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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie

Rock & Indie Tape 839 Items

Hip Hop 522 Organic Grooves 118 Rock & Indie 839 Indierock | Alternative 438 Classic Rock 14 Punk | Hardcore 147 Metal 163 Folk 56 Rock 'n' Roll 3 Electronic & Dance 603 Reggae & Dancehall 15 Pop 64 Classical Music 7 Soundtracks 44
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Kids On A Crime Spree - Fall In Love Not In Line
Kids On A Crime Spree
Fall In Love Not In Line
Tape | 2022 | US | Original (Slumberland)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Oakland, CA's Kids On A Crime Spree have spent the last decade crafting a compact but potent discography that shows a deep love of 60s Brill Building songwriting, 70s power-pop, bubblegum glam/pop, the Ramones and of course the seminal sonic overload and pop pathos of Phil Spector's legendary productions. With each release head Kid Mario Hernandez -- along with drummer Becky Barron, and guitarist Bill Evans -- have put a more and more unique stamp on the music they love and gathered a rather devoted fanbase doing so. Now back with a new record, Kids give us something their fans have always wanted ... more! "Fall In Love Not In Line" is a 10-song full-length record, a first for them. Cut at 45rpm, the album clocks in at a brisk 25 minutes, and it's a solid assemblage of noise-pop exuberance in all respects. Hernandez sought to move even farther from their influences, and the thick, rich sound that the band has put to tape (analog, of course) shows more warmth and some darker textures than in previous efforts; more shifting of tempos and melodies; a unity of purpose that can only come from years of playing together and listening to each other. The result is thoroughly modern power-pop that wears it's love of the classics lightly, finding new paths through familiar territory.
Go to Item
Video - The Entertainers
Video
The Entertainers
Tape | 2017 | US | Original (Third Man)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 2017 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
There's no band that can lay claim to being the true best in the business,
except VIDEO. Crawling from the musical wasteland that is Texas,
their intentions are simple: they want to own the world. While the band
features members of Bad Sports, Wiccans, Radioactivity, and the Wax
Museums (just to name a few), VIDEO stands on its own as one of the
most powerful and visceral bands active today. Combining equal parts
snotty punk, hard rock, and melodic dissonance, VIDEO are pioneers of
their own subgenre, Hate Wave. Going well beyond the confines of paint
by numbers punk, and generic, flaccid garage rock, VIDEO forges a new
cult like movement. So pay attention, consumers, and don't miss out on
the best thing going today. Long Live The New Faith, Long Live VIDEO.

* Ads at Aquarium Drunkard, Stereogum, and Pitchfork.
* Publicity by Daniel Gill, Forcefield PR
* Radio Promotion by Syndicate College Radio campaign
* Top markets include Denton, Dallas/Fort Worth, Austin, New York,
Detroit, Philly, Tulsa, Milwaukee, and Chicago.

