1980s Vinyl 1340 Items

Putain De Camion Limited Edition

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. Promo copy. Tiny wear, few scuffs.

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Renaud

12LP | 1988 | EU (Polydor)

229,99 €*

Release: 1988 / EU

Genre: Pop

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Is There Something I Should Know?

12" | 1983 | JP | Original (EMI)

180,99 €*

Thriller Limited Edition Ultradisc One-Step LP Numbered Deluxe Box Set

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Promo copy.

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Michael Jackson

Box | 1982 | US | Reissue (Mobile Fidelity)

149,99 €*

Release: 1982 / US – Reissue

Genre: Pop

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Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time – Michael Jackson's Thriller – has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman. Mastered from the original analog master tapes, pressed at RTI, and limited to 40,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.

Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180g LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.

The gorgeous packaging of the Thriller Ud1s pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers – even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59-week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.

The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at No. 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. Time deemed it "the greatest pop album of all time." The Independent called it "the most inspiring album of all time."

Thriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.

Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single – "The Girl Is Mine," a duet and co-write with Beatles legend Paul McCartney – captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen – at the time, the world's premier rock guitarist – performed a similar bridge role by supplying the electrifying solo on "Beat It."

Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.

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LP+12"+All Media | 1982 | EU | Reissue (Parlophone)

Rio

120,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker. Vinyl is close to NM. Original inner sleeves. 2014 reissue.

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LP+LP+All Media | 1986 | EU | Reissue (Parlophone)

110,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Limited edition. 2015 reissue. tiny wear.

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LP+12"+All Media | 1982 | US | Reissue (Parlophone)

Rio

105,99 €*

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition 2014 reissue. Original inner sleeves.

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LP | 1986 | JP | Original (EMI)

92,99 €*

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Promo copy. With OBI and insert. Cover and vinyl are very close to NM. With poster.

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LP+LP+All Media | 1986 | EU | Reissue (Parlophone)

90,99 €*

LP | 1986 | JP | Reissue (Polydor)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeves. 2015 reissue.

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ABBA

Greatest Hits

89,99 €*

Pelican West 40 Deluxe-Edition

Release: 1986 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes obi with small tear.

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Haircut One Hundred

4LP | 1982 | UK | Reissue (Demon / Edsel)

88,99 €*

Release: 1982 / UK – Reissue

Genre: Pop

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LP+LP+All Media | 1986 | EU | Reissue (Parlophone)

88,99 €*

LP | 1983 | US | Original (Heat)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Limited edition. 2015 reissue. Slightly cracked corner.

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Sexual Harrassment

I Need A Freak

77,99 €*

Whitney Supervinyl Edition

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Whitney Houston

LP | 1987 | US | Reissue (Mobile Fidelity Sound Labs)

75,99 €*

Whitney Houston SuperVinyl 180g 33rpm LP Edition

Release: 1987 / US – Reissue

Genre: Pop

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Mastered From THE Original Master Tapes AND Pressed AT RTI ON Mofi Supervinyl FOR Spectacular Sound

Whitney did more than turn Whitney Houston into a pioneering sensation known around the world by her first name. Originally released in June 1987, the singer's blockbuster sophomore record became the first album by a female artist to debut at No. 1 on the Billboard 200 chart — a position it claimed for a total of 11 weeks en route to selling more than 10 million copies in the U.S. The Diamond platinum effort also contains four No. 1 Hot 100 hits that, when combined with the three chart toppers from her 1985 debut, gave her seven consecutive No. 1 singles — an accomplishment that no other artist has accomplished. Commercially and creatively, Whitney stands on hallowed ground — especially now that the record plays with a sound that puts into perspective just how extraordinary, engaging, and vital Houston's music remains.

