Soundtracks 108 Items

This LP would not have been possible if Edipan hadn’t conserved two mono masters in good conditions in its archives (stereo mixes have gone lost). Unfortunately it was not possible to cancel some magnetic flaws. We brought to life an OST that contains all the popular and well respected music elements of Maestro Nicolai: dissonant strings segments, experimental effects of an evocative classical main theme, ambiguous and mysterious, accompanied by pop rithms. Direction AND Cast Directed by Peter Collinson in 1974 and starring: Oliver Reed, Elke Sommer, Richard Attenborough, Gert Fröbe, Herbert Lom, Charles Aznavour, Maria Rohm, Adolfo Celi, Stéphane Audran, Alberto de Mendoza, Orson Welles (just voice). Plot A stranger that calls himself U.N. Owen invites ten people to stay at an isolated house in the Iran desert, drawning them with weird excuses. The nearest town is twohundred miles away and there are no phone in the house. Once arrived, they don’t meet the house owner but they hear his voice recorded while he accuses them of several homicides still unpunished, for which they would pay with their lives. From this moment on, they will start to get killed one by one. Only two of them will save themselves: Vera Clyde and Hugh Lombard, who didn’t commit the crime Owen accused them of, since they were mistakenly called to the house.

"Rob wanted the world of The Northman to feel harsh and uncomfortable, and for everything to feel like it was caked in mud and dry blood, so it was crucial for the score to mirror that." Composers Robin Carolan (Tri-Angle Records) and Sebastian Gainsborough (Vessel) were given a task of epic proportions when director Rob Eggers (The VVitch, The Lighthouse) asked them to create the score for his ambitious and highly anticipated new film The Northman, releasing on April 22nd. They needed to make a score that both honored the immense research that had gone into the authenticity of this Viking era period piece and complimented the cinematic maximalism of the film for a modern audience. The artists stretched themselves to the depths of their creativity and the resulting album is a gorgeous sonic tableaux that places the listener right in the center of the film. While arranging the score the composers consulted musician and ethnographer Poul Hoxbro for inspiration and insight into the history of Viking music. Having backgrounds in left field electronic music, Robin and Sebastian felt liberated by the constraint of using a small selection of musical tools for this piece. "Electronic music has almost limitless potential when it comes to making sounds and that's obviously an incredible thing, but you can also go down the wormhole and get lost in it sometimes. There's no risk of that happening when you only have a few primary instruments to draw upon." Robin remarked. They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, and säckpip to build the cinematic world of The Northman but they also took creative freedoms in adding instruments likes drums, which some academics believe wouldn't have played a big part in Viking musical culture, simply due to the lack of archaeological evidence of actual drums. "One of the pieces we wrote was intended to emulate the sound of a bullroarer; an ancient instrument used in sacred rituals or in battle to intimidate enemies. It makes a really disorienting roaring vibrato sound and low frequencies capable of traveling insane distances." Robin says when asked about one of the more unique aspects of the score. Everyone involved put so much effort into both their research and their creativity and this richness is evident in every track. The album as a whole is a cinematic masterpiece of sound and ambiance, both gorgeous and disturbing, like the film it so beautifully accompanies.

Scottish synth pop sensations Chvrches have a history of commissioning remixes for each of their chart topping albums. Given the cinematic concept of their latest Screen Violence they wanted to get a composer involved who worked in that universe. Singer and percussionist Lauren Mayberry said that the master of horror John Carpenter was the top of their wish list elaborating that "His films and music have been so impactful on us over the years, and without the stories he created I am not sure that the concept of Screen Violence (and female narratives within the album) would exist in the way they do." They decided to reach for the stars and contact Carpenter's team and to their delight Carpenter was excited by the idea. Lauren continues "As horror fans, we know that John Carpenter is the godfather and the gold standard and we're so excited to get to work with him in any capacity... we never really thought he'd reply, let alone that he'd send back something better than the original." Carpenter's remix of the Chvrches song "Good Girls," created alongside his creative partners Cody Carpenter and Daniel Davies, enhances the depths of the song's already infectious synthesizer melodies and adds his signature slightly sinister swagger and groove.

Symphonic suite album which Joe Hisaishi newly recorded “Princess Mononoke”
as suite with Czech Philharmonic the year after the movie release.

