All Items Vinyl 32267 Items

Release: 2024 / Original

Genre: Rock & Indie

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Rock Christmas - The Very Best Of New Edition 2024

4LP | 2024 | EU | Original (PolyStar)

45,99 €*

Release: 2024 / EU – Original

Genre: Christmas

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Blue Garden Clear Vinyl With Purple Splatter Vinyl Edition

Delta Sleep

LP | 2024 | UK | Original (Sofa Boy)

32,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ginger Red Slushie Vinyl Edition

BROCKHAMPTON

2LP | 2024 | US | Original (Sony Music Catalog)

39,99 €*

Release: 2024 / US – Original

Genre: Pop

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Deluxe Red Translucent Vinyl, Gatefold Jacket.

Ginger is the fifth studio album by American hip hop boy band Brockhampton. It was released on August 23, 2019, through the band's label Question Everything and RCA. The title of the record was initially teased through merch that members of BROCKHAMPTON were seen wearing in early 2019. The album features many of the usual in-house posse cuts that have been featured on their past record, but vocal performances from guest artists such as slowthai, Deb Never, and Ryan Beatty as well.

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Holy Beat! (A Collection Of 60s Italian Christian Beat)

LP | 2024 | EU | Original (Aberrant)

LP | 2024 | EU | Original (Beast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!

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Dion Lunadon

Memory Burn

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dion Lunadon (THE D4, A PLACE TO BURY STRANGERS...) is a musician who writes, performs and records his own rock 'n' roll records. Born in New Zealand and residing in New York City he has a 4 piece band who TCB live. Raw, real and off the chain! The art on the jacket of the record is unique, as both the front and back side serve as the front cover, or back cover. Confused?! Snag a copy and untwist your brain!

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Fabio Monesi & Tom Carruthers

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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The Bass Theory EP

12" | 2024 | EU | Original (Wilson)

Your Life / Take It Remixed

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Fabio Monesi teamed up with Tom Carruthers for a solid EP of pure house music.

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Patrick Holland

12" | 2024 | EU | Original (Verdicchio Music Publishing)

Evolution Ep Pink Blue Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Reloading, revamping, reinstalling - we've peered under the hood of last year's singles, Your Life and Take It, and decided they required the peak-time-remix-alignment. While Your Life's refix was self-inflicted by Patrick, Take It required the expertise of frequent collaborator Physical Therapy. Both reworks maintain the originals' essence, while bringing higher BPMs, weightier subs, and jacked up percussion to the table. Test driven during the summer of '24, this package is ready to rip.

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Toni Dextor

12" | 2024 | EU | Original (Adroit)

Quixotism 10th Anniversary Remastered Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Tip! Hard hitting techno stomper. incl. huge remix package.

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Oren Ambarchi

LP | 2024 | EU | Original (Black Truffle)

Lullaby Renditions Of Taylor Swift Volume 2

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.

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Rockabye Baby

LP | 2024 | US | Original (Rockabye Baby!)

Release: 2024 / US – Original

Genre: Pop, Childrens

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2LP | 2024 | US | Original (Columbia)

Jean-Michel Jarre

Versailles 400

60,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Scaring The Hoes DLC Pack Lavender Vinyl Edition

JPEGMAFIA & Danny Brown

LP | 2024 | US | Original (Peggy)

12" | 2024 | EU | Original (Housewax)

Release: 2024 / US – Original

Genre: Hip Hop

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Lavender Vinyl, 12" EP. JPEGMAFIA and Danny Brown return for the EP extension of their 2023 critically acclaimed album, SCARING THE HOES. SCARING THE HOES: DLC PACK contains four new songs that continue to showcase the energy and quirk of the duo that was revered on the full length album by Rolling Stone, Pitchfork, NPR and many more. These four songs continue to show off JPEGMAFIA and Danny Brown's impressive lyricism and exhilarating dynamics when the two come together.

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DJ Moreese

S51 EP

Khaled Barkat, Cheb Tati & Asif

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Influenced by such legends as Dennis Ferrer, Kevin Saunderson, Todd Terry, Derrick May, Roger Sanchez, and Terrence Parker, DJ Mo Reese has entertained around the world for over 25 years. Most recently, he performed at Tresor, in Berlin, Germany and Kitsch in Eindhoven, Netherlands. A crowd of over 100,000 was blown away as he performed his special four turntable set at the Detroit Movement Festival. He banged the box at the Cornerstone Event near Chicago before a crowd of 600+. DJ Mo Reese shined at the Winter Music Conference in Miami, and has been featured on stations Wgpr, Wjlb and won the Mixidome contest on Whyt. As a performer/producer, DJ Mo Reese inspires audiences with his uplifting and soulful style of House music.

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Maghreb K7 Club - Disco Singles Volume 3

12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)

18,99 €*

Claudio Simonetti's Goblin

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.

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OST Suspiria Dark Purple Vinyl Edition

LP | 2024 | EU | Original (Rustblade)

Release: 2024 / EU – Original

Genre: Soundtracks

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James Curd & Marcellus Pittman

Atnosphere EP

10" | 2024 | EU | Original (Shall Not Fade)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Easy Acid - 40 Years Of 303 (1984-2024) Black Vinyl Repress Edition

Egebamyasi

12" | 2024 | EU | Reissue (Flatlife)

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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Ege Bam Yasi, the iconic Scottish producer renowned in the acid house scene, hasjust released a special 40th anniversary 12-inch titled "easyAcid." This releasecelebrates four decades of his influential presence in electronic music. The record isout on the Dutch label Flatlife, known for its mythical status in the acid and technocommunities. "easyAcid" continues Ege Bam Yasi's legacy, blending his signatureacid sounds with a modern twist, making it a must-have for fans and collectors alike.Rare repress from the "baken-egg" record (Transparant / white solid version) whichis sold by Flatlife & Egebamyasi only.

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Monologues Edits: Ben Gomori's Afro-Caribbean Selections

12" | 2024 | EU | Original (Monologues)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Killer edits!" - Gilles Peterson

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Suntrip Classix Volume 3 - Gaia

2LP | 2024 | EU | Original (Suntrip)

12" | 2024 | EU | Original (Planet Rhythm)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The third edition of our 2xLP Suntrip Classix series is now available! We chose the name Gaia for this one. And as usual, it has a reason. The front picture is made on earth (or Gaia). And its not just earth, it is the beach of ZNA festival. On this soil we celebrated the music and our life so deeply. We are lucky beings to live on such a wonderful planet so the Gaia artwork is a tribute to our mother earth!

The photography was made by Simeon Van Der Hoeven and the people on the cover are all volunteer on the festival itself! :) And the music? Well, the name Suntrip Classix says exactly where this is all about. 8 of our most acclaimed, wanted and loved tracks, finally available on vinyl :)

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Müzmin

Brick EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Dark Entries)

Patrick Cowley

From Behind

25,99 €*

12" | 2024 | EU | Original (Lingo Tools)

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to Aids-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums School Daze, Muscle Up, and Afternooners. From Behind reveals yet another facet of Cowley’s myriad influences; garage and soul. As a tripped-out teenage music freak who arrived in 60’s San Francisco, it should come as no surprise that these psychedelic sounds, both heady and visceral, infuse Cowley’s oeuvre. Recorded during Cowley’s most productive period, ‘80-’82, these tracks show the master flexing his virtuosity while paying loving tribute to the songs that shaped him. A rough draft of Loverde’s “Iko Iko” contorts the jaunty Dixie Cups classic into a slithering, monstrous bathhouse groover, the song’s signature claps draped in cavernous reverb. An unexpected hi-NRG cover of The Doors’ “20th Century Fox” has Paul Parker on vocals, ironically twisting the original’s overt heterosexuality. Via Cowley’s vocoder, The Who’s “Shakin’ All Over” is transformed into a haunting meditation on the loss of bodily autonomy that Aids inflicts, while the Moody Blues’ “Ride My See Saw” appears in instrumental, amped up and synthesized for dancefloor impact. We’re also graced with instrumental demo versions of The Seeds’ “Pushin’ Too Hard” and The Electric Prunes’ “Too Much To Dream (Last Night),” which later appeared on Paul Parker releases. Things close out with a swinging version of the Four Tops’ Motown classic “Baby I Need Your Loving”, Cowley later reimagined for R&B artist Carl Carlton. The record comes housed in a sleeve designed by Gwenaël Rattke and includes an insert with photos and liner notes written by Louis Niebur. Arriving on October 19th in celebration of what would have been Cowley’s 74th birthday, From Behind gives us yet another glimpse into Cowley’s world: iconic, erotic, and more than a little cheeky.