Mastered from the original master tapes and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's 180g 33rpm SuperVinyl LP of Whitney invites listeners to experience the Rock & Roll Hall of Fame inductee's pivotal album in audiophile quality for the very first time. Free of the dynamic limitations and tonal flatness prevalent on prior vinyl and CD pressings, it lets the music breathe and reveals the copious detail, nuance, and texture within the immaculately produced songs. MoFi's SuperVinyl profile offers further advantages in the forms of a nearly inaudible noise floor, dead-quiet surfaces, and superb groove definition.

In addition to featuring extreme clarity and immediacy, this numbered-edition reissue does wonders for the attribute that inspired more than 20 million people around the globe to add Whitney to their record collections: that inimitable voice. Houston's trademark mezzo-soprano — an acrobatic instrument equally capable of taking off on fantastic flights and unwinding for hushed meditations — benefits from the fantastic airiness and transparency afforded by this meticulously restored edition. Whitney has never sounded or looked better. The crossover landmark deserves nothing less.

Issued just two years after Houston's breakthrough debut, Whitney immediately signalled the genre-defying singer's intent to continue to push ahead and expand her palette. Shot by photographer Richard Avedon, the album cover depicts an iconic image of Houston — captured with a gleaming smile, bright eyes, teased-out afro, toned arms, and a right hand that appears to wave a friendly hello — whose active, athletic profile stands in contrast to the extremely formal sit-down shot of her that graces her '85 record. The change is telling: Whitney overflows with unfettered joy, rhythmic vibes, and deep-seated emotions that forever endeared her to the hearts and minds of countless listeners — and which set the standard for the wave after wave of divas that followed in her footsteps.

It's no coincidence that the first track on Whitney is the declarative "I Wanna Dance with Somebody (Who Loves Me)." Like Michael Jackson's "Billie Jean" and Madonna's "Material Girl," the feel-good smash is one of the quintessential '80s gems — a lithe, melodic, celebratory release of pent-up energy and loneliness that glides across club floors, shouts to the rooftops, and shrugs off any concerns about vulnerability or embarrassment. Houston's swooping voice moves in sync with the sleek beats and dipping-and-diving synths. She practically takes her fellow musicians by their hand and leads them in a blissful dance that nobody would dare sidestep. Focusing on Houston's singing — a task made challenging only because of the impossible-to-ignore hooks and grooves — showcases the virtuosic facets of not only her register but her control, discipline, smoothness, and warmth.

That she replicates those feats for the entirety of the nearly 53-minute-long album makes Whitney that much more special. Houston reaches back and channels her childhood gospel training on the R&B-flared "So Emotional"; effortlessly slips into Quiet Storm mode on the duet with her mother, gospel great Cissy Houston, on "I Know Him So Well"; flirts with smooth jazz and collaborates with tenor saxophonist Kenny G on the lush "Just the Lonely Talking Again"; conjures dreamscapes and shadow-boxes with supple funk on a romantic cover of the Isley Brothers' "For the Love of You"; and, for the majestic power ballad "Didn't We Almost Have It All," displays the sky-scraping reach of her vocals amid a grand arrangement made even bigger by Houston's sweeping performance and triumphant finish.

Houston's once-in-a-generation talents weren't lost on the adoring public, radio deejays, or industry experts. In addition to harbouring four No. 1 hits and receiving nominations for four Grammy Awards, Whitney generated another Top 10 success in the guise of the Afro-Cuban-leaning "Love Will Save the Day." The album also netted Houston four American Music Awards; two Billboard Music Awards; back-to-back People's Choice Awards; a Soul Train Award; and various other accolades. It all makes the crux of the Washington Post's July '87 review of the album appear prophetic: "Her voice sounds stronger still and the songs are varied but so consistent she could garner 10 Top 10s out of a field of 11." That claim still holds true. A brilliant fusion of pop, R&B, smooth jazz, and soul, Whitney is a showstopper – and one of the key reasons Houston is the most-awarded female artist of all time.