Newly recorded scores from “My Neighbor Totoro”with the keynote of violin, guitar and flute. A picture book of music which you can feel heart-warming interaction between Totoro and children.
(Violin: Masatsugu Shinozaki / Flute: Rie Akagi / Guitar: Hiroki Miyano) With 4 pages of illustrations.

Soundtrack including the insert song “Kimi o Nosete.” Jacket image is the Tiger Moth, the airship of the Doras the air pirates appreared in "Castle In The Sky". Double jacket with duplicate cel of Pazu and Sheeta.

The soundtrack to Black Panther by Kendrick Lamar featuring SZA, James Blake, Future, Anderson .Paak etc.

By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become syn - onymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunting presence in people's record collections. Anthology II continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter . The compilation opens with "Chariots of Pumpkins" from Halloween III that perfectly captures the eerie essence of the cult classic film with its pulsating synths and haunting melodies. The listener is engulfed by a sense of unease and anticipation, before being thrust into "69th St. Bridge" from Escape From New York , a dynamic track that encapsulates the futuristic and gritty nature of the film via the use of throbbing bass lines, driving rhythms, and electronic textures. The record has also an isolating tone as it skulks through ambient leaning tracks such as "Fuchs" and "To Mac's Shack" from The Thing, and "Walk to the Lighthouse" from The Fog, all of which display a slower tempo, foreboding undertones and an ethereal atmosphere that feels like a distant whisper. All of which has been cautiously laid in preparation to the grand finale. The iconic and instantly recognizable "Laurie's Theme" from the original Halloween. Its simple yet menacing piano melody which has become synonymous with the horror genre, concludes the album by striking fear into the hearts of listeners. These tracks represent just a fraction of John Carpenter 's impressive musical repertoire. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.

Der Soundtrack zur Amazon Hits Serie!
Enthält exklusive Tracks: Pull My Beads Of Love (Extended Version) und Dragons
Musik von Neal Acree (Games: Overwatch, World of Warcraft, Diablo und Starcraft, die TV-Serien Stargate SG-1 und Stargate Atlantis sowie die Filme: Assassination Games, Six Bullets und The Mechanic)

“Buio Omega”, two short and simple words that, in the mind of Goblin’s fans as well as in the horror/splatter movies fanatics’ one, recall sounds and images of a legendary film. Directed in 1979 by Joe D’Amato, it still impresses with the rawness and morbidity of its scenes, the trademark of a director who, much more than others, befits the term ‘extreme’.

The soundtrack of the film, whose main ingredients are keyboards and synthesizers, swings among echoes of Alan Parsons Project, funk / fusion and melancholic atmospheres. It was never officially published when the film came out, and was finally released on CD by Cinevox Record in 1997 (CD MDF 304) and again in 2008 (CD MDF 631) with two completely different tracklist.

Goblin here appear in an atypical shape, with Massimo Morante (guitar) and Claudio Simonetti (keyboards) replaced by Carlo Pennisi and Maurizio Guarini respectively, completing the line-up along with Fabio Pignatelli (bass) and Augustin Marangolo (drums).

1980, a crossroad full of living icons in a single movie interpreted and directed by Alberto Sordi, Io e Caterina. So, Alberto Sordi, Edwige Fenech, the year of release, 1980, what do we miss to get an absolute masterpiece? The soundtrack composer, Maestro Piero Piccioni. We can say it openly, one of its greatest score for cinema, intense, full of energy, orchestral, funky, melodic, touching, enthralling, passionate. An album that will be the score of your private summer, on your turn-table, in your sitting-rooms or as a late 70s background for your cocktails, together with Edwige dancing with an eye-arresting dress and great Alberto drinking a cup of champagne watching the diva of two decades dancing exclusively for him, everything under the gaze of Caterina, a robot-maiden more human than it could be thought. The album features the original album track list, never released before alternate takes and everything in Stereo, carefully remastered by Claudio Fuiano for a robust 180 grams black vinyl featuring a printed inner sleeve full of original artworks, liner notes by Fabio Babini and an homage to Piero Piccioni written by his son Jason that tells us a nice story happened in the studio during the recording session, 40 years ago... You shall not be missing it...

