Metal Vinyl 10 Inch 28 Items

Chile-born and now Germany-based scourging black metal plague Vel'har joins Sentient Ruin for a much awaited and long anticipated vinyl release of its 2020 light-consuming debut MLP Letanía I. On the wretched offering cryptic mastermind H.S.V.H. unfolds two monstrous black metal blades adorned by three interludes to invoke an unholy sonic siege upon the ridicule of life and the purity of christendom. Baptized under the pentagram and spewn from the unholy jaws of oblivion, these five tracks sprawl and hiss like a horrifying morass of snakes, consuming reality and devouring everything in the wake of a monstrous tide of venom. The rawness and violence of these riffs is evident, but so is the ritualistic and esoteric majesty emanating from its death-scarred aura; an infernal force summoned as a liturgy or rite of passage toward a higher meaning and other form of existence. And that form is Satan's triumph, the zenith toward which every moving part of this wretched crucible converges. His glory as beacon and conduit of pestilent krafts conceived with the malefic design of insulting life and transporting the listener deep inside twisted and inverted dimensions of infinite dissolution and complete insanity.

Hate PROPAGANDA's far too overlooked 2019 debut MLP World War 666 sees a much needed reissue on vinyl, remastered and enhanced by brand new artwork commissioned for the purpose by Xerox master P. VAN Trigt. When it was first released on cassette tape back in 2019 by War Arts Productions, this war-torn debut offering of primeval warnoise by the mysterious Portuguese war criminals stood out immediately as a crown jewel debut for the genre and as one one of the year's most definitive and underrated manifestations of extreme metal's most hateful and berserk fringe. Packing in nineteen minutes of absolute hatred, the annihilating MLP manifests as a nightmare hallucination of complete violence and negativity, evoking eons of perennial apocalyptic global planetary war and terror on the wings of its nefarious design of achieving maximum annihilation in the shortest amount of time possible. To harness this bleak pantheon of ruin, the Portuguese conquerors have assembled a weaponized and uncontrolled sonic chain reaction where grindcore, black metal, death metal and hardcore punk are all accelerated and instigated into an inescapable payload of death aimed straight at the vital sinews of humanity. A sonic maelstrom churned into shape by an onslaught of obscure violent riffs, psychotic leads and ominous laughter which, parallel to a pulverizing drum performance, emanates from oblivion with an antediluvian, negative aura.

In 2016 we had the honour to release the very first output by the mighty Memoriam. Now, 6 years later Scott Fairfax (Memoriam, As The World Dies) and Karl Willetts (Memoriam), join forces yet again to deliver H Drive Project. H Drive Project has an epic cinematic, ethereal sound driven by synth based keyboards, with touches of Scott's heavy riffing guitars and Karl's raw and emotional vocals. Unbound by a singular genre, H Drive Project merge a galactic style ambience, waves of bass and 80’s synth infusions with touches of heavy elements to explore an innovative depth of melody to their style. On their first release H Drive Project brings you 2 tracks with a total time clocking over 12 minutes. A massive and brutal wall of sound and very personal lyrics.

Chilean black/death metal cataclysm Chaos Perversion emanate from the underworld of the glorious South American extreme metal scene with an aural declaration of war aimed straight at humanity like a hell-forged arsenal of complete mass destruction. Loyal and adherent to the tradition and reputation of the legendary and often far too overlooked Chilean black/death and speed metal cult, Chaos Perversion throw the entirely of their negativity and darkened vision into a nineteen-minute debut offering of feral and primal aural darkness worshipping the omnipotence and majesty of total chaos and inevitability. Originally circulated independently only locally in their scene back in 2019, the duo's debut EP "Petrified Against the Emanation" is now presented via Sentient Ruin for global audiences as a limited edition vinyl 10-inch.

Brand new EP from darkwave masterrs Lycia. The current lineup of the band is John Fair, David Galas, Tara Vanflower and Mike VanPortfleet, who has bee the only constant member since the band’s formation.Lycia's sound is characterized by rich soundscapes and layers of heavily effected guitars, dark atmospheric keyboards, heavy reverb drenched drum machines, VanPortfleet's somber raspy vocals and Vanflower's vivid melodic voice.

"The Revolution Will Come Soon. All This Will Be Destroyed. The World Must Be Destroyed. Amen. For Years I Have Been Waiting For Antonin Artaud's Mad Words To Catch Up With The Actual World And Thank God For The Virus - Here It Finally Is. This Is The World Must Be Destroyed."Originally Recorded During The `Who Do You Love' Sessions Back In 2017 - The Title Track Even Intended As Main Single But For Various Reason Ended Up As An Outtake (!) - These Songs Are Among My Personal Favourites From This Period. They Are All Inspired By Antonin Artaud's Insane Masterwork - His `Biography' Of Child Emperor Heliogabalus. Hallucinatory, Sadistic, Overly Sexual And Above All Just Completely Nutters.Produced By The Tall Man Himself And The Dark Diva Karin Park. Musicians Include Dana Schechter (Insect Ark/Swans), Andrew Liles (Current 93/Nurse With Wound) And Tubaist Kristoffer Lo (Highasakite / Motorpsycho). Greg Norman Recorded The Songs At Steve Albini's Electrical Audio Studios In Chicago. After 20 Years Of Doing Årabrot I Have Learnt One Important Thing: In Order To Rebuild It Must All Be Destroyed.'Norwegian Noise-Rockers Who Follow In The Footsteps Of Uncompromising Us Acts Such As Swan Andbig Black' - The Financial Times

