1980s Vinyl 1340 Items

Release: 1989 / UK – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1987 | HU | Original (Pepita)

Zorán Sztevanovity

Szép Holnap

Release: 1987 / HU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | TR | Reissue (Universa Music Group)

Zerrin Özer

Sevgiler

23,99 €*

LP | 1980 | TR | Reissue (Universa Music Group)

Release: 1980 / TR – Reissue

Genre: Pop

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2021 Re-mastered, reissue, 180g black vinyl + 4 pages Liner notes. It was originally released at the same year of her debut album Seni Seviyorum in 1980. No suprise in the 2nd album of disco queen. Zerrin Ozer is one of the leading pop musician in Turkiye started her musical career in the seventies, still performing now. She is blessed by the music gods with a powerful voice. Amazing orchestra which is called “Istanbul Gelisim” accompanied with her at the moment of releasing this musical wonder.

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Zerrin Özer

Seni Seviyorum

20,99 €*

12" | 1986 | EU | Reissue (Rush Hour)

Release: 1980 / TR – Reissue

Genre: Pop

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2019 Re-mastered – 140g black vinyl with 4 pages liner notes It was originally released in 1980 during the disco and funk period of Turkiye. The cover photo may delude you about the music style of the album. Zerrin Ozer looks like Janis Joplin. However, she is the queen of Turkish disco, soul and funk. What a powerful voice which vibes when she is singing. Listen to it and enjoy.

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Zenana

Witches

17,99 €*

LP | 1982 | TR | Reissue (Türküola)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Pop

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Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘mfr’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

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Zeki Müren

Eskimeyen Dost

LP | 1988 | JP | Reissue (Sony Music Japan)

Release: 1982 / TR – Reissue

Genre: Pop

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2017 Re-mastered, reissue, 180g black vinyl in gatefold Cover. Originally released in 1982 by the Turkish Poet, composer and singer of classical and contemporary Turkish Music. He was the most popular artist in his genre for four decades. His distinctive voice style impressed millions of people and many singer following him. This LP is considered as one of the best among his albums.

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Yumi Tanimura

Face

56,99 €*

Release: 1988 / JP – Reissue

Genre: Pop

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LP | 1987 | US | Reissue (CBS)

Yumi Tanimura

Believe In

69,99 €*

Release: 1987 / US – Reissue

Genre: Pop

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LP | 1982 | JP | Reissue (Columbia)

Yumi Murata

Himiko

71,99 €*

7" | 1985 | NL | Original (Pick Up)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Pop

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Yumi Murata’s second album with Mariah.
It’s a beautiful, stateless ambient record with its halting vocals, which reflect the sonic experiments of Shimizu Yasuaki.

Mariah, at a time when she was leaning towards hard rock; she used this song as a starting point to steer her into the new wave.

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Yukihiro Takahashi

Walking To The Beat

Release: 1985 / NL – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Yoshinori Monta / Junko Ohashi

Natsuonna Sonia

7" | 1984 | JP | Reissue (Universal Music)

29,99 €*

LP | 1983 | EU | Reissue (Music On Vinyl)

Release: 1984 / JP – Reissue

Genre: Pop

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" Pressed on 7"" black vinyl
Two incredible hits from 1980s Japan!
NOTE: artwork to be announced Two major duets by Yoshinori Monta and Junko Ohashi are released simultaneously on analog 7inch single vinyl! In April 1983, ""Natsu Onna Sonia"" became a big hit under the name ""Yoshinori Monta with Junko Ohashi,"" and the following June 1984, ""Koi wa Magic"" was released simultaneously, this time under the name ""Junko Ohashi with Yoshinori Monta! The couplings include Yoshinori Monta's solo song ""Harbor Light"" and Junko Ohashi's solo song ""A LOVE AFFAIR,"" respectively."

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Yellow Magic Orchestra

Service

20,99 €*

LP | 1985 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop, Comics

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Used Vinyl

Medium: VG+, Cover: Near Mint

Clear vinyl is close to NM. PVC sleeve. with booklet. Limited edition numbered. 2016 reissue.

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Yello

Stella

26,99 €*

Upstairs at Eric's Numbered Limited Edition

Release: 1985 / EU – Reissue

Genre: Pop

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Stella is the fourth studio album by the Swiss electronic band Yello, first released in 1985. It was the band's breakthrough album internationally, helped by the success of the song "Oh Yeah", which gained the band worldwide attention the following year after it was prominently featured in the 1985 film Ferris Bueller's Day Off and then two years later in The Secret Of My Success.

