Rock & Indie 3491 Items

What Would You Do (Cover A)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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This was meant for the US Tour in November, but now it's a Re-Import. You know the story.

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Trixie & The Trainwrecks

7" | 2020 | EU | Original (Voodoo Rhythm)

7" | 2014 | EU | Original (Erste Theke)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Trixie and The Trainwrecks spielen Blues und Folk auf mit alter Technik ins Heute und Jetzt katapultiert mit Kampfspuren und kriegsnarben gezeichnet kommen die 2 via San Francisco und London nach Berlin um ihren Abgetrashten übersteuerten Blues unter die Leute zu bringen schrecken sie nicht davor zurück ein Herz ass aus den Ärmeln zu zaubern um gleichzeitig eure Herzen aus der Brust zu reissen um auf ihnen herum tanzen zu können. das ist der Garagen Punk der Arbeiter klasse gepriesen aus der Blues Trash Kirche. Trixie Trainwreck spielt ihre Finger Blutig beim Gitarren spielen und haut die scheisse so dermassen aus ihrem Kick Drum das Charlie Hangdog mit seiner Mundharmonika mindestens 2 von diesen kleinen Gitarren amps braucht und sie voll aufdrehen muss um sich wenigstens ein bisschen zu hören. in London 2017 hatten sie sich gefunden und seither etliche touren führten sie durch Europa am Bonn Stomp (Germany) Voodoo Rhythm Circus (Swiss) 100 Club (London) Lido (Berlin) Muddy Roots Cookeville, Tennessee, und auf tour mit: Holly Golightly Detroit Cobras, Bob Log III etc Airplay und Kritiken auf: Wfmu, Blues-Angelegenheiten, Radio Eins, Resonance FM und viele mehr, und Tonträger Veröffentlichungen: 2018 - Lp/cd - 3 Cheers To Nothing, 2019 - 7" - Too Good to be Blue, 2020 - 7" - What would you do mit special guests: Bruce Brand (Milchshakes, Thee Headcoats, The Masonics) und Paul Seacroft (the selector, bad manners, jim jones) an der Lapsteel"Garage Blues meets Gershwin Blues Romantic real Live Tragedy Folk Blues Trash meets Roots Blues from that Berlin Based Duo around Singer Guitar Player Trixie Trainwreck and Harp Player Charlie Hangdog , Recorded in London at Space Eko East Recording Studio, this is the Second Single of the Serie who will end up in a Album in the Future, Side A of this Vinyl Single is a Raw Garage Blues Stomper simple Honest Desperate Love Lyrics and on the B Side you have Borgy and Bess Classic Summertime in a Bitter Sweet version only Trixie and the Trainwrecks can."20...

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Blotter

Under Armour 77

Release: 2014 / EU – Original

Genre: Rock & Indie

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Sings...Four Songs About One Cat

School Damage

7" | 2018 | EU | Original (Upset The Rhythm)

Tenebre Veloci Su Bologna

Release: 2018 / EU – Original

Genre: Rock & Indie

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Melbourne/Geelong quartet School Damage began as a bedroom recording project for Carolyn Hawkins (Chook Race, Parsnip) and Jake Robertson (Ausmuteants, Frowning Clouds etc). They released a cassette for Moontown Records in 2013, then were joined by Jeff Raty on drums and Dani 'Damage' Hakim on bass.

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Tribal Noise

7" | 2024 | EU (Ostia)

Release: 2024 / EU

Genre: Rock & Indie

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Arbeitslos & Spaß Dabei Record Store Day 2023 Edition

Vicky Vomit

7" | 2023 | EU | Original (Dreilabel)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Fantasy Curacao Color Vinyl Edition

7" | 2023 | UK | Original (Upset The Rhythm)

Temptress / Strangulation

Release: 2023 / UK – Original

Genre: Rock & Indie

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If Es’ debut album for Upset the Rhythm explored the “tension between intent and interpretation”, the London group’s 2023 EP, ‘Fantasy’, constructs a coda for resistance against the distorted gaze. A four-track contact-high anxiety amid fact and facsimile, the new release attempts to define a sound that still resonates in an increasingly confused public theatre, where cerebral dreams manifest in corrupt fascination. Echoing the legendary Pylon or the later, disco-inspired releases from PIL, tracks like ‘Emergency’ and ‘Unreal’ blend the band’s established disjunctive style of gothic restlessness with brighter, poppy, and danceable tones. These stylistically unwind in transition with the increasingly claustrophobic pieces like ‘Too Late’ and ‘Swallowed Whole’, syncopating a parallel design of the frantic and the fashionable. Paired with a lyrical intricacy which emits a desire to break the fetish of false representation, ‘Fantasy’ reminds us that worthy punk records, like any manifesto of neurotic suspicion, balance testimonial, speculative-fiction, and social critique. Indebted to the past but pointed sharply to the future, Es deconstruct our modern wreckage of personhood and self-deceit, granting a sense of solidarity inside alienation. Inside ‘Fantasy’ we visualize our own estrangement, and it is only when this mirror fades that we find the tools to fight back.