After 2 years of absence from our catalogue we are glad to reveal we are close to release a new edition of Fabio Frizzi’s fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project we are developing since five years! Since ever paired with Un gatto nel cervello, now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive. One of the holy grails in our catalogue, since ever bitterly loved, because of its shortness: even if the older version featured a good portion of the score, it was largely incomplete. With the addition of the material transferred from this extra tape, and with the song There’s no matter, which can be heard at the beginning of the movie, when the two protagonists investigate the sequestered ship, we can attest this is the definitive edition of this outstanding soundtrack which marks a significant style evolution of the Maestro, aside the growth of his artistic relationship with Lucio Fulci. In this edition we offer the score on CD in a deluxe hardpaper box with the insane artwork by Graham Humphreys, both on the box and on the 40 pages book inside, slim jewelcase with a maxi inlay featuring the iconic photographic poster of the time and a crazy black and white artwork by Alexandros Pyromallis. Gun line is complete with liner notes by Antonella Fulci, Fabio Frizzi and Daniele De Gemini, mastering by Enrico De Gemini.

Fifth western in a row for Sergio Leone after the Dollar Trilogy and “Once Upon a Time in The West”, “Giù la testa” (Duck, you sucker, 1971) is also the fifth collaboration between the director and Ennio Morricone, which would be followed by the final “Once Upon a Time in America” nearly 15 years later, before Leone’s premature death in 1989. World famous and holder of unlimited resources, with “Giù la testa” Leone directed an epic film that tells of the friendship between a Mexican bandit and an Irish explosives expert, during the historical context of the 1913 Mexican Revolution; lasting over two hours, the film has almost tones of an Hollywood colossal, but its epicness is only occasionally accompanied by Morricone’s music, which focuses more on the romance and melancholy aroused by the two protagonists’ memories. This score’s main theme alone would have been enough to make it a classic, thanks to the recurring “Sean-Sean” tune, and especially the melody sung by Edda Dell'Orso, a theme that even the less music passionate will immediately recognize!

Score to the much-buzzed-about film starring Nicolas Cage. Composer Émoi's eerie, capitvating, first full-length feature film score.
Limited to 2000 copies.
A quiet loner (Cage) finds himself stranded in a remote town when his car breaks down. Unable to pay for the repairs he needs, he agrees to spend the night cleaning Willy’s Wonderland, an abandoned family fun center. But this wonderland has a dark secret that the “The Janitor” is about to discover. He soon finds himself trapped inside Willy’s and locked in an epic battle with the possessed animatronic mascots that roam the halls. To survive, he must fight his way through each of them.

The soundtrack of "Pantai to Tamago Hime" at the Mitaka no Mori Ghibli Museum, Ghibli no Mori no Eiga. Joe Hisaishi reconstructed Vivaldi's "La Folia" with a modern approach. The music from the play is recorded so that it can be listened to as a suite.

Performance by full orchestra of New Japan Philharmonic in addition a chorus by Ritsuyukai. Including the main theme by Masako Hayashi, Fujiokafujimaki and Nozomi Ohashi.

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) Mokadelic returns with a new score, for the theatre offshoot of the same show. The album renews the cinematic style of the band through a series of almost dramatic instrumental sketches. Equally informed by the post-rock signature of luminaries such as Godspeed You Black Emperor and Explosions In The Sky, the band delivers the job with several epic moments.

Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual / erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in Bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film.

Brothers Gianfranco and Gian Piero Reverberi composed OSTs for TV shows such as "Robinson Crusoè" (1964), "The Secret Agents" (1965), "Devil in the Flesh" (1968), and "Torino Nero" (1972). This OST follows the typical standards of spaghetti western film music, but with pop arrangements. The main theme to this film is “You’d Better Smile,” sung by Nicola Di Bari who was a popular singer in the 60s and 70s. It has a tinge of rock accompanied by trumpet, chorus and orchestra. The motif is reprised in various versions: a slow version, a faster rhythmic version, a slower version with trumpets and a chorus which are developed in epic form, a quieter version with electric guitar and flute, and for the opening credits a slower, instrumental version. The song is also reprised in the ending credits of the Italian version. For this LP we were able to access the stereo and mono master tapes of the original recording session.

