1970s Vinyl 199 Items

Limited to 4500 copies.

2021 is the 65th anniversary since The Everly Brothers released their first single in 1956 (“Keep A Lovin’ Me”). This new compilation is curated by Tom Petty’s daughter Adria Petty in conjunction with Don Everly and Phil Everly’s widow, with the objective to remind the world of the greatness of the Everlys, plus introduce the duo to a new, younger, hipster audience. This is not a “Greatest Hits” package. Whilst it does include some hits (eg: “Cathy’s Clown” – their biggest selling single), the objective of this compilation is to highlight many of the lesser-known songs that are equally as good as the well-known hits. This will attract a new assessment of the band by musicians, critics and media, and appeal to a broader audience – selling to many younger fans who may not even have heard of the group. The album will be released on vinyl for RSD with a fresh, contemporary, and hip approach to the cover art. Mastered by Chris Bellman at Bernie Grundman Mastering. 17 tracks.

Limited to 9000 copies.

Featuring highlights from the second volume of the ongoing Joni Mitchell Archives series. The release consists of extremely rare recordings from Joni’s archives associated with her classic album Blue (which celebrated its 50th Anniversary in 2021) and the historic release is created entirely with Joni’s insight, cooperation and creative input.

Limited to 2800 copies.

First time on vinyl for this 45th anniversary edition of Ultravox! live at the Rainbow Theatre, London – February 1977. Featuring the original line-up of John Foxx on vocals & harmonica, Billy Currie on keyboards & violin, Stevie Shears on guitar, Chris Cross on bass and Warren Cann on drums. First time on vinyl for 3 songs that didn’t make it on to the band’s eponymous debut album: “I Came Back Here To Meet You”, “T.V. Orphans” and “I Won’t Play Your Game”. **Please note that due to the shorter running time of this release that we have cut the album at 45rpm for a greater audio experience.

Limited 180-gram vinyl LP pressing of this 1971 album from the soul singer/songwriter. Remastered and repackaged as a part of Sony's Dual Disc series, this album, one of the best soul debuts ever issued, is now available to a whole new generation of listeners that might have missed out the first time. And the remastering brings with it an intimacy the previous editions couldn't quite boast of. "Ain't No Sunshine," "Harlem" and "Better Off Dead" are beloved tracks that have stood the test of time, and listening to them again here reminds us why. Even Withers's covers are handled with great care and intensity-treated as if they were his own compositions

Limited to 5000 copies. 50th anniversary edition on 180g opaque white vinyl, with updated / re-typeset embossed packaging that includes a brand new eight page, 12x12 lyric booklet. The audio has been sourced from the original analogue tapes via a new direct digital transfer. PACKAGING NOTE: Track list on back of LP jacket is a sticker that comes off when the cellophane is removed so that the jacket replicates the original package without tracklist.

Limited to 4000 copies worldwide. Celebrating the 40th anniversary of the U2 single “Gloria”, originally released as a single in October 1981, the second single to be taken from the second studio album October. It remains a staple in U2’s live set. This 40th anniversary limited edition EP includes the studio version of “Gloria” plus three live versions from three different decades. • 4-track 12” EP, cut at 45 rpm • Pressed on 180g transparent sun yellow vinyl • Full color gatefold outer sleeve with high gloss finish, featuring portraits of the band • Large poster (600mm x 600mm, folded) with montage of photos from the various live shows across the decades

For collectors and fans of Italian Beat music, this is a limited and very special item, that contains all the first edition hit songs with the addition of the bonus track “Prima estate” and the unreleased “Ragazzina senza cuore”, a never-heard-before song that has recently been found in our archives!

Record Store Day Italia 2021 Drop 2 release.

Sir Rod Stewart was on his way to becoming one of the most successful recording artists in history in 1974 when he moved to America and signed with Warner Bros. Records (now Warner Records). Over his next 27 years with the label, Stewart released some of the most commercially successful and critically acclaimed records of his extraordinary career. This 5LP boxed set features Stewart's first four Warner albums on vinyl, plus a bonus LP of rare and unreleased studio outtakes from those albums: Atlantic Crossing (1975), A Night on the Town (1976), Footloose & Fancy Free (1977), and Blondes Have More Fun (1978).



After being out of print for decades, the studio albums look and sound better than ever as they return to vinyl, complete with replica sleeves and newly remastered sound. The albums and the bonus LP are all organised in an iridescent box with Stewart foil-stamped on the cover, his blonde shag haircut glistening in gold, and his leopard-print suit shimmering in silver.