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Medusa

7" | 2015 | US | Reissue (Numero Group)

Nancy Sinatra & Lee Hazlewood

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Prior to tracking First Step Beyond, Chicago proto-metal quintet Medusa headed three miles west to the Village of Oak Park and cut their debut 7" at Stephen Wilcox's Pepperhead custom studio. The resulting versions of "Strangulation" and "Temptress" are a touch further unhinged than their sororal album twins, as phased-out scraps of psychedelia and bleeding solos maxed out Pepperhead's 8-track rig. Pressed in a strictly limited quantity of 1000 copies.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

Lately I Feel Everything Red Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Willow

LP | 2021 | EU | Original (Roc Nation)

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Voodoo Rhythm)

E.T. Explore Me

President / Drug Me

LP | 2016 | EU | Original (Drunken Sailor)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Garage Organ Grinding Fuzz Overdose Cumbia Meets Minimal Psychadelic Synthetic Trash Disco From The Netherlandshere's A Limited Edition Vinyl 7" (500 Pcs) Single With 2 Songs Recorded In Harlem (The Netherlands) Where E.T.Expolre Me Come From, They Have Been Touring And Recording Since 2002 And Released Their First Record On Voodoo Rhythm In 2017, Now They Are Back In The Studio And Present Us With Their New Music, They Have Become More Minimal With Many Influences Such As Cumbia And Disco In 'President' You Can Recognise Some Roxy Music Without An Erotic Brian Ferry But Very Intrusive, Then With 'Drug Me' It's Like Danceable Industrial Around 4 O'clock In The Morning In A Wild Dark Club In Berlin

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Spokenest

Gone, Gone, Gone

9,99 €* 19,99 € -50%

Release: 2016 / EU – Original

Genre: Rock & Indie

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12" | 2009 | EU | Original (Shitkatapult)

Das Bierbeben

Remixes

7" | 2024 | EU | Original (Static Age Musik)

Release: 2009 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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incl. remixes by T.Raumschmiere and Chloe

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Aus

Der Schöne Schein

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | Original (Bajo Perfil)

Karosh!

Demo 2022

Release: 2024 / Original

Genre: Rock & Indie

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Green Jelly & Seeing Snakes

Split

7" | 2024 | US | Original (Phameless)

Release: 2024 / US – Original

Genre: Rock & Indie

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Los Rockin Devils / Blue Gin

Murmillo (Hush) / Light Blue Limited Edition Vinyl Edition

7" | 2023 | EU | Original (Swingin` Sides)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Teenage Jesus & The Jerks

Tape | 2023 | EU (Radiation Reissues)

2x7" | 2019 | EU | Original (Jansen)

Release: 2023 / EU

Genre: Rock & Indie

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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential!

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Per Oydir

Jet Harris Guitar Book

Release: 2019 / EU – Original

Genre: Rock & Indie

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7" | 2023 | UK | Original (22a)

Mo Kolours

Axum EP

Release: 2023 / UK – Original

Genre: Rock & Indie

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Live Antifaschitisches Punkfest Berlin '82

OHL

7" | 2023 | EU | Original (Power It Up)

Release: 2023 / EU – Original

Genre: Rock & Indie

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OHL -Live 28/2/1982 at the Antifaschist Festival in Berlin, two track EP in the usual OHL roughness. A piece of German punk / hardcore history from the very beginning. The cover artwork is based on the original flyer. This special EP comes in red vinyl and is limited to 250 copies.

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Big Nothing

7" | US (Asian Man)

Release: US

Genre: Rock & Indie

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LP | 1972 | UK | Reissue (Seelie Court)

Threads Of Life

Alco

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | UK | Original (Seelie Court)

Jean Turk's Truth

Live In Northampton 1976

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Seelie Court)

Dave Keir

Release: 1976 / UK – Reissue

Genre: Rock & Indie

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Live At The Last Night Of The Cavern 1973

Caliban

LP | 2023 | UK | Original (Seelie Court)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Seelie Court)

Across The Water II

Scillonian Solace

Release: 2023 / UK – Original

Genre: Rock & Indie

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7" | 2023 | EU | Original (Cleopatra)

Jyrki 69

White Rabbit

Release: 2023 / EU – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 13: Anonymous Days Part 2

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 12: Anonymous Days Part 1

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 5: Mk.Iv Cellar Rehearsals

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 4: Mk.Ii Studio. Mk.Iii Studio. Mk.Iii Cellar & Mk.Iii Live

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 3: Mk.Ii Live Part Two

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 2: Mk.Ii Live Part One. 41m

Release: 2022 / UK – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Dirt Cult)

Character Actor

Sonder White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Character Actor (Jeff Schroeck - Vocals/Guitar; Evan Kiel – Bass; Brian Gorsegner – Drums) is the result of three old friends living in close proximity and entering fatherhood within a relatively short span of time. With Jeff’s and Brian’s bands (The Ergs!, Night Birds, Black Wine) in varying stages of hibernation, the two shared a much-needed weekly escape to the garage to write some loud, fuzzy pop songs. Evan joined on bass, and the quintessential dad-rock project was born. Soon after, the band recorded it's debut, a 4 song, self-titled EP.