Finally on vinyl ! One of the most sought after and mysterious scores by the Maestro ENNIO MORRICONE! With the help of the magical voice of Edda Dell’Orso (Sul Ponte di Istambul) this score follows the steps of the most famous soundtracks composed by the Maestro combining melancholic melodies with wild funky tunes as the brilliant “Shake del Giudice”. END OF THE GAME (also known as IL GIUDICE E IL SUO BOIA aka ASSASSINIO SUL PONTE aka DER RICHTER UND SEIN HENKER) is a 1975 cult noir movie starring the great John Voigt and Jacqueline Bisset.

RSD Exclusive. Limitation: 2000. Velvert Turner is largely known for being a protégé and student of Jimi Hendrix, who he met as a teenager in New York in the late ‘60s. The influence is immediately clear, with respect to both Turner’s guitar work and vocals. Some have even mistaken his only album for a "lost" Hendrix recording, and it’s hard to blame them. Velvert Turner Group’s self-titled 1972 release, which aptly closes with a tribute to Hendrix (a cover of “Freedom”), has been out of print for decades. Now it’s coming back to vinyl with a color pressing, mastered from original analog tapes, exclusively for RSD Black Friday.

Akira Ifukube’s score to the legendary 1962 monster movie ‘King Kong vs. Godzilla’! Ifukube’s visionary music is tense and violent, a perfect complement to Ishirō Honda’s film. This incredible score alternates between brass and strings as we witness the death and destruction that comes in the wake of these two classic film monsters’ battles.

The movie hit of 2014, Interstellar, chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. While the film is directed by acclaimed Christopher Nolan (Inception, Batman Begins, The Dark Knight…), the epic soundtrack score was composed by Nolan's longtime collaborator, Oscar, Grammy, and Golden Globe Award-winning composer Hans Zimmer.

180g vinyl.

The Eighties spawned many iconic films such as Footloose,
Dirty Dancing, Ghostbusters, Rocky and The Breakfast Club.
Despite all the different genres, they all had something in
common: great film music. 80’s Movies Hits Collected is a
collection of music that is inextricably linked to Eighties movie
classics, including Queen, Billy Ocean, Lionel Richie, The
Bangles, Duran Duran, Pat Benatar, Tina Turner and Survivor
amongst many others.
80’s Movie Hits Collected is available as a limited edition of
1500 copies on translucent blue (LP1) and gold (LP2) coloured
vinyl. This 2LP-set includes an insert with liner notes, photos,
and credits

• 180 GRAM AUDIOPHILE VINYL
• INCLUDING INSERT
• ORIGINAL MUSIC FROM ICONIC 80’S MOVIES
• FEATURING CLASSIC MOVIE THEMES BY QUEEN, TINA TURNER, SIMPLE MINDS,
DURAN DURAN, RAY PARKER JR., HAROLD FALTERMEYER, HUEY LEWIS & THE NEWS, YELLO,
AND THE BANGLES A.O.
• LIMITED EDITION OF 1500 COPIES ON TRANSLUCENT BLUE (LP1) AND GOLD (LP2) COLOURED VINYL

180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT AND STICKER SHEET
SOUNDTRACK FROM THE 2024 NETFLIX SCIENCE FICTION SERIES CREATED BY DAVID BENIOFF,
D. B. WEISS, AND ALEXANDER WOO

SCORE BY EMMY AWARD-WINNING COMPOSER RAMIN DJAWADI (GAME OF THRONES, WESTWORLD)
LIMITED EDITION ON SILVER COLOURED VINYL

180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT AND STICKER SHEET
SOUNDTRACK FROM THE 2024 NETFLIX SCIENCE FICTION SERIES CREATED BY DAVID BENIOFF,
D.B. WEISS, AND ALEXANDER WOO

SCORE BY EMMY AWARD-WINNING COMPOSER RAMIN DJAWADI (GAME OF THRONES, WESTWORLD)
LIMITED EDITION ON TRANSLUCENT BLUE COLOURED VINYL

180 GRAM AUDIOPHILE VINYL
DELUXE SLEEVE WITH LEATHER LAMINATE FINISH
INCLUDES 4-PAGE BOOKLET
GOLDEN GLOBE AWARDS WINNING NETFLIX DRAMA SERIES STARRING
IMELDA STAUNTON, JONATHAN PRYCE, LESLEY MANVILLE, JONNY LEE MILLER,

DOMINIC WEST, AND ELIZABETH DEBICKI A.O.