After brilliant stints with the Jeff Beck Group and the Faces and several outstanding solo albums, Stewart moved to Los Angeles in 1974. ROD Stewart: 1975-1978 reflects the burst of creativity that followed, starting in 1975 with his label debut, Atlantic Crossing. The album was produced by the legendary Tom Dowd, who produced Stewart's next three albums. After Atlantic Crossing was certified gold, A Night On the Town went double-platinum, and Foot Loose & Fancy Free went triple-platinum, as did its follow-up Blondes Have More Fun, which became Stewart's first #1 album. That era introduced many of the singer's best-known tracks: "Sailing," "I Don't Want to Talk About It," "I Was Only Joking," "The First Cut Is the Deepest," "You're in My Heart (The Final Acclaim)," "Da Ya Think I'm Sexy?" and "Hot Legs."



The bonus LP, titled Encores 1975-1978, is a collection of 10 outtakes selected from the recording sessions for all four albums. The first side highlights five songs from the recent deluxe editions released for Atlantic Crossing and A Night on the Town. Songs include an alternate version of the B-side "Rosie" and a cover of the Bee Gees' "To Love Somebody" recorded with the influential Stax Records house band, Booker T. & The MG's. The flip side features five previously unreleased session outtakes from Foot Loose & Fancy Free and Blondes Have More Fun. Highlights include a cover of the Motown classic, "You Really Got A Hold On Me," and the unreleased tracks "Silver Tongue" and "Don't Hang Up".

T.I.R. is the third album by Loredana Bertè, originally released in 1977 by CGD. The album had a huge success and it can be considered as a synthesis of the artistic path undertaken by Bertè up to now. There is a feminist and provocative vein, a painful and introspective interpretation, her style can be defined as "screamed", but there are also conventional songs with which she takes up the issues related to the couple relationship and loneliness. The famous duo Pace and Avogadro signs most of the lyrics, whereas Mario Lavezzi (in addition to compose the music for four songs) has the role of producer and arranger (with Vince Tempera). Among the credits there is also Fausto Leali who signs "Sono donna" and takes part with Lavezzi in an original reinterpretation of the battistiana "Le tre verità". The presence of her sister Mia Martini and Milena Cantù at the choirs should also be emphasized. A unique, unmissable record, with an iconic cover that winks at the legendary Sticky Fingers of the Rolling Stones and where it is already possible to glimpse those reggae sounds that will become predominant in the next album "Bandabertè". T.I.R. is back on the market today for the "70Bertè Vinyl Collection" in an unreleased collector's edition: LP 180 GR. Limited Edition Crystal Clear Vinyl (1000 pcs. Limited).

“I’ve had the pleasure of being a [The] Fall fan since I was a teen. I was lucky enough to have some guidance from my local record shop stoner-lords. They turned me on to many of my heroes, but once I heard my first slanted and barky Fall song, I was part of the army for life. The word prolific gets tossed around a lot. It almost seems like a slag-off in the press, as if they wish the artist would produce less so they wouldn’t have to do their self-imposed job of judging releases for the rabble. The Fall is subjected to this lazy word often.Yet I can honestly say that I am so thankful for any nugget of Fall that lands at my feet and in my brain. Live Fall performances are always a pleasure because they seem to take what already made the Fall great and push it even a bit more into the rough and bloody uncharted wasteland that is drug scorched proto-punk and heady political poetry. “So, it is with great pleasure that we introduce this Fall bootleg soundboard recording to you. Recorded during one of the many strong points in the bands vast and mighty history. They really burn bright here and bring every ounce of what you expect from this formidable force. “We have reached out to every surviving member of the band, the sound person, the bootlegger who recorded it and the photographer and received their blessings and help piecing it all together. Castle Face will be donating 50% of our profits to Centrepoint, which helps the homeless in the Manchester area get back on their feet, so the local and deserving Fall fans get a little, and give a little back, too. “Nothing but the hits here folks and as raw as you dig it. This one really is exceptional in terms of live sound for The Fall. All the stars were aligned over St. Helens that eve. And it wouldn’t be complete with a bit of Fall fan saltiness so, fuck you too, Jason.” —John Dwyer

Definitive compilation spans solo recordings, rarities and duets with Lee Hazlewood
Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin
New interviews with the legendary singer, actress, and activist, Nancy Sinatra
Extensive essay by Amanda Petrusich
Q&A interview with Nancy & GRAMMY®–nominated reissue co-producer, Hunter Lea
Never–before–seen photos from Nancy Sinatra’s personal archive
Beautifully packaged Double LP (pressed at RTI) featuring a 24–pg book
Images are mock-ups and subject to change

Light In The Attic Records is proud to present Nancy Sinatra: Start Walkin’ 1965–1976. The definitive new collection surveys Sinatra’s most prolific period over 1965–1976, including her revered collaborations with Lee Hazlewood, over 23 tracks.

Remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin, the collection is complemented by liner notes penned by Amanda Petrusich (author and music critic at The New Yorker), featuring insightful new interviews with Sinatra, as well as a Q&A with archivist and GRAMMY®–nominated reissue co-producer, Hunter Lea. The CD edition comes housed in a 7”x7” hardcover book (featuring 64–pages) and the two-disc vinyl set is presented in a gatefold jacket (featuring a 24–page booklet).

Nancy’s performance of the Lee Hazlewood–penned song “These Boots Are Made for Walkin’” was a huge hit in 1966 and became her signature tune. The pair began a three year run of successful albums, duets, and singles including “Sugar Town,” “Some Velvet Morning,” “Summer Wine,” “Sand,” “Jackson,” and the title track to the 1967 James Bond film “You Only Live Twice.”

Start Walkin’ explores Nancy’s recordings with Lee, her inspired collaborations with songwriter Mac Davis (“Hello L.A., Bye Bye Birmingham”), producer Lenny Waronker (“Hook and Ladder”), and the “should’ve been hit” song with arranger/producer Billy Strange (“How Are Things In California.”)

Over the years, she has been cited as an influence by countless artists, including Sonic Youth, Morrissey, Calexico, U2, and Lana Del Rey. Her haunting song “Bang, Bang” gained a new legion of fans when it appeared in the opening credits of Quentin Tarantino’s 2003 film, Kill Bill Volume 1.

Limited DJ Promotional 12" featuring four previously unreleasedTalking Heads demo's from Fear Of Music sessions. Never before available on vinyl.

Born Samantha Owens in Liverpool, Jones began her recording career in The Vernon Girls, a female singing group affiliated with the Vernon Football Pools company; they created a popular Beatles tribute album in 1964 with producer Charles Blackwell, who launched Jones’ solo career that same year. Blackwell producer a debut solo LP for Ascot in 1968; two years later, Larry Page released sophomore set A Girl Named Sam, with Austrian wunderkind Mark Wirtz casting her in the broad realm of pop, though most of the songs describe romantic failures. The album thus has a tongue-in-cheek cover of Burt Bacharach’s “I’ll Never Fall In Love Again” and credible renditions of Aretha’s “You Make Me Feel Like A Natural Woman” and Jackie DeShannon’s “Put A Little Love In Your Heart.” Limited green vinyl 180gr press with one bonus track for RSD 2020.

When Light In The Attic released _Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986_ in 2019, it was the first collection of its kind to be released outside Japan. It proved to be just what music fans had been waiting for—a compilation of sought-after tracks that had been nearly impossible to obtain unless you were well-connected with dealers and collectors, or traveled regularly to the countless record stores in Japan. _Pacific Breeze_ included Minako Yoshida, Taeko Ohnuki, Hiroshi Sato and Haruomi Hosono among other key players of ‘70s-’80s Japanese City Pop, the nebulous genre that encompassed an “amalgam of AOR, R&B, jazz fusion, funk, boogie and disco, all a touch dizzy with tropical euphoria,” as we described it the first time around.
With _Pacific Breeze 2: Japanese City Pop, AOR & Boogie 1972-1986_ we dig deeper into those sounds of bubble-era Japan. From the proto-City Pop funk of Bread & Butter and Eiichi Ohtaki to the crate-digger favorites Eri Ohno and Piper, the latest entry in Light In The Attic’s Japan Archival Series brings another set of sought-after tunes, most of which have never before been available outside of Japan. Tomoko Aran and Anri, also included in this compilation, are just a few of the artists who have gained popularity in recent years thanks to Vaporwave, the meme-genre that heavily samples Japanese City Pop to create its particular aesthetic.

_Pacific Breeze 2_ once again feature the artwork of renowned Tokyo-based illustrator Hiroshi Nagai, whose iconic images of resort living have become synonymous with City Pop. Nagai’s urban tropical imagery is a perfect match for the expertly curated tunes, evoking a certain sense of nostalgia for the leisure lifestyles of ‘70s-’80s Tokyo, while simultaneously being perfectly in tune with the current zeitgeist.