TRACK LISTING:
1. Opening
2. The Entertainers
3. New Immortals
4. Drink It In
5. Nothing Lasts Forever
6. Shackles
7. No Art
8. Never Enough
9. Out of My Hands
10. I Will Wait
11. The End of It All
Go to Item
Monastics - World Island
Monastics
World Island
Tape | 2023 | US | Original (El Gran E)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / US – Original
Genre: Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Monastics was active in New York City in the late 2000s / early 2010s. While the trio of EJ Fry, Don Chase, and Jeremy Hurewitz have scattered to different parts of the country, they have remained close and during the pandemic connected through the isolation of quarantine and began swapping tracks. With tape loops, beats, electronics, and guitar (which listeners might recognize from Jeremy’s Rootless project), “World Island” reflects a changing world that is being eclipsed by darkness but where fragments of light emerge, beguiling and beautiful. The voices of south Asian children on “I come from nowhere,” the soft rain loops recorded on a hutong on Beijing on “For K, Parts 1&2,” and the stark ache of “contactless delivery” strangely offer a feeling of global solidarity for a moment in time when everyone was experiencing some version of the same thing, a “World Island” that we were all temporarily placed on.
Go to Item
Liv Kristine - Enter My Religion Colored Vinyl Edition
Liv Kristine
Enter My Religion Colored Vinyl Edition
Tape | 2022 | EU | Original (Allegro)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Amber Run - How To Be Human
Amber Run
How To Be Human
Tape | 2023 | EU | Original (Tripel)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2023 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Go to Item
Unwound - Challenge For A Civilized Society
Unwound
Challenge For A Civilized Society
Tape | 1998 | US | Reissue (Numero Group)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 1998 / US – Reissue
Genre: Rock & Indie
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Unwound's paranoid and pulsating sixth album, Challenge For a Civilized Society explores the pre-Y2K technological dread of modern punk living. Producer Steve Fisk threads Justin Trosper's stabbing, discordant guitar in and around Sara Lund's consolidated drum attack and Vern Rumsey's relentless, throbbing bass. A vicious and sinister penultimate LP from the '90s most misunderstood band.
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Warm Drag - Warm Drag
Warm Drag
Warm Drag
Tape | 2019 | US | Original (Tapehead City)
12,99 €*
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Release: 2019 / US – Original
Genre: Rock & Indie
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Big Red Machine - How Long Do You Think It´S Gonna Last?
Big Red Machine
How Long Do You Think It´S Gonna Last?
Tape | 2021 | US | Original (Jagjaguwar)
16,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
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Toilet Rats - Toilet Rats IV
Toilet Rats
Toilet Rats IV
Tape | 2023 | EU | Original (Steadfast)
19,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Toilet Rats IV is the new release from Minneapolis, MN synth-punk act Toilet Rats. As the name suggests, it's a little grimey, energetic, tenacious, and oddly entertaining. Tommy Ratz (aka Thomas Rehbein) combines a variety of musical influences ranging from Jawbreaker, DEVO, Nine Inch Nails, Jawbox, Depeche Mode, Ennio Morricone, Lard, Run DMC, Ramones, Powerplant, and other random stuff with lyrics primarily inspired by vintage horror and sci-fi movies to create a succinct rock album that, though well produced, never takes itself too seriously. It's as if Ratz (aka Rehbein) took a time machine and made a mixtape from 1987 combining his favorite sounds and VHS rentals from that era. "Carol Kane" references fright flick When A Stranger Calls, "Walk The Earth" recalls zombies, shopping malls, and helicopters, "Larva" is a nod to Al Jourgenson's dancey thrash side projects, and "Oskar and Eli" recalls a coming of age vampire story.
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Frisk / Last Affront - Split
Frisk / Last Affront
Split
Tape | 2023 | Original (Iron Lung)
13,99 €*
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Release: 2023 / Original
Genre: Rock & Indie
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Rolf Blumig - Liebe Lohnt Sich
Rolf Blumig
Liebe Lohnt Sich
Tape | 2021 | EU | Original (Staatsakt)
14,99 €*
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Release: 2021 / EU – Original
Genre: Rock & Indie
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Calvin Johnson - Gallows Wine
Calvin Johnson
Gallows Wine
Tape | 2023 | US | Original (K)
14,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Rock'n'roll is dead. Gallows Wine [KLP287] is a wake for it's charred remains. Calvin Johnson traveled to Columbus, Mississippi to record Gallows Wine with the combo Hartle Road at their Pompeii studio. Columbus, in Lowndes County, is the childhood home of Tennessee Williams (just down US Route 45 from White Station, birthplace of Howlin' Wolf). Songs reflecting this singular environment include:"Pink Cadillac" written by Calvin when he was 16 (in reserve for just the right session);Title song "Gallows Wine" rips psycho psychedelic, poetic license intact;"Crazy Legs" is a Gene Vincent class act celebrating our sock hopulation;"Orange Aid" melts downtown no WAV.Yeah, Gallows Wine gets primitive: Lurch pulls a night shift on organ, Grandma Moses on the fife and drum. Calvin busk (melodica garage worm profane). Rockabilly spin cycle, guitar scrape and crush. Hand jive. You wanted Calvin Johnson howling beyond the magnolia curtain, you got it: Gallows Wine.The only proper response - - - Rock'n'roll is dead. Long live rock'n'roll.
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Mike Tramp - Stray From The Flock
Mike Tramp
Stray From The Flock
Tape | 2019 | EU | Original (Target)
11,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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Barrie - 5k
Barrie
5k
Tape | 2023 | EU | Original (Winspear)
13,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Brooklyn-based musician and producer Barrie Lindsay,known simply as Barrie, has a passion for creating left-of-centerpop music. She spends her days writing songs and tinkeringin Logic, stockpiling her creations in a vast archive offolders and hard drives. When it came time to select thesongs for her sophomore LP, `Barbara,' she narrowed it downto sixteen tracks. As the record came together, it becameclear that there would be two separate projects - the firstbeing `Barbara,' an emotionally charged collection of songsdealing with the loss of a parent, the love of a new partner, andfinding one's own identity. The remaining five tracks, whichwere more light-hearted and o the cu, were compiled into anew project titled `5K.'As an avid runner, Barrie named the EP after the common footrace. The aptly titled lead single, "Races," is a delightfulsynth-pop track in a unique 12/8 time, built around a bombasticdrum kit and giddy key ris. "Nocturne Interlude" acts as asegue between `Barbara' and `5K,' showcasing a hauntingmelody amidst dark brass-like synths. Second half highlight"Ghost World" has a distorted guitar ri and classic drumpattern that evokes a forgotten 90's radio b-side. The songwas recorded entirely by Barrie herself, serving as her ownband on guitar, bass, keys, and drum kit. Even though mostpeople would finish listening to the project front to backbefore finishing a 5k run, the short, sweet, and melodically richEP begs to be replayed over and over. With `5K,' Barrie showcasesher versatility as an artist, closing the loop between thesounds found on her debut LP `Happy To Be Here' and herfollow-up `Barbara'.
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Deerhoof - Miracle Level
Deerhoof
Miracle Level
Tape | 2023 | US | Original (Joyful Noise)
16,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Did you know that miracles happen every day? We don't always see it that way We look at the state of the world and think, "It'll be a miracle if we make it out alive." But miracles are what humans do. We're Earth's most inventive and unpredictable species, when we're allowed to be. Also the most destructive. Miracle-Level is Deerhoof's mystical manifesto on creativity and trust. It celebrates the infinite small wonders of existence that spontaneously present themselves, when not obstructed by our death-driven masters. Musically, Miracle-Level is vulnerable, brave, and brimming with spicy surprises. Deerhoof's 19th album is also their their first to be recorded and mixed in a recording studio. Production was entrusted to Mike Bridavsky, at No Fun Club in Winnipeg, Manitoba. This is also their first album written entirely in Satomi's native language. Deerhoof once again speak in a secret code that only their fans understand, in which hooks abound, and genre is nonexistent.
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mewithoutYou - Ten Stories
mewithoutYou
Ten Stories
Tape | 2012 | US | Original (Run For Cover)
13,99 €*
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Release: 2012 / US – Original
Genre: Rock & Indie
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mewithoutYou returns with their 5th studio album. Helmed by producer and friend of the band Daniel Smith (Sufjan Stevens) and mixed by Brad Wood (Sunny Day Real Estate), Ten Stories is an allegorical collection of songs that, at first listen, follows a winding narrative about a circus train crash in 19th century Montana. But long-time fans of this band know that although we are immediately introduced to a talking elephant, fox and tiger, there is always more than meets the eye. The Run For Cover Records reissue of Ten Stories includes reimagined and expanded pack- aging by longtime collaborator Charlie Wagers, as well as new colors of vinyl. Includes download code.
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Erica Eso - 192
Erica Eso
192
Tape | 2022 | US | Original (Hausu Mountain)
14,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Erica Eso is a Brooklyn and Kingston, NY-based project led by composer / vocalist / producer Weston Minissali. Minissali has participated in New York’s music scene for more than decade as a member of projects like avant-rock post-pop band Cloud Becomes Your Hand and chimeric musique concrète experimentalists VaVatican, while his work at the head of Erica Eso has manifested with varied ensembles on albums including 2019 and 129 Dreamless GMG. Minissali’s music under the Erica Eso banner fuses compositional strategies of the avant garde, including the use of microtonal note voicings and advanced synthesis, with songwriting in the vein of art pop. His lush, tightly structured songs teem with melismatic topline melodies, layered vocal harmonies, and fast-shifting narrative arcs, all built over a sturdy instrumental foundation. 192, the first Erica Eso release with Hausu Mountain, captures the project in the quintet formation that solidified in 2017 and rigorously rehearsed in the years that followed. Their recordings and the live shows from this period, which culminated in their final performance in this configuration in October of 2019, document the music of Erica Eso at a peak of live band complexity and near telepathic collaborative energy, giving life to Minissali’s music with a more solidified ensemble of hands and voices than ever before. In his attempt to balance pop tradition with experimentation, Minissali fills 192 with songs that work as much on the level of instinctive heartstring-tugging grandeur as armchair analysis. Listeners can lose themselves in the mosaic of pulsating synth tones and try to trace the sprawling structural maps that each song lays out, or full-on melt when confronted with those lead melodies and vocal harmonies.
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Ne Obliviscaris - Exul
Ne Obliviscaris
Exul
Tape | 2023 | EU | Original (Season Of Mist)
18,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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‘Exul’ personifies Ne Obliviscaris’ distinctive, boundary-pushing ethos. The band’s trademark blend of emotion and beauty is as towering as ever, if not even more compelling, particularly how the haunting violin lines carefully weave their way around the riffs. The duality of Charles’ clean vocals and Xenoyr’s growls remains the narrative anchor, elevating songs that emanate sophistication and are a masterclass in composition.
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Choncy - Community Chest
Choncy
Community Chest
Tape | 2022 | EU | Original (Feel It)
12,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Private Lives - Private Lives
Private Lives
Private Lives
Tape | 2022 | EU | Original (Feel It)
12,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Pleasant Mob - Irene / Trees & Flowers
Pleasant Mob
Irene / Trees & Flowers
Tape | 2022 | EU | Original (Feel It)
12,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Cloakroom - Further Out
Cloakroom
Further Out
Tape | 2015 | US | Original (Run For Cover)
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Release: 2015 / US – Original
Genre: Rock & Indie
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Further Out, the anticipated debut full length from the reclusive Indiana trio Cloakroom, can be defined best as an exploratory sonic mission. From the album's opener, "Paperweight," the crushing force of a wall of distorted bass and pounding drumming collapses to uncover the airy, reverb-soaked vocals of guitarist Doyle Martin, who's carrying a sullen burden that seems just as weighed down. From the headbanging heaviness of "Moon Funeral" to the ethereal moments of songs like "Starchild Skull" and Mesmer," Cloakroom's output is the end result of researching seemingly dissimilar elements like atmospheric post-rock, punishingly slow stoner metal, and cathartic emo and how their best qualities can work into a final, organic sound, masterfully navigated by the expert and completely analog production of Matt Talbot. Further Out boasts the timelessness of a classic record: it is expansive and exploratory while still reflective and referential to the astral tendencies of predecessors like Hum and Jesu. Further Out, available now in two easy volumes.
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Schwund - Dieezer Tübe 2
Schwund
Dieezer Tübe 2
Tape | 2023 | DE | Original (Phantom)
10,99 €*
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Release: 2023 / DE – Original
Genre: Rock & Indie
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Bright Eyes - Down In The Weeds, Where The World Once Was
Bright Eyes
Down In The Weeds, Where The World Once Was
Tape | 2020 | US | Original (Dead Oceans)
16,99 €*
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Release: 2020 / US – Original
Genre: Rock & Indie
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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?
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Angel Olsen - All Mirrors
Angel Olsen
All Mirrors
Tape | 2019 | US | Original (Jagjaguwar)
16,99 €*
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Release: 2019 / US – Original
Genre: Rock & Indie
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The descent into darkness is a trope we find time again across history, literature and film. But there’s also an abyss above. There’s a winding white staircase that goes ever upward into the great unknown — each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen.

Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, 'All Mirrors,' we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.
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Tropical Fuck Storm - Moonburn
Tropical Fuck Storm
Moonburn
Tape | 2022 | US | Original (Joyful Noise)
13,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Australian art-punk group Tropical Fuck Storm continues its hotstreak of brain-bending releases with Moonburn, a maxi-singlecassette out on Joyful Noise Recordings.Side A offers new song, "Moonburn," a ballad in the classic TFSstyle written and sung by Gareth Liddiard. TFS bassist FionaKitschin steps up to the microphone on "Ann," a cover of TheStooges that swaps Ron Asheton's scorching guitar part for aderanged sound collage of guitar freakouts, siren noises, andelectronics.Side B includes an acoustic take on the fan-favorite song "Aspirin(Slight Return)" and a haunting cover of Talking Heads'"Heaven."
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Horse Jumper Of Love - So Divine Gold Cassette Edition
Horse Jumper Of Love
So Divine Gold Cassette Edition
Tape | 2019 | US | Reissue (Run For Cover)
18,99 €*
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Release: 2019 / US – Reissue
Genre: Rock & Indie
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Badly Drawn Boy - Banana Skin Shoes
Badly Drawn Boy
Banana Skin Shoes
Tape | 2020 | EU | Original (One Last Fruit)
13,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Robert Ellis Orrall - 467 Surf And Gun Club
Robert Ellis Orrall
467 Surf And Gun Club
Tape | 2021 | US | Original (Fixation Music)
12,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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A return to 80's form, along with his original RCA band (1980-19840), Orrall's 10th album is a love letter to his favorite dive bar, Nahsville's 467 Surf And Gun Club.

'Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.' - John Hiatt

'Melodic, colorful, emotional. A fun and bubbly trip through our dad's cosmic mind'. - Jeff The Brotherhood

'I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.' - Michael McDonald

'If there's been a better record to come out of Nashville in the past few years let us know, cause we haven't heard it' - Diarrhea Planet

'reo has proved once again that he's one of the best songwriters in Nashville. This album encapsulates the warm nostalgia of summers spent with friends at 467.' - Daddy Issues
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Artsick - Fingers Crossed
Artsick
Fingers Crossed
Tape | 2022 | US | Original (Slumberland)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.
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Oog Bogo - The Beat Sessions
Oog Bogo
The Beat Sessions
Tape | 2022 | Original (Shout)
15,99 €*
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Release: 2022 / Original
Genre: Rock & Indie
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Gen Pop - The Beat Sessions
Gen Pop
The Beat Sessions
Tape | 2022 | Original (Shout)
15,99 €*
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Release: 2022 / Original
Genre: Rock & Indie
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Citro - Live
Citro
Live
Tape | 2022 | EU | Original (Funkscapes)
17,99 €*
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Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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70 or so minutes of boogie funk from Germany, recorded live at the band's peak in their hometown Saarbrücken in 1987. Never heard before songs, now remastered. Limited to 100 copies.

During their short but intensive almost four years of existence Citro played about 50 shows and composed 32 songs that got performed live. This cassette holds 14 songs that draw a broader picture and captures their energetic and playful performance on stage. A band in great harmony that had developed its own sound.

This time capsule is the perfect addition to Citro's extended Smile EP reissue on funkscapes a few months ago. Encore!

Originally recorded to cassette at Jugendzentrum Saarbrücken, 30 April 1987.