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Whitney Houston

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

75,99 €*

Soul Mining 30Th Anniversary Deluxe Edition

Release: 1985 / US – Reissue

Genre: Pop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

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The The

2LP Box | 1983 | EU | Reissue (Sony)

74,99 €*

Release: 1983 / EU – Reissue

Genre: Pop

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LP | 1980 | JP | Reissue (Teichiku)

Judy Anton

Smile

72,99 €*

LP | 1982 | JP | Reissue (Columbia)

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Pop

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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.

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Yumi Murata

Himiko

71,99 €*

LP | 1978 | DE | Original (Kling Klang)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Pop

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Yumi Murata’s second album with Mariah.
It’s a beautiful, stateless ambient record with its halting vocals, which reflect the sonic experiments of Shimizu Yasuaki.

Mariah, at a time when she was leaning towards hard rock; she used this song as a starting point to steer her into the new wave.

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Kraftwerk

Die Mensch·Maschine

69,99 €*

LP | 1987 | US | Reissue (CBS)

Release: 1978 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original inner sleeve.

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Yumi Tanimura

Believe In

69,99 €*

Release: 1987 / US – Reissue

Genre: Pop

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2LP | 1989 | EU | Reissue (A&M)

Janet Jackson

Rhythm Nation 1814

65,99 €*

LP | 1988 | JP | Reissue (Columbia Japan)

Release: 1989 / EU – Reissue

Genre: Pop

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Pressed on 180g

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Midori Hara

Ko Ko Ro Note

64,99 €*

2LP | 1987 | EU | Reissue (Interscope)

Release: 1988 / JP – Reissue

Genre: Pop

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Midori Hara’s 2nd album. A masterpiece of 80s urban pop with mellow grooves. First class session musicians such as Hiroshi Sato (p), Kenji Takamizu (b), Shuichi Murakami (ds), and Masahiro Ikumi (g) participate.

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The Joshua Tree

63,99 €*

LP | 1980 | JP | Reissue (Rca/Air)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2017 reissue. Still sealed with hype sticker.

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Tatsuro Yamashita

Ride On Time

62,99 €*

LP | 1984 | Reissue (For Life Music)

Release: 1980 / JP – Reissue

Genre: Pop

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Originally released in 1980 Limited edition 180g vinyl Pressed on black vinyl Ride on Time is the fifth studio album by Japanese singer-songwriter Tatsuro Yamashita, released by Air/rvc in 1980. This record includes everything from up-tempo songs to ballads, making it an absolute masterpiece beloved by many.

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Anri

Coool

60,99 €*

Release: 1984 / Reissue

Genre: Pop

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Originally released in 1984
Due to becoming a big hit from her previous record, “Timely!!”, Anri was brought to record her next album in L.A. with producer, Toshiki Kadomatsu. The studio musicians that took part in making of this album include Leon Chancler・Ed Green (Dr)、Nathan East (B)、Paul Jackson Jr.・Calros Rios (Gt)、Don Grusin (Key)、Ernie Watts (Sax)、Jerry Hey (Tp) participated. From dance tracks to mellow tunes, the colorful and vivid songs on this album are truly the culmination of the Kadomatsu trilogy, and a prologue to the dance-ability of Anri of the late 80's.

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Live At Hammersmith '82! Black Friday Record Store Day 2022 Gold Vinyl Edition

2LP | 1982 | EU | Reissue (Parlophone)

59,99 €*

LP | 1980 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1982 / EU – Reissue

Genre: Pop

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Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 10.000 copies. In 1982, as Duranmania was sweeping the globe following the release of Duran Duran’s smash hit album ‘rio’, the band recorded and filmed one of their three London dates at Hammersmith Odeon. Exclusively for Black Friday 2022 the audio from this legendary show will be pressed on vinyl for the very first time. This gold double vinyl edition, features live performances of Duran Duran hits - Rio, Hungry like the Wolf, Girls on Film and more. Plus, fan favourite cover of Steve Harley & Cockney Rebel’s Make Me Smile (Come Up and See Me). Strictly limited to 10,000 units.