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Lingo

Lingo Tools 001

Release: 2024 / EU – Original

Genre: Electronic & Dance

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One of Francesco del Garda’s secret weapon is unleashed.
Only vinyl

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12" | 2024 | EU | Original (Pintai)

Various Artists 01

16,99 €*

Audio Smith Volume 3 Charles Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Pintai began its initial forays into events as a small get-together in Amsterdam, built around friends, friends of friends, coffee, food and records. Nowadays, Pintai has been gently growing into a community of music lovers and begun to take form as a strong purveyor of deep and dynamic dance floor driven sounds out of the Dutch capital.

Leading the release is Gråzon’s ‘Dealing Is Healing’, since his debut on Molly’s RDV imprint back in 2018 Gråzon has been slowly shaping his music into its now melodious, delicate style, this new track ‘Dealing Is Healing’ is exemplary of this, fusing together ethereal textures with acid bass tones and a reduced rhythm section. Zurich’s Pango follows with ‘Freo’, following a sting in the UK his sound became very much shaped by Bristol and London and this emanates out of this near eight minute composition fuelled by crisp drums, bouncy subs, fluttering dub chords and dreamy atmospherics.

Pintai co-founder, DJ, producer and live act Hame then opens the B-side next with ‘I Long’, following on from his debut EP on Lola Haro’s Small Steps and EP’s for French imprint Noire & Blanche, Hame offers up more of his emotion fuelled style, employing intricately intertwined leads, choppy bass notes and swinging drums. Tren then concludes the EP with ‘I Missed Having You In My Life’, perfectly rounding things out via hazy saturated pads, dreamy spoken word and shuffled off-kilter drums.

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AMON.CIN

12" | 2024 | EU | Original (QH)

12" | 2024 | EU | Original (Sub Series)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This is the compilation album series of the craft brand QH, titled “Audio Smith.” The title is a portmanteau of ‘audio,’ meaning ‘sound,’ and ‘smith,’ signifying ‘blacksmith.’ It represents a new channel for QH that introduces music created based on the craftsmanship, which is the motto of QH.
This album was produced in collaboration with ‘AMON.CIN,’ a South Korean underground electronic music producer.
AMON.CIN is a DJ and producer based in Seoul. He produces electronic music through sampling based on classical soul, funk, and jazz. In this album, he utilized the technique of sampling as one of the tools of craftsmanship.

Artwork was done by Korean tatooist and Illustrator Metal Pinkman.

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Subb-an

Amnesia EP

12" | 2024 | EU | Original (Fantôme de Nuit)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music

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Nesta

Food For Soul

16,99 €*

12" | 2024 | EU | Original (Salty Nuts)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Freshly Served! Rising talent Nesta delivers a sizzling platter with Food For Soul on Lebanese label Fantôme de Nuit. This 5-course sonic feast is packed with groove and musicality, perfectly seasoned for the dancefloor and equally delightful for a cozy home listening session. Get ready to feed your soul with this flavorful release that’s sure to satisfy your musical appetite!

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Harry Wills

Heads & Volleys EP

LP | 2024 | EU | Original (Avant!)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Next up on Salty Nuts is groove maestro Harry Wills, one-third of the Phonetraxx trio. Harry delivers four original tracks that showcase his musical range and unique ability to craft mesmerizing vibes with elegant simplicity, guaranteed to send dancers into a trance on the floor.

The title track, “Heads & Volleys,” brings just the right amount of energy, blending in some quirky, jazzy, slightly dissonant chord layers for a touch of delightful weirdness. “Cruisin’” offers a perfect blend of housey vibes, ideal for closing out the night or setting the tone during the day.

Opening the B-side, “Encounters” is a late-night stomper that introduces a moody atmosphere with spoken vocals in the breakdown. The final track, “Glideride,” infuses electronic elements to elevate those special moments on the dance floor.

The “Heads & Volleys” EP will be available on vinyl only and in highly limited quantities, so don’t miss out!

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Plastic Estate

Code D'Amour

LP | 2024 | EU | Original (Century Media)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.

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Cemetery Skyline

Nordic Gothic

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Double J)

Jerry Cantrell

I Want Blood

41,99 €*

Release: 2024 / Original

Genre: Soundtracks

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Rome Streetz & Wavy Da Ghawd

Buck 50

LP | 2024 | EU | Original (Rrc Music)

12" | 2024 | UK | Original (Tessellate)

Release: 2024 / EU – Original

Genre: Hip Hop

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Rome Streetz drops "Buck 50", his fi rst o ff ering for 2024, a 6 tracks EP entirely produced by mastermind Wavy Da Ghawd, unleash the raw essence of his lyricism. Carving once again its place in the game just like a buck 50, Rome Streetz delivers his gut-punch of gritty underworld narratives. Pressed on a single sided 12" pressed on 180g vinyl, w/ screen-printed art on the B-side, courtesy of Ral Duke.

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The Trip

Uncovered

Fred Fisher Atalabhor & His Ogiza Dance Band

Release: 2024 / UK – Original

Genre: Electronic & Dance

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4 years into The Trip's music production journey, they release their fifth EP 'Uncovered' on their in-house label Tessellate. Taking inspiration from 90's and 00's house music, each track radiates nostalgia. 'Love Struck' offers the perfect mash up; an iconic hook, ravey vocals and the ultimate bouncy, house energy. 'I Need (Speed)', is the funky, speed garage tune reminiscent of your favourite summer festival classics. Side B brings you 'Trip Life Xtra', an instantly recognizable banger, followed by feel-good 'Foxy Dave'.

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W.T.F.S / Ebi Lolo

12" | 2024 | UK | Original (Mukatsuku)

17,99 €*

Catch Me When I'm Falling

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mukatsuku returns with another superb little remastered package here on limited 12" hand-numbered to 400 copies. It features the Afro disco sounds of Fred Fisher Atalobhor And His Ogiza Dance Band .'wtfs' was originally released back in 1981 from the African Carnival album.
It's a booty-wiggling cut with myriad funky lines, squelchy synth motifs, lush chords and soul drenched vocals that bring the sunshine and party in equally playful measure. On the flip is 'Ebi Lolo' which is defined by its big brass section and loosey-goose guitar lines, bright chords and subtle funk and currently being championed by Charlie Dark on social media and his recent DJ sets….

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Derwin Daniels

7" | 2024 | UK | Original (Athens Of The North)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Derwin Daniels, Soprano Sax player and composer, made this little R&B 45 in 1989. Recorded with vocals by the unfortunately passed away La Donna Wells who brings a Mary J Level performance 3 years before "What's The 411" hit the streets. Slick, deep R&B that's soulful enough for modern soul and disco sets, what's not to love. Flipped with some Jazz Bizznes from Derwin, utter gold!

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Tokyo Riddim Volume 2 1979-1986

LP | 2024 | UK | Original (Time Capsule)

2LP | 2024 | WW | Original (Modulor)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.

The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.