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Dermot Kennedy

LP | 2022 | CZ | Original (Island)

Release: 2022 / CZ – Original

Genre: Rock & Indie

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Icebreaker Colored Vinyl Edition

The Southern Oracle

10" | 2022 | EU | Original (Heavy Metal Vomit Party)

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Fresg Outbreak)

Yon

Order Of Violence

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | US | Original (Third Man)

Bob Dylan

Blind Willie McTell

Release: 2021 / US – Original

Genre: Rock & Indie

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Impossibilities / Danger / Schizo Terrorist

Bastards

7" | 2021 | EU | Original (Reminder)

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Martin Hossbach)

Michaela Meise

Cemalim

7" | 2020 | US | Original (Wick)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Under the impression of the racially motivated murders on 19 February 2020 in Hanau, her hometown, the visual artist and musician Michaela Meise recorded the piece "Cemalim" by the Turk Erkin Koray in German translation. The production of the song was supported by the Städtische Galerie Nordhorn and the NS-Dokumentationszentrum München, both of which have included the work in their exhibition programmes this year. Erkin Koray is a representative of the psychedelic Anadolu-Rock and published "Cemalim" as an arrangement in 1973. The original composer, Rafik Başaran, came from the Cappadocian town of Ürgüp, which is also mentioned in the song. "Cemalim" means, translated into German, "My darling Cemal", and is a lament for the dead. Meise wrote the German text based on the translation by Fatih Alasalvaroglu, who also comes from Hanau.Besides the mourning of nine young people, solidarity with the relatives and friends of the murder victims is urgently needed. They have organised themselves in the "Initiative 19 February Hanau" - on their website you can find information about what support they would like to receive. Most of the concert programme of the last two years included anti-fascist songs and was a reaction to the increasing right-wing populism. Folk songs, hits and chansons of the 1960s, published in July 2018 on the album "Ich bin Griechin" (Martin Hossbach), dealt with the experience of the Second World War, told of the longing to leave home or the experiences of a seasonal worker. The songs were composed by the anti-fascist Mikis Theodorakis, the musician Barbara, who survived the Shoah with her family in the underground, and George Moustaki and Alexandra, who crossed both national borders.

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The Ar-Kaics

To Be Free / Easy

Temporal Love Clear Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The Ar-Kaics are back with a double shot of their endangered mode of recreational expression / rebellion, and doing it just for Kaics! Recorded at Daptone amid the gloom and decay of the day, “To Be Free” b/w “Easy” showcase the band's primitive garage sound in two nasty f lights of fancy. Wash it down with the fun punch straight from the bowl, and listen for the proto psych and outright punk nonsense a-brewing. With a new drummer in tow, free & easy is the rally cry for their new lease on psych. Communion for heads and seekers alike!

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SRSQ

7" | 2019 | EU | Original (Dais)

Tape | 2019 | US | Original (Pirates Press)

Release: 2019 / EU – Original

Genre: Rock & Indie

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SRSQ is the solo project of singer and songwriter Kennedy Ashlyn, the founding member of the bay-area dream pop duo Them Are Us Too. SRSQ's pulse began after the loss of Kennedy's closest friend and Them Are Us Too collaborator, Cash Askew, in the tragic Ghost Ship fire of 2016. Driven by this sudden, heartbreaking loss, SRSQ became the vehicle for Kennedy's transformative process for her to explore nostalgia, reflection, and reconciliation, manifesting in the aural landscape of her 2018 debut album, Unreality.It's been a year since the release of Unreality and 2019 has taken SRSQ around the world, touring extensively with Black Queen and Uniform, sold out performances in support of Cold Cave and Godflesh, and upcoming tours in support of Torche and label-mates Drab Majesty. Amid performances and writing in preparation for her upcoming 2020 album, Ashlyn went into the studio with producer Jorge Albrecht, who mixed down two new tracks featured on the 7" single Temporal Love b/w Unkept.Wrapped in ethereal gauze and dreamlike textures, what SRSQ presents on this single are undeniably love songs. Wrought with longing, Ashlyn commands on "Temporal Love": "Kissing you once more could not erase the time, wishing it was the same as it ever was..." her ethereal, soprano-like voice weaving effortlessly through soaring electronics as if the structure of the song itself is her creative playground. Joined in duet by True Body vocalist Isabel Moreno, "Temporal Love" conjures images of heartbreak and a relationship dissolved - perhaps regrettably. The B-side, "Unkept" presents an almost ceremonial incantation channeling the likes of Lisa Gerrard's finest moments. Stirring in echoes and reverb, Ashlyn emerges alongside a slow and steady beat - rising and building: "Speak softly, my love" to create the perfect counter-balance to the dreamy pop sensibilities of "Temporal Love."Temporal Love b/w Unkept was produced by Kennedy Ashlyn, mixed by Jorge Albrecht and mastered by Josh Bonati. The single comes packaged in a po...

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Charger

7" | 2018 | EU | Original (BMG Rights Management)

Release: 2019 / US – Original

Genre: Rock & Indie

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CHARGER is very soon going to be a band that needs no introduction for music fans across the globe.

It didn't start off as a band, but more of a musical challenge between two accomplished heavyweights exploring their roots and mutual passions.

CHARGER is driven by a love for 70's hard rock as much as it is the ever-present 'East Bay sound' that has shaped these musicians lives for decades.

In the same way you can't throw MOTORHEAD in a box and label them metal, punk, thrash or hard rock, this incredible band and record will both prove themselves a force to be reckoned with on a global stage. Defying all genre expectations, and just plain bringing the ROCK - this powerful three piece will undoubtedly take these incredible songs far and wide.

Backing it right up, their live show is superb as well; something folks in the Bay Area have not taken for granted over the past half-year - and something that the rest of the world is about to get a taste of, in a big way!