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The Pretenders

59,99 €*

Release: 1980 / US – Reissue

Genre: Pop

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Bad Mood Guy Remastered Deluxe Edition

Severed Heads

2LP | 1987 | EU | Reissue (Futurismo)

58,99 €*

Release: 1987 / EU – Reissue

Genre: Pop

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Fantastic Love In Wonderland

Takuya Takahashi

LP | 1980 | JP (Toyokasei)

58,99 €*

Awakening Blue Vinyl Edition

Release: 1980 / JP

Genre: Pop

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* Originally released in 1980 * Pressed on Black Vinyl * First ever vinyl reissue / The first ever reissue of this highly sought after album is finally here! This is Takuya Takahashi's second album, which includes 'coast-line', the opening number of the popular compilation 'Light Mellow~Dream' edited by Hisakazu Kanazawa, who led the city pop scene.

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Hiroshi Sato

LP | 1982 | JP | Reissue (Sony Music Japan)

57,99 €*

Release: 1982 / JP – Reissue

Genre: Pop

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Bi Ki Ni Pink Vinyl Edition

Anri

LP | 1983 | Reissue (For Life Music)

57,99 €*

The Promise (Extended Remix)

Release: 1983 / Reissue

Genre: Pop

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Originally released in 1983
5 dance-able tracks in Side-A were written, composed, arranged and produced by Toshiki Kadomatsu who met with Anri’s previous title “Heaven Beach”. Tracks in Side-B, Takeshi Kobayashi, one of Anri’s band member for that moment, produced them with moody & mellow tune. This title was the 1st one of 3 titles by Toshiki Kadomatsu.

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Arcadia

12" | 1986 | JP | Original (EMI)

56,99 €*

LP | 1988 | JP | Reissue (Sony Music Japan)

Release: 1986 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI and insert. Tiny wear. few scuffs.

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Yumi Tanimura

Face

56,99 €*

Release: 1988 / JP – Reissue

Genre: Pop

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LP | 1984 | DE | Original (Not On Label)

Magica

People

55,99 €*

Go Insane (Extended Remix)

Release: 1984 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Lindsey Buckingham

12" | 1984 | DE | Original (Mercury)

55,99 €*

2LP | 1986 | EU | Reissue (The Saifam Group)

Release: 1984 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover.

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Fiorella Mannoia

A Te White Vinyl Edition

54,99 €*

Release: 1986 / EU – Reissue

Genre: Pop

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LP | 1987 | JP | Reissue (Universal Music Japan)

Ritsuko Kazami

Nouvelles

53,99 €*

Release: 1987 / JP – Reissue

Genre: Pop

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LP | 1982 | JP | Original (EMI)

Rio

50,99 €*

She's So Unusual Numbered Limited Edition

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and inserts. close to NM

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Cyndi Lauper

LP | 1983 | US | Reissue (Mobile Fidelity Sound Lab)

2LP | 1987 | DE | Reissue (Island)

Release: 1983 / US – Reissue

Genre: Pop

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Remastered 180g edition, numbered.

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The Joshua Tree

Tokyo Town (Extended Geisha-Mix)

Release: 1987 / DE – Reissue

Genre: Pop

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The Joshua Tree is the fifth studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records.

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Sarah

12" | 1986 | DE | Original (EMI)

A Private Heaven 40th Anniversary Red Vinyl Edition

Release: 1986 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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Sheena Easton

2LP | 1984 | UK | Reissue (Cherry Pop)

Release: 1984 / UK – Reissue

Genre: Pop

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LP | 1983 | JP | Original (WEA)

Gary Numan

Warriors

LP | 1987 | JP | Original (Epic International)

Release: 1983 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI not included.
Includes original inserts.