Bettina Kümmel - lead & backing vocals, keyboard Volker Schmidt-Hildebrandt - lead & backing vocals, guitar Willy Walinsky - keyboard, backing vocals Andy “Lemon“ Meyer (1963-2004) - bass Kurt Landry - drums Ralf Schmidt - live engineering
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Ryskinder - Rak Lhitim
Ryskinder
Rak Lhitim
Tape | 2022 | EU | Original (Twintoe)
12,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Outerwear - The Outerwear Limits
Outerwear
The Outerwear Limits
Tape | 2022 | US | Original (Scat)
13,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Outerwear were a more primitive, less ambitious offshoot of Cleveland's Spike in Vain, which means the rhythm section was so crappy that simple songs were a necessity and they took an inordinate amount of pride in just badly they sucked. In fact, sucking was so much the point that once the band had become "kind of good," they mummified themselves in gauze at their final shows so their hands couldn't function nor could they see their instruments. This, along with painfully long versions of their slowest songs were enough to drive more than 200+ audience members from a hall show when opening for Social Unrest. Perhaps Outerwear's finest moment, aside from the day they were somehow allowed into a recording studio to record their 1983 cassette album, The Outerwear Limits, which against all odds, is fairly compelling. Given that Chris Marec of Spike in Vain sang, played guitar, and wrote all the songs, there's six string insanity in spades, and the morbid tales of amateur coroners and being buried alive somehow contain genuine hooks. Yes, you will find yourself singing along to "Bloody Toilet Paper," banging your head to "Fountain of Scuz," and then scratching it as you puzzle through the backwards guitar and trombone of "Piss II." But wait, there's more! Power tools! Tuba! Cello solos! Or how about the absolute worst version of the Ohio Players' "Fire" ever recorded by man? Amateur home lobotomy may become an attractive new hobby, because you'll want to remove the parts of your brain that might remember this track. That, or listen to their cover of the Doors' "The End," which could do the job on its own (and doesn't include any of the actual music from the song). These are just a few among the many torturous pleasures the listener will "enjoy" on a great aural adventure, as they experience the awe and mystery of The Outerwear Limits.
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Tino Valpa - Live Or Be Lived All Over
Tino Valpa
Live Or Be Lived All Over
Tape | 2022 | US | Original (Tino Valpa)
17,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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When you hear of someone in the punk scene putting out solo material, you expect them to pull out the acoustic guitar and channel their softer side. With Tino Valpa it couldn’t be more the opposite. New Hampshire’s one-man powerhouse is here with his first full-length solo album Live Or Be Lived All Over. Tino tackles all duties: guitar, bass, drums and vocals. From the get-go this record is heavier, harder & better structured than its predecessors. Tino’s previous releases in 2010 & 11 were two 7” EPs of blazing old-school hardcore punk with few songs clocking in over the 30 second mark. Since then, Valpa has traveled the world touring in many bands with focuses on other things. In 2022 the solo project will finally to come to light as a live playing, touring band. This self-released album is available on LP, Digipak CD and Cassette).
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Angel Olsen - Aisles
Angel Olsen
Aisles
Tape | 2021 | US | Original (Jagjaguwar)
16,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Thousandaire - Ideal Conditions
Thousandaire
Ideal Conditions
Tape | 2023 | EU | Original (Knife Hits)
15,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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If you like Silkworm and Hum you're gonna love this record.Hey, this is Wiggins from Thousandaire. It is Tuesday, November 8, 2022. The high today in Atlanta will be 77° F, it was 81° yesterday and the day before. The weather isn't returning to how it was, and it's not going to get any better. None of this matters. Tom Bruno, Chad Leblanc, and I play music together because it's fun and keeps the despair at bay. We are really good at it because being really good at playing as a band is way more fun than sucking at it. We know how to make records, in fact, we just finished a new one with Damon Moon at Standard Electric recorders here in Atlanta. We're pretty proud of it in that it sounds the way we wanted it to be, and not any way we could guess it should be if we wanted a bajillion people to like it. So, it's nice that you're reading this you might like our music and you might like to see us play it, and we think you probably will, but the truth of the matter is we are doing this purely for our own entertainment. You get to come along because we can't see a good reason not to share. Everything else, like this bio, our barely-used Instagram account or Bandcamp page, or pictures of us not playing a show, none of that stuff matters to us, and it shouldn't matter to you. It's 81 degrees in November, ok?FFO: Silkworm, Dinosaur JR, Pinebender, Polvo, Hum
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V.A. - Exhibit A - A Benefit Compilation
V.A.
Exhibit A - A Benefit Compilation
Tape | 2023 | EU | Original (Knife Hits)
16,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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The roots of punk and hardcore are about taking a stand for what you believe in, and seventeen bands come together for Exhibit A compilationThe roots of punk and hardcore have always been about taking a stand for what you believe in, and today seventeen bands come together for the Exhibit A compilation. 100% of proceeds from both physical and digital sales will benefit Southern Poverty Law Center, an Alabama-based non-profit organization focused on ensuring the promise of civil rights through legal advocacy, exposing hate groups, and providing communities with educational resources. The compilation was put together by Bitter Branches drummer Jeff Tirabassi as a call to action against the political and civil injustices taking place in the United States and beyond.17 bands including, FAIM, GEL, EXHALANTS, EVERY SCAR HAS A STORY, MULTICULT, HIRS, EASY PREY, CROSSED KEYS, RID OF ME, THERAPY, SCHOOL DRUGS, FASHION WEEK, BE WELL, BITTER BRANCHES, TRUTH CULT, DEAD TORCHES, FAKING
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Oneida - Success
Oneida
Success
Tape | 2022 | US | Original (Joyful Noise)
16,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Experimental psych-punk institution Onedia returns withSuccess, the band's most guitar-centric, rocking album indecades. Long straddling the gray area between the NYCpunk/psych/rock community and the art/experimental world,the music of Oneida is celebrated for its mix of abstract, atmosphericsounds and pulsing, hammering anthems. Success findsthe band getting to the core of what makes minimal rock musicso good - songs pared back to beat and melody with a limitednumber of guitar chords. If a song or two gets ripped in halflater by a corrosive guitar solo, well, what did you expect? Thisis Oneida.
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Fresh - Raise Hell
Fresh
Raise Hell
Tape | 2022 | EU | Original (Specialist Subject)
13,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Schiach - 2
Schiach
2
Tape | 2020 | EU | Original (Phantom)
8,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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The Grand Astoria - The Process Of Weeding Out
The Grand Astoria
The Process Of Weeding Out
Tape | 2020 | EU | Original (Smash)
11,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Nightshift - Made Of The Earth
Nightshift
Made Of The Earth
Tape | 2023 | US | Original (Trouble In Mind)
16,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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NIGHTSHIFT : a multi-directional audio ensemble from Glasgow formed in Summer 2019. Currently featuring artist Eothen Stearn, also of 2 Ply & Difficult, Chris White of Spinning Coin, Andrew Doig aka Robert Sotelo and of Order of the Toad and Georgia Harris of Slippy & Pelvis. They have been described as hypnotic punk and certainly employ repetition in their sound at times, as well as embracing a variety of other musical stylings be they hyper rhythmic, noise based, pop inclined or emotive. There is no preconceived idea to the band's identity. The band favours democracy and balance. Primarily dealing in humanist themes there is an optimistic, utopian slant to Nightshift's group persona. Never afraid to broach the absurdist strains of life that surrounds them, they revel in everyday confusion and find respite in the small wonders of the natural universe and beyond.Their recent 2021 album "Zoë" was released on Trouble in Mind from Chicago, the follow-up to a self-released cassette in 2019. "Made Of The Earth" represents the last document of the band's initial incarnation, with odds & sods as well as unreleased tracks combining to form a surprisingly cohesive whole. Surely a testament to the band's vision & execution.
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Lacing - Never
Lacing
Never
Tape | 2022 | US | Original (Bummer / Candlepin)
13,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Lacing is a fuzzy, grungy, & dreamy band from Chattanooga, TN. These tapes are professionally-duplicated cassettes w/ 4 panel color printed J-cards, housed in clear Norelco cases. Program repeats on both sides.
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Bachi Da Pietra - Necroide
Bachi Da Pietra
Necroide
Tape | 2023 | EU (Dirt Tapes)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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The latest album by Bachi Da Pietra in duo; the most extreme (and also the most pop) and champion of paradoxes: memorable songs that form a concept dedicated to early eighties Metal hybridized with black music, obsessively tribal. For a concept like "Necroide" ending up on cassette is its death, or its new life.
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Bologna Violenta - Il Nuovissimo Mondo
Bologna Violenta
Il Nuovissimo Mondo
Tape | 2023 | EU (Dirt Tapes)
12,99 €*
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Release: 2023 / EU
Genre: Rock & Indie, Electronic & Dance
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"The New World" is the second album by Bologna Violenta. Released for the first time in 2010 by Bar La Muerte, it is a record that in just over 20 minutes tells in a grotesque way the atrocities of the world in which we live. The extreme sound is underlined by samplings that bring to mind the narratives that accompanied the much reviled world movies of the 60s in which the oddities of the human being followed one another on the screen between the serious and the humorous, between the horror and the eroticism, between news and fiction, seamlessly.
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Dirty Heads - Midnight Control
Dirty Heads
Midnight Control
Tape | 2022 | EU | Original (Better Noise)
14,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Electric Chair - Act Of Aggression
Electric Chair
Act Of Aggression
Tape | 2022 | EU | Original (Iron Lung)
13,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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R.D Thomas - What Circus Is This ?
R.D Thomas
What Circus Is This ?
Tape | 2023 | UK | Original (Victory March)
19,99 €*
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Release: 2023 / UK – Original
Genre: Rock & Indie
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What Circus Is This? is the debut LP from Cornish songwriter/producer R. D. Thomas. Produced remotely in 2021 between home studios in London, Cornwall and Sweden.

The record features collaborations with Mickey Smith & Nat Wason (Ben Howard, A Blaze Of Feather) and Rob Hall (Catfish And The Bottlemen) on drum duties. For fans of Bon Iver, Fleet Foxes, Phosphorescent. What Circus.. skirts the dreaded singer-songwriter genre, with a mixture of sincerity and self-deprecation whilst making room for a playful dose of irony.

‘Paint By Numbers You’ takes a wry smile at modern concerns. ‘Sugar Coated Brain’ rattles through a 60’s style strum, with tongue in cheek to balance more trademark vulnerabilities of moments such as ‘This Bloom’ and ‘Salt’.