If you are someone who enjoys the best of BLACK SABBATH, JUDAS PRIEST, MOTORHEAD, DIO, AC/DC, METALLICA, NEUROSIS, HIGH ON FIRE & of course, RANCID (or even one of those bands), listen up! This is for you!

FOR FANS OF:
MOTORHEAD, BLACK SABBATH, METALLICA, HIGH ON FIRE, RANCID

TARGET MARKETS:
Bay Area (Hometown) and wherever great PUNK & METAL albums are sold!

TRACK LIST:
Side A
1. Crackdown
2. Victim
3. Damage

Side AA
4. All Kings Must Die
5. Pray For Light
6. Fall Out
7. Dragdown

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Saxon

Princess Of The Night

7" | 2018 | US | Original (Rykodisc)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Sugar Ray

Fly

Stayed Up Last Night / Shadow Of Grief

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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The Greenhornes

7" | 1999 | US | Reissue (Third Man)

If You're Right, It's Alright EP

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Although not technically a Detroit-based garage group, this Cincinnati band fit in as honorary Detroiters by the time this single was released. The Greenhornes were purveyors of period-perfect 1960s rock n roll a la the Pretty Things and the Kinks. Plus, they were immediately set apart by their grim reputation of touring in a '67 Cadillac hearse.

This single was recorded at Jack White's house in southwest Detroit right before the release of the Greenhornes' debut LP and the b-side is a re-imagined version of one of their 2nd LP's strongest tracks ''Shadow of Grief''. Band members Jack Lawrence and Patrick Keeler would go on to be the rhythm section in the Raconteurs while Brian Olive would later join the Soledad Brothers and make serious contributions to Dr. John's revered ''Locked Down'' album.

Stayed Up Last Night b/w Shadow of Grief

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Fil Bo Riva

10" | 2016 | EU | Original (Pias)

Release: 2016 / EU – Original

Genre: Rock & Indie

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12" | 2015 | UK | Original (Leaf)

The Comet Is Coming

Prophecy

Release: 2015 / UK – Original

Genre: Rock & Indie

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G. Rag & Die Landlergeschwister

Der Räuber Und Der Prinz

7" | 2015 | EU | Original (Gutfeeling)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Larry And His Flask \ Beans On Toast

Xtra Mile Single Sessions 6

7" | 2013 | UK | Original (Xtra Mile)

Release: 2013 / UK – Original

Genre: Rock & Indie

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7" | 2009 | DE | Original (Playloud)

The Monks

Complication

Horror Vacui Purple Vinyl Edtion

Release: 2009 / DE – Original

Genre: Rock & Indie

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/ oh-how to do now

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Horror Vacui

7" | EU (Agipunk)

LP | 1982 | EU | Reissue (Bachelor)

Release: EU

Genre: Rock & Indie

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Horror Vacui are back with a long awaited new release. Their unique blend of death rock and post punk needs no further introduction: with 4 records, countless releases and tours worldwide, the unstoppable 5 pieces painted the underground world in dark shadows during their decade of existence. A recent line up change (that now sees former guitar player Marzia on drums) and two brand new songs that will make you ask for more. A tasty prelude to the long awaited new full length due soon in 2024.

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Dead Nittels

Anti New Wave Liga

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Live At The Moonlight Club London 1980

Joy Division

Tape | 2024 | EU (Tape It Dee Dee)

LP | 2024 | EU (Overdrive)

Release: 2024 / EU

Genre: Rock & Indie

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On the night of April 3rd, 1980, the iconic post-punk band Joy Division descended upon the intimate stage of the Moonlight Club in West Hampstead, London. The venue, dimly lit and shrouded in an aura of mystery, provided the perfect backdrop for the band's melancholic and atmospheric sound. The raw power and emotional intensity of their performance served as a testament to their artistry, leaving a lasting legacy that continues to inspire generations of musicians and fans alike.

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Bretus

Magharia

Au Zenith: Live In Paris 1991

Release: 2024 / EU

Genre: Rock & Indie

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Bretus‘ fifth full-length album and the official follow-up to 2019s Aion Tetra as 2020s Self-Titled EP A mix of the heavy blues metal of the first Danzig album as well as the spooky death-rock intonations of Samhain III: November-Coming-Fire…

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Siouxsie & The Banshees

Tape | 2024 | EU (Tape It Dee Dee)

Love Your Money/I Feel Insane (Unreleased Version) Light Blue Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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On October 28, 1991, the legendary post-punk band Siouxsie and the Banshees delivered a electrifying performance at the Zenith in Paris, France. This live captures the band in full flight, showcasing their unparalleled musicianship and Siouxsie Sioux's captivating stage presence.

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Daisy Chainsaw

7" | 2024 | UK | Original (Easy Action)

7" | 2024 | Original (Damaged Goods)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The first ever reissue of this seminal 90s single. Limited to 500 copies worldwide. Pressed on Light Blue Colored Vinyl. Remastered with brand new picture sleeve design by Crispin Gray.