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Nena

Eisbrecher

48,99 €*

LP | 1988 | JP | Reissue (Nippon Columbia)

Release: 1987 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Promo. OBI is missing. With insert

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Nami Shimada

Curiosity

48,79 €* 60,99 € -20%

Crimson Clear Vinyl Edtion

Release: 1988 / JP – Reissue

Genre: Pop

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* Originally released in 1988 * Shimada's 6th album * Pressed on Black Vinyl / Curiosity' is Nami Shimada's 6th album, and is known by many to be a city pop and 80s boogie masterpiece. The album features poems and songs by Takashi Matsumoto and Shinji Harada, two of the era's most famous artists. Also included on the record is a diverse lineup of songs such as, 'Curiosity Girl', which Shimada wrote under her real name, Naoko Shimada, and 'HE Loves Her', a song composed by Kenichi Kurosawa.

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Akina Nakamori

LP | 1986 | JP | Reissue (Warner Music Japan)

Best Ii Clear Vinyl Edtion

Release: 1986 / JP – Reissue

Genre: Pop

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The 10th original album, "CRIMSON," includes the famous songs "Eki" and "OH NO, OH YES!" This luxurious album was completed with five songs each provided by two female musicians, Mariya Takeuchi and Akiko Kobayashi.

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Akina Nakamori

LP | 1989 | JP | Reissue (Warner Music Japan)

LP | 1986 | JP | Reissue (Warner Music Japan)

Release: 1989 / JP – Reissue

Genre: Pop

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The second single collection features all 10 singles from the 14th single "desire - Jounetsu -" (winner of the 28th Japan Record Award) to the 22nd single "I Missed 'the Shock'" (including "Nonfiction Ecstasy" released as a single cassette). This best album was simultaneously released on December 24, 1988, in three formats—LP, cassette tape, and CD—each with a different cover photo pose.

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Akina Nakamori

Best Clear Vinyl Edtion

Magical Ohashi Junko No Sekai III Clear Vinyl Edition

Release: 1986 / JP – Reissue

Genre: Pop

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The debut single collection, featuring all 13 singles from "Slow Motion" to the 13th single "SOLITUDE," includes a total of 13 tracks. This best album was simultaneously released in three formats—LP, cassette tape, and CD—on April 1, 1986.

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Junko Ohashi

2LP | 1984 | JP | Reissue (Universal Music Japan)

Ne Approfitto Per Fare Un Po' Di Musica White Vinyl Edition

Release: 1984 / JP – Reissue

Genre: Pop

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A 2-disc set of the best albums released in 1983, including songs that appeared for the first time and were released on an album for the first time, such as "Love is Magic", a duet with Yoshinori Monta, and "A Love Affair", which was released as a commercial song for Clarion. Limited re-release on vinyl!

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Sergio Caputo

LP | 1987 | EU | Reissue (The Saifam Group)

Release: 1987 / EU – Reissue

Genre: Pop

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LP | 1985 | JP | Reissue (Warner Music Japan)

Piper

Lovers Logic

LP | 1983 | JP | Reissue (Warner Music Japan)

Release: 1985 / JP – Reissue

Genre: Pop

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The first analog reissue of Piper's 5th album 'lovers Logic' released in 1985 has been decided!

The 5th album 'lovers Logic' released by Moon Records in 1985 by Piper, led by guitarist Keisuke Yamamoto, who worked as a backup for Kazuto Murata, will be reissued for the first time!

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Fujimaru Yoshino

Romantic Guys

Release: 1983 / JP – Reissue

Genre: Pop

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Released in 1983, Fujimaru Yoshino's 2nd album 'romantic Guys' is the long-awaited first reissue!

This record is a masterpiece of city pop, backed by gorgeous overseas musicians such as Ab's members Makoto Matsushita, Naoki Watanabe, Atsuo Okamoto, Robben Ford, Nathan East, and Mike Baird. The album features nine tracks, including, 'Natsu no Onna', as well as a cover of the famous Shogun-era song, 'You're The One'.

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12" | 1984 | NZ | Original (EMI)

Night Versions

Release: 1984 / NZ – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

New Zealand pressing.