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Dooz Kawa

Vol De Nuit

Release: 2024 / WW – Original

Genre: Hip Hop

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Fluxus & Neofluxus: Keep Together

2LP | 2024 | EU | Original (Sub Rosa)

Soul Jazz Records presents

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In April 2023, there was released the first part of the Fluxus edition called Stolen Symphony. The year has come and gone and there is the second part of the Fluxus edition called Keep Together. At the centre of both parts of this edition was a broken piano, acquired by the Opening Performance Orchestra for the purpose of making live and studio recordings. During this time other new works for this broken piano were written by diverse Fluxus and non-Fluxus composers. In the spring of 2022, the Opening Performance Orchestra and broken piano participated in an event hosted by Mieko Shiomi. This was a new version of her early work Spatial Poem, documentation of which was presented at the 2022 Aichi Triennale in Tokyo. At present, broken piano lies in the open air in Prague and is subject to gradual decay.

These both parts of this edition contain 73 new and old pieces, live and studio recordings, finished pieces and scores to be performed, solos and pieces for ensemble, using classical and special instruments from 33 Fluxus artists, which have been played by 10 soloists and 4 ensembles. There are new essays and articles from 15 writers on the theme Fluxus, original photos and other documentation in the booklets.

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D-I-Y: Do It Yourself Orange Vinyl Edition

LP | 2024 | UK | Original (Soul Jazz)

Peter Sound Orchester Thomas

Release: 2024 / UK – Original

Genre: Rock & Indie

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Out of print for 15 years, Soul Jazz Records" "Do It Yourself" features a host of postpunk, punk, punk funk/dance and electronic experimentation from UK bands in the late 70s and 80s that all arrived in the aftermath of punk. As well as loads of great music, the album also charts the rise of the independent music industry in Britain that similarly thrived during this time.Featuring classic groups such as The Buzzcocks, A Certain Ratio, The Fire Engines, Glaxo Babies and a host of lesser known, rare and obscure tracks and artists, this new 2024 edition comes as a limited edition special coloured version double vinyl pressing, complete with deluxe gatefold sleeve with two unique inner sleeves.

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OST Edgar Wallace

LP | 2024 | EU | Original (Allscore)

32,99 €*

Release: 2024 / EU – Original

Genre: Soundtracks

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A Willed And Conscious Balance "Contemplation" Colored Vinyl Editoin

Tomin

LP | 2024 | US | Original (International Anthem)

A Willed And Conscious Balance Black Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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A Willed and Conscious Balance is the first album of material arranged for an ensemble by multi-instrumentalist composer Tomin Perea-Chamblee.The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch"s FLY or DIE. Tomin"s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.

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Tomin

LP | 2024 | US | Original (International Anthem)

All Pleasure Silver Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Thus Love

LP | 2024 | US | Original (Captured Tracks)

Catherine Christer Hennix

Release: 2024 / US – Original

Genre: Rock & Indie

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In the age of streaming platforms and social media, stimulation is easy to come by. Real pleasure, however_the kind that feeds our soul rather than draining it_is in shockingly short supply. The second LP by Thus Love is full of that kind of nourishing euphoria. It swoons, shakes, and swaggers with a combination of grit and sensuality that's been hard to locate in music lately. It's called, fittingly, All Pleasure. The album came out of a period of dizzying growth and transformation for the group. When they began work on it, vocalist/guitarist Echo Mars and drummer Lu Racine were still reeling from the runaway success of their 2022 debut Memorial_a set of lush, elegant post-punk that brought praise from The Fader, the NME, and the Guardian_along with processing the departure of the founding bassist. With All Pleasure, the band re-formed with new bassist Ally Juleen and guitarist/keyboardist Shane Blank. The group convened in a barn in the woods that Mars had transformed into a recording studio, and kept one rule at the forefront: "If it's not joyful, don't do it." What emerged from that mission is a stunningly gorgeous album, full of big, arcing melodies and a range of kinky stylistic twists that will surprise listeners who know the group just for Memorial's chorus-drenched 80s-style psychedelia. "Birthday Song" gives grungy glam rock with a transcendent hook that underlines Echo's lyrical tribute to communal joy. "Get Stable" transmutes existential panic into sharp-angled punk pop. The anthemic title track is something like the album's mission statement, paying tribute to the power of joyful creation. Mixed by Matthew Hall and Rich Costey and mastered by Bob Weston, All Pleasure was recorded as live as possible, capturing the sheer infectious ecstasy that comes from sharing space together and making a divine racket. Put on All Pleasure, tap into the energy that Thus Love is putting out, and you just might find an escape.

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Further Selections From The Electric Harpsichord

LP | 2024 | EU | Original (Blank Forms Editions)

LP | 2024 | Original (Dyse Nation)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichordpresents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus. Originallydebuted in 1976 at the festival Brouwer's Lattice at Stockholm's Moderna Museet, The Electric Harpsichord has steadily mystifiedfans and students of Western minimalist music for its implacable, transformative qualities, and the long-held, relativeobscurity of its creator. Like the work of Hennix's close friend La Monte Young, the piece is set in just intonation and focuseson the transcendental potentials of precise tuning, inspired by their studies with Pandit Pran Nath. Composed of bursts ofoscillating, synthetic tones using a carefully retuned synthesizer and a tape-based system for feedback delay, the sounds swirl,twinkle, and appear to bend time, space, and perception. Additional, sustained chords on the sheng, most likely played by herDeontic Miracle bandmate Hans Isgren, are present at the opening of the piece and reemerge towards the end of therecording.The release of Further Selections constitutes the most comprehensive original recording of this foundational work to date.Originally billed as The Well-Tuned Organ during its debut in Sweden, The Electric Harpsichord has developed a legendaryreputation, predicated on a twenty-six minute fragment salvaged and circulated by Hennix's friend Henry Flynt. Promoting itsimportance on multiple occasions, Flynt aired the work on WBAI radio, organized a pair of tape concerts at New Yorkalternative arts spaces in 1970s, and later penned a 1998 essay which served as the liner notes to its eventual CD release in2010. For him, this work not only represented a sterling milestone in minimal sonic aesthetics, but also spawned a new genrethat he dubbed "hallucinogenic/ecstatic sound environments (HESE)," which in turn inspired his own drone-likecompositions. Gradually, interest in the recording...

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Dyse

Audiochimaere

Release: 2024 / Original

Genre: Rock & Indie

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Orchestre Tout Puissant Marcel Duchamp

Ventre Unique

LP | 2024 | Original (Les Disques Bongo Joe)

2LP | 2024 | US | Original (Bar/None)

Release: 2024 / Original

Genre: Rock & Indie

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Orchestre Tout Puissant Marcel Duchamp"s latest album, "Ventre Unique", is a dynamic exploration that seamlessly blends folk, krautrock, post-punk, and African rhythms, delivering an emotionally charged yet exuberant listening experience.

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Ivy

Long Distance

LP | 2024 | EU | Original (Tapete)

Release: 2024 / US – Original

Genre: Rock & Indie

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Originally released in November 2000 Ivy's third studio album, Long Distance is considered by many to be their breakthrough album. It's heavily influenced by trip hop and new wave while maintaining the blend of indie pop and rock they had become known for. Long Distance includes some of Ivy's must recognizable songs like "Worry About You," "Undertow" and their signature song "Edge of the Ocean."This 25th Anniversary edition includes a rare Ivy outtake "All I Ever Wanted." Produced by Lloyd Cole in 1996 while recording their album Apartment Life. It was shelved and has gone completely unheard until now. Also include are a remix and the original demo for Edge of the Ocean.

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Trust Fund

Has It Been A While?

