” a never-before-released live recording from Thistle Hall (1984) and the full 1985 LP Future Jaw-Clap. This material that has been unavailable since mid-1980s. It is well documented that in the early ‘80’s New Zealand was awash with adventurous new music. Though sharing the kind of happy isolation and the DIY ethic with contemporaneous outfits like Flying Nun, South Indies and Xpressway, one band cut a decidedly different path. The Primitive Art Group, formed in Wellington, devoted itself to collective improvisation coming out of a jazz tradition. With the line-up of Anthony Donaldson (drums), David Donaldson (bass), Neil Duncan (saxes), Stuart Porter (saxes), David Watson (guitar), and originally with Pam Grey (on cello), the group’s relatively brief existence left a lasting impression on the New Zealand’s free music scene. Musically, there was no precedent in New Zealand for their combination of noise, collective playing and compositional freedom. Gary Steel from the local music rag TOM, wrote “The first time I saw the Primitive Art Group they blew my tiny mind… Great sheets of architectural noise coming at you from the stage. Where else would you see free music in New Zealand in the early 80s? You just didn't.” The band’s five-year lifespan was non-stop activity: rehearsing, touring, the creation of Braille Records (their own record label which released ten LPs), dance and theater work, appearances at music festivals, and hosting two hugely influential national festivals of improvisation at Thistle Hall, Wellington. In 1984, Primitive Art Group spent a week making their first recording, an ambitious double LP, Five Tread (Braille 001) which had only a single pressing and sold-out locally. One year later they were back in the studio making their second album, Future Jaw-Clap (Braille 002). This outing contained tighter pieces, as the band widened its repertoire with nods to broader influences and antecedents. In 1986, The Primitive Art Group gave their last concert at the Wellington Town Hall, just a half mile from Rawa House and the legendary Thistle Hall where their first shows had taken place. The band’s Braille Records’ recordings have never been released outside of New Zealand, nor have ever been available digitally. As Thurston Moore writes, “these are magic time capsule, lost-n-found recordings, previously shared only by deep-diving record collector aesthetes”. The group’s brief tenure has continued to inspire new generations of improvisers, but nothing has ever quite matched the visceral blast of the Primitive Art Group’s arrival on the scene. Every member of the group has carried on doing creative work at the highest levels: scoring films, making art, mentoring, organizing, touring and always playing.

· Gatefold 2xlp of improv / free jazz from legendary Wellington, NZ group Primitive Art Group originally released between 1981-1986 · Available on LP for the first time since 1985 · Includes one never-before released live song · Features guitar playing of NY-based David Watson who has worked with artists such as Phil Niblock, Lee Ranaldo, Marc Ribot, Christain Marclay + · Album liner notes by Thurston Moore (Sonic Youth) and Bruce Russell (Dead C)

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Why Bother

LP | 2024 | US | Original (Feel It)

Music For William Eggleston's Stranded In Canton Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"Greetings from the Northern plains of the hopeless heartland. We are now entering the time when the leaves hiss and the dark corners of reality are not so brightly lit....And hidden within these long shadows reside the band WHY Bother? where they have recorded and will be releasing yet another album to close the punk rock door on 2024. ...This record we call 'hey, AT Least You're NOT ME' was going to be released in 2025 , but we decided that the sooner the better is the way to go so we can focus and work on more material for the future. (Until then, this is our self-proclaimed masterpiece to date) So what do you think?... Is there even a future to talk about?.... Well, the ALL seeing eye says YES. But will you be there to embellish it is the Real question. If so, we will be there waiting for you. Sincerely, WHY Bother?"

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J Spaceman & John Coxon

LP | 2024 | US | Original (Fat Possum)

57,99 €*

Chris Burns & His Growing Concerns

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2015, J Spaceman, John Coxon, and friends performed a new original score for William Eggleston's Stranded in Canton live at a special film screening at the Barbican Gallery in London. The recording sat on a shelf for 10 years, and is finally unveiled through this release. Housed in gatefold jackets with matte varnish and UV spot outer printing. Includes an 8-page booklet. Limited white vinyl edition features alternate artwork. Spaceman and Coxon will perform the work in London, New York, Los Angeles, and Eggleston’s hometown of Memphis, on the invitation of the photographer’s son Winston Eggleston.

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Kablooey!