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12" | 1984 | US | Original (Capitol)

The Reflex

2LP | 1989 | EU | Reissue (Warner)

Release: 1984 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Elvis Costello

Spike

44,99 €*

7" | 1987 | FR | Original (RAG)

Release: 1989 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green vinyl. Limited edition 2022 reissue. Numbered.

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Marie-Pierre Lacq

Attention, Moi Fragile

44,99 €*

Release: 1987 / FR – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to NM.

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12" | 1987 | JP | Original (EMI)

Strange Behavior

44,99 €*

LP | 1980 | EU | Reissue (Mercury)

Release: 1987 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI and insert.

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Rush

Permanent Waves

43,99 €*

Release: 1980 / EU – Reissue

Genre: Pop

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Brothers In Arms Half Speed Remastered Edition

Dire Straits

2LP | 1985 | DE | Reissue (Mercury)

42,99 €*

Release: 1985 / DE – Reissue

Genre: Pop

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Electric Youth Gold Vinyl Edition

Debbie Gibson

LP | 1989 | US | Reissue (Friday Music)

42,99 €*

Release: 1989 / US – Reissue

Genre: Pop

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Electric Youth Red Vinyl Edition

Debbie Gibson

LP | 1989 | US | Reissue (Friday Music)

42,99 €*

Release: 1989 / US – Reissue

Genre: Pop

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LP | 1983 | JP | Reissue (Tokuma)

Kon Yoko

Lahaina Street

Release: 1983 / JP – Reissue

Genre: Pop

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Around The World In A Day

Prince

LP | 1985 | EU | Reissue (Warner)

Release: 1985 / EU – Reissue

Genre: Pop

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LP | 1987 | JP | Original (WEA)

INXS

Kick

Aya Clear Yellow Vinyl Edition

Release: 1987 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI is missing! Vinyl is close to NM!

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Picture
Coming Soon

Miki Matsubara

LP | 1982 | JP | Reissue (Pony Canyon)

Release: 1982 / JP – Reissue

Genre: Pop

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Revue Clear Red Vinyl Edition

Picture
Coming Soon

Miki Matsubara

LP | 1983 | JP | Reissue (Pony Canyon)

Release: 1983 / JP – Reissue

Genre: Pop

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Who Are You? Clear Orange Vinyl Edtion

Picture
Coming Soon

Miki Matsubara

LP | 1980 | JP | Reissue (Pony Canyon)

Release: 1980 / JP – Reissue

Genre: Pop

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La Pianta Del Te Multi-Colored Vinyl Edition

Ivano Fossati

LP | 1988 | EU | Reissue (Sony)

Release: 1988 / EU – Reissue

Genre: Pop

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LP | 1982 | JP | Reissue (Victor)

Shore Break

Endless Shore

Release: 1982 / JP – Reissue

Genre: Pop

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Pornography Record Store Day 2022 Picture Disc Vinyl Edition

The Cure

LP | 1982 | US | Reissue (Polydor)

Release: 1982 / US – Reissue

Genre: Pop

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Limited to 9000 copies.

First time on Picture Disc for The Cure’s 4th studio album from 1982. The artwork and the new cut by Miles Showell at Abbey Road have been supervised and approved by Robert Smith. Features the single ‘The Hanging Garden’ and fan favourite ‘The Figurehead’.The original design by Ben Kelly and The Cure has been prepared for a picture disc release by Robert’s long-standing collaborator, Andy Vella.

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LP | 1983 | JP | Reissue (EMI)

Next Door Clear Green Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. 1983 reissue. Without OBI. vinyl has some slight scuffs. cover is close to NM

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Hitomi Toyoma

LP | 1983 | JP | Reissue (Columbia Japan)

Release: 1983 / JP – Reissue

Genre: Pop

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The 4th album "next DOOR," released in 1983 and heavily influenced by early 80s American pop, will be reissued as a limited edition on clear green vinyl. This city pop album exudes an urban atmosphere throughout.