The penultimate track ‘And I’m Gone’ would have made for an obvious bookmark to the LP, but it is perhaps more telling that ‘Numbers Game’ should be the lingering sentiment ; a musing over the contradiction of modern meritocracy, suggesting ‘a sense of humour’ as a suitable tonic.
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Destroyer 666 - Never Surrender
Destroyer 666
Never Surrender
Tape | 2022 | EU | Original (Season Of Mist)
18,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Fresno Bob - Motivational Doom
Fresno Bob
Motivational Doom
Tape | US (Tapeheadcity)
10,99 €*
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Release: US
Genre: Rock & Indie
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Devo's Gerald V. Casale - The Invisible Man EP
Devo's Gerald V. Casale
The Invisible Man EP
Tape | 2022 | EU | Original (MVD Audio)
16,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Brand new recordings and remixes from DEVO's Gerald V. Casale on a LIMITED (200 total) clear cassette. This EP features an eye-popping sleeve by acclaimed woodcut artist Tomo77. Release to be supported with a great video from collaborator Davy Force. This marks Casale's first cassette release since the 1980s exclusive DEVO cassettes. This is the cassette component of the official RSD Black Friday vinyl release.DEVO's Gerald V. Casale follows last year's solo release of the song and video "I'm Gonna Pay U Back" with a new single and forthcoming video, "The Invisible Man." Once again, Gerald worked with Josh Freese (Guns N' Roses, A Perfect Circle, Nine Inch Nails, Weezer) and Steve Bartek (Oingo Boingo). As with his groundbreaking collaboration with Davy Force on last year's acclaimed video for "I'm Gonna Pay U Back," Gerald again teams up with Davy for "The Invisible Man" video. The release also features cover artwork by acclaimed woodcut artist Tomo77.
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Tribes - Baby
Tribes
Baby
Tape | 2012 | EU | Reissue (Urok)
12,99 €*
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Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Echthros - God Is Love
Echthros
God Is Love
Tape | 2022 | EU | Original (Iron Lung)
13,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Classless Act - Welcome To The Show
Classless Act
Welcome To The Show
Tape | 2022 | EU | Reissue (Better Noise)
14,99 €*
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Release: 2022 / EU – Reissue
Genre: Rock & Indie
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Marci - Marci
Marci
Marci
Tape | 2022 | EU | Original (Arbutus)
16,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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A great pop record is like a great friend: an intimate confidante, a shoulder to cry on, and a partner in crime when you're ready to get dolled up and dance the pain away under the disco ball (or in front of your bedroom mirror.) That's what you'll find on MARCI, the solo debut from Marta Cikojevic of Montreal soft-rock group TOPS, who steps out on her own in self-assured style with a guileless collection of synth pop songs that brim with unabashed sincerity. The confidence of this debut belies the fact that Cikojevic has never formally written songs before, though she's been a student of melody since her childhood in rural Ontario, when she would sing along to the radio pop divas du jour, perform in the church choir, and participate in piano recitals. The middle child of five sisters, Cikojevic describes herself as a shy singer at home, who would instead seek out secret spots_the forest behind her home or a broken down van on their property were favorites_to practice her singing and record the songs she would make up herself into a handheld recorder. She was encouraged to do so by her grandfather, a refugee from the former Yugoslavia, who would sing and record both original songs and traditional Croatian folk songs on a cassette dictation machine_she still has some of the tapes they made together. Eventually she would make her way to Toronto where she played in several groups before joining TOPS as a keyboardist in 2017 and moving to Montreal. When she decided to make a solo record, it was a given that she'd work with her TOPS bandmate David Carriere, describing him as "a great pop writer" who shared her vision for what she wanted to achieve with her music.Carrierre and Cikojevic approached MARCI with the idea that they wanted to craft hits_songs that were catchy and danceable while still being emotionally honest and down-to-earth. The record was put together over the course of a year in a Montreal apartment reminiscent of a 1993 pawnshop, full of synthesizers and obscure instruments dating back to the...
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Motherhood - Winded
Motherhood
Winded
Tape | 2022 | US | Original (Forward Music Group)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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"Motherhood’s newest LP, Winded, dives headlong into a narrative that explores the natural world as it mirrors human suffering. The avant-punk trio spin a yarn about navigating a straight line through a storm, “persevering—perhaps for no good reason.” With colourful, hip-hop influenced lyrics floating over relentless, complex rhythms, Motherhood tackles heady metaphors with ease, whipping through sweet fuzz-pop, sludgy stomps and ragged breakneck punk to deliver a 9-track album that pulses, stings and washes over the listener. It was written in empty spaces, too—in shuttered local haunts during the pandemic lockdowns of 2020. Recorded in a small analog studio, Winded was mixed by Deerhoof’s Greg Saunier, and features guest vocals from Les Hay Babies’ Julie Aubé and Katrine Noël. Motherhood has been setting deep thoughts to rippin’ music since they were kids, and their tireless boundary-pushing has built a catalogue brimming with bold experimental work. Winded, for all its turbulence, marks an evolutionary bloom for the band, and proves that, although they continue to shapeshift, they remain unmistakably and unwaveringly Motherhood."
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Ty Segall - First Taste
Ty Segall
First Taste
Tape | 2019 | US | Original (Drag City)
18,99 €*
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Release: 2019 / US – Original
Genre: Rock & Indie
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First Taste is, as the title implies, a visceral shot of new flavor from Ty Segall. The followup to last January's extroverted Freedom's Goblin, First Taste cross-fertilizes Ty's antisocial side (think: Emotional Mugger) with the wide-ranging humanism of Manipulator and the pop zazz of the aforementioned Goblin. This means an immaculate sequence of sides with Ty playing multiple parts with and without contributions from the Freedom Band. Ty's songwriting confidence is at an apex, and he moves from style to style, evoking directions in rock, lite pop, experimental, alternative and even afrobeat! Ty at 12 (albums) = his best yet?
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Pity Sex - White Hot Moon
Pity Sex
White Hot Moon
Tape | 2016 | US | Original (Run For Cover)
13,99 €*
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Release: 2016 / US – Original
Genre: Rock & Indie
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Ann Arbor's Pity Sex built the world of White Hot Moon, their second album, inch-by-inch. The group, formed in 2011 by childhood friends and lifelong collaborators Sean St. Charles (co-lyricist/drums) and Brennan Greaves (vocals/guitar), came together explicitly to try its hand at writing pop songs. St. Charles and Greaves were putting their hardcore band to rest, enlisting Britty Drake (co-lyricist/vocals/guitar) and Brandan Pierce (bass) to round out Pity Sex's line-up. Now, the band is using the foundation of 2013's celebrated Feast of Love as the framework for something bigger, stronger, and altogether more monumental. Coming off of tours with Ceremony, Eskimeaux, and Colleen Green_including a run in Australia_the band dove into the studio with Feast of Love producer Will Yip to harness that momentum into an album to showcase Pity Sex's growth. And if White Hot Moon wears its ambition on its sleeve, that's by design: the band looked to wide-screen albums by Yo La Tengo and Sonic Youth for inspiration in finding a bigger sound. That shows: Drake and Greaves spin huge webs of sound, anchored in shoegaze but branching off in a dozen directions, from fuzzed-out power-pop ("Bonhomie") to shimmering balladry ("Dandelion") and back again, while St. Charles and Pierce lock into step subtly counterintuitive rhythms and floor-shaking low-end.
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Kiwi Jr. - Chopper
Kiwi Jr.
Chopper