MUSIC BY MARTIN PHIPPS
LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON “ROYAL BLUE”
COLOURED VINYL

Cover and gatefold artwork by Scottish artist Paul Scott Canavan (Dungeons & Dragons, Magic: The Gathering). Includes 12" art card of original artwork. Uncover the secrets of the Scottish Highlands with this beautiful vinyl release of "A Highland Song", brought to you by Lost In Cult in collaboration with Black Screen Records and Inkle Studios. Moira McKinnon has never seen the sea. Tired of her life of seclusion, she runs away from home in search of adventure. A lighthouse can be seen in the distance, but to reach it she must overcome a beautiful yet perilous journey across the Scottish Highlands. This authentic Scottish score is comprised of a suite of hauntingly beautiful original tracks by Laurence Chapman (Heaven's Vault, Total War) complemented by iconic hits from Scottish folk industry legends Talisk and Fourth Moon that provide a rapturous, virtuosic sense of rhythm to Moira's great journey through a wilderness of paths, peaks, dangers and song. This record comes in luscious dark green eco-friendly BioVinyl and features beautiful artwork from Scottish artist Paul Scott Canavan, known for his work on Magic: The Gathering and Dungeons & Dragons. Paul has developed a beautiful piece of cover art showing Moira gazing out at the game's iconic lighthouse, as well as a breathtaking gatefold view of an authentic interpretation of Scottish scenery. Take in the view in your own time with a 12" art print to frame on your wall.

As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. Best known for his original soundtracks to Minecraft, the single best-selling video game of all time, he's developed a discography of instrumental music over the last decade that traverses electronic pop patterns, neo-classical dreamscapes, and sparse ambient motifs. The latter element has broken from the "8-bit" pigeonholing of game music and earned him accolades that reference artists like Erik Satie (The Guardian) and Brian Eno (vice). In 2015, after quietly self-releasing Minecraft Volume Alpha and Minecraft Volume Beta, Rosenfeld partnered with Ghostly International to reissue Minecraft Volume Alpha on vinyl and CD. The release garnered attention from proper music critics and the gaming community alike, becoming one of the most sought after records in the Ghostly catalog. Now, following several restocks of Alpha to fervent fan response, it is time for the soundtrack's second installment to shine. For the legion of listeners and players to, at long last, have Minecraft Volume Beta in tangible formats. Originally self-released in 2013, Minecraft Volume Beta was C418's longest batch of music to date at nearly 140 minutes. The collection features tracks that were "silently" added to Minecraft during its music updates and a few that never officially entered the game. The run time is now adapted to fit the double LP format, while digital downloads include the full set Rosenfeld's unmistakable abilities are on display; he creates a sweeping variety of musical ideas that mirror the limitless universe of Minecraft. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.

Robby Poitevin (24-10-1926 / 3-10-2003) represents the Italian Film Music school, very close, for its lounge sounds, to that of his American colleagues, such as Lalo Schifrin, Henry Mancini, Quincy Jones and Hugo Montenegro. Other than being an extremely valid arranger and orchestra leader, Maestro Poitevin composed jazz, blues and swing themes, like those for “The hired killer”, which is part of the police and spy current. For this genre, the composer also created other remarkable soundtracks, like “Assassination”, “L’uomo del colpo perfetto”, “Quella carogna dell’ispettore Sterling”, “A.D.3 Operazione squalo bianco”. In 1966 RCA published an LP for the promo series SP (SP 8017), which had nine selections for a total running time of 19:06 minutes. In 2009 GDM Music printed out this OST, for the very first time on CD (gdm 4018), with three extra tracks, pairing it with “Quella carogna dell’ispettore Sterling”. We are reprinting the nine tracks of the original promo LP and, along with the three bonus tracks of the previous GDM’s CD, we are adding four more unpublished tracks, discovered in the original recording session’s mono masters, which bring the total running time of the LP up to 37:04 minutes. Robby Poitevin composed an elegant music, inspired by jazz, blues and American swing, creating calm and mysterious athmospheres as well as pure action ones. Among hired assassins, bullets and homicides there is also a love theme, arranged in different versions such as Bossa and sung by female voice.