Carly Simon’s unquestionably best album, "No Secrets", was also her commercial breakthrough. It topped the Billboard charts for over five weeks, thus quickly gaining gold status, as did the single release of "You’re So Vain". This song determined the album’s flippant tone, with its sexually unashamed autobiography (»You had me several years ago/When I was still quite naïve«) and its observations on the lifestyle of the jet set. But Simon’s sincerity also meant that her lyricism was double-edged. Now that she thinks she has found true love, she expresses her joy over her relationship to James Taylor with "The Right Thing To Do", another top ten hit. On the other hand she was just as willing to recognize her own mistakes and regretted pointing her finger at other people. It was not just Simon’s frankness that made the album a success, but also Richard Perry’s simple, elegant pop-rock production, which lent Simon’s music a vitality it never known before. Perry was mindful in particular of Simon’s vocals, making them more perceptive and stirring than in her other productions. And of course her fellow musicians, such as Paul and Linda McCartney, Mick Jagger, Klaus Voormann, Lowell George, Bobby Keys, Jim Keltner as well as her ex-husband James Taylor all contributed to the success of the album, which was awarded official platinum status by the Recording Industry Association of America.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.
Recording: September - October 1972 at Trident Studios, London, by Robin Geoffrey Cable

Another classic Bowie anniversary release on picture disc. Go DJ!

• Cover art by famed artist Hiroshi Nagai
• Extensive liner notes and bios
• Compiled by Andy Cabic (Vetiver), Zach Cowie (DJ & music supervisor) and Mark “Frosty” McNeill (dublab)
• 2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card
• Remastered audio

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticated music mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, “Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.

Drama were the Canadian duo of Eric Simpson (Vocals, Bass Guitar, Guitar) and Don Stagg (Keyboards). Formed in in Mississauga, Ontario in 1978, the pair had previously played together in progressive psych bands Majik and VIIth Temple. Almost every Saturday, Eric and Don would record one song on a TEAC 4 track tape recorder after a couple of takes with very little over dubbing. The pair were influenced by what was playing on the radio during the recording sessions. Everyone else at that time was in a rock or pop band yet Drama were making electronic music. The pair released their debut LP ‘Loneliness’ on Psycho Records in 1979. There were 500 albums made and about 200 ended up in the garbage as band members shuffled from apartment to apartment. This was followed by a 4-track 7” later that year featuring live drums and additional guitar.

Seance Centre says it best, “On Loneliness, the pair traded in their velvet and chord charts for thin ties and a cheap drum-machine. The LP still carries a whiff of patchouli, but the sound stings of solder and electricity, and inhabits a nascent zone somewhere between krautrock and new-wave. The vocal cuts are all clustered on the A-side, starting with an ode to the inefficiency of the Toronto Transit Commission - some things never change! The dystopian sci-fi themes are par for the League, and highlights are the love ballad “Anna King” and the charming “Feable”. The instrumentals on the B-side feel decidedly more Teutonic, and have a certain CBC charm that sounds like JP Decerf recording for Parry Music. It even opens with a slinky stoned Pink Panther.” For this first time vinyl reissue we’ve expanded to a double LP with a bonus album of the 4 songs from Old Hollywood 7” and 9 previously unreleased tracks and demo versions. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original photo by Don Stagg taken from his apartment rooftop overlooking Toronto of a young teenager sniffing glue and includes an insert with photos and liner notes by Drama.

Limited edition for Record Store Day 2018!

„Rock of the Westies“, released in October 1975, is the tenth official album release for Elton John. As with „Captain Fantastic and the Brown Dirt Cowboy“,“ Rock of the Westies“ debuted on the US Billboard 200 chart at No. 1, the only two albums at that time to have done so.

COLLECTED is a perfect overview of the multiple classic hits and tracks throughout the career of The Mamas & The Papas and complimented with several popular tracks by Mama Cass Elliot.

Remastered from the original analogue tapes and pressed on 180-gram vinyl!


“Honky Château”, released in 1972, is the fifth studio album released by Elton John. It was titled after the 18th century French chateau where it was recorded, Château d'Hérouville. The album reached number one in the US, the first of seven consecutive US number one albums for Elton John.

It was certified gold in July 1972 and platinum in October 1995 by the RIAA. This was the final Elton John album on the Uni label in the US and Canada before MCA consolidated all of its various labels under the MCA brand. This and John's earlier Uni albums were later reissued on MCA Records.

Two singles were released worldwide from Honky Chateau, "Rocket Man" and "Honky Cat." A third single, "Hercules," was prepared for release, but this never materialised.

“Tumbleweed Connection” is the third studio album by English singer-songwriter Elton John. It is a concept album based on country and western/Americana themes.

Remastered from the original analogue tapes and pressed on 180-gram vinyl!

Joe Jackson – Collected is a comprehensive series of sounds Joe Jackson has gone through, from old to new, this collection will never get boring!

Remastered from the original analogue tapes and pressed on 180-gram vinyl!