LP | 2024 | US | Original (Celluloid Lunch)

12" | 2024 | EU | Original (Signals From Outer Space)

Release: 2024 / US – Original

Genre: Rock & Indie

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Montreal-based musician Chris Burns played his first gig when he was 15 years old, back in 1982. Today, aged 57, he is more active than ever. Primarily a guitarist, he is also a composer, improviser, singer and songwriter. His distinctive style can be heard in a vast and varied catalogue of records and soundtracks spanning over 40 years and some 50 releases by artists such as Terminal Sunglasses, American Devices, Nutsak, Crackpot, The Ratchet Orchestra and, most recently, Tha Retail Simps. Chris Burns & His Going Concerns is the culmination of everything he has experienced, learned, unlearned, toiled over, honed and forgotten throughout his musical adventures. Herein: passionate, committed and energetic performances featuring strong musicianship mixed with a healthy dose of cathartic abandon. Edition of 150 copies.

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=Zh=

Night Runner EP

12" | 2024 | EU | Original (Gnc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dark forests, moonlit landscapes, winding roads - this is the realm of =zh=, a new electro side project by Christian Gleinser. Embark on a nocturnal journey...

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Ivan Olson

Ritmo De Escape

12" | 2024 | EU | Original (Circle Point Cirlce)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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For the first release of GNC Records we present 5 modern dancefloor oriented electro and techno tracks, with clever samples and a creative edge.

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Circle Point Circle

Cpc001

LP | 2024 | EU | Original (Beatbude)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Circle Point Circle is a project that blends the sophistication of dub techno with ethereal melodies and gritty rhythms, creating a dynamic and atmospheric experience.

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Fackowsky & Radsch

4 Mama Pladsch

15,99 €*

Vega Records 5 Pack Unreleased V

Release: 2024 / EU – Original

Genre: Hip Hop

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Eight new rap songs (plus three digital bonus hits) featuring Nepumuk and Retrogott, pressed in Lankwitz on high quality vinyl. Die neue Platte vom See! All music by Fackowsky & Radsch. Scratches by Frowelo. Saxophone and synthie by Andi and Michael. Mastering by Quendolin Fender. Layout and design by Lutger Lonin. Executive produced by Jürgen Ratan and Paingel. Record comes with stickers and download code.

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Louie Vega, V.A.

5x12" | 2024 | UK | Original (Vega)

74,99 €*

LP | 2024 | EU | Original (Exit)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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ADE is just around the corner which means it’s time for the annual Vega Records 5 Pack Unreleased limited vinyl release.

Unreleased V is ready for you to play at your vinyl parties with a lineup of super talented individuals including Bebe Winans, Msaki, NV, Funki Cadets, Axel Tosca, Boddhi Satva, Tommy Bones, Johnny Dangerous, Dj Erv, Natasha Watts, Mobi Dixon, and Josh Milan. This year we hit you with 18 Unreleased tracks, special versions, dubs, and more for your dance floors and house parties. With 5 new reworks by Dj Erv to new young talent NV, to seasoned songwriter and genius talented artist Msaki, to the incomparable Bebe Winans, to Brooklyn producer Tommy Bones, to the maestro on keyboards Axel Tosca and more, this 5 pack brings you around the world within 18 tracks from Brazil to Africa to Cuba and back to New York City ! The pressing is pristine mastered by Herb “Pump” Powers and vinyl manufactured at Optimal Germany assuring you top quality excellence! This is a limited edition so get yours asap before they sell out! Available soon at a record store near you!

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Fixate

Conundrum

23,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Music Is My Home Ft. Troy Dillard

Joeski (Made By Pete)

12" | 2024 | Original (Crosstown Rebels)

Release: 2024 / Original

Genre: Electronic & Dance

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Badman (Incl. Cratebug / Radio Slave Remixes)

Moodena & Charles Levine

12" | 2024 | Original (Rekids)

Release: 2024 / Original

Genre: Electronic & Dance

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Túnel Acústico Orange Vinyl Edition

Marcos Valle

LP | 2024 | WW | Original (Far Out)

31,99 €*

In December Opaque Gold Vinyl Edition

Release: 2024 / WW – Original

Genre: Organic Grooves

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“It sounds amazing!” - Gilles Peterson (BBC 6 Music)
“This is pure bliss” **** SHINDIG!
“Yuhuuu” - Coco Maria (NTS Radio)
“Just copped doubles!” - DJ Spinna
No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.
Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.
With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.
“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”
A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.
By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.
Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.
Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.
Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.
On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.
The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).
The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.