Tape | 2022 | US | Original (Sub Pop)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Smash cut to Kiwi Jr.'s third album, Chopper, overseen by trusted pilot Dan Boeckner (Wolf Parade, Handsome Furs) on storied Sub Pop Records. Turning nocturnal with necks mock turtle, our Local Kiwi Jr. takes neon flight off the digital cliff - like The Monkees starring in Blade Runner; like Michael Mann directs Encino Man. Ten songs with synth shimmer, zen gongs with yard strimmer. The signs along the highway read "less BAR, More Noir AHEAD." Ah, those late summer, Joe Strummer, Home on the Range Rover Blues. There's a melancholy to all forms of flight, and the view out the Chopper is as hazy as it gets: mission-oriented, both stealth and self-realized. This album is decidedly (yet almost secretly) anti-patio-sunscreen-Beach Boys bachelor cruise sing-a-long. Sure, these songs let a little light through the blinds, but they sting insomnia, corrupt mayors, Kennedy Curses, sex tapes, and deer rifles. Chopper is the bird's eye view of the big event - a real nighttime character of oil stain, film grain, search light, night flight. It is muscular and fragile; loud yet quiet: both an observer and somehow the observed spectacle itself. What was slack in the slacker phase, got tauter, with lacquer glaze. Slick gloss, rightened wrongs; murdered boss, promoted pawns. With Boeckner transmitting high-voltage shocks upon every reach for a familiar instrument, Kiwi Jr. expands the palette with string machine song, synthesizered oblong, and Dentyne Classic Menthol vocals from area soprano Dorothea Paas (US Girls, Badge Epoch Ensemble) like the missing piece all along. Kiwi Jr. brings the Chopper to a new space, demilitarizing the technology just like flasks, aviators, and cargo shorts. Graceful in the air above, but when the Chopper lands, there's chaos on the ground. Kiwi Jr. shout, "Look Out!" When it gets close, it'll blow the hat right off of your head. Hold onto your hats, Babies. Kiwi Jr. is Jeremy Gaudet vocals and guitar, Brian Murphy guitar, Mike Walker bass, Brohan Moore drums, and everybody played a little bit of keyboard.
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Kiwi Jr. - Cooler Returns
Kiwi Jr.
Cooler Returns
Tape | 2021 | US | Original (Sub Pop)
12,99 €*
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Release: 2021 / US – Original
Genre: Rock & Indie
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Kiwi Jr. Is A Phenomenal "Rock" And/Or "Punk" And/Or "Indie-Rock" (Whichever You Like More) Band From Canada, Made Up Of Jeremy Gaudet (Mic, Guitar), Brohan Moore (Drums), Mike Walker (Bass), And Brian Murphy (Guitar). Cooler Returns Is Their Second Album, And Their First For Sub Pop. Despite Being A Snapshot Of The Pandemic-Infused Beginnings Of This Decade, Cooler Returns Is Truly A Whole Lot Of Fun. Riyl Indie-Pop From Down Under, Things That Are Smart/Exuberant/Catchy All At Once. Buildings Burning In Every Direction; Macabre Unknowns In Your Friendly Neighbor's Basement; Undecided Voters Sharpening Their Pencils: Under Pressure We Could Call Kiwi Jr.'S Cooler Returns "Timely." But What Year Is It, Again? On Cooler Returns, Kiwi Jr. Cycle Through The Recent Zigs & Looming Zags Of The New Decade, Squinting Anew At New Year's Parties Forgotten And Under-Investigated Small Town Diner Fires, Piecing Together Low-Stakes Conspiracy Theories On What's Coming Down The Pike In 2021. Put Together Like A Thousand-Piece Puzzle, Assembled In Flow State Through The First Dull Stretch Of Quarantine, Sanitized Singer Shuffling To Sanitized Studio By Streetcar, Masked Like It's The Kind Of Work Where Getting Recognized Means Getting Killed, Cooler Returns Materializes As A Sprawling Survey From The First Few Bites Of The Terrible Twenties, An Investigative Exposé Of Recent History Buried Under The Headlines & Ancient Kings Buried Under Parking Lots. Not So Long Since Their Debut Football Money In Archaeological Time, Unending Gray Eons Later In The Dog Years Of Quaran-Time, Spiritually Antipodean Canadians Kiwi Jr Return To Disseminate This Year's Annual Report To The Shareholders, Burying The Incriminating Numbers In The Endless Appendices Of A Longform Narrative Record, A 3,000 Word Tract For Stakeholders To Pore Over. These Stories - Memories Of Augusts Past, Unrepressed & Transcribed Fast - Go Down Easier Thanks To Meaningful Changes Enacted In 2019's Kiwicares Pledge: Delivering On A Promise To Transition F...
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Bring Her - Comfort In The Shame
Bring Her
Comfort In The Shame
Tape | 2022 | EU | Original (Knife Hits)
11,04 €* 16,99 € -35%
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Sorrow Wave duo BRING HER return with their second LP and first album since 2019, Comfort In The Shame. Based out of Pittsburgh, BRING HER play a distinctive brand of somber darkwave, defined by haunting and magnetic vocals over pounding and obsessive drum machines, penetrating guitar chords, and eerie and harrowing synths. Using DIY recording methods coupled with sound shaping, heavy layering, and meticulous editing the new album sees the two-piece at a new height, adding to the urgency and crushing weight of their already brooding sound. Elements almost industrial in nature shine through these 10 new tracks, yet the duo stays as gloomy and dismal as the self-described Sorrow Wave moniker implies.
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Geese - Projector
Geese
Projector
Tape | 2021 | UK | Original (Partisan)
12,99 €*
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Release: 2021 / UK – Original
Genre: Rock & Indie
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Smirk - E.P.
Smirk
E.P.
Tape | 2021 | EU | Original (Iron Lung)
13,99 €*
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Release: 2021 / EU – Original
Genre: Rock & Indie
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The Holy Circle - Sick With Love
The Holy Circle
Sick With Love
Tape | 2019 | US | Original (Deathbomb Arc)
13,99 €*
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Release: 2019 / US – Original
Genre: Rock & Indie
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While sacrilege may be the cooler way to rock, The Holy Circle's angelic approach always lives up to their name. The profane scurries for the shadows on 'Sick With Love' as The Holy Circle draw upon the power of all theories of ballad. Yes, shoegaze and drone are checked off, but it is their mastery of sounds reminiscent of Belinda Carlisle, Bonnie Raitt, and Divinyls that truly set them apart. There is nothing unholy here. These are the sacred sounds of revisionist mom rock history. You know, mom rock for goths.
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Rock Bottom - Speedway
Rock Bottom
Speedway
Tape | 2022 | EU | Original (Knife Hits)
16,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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13 years after they first stormed the stage, Rock Bottom prepares to raise hell once again. This hardcore band of bastards first emerged from the snake room of a Philadelphia suburb basement. There, they grew their following with brazen, unfettered tributes to the devil. From their smashing debut 7" BORN II HATE to their ripping full-length album DOWN WITH THE DEVIL, the band's demonic lyrical tomes told tales of devil worship, police brutality, love for snakes, and being made into a chump by life. These themes always left their audience guessing, "What does it all mean?" Well, those fuckers are about to get another taste. In their forthcoming album, Rock Bottom reveals the reality behind their time out of the public eye: experiences with alien abduction, doing hard time, racing for pink slips, and yes....performing satanic rituals with a witch's brew. The time has arrived. Quarantine is over. Get your ass off the couch, put on a diaper, pull up your sweats, and get ready to shit your pants. THIS is SPEEDWAY.
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Elliott - U.S. Song
Elliott
U.S. Song
Tape | 1998 | US | Reissue (Revelation)
18,99 €*
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Release: 1998 / US – Reissue
Genre: Rock & Indie
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Elliott’s debut full-length, U.S. Songs, came with a lot of hype in the independent music scene, as their previous single had garnered much positive press. Aggressive guitars storm out of the gates with the track “Miracle,” and for the rest of the album the band never lets up. For people wanting to understand indie rock music, Elliott is a worthy point of entry, encompassing emotional heights and depths along with the tight musicianship that is expected from a genre known for wearing its heart on its sleeve.
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Vinterland - Welcome My Last Chapter
Vinterland
Welcome My Last Chapter
Tape | 1996 | UK | Reissue (Black Lodge)
17,99 €*
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Release: 1996 / UK – Reissue
Genre: Rock & Indie
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Limited tape edition of this Black Metal classic!
Includes patch