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12" | 1987 | BR | Original (EMI)

Master Mixes

LP | 1985 | JP | Original (CBS/Sony)

Release: 1987 / BR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Brasilian pressing.

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Freddie Mercury

Mr. Bad Guy

LP | 1985 | JP | Reissue (Universal Music Japan)

Release: 1985 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. tiny wear. Small stain on cover. With insert. OBI is missing.

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Maki Asakawa

Some Years Parst

Release: 1985 / JP – Reissue

Genre: Pop

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Who's Knocking On My Door

Maki Asakawa

LP | 1983 | JP | Reissue (HMV Record Shop)

Release: 1983 / JP – Reissue

Genre: Pop

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LP | 1984 | JP | Reissue (Poldor)

Akiko Mizuhara

So Crystal

Release: 1984 / JP – Reissue

Genre: Pop

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LP | 1986 | JP | Original (Chrysalis)

Billy Idol

Whiplash Smile

LP | 1989 | JP | Reissue (Warner Music Japan)

Release: 1986 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and inserts.

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Mari Iijima

My Heart In Red

Endless Flight (Night Traveler)

Release: 1989 / JP – Reissue

Genre: Pop

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Released in 1989, Mari Iijima's 7th album MY Heart IN RED is being reissued for the first time!

Recorded in Los Angeles at the time, the album features top players from the Toto area and Jerry Hey Horns Session from Seawind.

Cut on the latest remastered 96k24bit sound source in 2022, officially certified by the man himself.

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Masataka Matsutoya

LP | 1977 | JP | Reissue (HMV Record Shop)

Do You - The Uncut Nile Rodgers Sessions Orange Vinyl Edition Edition

Release: 1977 / JP – Reissue

Genre: Pop

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* Faithful reproduction of the 1977 original * Cut from the original analog master

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Sheena Easton

LP | 1985 | UK | Reissue (Cherry Pop)

Release: 1985 / UK – Reissue

Genre: Pop

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LP | 1982 | JP | Original (RAK)

Kim Wilde

Select

Parsley, Sage, Rosemary And Thyme

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI is missing

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Simon & Garfunkel

LP | 1979 | JP | Reissue (CBS/Sony)

Pink World Magenta Marble Vinyl Edition

Release: 1979 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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Planet P

2LP | 1984 | UK | Reissue (Renaissance)

Release: 1984 / UK – Reissue

Genre: Pop

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LP | 1982 | EU | Reissue (Virgin)

Roxy Music

Avalon

Release: 1982 / EU – Reissue

Genre: Pop

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LP | 1980 | US | Reissue (Sony Legacy)

The Psychedlic Furs

Release: 1980 / US – Reissue

Genre: Pop

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Upstairs at Eric's Numbered Limited Edition

Yazoo

LP | 1982 | US | Reissue (Mobile Fidelity Sound Lab)

LP | 1982 | EU | Reissue (Virgin)

Release: 1982 / US – Reissue

Genre: Pop

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All the Grooves Hit the Low-Frequency Targets: LP Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI!

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Roxy Music

Avalon

2LP | 1980 | EU | Reissue (Virgin EMI)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2022 reissue.

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Queen

Greatest Hits

37,99 €*

LP | 1980 | EU | Reissue (Polydor)

Release: 1980 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

EU reissue from 2016. Still sealed

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The Cure

Seventeen Seconds

37,99 €*

Parsley, Sage, Rosemary And Thyme

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Pop

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180 gram vinyl

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Simon & Garfunkel

LP | 1979 | JP | Reissue (CBS/Sony)

37,99 €*

AFTAPATI (40th Anniversary Edition) White Vinyl Edition

Release: 1979 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl close to VG+

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IDYLI TSALIKI

LP | 1983 | UK | Reissue (Veego)

37,99 €* 39,99 € -5%