Rock & Indie CD 522 Items

LIVEANDWELL.COM is a 12-track live album, recorded in New York, Amsterdam, Rio De Janeiro and at the UK’s Phoenix festival during the 1997 Earthling tour, all tracks have only been available on the very limited BowieNet release while the two bonus tracks, Pallas Athena and V-2 Schneider were released as a 12” single under the name The Tao Jones Index, which was the name Bowie and his band used when they played unannounced special sets in dance tents at festivals.

Brilliant Live Adventures contains six exclusive and limited edition live albums providing an exciting snapshot of three Bowie tours from the 1990s. 30 years into his professional live career, these albums show great a performer Bowie still was.

NO TRENDY RÉCHAUFFÉ (LIVE BIRMINGHAM 95) is a previously unreleased live album recorded live at the Birmingham NEC 13th December 1995. This was the final show of the Outside tour in 1995 and was the first night of a five night festival promoted as "The Big Twix Mix Show”.

The set list features rare live performances of 'Jump They Say’ and 'Strangers When We Meet’. The album also features two versions of 'Hallo Spaceboy,’ the second of which was filmed as ’Spaceboy’ was the intended next single at the time. The video was never completed, as the track was subsequently remixed by the Pet Shop Boys for single release and an alternative promotional video made.

Excerpts from the show were broadcast by the BBC, and 'Moonage Daydream' and 'Under Pressure' were mixed by David Richards for release on the 'Hallo Spaceboy' CD single. Both versions on this album are previously unreleased, included here as played and mixed on the night they were performed.

NO TRENDY RÉCHAUFFÉ was produced by David Bowie and performed by Bowie – vocals and saxophone, Carlos Alomar – rhythm guitar, Reeves Gabrels – lead guitar and vocals, Gail Ann Dorsey – bass and vocals, Zachary Alford – drums, Peter Schwartz - musical director, keyboards and synthesisers, George Simms – vocals, and Mike Garson – piano and keyboards.

Track 11 is a bonus.

Released in a gatefold paper sleeve with 8-page booklet, Japanese liner notes insert and an obi.

Lives Outgrown is the debut album by Beth Gibbons featuring 10 beautiful new songs recorded over a period of 10 years, the album was produced by James Ford & Beth Gibbons with additional production by Lee Harris (Talk Talk).

Lives Outgrown is, by some measure, Beth’s most personal work to date, the result of a period of sustained reflection and change — “lots of goodbyes,” in Beth’s words. Farewells to family, to friends, even to her former self. These are songs from the mid-course of life, when looking ahead no longer yields what it used to, and looking back has a sudden, sharper focus.

Rock im Park 2001 is a live festival recording from Nuremberg, Germany, and captures a Limp Bizkit festival performance praised as “chaotic, frenzied-high energy.” DJ Lethal functions as the sound designer, shaping their sound on this recording. According to Lethal, "I try and bring new sounds, not just the regular chirping scratching sounds. It's all different stuff that you haven't heard before.

Format: CD (Vinyl Look-A-Like Compact Disc). This Vinyl Look-A-Like Compact Disc is yellow on both sides with an LP groove and record label design. Remastered in high res, it will play in any CD player. The packaging includes a Gatefold jacket, printed inner sleeve insert and an OBI side spine (French Import ediiton).

Jewell case incl. 20 pages bookle

The original album, Remastered by Bernie Grundman
• 12 bonus tracks taken from the original 1996 session tapes
• 64 page booklet including new liner notes, photos, song notes & lyrics

‘Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. To celebrate the 25th Anniversary of the album’s recording, World Circuit will release Special Edition Remaster formats of the album in September 2021, featuring previously unheard tracks, previously unseen photos and new liner notes. The releases will be supported by an international PR & marketing campaign, events and digital initiatives.

Japanese import CD edition. One long song recorded between May 2019 and May 2020.

Black Friday Record Store Day 2022 Reissue. Color: It's a CD. Limitation: 10000.

Collection featuring the rare alternate Fleetwood Mac tracks from 1975 -1987. Previously released individually for Record Store Day events on vinyl, they will now be collected together in a CD boxed set. The set will include: The Alternate Fleetwood Mac, The Alternate Rumours, The Alternate Tusk, The Alternate Live, The Alternate Mirage, The Alternate Tango In The Night. Available as a 6-cd package.