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Johnny Moped

Things May Happen

Tape | 2024 | EU (Radiation Reissues)

Release: 2024 / Original

Genre: Rock & Indie

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Limited to 300 copies only!A-side taken from soon to be released LP Quonk!B-side exclusive to this release! 'Things May Happen' is being released as a single. What inspired you to write that song?Slimy - The extraordinary lightness of being ... just the path and what's on it.Marty - This is Toad's one and it's a cracker.Johnny turned 70 last year, celebrating in style with a gig at London's 229 Venue. Some people have said it was the best Moped gig ever. How was it from your point of view?Slimy - I thought Johnny's birthday gig was a rip-roaring success _ I enjoyed it _ The next Moped gig will be the best Moped gig ever and the one after that ...Marty - It's not the best gig as far as how we performed. But as far as the turn out and the size of the crowd that came along to celebrate Johnny's Birthday it was the best vibe of all the gigs for certain for me.This year marks the 50th year of Johnny Moped. What have been the high (and low) points for the band in the last five decades?Slimy - The constitution of these thoroughbred punk rockers is testimony to getting up and rocking out _ Johnny is not stopping he's class.Marty - I've only been in the band since 2017 and before that was the driver and shit carrier and before that a fan and also the band are my mates. So not one low point for me at all.You'll be back out on the road this summer. Any message for fans who'll be coming to see you?Slimy - You better believe it! You enjoyed that you bums or I'll kill you! Tomcats!Marty - Be afraid. Be very afraid.

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Nikki & The Corvettes

Savage New Times Black Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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First time ever cassette edition for Nikki & the Corvettes’ self-titled debut album originally released on Bomp Records in 1980. Led by Nikki Corvette, the group brought a fresh burst of energy to the punk and power pop scene of the late '70s and early '80s. Fueled by catchy melodies, infectious hooks, and Nikki's charismatic vocals, the album delivers a rollicking ride through a blend of punk, rock, and retro pop influences. Tracks like "Back Seat Love" and "Let's Go" capture the carefree spirit of youth and rebellion, making this LP a cult favorite among fans of vintage punk and power pop. With its raw energy and unabashed fun, "Nikki & the Corvettes" remains a timeless gem in the annals of underground rock’n’roll.

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Die In Vain

7" | 2023 | Original (La Vida Es Un Mus)

Release: 2023 / Original

Genre: Rock & Indie

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7" | 2023 | US | Original (Eccentric Pop)

Horror Section

The Prowler

Die Liga Der Gewöhnlichen Gentlemen

Release: 2023 / US – Original

Genre: Rock & Indie

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Eccentric Pop is startng Halloween early with a pair of 7's from our most popular band! "Until The End of Time" is a brand new EP from St. Louis’ horror punk luminaries, while "The Prowler" is a long-awaited reissue of their 2013 debut EP!

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Es Ist Immer Sommer Irgendwo

7" | 2023 | EU | Original (Tapete)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Nimbus)

Joe Wulff

Ghost Under Water

11,20 €* 27,99 € -59%

Release: 2016 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Jelodanti)

Ladyboy

Rose Calamine

11,39 €* 18,99 € -40%

Release: 2018 / EU – Original

Genre: Rock & Indie

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Tape | 2020 | US | Reissue (Sacred Bones)

Molchat Doma

Monument

7" | 2022 | EU | Original (Isbessa Musik Gmbh)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Monument is a fitting title for the third album by Belarusian trio Molchat Doma. Indeed, it stands as a monument to everything they've achieved in their short time as a band, from whispered-about unknowns, to enigmatic underground icons, to legitimate viral sensations with hundreds of thousands of TikTok videos using their music. Monument sees them return as conquering heroes, expanding on the minimalist greatness of S Krysh Nashikh Domov and Etazhi to fully realize a more maximalist vision of their crystalline post-punk sound.Written and recorded while the band was quarantined in their hometown of Minsk during the COVID-19 pandemic, Monument is a conscious step up in songwriting and fidelity, and it reveals a band preternaturally comfortable in its own skin. Whether playing to the dancefloor, as they do on the synthpop anthem "Discoteque," or working more introspectively on pre-pandemic live favorites "Otveta Net" and "Ne Smeshno," Molchat Doma are in complete control. Their greatest strength has always been their songwriting, and they've only gotten better.As the band's arrangements have grown more sophisticated, so too have the sounds they use to bring them to life. Roman Komogortsev and Pavel Kozlov's gear arsenal has grown to include an extensive range of synthesizers and drum machines, all of which they deploy with precision. Egor Shkutko's vocals move fluidly between his familiar deadpan monotone and an expressive croon, his beautifully delivered Russian lyrics at turns bleak and romantic. Shkutko has often been compared to Ian Curtis, but here, he outgrows the comparison. With Monument, Molchat Doma have done one of the hardest things to do as a band. They've greatly expanded the scope of their music while retaining everything that made them great in the first place.