This Black Metal masterpiece has now been remastered by Dan Swanö (Edge Of Sanity, Bloodbath, Nightingale etc.).
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Long Drag - Three Days Dead EP
Long Drag
Three Days Dead EP
Tape | US (Tapeheadcity)
9,99 €*
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Release: US
Genre: Rock & Indie
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Macabre - Murder Metal
Macabre
Murder Metal
Tape | US
19,99 €*
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Release: US
Genre: Rock & Indie
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Thelma & The Sleaze - Fuck Marry Kill
Thelma & The Sleaze
Fuck Marry Kill
Tape | 2022 | US | Original (That What Of Whom)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Thelma & The Sleaze - Heart Like A Fist
Thelma & The Sleaze
Heart Like A Fist
Tape | 2022 | US | Original (Tapeheadcity)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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The Abstructors - The Source
The Abstructors
The Source
Tape | 2022 | US | Original (Tapeheadcity)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Stella Donnelly - Flood
Stella Donnelly
Flood
Tape | 2022 | US | Original (Secretly Canadian)
12,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Donnelly's early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a borderrestricted world. By paying closer attention to the natural world around her, Donnelly recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with this `small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market. Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take risks, many of which have clearly paid off. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on its own it's this singular piece of art." While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.
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Keith Richards - Talk Is Cheap Live At The Hollywood Palladium
Keith Richards
Talk Is Cheap Live At The Hollywood Palladium
Tape | 2022 | Original (Bmg Righty Management)
18,99 €*
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Release: 2022 / Original
Genre: Rock & Indie
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Karen Dalton - In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette
Karen Dalton
In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette
8Track | 1972 | US | Reissue (Light In The Attic)
51,99 €*
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Release: 1972 / US – Reissue
Genre: Rock & Indie
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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”
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Tenci - My Heart Is An Open Field
Tenci
My Heart Is An Open Field
Tape | 2020 | US | Original (Keeled Scales)
11,89 €* 13,99 € -15%
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Release: 2020 / US – Original
Genre: Rock & Indie
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My Heart Is An Open Field is a confident, deeply beautiful debut album from Chicago four-piece Tenci. These songs are filled with nuance-- breaths of saxophone and flute, and touches of cello, piano, and pedal steel are hung on the sturdy folk songs of Jess Shoman, whose voice and range cuts through these dreams like a loved one's voice. There is enough new rawness to separate the music of Tenci from other artists working in similar genres. Ultimately these songs feel magically formed, the hazy post-snakebite psychedelia of "Serpent," the childlike wonder and xylophone on "Joy," the heartbreaking imagery within "Forgot My Horse's Name." Even the recording of Shoman's grandmother at the end of "Blue Spring" is something achingly refreshing.
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Perilisium Cantos - Nails Into The Head Of Christ
Perilisium Cantos
Nails Into The Head Of Christ
Tape | 2021 | US | Original ((In)Sect)
25,49 €* 29,99 € -15%
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Release: 2021 / US – Original
Genre: Rock & Indie
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My Heart, An Inverted Flame - Plague Notes
My Heart, An Inverted Flame
Plague Notes
Tape | 2020 | US | Original (Deathbomb Arc)
16,14 €* 18,99 € -15%
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Release: 2020 / US – Original
Genre: Rock & Indie
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Cool Original - Outtakes From "Bad Summer"
Cool Original
Outtakes From "Bad Summer"
Tape | 2022 | US | Original (Topshelf)
11,04 €* 12,99 € -15%
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Release: 2022 / US – Original
Genre: Rock & Indie
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Owing to a focused period of growth as a home recordist and producer, there is a distinct, refreshing current that charges outtakes from “bad summer”, the latest full-length album from Philly-via-Portland’s cool original (fka cool american). What under other circumstances might have been a string of homespun indie rock songs is instead an energized pop-focused collection of tracks born from what Nathan Tucker describes as “the contrast between total formlessness and rigid claustrophobia”. As heard almost immediately on album opener “monad, no windows”, an electric atmosphere envelops outtakes from “bad summer”. Pitch-shifted vocal samples and previously-scrapped drum recordings fill out the overture, setting the table for a patchwork of repurposed, resampled ideas shaped into songs that rarely end up in the same place they started. The unhurried and sentimental “i just need a second” boasts the full spectrum of cool original’s songwriting prowess: foregrounded, infectious melody over subtly chopped and screwed drums comprise the foundation for Tucker’s own take on a classic road song—a marked contrast to “breaking my own rules”, an experimental pop number unlike any previous cool original work. Similar contrasts abound throughout outtakes, making for a listening experience that’s equal parts rejuvenating and unpredictable.
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Turbo World - My Challenger
Turbo World
My Challenger
Tape | 2022 | US | Original (Ramp Local)
11,89 €* 13,99 € -15%
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Release: 2022 / US – Original
Genre: Rock & Indie
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Turbo World is the sunny and shady brainchild of co-conspirators Stephe Cooper and Caroline Bennett. Best known as the mastermind behind avant-prog boppers Cloud Becomes Your Hand and a member of Guerilla Toss, Cooper continues to stand out for his madcap compositions that embody the spirit and ethos of avant rock groups Aksak Maboul & Slapp Happy. Joining forces with Bennett, the manic scribe, singer, and multimedia wizard of digital hardcore duo Stice, their debut album, My Challenger, is an experimental prog-opera that leads listeners on a surreal, animated jaunt through the world of organized crime. The album’s north star is Joey the Hitman aka Max Kurschner, whose 1973 interview on The David Susskind Show, forever immortalized on YouTube, serves as inspiration and source material.
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TV Priest - Uppers
TV Priest
Uppers
Tape | 2021 | EU | Original (Sub Pop)
11,04 €* 12,99 € -15%
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Release: 2021 / EU – Original
Genre: Rock & Indie
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It's Tempting To Think That You Have All The Answers, Screaming Your Gospel Every Day With Certainty And Anger. Life Isn't Quite Like That Though, And The Debut Album From London Four-Piece Tv Priest Instead Embraces The Beautiful And Terrifying Unknowns That Exist Personally, Politically, And Culturally. Posing As Many Questions As It Answers, Uppers Is A Thunderous Opening Statement That Continues The Uk's Recent Resurgence Of Grubby, Furious Post-Punk Music. It Says Something Very Different Though - Something Completely Its Own. Four Childhood Friends Who Made Music Together As Teenagers Before Drifting Apart And Then, Somewhat Inevitably, Back Together Late In 2019, Tv Priest Was Borne Out Of A Need To Create Together Once Again, And Brings With It A Wealth Of Experience And Exhaustion Picked Up In The Band's Years Of Pursuing 'Real Life' And 'Real Jobs', Something Those Teenagers Never Had. Last November, The Band - Vocalist Charlie Drinkwater, Guitarist Alex Sprogis, Bass And Keys Player Nic Smith And Drummer Ed Kelland - Played Their First Show, To A Smattering Of Friends In What They Describe As An "Industrial Freezer" In The Warehouse District Of Hackney Wick. "It Was Like The Pub In Peep Show With A Washing Machine Just In The Middle_" Charlie Laughs, Remembering How They Dodged Star Wars Memorabilia And Deep Fat Fryers While Making Their First Statement As A Band. Unsurprisingly, There Isn't A Precedent For Launching A Band During A Global Pandemic, But Among The General Sense Of Anxiety And Unease Pervading Everything At The Moment, Tv Priest's Entrance In April With The Release Of Debut Single "House Of York" - A Searing Examination Of The Monarchy Set Over Wiry Post-Punk And Fronted By A Mark E. Smith-Like Mouthpiece - Served As A Breath Of Fresh Air Among The Chaos, Its Anger And Confusion Making Some Kind Of Twisted Sense To The Nation's Fried Brains. It's The Same Continued Global Sense Of Anxiety That Will Greet The Release Of Uppers, And It's An Album That Has A Lot To Say Rig...
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Weird Nightmare - Weird Nightmare
Weird Nightmare
Weird Nightmare
Tape | 2022 | US | Original (Sub Pop)
13,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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If you're looking for a raw, sugary blast of distorted pop, look no further than Weird Nightmare. The debut album from Metz guitarist and vocalist Alex Edkins contains all of his main band's bite with an unexpected, yet totally satisfying, sweetness. Imagine The Amps covering Big Star, or the gloriously hissy miniature epics of classic-era Guided by Voices combined with the bombast of Copper Blue- era Sugar-just tons of red-line distortion cut with the type of tunecraft that thrills the moment it hits your ears. These ten songs showcase a new side of Edkins' already-established songwriting, but even though the bulk of Weird Nightmare was recorded during the Covid-19 pandemic some of its tunes date back to 2013 in demo form. "Hooks and melody have always been a big part of my writing, but they really became the main focus this time" he explains. "It was about doing what felt natural." To be clear: Weird Nightmare is not a "pandemic album," but an album-some of which had been gestating for quite a while-that just so happened to be recorded during the pandemic. "I had always planned on finishing these songs, but being unable to tour with Metz, and forced to lock down, really gave me a push." After days spent homeschooling his son, Edkins would drive to the Metz rehearsal room and tinker deep into the night on these songs' deceptively simple structures and rich, static-laden textures. "It was a godsend for me," he states about the creative process. "The hours would disappear and I would get lost in the music and record. It was a beautiful escape." Weird Nightmare is, in its own way, a study in extremes: Edkins' melodic instincts and penchant for dissonance are both turned up to the max throughout, the latter reflecting not only the barn-burning tendencies of Metz, but Alex's own sonic predilections. "It doesn't sound right to my ears until it's pushed over the edge." He also cites other artists who are masterful at mixing the sublime and the punishing-Kim Deal and Scout Niblett among them-as influences on his own songwriting. "My favorite songs are the simple ones," he explains. "I've never been attracted to virtuosity or technicality. Certain songs have the power to lift your spirits like nothing else can. I wanted to create that type of song." A few guests pitch in on Weird Nightmare: Canadian alt-pop genius Chad VanGaalen adds his unmistakable touch to the ever-escalating "Oh No," while Alicia Bognanno of Bully lends her distinctive pipes to the thrashing "Wrecked," a collaboration that effectively saved the song. "I almost didn't put it on the album because I thought it was missing something," Edkins explains. "I sent it to Alicia and she lifted it way up." And taking risks and reaching out of Edkins' comfort zone was the name of the game when it came to making Weird Nightmare. "I found myself doing new things I didn't have the guts to do before, recording everything by myself and trusting all of my musical instincts," he states. "I think when music manifests quickly, a certain amount of honesty automatically comes along with it. When it is a purely instinctual creation, there is no opportunity to obscure the truth."
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Ghost Bitch - Blood And Honey
Ghost Bitch
Blood And Honey
Tape | 2022 | US | Original (K)
11,19 €* 13,99 € -20%
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Release: 2022 / US – Original
Genre: Rock & Indie
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Ghost Bitch, like most suburban-bred "American" girls, has followed the traditional Britney Spears to Rowland S. Howard trajectory. On her 10th birthday, her wish came true when she was given an electric guitar, but she somehow managed not to learn a single chord (by her estimate) for the next 13 years. That did not stop her from beginning to perform in "Olympia, WA" on her own and in the short-lived punk band KZV, and later, Desire Complex, Di.Or. and Babyface Evil. What originally started (Ghost Bitch!) as a solo noise project and an outpouring of grief has slowly transformed into a poetic yet primal force of rock-n-roll while maintaining the touch of an exorcism, of late, a danceable one nonetheless.Ghost Bitch's new album Blood and Honey was recorded in six hours by Capt. Tripps Ballsington at High Command in October 2021. It was written in "Olympia" during the pandemic while long awaiting a move to Naarm ("Melbourne, Australia"). Blood and Honey is brutally romantic and funny the way a Baudelaire poem is funny, reveling in turning things upside down, most of all- beauty, yet this time spoken from the mouth of the razor-sharp, decaying Venus herself.
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V.A. - Storefronts: Alan's Records Tape (With Quality Card Fold Out Sleeve) £6
V.A.
Storefronts: Alan's Records Tape (With Quality Card Fold Out Sleeve) £6
Tape | 2022 | UK | Original (Frontxviii)
13,99 €*
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Release: 2022 / UK – Original
Genre: Rock & Indie
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V.A. - Storefronts: John Honest Jon Clare Tape
V.A.
Storefronts: John Honest Jon Clare Tape
Tape | 2022 | UK | Original (Frontxviii)
13,99 €*
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Release: 2022 / UK – Original
Genre: Rock & Indie
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Documa - Lofi One Two Seven
Documa
Lofi One Two Seven
Tape | 2021 | US | Original (Flesh And Bone)
9,59 €* 11,99 € -20%
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Release: 2021 / US – Original
Genre: Rock & Indie, Electronic & Dance
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Documa is the multimedia project of longtime Northwest Indiana musician Bobby Markos. Markos began writing and releasing music on his own, using analog production methods at home. The project debuted with a collection of songs called “The Color of Documa.” Around the same time, Documa began performing live, marrying audio and visual aspects to create an almost movie-like experience for audience members. The sounds of Documa are heavily influenced by music from the 60s and 70s, documentary soundtracks, and field recordings. The music incorporates fingerstyle guitar playing, as well as electronic compositions and samples to create ambient productions with country-western cadence. Markos relies on a home studio consisting of old reel-to-reel tape machines, VCRs, and cassette decks to engineer Documa recordings.