Attn.: We did not receive this record in time for RSD, but we will get it this week.

This Sonic Youth concert recorded at Berlin's Columbiahalle in 2009 and presented from the band's live archive.
Originally available only via Nugs.net.
Recorded and mixed by Aaron Mullan.

A tribute to one of the greatest songwriters & artists of our time Features newly recorded covers from Keith Richards, Joan Jett and the Blackhearts, Rufus Wainwright, Lucinda Williams, Maxim Ludwig & Angel Olsen, Rickie Lee Jones, Mary Gauthier, Bobby Rush, Automatic, The Afghan Whigs, Rosanne Cash, and Brogan Bentley* (*CD/Digital Bonus Track)

Booklet features liner notes by compilation producer & former Lou Reed publicist Bill Bentley, featuring photos by Mick Rock and Timothy Greenfield-Sanders "To me, Lou stood out. The real deal! Something important to American music and to ALL Music! I miss him and his dog." - Keith Richards

“Lou seemed fearless to me, like he’d rather die than be a people-pleaser. I took inspiration from that.” - Rosanne Cash

“Lou Reed is my earliest influence, my introduction to punk rock. This song was a great opportunity to creatively work with Maxim.” - Angel Olsen

“Lou Reed has been gone now for many years. He's one of the few people whom I miss as much now as when he left. There are so many instances where I wonder what he would say or what he would think. His general aura would always lend something really unique to the room. Thank God he left his great music and recordings. His personality is sorely missed. Love you, Lou.” - Rufus Wainwright

It goes without saying that the legendary Lou Reed was a true rock ’n’ roll pioneer. From The Velvet Underground’s debut in 1967 all the way through the end of his days, Reed sang truth from his heart. He lived life to the limit—and then some. The Power of the Heart is a tribute to Reed’s freedom of expression with covers spanning his ground-breaking years with the Velvets into his majestic solo career. Each track is a glorious extension of the Rock ’n’ Roll Animal’s soul, ever adventurous and avant-garde.

The Power of the Heart: A Tribute to Lou Reed kicks off with a legend in his own right, Keith Richards, reimagining the Velvets’ classic, “I’m Waiting for the Man.” Richards’ rendition instantly invites you on board this unforgettable ride. In stark contrast, “Perfect Day” is somehow even more melancholy than the original given the Rufus Wainwright treatment, featuring sparse fingerpicking and gentle harmonies. Joan Jett and the Blackhearts deliver a version of “I'm So Free” that would have even Lou rockin’ in his grave. It’s thrilling to hear these songs reinterpreted and sung by such heavyweights; you can even hear as Lucinda Williams channels the spirit of Lou with her take on “Legendary Hearts.”

Other notable tracks include a punk-drunk, loved-up duet by real-life lovers Angel Olsen & Maxim Ludwig with “I Can’t Stand It,” and Rickie Lee Jones’ reimagining of “Walk on the Wild Side,” both whimsical and enticing with her whispery vocals, stripped-down percussion, and a piano fit for a late-night lounge. This tribute album truly defies genre, but its throughline, in the end, is its heart: a deeply thoughtful collection of songs that shaped a generation, each paying homage to a man whose body of work still sings.

OVERVIEW: In 1999 the band released Ágætis Byrjun (‘A Good Start’), Q magazine deemed Ágætis Byrjun ‘the last great record of the 20th century’. By the end of the year, it had won the inaugural US Shortlist Prize for Artistic Achievement in Music. This year celebrates the 20th Anniversary of Ágætis Byrjun, the band expand their breakthrough album with demo and archive versions of songs from the album, plus never-before-heard newly unearthed material from the time, rare b-sides and the full 95 minute concert played in Reykjavík on the day the record was released.
PRODUCT SPEC: 4xCD discs containing original album, live album and rarities with a soft back book CD1 | Original Album - as released June 12th 1999 CD2 | Live at Íslenska Óperan
Live at Íslenska Óperan, 1999 - includes previously unreleased tracks
CD3 | Live at Íslenska Óperan & Rarities
Live at Íslenska Óperan plus 3 previously unheard and unreleased tracks
CD4 | Rarities