180 gram audiophile vinyl
Heavyweight sleeve with leather laminate finish
Includes 4-page booklet with moviestills
2022 Netflix original movie directed by Edward Berger, starring Felix Kammerer, Albrecht Schuch, Daniel Brühl, and Sebastian Hülk a.o.
Critically acclaimed & multiple award-winning movie
BAFTA Award & Academy Award-winning score by Volker Bertelmann (Hauschka)
Black vinyl

Waxwork Records, in partnership with Back Lot Music, is proud to present Knock AT THE Cabin Original Motion Picture Soundtrack by Herdís Stefánsdóttir. From visionary filmmaker M. Night Shyamalan, Knock at the Cabin stars Dave Bautista (Dune, Guardians of the Galaxy franchise), Tony award and Emmy nominee Jonathan Groff (Hamilton, Mindhunter), Ben Aldridge (Pennyworth, Fleabag), Bafta nominee Nikki Amuka-Bird (Persuasion, Old), newcomer Kristen Cui, Abby Quinn (Little Women, Landline) and Rupert Grint (Servant, Harry Potter franchise). While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost. Herdís Stefánsdóttir is a composer of music for multimedia, a songwriter, and an electronic musician. Her compositional endeavors—installations in museums, dance, theater, and a successful electronic music duet she is a part of–are establishing her as an expansive artist. Herdís Stefánsdóttir graduated with an M.A. degree in film scoring from New York University in 2017. Since graduation she has scored three feature films, the most recent one is M. Night Shyamalan’s Knock at The Cabin. She won the 2022 Icelandic Music Award for her score to the FX series Y: the Last Man and was also nominated for her score in Ry Russo-Young’s MGM/Warner Bros. feature film The Sun Is Also a Star and the HBO series We’re Here. Other scoring work includes Apple TV+’s Essex Serpent, co-scored with Dustin O’Halloran, starring Claire Daines and Tom Hiddleston. Herdís interned for the Oscar nominated composer Jóhann Jóhannssonin Berlin while he was working on the film Arrival (2016) and she has scored numerous short films that have premiered at top-tier festivals around the world like Berlinale, Tiff, Sundance and Palm Springs International Film Festival. Herdís releases and produces her solo work under artist name Kongulo, she is currently working on her first record. Previous art projects include electro-pop duo East of My Youth. East of My Youth’s music has been described as sensual and addictive as getting your tongue frozen to a glacier of pure honey (jajajamusic). The duo has showcased at Sxsw, Eurosonic Noorderslag, Kexp, Sonar Reykjavík and Iceland Airwaves. The debut vinyl release of Knock AT THE Cabin features the complete soundtrack by composer Herdís Stefánsdóttir pressed to 180 gram 'Make Your Choice' Apocalypse Black & Blood Red split colored vinyl, heavyweight gatefold jackets with matte satin coating, and a 12'x12' insert.

Waxwork Records is thrilled to release Bloodsport Original Motion Picture Soundtrack by Paul Hertzog! Expanded and re-mastered, this deluxe double LP is a holy grail for retro 80's action fans, synth driven soundtrack lovers, and anyone preparing for an epic Kumite battle! Bloodsport is a 1988 American martial arts action film starring Jean-Claude Van Damme and Bolo Yeung. It was one of Van Dammes first starring films and showcased his athletic abilities. It has since become a cult film.

The score music by Paul Hertzog is the perfect 80's score complete with driving synthesizers and pulsing drum machines. Programmed beats with improvisational melodies, flutes, Chinese harps, and odd measures at key points make the score to Bloodsport a memorable and nostalgic trip. Also featured on this deluxe double LP are the tracks "Fight To Survive" and "On My Own - Alone" by Stan Bush.

Bloodsport Original Motion Picture Soundtrack features the expanded film music re-mastered and pressed to 180 gram "Kumite" Red & Black Smoke and Gold with Black Smoke colored vinyl, New artwork by Vance Kelly approved by the Muscles from Brussels himself, Jean-Claude Van Damme, liner notes by composer Paul Hertzog, an art print insert, and deluxe packaging.

Bloodsport Original Motion Picture Soundtrack Features:

The Expanded and Re-Mastered Soundtrack 180 Gram "Kumite" Colored Vinyl New Artwork by Vance Kelly Liner Notes By Composer Paul Hertzog 11"x11" Art Print Deluxe Packaging

Shigeru Umebayashi is an internationally renowned composer who is best known for creating ‘Yumeji’s Theme’ for Wong Karwai’s film In The Mood For Love.
In addition to collaborating with Wong Kar-Wai on 2046, Umebayashi was the music producer and composer for Zhang Yimou’s films House Of Flying Daggers and Curse Of The Golden Flower.