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Intravenal Sound Operatio)

Diamanda Galás

Saint Of The Pit

37,99 €*

Limits Of Language Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Saint of the Pit, Diamanda Galás" fifth studio album and the second in her trilogy, The Masque of the Red Death, is an urgent record. Its theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace. Re-released on Galás" own Intravenal Sound Operations (ISO) after its initial release on Mute in November 1986, Saint of the Pit is a masterpiece of witness - ing, forged from grief and fury during the HIV-AIDS epidemic. While its precursor, The Divine Punishment (originally via Mute, now ISO), released only five months before in June 1986, invoked Old Testament laws around the clean and the unclean, as a way of raging against the inhumanity of systemic neglect of people with HIV-AIDS, this album is focussed on a more interior response.

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Field Music

LP | 2024 | UK | Original (Memphis Industries)

LP | 2024 | Original (Well Kept Secret)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Field Music will release Limits of Language, their first album of new music for almost four years. Back in 2022, the touring cycle for the Flat White Moon album ended with a sense of finality. For the first time since the Mercury-nominated Plumb ten years earlier, Peter and David had no plan for what, if anything, would come next. However, after six years of continuation, they were clear that if Field Music was to carry on then it would have to be different, in both sound and scope.

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Gold Connections

Fortune

LP | 2024 | US | Original (Paradise Of Bachelors)

Release: 2024 / Original

Genre: Rock & Indie

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In 2021, Will Marsh ditched his music career, packed his bags and headed to New Orleans to pursue an MFA. Pandemic brain had firmly set in, so while Marsh dove into his work with Habitat for Humanity, he also found himself dazed and confused amidst such a turbulent time. Music wasn't at the forefront of his mind_ but it chased him.Let's rewind a bit. Will Marsh started Gold Connections at the College of William and Mary, where longtime friend Will Toledo (Car Seat Headrest) produced and recorded Marsh's debut self-titled EP, released via Fat Possum in 2017. Two EPs followed on EggHunt, 2018's Popular Fiction and 2019's Like A Shadow. This leads us to Fortune, the band's brand new LP, out worldwide on October 25 via New Orleans indie Well Kept Secret.It's a record that sounds like "a conversation between old Virginia and the buzzy psychedelic world of post-COVID New Orleans," according to Marsh. The eleven tracks on Fortune deftly navigate a geographical and spiritual journey: remorse, intoxication, anger, mystery, destruction, and regeneration, delivered with the same approach that NPR hailed as "undeniably catchy" and Sterogum claimed was "an animal of it's own."

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Jennifer Castle

Camelot

Flaws Transparent Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Camelot, the legendary seat of King Arthur's court in Early Middle Ages Britain, was probably not a real place. A corruptionof the name of a real Romano-Briton city, the word "Camelot" accumulated symbolic, mythic resonances over centuries,until achieving its present usage as a near-synonym of "utopia." In the mid-20th century alone, Camelot inspired anexplosion of representations and appropriations, among them the violent, affectless Arthurian court of Robert Bresson's1974 film Lancelot du Lac and the absurdist iteration of Monty Python's 1975 Holy Grail, both of which feature armoredknights erupting into fountains of blood; the mystical Welsh world of novelist John Cowper Powys's profoundly weird1951 novel Porius, with its Roman cults, wizards and witches, and wanton giants; and the nationalist nostalgia of PresidentJohn F. Kennedy's White House. Unsurprisingly there are fewer Camelots in more recent memory.Camelot, Canadian songwriter Jennifer Castle's extraordinary, moving 2024 chronicle of the artist in early middleage, charts a realer, more rooted, and more metaphorical place than the fabled Camelot of the Early Middle Ages (or itsmyriad depictions), but it too is a space more psychic than physical. In Castle's Camelot, the fantastic interpenetrates themundane, and the Grail, if there is one, distills everyday experience into art and art into faith, subliming terrestrialconcerns into sublime celestial prayers to Mother Nature, and to the unfolding process of perfecting imperfection inone's own nature. Co-produced by Jennifer and longtime collaborator Jeff McMurrich, her seventh record is at once hermost monumental and unguarded to date, demonstrating a mastery of rendering her verse and melodies alike withcrisply poignant economy. For all their pointedly plainspoken lyrical detail and exhilarating full-band musical flourishes,these songs sound inevitable, eternal as morning devotions."Back in Camelot," she sings on the lilting, vulnerable title track, "I really learned a...

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Gardens

LP | 2024 | EU | Original (Siluh)

OST Interstellar Sentinel (Original Game Soundtrack)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Deep inside my mouth is where dark treasures can be found/Would you like to find out?Austria is a place of high-altitudes and fittingly, the superb songwriting and musicianship ofGARDENS sits at a bird's eye view, embracing change with uncanny clarity, warmth andself-awareness, along with some darker hues. The quartet of Luca Celine Müller, PeterBenedikt Mathis, Patrick Stieger and Laura Keiblinger gained notoriety through their firsttwo singles `Talk' and `W...

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Chris Huelsbeck

2LP | 2024 | EU | Original (Black Screen)

40,99 €*

Bounds Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Soundtracks

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"This is the complete soundtrack album for Interstellar Sentinel, an action-packed bullet-hell shoot'em-up that takes you on a sci-fi fantasy journey through legions of monsters, demons, and cosmic mind-ripping entities. The game was created by a friend and colleague from the former Factor 5 USA studio and is an inspired love letter to some of the best side-scrolling games ever made, like Salamander/Life Force, Gradius, R-Type, Darius, Super Aleste, Einhander, Ikaruga, and more." - Chris Huelsbeck The soundtrack, featuring all new compositions, is heavily inspired by Chris' earlier works and successes, like Turrican, X-Out and Katakis and should be an aural feast for his fans.

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Craven Faults

LP | 2024 | UK | Original (Leaf)

33,99 €*

LP | 2024 | EU | Original (Kirkelig Kulturverksted)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Bounds follows Craven Faults"second full-length album Standers. Following loosely in the footsteps of 2020"s Enclosures release, here"s another 37-minute journey through Northern England via a lifetime obsessing at the fringes of popular culture.

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Kristin Asbjörnsen

Hjemveier

21,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Terrestrial Seethings Black Vinyl Edition

Black Pus

LP | 2024 | US | Original (Thrill Jockey)

Terrestrial Seethings Silver Bullet Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Black Pus is the guttural, raw, freeform project of singular drummer, vocalist, & artist Brian Chippendale. A heavy drum foundation and distorted electronics anchor Black Pus" sound, and remain directly connected to the intensity of Chippendale"s legendary duo with Brian Gibson, Lightning Bolt. Recorded at Machines with Magnets by engineer Seth Manchester, Terrestrial Seethings is pure energy, pure Black Pus, capturing the precision, frenzy, and ecstatic performance in all its glory. After more than a decade playing and improvising, Chippendale"s imagination and curiosity continue to push his world of twisted joy in expressive new directions.While known primarily for his iconic style of drumming with Lightning Bolt, Chippendale has also worked alongside artists such as Björk, The Flaming Lips, Boredoms, Andrew W.K., and Lee "Scratch" Perry. Outside of music related endeavors, Chippendale has made a name for himself as a renowned painter and painterly silk screen artist. Known for his frenetic color work, for Terrestrial Seethings Brian created striking black drawings that, like its title, pervert assumptions. Chippendale"s approach to crafting music as Black Pus mirrors his restless and indomitable spirit as a creator. His daily practice of making music and art on his own is both as meditative and cathartic, as it is inquisitive and spontaneous.

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Black Pus

LP | 2024 | US | Original (Thrill Jockey)

Flaws Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Gardens

LP | 2024 | EU | Original (Siluh)

12" | 2024 | EU | Original (Heist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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DJ Sneak

Synesthesia EP

Real Time - 40 Year Anniversary

Release: 2024 / EU – Original

Genre: Electronic & Dance

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DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings.