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Beatsteaks

Kommando Sunshine

Release: 2022 / EU – Original

Genre: Rock & Indie

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Your Hands My Pockts / Basket Sky Blue Vinyl Edition

Team Dresch

7" | 2022 | US | Original (Jealous Butcher)

7" | 2022 | US | Original (Merge)

Release: 2022 / US – Original

Genre: Rock & Indie

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OMGay, Team Dresch is releasing an actual NEW Song! It's been 19 years since the band has released new material - 25 years since the making of Personal Best, when this particular configuration of players (Jody Bleyle, Donna Dresch, Kaia Wilson and Marcéo Martinez) recorded together. Your Hands My Pockets: Donna Dresch, in her typical Team Captain spirit, busts out riffs that are rife with her awesome signature grunge/punk/melodic catchiness, Jody and Kaia trade off on vocal duties like they're in some frantic singing relay race, and Marcéo slams the toms around like he learned to drum from both Mel Brown and bam-bam (please note, Marcéo actually took drum lessons from Mel Brown in the 80"s). While 'Your Hands' is an undeniable pop/punk song, it is also brimming with bristle and depth, conjuring feelings of longing, angst, desire. When Jody sings 'Oh I wanna want to be wrapped around, to wrap around' there is NO ONE who can't relate to this feeling of reaching out to one another for connection, touch, and love. Team Dresch Keeps IT Real (gay) with their harmonious musical chemistry, queercore spirit, and attention to detail in their musicianship - the alchemy of these humans is clearly still alive and dancing, you know it baby. Produced and Recorded by Larry Crane at Jackpot! Recording Studio, March 2019 Mixed by John Goodmanson

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Bio Ritmo

Piraguero / Asia Minor

7" | 2022 | UK | Original (Rock Action)

Release: 2022 / US – Original

Genre: Rock & Indie

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To commemorate the thirtieth anniversary of Virginian salsa veterans Bio Ritmo, esteemed indie Merge is reissuing their debut 7" `Piragüero' which it originally released back in 1996. This impassioned, funky original is backed with a cover of `Asia Minor', a song popularised in the Fifties by Cuban maestro Machito, himself a cited influence on Bio Ritmo.

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Arab Strap

Aphelion

Release: 2022 / UK – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (La Vida Es Un Mus)

Chain Cult

We Are Not Alone

Release: 2021 / EU – Original

Genre: Rock & Indie

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Beak> (Geoff Barrow of Portishead, Billy Fuller & Matt Williams)

Oh Know

7" | 2021 | UK | Original (Invada)

Release: 2021 / UK – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Bunker)

Low Standard Deviation

Bunker 4018

My Failed Songwriting Career - Volume 1 EP

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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This very one Lost Boy from Brazil washed ashore the Lowlands' 'Finis Terrae', a produce of first-generation 'Shock Doctrine' and a real 'carioca' borne on the New World's 'Bossa Nova' and 'Esplendor Geometrico' of old 'Ancien Regime' para-military junta hat delivers quite some maximally dark and manic minimal wave of late, at times even slightly reminiscent of Siouxsie and the Banshees and of Joy Division, and all sung through old and charming, slightly dissonant 'Samba' melody lines vaguely hailing from certain sinister up-hill 'Cicade de Deus' margins of a distinctly distant 'Vagamundo' Purgatory past in either the Portuguese, the English or the Spanish tongues, rendering the paranoia 'facsimile in Limbo' of the coming Futurist Global Orderly State, this deep-state 'Novo Estado Novo' within the current 'Nova Bossa Nova', this 'Guerra Nova Prometheida por uma Terra Nova Prometida', the World's Electronic New Wave 'Fado' of Digital Panopticon and similar forms of purely A.I.-bot-generated (nothing personal!) Totalitarian Torture 'Technique du coup d'Etat' in genuine random numbers as already foreseen and shown to all some long time before in the Magic Green on that 'Funky Dollar Bill', 'Novus Ordo Seclorum'... Mastered by Guy Tavares

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Andy Partridge

12" | 2021 | UK | Original (DGM Panegyric)

May The Circle Be Broken: A Tribute To Roky Erickson

Release: 2021 / UK – Original

Genre: Rock & Indie

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When XTC finally downed guitars after the recording and release of “Wasp Star”, their last album to date, one of Andy’s ideas about what to do next, was to become a songwriter in the traditional sense, writing songs for others… It was something he had been asked to do throughout the XTC years, but never had the time. Songs were written. Songs were sent. Sometimes speculatively, often specifically requested, many tailor-made for an artist's requirements, but then choppy waters could still lay ahead. Even where everyone seemed to think that newly written song A would be wonderful if recorded by singer B, whose manager C had initiated the request via music publisher D for album E on record label F… Well, you begin to see the potential problems of such an approach – almost a quarter of the way through the alphabet and not a note recorded beyond Andy's original demo. That’s without detailing the sort of horrendous politics that makes a fresh batch of alphabet spaghetti of any of the above as they interact. Still, songs are like children. A songwriter gives birth to them, feeds them, watches them grow before sending them out into the world. So it’s unfair to abandon them as orphans just because their first experience outdoors might be a traumatic one of being cold shouldered. As a loving parent, Andy brought them all back together, re-Andy-fied them and buffed them up in his home studio, et voila! Here is the first selection of song siblings that resulted from all of this work, four brothers and sisters, happily reunited and presented as a family group aural snapshot for your entertainment and delight. The story has a happy ending after all. It is almost as if The Sound of Music, had been set in Swindon.

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V.A.

LP | US (Tidal Waves Music)

7" | 2021 | EU | Original (Saigon Supersound)

Release: US

Genre: Rock & Indie

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Includes bonus limited edition flexi of an ultra rare recording performed by Roky Erickson* // Roky Erickson was one of the true mind-blowing pioneers of psychedelic music.