This is an updated version of Film Fest Ghent’s 2010 tribute to the composer’s work which featured his most celebrated music.
This edition includes material that has not been otherwise released featuring two pieces from A Single Man, a cue from the anthology film
Hero and a new arrangement from his breakthrough score, Moyou from Sorekara, which features in the film The Grandmaster.
Following the success of vinyl releases featuring Ryuichi Sakamoto and Alan Silvestri in the same series,
this double LP on white vinyl in a distinctive gatefold sleeve features world-class recording by Brussels Philharmonic/Dirk Brossé of Umebayashi’s most impressive work.

“Umebayashi’s oeuvre can be found at the confluence of Western and Eastern music. It is unique, stylistically original,
authentic in colour and has its own character. Its vibrant intensity transports us. It is Ume” – Dirk Brossé – Musical Director – Film Fest Ghent

Sonor Music Editions proudly announces the first ever reissue of another Italian Library holy grail, fruit of the union between two of the most brilliant composers of Italian panorama: Alessandro Alessandroni and Rino De Filippi. "vacanze" album (in English 'holidays'), was originally released in early/mid 70s on Sermi output, and is one of the most elusive records from the label out there. From refined Lounge music to stunning Jazz-Funk and groovy vibes, this album features an unbelievable set of the coolest themed music from the whole Library scene, with maestro Rino De Filippi's harpsichord on evidence in many tracks and soaring, loungy and dreamy moods throughout the entire album. A superlative recording, with an incredible sleeve design that has obssessed Library collectors for years, and for sure among the best releases from the gold Sermi label along with "Nel Mondo Del Lavoro" release just announced. Edition of 800 copies

Record Store Day 2020 Release.

Two 12" black LPs in a gatefold sleeve with a set of 4 alternative 'Multiverse' covers printed on x2 double-sided inserts. Composer Lorne Balfe with BBC National Orchestra OF Wales introduces the series and character themes for HIS Dark Materials, the new TV adaptation of Philip Pullman's acclaimed series of novels.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

Thom Yorke’s Suspiria (Music for the Luca Guadagnino Film) is released on XL Recordings. Suspiria consists of 25 original compositions written by Thom specifically for Luca Guadagnino reimagining of the 1977 Dario Argento horror classic. The album is a mix of instrumental score work, interstitial pieces and interludes, and more traditional song structures featuring Thom’s vocals such as Unmade, Has Ended and Suspirium, the album's first single featuring the melodic theme that recurs throughout the film and its score.

As scoring a horror film presented Thom with altogether new challenges and opportunities, Suspiria stands apart from any of his other work. Piano / vocal ballads, Krautrock-esque modular synth work inspired by the film’s Berlin 1977 setting, multilayered vocals, and melodies that convey terror, longing and melancholy combine to create a chaotic yet cohesive musical spell.

Suspiria was written and arranged by Thom Yorke, recorded and produced by Thom and Sam Petts-Davies. The album also features the London Contemporary Orchestra and Choir, Noah Yorke on drums on Has Ended and Volk, and Pasha Mansurov on solo flute on Suspirium.

Celebrating 25 years of the animated sitcom South Park at the famed Red Rocks Amphitheatre in Morrison, Colorado, this 3LP package, pressed on “Towelie-Blue” vinyl, features South Park creators Trey Parker and Matt Stone along with Primus and Ween performing a variety of songs made famous by the show. Also included is a special guest appearance by Rush’s Geddy Lee and Alex Lifeson, performing “Closer To The Heart” alongside Primus and Matt Stone.

Random coloured recycled vinyl. New artwork!"Black Screen Records, Videocult, Akupara Games and composer James Primate are excited to take you an aural journey into the strange land of Rain World ... again.After being sold out for a few years, the soundtrack to Rain World will finally be repressed - this time on 100% recycled & random-coloured "Re-Vinyl". The music was composed and produced by Videocult level designer and composer James Primate with a little help of Lydia Esrig (other half of Chiptune duo Bright Primate) and Rain World creator Joar Jakobsson. The soundtrack is housed in a beautiful gatefold sleeve with original artwork by Allegra "Del" Northern. This pressing comes with a 12"" art print with additional art by Del.