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Robert Glasper

LP | 2024 (Concord)

39,99 €*

Release: 2024

Genre: Organic Grooves

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Robert Glasper’s holiday album In December was released last year as an Apple Music exclusive. We’re now able offer it widely available to physical retail and all DSPs!

Is there anything to be done with carols like “God Rest Ye Merry Gentlemen” and “Joy to the World” that hasn’t been done in the past 300 years? If there is, Grammy-winning pianist, composer, and producer Robert Glasper is the kind of artist to do it. “I like covering songs that people know well,” Glasper tells Apple Music. “That’s what I’ve done throughout my whole career.” It’s true: As a jazz pianist, he’s obviously learned his way around making classics his own, whether they were written by Mongo Santamaría or Kurt Cobain. But, he says, “The biggest challenge in making a holiday album was trying to do it in a way that feels festive but at the same time feels real and not corny.”

He succeeds on both fronts on In December, his holiday album that mixes classic carols with a set of originals, and which was recorded in Spatial Audio. Part of what keeps it credible is the fact that Glasper’s hiphop/R&B/jazz fusion is done on a compositional level instead of just a cosmetic one (no collages of sampled sax solos and drum loops here). The covers reveal a lot about his musical worldview: Sung by Tony winner Cynthia Erivo (The Color Purple), “God Rest Ye Merry Gentlemen” is turned into dark, airy neo-soul, while “Joy to the World”—sung by Alex Isley—feels like a Stevie Wonder ballad. But the originals reveal even more. “The intention for this album was less about Christmas songs and more about songs that feel good during the holidays,” Glasper says. “I stayed away from thinking too much about Christmas and its traditional lingo, and concentrated on real things people go through during the holiday season.”

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Now - Yearbook 1979

Release: 2024 / UK – Original

Genre: Rock & Indie

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Now - Yearbook 1980

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2024 | WW | Original (Wrasse)

Pink Martini

A Retrospective

76,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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12" | 2024 | Original (Acid Jazz Uk)

Dee C Lee

Extended Versions

Release: 2024 / Original

Genre: Organic Grooves

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Now - Yearbook 1981

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | WW | Original (Wrasse)

Louane

Solo

27,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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Now - Yearbook 1982

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | WW | Original (Wrasse)

Calogero

33,99 €*

Release: 2024 / WW – Original

Genre: Pop

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12" | 2024 | WW | Original (Plexus)

Scarper

Noctis EP

18,99 €*

Release: 2024 / WW – Original

Genre: Electronic & Dance

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LP | 2024 | Original (Flatiron)

Sixpence None The Richer

Rosemary Hill

Release: 2024 / Original

Genre: Rock & Indie

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Rosemary Hill Red Vinyl Edition

Sixpence None The Richer

LP | 2024 | Original (Flatiron)

Release: 2024 / Original

Genre: Rock & Indie

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Head Over Heels Ep Green Vinyl Edition

Break Doctor Vs Fibzy

12" | 2024 | Original (Super Dead)

18,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Century Media)

Kanonenfieber

Die Urkatastrophe

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lower Feeling Transparent Orange Vinyl Edition

Rarity

LP | 2024 | Original (New Damage)

28,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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The Ponderosa Twins Plus One

2+2+1= Colored Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

27,99 €*

Camenbert Electrique Marbled Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, The Ponderosa Twins Plus One featured two sets of identical teenage twins, Alfred and Alvin Pelham, and Keith and Kirk Gardner, along with Ricky Spicer. The group released a couple of singles and a lone album for Cleveland's Saru label in 1971, breaking up and disbanding as adolescence waned. A recent sample darling of both Kanye West and Tyler The Creator, "Bound" has revealed the Ponderosa Twins Plus One as the real Midwest kid soul deal. Numero is proud to present the first official American repressing of the original 1971 release, with fresh remasters from the original analog tapes, two previously unissued bonus tracks, and a replica tip on sleeve, making this an album you're bound to fall in love with.

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Gong

LP | 1971 | UK | Reissue (Charly)

30,99 €*

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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Camenbert Electrique Black Vinyl Edition

Gong

LP | 1971 | UK | Reissue (Charly)

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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No Secrets Pink Vinyl Edition

Carly Simon

LP | 1971 | US | Reissue (Friday Music)

44,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | JP | Original (Maya)

Las Mejores Marimbas

LP | 1971 | JP | Reissue (Mercury)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.
Sleeve has seam-split.