To integrate a longtime love of film, he founded Documavision, a production company focused on collaborating with other artists, visualizers, and motion graphics. The visual aesthetic focuses on film equipment and methods of the past as well, often using analog cameras, televisions, and VCRs to produce videos.

To close out 2020, Documa has partnered with Flesh & Bone Records to release a series of EPs, starting with the digital release of the EP “3.” and now a cassette release of "Lo-Fi One Two Seven".

RIYL: Duster, Bowery Electric, Codeine, Slowcore meets Downbeat, Tortoise.
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James Morrison - Greatest Hits
James Morrison
Greatest Hits
Tape | 2022 | EU | Original (Believe Digital)
10,49 €* 13,99 € -25%
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Delivery - Sounds Of Delivery: 2021-2021
Delivery
Sounds Of Delivery: 2021-2021
Tape | 2022 | US | Original (Feel It)
14,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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Gvlls - 2020 EP
Gvlls
2020 EP
Tape | 2020 | EU | Original (My Ruin)
6,99 €* 9,99 € -30%
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Leaves - Bleibt Das Jetzt Für Immer
Leaves
Bleibt Das Jetzt Für Immer
Tape | 2016 | EU | Original (Subzine)
10,99 €*
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Release: 2016 / EU – Original
Genre: Rock & Indie
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Amorphis - Magic & Mayhem - Tales From The Early Years
Amorphis
Magic & Mayhem - Tales From The Early Years
Tape | 2021 | EU | Original (Subsound)
14,99 €*
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Release: 2021 / EU – Original
Genre: Rock & Indie
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Star Party - Demo 2020
Star Party
Demo 2020
Tape | 2020 | EU | Original (Feel It)
10,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Bachelor - Doomin' Sun
Bachelor
Doomin' Sun
Tape | 2021 | UK | Original (Lucky Number)
14,99 €*
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Release: 2021 / UK – Original
Genre: Rock & Indie
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The Advertisers - Ep 1 Live In Nyc
The Advertisers
Ep 1 Live In Nyc
Tape | 2019 | US | Reissue (Tapehead City)
12,99 €*
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Release: 2019 / US – Reissue
Genre: Rock & Indie
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