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Zer-O

12" | 2024 | EU | Original (Running Back Super Sound Singles)

12" | 2024 | Original (Aus Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Greg Wilson returns to Running Back with another special project.
Forty years on from the release of the groundbreaking ‘Street Sounds UK Electro’ LP, ‘Real Time’ (two versions of which opened the separate sides of the album), finally gets a 12” release. Despite its prominence on ‘UK Electro’, it was the only inclusion not to be issued on 12” back in 1984.
Zer-o, like Syncbeat and Forevereaction, were the same trio – Manchester musicians, Martin Jackson and Andy Connell, and DJ Greg Wilson, making his first foray into record production. They also teamed up with rappers, Kermit and Fiddz, for the Broken Glass
track, ‘Style Of The Street’, one of the early UK hip hop releases. Fictional production and songwriting credits were added by Street Sounds to suggest a thriving British electro scene, the music having blown-up in New York during ‘82/’83, with the ‘Street Sounds Electro’
series, launched in October ’83, documenting these developments and unlocking a significant youth market who’d religiously collect these compilations.
Featured here is a Greg Wilson edit of ‘Real Time’, the ‘retrospective dub’ (the ‘UK Electro opener, which was in fact the original demo version of the track), and a Gerd Janson bonus beats edit. Flip it over and you’ll find a pair of 2024 reworks – the retrospective
dub, and the more downtempo introspective dub – courtesy of Greg and Ché Wilson, whose recent collaborations have included remixes for Gabriels and Confidence Man.

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Dam Swindle

Come Back

16,99 €*

Songs Of Wishes And Bones

Release: 2024 / Original

Genre: Electronic & Dance

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Dutch duo Dam Swindle appear on Aus Music's 200 series and two new house originals come with remixes from K-Lone and Chloe Robinson & DJ ADHD
Dam Swindle have been helping to define the underground house sound for a decade, not least with their Heist label. The pair deal in timeless, fad-free sounds that are rich with dance floor dynamics and hint at a love of everything from disco to tech and plenty in between. They are notorious crate diggers who have played the world's most cultured clubs, their recent track Allright (Just A Tribute) on Phonica’s 20 year celebration has received widespread love by DJ’s this summer on the festival circuit and now they offer up two more of their studio gems for their 3rd full release on Aus.
This EP is the second in a series of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass- driven post-dubstep fusions.
This EP kicks off with 'The Last Time', a blissed-out deep house sound with impassioned vocal cries tugging at the heartstrings. Mellifluous synth daubs percolate through the mix to a captivating, feel- good effect. Next is 'Come Back,' an infectious house bubbler with gloopy synths and something of a garage shuffle in the kicks. It's fresh and packed with neon colour that brims with soul.
New school house and garage tastemaker and core Aus Music family member K-LONE steps up with a remix hot on the heels of his two-part EP series on the label. His version of 'The Last Time' is typically deft as soft focus chords swirl around prickly garage house beats. The distant vocal, the cavernous bass and the wistful feel all make it another classic.
Last but not least, Chloe´ Robinson & DJ ADHD are frequent collaborators on labels like Fabric Originals as well as Chloe´’s Pretty Weird imprint where they serve up potent, bass-heavy sounds. Their version of 'Come Back' is expertly stripped back. It teases and pleases with a blend of filthy low- end oscillations, slinky drums and tooting chord hooks that are effortlessly fun and effective.

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O'o

LP | 2024 | Original (Infine)

Islands Limited 10th Anniversary Blue Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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Recorded in the southwest of France, O’o’s second album broadens the group's musical horizons, enriched by the contrasts and surprises of rural life. Revisiting the animal parables from their first album Touche, Victoria Suter's lyrics draw inspiration from literature where humor and eccentricity blend with the mystery and supernatural elements of rural life, making her voice resonate in all its uniqueness. Mathieu Daubigné's productions serve as an ideal expressionist backdrop, showcasing incredible musical versatility by combining his expertise in club atmospheres, dynamic synthpop melodies, and contemplative experiments. Songs of Wishes and Bones is an album of chiaroscuro tones and a new centerpiece of the French indie-dance scene.

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Bear's Den

LP | 2024 | UK | Original (Communion)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Night Time Feat. Private Joy

D.D. Mirage

7" | 2024 | EU | Original (Isle Of Jura)

12,99 €*

LP | 2024 | EU | Original (Music From Memory)

Release: 2024 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Lovers rock style soul runnings from Sydney, Australia on this debut 7” from D.D. Mirage featuring Private Joy. The Original has a true 80’s lovers vibe with sweet harmonies from Private Joy and the flipside features a dubbed version. Labels and sticker designed by Bradley Pinkerton.

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Dead Sound (Young Marco)

Into The Void

Gaeg (Monkey Timers & Keita Sano)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Music From Memory is thrilled to introduce Dead Sound, the collaborative project of Marco Sterk (aka Young Marco) and Berlin-based pop-auteur John Moods. Both artists are no strangers to the label; Sterk forms one third of the trio Gaussian Curve, while Moods released the 2022 album ‘Hidden Gem’ with The Zenmenn.

Their collaboration was both planned and spontaneous; Sterk initially reached out in 2022 expressing his desire to work with Moods. The pair finally got together in 2024 to produce ‘Into The Void’, an album that burst into life over the course of a few creatively charged days in each other’s company.

Moods’ dream-like, emotionally charged music wears its heart on its sleeve; its very human vulnerability makes it a perfect match for Sterk’s strong sense of melody and textural sonic visions.

‘Into The Void’ carries these psychedelic traits in its DNA, but they exist layered deep amongst the shadows. Painting on a wide canvas that effortlessly skips between genres, the pair weave anything that inspires them into a truly unique tapestry; a bold attempt to touch at the beyond.

Exploring the space between perception (level of the mind) and the nature of the universe (actual level of reality) seems traditionally like an impossible task. But there’s gotta be a time and a space for the profound and this album invites the listener to go deep, letting go of concepts such as love and opening oneself up to one’s own authentic journey. This transformative force of healing is a central theme of ‘Into The Void’, a path that is lined with light and darkness in equal measure. But, as Moods says, “do not skip the darkness, let that door open and swallow you. And maybe you’ll find, it's not as dark as you perceived at first."

Sleeve art by Michael Willis.

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Jack EP

12" | 2024 | EU | Original (Sound Of Vast)

LP | 2024 | EU | Original (Waaghals)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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GǼG, the production unit of Tokyo's leading club sound Monkey Timers and Okayama-based maverick producer Keita Sano, is proud to present this heavyweight, alternative, and leftfield release on the "Sound of Vast."

Over a powerful and mysterious bassline, the hypnotic A1 'Jack' builds up with sharp synth stabs, dark pads, and Acid voices taken from Ron Hardy's open reel soundtrack series Jackmaster Hater. AA1 is followed by the obscure percussion track 'Yamato.' It is a reinterpretation of the drumming of legendary drummer Curt Cress from the German jazz-rock scene of the 80s in the context of dance music. AA2, 'Central' takes the funky bassline of The S.O.S. Band's 1982 album 'High Hopes' and infuses it with roaring feedback, cutting guitars, and spacy synth sounds, giving it a fresh, modern twist and elevating it to the realm of cosmic disco.

Monkey Timers' love for the classics of disco, krautrock, and Chicago house, the intensity and immersion of current club music created by their real-life experience in the field, and Keita Sano's unique free-form outlandish sound techniques coexist on this 12" EP.

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Sun Ra

Continuation

17,99 €*

LP | 2024 | EU | Original (Escho)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Recorded at the Choreographers’ Workshop in New York, 1963, Waaghals Records presents two songs from Sun Ra’s Continuation sessions on vinyl for the first time. Known for its lo-fi recording quality coupled with heavy use of echo and reverberation, the material recorded at the Choreographers’ Workshop holds a special place within the Sun Ra catalogue. This unique blend of avant-garde jazz and bold production methods is described as “low-budget musique concrete” by Sun Ra biographer John F. Szwed.