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Clifford Brown All Stars

12,99 €*

Al Pie De Tu Reja - Valses Y Serenatas Vol. 3

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Los Cantores Del Alba

LP | 1971 | AR | Original (Polydor)

8,99 €*

LP | 1971 | JP | Original (A&M)

Release: 1971 / AR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Promo.
Includes original insert.

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Tim Weisberg

Bande Originale Du Concerto Pour Une Voix

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI! Promo copy with b/w labels!

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Saint-Preux

LP | 1971 | JP | Original (Disc'Az)

7,99 €*

Release: 1971 / JP – Original

Genre: Pop, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Clifford Brown With Strings

Clifford Brown

LP | 1971 | JP | Reissue (Mercury)

24,99 €*

Hajime Ishimatsu, Seiji Tanaka, Kunihiko Suzuki And Vienus

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

OBI not included.
Includes original insert.

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Dynamic Drum Complete Album

2LP | 1971 | JP | Original (Union)

44,99 €*

Legendary Masters Series #4

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert!

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Eddie Cochran

2LP | 1971 | US | Original (United Artists)

LP | 1971 | US | Original (Dunhill)

Release: 1971 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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Three Dog Night

Harmony

9,99 €*

Release: 1971 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Le Grand Orchestre De Paul Mauriat

Nocturne

2LP+Box Set | 1971 | JP | Original (Philips)

7,99 €*

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | DE | Original (Metro)

Richie Havens

Indian Rope Man

14,99 €*

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1971 | US | Original (Impulse!)

Mel Brown

Mel Brown's Fifth

54,99 €*

LP | 1971 | EU | Reissue (Endless Happiness)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with small punch hole

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John Mayall

Thru The Years

James Brown / Booker T & The MG's

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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“Thru The Years” is a compilation album of music by John Mayall released in October 1971 by Decca Records in the U.K. and London Records in the U.S.A. The album was the second compilation to be issued by Decca/London with Mayall's blessing and it features a mixture of previously unissued songs or non-album tracks that had only been released as singles. A grab bag of rare tracks from the '60s, some of which stand among Mayall's finest. His debut 1964 single "Crawling Up a Hill" is one of his best originals. The eight songs featuring Peter Green include some top-notch material that outpaces much of the only album recorded by the Green lineup (A Hard Road), particularly the Green originals "Missing You" and "Out of Reach," a great B-side with devastating, icy guitar lines and downbeat lyrics that ranks as one of the great lost blues-rock cuts of the '60s. The set is filled out with a few songs from the Mick Taylor era, the highlight being the vicious instrumental "Knockers Step Forward."

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Pop History

2LP | 1971 | DE | Original (Polydor)

(For God's Sake) Give More Power To The People

Release: 1971 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

Record is close to VG+. complete spine opened.

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Chi-Lites

LP | 1971 | US | Reissue (Brunswick)

12,99 €*

LP | 1971 | US | Original (United Artists)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

US original.

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Nitty Gritty Dirt Band

All The Good Times

A Tribute To Jack Johnson

Release: 1971 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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Miles Davis

LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

88,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | IT | Original (Joker)

Sammy Price

Piano Solos

Release: 1971 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Ella Fitzgerald & Billie Holiday

Ella Fitzgerald Und Billie Holiday

LP | 1971 | GDR | Reissue (AMIGA)

Release: 1971 / GDR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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LP | 1971 | UK | Original (CBS)

Together

3,99 €*

LP | 1971 | EU | Reissue (Charisma)

Release: 1971 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

blue vinyl. Sticker stain on front cover. Record is close to VG+.

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Genesis

Nursery Cryme

36,99 €*

LP | 1971 | NL | Reissue (Motown)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue.

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The Jackson 5

Greatest Hits

24,99 €*

LP | 1971 | EU | Reissue (A&M)

Release: 1971 / NL – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2019 reissue.

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T. Rex

Electric Warrior

LP | 1971 | EU | Reissue (Soulgramma)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with OBI. tiny wear. 2022 reissue.

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Milt Matthews Inc.