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Yazoo

LP | 1982 | US | Reissue (Mobile Fidelity Sound Lab)

38,99 €*

LP | 1985 | JP | Reissue (HMV Record Shop)

Release: 1982 / US – Reissue

Genre: Pop

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All the Grooves Hit the Low-Frequency Targets: LP Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI!

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World Standard

33,29 €* 36,99 € -10%

LP | 1986 | EU | Original (Virgin)

Release: 1985 / JP – Reissue

Genre: Pop

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First LP reissue since 1988
Produced by Haruomi Hosono
Japanese pressing

World Standard is a stylish pop unit that incorporates a wide range of music from rock, techno to ambient. Their memorable first album, which debuted in 1985 on the Teichiku Non-Standard label produced by Haruomi Hosono, will be remastered and reissued under the supervision of Soichiro Suzuki!

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Working Week

Compañeros

LP | 1985 | US | Original (Elektra)

Release: 1986 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Small saw cut.

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Womack & Womack

Radio M.U.S.C. Man

Release: 1985 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Wolf Maahn & Die Deserteure

Rosen Im Asphalt

3LP+Box Set | 1986 | DE | Original (EMI Electrola)

5,99 €*

Release: 1986 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1985 | DE | Original (Jive)

Winston Groovy

Nightshift

LP | 1978 | DE | Original (MPL)

Release: 1985 / DE – Original

Genre: Reggae & Dancehall, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Orange translucent vinyl is close to NM.

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Wings

London Town

Release: 1978 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Freebaby (Baby, I Love Your Way/Free Bird)

Will To Power

12" | 1988 | EU | Original (Epic)

Release: 1988 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Whitney Supervinyl Edition

LP | 1987 | US | Reissue (Mobile Fidelity Sound Labs)

75,99 €*

Release: 1987 / US – Reissue

Genre: Pop

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Mastered From THE Original Master Tapes AND Pressed AT RTI ON Mofi Supervinyl FOR Spectacular Sound

Whitney did more than turn Whitney Houston into a pioneering sensation known around the world by her first name. Originally released in June 1987, the singer's blockbuster sophomore record became the first album by a female artist to debut at No. 1 on the Billboard 200 chart — a position it claimed for a total of 11 weeks en route to selling more than 10 million copies in the U.S. The Diamond platinum effort also contains four No. 1 Hot 100 hits that, when combined with the three chart toppers from her 1985 debut, gave her seven consecutive No. 1 singles — an accomplishment that no other artist has accomplished. Commercially and creatively, Whitney stands on hallowed ground — especially now that the record plays with a sound that puts into perspective just how extraordinary, engaging, and vital Houston's music remains.

Mastered from the original master tapes and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's 180g 33rpm SuperVinyl LP of Whitney invites listeners to experience the Rock & Roll Hall of Fame inductee's pivotal album in audiophile quality for the very first time. Free of the dynamic limitations and tonal flatness prevalent on prior vinyl and CD pressings, it lets the music breathe and reveals the copious detail, nuance, and texture within the immaculately produced songs. MoFi's SuperVinyl profile offers further advantages in the forms of a nearly inaudible noise floor, dead-quiet surfaces, and superb groove definition.

In addition to featuring extreme clarity and immediacy, this numbered-edition reissue does wonders for the attribute that inspired more than 20 million people around the globe to add Whitney to their record collections: that inimitable voice. Houston's trademark mezzo-soprano — an acrobatic instrument equally capable of taking off on fantastic flights and unwinding for hushed meditations — benefits from the fantastic airiness and transparency afforded by this meticulously restored edition. Whitney has never sounded or looked better. The crossover landmark deserves nothing less.

Issued just two years after Houston's breakthrough debut, Whitney immediately signalled the genre-defying singer's intent to continue to push ahead and expand her palette. Shot by photographer Richard Avedon, the album cover depicts an iconic image of Houston — captured with a gleaming smile, bright eyes, teased-out afro, toned arms, and a right hand that appears to wave a friendly hello — whose active, athletic profile stands in contrast to the extremely formal sit-down shot of her that graces her '85 record. The change is telling: Whitney overflows with unfettered joy, rhythmic vibes, and deep-seated emotions that forever endeared her to the hearts and minds of countless listeners — and which set the standard for the wave after wave of divas that followed in her footsteps.