Degenerate nihilistic punk commando Puro Odio seal an unholy pact with Sentient Ruin to reissue their incendiary 2018 debut demo on 10" vinyl, making it available for the first time ever on analog physical formats in North America. On the verminous and heinous demo the Basque raw punk terrorists first came together as a rogue entity of total barbarism and inhumanity, glorifying cruelty, violence and sadism at their most gratuitous and senseless stages through six primordial stabs of complete hatred and perversion. Firmly rooted in the proudest and fiercest tradition of raw punk and hardcore, Oi!, crust and d-beat, what sets Puro Odio apart from their far less controversial and harmless peers is their unique and sophisticated visual aesthetic and their meticulous yet unsettling sound blending nefarious black metal-like vocals, violent lyrics, barbaric d-beats and a meat grinder of unrelenting chainsawing guitars - a proud exercise in sonic atavism that has yielded a blood-drenched hardcore punk twilight of total darkness and bestiality. With an overall sound reminiscent of celebrated punk/metal plunderers like Gism, Bone Awl, Hellhammer, Von, Gag, and Glue, the eleven-minute demo has established Puro Odio as an unforgiving beacon of violence and immorality within underground punk and as a perverted sonic exaltation of humanity's most negative and repulsive traits.

Not many in stock..MASH UP Bootyyyyy Hack Sabbath The Wizhard (whr001) Label: Waffle House Records Release Date: 06/06/20 Format: 10″ Vinyl /

Configuracao Do Lamento is a sound riot, a trance-inducing cacophony, a body-shaking mix of percussive rhythms and bending guitars. The seventh album by São Paulo, Brazil’s Deaf Kids is harmful for the weak-minded. An experimental mile marker on the band’s journey, it is as treacherous on the ears as hypnotic to the mind. Expanding the band’s D-beat origins, these eight tracks vacillate between demonic fever dreams, orgies of acidic guitars and percussive taunting. Sometimes songs are not songs anymore, but assaults which clatter and hum like rough metallic windchimes in gale force winds.

The band was formed in 2010 in the industrial city of Volta Redonda / Rio de Janeiro as a solo fuzz-soaked blend of crust / D-beat before bass and drums were added. Seven years, seven releases, two European tours, gigs across Brazil and more than one hundred shows later, the band remains steadfast on a path of sonic mind control. Their releases explore different takes on the hypnotic rhythms that comprise D-beat. When the band moved together to São Paulo, they began to blend each member’s musical and aesthetic taste with a common interest in mesmerizing grooves and psychedelic rhythms from around the globe. They now produce overwhelming, sensory-driven dirges that carry a Brazilian (and Latin American) imprint. Deaf Kids is the legitimate bastard child of colonial chaos—trapped here and there, between both complementary and opposing worldviews, trying to balance the intensity and conflicted human condition.

Troll invites you on a Nordic black metal odyssey with "Tilbake til Trollberg." This marks the 6th chapter in Troll's mysterious journey through the genre's dark landscapes. Immerse yourself in a timeless tapestry that weaves echoes of the past, whispers from the future, and the stark reality of the present. Each track celebrates black metal's evolution, sidestepping into the heart of classical Norwegian black metal. This isn't just an album; it's a statement of mastery. Secure your copy now and join the odyssey. Let the black metal saga unfold - a journey that transcends time and captivates the soul.

Messa’s rising trajectory hits the stratosphere on their immense new album “Close”. Soaring up out of the Italian Doom Rock underground in 2014, Messa have been rapidly garnering a frenzied throng of devotees, in thrall to their monumental and broad-ranging sound craft. Releasing two widely celebrated cult records, the latest of which “Feast For Water” in 2018 was a critical breakthrough success, with Rolling Stone calling the whole album “captivating, wringing maximum drama out of its savvy stylistic clash,” Messa have had everyone on tenterhooks, waiting for what was next.

New album “Close” draws us further into Messa’s spellbinding textures and immersive dynamics. Described as “Stevie Nicks fronting Black Sabbath,” singer Sara’s colossal voice omnipotently carries the listener on an emotional rollercoaster ride where the sonic cauldron of Iommi guitars gives way to Arabian oudh and progressive solos in a masterful style-clash that well befits Messa’s incendiary reputation.

The hushed Fender Rhodes piano intro on opener “Suspended,” picks up where Messa left off on their previous album “Feast For Water” but then collapses gloriously into Jazz guitar and widescreen impassioned crushing riffs, lighting our way for the odyssey ahead. The scene is set magnificently for the journey that “Close” expertly takes the listener on, with Messa’s obvious care and passion for the album as a pilgrimage of sonic experience. Heavyweight tracks like “If You Want Her To Be Taken” or “0=2” are modern Doom Rock classics that expertly upgrade and leave the genre reeling in their wake. “Pilgrim” and “Orphalese” are woven with tapestries of Mediterranean sounds where oudh and eastern chord phrasings expand Messa’s cinematic palette with a panache that is all their own. Atmospheric and grandiose belters like “Rubedo” and “Dark Horse” build into an almost limitless climax of discord and harmony where blast beats and saxophones descend into a thrilling cacophony that’s a masterclass in artful cutting edge Doom.

Referencing bands like Dead Can Dance, Swans and Om, Messa have created an album where song, experience and atmosphere are focused into a crystalline modus where high art flawlessly embraces good old fashioned riff-worship. Transcending the occult and noir-tinted atmospheres of their past works, “Close” confidently weaves Messa’s multifarious influences into a singular breath-taking sound that leaves the listener enthralled. Perfection or something extremely close, Messa’s “Close” is not just a Metal record, but it’s definitely one of the best things to break out of the confines of Metal in a long time.