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Trùc Mai

Sài Gòn

Kluster Rooms Sessions Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Not many cities in the world are gifted with a timeless anthem of their own. We all know “New York, New York”, a song widely known across its city borders. For many Vietnamese, the beautiful Cha Cha Cha tune “Sài Gòn” has a similar reputation. The tune was written by Hanoi-born composer Y-Van. Like many of his generation, he moved to the South in 1954 after The Geneva Accords partitioned Vietnam temporarily into two states. There he became one of the most famous and prolifc songwriters in South Vietnamese pop music. His revered songs are still sung and covered to this day. “Sài Gòn”, which he wrote in 1965, was recorded for the frst time by Saigonese-born singer Trúc Mai for the Sóng Nhạc label. It is one of his most iconic compositions and has been recorded countless times since. Trúc Mai rose to prominence during the late 1950s as a popular headliner in the cabaret circuit of Saigon, earning her the title, "Nữ Hoàng Mambo" (the Queen of the Mambo). Her reputation helped make the 1965 recording of “Sai Gon” an instant hit. It was so successful that it was one of only a few songs to appear on multiple 7” vinyl releases. However, that same year, Trúc Mai took a seven-year hiatus from the music industry to take care of her family. But she returned in 1972 to record “Sai Gon” again, this time with another producer, Duy Khánh – also a successful singer and musician. They released this track on his “reel 2 reel” tape series, “Cỏ May”. After the war ended in 1975, Trúc Mai and her family left Vietnam to begin their new lives in the United States, where she continued her successful music career with the overseas community.The Sài Gòn sung about in the song refers geographically to today's Districts 1 & 3 in Ho Chi Minh City, the name given in 1975, after reunifcation. But colloquially, the city is still afectionately called Sài Gòn by many of its residents, and even the airport retains the ‘sgn’ designation as its abbreviation. Despite being recorded over 55 years ago, the unbroken popularity of this life-afrming ode to the city is proven when, whether in Sài Gòn or Hanoi; the south or north; whether young or old, when the song plays, everyone immediately joins in to sing along to the chorus…Saigon đẹp lắm Saigon ơi! Saigon ơi! (Saigon is so beautiful! Saigon oi! Saigon oi!) The two extensively restored mixes are supplemented with a 2021 edit by Saigon Supersound producer and DJ Jan Hagenkötter, who tries to preserve the vibes of the original and at the same time to wrap it in a contemporary garment.

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Big Joanie And Charmpit

7" | 2020 | US | Original (Kill Rock Stars)

Release: 2020 / US – Original

Genre: Rock & Indie

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Tape | 2020 | EU | Original (Innovative Leisure)

Jonah Yano

souvenir

If The Evening Were Drawn Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Meet Jonah Yano, the Toronto based singer, songwriter, whose journey into
music began with recording music using his cellphone in 2016. Having played
piano and guitar as a child, it wasn’t until Yano moved from Vancouver to
Toronto in 2016 that he began putting his songs online, catching the eyes of
Toronto’s thriving local music scene. Spending the next couple of years obsessively songwriting and practicing vocals, and learning technical skills, he
collaborated with Toronto duo MONEYPHONE on the 2018 song “On Lock”
which became an underground success. Shortly after, Yano released his first
solo single “Rolex, the Ocean'' with producer Joseph L'etranger. Once he
began writing his full EP, he was introduced to frequent collaborators
BADBADNOTGOOD, who are featured on the EP’s title track, “nervous.” Yano’s
work has garnered praise in major music publications like The Fader,
Billboard, Complex, and Exclaim and the attention of Virgil Abloh and Gilles
Peterson along with millions of streams on Spotify and Apple Music. Most
recently, Yano released a highly praised cover of the Majestic’s “Key to Love
(Is Understanding)” also with BADBADNOTGOOD, finding himself in the
natural position of writing the feature length album, 2020’s souvenir.
Following a highly acclaimed 2019 which included the release of an EP
nervous, collaborations with BADBADNOTGOOD, MONEYPHONE, and Nono;
industry praise from The Fader, Billboard, High Snobiety, NME, KCRW and
Exclaim — it’s not a stretch to say Jonah Yano’s highly anticipated debut
feature album souvenir took a lifetime to make.
Yano’s souvenir, mixes his soulful, genre blurring vocals with searing, personal
lyrics. With collaborations from talents like producers Monsune ("strawberry!," "delicate"), Leland Whitty of BADBADNOTGOOD ("poor me," "monarch,"
"anywhere"), and Jacques Greene ("what i can do to help"), souvenir touches
on themes of family separation, healing, and reconciling with the past.
With each track delving into Yano’s personal history, the album tells the story
of his parents separation and absence of his father from his life through the
perspective of each of his family members. Following the separation of his
parents in 1998 in Hiroshima and subsequent move to Vancouver, Yano spent
years with very little connection to his father beyond occasional calls and
birthday presents.
Having not seen each other in 15 years, Yano visited his father in Nagato in the
fall of 2019 with the goal of making sense of their complicated relationship
through music. Both being avid musicians, Yano then incorporated some of
his father’s earlier recordings into his own, while making peace with their
past. The result — the album’s final track, “shoes,” featuring his father Tatsuya
Muraoka and written by him about a pair of shoes he purchased for Yano as a
child. Most of the track was recorded live at some point in the 1990’s in
Hiroshima, with Yano’s own vocals filling gaps between his father’s vocals.
Recording the album in Tokyo’s Red Bull studios, a log cabin in Nagato, Toronto’s Studio 69, and his own home — the intensely personal album incorporates
Yano’s unique sound with a deeply relatable concept, making it the natural
follow-up to an already impressive catalogue.