It's no coincidence that the first track on Whitney is the declarative "I Wanna Dance with Somebody (Who Loves Me)." Like Michael Jackson's "Billie Jean" and Madonna's "Material Girl," the feel-good smash is one of the quintessential '80s gems — a lithe, melodic, celebratory release of pent-up energy and loneliness that glides across club floors, shouts to the rooftops, and shrugs off any concerns about vulnerability or embarrassment. Houston's swooping voice moves in sync with the sleek beats and dipping-and-diving synths. She practically takes her fellow musicians by their hand and leads them in a blissful dance that nobody would dare sidestep. Focusing on Houston's singing — a task made challenging only because of the impossible-to-ignore hooks and grooves — showcases the virtuosic facets of not only her register but her control, discipline, smoothness, and warmth.

That she replicates those feats for the entirety of the nearly 53-minute-long album makes Whitney that much more special. Houston reaches back and channels her childhood gospel training on the R&B-flared "So Emotional"; effortlessly slips into Quiet Storm mode on the duet with her mother, gospel great Cissy Houston, on "I Know Him So Well"; flirts with smooth jazz and collaborates with tenor saxophonist Kenny G on the lush "Just the Lonely Talking Again"; conjures dreamscapes and shadow-boxes with supple funk on a romantic cover of the Isley Brothers' "For the Love of You"; and, for the majestic power ballad "Didn't We Almost Have It All," displays the sky-scraping reach of her vocals amid a grand arrangement made even bigger by Houston's sweeping performance and triumphant finish.

Houston's once-in-a-generation talents weren't lost on the adoring public, radio deejays, or industry experts. In addition to harbouring four No. 1 hits and receiving nominations for four Grammy Awards, Whitney generated another Top 10 success in the guise of the Afro-Cuban-leaning "Love Will Save the Day." The album also netted Houston four American Music Awards; two Billboard Music Awards; back-to-back People's Choice Awards; a Soul Train Award; and various other accolades. It all makes the crux of the Washington Post's July '87 review of the album appear prophetic: "Her voice sounds stronger still and the songs are varied but so consistent she could garner 10 Top 10s out of a field of 11." That claim still holds true. A brilliant fusion of pop, R&B, smooth jazz, and soul, Whitney is a showstopper – and one of the key reasons Houston is the most-awarded female artist of all time.

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Whitney Houston SuperVinyl 180g 33rpm LP Edition

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

75,99 €*

Release: 1985 / US – Reissue

Genre: Pop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

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LP | 1985 | US | Original (Arista)

31,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | US | Original (Arista)

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

US original, RCA-Indianapolis pressing. Vinyl close to VG+

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LP | 1985 | US | Original (Arista)

24,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

US pressing.

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LP | 1987 | US | Original (Arista)

Whitney

Release: 1987 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing!
Record has some hairlines and a few superficial scratches.
Includes original inner sleeve.
Sticker on cover.

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7" | 1988 | EU | Original (Arista)

One Moment In Time

Release: 1988 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

I Wanna Dance With Somebody (Who Loves Me)

7" | 1987 | EU | Original (Arista)

Release: 1987 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

ラスト・クリスマス = Last Christmas

Wham! = Wham!

12" | 1984 | JP | Original (Epic)

29,99 €*

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

12" | 1987 | EU | Original (RCA)

Westworld

Sonic Boom Boy

Release: 1987 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | DE | Original (Virgin)

Well Red

Honey

12" | 1987 | EU | Original (RCA)

Release: 1987 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

seam splits. Price tag.

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Wax

Bridge To Your Heart

12" | 1982 | EU | Reissue (ZYX)

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Excellent condition !

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Wanexa

The Man From Colours

Release: 1982 / EU – Reissue

Genre: Pop

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Let It Bee Transparent Yellow Vinyl Edition

Voice Of The Beehive

LP | 1988 | EU | Reissue (London)

30,99 €*

12" | 1982 | DE | Original (Polydor)