For The People

28,99 €*

Gaudi, Jux Und Rittersleut'

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A key funk release from 1971, For The People was the 2nd album by interracial soul-rock band led by vocalist Milt Matthews. All the way from Wilson, North Carolina, Milton Ray Matthews was an inspired songwriter in the vein of master Curtis Mayfield and follower Lou Bond. With a series of excellent cover version – BB King ‘The Thrill Is Gone’, The Beatles ‘A Hard Days’ Night’ (stylistically related to the acid r&b Stax records was in charge at the time) and Blind Faith ‘Presence Of The Lord’ - the record is full of acid-blues chops and sensuous numbers. Filling the gap between modern psychedelia and afro-american consciousness, 'For The People' literally ascend to the title of black tinged rock opera.

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Hot Dogs

2LP | 1971 | DE | Original (Columbia)

Release: 1971 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Original Soundtrack Recording From "Melody" = ヘラルド映画「小さな恋のメロディ、オリジナル・サウンドトラック小さな恋のメロディ

LP | 1971 | JP | Original (Polydor)

LP | 1971 | JP | Original (Capitol)

Release: 1971 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

No Obi, no insert. Cover has strong foxing inside gatefold.

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The Lettermen

Love Book

5,99 €*

The You and Me That Used to Be

Release: 1971 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

No Obi, with insert. Cover has light foxing.

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Jimmy Rushing

LP | 1971 | JP | Reissue (RCA)

LP | 1971 | JP | Original (Seven Seas)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Gigliola Cinquetti

The Best

9,99 €*

LP | 1971 | JP | Original (United Artists)

Release: 1971 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Japanese pressing.

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Francis Lai

The Best Of Francis Lai

LP | 1971 | US | Original (RCA Victor)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original Japanese pressing. With OBI

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Lester Flatt

Flatt On Victor

5,99 €*

Release: 1971 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sérgio Mendes & Brasil '77

País Tropical

LP | 1971 | JP | Original (A&M)

LP | 1971 | JP | Original (Stateside)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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Three Dog Night

Harmony

14,99 €*

LP | 1971 | NL | Original (MAM)

Release: 1971 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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Gilbert O'Sullivan

Himself

Release: 1971 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | JP | Original (Polydor)

OST "Melody"

14,99 €*

Release: 1971 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | NL | Original (Capitol)

The Band

Cahoots

LP | 1971 | GDR | Original (AMIGA)

Release: 1971 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl closer to VG+

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Otto Reutter

3,99 €*

Release: 1971 / GDR – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1971 | JP | Original (Capitol)

The Lettermen

Love Book

3,99 €*

Mr.Drum & His Friends With Strings

Release: 1971 / JP – Original

Genre: Pop

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Used Vinyl

Medium: G+, Cover: VG

No Obi, with insert. Vinyl with foxing and marks

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Drums Big Hits 16

LP | 1971 | JP | Original (Columbia)

LP | 1971 | JP | Original (Apple)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing. OBI is missing. Close to VG+.

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The Beatles

Let It Be

36,99 €*

Release: 1971 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing.

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Diana! (Original TV Soundtrack)

LP | 1971 | JP | Original (Motown)

9,99 €*

LP | 1971 | JP | Original (King)

Release: 1971 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM. OBI is missing. With insert

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James Brown

Soul Fire 3

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing.

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LP | 1971 | JP | Original (Polydor)

OST "Melody"

10,99 €*

A Very Special Collection

Release: 1971 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. Vinyl is Close to VG+. With insert

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Elton John

LP | 1971 | JP | Original (DJM)

33,99 €*

LP | 1971 | JP | Reissue (Warner Music Japan)

Release: 1971 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. Vinyl is close to NM. Red vinyl. Cover has some damage from OBI.

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Flower Travellin' Band

Satori

36,99 €*

LP | 1971 | EU | Reissue (Elemental)

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Released in 1971, this was the first album produced by a Japanese artist with the overseas market in mind. It was released simultaneously in the United States, Canada, and Japan, and the single ""satori Part 2"" reached number 8 in Canada. Due to the trend of Oriental thought in Europe and America, his works are characterized by incorporating more Eastern and Japanese sounds. Japan at this time was also in the transition period from GS to folk, and there were still few people who accepted rock, but they continue to be supported by their advanced sound. Of course, it is very popular overseas and its popularity is still undiminished.

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Pharoah Sanders

Thembi

31,99 €*