“Elton John” is the second album by English singer-songwriter Elton John, released in 1970. However, because it was his first album released in America, many people there assumed it was his first album, as Empty Sky was not released in the US until 1975. Elton John includes his breakthrough hit, "Your Song", and helped to establish his career during what was considered the "singer-songwriter" era of popular music. In the US, it was certified gold in February 1971 by the RIAA. In the same year, it was nominated for the Grammy Award for Album of the Year.

“#1 Record” is the debut album by the American power pop group Big Star. It was released in 1972 by Memphis-based Ardent Records. Many critics praised the album's elegant vocal harmonies and refined songcraft but “#1 Record” suffered from poor distribution and sold fewer than 10,000 copies. However, “#1 Record” has more recently attracted wider attention, and in 2003 it was ranked number 438 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Finally, this classic Peter Gabriel album is back in print.

This 33 1/3 RPM Half-Speed Master Edition is pressed on 180gram vinyl!

This first YMO album was released in 1978 in Japan ('79 in Europe) and set a precedent in the music industry like never before. By releasing this daring album, YMO shook the world with their 'Synthpop', at the time a revelation as well as a revolution. Featuring the hit "Firecracker", an infectious and exotic Martin Denny cover, which became a staple in the early Hip Hop scene in New York.

180g vinyl.

One of the most successful albums of Linda Ronstadt's career, "Simple Dreams" spent five successive weeks at No. 1 on the Billboard album chart in late 1977, displacing Fleetwood Mac's "Rumours" at No. 1 after 29 record-breaking weeks in the pole position. It also knocked Elvis Presley out of No. 1 on Billboard's Country Albums chart after 'The King' held the gridlock for 15 consecutive weeks after his death in August. It won the Grammy Award for Best Recording Package (in addition to several other high profile Grammy nominations).
"Simple Dreams" was Ronstadt's fifth consecutive million-selling platinum album and sold more than 3½ million copies in less than a year in the United States alone — a record for a female artist. Simply put, Ronstadt just couldn't lose. "Simple Dreams" continued a creative streak that found the singer turning out album after album of incredible material at an astonishing one-per-year rate until she finally began to come back down to earth in the early 1980s.
Now hear "Simple Dreams" as never before. Remastered by the late, great Doug Sax at the Mastering Lab, together with Robert Hadley, and pressed on 45 RPM super-silent 200-gram vinyl by Quality Record Pressings, this revered recording truly is a sonic treasure. And it comes in a Stoughton Printing tip-on gatefold jacket with meticulously reproduced original artwork. Stunning.
Featuring an expanded palette of styles and cutting-edge narratives, "Simple Dreams" may go down in history as Ronstadt's greatest work. Considering the achievements: Grammy nominations for Record of the Year and Best Pop Vocal Performance, Female; Five consecutive weeks as the No. 1 record on the Billboard Album Chart, Two Top 10 singles.

YMO's second album Solid State Survivor was released in 1979, and represented numerous crossover tracks from Techno to New Wave. Solid State Survivor is probably the most sampled YMO album, as over the years several artists performed numerous covers of "Behind The Mask". This extremely popular album peaked at # 1 in several charts all over the world.

180g vinyl.

Konstruktivists are a UK Industrial group formed by Glenn Michael Wallis in 1982 out of the ashes of Heute. In the late '70s/early '80s Wallis was heavily involved with Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, SPK, and early Clock DVA, Glenn began to record his own material. After several cassette releases through Flowmotion under his own name, Konstruktivists’ first LP A Dissembly was released in 1982. To record A Dissembly, Glenn went into IPS Studio in Shepherds Bush, London. Glenn played synthesziers, percussion and vocals, with help from Dave Rouse (guitar), Adrian Grover (piano, tape loops) and Dave Kenny (engineer, treatments, tapes). The equipment used for this album includes a Korg MS-20, Casio MT-40, Roland TR-606 and TB-303, Korg Space Echo 555 and an Eventide Harmonizer previously used by Throbbing Gristle. In the studio was an old broken piano which was recorded with two microphones onto an 18 foot tape loop. Chris Carter of Throbbing Gristle modified Glenn’s TR-606 with separate outputs for snare and bass drums to help create the slap back snare sound heard through the album. Konstruktivists create their own brand of Industrial using tape loops and lurching rhythms arched by droning melodies.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is housed in an exact replica of the original jacket, featuring a black and white photograph of a church by Dave Byatt and hand lettering and line drawing by Lorna M. Each copy includes a 2-page double-sided 8×11 insert with liner notes by Glenn Wallis, press clippings, and photos, plus a bonus flexi-disc containing the song “Smack,” which was recorded during the same session as A Dissembly.