Taken from the 1970 Saturn album Continuation, side a features the complete unedited version of New Planet. A bouncy Ra track that somehow ends up in a sound-bath of low, throbbing frequencies and echoes. The b side, Meteor Shower, remained unreleased until 2014, making its first official appearance on vinyl here. The opening trumpet salvo warms us up for a micro trip through the vast cosmos, with more echoed percussion and a beautifully bowed bass solo. It is no surprise that in recent years this particular piece has been sampled, most recently by RP BOO and Armand Hammer.

Tape transfers and audio restoration by Michael D. Anderson and Irwin Chusid of the Sun Ra Archive.

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Elias Ronnenfelt

Heavy Glory

Micha Volders & Miet Warlop

Release: 2024 / EU – Original

Genre: Rock & Indie

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Elias Rønnenfelt is a musician and poet best known as the lead singer and lyricist of Iceage. Heavy Glory is his debut solo album. Out October 25th via Escho. Heavy Glory was recorded in Copenhagen in chapters and moments over the course of a year. Collaborators include Iceage's Dan Kjær Nielsen, Danish punk godfather Peter Peter, and singers Joanne Robertson (Elias and Joanne have collaborated before, on a number of recent Dean Blunt releases) and Fauzia. "I've done this so many times," Rønnenfelt explains, speaking of the process of crafting a long player, "but capturing and crystallising an album remains a singular ritual, just with different circumstances. We are capturing something that is hard to hold down." Heavy Glory is a record that examines all the things that lovers do, from the most desperate to the most pure. The lover haunts the record, reappearing and provoking Rønnenfelt, pulling him in and pushing him away. Songs like "Close" describe the line between jealousy and protectiveness. "Unarmed" is a song of surrender. "River of Madeleine" harnesses toughness in the name of preservation, staying up all night to protect his lover's dreams. "Stalker" is an epic third-person story song in the tradition of the murder ballad. The record closes with two covers. The first, Spacemen 3's "Sound of Confusion," is a mission statement of the life Rønnenfelt has found and inherited in music. "Here it comes," the song famously promises, and flares out into noise. It is a joyful noise, because this life, in all its grit, is the life he chose. The second, Townes Van Zandt's "No Place to Fall," is a sweet plea, Rønnenfelt's final invitation to join him on his journey. This journey - this story, this record - will repeat and continue. It never stops. Rønnenfelt's life as an artist results in a sound that wobbles and rocks but never loses its centre, both fragile and tough, and always moving forward. It is dreamy yet bombastic, held together by the passion of certainty. Co-produced by Rønnenfelt and Nis Bysted.

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Icchä Picture Disc Vinyl Edition

LP | 2024 | EU | Original (Mutropia)

You Are Leaving My Mind: The Mariko And Dokitto Station!! Era

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited Edition Picture Disc. Including Silver/Chrome Obi Sticker and Silver Postcard with album titles and info in English and Bengali. Housed in PVC sleeve.

Icchā is an international collaboration project that originated in 2023 in Dhaka, Bangladesh. The work "Chant For Hope" was realized by Miet Warlop and created on site with local performers while Micha Volders composed the musical context. The performance acts as a monumental living sculpture, in which the physical process of casting hundreds of Bengali words in plaster becomes the driving force to create a playing field between performers, public space, and participation. Woven through this performative context are more complex relationships that explore the tension between humans and language. As the words become so visible and tangible, an image of their inner bearing and our dealings with them emerges.

The recordings of this performance have been adapted and enhanced to create an album that reflects the energy and expands upon the sound created in Dhaka. Icchā is the Bengali wording of "desire," and reflects the eagerness and urgency felt within the process of this collaboration. In conjunction with the seven performers, a sonic adventure emerges that thrives on the energetic rendering of the Bangla language through transient patterns and snappy melodic figures. The album will be released on 24.05.24 as vinyl picture disc and digital, and will be available as a pre-order online and in local selected record shops.

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Maple Fyshh

LP | 2024 | JP | Original (EM)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Have you ever been to Miyazaki? It’s a prefecture on Japan’s southern island of Kyushu, facing the Pacific. Palm trees. Humid subtropical climate. This is the home of Maple Fyshh, a musical artist whose late-80s/early-90s recordings have been collected and reissued here. Liberated by the advent of 4-track cassette home recording technology, inspired by a love of 60s pop oddball production mavens like Phil Spector and Joe Meek, as well as American hot rod and surf music, these Maple Fyssh songs glow with an outsider’s love of the transformative power of newly-available sound technology, allowing him to pull his inspirations across decades and oceans to his 1990s Miyazaki home studio. The tracks here are a d.i.y. dream-pop wonderland, compiling songs from his first LP “Mariko” and second LP “Dokitto Station!!”, both self-produced, both released in 1995. The A-side of this release features tracks from the concept album “Mariko”, a masterpiece of daydream pop introspection, recorded in 1994-95, inspired by a poem submitted to a manga magazine. The B-side features tracks from “Dokitto Station!!”, slightly earlier recordings that draw inspiration from a range of 60s pop including girl groups, surf music and acid folk. All the music here demonstrates Maple Fyshh’s deep understanding and appreciation 60s pop moves, and also his mastery of the limited technology at his disposal.

Remastered in 2024, the sound of Miyazaki has been reborn for a new audience. Available on Vinyl LP and download, with a DL card, English/Japanese lyrics and entertaining and informative English/Japanese liner notes by the artist.

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12" | 2024 | EU | Original (Havalon)

Our Times EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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havalonrecords is back and this time they are bringing you a Various Artists featuring 4 amazing tracks from their talented friends. Each track is a testament to their unique style and creativity, and we can’t wait for you to hear it!

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Horror Sex And Violence Purple Vinyl Edition

LP | 2024 | Original (Erostica / Topsy-Turvy)

37,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Metal Positision)

Royal Flush EP

LP | 2024 | Original (Adf Bayard Musique)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Metal position returned after 7 years with a reunion ep from Lucretio, Steve Murphy and DJ Octopus with the signature focus on kick drum and bass line.

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Da Silva

Grand Hotel

Release: 2024 / Original

Genre: Rock & Indie

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One Louder Colored Vinyl Edition

Venerea

LP | 2024 | EU | Original (Sbaem)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Revolt And Resolve Colored Vinyl Edition

No Opinion

LP | 2024 | Original (Sbäm)

Release: 2024 / Original

Genre: Rock & Indie

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Year Of The Banana Indie Exclusive Yellow & Brown Splatter Vinyl Edition

Rubblebucket

LP | 2024 | US | Original (Egghunt /Clandestine)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Double Double Whammy)

Sean Henry

Head White Vinyl Edition

LP | 2024 | UK | Original (Permanent Draft)

Release: 2024 / US – Original

Genre: Rock & Indie

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"HEAD" is an album of slacker rock anthems for downtown loners and hometown heshers.

The album features tape-warbled acoustics and overdriven electrics. Sean Henry weaves warped samples and saturated trip-hop drums into a bold sonic collage. Often groovy, often melodic. Sometimes hushed, and sometimes howling. It’s an album of existential earworms.

The writing and recording process was all-consuming. “It was an obsession,” Sean Henry says. The obsession lasted over two years. He set out with a clear inspiration—a series of near-death experiences, and the downward spiral they triggered.

Against this emotional backdrop, Sean Henry began writing "HEAD". He planned to produce a record of his descent into madness. The album he ended up with tells a different story. HEAD is hopeful, even when misfortune lurks just outside the frame.