Release: 1988 / EU – Reissue

Genre: Pop

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London Records releases remastered and expanded editions of Voice Of The Beehive’s classic debut 1988 album, ‘Let It Bee’ on November 25th. Formats include a remastered gatefold vinyl edition in transparent honey yellow, and an expanded double CD edition featuring previously unreleased tracks, live versions and demos. All formats feature new liner notes by the band’s very own Tracey Belland. In the mid 80s, armed with a only a suitcase of songs, Californian sisters Tracey Bryn and Melissa Brooke Belland escaped the American music industry in search of the vibrant British indie scene, finding recently split Madness band member Daniel ‘Woody’ Woodgate, who together with guitarist Mike Jones and bassist Martin Brett would form ‘the Beehive Boys’. The powerful live chops of the Beehive Boys, combined with the harmonies, energy and stage presence of Tracey and Melissa, made Voice of the Beehive indie darlings and one of the hottest live acts on the London scene. Signing with London Records, they recorded ‘Let It Bee’, its sunny exterior of sparkling indie guitars, energetic rhythms matched with lyrics and melodies that revealed both hope and an occasionally cutting cynicism. On its release ‘Let It Bee’ was a UK Top 15 album, its singles ‘I Say Nothing’, ‘I Walk The Earth’ & ‘Don’t Call Me Baby’ all chart hits and radio favourites. Re-issued for the first time since its initial release. The expanded double CD version features ‘Cartoon City’, a band favourite recently uncovered and remastered from the London Records archives.

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Visage

The Damned Don't Cry

12,99 €*

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1984 | DE | Original (Polydor)

Visage

Love Glove

12" | 1984 | DE | Original (Polydor)

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover. Sticker on cover.

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Visage

Love Glove

7,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1989 | EU | Original (RCA)

Vicki Brown

Lady Of Time

Release: 1989 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1986 | EU | Reissue (I.D. Limited)

Ventura

Touched / Another Time

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Pop

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12" | 1989 | DE | Original (Logic)

Vendetta

Stop Jumping Up And Down

Release: 1989 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Night Transparent Blue Vinyl Edition

Valerie Dore

12" | 1984 | EU | Reissue (ZYX)

Release: 1984 / EU – Reissue

Genre: Pop

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Естрадна Палитра = Variety Palette

LP | 1979 | BG | Original (Балкантон)

Release: 1979 / BG – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Original Motion Picture Soundtrack - Staying Alive

LP | 1983 | JP | Original (RSO)

8,99 €*

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing.
Sleeve with OBI and insert.

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The Original Motion Picture Soundtrack - Staying Alive

LP | 1983 | JP | Original (RSO)

7,99 €*

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert.

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Super Hits Living On Video

LP | 1985 | HU | Original (Favorit)

Release: 1985 / HU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Summer In The City - 20 Brandheisse Top-Hits

LP | 1980 | DE | Original (CBS)

Release: 1980 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | US | Original (Ronco)

Star Fire

Release: 1980 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG

Revenge Of The Killer B's

LP | 1985 | US | Original (Warner Bros.)

13,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Perfect: Original Soundtrack Album

LP | 1985 | JP | Original (Arista)

Release: 1985 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1987 | UK | Original (Demon)

Out Of Our Idiot

Release: 1987 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Hype-sticker on front. Record and sleeve are very close to NM.

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LP | 1983 | JP | Original (RSO)

OST Staying Alive

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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LP | 1985 | US | Original (Atlantic)

OST St. Elmo's Fire

14,99 €*

Release: 1985 / US – Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | JP | Original (CBS/Sony)

OST Footloose

10,99 €*

Release: 1984 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original japanese pressing with OBI!

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LP | 1983 | JP | Original (Casablanca)

OST Flashdance

Release: 1983 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM

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LP | 1983 | JP | Original (Casablanca)

OST Flashdance フラッシュダンス

8,99 €*

Release: 1983 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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New Horizons 1 - 14 World Hits

LP | 1989 | UK | Reissue (Stylus)

Release: 1989 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Musik - Die Sanfte Macht Für Marketing, Werbung, Promotion.

LP | 1985 | DE | Original (CBS Special Products)

19,99 €*

Release: 1985 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Picture disc.
Cover has a cut-out.

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Methods Of Dance Volume 2

LP | 1982 | EU | Original (Virgin)

5,99 €*

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Methods Of Dance Volume 2

LP | 1982 | UK | Original (Virgin)

8,09 €* 8,99 € -10%

Release: 1982 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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LP | 1989 | BG | Original (Балкантон)

Le Canzoni D'oggi

Release: 1989 / BG – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover is close to VG+!

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Kleeblatt Nr. 21 - Hitverdächtig!

LP | 1987 | GDR | Original (AMIGA)

Release: 1987 / GDR – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | GDR | Original (AMIGA)

Kinderfest

Release: 1980 / GDR – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: G+

Cover with seam splits.

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I Q 6 Zang Tumb Tuum Sampled

LP | 1985 | EU | Original (Island)

Release: 1985 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Golden Memories - Growing Up Best Hits (Greatest Hits)

LP | 1982 | JP | Original (Epic)

14,99 €*

Release: 1982 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Ghostbusters - Original Soundtrack Album

LP | 1984 | JP | Original (Arista)

11,99 €*

Release: 1984 / JP – Original

Genre: Organic Grooves, Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

No obi.
Cover has ring-wear.