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Jim Sullivan

LP | 2019 | US | Original (Light In The Attic)

LP | 2019 | EU | Original (Southern Lord)

Release: 2019 / US – Original

Genre: Rock & Indie

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Mastered from the original analog tapes
All tracks previously unreleased
Booklet with liner notes and rare archive photos
Deluxe die cut Stoughton “tip-on” jacket with embossed lettering
Vinyl pressed at RTI

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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Halshug

Drom

7" | 2019 | US | Original (Iron Lung)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Halshug, the Copenhagen-based trio, release a third studio album titled Drom ("Dream") this July through Southern Lord on LP. On Drom the band expand their sound from the dirgy d-beat of their earlier albums Sort sind (2016) and Blodets bånd (2015), and explore the dynamics of longer songs, more audible lyrics, and altered tempos, which result in different shades of industrial, dark-wave, and post-punk. According to the trio, the title refers to a wider theme of the record which views dreams as "a succession of images, ideas, emotions, and sensations that occur involuntarily in the mind. And also sort of a vision, or a wanting of something more than just what is." The band continues "the dream is volatile. It can burst. One moment it felt real, and moments later it can't even be recalled."

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Slant

Vain Attempt

Release: 2019 / US – Original

Genre: Rock & Indie

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Don't Get Carried Away Clear Vinyl Edtion

Bad Blood Orchestra

7" | 2024 | EU | Original (Smash)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-05-31

Hippy Boys Shuffle / Twenty-Four Seven

Woodfield Rd Allstars

7" | 2024 | UK | Original (Original Gravity)

Release: 2024 / UK – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Pirates Press)

Cock Sparrer

Here We Stand

7" | 2024 | EU | Original (Eleven Pm)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Here We Stand.” It is a phrase that means a lot to the legendary UK punk band Cock Sparrer. It was the title of the band’s 2007 LP, which announced their arrival in the 21st century. It cropped up again as a rallying cry in the lyrics to their 2017 anthem “One By One.” And now it is the title and chorus of a brand-new single off the band’s farewell studio LP, Hand on Heart.

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Repression

War Comes Home

Release: 2024 / EU – Original

Genre: Rock & Indie

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U Should Not Be Doing That

Amyl & The Sniffers

7" | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Punk Rock Clothes For Heroes

Mal-One

7" | 2024 | UK | Original (Punk Art)

7" | 2024 | US | Original (Happy Happy Birthday To Me)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The punk movement also came fully clothed. Mal-One’s new single talks about the fashion side of Punk that ran parallel to the music. These clothes were supplied from Malcolm McLaren and Vivienne Westwoods emporium situated at 430 King’s Road, the epicentre of the Punk Movement itself. The clothes were not cheap and you needed deep pockets to buy them. But you also needed an attitude to wear them, as many factions were not so appreciative of them, especially the ‘Teddy Boys’. You had to run the gauntlet of the King’s Road on a Saturday from Sloane Square to the Worlds End. A tricky mile, in which you always had to keep your eyes open from enemy attack.

The clothes were pieces of art and deserve their time in the spotlight and perhaps even in song. Hope you appreciate the gesture.

Respect to that.

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Primitives

I Won't Care

Release: 2024 / US – Original

Genre: Rock & Indie

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7" | 2013 | EU | Original (Crucificados Pelo Sistema)

Meth Drinker

7" | 2020 | US | Original (Collectables)

Release: 2013 / EU – Original

Genre: Rock & Indie

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1st press

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Everly Brothers

Bye Bye Love

Release: 2020 / US – Original

Genre: Rock & Indie

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Jennings, Nelson, Cash, Kristofferson

American Remains

7" | 2020 | Original (CBS)

Release: 2020 / Original

Genre: Rock & Indie

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I Used To Be A Pretty Boy

Memo PST

7" | 2024 | US | Original (In The Red)

10" | 2018 | EU | Original (Selfmadegod)

Release: 2024 / US – Original

Genre: Rock & Indie

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Memo PST a new Los Angeles based band featuring Chris Shaw (EX Cult/gøggs), Orville Neeley (obn IIIs), Daniel Clodfelter (shark Toys) and Jackson Todd. This single features two short blasts of straight up punk rock. Their debut album will be released later this year on In The Red and it’s a total face melter.

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Agathocles Beer Belly

Split

Release: 2018 / EU – Original

Genre: Rock & Indie

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Brownout / Boneyard Baile Red Vinyl Edition

Ghost Funk Orchestra

7" | 2023 | US | Original (Karma Chief)

Reverend Beat-Man And The New Wave

Release: 2023 / US – Original

Genre: Rock & Indie

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Feature two tracks taken from the EPs that marked the inauguration of the band Ghost Funk Orchestra, their new 45 highlights two heavy hitters. The A-Side track, 'Brownout,' is the song that officially kicked off Ghost Funk Orchestra as a recording project. Along with 'Boneyard Baile' on the B-side, these two songs have been staples of GFO's live and recorded presence since the very beginning. Adriana Muniz provides stellar vocals for both tracks.

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Blues Trash

Tape | 2018 | EU | Reissue (Voodoo Rhythm)