Track one wakes up into a dream—within its first lines, we’re already out of our bodies, soaring toward the ceiling like the figure on the album cover. The tracks that follow encompass a wide scope. “Jamproof” is a bass driven groove with plinking piano and crackling vinyl. “Burn It Out” is a twangy hometown banger with guest vocals from Lowertown’s, Olivia O. The album finishes with a cover of “In Heaven,” an eerie ballad famously performed by a tiny woman inside a radiator in David Lynch’s Eraserhead. Like the film, this record presents a dark world with an optimistic sheen.

One of the album’s most memorable lines is the “Jamproof” refrain, “Nothing’s gonna get me down,” sung in a slightly unsettling whisper. On the eve of his first single release in four years, Sean Henry’s NYC apartment burnt down. Thank God for his persistence.

Out 8/30 via Double Double Whammy and AMATEUR MUSIC.

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Irene Bianco

Kronblade

LP | 2024 | UK | Original (Sad Club)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Irene Bianco is Italian-born percussionist, free improviser and composer based in Copenhagen. Starting playing drum-kit at an early age and then trained as a classical percussionist, her music influences span from baroque and orchestral music to 90s rock and club music.

Other than in solo, she is an active freelancer and a member of Damkapellet collective and Wolfskin Ensemble.

Now Permanent Draft, London based all-female label run by Valentina with Fanny Chiarello, is making this document available worldwide. -- Kronblade, the Danish word for “petals”, is Irene’s debut solo album. The album includes six instrumental electroacoustic tracks recorded in a studio in Copenhagen in November 2023. Kronblade music aims to explore the spontaneous and unconventional, leaving space for unpredictability and whimsicality.

Most of the sounds, rhythms and melodies have been collected and composed over the last years, during traveling around cities, in nature and in Irene’s everyday life. The tracks present layers of flexible forms and have a large use of improvisation.

The acoustic instrumentation includes mainly percussion, from vibraphone and vintage bass drums to metal objects, bells, shakers, paper carillon, wind-up toys and an old zeither. Electronic sounds, effects and field recordings have had a main role in the creation process, not as an opposition but as a fundamental, complement merging component.

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Blood Wizard

Grinning William

25,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | Original (Peaceville)

Darkthrone

It Beckons Us All.......

LP | 2024 | FR | Reissue (SouffleContinu Records)

Release: 2024 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Petrol transparent coloured vinyl.

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Septet Matchi-Oul

Terremoto

23,99 €*

Release: 2024 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | Reissue (Blue Note)

Clifford Brown

Memorial Album

Release: 2024 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | FR | Reissue (SouffleContinu Records)

Machi Oul

Quetzalcoatl

25,99 €*

2LP | 2024 | US | Original (Rvng Intl.)

Release: 2024 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Booklet and insert included.

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Tashi Wada

What Is Not Strange?

Release: 2024 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | EU | Original (Edition)

Joe Webb

Hamstrings & Hurricanes

23,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Buenritmo)

Koko-Jean & The Tonics

Love Child

21,99 €*

LP+CD | 2024 | EU | Original (Hanky Panky)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Koko-Jean & The Tonics' second album modernizes their classic approach by delving into the pure soul sound and the social and musical atmosphere of the 70s. There are essentially danceable songs, like 'The Spin', others that are more romantic and slow-burning, like 'Never Ever', and pieces that transport us to Brooklyn in the 60s and 70s, like the protesting 'Frank's Zone' or the nostalgic 'Love Child'.

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Erik Voeks

Sandbox

As If It Had Always Been Determined Since This Day

Release: 2024 / EU – Original

Genre: Rock & Indie

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Though he only released a few singles (on the legendary independent labels Bus Stop & Parasol) and the classic 1993 album “Sandbox” (recorded with a cast of friends that included Adam Schmitt, Patrick Hawley, Jay Bennett, Steve Scariano and Nick Rudd), Erik Voeks’ music has resonated deeply with a small but dedicated group of pop and powerpop fans around the world. “Lost treasure,” “hidden gem” are expressions often used to describe “Sandbox,” which is now, for the first time in its 30th anniversary, being reissued on vinyl by Hanky Panky Records along with a CD that brings together 8 demos of the album, his two singles for the Bus Stop label and a previously unreleased original track, “Pristine”. For years Erik kept a low profile, but never stopped recording music, playing with friends like The Octopus Frontier, or even touring the United States and Europe with Jon Dee Graham. In late 2012, Spring Records released a 4-song EP titled “Free Range” on vinyl, which received rave reviews. Since then, Erik has kept busy putting out more new recordings through his bandcamp page, playing live shows, and touring Spain a couple of times. In 2016, Hanky Panky released “So The Wind Won't Blow It All Away” his first full-length album in over 20 years. The album garnered much critical acclaim and was the #1 album of the year on John Borack's influential “Power Pop Plus List.” After touring Spain in 2017 as Erik Voeks & The Spanglish Settlement, Erik, Juan Ferrari, Pepe Bermejo, and Patrick Hawley decided to record an album together. Plans were made for the four of them to reunite in Spain to finish the album, but the pandemic interfered and the recording process took a long and winding road. But better late than never, as they say: “It Means Nothing To Me Now” was finally released in early 2024 under the Erik Voeks & The Ghosters moniker.. “Pure pop magic,” says the Powerpopaholic website, and who are we to disagree?

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The Gerogerigegege

LP | 2024 | EU | Original (Toothpaste)

40,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hot Buttered Soul Singles 1969-1972

Isaac Hayes

2LP | 2024 | UK | Original (Stax)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Sixteen years may have gone by since Isaac Hayes’ untimely passing at the age of just 65, but he remains one of the most popular and Iconic singer-songwriter-arrangers in the history of Soul music.

The albums Hayes’ made for Stax’ Enterprise label remain the benchmark in ‘symphonic soul’, and sound as breathtakingly brilliant as they did when they were new releases.

As well as being one of a small group of artists who expanded the growth of the soul albums market, Ike was a consistently successful singles artist, who placed 16 consecutive 45s on the R&B chart between 1969 and 1976 – most of which also crossed over to pop.

The biggest hits have been anthologised on previous occasions – but “Hot Buttered Singles” is the first series to present the A and B sides of all of Hayes’ ‘Yellow Stax’-era 45s in chronological order, and in their original singles versions – several of which have not appeared on CD before. Many of these tracks are among his best loved recordings. Here you will hear them as you would have heard them on soul and pop radio over half a century ago.

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LP | 2024 | UK | Original (BGP)

This Is The Breaks

20,99 €*

Miss Louistine / Sam Dees

Release: 2024 / UK – Original

Genre: Organic Grooves

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“This Is The Breaks” is a 12-track look at the history of the break − and they’re all great jazz, funk and soul records. We have not only included tracks that were sampled back in the first golden age of sampling, but also tracks that have been utilised by some of today’s biggest names.

The curtains open with Millie Jackson’s version of ‘If Loving You Is Wrong I Don’t Want To Be Right’ originally a hit for Luther Ingram in 1972. This version recorded in Muscle Shoals and produced by Brad Shapiro was the opening track of Jackson’s “Caught Up” LP released in 1974. The use of a beat with sweeping strings as a sample, usually at a slow to medium tempo, as pioneered by the Wu-Tang Clan, seems to be especially in vogue at the moment. ‘If Loving You Is Wrong I Don’t Want To Be Right’ has been used over 50 times over the last few decades and was sampled in 2023 by NLE Choppa on ‘Pistol Paccin’’. A similar sound is culled from Debbie Taylor’s 1969 track ‘Let’s Prove Them Wrong’ which was sampled in 2021 by JID on his cut ‘2007’. It was also used in 2023 on ‘Release Me’ by Nasty C.

f this suggests that sampling can be fashion-led, another example is Little Ann’s ‘Deep Shadows’. Ann was a Detroit singer who released only one single − 1968’s Going Down A One-Way Street (The Wrong Way) produced by Dave Hamilton for Ric-Tic Records − but left a handful of soul masterpieces in the vault. While two of those − ‘What Should I Do?’ and ‘Who You Trying To Fool?’ − are up-tempo northern soul dancers, the downtempo ‘Deep Shadows’ is atmospheric, with a plodding beat, memorable vibes and piano parts. Finally released in 1998, it has since been sampled dozens of times by artists like Grand Puba on ‘Think Of U’ (2016), Loyle Carner on ‘You Don’t Know’ (2019), and more recently in 2024 by Your Old Droog’s on ‘dbz’, featuring Madlib, Denzel Curry and Wu-Tang Clan’s Method Man.