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LP | 1984 | JP | Original (Polydor)

Every Man Has A Woman

11,99 €*

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing!

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Disco Pop Best Selection '86

LP | 1986 | JP | Original (Seven Seas)

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | US | Original (Atlantic)

Dance Traxx - Volume Two

Release: 1987 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side 2.
Cover with cut-out.

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British Invasion - Yesterday & Today (Today)

Compilation | 1985 | JP | Original (EMI)

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side 2.
Includes OBI.

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LP | 1989 | ES | Original (Blanco Y Negro)

Bolero Mix 5

18,99 €*

Release: 1989 / ES – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag.

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LP | 1980 | JP | Original (Atlantic)

Atlantic Doo Wop 60's

24,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Foxing on cover. Vinyl seems unplayed.

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American Hit Parade 1963-1972 Vol. 3

LP | 1980 | JP | Original (MCA)

8,99 €*

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

close to NM. Japanese pressing. OBI is missing, With insert

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American Hit Parade 1963-1972 Vol. 2

LP | 1980 | JP | Original (MCA)

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM.

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American Hit Parade 1963-1972 Vol.1

LP | 1980 | JP | Original (MCA)

LP | 1989 | EU | Original (CBS)

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Japanese pressing. Tiny wear.

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Ute Lemper

Crimes Of The Heart

12" | 1985 | JP | Original (CBS/Sony)

Release: 1989 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover splits at top seam. Signed by the artist.

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USA For Africa

We Are The World

7,99 €*

12" | 1985 | JP | Original (CBS/Sony)

Release: 1985 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with Obi.

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USA For Africa

We Are The World

12" | 1984 | DK | Original (Sam)

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

With obi. Still in shrink but opened. Tiny wear. Vinyl is close to NM.

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Under For

Free-Force Structure

LP | 1980 | EU | Reissue (Chrysalis)

Release: 1984 / DK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Ultravox

Vienna

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

1988 reissue.

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LP | 1985 | EU | Reissue (Polydor)

Sündenknall

17,99 €*

Release: 1985 / EU – Reissue

Genre: Pop

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Reeperbahn Pink Vinyl Edition

10" | 1989 | EU | Reissue (Polydor)

Release: 1989 / EU – Reissue

Genre: Pop

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Ich Lieb Dich Überhaupt Nicht Mehr Grey Vinyl Edition

10" | 1987 | EU | Reissue (Polydor)

Release: 1987 / EU – Reissue

Genre: Pop

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Airport (Dich Wiedersehn) Light Blue Vinyl Edition

10" | 1988 | EU | Reissue (Polydor)

Release: 1988 / EU – Reissue

Genre: Pop

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LP | 1983 | EU | Reissue (Island)

War

26,99 €*

LP | 1983 | EU | Reissue (Island)

Release: 1983 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2017 reissue.

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War

21,99 €*

Under A Blood Red Sky Live

Release: 1983 / EU – Reissue

Genre: Pop

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“War” is the third studio album by Irish rock band U2. It was produced by Steve Lillywhite, and was released February 1983 on Island Records. The album has come to be regarded as U2's first overtly political album, in part because of songs like "Sunday Bloody Sunday" and "New Year's Day", as well as the title, which stems from the band's perception of the world at the time; Bono stated that "war seemed to be the motif for 1982."
“War” was a commercial success for the band, knocking Michael Jackson's Thriller from the top of the charts to become the band's first number-one album in the UK.

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LP | 1983 | EU | Reissue (Island)

19,99 €*

2LP | 1987 | EU | Reissue (Interscope)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Pop

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remastered re-issue on heavyweight vinyl incl. liner notes & unseen photos!

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The Joshua Tree

63,99 €*

2LP | 1987 | DE | Reissue (Island)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2017 reissue. Still sealed with hype sticker.

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The Joshua Tree

49,99 €*

2LP | 1988 | CA | Original (Island)

Release: 1987 / DE – Reissue

Genre: Pop

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The Joshua Tree is the fifth studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records.

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Rattle And Hum

14,99 €*

A Celebration 40th Anniversary Record Store Day 2022 Vinyl Edition

Release: 1988 / CA – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with sticker residue and shelf wear.

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12" | 1982 | Reissue (Island)

24,99 €*