One of hip-hop’s greatest producers is DJ Premier of Gang Starr, whose beat picking is exemplary and the way he uses those beats raises him above almost all his peers. Take his deployment of Joe Simon’s ‘Drowning In The Sea Of Love’, which he edited and manipulated to form the hook of Gang Starr’s 1997 single ‘You Know My Steez’. He was also the first producer to sample Billy Garner’s Detroit street funk cut ‘I Got Some’ which went on to be sampled time and time again. From the same Motor City studio − Dave Hamilton’s − came Chico & Buddy’s ‘Can You Dig It?’ which was one of several samples on House of Pain’s 1992 hit ‘Jump Around’.

Classic golden age samples are present in Lowell Fulsom’s ‘Tramp’, which has been sampled over 50 times including by the Wu-Tang Clan and Epmd, and the Fatback Band’s ‘Gotta Learn How To Dance’ which was used by Kool G Rap and DJ Polo on the tough rap of ‘Streets Of New York’ in 1990. For dance music fans it was also the sound of Groove Armada’s ‘My Friend’ in 2001. Another UK dance hit sample is Bernard ‘Pretty’ Purdie’s ‘Heavy Soul Slinger’ which was used by the Prodigy on their 1995 hit ‘Poison’ and by Massive Attack on their 1998 track ‘Mezzanine’. Lonnie Liston Smith’s beautiful ‘Summer Nights’ has been sampled mainly in dance music by artists such as Moody Man and the Swedish House Mafia. New Orleans singer Tami Lynn’s version of the Doors ‘Light My Fire’ was sampled by musician, producer and DJ Howie B on ‘Sore Brown Eyes’ (1997) and also by the Dilated Peoples on ‘Triple Optics’ (1998). Gil Scott-Heron’s harrowing tale of drug addiction, ‘Home Is Where The Hatred Is’, from his 1971 LP “Pieces Of A Man” was sampled on the Kanye West and Common collaboration ‘My Way Home’ from West’s “Late Registration” album released in 2005.

Whilst the music on “This Is The Breaks” has been sampled to construct brilliant new songs the originals have stood the test of time. In fact, someone, somewhere in the world is probably slipping some of this music into a new song right now.

So, drop the needle and challenge your friends to play a guessing game of who used what sample and when.

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Con Me

7" | 2024 | UK | Original (Deep Soul)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Miss Louistine’s version of ‘Con Me’ was one of the best Deep Soul finds of recent years. The Paragons smooth Chicago reading of Dees’ composition that came out in 1975 has long been admired, but this southern soul treatment of the now-classic is jaw-dropping.

To really focus on the masterpiece of a song, we have added Dees own take as the flip. That also remained unissued until Kent accessed the tapes in 1998 and is finally a single.

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This Is Retro Soul 1969-1979

LP | 2024 | UK | Original (BGP)

20,99 €*

Richard Temple / Kimmy Conwell

Release: 2024 / UK – Original

Genre: Organic Grooves

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Retro soul is a sound that you know when you hear it, recorded at a point where soul music reached its zenith. It’s where the pioneers of the 60s had matured to a point that they could use the experiences of the past decade to create an incredible fusion that mixed R&B, gospel, funk and jazz and adorned it with expansive, sophisticated arrangements that allowed listeners to wallow in its depth and dance to its beat. Today this music soundtracks films and adverts, is mined for beats by clever producers and still sounds amazing when played in bars and clubs. This is music that urges you to get up on your feet.

The 12 tracks on “This Is Retro Soul” are an entry point into this mythical world conjuring up images of flared trousers, Halston dresses, Cadillacs with a “diamond in the back” and hair the size of space helmets. But the music conforms to no simple clichés, whether it was created by international superstars such as Isaac Hayes and Millie Jackson, cult heroes George Jackson and Darrow Fletcher or obscure one-off groups such as the Brilliant Korners.

This music is high class and always original.

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That Beatin' Rhythm / Cigarette Ashes

7" | 2024 | UK | Original (Mirwood)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Little needs to be said about these two Mirwood Monsters, but to have both tracks on the same 45 is a righteous luxury. ‘That Beatin’ Rhythm’ is the epitome of the Northern Soul dance scene and has been a call to the floor for fifty years now.

The instrumental flip (credited to the actual singer of the A side) was equally massive at the time, but has been somewhat neglected in recent years - the vocal version gaining most DJ spins.

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A Good Thing Goin'! - Girl Group Sounds Usa 1962-1967

LP | 2024 | UK | Original (Ace)

20,99 €*

Kenneth Wright / Miss Louistine

Release: 2024 / UK – Original

Genre: Organic Grooves

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Ace Records has been the go-to source of 1960s US girl group compilations since the release of our “Where The Girls Are”, “Girls About Town” and “Stop, Look & Listen” vinyl albums back in the 1980s. The 10-volume “Where The Girls Are” CD series followed over the next few decades, along with a batch of standalone CD collections. These days, however, the vinyl long-player is back in favour as the format of choice for discerning collectors.

“A Good Thing Goin’!”, the latest in our current series of gorgeously packaged 12-inchers, drops this month. The album opens in fine style with ‘What About You’ by the great sounding Mousie & the Traps. Darlene Love kicks off the second side with ‘Let Him Walk Away’, a song written by Jackie DeShannon with noted arranger Jack Nitzsche, no less. Darlene Love, one of the most beloved vocalists of the classic girl group era, also sings lead on the Blossoms’ terrific previously unissued ‘You Had A Good Thing Goin’’, while Jack Nitzsche produced the Satisfactions’ lush ‘Baby I’m So Glad It’s Raining’ and Karen Verros’ castanets-driven version of the Crystals’ ‘Little Boy’.

Other highlights include Brenda Holloway’s silky pre-Motown gem ‘Constant Love’, the Puffs’ hip dancer ‘I Only Cry Once A Day Now’, the Fran-cettes’ latin-flavoured ‘Late In The Evening’ and Linda & the Vistas’ Shrine Records rarity ‘Bad Apple’. As usual in the series, the swanky inner sleeve features a picture-packed 3,000-word track commentary by long-serving compiler Mick Patrick.

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The Souls Of Black Folks / Extra-Extra

7" | 2024 | UK | Original (Kent)

Don't Try To Tell Me / Laughing On The Outside

Release: 2024 / UK – Original

Genre: Organic Grooves

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Soul connoisseurs are adventurous folk and the emergence of a previously unknown singer/songwriter is big news among the cognoscenti. The only trace of Atlanta’s Kenneth Wright is a handful of unrecorded song titles on BMI represented by Aware’s publishing company Act One. At least a dozen of his recordings have recently been found in the Aware tape vaults and ‘The Souls Of Black Folks’ is the pick of them. It features Kenneth’s vocals and an equally impressive unknown female lead who adds more mystery to the project.

From the same Atlanta label source comes Miss Louistine’s take on the Sam Dees’ song ‘Extra, Extra’. Originally recorded by Ben E King as an album track, Louistine’s punchier take featured on a recent 100 Club Anniversary 45 and is well in-demand.

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Berna-Dean

7" | 2024 | UK | Original (Kent)